Graphics Books

I bought a number of digital textile design books. This one is the most updated and simple in terms of the instructions. Also, the author is extremely accessible and available for support, questions and feedback. He was fantastic and very helpful!

As a Graphic Designer, I made a research and bough four products that were supose to solve textil design, and this was the best, It gives you meny alternatives: also the seller stood beside me when nedded.

I love this book! It saved me hours in learning specific aspects of textile design using photoshop - plus the author makes himself available for technical assists. Awesome.

This is an excellent book for textile designers. Easy to follow and Frederick has been a pleasure to work with. Thanks again!

This book took me to an advanced level of textile design! It was like taking a course in textile design in college except you can actually do things when you're finished! I'm ecstatic that I found this book. I have learned many new techniques. The explanations are very clear, precise and complete! I recommend this wonderful book and I fell grateful that Mr. Chipkin generously shared his years of experience. It's a book for professionals, freelancers and an essential book for the students.

I have never used PS before. But with this detailed and step-by-step instructions of this book, I found PS is quite easy to handle. love it, recommended to those who are truly beginners like me!

It sure made it easier to navigate through Photoshop. I still have a lot to learn, but it's easier with Sue and Jack's help.

This book is real helpful. Has some great tips with a number of nice shortcuts

A great resource for those who know, or are just begining to use photoshop. It helps you apply this powerful program to the unique problems of underwater photography, with easy hands on demonstrations. Version differences sometimes get in the way a bit, but the concept is clear and you just have to figure out how a newer version does what they may have done on the version this was written on.

All in all a very helpful book, with many great tips and concepts. I have used photoshop for a while, and been shooting UW for several years, this has already helped me get better photos and I have not hit the water since I got the book. I revisited some shots with specific problems that I learned a fix from in this book. Paid for itself in the first week.

I write this review with one purpose in mind: to affirm the 5-star rating this book has (so far).

As an experienced but not professional Photoshop user, I already had a good set of skills under my belt prior to color correcting underwater shots. I'd also done my internet homework and found plenty of good material out there. (YouTube, for example, has some great tutorials.)

I am cynical about most Photoshop books. Too often the same-old same-old just gets repackaged.

This said, I feel AP4UWP was excellent and well worth the price. In particular, AP4UWP helped me with those shots that really needed help but were worth preserving.

I've already recommended this book to every UW photographer I know.

Dr. Kirtland C Peterson

I enjoyed this book so much that I used it for a Sunday School class and bought extra copies for gifts. Rabbi Harvey's wisdom and dry wit are just perfect for all ages and denominations.

I loved reading this book. It was funny, engaging, and worth owning. The cover caught my eye, and I love how the novel is drawn. Very cute!

In the revival of comics in recent years, there's nothing quite like Rabbi Harvey, which is why this black-suited, black-bearded, black-hatted rabbi has popped up occasionally in news stories across the U.S. about trends in faith and comic books (or, in this case, graphic novels).

Without firing a shot or turning to some exotic form of martial arts, Rabbi Harvey manages to tame his little corner of the Wild West. His non-violent style, relying only on his faith and his razor-sharp wits, holds the potential to help tame graphic novels as well. Perhaps other comic artists and writers will pick up this concept of a non-violent, spiritual hero and run even further with it.

Harvey is the creation of Steve Sheinkin, whose other professional pursuit is writing history textbooks for schoolchildren. As you might guess, Sheinkin's true passion in working on history texts is trying to provide students more of the fascinating bits of history that are left out of traditional textbooks.

In the case of the two Rabbi Harvey graphic novels, it's a little tough to sort out what's history and what's not. There were Jews in the Old West, but Rabbi Harvey himself is a fictional character. He's a creation of Sheinkin's fertile mind, but he's also acting out roles in traditional Jewish folk tales that span many centuries. (In fact, in the back of this first book, Sheinkin provides a suggested list for further reading in Jewish folklore. In the back of his sequel, knowing that readers are interested in these connections, he expands this appendix and explains in greater detail where the original patterns of these stories emerged.)

Each book has about 120 pages of comics (a few more in Volume 2). The comics are black-and-white drawings, colored in a limited pallet of beige, gold and brown that suggests antique images from many years ago.

In this first volume, we meet the rabbi. There's an extended flashback to explain how he first came to this town high in the Rockies - and managed to defeat the deadly foe "Big Milt."

The stories here serve up some of the best short (and very short) "wisdom stories" of the Yiddish tradition, presented in the unfamiliar environs of the Old West of the USA. Arguments are settled, bullies get their comeuppance, and the good guys (the ones with the black yarmulkes) win. A great intro to Jewish short stories and novels, and much of it is very funny (even if you can see the punchline coming from 200 cubits.) Get your kids (and the kid in you) interested in Jewish Literature in a painless fashion.

I loved, loved, loved this "graphic novel" (not so much a novel but a collection of stories). The Adventures of Rabbi Harvey is a collection of Jewish folktales told as Western adventures featuring Rabbi Harvey of Elk Spring Colorado. Rabbi Harvey's stories involve his own travels and encounters with double-crossers and odd types like the boy who insists he is a chicken, as well as moral dilemmas brought to him for his rabbinical ruling. Since I'd read/heard some of the stories previously, I am assuming that many of them are based on traditional Jewish folktales but some seem to be original stories. It's a nice mix and all are deftly and humorously illustrated, with funny asides from the rabbi, onlookers, even the occasional animal or inanimate object (when a traveling merchant attempts to cheat a woman out of a bag of money he is supposed to deliver, throwing only one coin on the table, the head on the coin wonders, "Why am I not surprised?"

There is a distinct Jewish flavor to the tales, set in a neverland of all-Jewish Western towns, and I definitely recommend this book for older kids and adults alike who want a fun and easily digested book of Jewish stories. But even for non-Jews, this is an entertaining book of stories with moral points of view, told with a sense of humor. HIghly recommended, this one is a keeper for me and I sincerely hope there are more Rabbi Harvey books to come.

The nearest thing I know of today to the satire of Li'l Abner is The Simpsons. Parodies of popular culture, politics etc.. from the perspective of flawed innocents somehow getting caught up in weird events. Al Capp's creation was probably just as well known in it's day as Groening's work is now.
There is great drawing to be seen here by the stable of cartoonists employed in Li'l Abner, there is persistently good writing which must surely have cut close to the wind in 50's America. This is pre-PC and the way Capp seemed to look at the world and the roles and weaknesses of men and women is funny to look back on. At the same time the comedy stands up in it's own right. I particularly enjoyed the Lower Slobbovia scenes. There is often a frenetic pace to all these comics, with Capp seemingly uninterested in continuity concerns.
These works do not seem to be taken from original art (perhaps it can't be located (easily anyway)). They are scanned from newspapers with mastheads still intact. This is interesting to a degree but the limitations of the sources mean the colour leaves a lot to be desired. One of Lonesome Polecat and Hairless Joe's dinosaurs is a different colour each week it appears. A character may have different coloured hair or clothes. Skin tone also vary greatly.
These quibbles are major but the quality of the cartooning and writing is such that it can be overlooked. The 4th volume has some isolated pages which are well coloured and that makes you wish that it was all at that higher standard. Perhaps it would be better in black and white as the dailies look great.
Time to get the dailies back out too. Get on it Fantagraphics!

I caught the tail end of the Li'l Abner series as a child in the 1960's and remember loving it. I recently started looking for some collections in libraries, but couldn't find any so I looked on Amazon and found this volume and bought it. I've had a great time reading it and even though the things it satirizes occurred before I was born, I'm familiar with much of them through my study of history. Much of what is satirized is applicable to any time and is still fresh.

I've recently been reading some of the classic satire of Voltaire (Candide) and Rabelais (Gargantua and Pantagruel) and this seems to fit right in with that style. I guess I have a warped sense of humor. I wish today's comics were this good.

I enjoyed the artwork and appreciated the explanations at the end of the book highlighting some of the items that someone born after that era may have missed. I highly recommend this book. I will probably order more volumes.

Grew up reading this series. Now I have a permanent copy of my own. Good price and great product for comics junkies.

I bought this volume (and volumes 2-4) for my Dad for Christmas because he was such a big L'il Abner fan when I was a kid in the 60's. When they arrived I just had to sit down and read them all before wrapping them up! L'il Abner is a lens focused on it's own era in time, totally tongue-in-cheek! For rollicking fun and biting satire these comics can't be beat!

Lil Abner always had a strong fan club that allowed the reprinting of the daily strips by Kitchen Sink press for about 25 volumes, which if there was no fan base, only one or two volumes would have been published.

In addition,we are very lucky that Frazetta's reputation and fan club would allow the printing of a comic strip that John Steinbeck once stated, its author, Al Capp, should be given the Putszler (excuse the spelling) prize.

Al Capp was a master satirist and storyteller, who would have one acclaim like Mark Twain or O'Henry if not for the snob attitude toward comic strips.

This is shown here. The 50-year-old color strips are re-printed in a fine manner with expert commentary about the period they were written in by Denis Kitchen.

Beware, they feature "politically incorrect" well-endowed women, and one main character, Daisy Mae, as mostly submissive, which would not be allowed in comic strips today as it would raise the ire of feminists and other "progressive" people.

On the other hand, it features the two main male characters, Abner and Pappy, as idiots or wimps, Abner and his brother Tiny as "hunks", and the one of the main women characters, Mammy as the leader of the Yokum clan, who occassionally beats Pappy, which are allowed in comic strips today as the "Progressives" seem to have no problem with this.

Remember, vintage comic strip reprints do not generate big bucks, some even lose money. They are produced out of great admiration for the strips, and we should be grateful for the publishers for doing so.


By the way, why does Amazon include a 'NO' in 'was this review helpful to you?'. People are only human and don't like opinions that differ from themselves. With some who are less mature, this the 'NO' makes it too easy express such displeasure.

Are they trying to discourage negative reviews, hence not purchase the CD. Such reviews only help a person in not being dissatisfied a product that received positive reviews

I knew my 8-year-old audience liked this book when she asked me to continue reading after the second episode . . . I knew we had a real gem when, after we read it from cover to cover, she flipped to her favorite parts and read them again.

What's more, I can't say I've ever enjoyed a comic more. The story of Amelia's dad backing out of plans for her party had me weeping; the Christmas story of Amelia learning to be (heroically) generous stirred even my jaded Christmas-hating heart; and Aunt Tanner's rock song quotes had me singing Elvis Costello and Dylan --and gave me the perfect excuse to educate the next generation on REAL music. But I digress.

The kids are sharp-tongued (well, except for Pajamaman --he doesn't talk) and vibrant, the adults are flawed humans, the stories are moving, and the cartooning is as charming as the best of Peanuts. What more could you ask for? The book will provide you and the kids hours of treasured memories.

For some time now, I've been telling anyone that would listen that Jimmy Gownley's Amelia Rules! is the best comic book for young readers to have been published in YEARS. Now, Gownley has begun reprinting the run in the handy digest format that the kids seem to dig these days.

The Whole World's Crazy reprints the first several issues in the tale of Amelia McBride, a girl who has to leave the excitement of New York City when her parents get divorced and she and her mother move to a small town to live with her aunt. The stories in this book deal with many of Amelia's firsts: her first day at a new school, her first Halloween and Christmas in her new town, and the first trip with her father after the divorce. In the comic as a whole, and in this volume in particular, Gownley frequently touches upon rather serious topics (divorce, for example) that young children have to deal with without really understanding. However, Gownley handles these subjects in a way that will help his young readers learn to handle their problems, with a blend of humor and wisdom that kids need. He's never frightening, never patronizing, and always entertaining. Amelia and her friends are wonderful characters, characters that kids can find themselves in, helping to open the door for them to embrace the story even further.

If I ever have kids -- especially daughters -- these are some of the first comics I'll get for them.

Amelia Louise McBride, a 9 year old facing divorce, moving, and the weirdest school of all time. With Wicked Witch Bloom, Mad Dog Barkley, No Neck Norris, and Old Man Biggers as teachers, "So then Noah says, "Sorry Zeke you gotta dog paddle." :-) Owen, fan of the Feds, Mary Violet, with the Mall God and Searing Hand of the Devil, Earth Dog the poet, as well as the "nerds," Reggie Grabinsky, holder of best sneeze-barfer and best superhero wanna be, Rhonda Bleenie, annoyed by sister goodie Reenie, and silent Pajamaman, who attracts s with softee chicken backpacks and being a Latchky kid. Living with her mom and Aunt Tanner, the with the straight A student motto. Facing ups like Santa, and downs like Softee Dad, this is a six star book!

When my 7-year old son is fighting with my 9-year old daughter for his turn to read AMELIA RULES!, you know these books are going to be a hit. The artwork is beautiful, the dialogue full of great humor and pathos, the stories engaging. But what appeals most to the kids, I think, is the characters themselves. Amelia is out-and-out fascinating--a perfect combination of pre-teen girl and tomboy--and her friends are as lively and entertaining as any you'll find in American literature.

In fact, this IS literature, and if you're the kind of parent who thinks comics are no better for kids than TV, AMELIA RULES! will prove you completely and utterly wrong. Get these books. Your kids won't be able to put them down--and neither will you.

I was reading this last night and was laughing my head off. It's brilliant and funny. My 4th grade daughter likes it a lot too, though she doesn't get all the jokes. Get this for your kid or get it for yourself - just get it!

Even if you're not single, there is remarkable charm and understanding in this little book about being a woman in what is STILL a remarkably marriage-obsessed society. It is a pleasure and a comfort to take part in poking fun of this reality. As ever, Author Rachel Carpenter's intellectual, dry wit comes through even in the context of the whimsical simplicity of the book. Anyone--male or female--who has ever actively looked for a life partner and consistently failed at doing so (in other words, everyone, right?) will gobble up these modern words of wisdom.

Whether you are happily married (like me) or still looking (like many of my girlfriends), this book is a good way to laugh at yourself. Even if you never looked for a partner you know someone who has offered you the perfect advice for finding a mate. I took the book to work and everyone enjoyed it and subsequently shared stories from their own experiences. Even the men loved it! They said it was fun to see us poke fun at ourselves.

A friend of mine had this book sitting on her coffee table and I opened it up and couldn't put it down. This is one of the funniest parodies I've seen in years. I was laughing out loud from beginning to end. Just when I thought I had the whole thing figured out, Carpenter would come up with another unexpected and delightfully amusing twist. I've bought four and am giving them as Valentine's gifts. Even my mother (married for 50 years!) loves it. Does anyone know who Rachel Carpenter is? Has she written other stuff? I searched her name on amazon and couldn't find other books but I'd sure love to read a novel if she's got one. Wow!

My husband brought this book to work today to show to his coworkers. It is kind of cute that he is responding so well to a pink chick book...So its clearly not just for girls.

Hilarious! A chick looking for her husband, from ballroom dance classes to AA meetings with amusing results. Does she find him? I don't want to ruin the surprise! Suffice to say, along the journey, she realizes that whether or not she finds The Man, she can lead a fulfilling, rich life.

This is an inspirational book, from the cover shot of Tiptoe Through the Tulips through the painted cars, the assemblage cars, and the more mutated vehicles. Art Cars are a strangely friendly version of Folk Art. Don't they put a smile onto your face when you see one driving past?

The earlier Harrod Blank book, Wild Wheels, ties in with the Wild Wheels movie on art cars, and this one is a continuation of that book with newer art cars and some helpful construction tips for your own art car.

All that have seen my copy have loved it. Hardly anyone could view this book and not smile. Too bad it's now gone out of print, but there are other wonderful books and a brand new movie by Harrod Blank.

I visited my niece in Seattle, and she KNOWS one of the art car owners, so showed me the book. What fun!!! I am buying it today!

One of the most joyous picture books ever published. Put a copy on your coffee table at home or your desk at work, then sit back and wait for your visitors to start chortling. It's impossible to look at just one page!

This book is just a blast -- it is so fun and inspirational. It made me happy that I own a crappy old car, because now I can run out and paint it without worrying about the resale value.

After reading several chapters, and struggling to assemble my own one-minute documentary for a class project, I'm paying closer attention to how a documentary is put together from an artistic, expressive point of view. We used this book in a short, informal class for older adults. We started by writing a one-minute description of an important moment in our lives. We recorded the narration, then added photos, videos, and recordings. I found that with each additional step I could pare back excess verbiage and let the images convey the ideas. There are plenty of technical books about how to operate a digital camcorder. Thank goodness, this isn't one of them.

The Art of the Documentary
By Mary Cunningham
Review by Pi Ware

Mary Cunningham's "The Art of the Documentary" is an attractive full-color compilation of interviews with some of the world's foremost documentarians. It's an intimate and insightful glimpse into both the art and craft of docs and a must-read for filmmakers serious about creating non-fiction work. You'll learn how Errol Morris creates "first-person cinema" using The Interrotron; why Ken Burns locks music before script, how D A Pennebaker futhered art via technology, and how cinema-verité documentarians like Haskell Wexler are able to "inspire" scenarios within their films.

Notably missing are the king of the personal documentary, Ross McElwee, and the masterful doc team of Bruce Sinofsky and Joe Berlinger. But Cunningham fills the spaces with interviews of the behind-the-scenes players--editors, executives and cinematographers. And in doing so she gives you a broader picture of the doc world and deeper insights into what it will take for you to make a successful non-fiction film.

Ever wanted Ken Burns or others in the pantheon of documentary greats as your personal film making mentor? This book gives you that and more. This versatile book is as perfect for someone just starting out in documentary films as it is for a veteran who wants in on a few secrets of the masters. Our film production company read from it aloud on location and everyone, from the producer to the cinematographer to the researchers, all gleaned practical tips from it. The interviews are substantive, insightful and most importantly, very useful. A real keeper for those interested in learning nuances and techniques from a wide range of documentary styles.

Megan Cunningham's Art Of The Documentary offers ten conversations with some of the best documentary directors, editors and producers in the industry. Nonfiction documentaries reveal the methods and focus their directors, which is captured in chapters which begin with project concept and move through the entire production process. Plenty of color photos illustrate each director's works.

Consider this book a master class in documentary filmmaking.

Megan Cunningham's interviews are incredibly engaging - she manages to at once explore each documentarians' creative process, AND discuss how these various filmmakers achieved their success, AND to discuss specific films in-depth AND to elicit the filmmakers' fascinating views on theoretical issues such as what constitutes "cinema verite" or whether documentaries can be considered art.

Furthermore, Cunningham's book is wonderfully readable and well organized (and full of photos!). I especially enjoyed how Cunningham devoted equal space to such luminaries as Errol Morris and lesser known but equally powerful documentarians such as Lauren Lazin. The book manages to seamlessly cover more than 50 years of American filmmaking and it's wonderful to have the thoughts of multiple generations of directors, editors, and cinematographers compiled in one volume.

Whether you're a fan of documentaries, an aspiring documentary filmmaker, or unfamiliar with the entire field and would like to learn more, "The Art of the Documentary" is the book for you.

I have to agree with the other reviews on this book, it's a MUST have at any price.

The art from the early Dragonlance covers has always been some of my favorite fantasy art, and this book dives deeper in the vaults to bring out art that if you're like me might never have seen. Some of the art is from the dragonlance calandars, posters, etc. This book will leave you with a deep appriciation for Larry Elmore and the other great artists who've done these covers.

I was born with the name of Raistlin.. naturally i would want to see the character i was named after. This book provided me with the start to my passion with Dragon Lance.
It goes into detail and explains everything (how the dragon riders stay on the dragons etc.).
I have one copy and so does my Dad, but mine has pages missing from when he used them as posters. I want another copy but it depends how much i am willing to pay on e bay.
This book is worth getting for a price such as £50.

Enjoy.

This book is worth every penny I paid to get it. It includes a short story about how the Dragonlance epic came to be, the four original color roughs (by Larry Elmore), sketches of the dragonlance and saddle and how to use it, sketches and pictures of the many types of draconians, armor and weapons, beautiful oil and acrylic pictures, a little history and pictures of the Heroes of the Lance, pictures and history of minor characters such as Lord Lorac, the elven king, and much, much more! This book is a must-have for any Dragonlance collector. You won't be disappointed!

This gorgeous book is one of the finest compendiums of TSR artwork ever created - it is loaded full of hundreds of illustrations, free of print, on glossy paper; included are every piece of full-color artwork ever created for Dragonlance (up through 1987), supplemented with rich text and many, many concept sketches that appear nowhere else! For Dragonlance afficionados, or those who appreciated classic art by Easley, Caldwell, Parkinson, Elmore, and more, this is the ideal collection.

This was an absolutely beautifully laid out book. It contains 'round 40 full color full page prints of paintings of the dragonlance saga. Along with the prints there is also background info. on how the artists put the images together, along with an intriguing storyline that ran with the images. An absolutely fantastic book... can't say much more about it!

I can't say enough great things about this book. It's full of interesting projects to try, and the design of the book itself is great, light and airy, despite being packed with useful information.

You'll need some software to try the projects in it, an image editor of some kind and a printer. But that's all you need for most of the projects described. Janet Ashford has really creative ideas for transforming every day objects like metal tins and boxes, using computer designs.

I can just about guarantee, if you're artistic at all and you buy this book, you'll not only enjoy it, but you'll wind up designing some really amazing things as a result!

Being an arts and crafts designer from way back, I have always wanted to own this book. I couldn't find it on the shelves a couple of years ago and proposed to write such a book when I found myself inventing paper crafts for PrintMaster, a card design program produced by the Learning Company.

But Janet Ashford beat me to it. And she has the know-how it would have taken me years to acquire. This is a magnificent tome, one that inspires as well as informs the crafts addict. Her expanations are sophisticated but clear to anyone who has passed beyond the basics. Lots of the projects are very artful and have the look of "handmade" without being too cutsy or too advertisingly slick.

I recommend this book to anyone who loves crafts and has access to a computer with the big three type programs: layout, photo adjusting, and drawing. If you are new to computers, an accompanying book or class will set you up for this one.

The potential of the computer in craft has been seriously damaged by the excitement computers have generated. A parallel can be found when the Russian novelist Tolstoy was given a dictaphone to help speed up his writing. After a few weeks he threw it out the window. His neighbor asked if it didn't work. Tolstoy's reply was "It worked fine, but I got so excited using it I couldn't write." For almost two decades a generation of designers have succumbed to the excitement and hype of the computer without significantly adding any real content or substance to their work under the digitized banner. It is time for that to change, and Janet Ashford is a winning harbinger of that change.

It doesn't help matters that most design software seems to be written by the left-brain dominant spouses of craft practitioners...well intentioned souls with no sense of the real kinesthetics of working color, form, texture.

Janet Ashford has navigated through the difficult middle course between technology and entrancement. She draws! She creates custom palettes in her application software! She doesn't hit you over the head or talk down to the reader. Perhaps her experience of designing for and with her daughter has given her the wonderful tone of teaching someone she likes, who is lacking in knowledge but not in ability. That is a prized gift in any teacher, and Ashford has it mastered.

She has maintained her enthusiasm, her innocent pleasure in sharing the joys of color and pattern, line, light and form. She is conscientious in gathering really useful resources together into a book that can pay off in serious fun the first weekend you get to use it, without resorting to false expectations. Buy the book. Use the example. You, and your craft, will be enriched without hype or over-simplification. Serious artists and craftspeople do not expect the tool to do the real work of creation for them. This book is written for the serious artists and craftspeople at any stage of their careers...from about 9 years old on up.

Ashford knows the art of computer craftmaking and provides the reader with very good starting points for crafts that intertwine computer and manual art. Regarding hardware/software she clearly favors Mac/Adobe, so her recommendations reflect this. In spite of this slant, she gives some helpful overviews of the technological side of various formats, graphic standards, etc.
Want to intermingle computer graphics with your arts and crafts? Here's a good starting point.

This is a good reference for general information about using a computer to enhance or create art. The author mainly uses Adobe products, such as Photoshop and Illustrator for editing images and graphics. Before you will be able to create these projects, you have to be familiar with your software AND have software to create some of the effect (image editor, paint and graphics program). If you are looking for a book that specifically tells you how to do these things, that will not be found here. You have to be "computer-literate" and software-literate to get the most from this book.

There is a lot of good information provided and several projects are shown using illustrations and photographs, not in a step-by-step format.