Central America Books

The author was the public relations spokesperson for the 1996 Atlanta Olympics, thus he had a great insiders perspective. He includes insightful insider stories. Great read!

From the very first page, I felt like I was there. Dick Yarbrough combines incredible professional credibility and integrity with expert story-telling. What a great read!

I was always suspicious about the goings-on behind the scenes during preparation for the Olympics in Atlanta.While Richard Yarbrough's book has not completely convinced me that all was well, it awakened me to the fact that the folks working in the trenches performed admirably under very adverse circumstances. It also confirmed my belief that the Committee's goals were undermined by a selfish and greedy city government. Yarbrough's account of preparation for the games, the bombing of Centennial Park and the competition is must reading for those who, like me, need to know the truth. Good going, Richard!

Dick Yarbrough's well written book really tells it like it is (was) with no holds barred. It is a fascinating behind-the-scenes peek into the very political upper levels of planning and running the Atlanta Olympic games. I highly recommend it to everyone. It is a must-read for Atlanta residents!

This book is a MUST READ for ANYONE who deals with customers. My employer believes in this book so much, They designed a class around the book that every employee had or has to attend.

This is a great book for owners of businesses or people who work for corporations. I enjoyed the chapter about managing young workers.

A MUST READ for EVERY manager, employer, CEO, anyone who is a leader of just one or thousands of employees! It will literally change the way a leader looks at their company and what it takes to be successful by demonstrating how the employees MUST come first as the company's NUMBER ONE asset! It will cause a total shift in the leader's thinking, from "customer oriented" to "employee oriented" way of doing business. The author emphasizes as the company takes care of the employee, they, in turn will take care of the customer. Karl shows you how to do it with excellent concepts and ideas that work! Reading this book will cause the reader to lose sleep, to be haunted if they choose to ignore Karl's leading! Perhaps losing valuable employees in the process, never realizing why. Karl shares how companies spend thousands of dollars on learning how to catch and keep customers, when the real key, like Karl demonstrates, is how to catch and keep EMPLOYEES, who catch and keep customers. The business then thrives! Karl is an amazing author.

Karl Arlbrecht discusses customer service strategies and programs and the failed application of manufacturing ideas to service organisations. I was amazed how accurate his book was at describing many of the failures that my past two employers made. It was as if he had worked for us! An excellent reference book for management in service based businesses.

"What's in a name? History! The African American community has their community in Harlem; the Dominicans are beginning to carve out a space for their people...Spanish Harlem is the soul and heartbeat of the Puerto Rican people...groups survive by controlling space and maintaining a viable and visible presence..." (p. 73). This statement, made by an activist and poet during a debate on the use of the term "El Barrio" to reference East Harlem, touches on one of the main issues that Arlene Davila so brilliantly expresses in her book, Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City. This rich ethnography focuses on the issue of space, particularly in the neighborhoods of El Barrio, or Spanish Harlem, located in the East Harlem district. She brings to light the cultural politics involved in the definition of space and its subsequent appropriation, as well as the commodification and marketability of ethnicity and race. Through extensive research, that includes interviews with local neighborhood residents, observations and participations at community meetings and organizations, and public hearings, Davila is able to put together a magnificent work that documents the complex effects of culture, space, commodification, representation and gentrification of space and the residents in El Barrio. In doing so, she is able to call "attention to the symbolic and representational processes that have tied race, ethnicity, and place in East Harlem within the public imagination...account[ing] for the value of these representations in the symbolic economy of contemporary cities" (p. 24).
El Barrio, a growing urban, Latino community is the foreground for Davila's examination of the politics of culture, urban space, gentrification of neighborhoods, and "the neoliberal policies that favor privatization and consumption" (p.2). Davila raises important questions in her work by focusing on the increasing attempts to create social change in urban communities through the introductions of new developments, businesses, museums, charter schools and tourist sites. In the chapters in her book, she devotes much time analyzing the complexities surrounding such gentrification issues, brining in to play the resistance of the local residents against developers. One particular impressive aspect of Davila's work, touches on the difficulties local residents face when they buy into the developer's ideas of programs that include home ownership and museums. Many residents agree that the image of Spanish Harlem as "poor, crime-ridden, and underdeveloped" sheds a negative light on their community (p.115). Developers, craftily pointing to the lack of value and marketability of Puerto Rican heritage or "Puerto Ricanness" reinforce the existing stereotyped image on El Barrio as unpopular (p.114).
Yet as Davila shows, the support of local residents of new projects can sometimes in fact lend a helping hand to the process of gentrification, resulting in residents jeopardizing their stake and claim in their own neighborhoods. In other words, "by supporting consumption and entertainment projects, such as museums and home-ownership programs, residents are furthering gentrification and increasing prices in East Harlem, thereby hindering their own future claims to the area" (p. 4). The Edison Project that Davila describes in her fourth chapter highlights the attempts of private organizations to claim stake in the urban communities of El Barrio, telling residents that "the project would educate residents about their own common heritage" while creating avenues "that would provide jobs and place the neighborhood on the map" (p. 129). But the price of these incentives was not free. Developers used culture as "the bait for a larger project for privatizing social services and further commodifying place in El Barrio" (p.129). Arlene Davila does an excellent job in bringing to light the complexities involved in the processes of gentrification and culture consumption and the desires of residents to reclaim their neighborhoods through highlighting their cultural values.
Another fascinating aspect of Davila's work touches on the issues of the relationships between the Puerto Rican residents of El Barrio and African Americans. Davila points out that both African Americans and Puerto Ricans share a common history, yet the introduction of a cultural space and the desire for "local control of resources" and "local electoral politics...has polarized the groups' relationship since the start of urban renewal projects and still mediates debates over space and development in the area" (p. 19). The advancement of African Americans in the political sphere is another point of tension between the two groups, as well as the dominant leadership roles of blacks in the urban development sectors. Additionally, Davila describes the tensions that exist between Puerto Ricans and Mexicans. The rapid growth of the Mexican population in El Barrio is causing the "rapid transformations in the area's demographics and landscapes" resulting in "tensions between Mexican and Puerto Rican populations, raced to their different histories, citizenship status, and/or self-conception as residents, racialized minorities, or temporary immigrants" (p. 21). While illuminating, the relationships and tensions that arise between the Puerto Ricans, African Americans and Mexicans alike can sometimes be messy. Their fight for control over space and their commonalities as minorities, whose culture is being commodified by developers and outside organizations, all tie in and relate to one another in a complex web of defining space and cultural values. As a results, the neighborhoods in which they all reside are slowly changing, reflecting the backdrops of multiculturalism, neoliberalism and globalization that form a common thread between the various issues and projects that Davila discusses in her work.
Barrio Dreams is an exceptional piece of work that illuminates the debates and issues surrounding the ever increasing urbanization and gentrification of one of New York's most well known neighborhoods. Arlene Davila is truly a genius at work!

Various historical points reveal where the redefinition of culture took place due to economically driven motives, which have proven pivotal for empowering as well as defining cultures. From the Pledge of Allegiance to the current war in Iraq, the lines drawn around the essence of one's culture have been exploited by money-driven entrepreneurs and politicians. Arlene Dávila exposes this phenomenon in East Harlem, and more specifically in el Barrio, in her new book Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City. She is "concerned mostly with the specificity of current racial, ethnic, and spatial conflicts in the area" which, "become exacerbated by the cultural bases of many contemporary development initiatives at the very time that intraethnic and racial alliances among minorities are most impending and most needed." (5) Her book displays the reality of the struggle in El Barrio where "ethnic" groups have been battling for a place at the same time the "Latin" community as a whole has been fighting for a political position in order to gain control of the definition of their culture.
Culture, contrary to Dávila's belief that there was a time "when cultural demands commanded economic resources and political valence," (2) has almost always been advanced for economic reasons. Countries in the Arabian Gulf have attracted workers from all around the world to work in the oil and gas fields to an extent where now the citizen is a minority due to the influx of these workers-citizens of these countries have yet to object to the increasing number of workers. Surely when one's culture becomes the minority culture it will have a great impact on the shape it takes.
Dávila, author of Sponsored Identities: Culture, Politics in Puerto Rico and Latinos, Inc.: The Marketing and Making of a People, has done extensive study on the issue of politics in the marketing of the "Latin" identity. The use of "Latin" or "Latinidad" implies homogeneity-it is a remarkable how the author is sucked into this normative stereotypes constructed for categorization purposes. The author herself argues that the "Latin" community is not homogenous in any way, thus "these groups differ in mission and objective." (157) Hence we have El Barrio as an area where various groups are fighting for various ends-using the word "Latin" inevitably hinders our vision concerning the diversity of the "Latino" culture.
Nevertheless, it is not simply about homogeneity among the Puerto Ricans, Mexicans and Dominicans. It's about hierarchies within hierarchies; "the relations are mediated by existing racial and ethnic hierarchies that are shaped by racialist processes in the United States and in Latin America and also have particular manifestations that are historically and regionally situated" (171). Hence the "ethnic" groups are placed into hierarchies according to the basic social class and political participation in the United States, which finds El Barrio (in general) in the lower middle-class. But hierarchies exist within this hierarchy, which leads to the divide between the "Latino" groups. Their stance in this category revolves around several classifications such as devotion to work, crime rate, longevity in the community and other such ingredients. The "stereotypes of Mexicans as less educated or unsophisticated" (173) have been a catalyst for Mexicans to attempt to present themselves in a picture they believe suite their community most and thus they have considered themselves as "hard working, and ethical Mexicans" (173). But other than the competition between the "Latino" groups, in the one specific group there is a hierarchy. The example of Puerto Ricans "with a longer history in El Barrio, criticized Puerto Rican newcomers just as forcefully, despite their Puerto Rican nationality and pro-Puerto Rican leanings." (79) The complexity of these levels and allegiances causes conflict in the group, which ultimately leads to the dismantling of the "greater community"-the "Latin" one.
How does Dávila define culture? She states that culture is an "ethnic or racial identity" as well as an "object of entertainment." (10) Culture is almost always associated with tradition and history and it is ironic how modern means can reshape our concept of culture in addition to molding the minds of `outsiders' in regards to their perception of a community's culture. Culture is man-made and it is "imagined." It is interesting to note the use of Benedict Anderson's "imagined community" in Dávila's study of El Barrio. She throws it in on page 65 whilst talking about Puerto Ricans and their creation of their community. It is a shame that this notion of "imagined community" is not introduced earlier in her work. That is the foundational base of conflict in any society where various communities live and fight for elements of their own culture so as to proclaim its exclusivity to them.
But what is especially ironic is the fact that culture is not tangible and Dávila seems to miss a step between providing us with her definition of culture and the various problems that have taken shape in El Barrio due to gentrification, which ultimately means the exclusion of some communities-the exclusion from political representation in New York City is center to Dávila's study. She argues that the "Latin" communities are losing grip of the fate of El Barrio due to the lack or representation in organizations that decide the final outcome of El Barrio. Her argument is clear and impressive because of the depth of her research in the politics of representing a community; the author provides us with several examples of how tenants are defined by race and social class, and thus reshape the community.
Overall, the study is extremely interesting in seeing the impact of marketing and politics on culture and vice versa. El Barrio is not a unified force and culture-Dávila proclaims, "sure El Barrio continues to be "de todos." Which is obviously a partial todos." (96) The complexities that the author examines is impressive and brings to light the power of marketing and advertising that are politically motivated in a society. She is an anthropologist and it is a study that presents us with extensive examples and theories but leaves the door open, as anthropologists tend to observe and not interfere.

It is no secret that our society continues to thrive and grow out of the economic structure of capitalism. Globalization provides more opportunities for free trade, and in the process our economy becomes increasingly privatized. These concepts of neo-liberalism, which require less government intervention, have been expressed through policies that deregulate 'big business' and further the gap between the affluent and the impoverished. Although many are bearing the fruits of this growing interconnection of trade and exchange, it comes at the expense of those who remain indefinitely at the bottom of the economic pyramid. Through her book Barrio Dreams, Arlene Davila uncovers many repercussions concerning the growing competitive housing development market in El Barrio or East/Spanish Harlem. Davila discusses the process of gentrification that has resulted in a pauperized community within New York City. The book aims to characterize the cultural and political interactions between different groups of Latinos as well as between those within the greater community. Their attempts to shape the future of their barrio while understanding their own cultural capital are also constantly revealed. Davila portrays the politics of marketing ethnicity as culture, and how it is treated as industry to further the process of gentrification. This book highlights the increasingly significant role of Latinos in American society and their struggles to gain power and authority in their communities.
In areas such as New York City, where property value only has the ability to grow with time, impoverished neighborhoods such as East Harlem are susceptible to development from outside private companies. Government policies have further contributed to the gentrification in the Empowerment Zone in NYC and have opened the door for private development. Davila states, "Since the 1980's, similar policies involving tax incentives to the private sector, as in today's EZs, have consistently replaced publicly financed community-based development strategies as the dominant urban development strategy (pg 9)." In compliance with the philosophies of neo-liberalism, governmental organizations have shifted the responsibility of social housing onto private development organizations, which are solely driven by profitability. Unfortunately, this has rapidly decreased the amount of affordable housing in East Harlem. Local businesses and residents have been displaced and neglected as a result of this rapid gentrification. "East Harlem's real estate is not advertised in El Diario or other Latino and local newspapers...many believe, (they) intend to keep Latinos out of the area (pg 54)," said one the area's residents. This process is a result of the lack of representation from Latinos and residents of the community. Even those Latinos from the area who have shown upward mobility have been consequently displaced outside of East Harlem and thus do not intend to return. Spanish Harlem symbolizes the romanticized version of Latino culture and will unlikely relinquish its reputation of being underprivileged. Roberto, a union leader Davila interviewed, describes why he can not live in El Barrio: "I saw a lot of brutality...El Barrio will always be El Barrio, not the Puerto Rican Barrio, but the barrio of immigrants and the poor (pg 38)." Roberto's comments shine light on the fact that this neighborhood is not able to develop without providing outlets for upward mobility and representation.
Part of reshaping the marginalized perception of El Barrio is being provided by activists in order to "secure the identity of (their) place (pg 24)." The current commercialization and outside marketing contradicts attempts and assertions that are being made to redefine the associations to the Latino identity. Many of the residents that reside in East Harlem are not a homogenous culture or ethnicity. Specifically, Puerto Ricans have struggled to assert their identity as a community in American society. As a group, they have attempted to downplay the stereotypes and negative associations that are being exaggerated by cultural marketers. In attempting to understand the own accurate identity, Puerto Ricans must be able to understand their significance in El Barrio. Puerto Ricans have been commonly linked with other ethnic groups such as African-Americans, who reside in West Harlem. Davila discusses the movement of Puerto Ricans to differentiate themselves as a functioning and successful ethnic group. Mexicans, who are the fastest growing immigrant population in the United States, experience similar struggles of re-signification in East Harlem. They have tried to establish themselves as "worthy and hard-working immigrants," and separate themselves from the marginalized reputation of other Latinos in the area (pg 156). Davila cites one man who commented, "We Mexicans are hard workers and don't depend on welfare as do Dominicans...many Mexicans are deported because they are illegal. Each month, Dominicans are deported because they've been jailed for selling drugs, committing robberies, crimes and fraud (pg 172)." The US depends on Mexicans to fill the lowest positions in the workforce - those jobs that require extensive manual labor for very little pay - but our government and policies prevent these immigrants from gaining rights and representation in their communities. The Mexican Day Parade was one example of a culturally-specific event that was marketed and organized by non-Mexicans for corporate interests. Davila emphasizes that the control of such cultural events by marketers who do not represent the Mexican community actually undermines the purpose of such ethnic celebrations. Further, she stated that the outrage of Mexicans in such situations "asserted ethnicity over industry and challenged the inequities in the production and consumption of ethnic events (pg 167)."
Artists have become catalysts for publicly marketing the real Latino identity with images that represent both the past and present. This initiative contradicts the growing commercialization of Latino culture geared toward economic gains in the EZ. The author adds, "Heritage is ancillary to tourism, put in the service viable tourist districts containing cultural, entertainment, dining, and recreational attractions (98)." The various cultural projects in East Harlem that would further allow the appropriate exposure of Latino heritage, such as el Museo del Barrio and the Edison Project, were centered around tourism, economic interests, and employment. This only furthered the process of gentrification in East Harlem. To inhibit this process, artists began to show an effort to represent Latino aspirations and dreams through non-profitable murals and graffiti. Their actions signify that ethnicity is more than just a business venture. Davila posits, "The fact is that current ethnic and cultural identifications are being concurrently fueled by a variety of political and commercial interests, and are thus not about to fade, as long as they are profitable, politically marketable, and viable (pg 214)." Thus, the need for further artistic expression of the actual Latino ethnicity is vital.
Through her book, Arlene Davila clearly represents the position and role of many Latinos in American society today. Neoliberal policies further prevent these groups from taking hold of their community and ethnicity, and allowing private companies to consolidate affordable housing. This book can only shine light on the rapid gentrification of all cities around the country. It is difficult not to think of the re-urbanization process going on in Durham over the last five years, and in doing so I hope those involved think of places like East Harlem. Many of the same efforts to improve the image are fueled by economic interests, however without considering the history and diversity of this culturally-rich city, the future of Downtown Durham will continue to be tainted.

Arlene Davila's BARRIO DREAMS is simply amazing. It grapples with the diversification of New York's Latino population, asking important questions about community solidarity and alliances. The final chapter on Mexican immigration to El Barrio is especially informative. Professor Davila is a stellar scholar whose ground-breaking work is helping shape the future of Latino/a studies. A must-have book indeed!

As a frequent traveler to Belize I found this book a wonderful guide to all the natural beauty of Belize.

I actually saw this book while travelling in Belize and wanted it to help me identify all the great animals we were seeing, but it was rather expensive. I got it on Amazon when we got home and it really helped identify some of the things I had taken pictures of. Next time I visit Belize I will be taking it with me. Nice colour photos and descriptions with some interesting information about the natural history.

From Planeta journal:

An impressive first edition, not as much a tourist's guidebook as a naturalist's handbook. Color illustrations document native birds, mammals and reptiles. The author provides a brief eco-history of the region as well as background on environmental threats and conservation. Excellent!

Great book, but where's the picture of the red footed booby?

The nomenclature "Bebop" referring to an extension of American jazz development is, in itself somewhat unfortunate. It is not surprising that many of the musicians at the core of the movement hated the phrase "Bebop" themselves. The jokey sound of the word tends to trivialize the significance and the integrity of the music to which is referring. We tend to think of Bebop as an amusing, but irrelevant, phase of the urban jazz scene. The contribution of Bebop to musical development is both pervasive and irreversible.

Scott DeVeaux's book, "The Birth of Bebop" takes on squarely the issue of the Bebop's place in American music and in America's cultural development of the middle of the 20th-century. He has made excellent use of first-hand accounts, anecdotes, and obscure or original recordings to bring this story to life. He has applied an academic's discipline to documentation of his source material with a high degree of integrity. He achieves a remarkable balance between understanding and dealing with the details of the musical construction in the context of the "race" environments of the 1930s and '40s

This was an important era of American history. In a sense, we would like to forget the gross cultural inequities of the time. There are not many tangible reminders around, although the cultural imprint is still here and not likely disappear in the near future. Fortunately, the music of the era, Bebop, is still accessible through CD re-issues and is continuing to influence modern musical performance right through to a saxophone-toting Lisa Simpson. A key value of "The Birth of Bebop" is to remind us of this continuing connection. This book helps us appreciate the courage and commitment of the proponent musicians exploring this new medium, particularly in the context of nearly-overwhelming daily obstacles in the form of American cultural "Jim Crow" mores and laws.

In a perfect World, this book would come with a companion CD filled with aural samples of the music Mr. DeVeaux discusses organized to illustrate his musical points. This short-coming means that the fullest appreciation of the author's points is only available to those with access to fabulous recording collections of the era or, even more remotely, those with sufficient age and musical memory to bring the musical notation to life.

I am a music major at the University of Virginia, particularly interested in jazz studies, and have had the pleasure of taking several classes under DeVeaux, in particular, one based on this book. DeVeaux's humor, in combination with his musical genius when it comes to the topic of jazz, is expemplified by this book. He explains the hayday of jazz as well as the transition from the swing era into the bop era with incredible detail. Special features in the book are vignettes into the lives of the great artists such as Hawkins and Parker. He compares the styles of several of the pioneers which causes further investigation on the part of the reader to trail the modern jazz progression from the 1940's and 50's on into today. If you've ever wanted to know why the cats play the way the do and how jazz moved from big band swing clubs into bebop jam sessions, this is the author you're looking for.

It's hard to explain the excitement a 13 year old had on first hearing Dizzy Gillespie's THINGS TO COME on Side A and TWO BASS HIT on Side B. Or for that matter, as a 25 year old, on hearing KUSH from AN ELECTRIFYING EVENING WITH DIZZY GILLESPIE relayed on the VOICE OF AMERICA by Willis Conover. Undoubtedly there was something electrifying about the music which Mr Deveaux suggests had a "sense of frustration embedded in its core" p.446. Certainly, it was a musical world away from that of the great Thomas Fats Waller for example whose genius was usually sublimated beneath jumping and jive. It was SERIOUS music and demanded attention. This fine book by Mr Devaux puts the evolution of this revolutionary music in context and inspires one to revisit many of the records including those who inspired the great John Coltrane - Louis Jordan and his Tympany Five. It is also of interest to musicians, musicologists, sociologists, historians but as a general reader who loves America's classical music - called jazz - it is a very fine read indeed and about the best book I own on Bebop.

A 500-page history of bebop that takes 400 pages to get up to the "Groovin' High" Bird & Diz recording session? Whose first 164 pages are all about Coleman Hawkins? Unusual, to say the least, but DeVaux shows how it all makes sense. Hawkins is portrayed as the central motif around which everything else turns: Hawk welcomed progress and a new style, played on the first bop record date (done for Asch in 1944), and opened at Billy Berg's in Los Angeles before Bird & Diz got there. DeVaux is a very good writer, thorough and judicious. Highly recommended.

Mary Ellen Miller and the late Linda Schele put this book together in 1986. The field of Mayan studies is a fast-moving arena, and Mayanists already know a lot more now than they did when this book came out, but in my opinion this book is still the place to start if you want to begin learning about the Maya.

For one thing, the photography of the artwork is fantastic - the book is worth acquiring for that alone. Secondly, the commentary is by the greatest names in the field, including an introduction by Michael Coe. Thirdly, the book never strays from academic discipline, unlike a great deal of New Agey-type material written about the Maya. In fact, the book studiously avoids making any observations that cannot be substantiated - perhaps a reaction in the field of Mayan studies against the sometimes too pat assumptions that Eric Thompson made when he dominated the subject. Fourthly, it covers all the major cultural features of the Maya, providing abundant commentary on each piece of art portrayed. Last but not least, it tackles the thorny subject of Maya iconography. This is a field about which we already know a great deal more about now than we knew in 1986, but in fact if the book were written today there is probably very little that would actually be changed.

The book was printed in Japan, for some reason. No harm in that - the Japanese have a tradition, and a reputation, of producing quality bindings and excellent photographic reproductions, both of which are evident in this edition and which add to the quality of the book. I can't recommend it too highly to anyone interested in the Maya.

It is nearly twenty years since this book was published in 1986 as part of an exhibition at the Kimball Art Museum in Fort Worth, Texas during the Texas Sesquicentennial. This book was and remains a triumph. We still mourn the loss of Linda Schele and are grateful the Mary Ellen Miller continues her work and teaching at Yale.

The book makes clear the Mayan Kings were not Emperors. They were rulers of city-states that competed with one another. They also had a spiritual role in the life of those they ruled. This book discusses how one became a Mayan King, life in the court, the role of bloodletting and visions (hallucinations?), warfare and human sacrifice, the all-important ballgame, the Mayan concept of afterlife and Xibalba, and the Mayan view of the cosmos. All fascinating topics and the articles are written quite well. I find them to be a captivating read.

The selection of images for the book is fabulous. This book can make a wonderful coffee table book, they are that beautiful. However, the articles are far superior to most books you find on coffee tables. I remember seeing Maya Blue (the shade that the Mayans painted on a great many of the monuments and sculptures) for the first time in this book. Having seen it in person since then I can tell you the shade is captured very faithfully in the photographs in this book.

Much has been written since 1986 and new discoveries and new examinations of existing discoveries deepen our understanding of the Maya. But this book still stands strong and valuable. It is not too technical for the general reader and still has value for the student. I am glad to have my copy on a shelf of favorite books.

The Blood of Kings by Linda Schele and MAry Ellen Miller was written on the occasion of the Kimbell Art Mesuem's exhibition of Maya Art in 1986. The hope was to draw attention to the rich legacy of Maya art along with a book that would give texture to these artistic recordings of the singificant ritual events in the lives of the Maya. What better way, since art has been our keyhole to understanding the magnificance of there thought, language, science and culture? Schele and Miller do an incredble job of focusing on these artifacts to bring us inside the current understanding of what th experts perceive the maya ritual and life to be about-- including the deciperment of the syllables of the maya language.

The book begins with a history of the road to understanding the Maya culture, complete with its meadering and diversions. This "age" delights in knowing that the Maya are filled with blood, both their own in bloodletting and those of captives that they sacrifice, unlike previous interpretations of a more peaceful existence. Blood, the ooze of life, was offered to eh gods in hopres that they would continue to give their ooze of sap, rain and other life-sustaining things. The book is based on 8 sections of art and interpretation: person, accession rites, courtly life, bloodletting, captives, the ballgame, and death, and the kingship of the Maya Cosmos. Of note as weel is the colors on p.158 where one can get an interpration of what the colors might have been in the Classic period.

In this book Coe prefaces the book commenting on the profound understandng that the world of the Maya is filled with notions of death. But the myth of the Mayas is that the hero twins went to the underworld and by trickery defeated death and those rose to take their place in the Mayan night sky. Perhaps these indiscernible Maya have continued to trick us as well in our attempts to traverse the road of their culture-- and their greatest preoccupation, enscribed on their ceramics and reliefs ---is not death, but life, in all its oozing forms.

When I went through school the Maya were peace loving agriculturists that invented a lot of neat stuff, especially in astronomy and calendars. We even looked at some of the writing. To bad we did not look a little closer.

Look at the cover of the book ad you will see a Mayan pulling a rope with knots in it through his tongue. The also had plenty of blood thirsty rituals and rivalries with neighboring Mayans. Their underworld is a place full of farts.

I bought this book as part of an exhibit at Kimball Art Museum in Fort Worth. I am still a member.

The book its self is oversized and has lots of glossy pictures. There are a lot of good references to other books and articles on the Myna.

After reading this book and getting a good overview of what Maya really is, you may want to find some of their writing "Popol Vuh : The Definitive Edition Of The Mayan Book Of The Dawn Of Life And The Glories Of" by Dennis Tedlock.

This is a great book. It can easily go beyond the recommended age of 9 to 12. N.A. Nelson does a great job at describing what is happening with each of the characters' needs and emotions. The setting, while mostly fictional, is completely realistic and it invites curiosity to learn more about what other tribes and rites may exist that we know little or nothing about. Children AND their parents will both enjoy this book.

Take a unique premise combined with a fascinating setting, strong and likable characters, and wonderful writing and you have one of the best books of 2008 - BRINGING THE BOY HOME.

I can't recommend this book enough. My 13 YO son will be reading it next and I know he's going to love it!! I don't think you can get much closer to the perfect boy book!!! Great job N.A. Nelson!

In the Takunami tribe that lives hidden in the Amazon rainforest, boys are trained from a young age for their soche seche tente, a test all boys of thirteen must pass lest they be banishes from the tribe. Two young boys grow up in completely different worlds. Tirio was cast from the Takunami tribe because of a disability and now lives with his adoptive parent Sara in the United States. But as his thirteenth birthday approaches, he is beginning to feel a deeper connection to his first home in the Amazon. Luka's mother has extensively prepared him for the test he is to undergo when he turns thirteen and refuses to let anything get in the way. Luka is certain he will be able to pass the test, but his mother's plans go awry when his father dies, severing the connection that was supposed to help him during his test of manhood. And somehow, these two boys, Tirio and Luka, are connected in unexpected ways.

I know that Harper Collins classifies this novel as a children's book, but I most definitely think it should be part of the young adult genre. This coming-of-age story was extremely unique, and I loved how many cultural aspects of Amazonian tribes (even if they were partially made-up) were integrated into the story. I really loved how nature was such a big part of the story. Both Luka's and Tirio's struggles were very realistic, especially each boy's yearnings to know his father. And I was very shocked by Luka and Tirio's connection, but pleased with how the ending tied up all the loose ends.

I thoroughly enjoyed N.A. Nelson's debut novel and recommend it to all readers.

BRINGING THE BOY HOME introduces two unique boys as they approach their thirteenth birthdays. As tradition in their Amazon tribe, they must trek through the dangerous jungle as a test of their strength. If they survive after days alone in the Amazon, they will be united with their fathers for the very first time.

One boy, Tirio, now resides in America after being banned from his family and tribe for a birth defect that causes him to limp. As his birthday is approaching, however, his sixth sense picks up on signs that point him back to the Amazon and his tribe. He's going to take his test and prove himself a man - and prove his father wrong in the process.

The other boy, Luka, is going through rigorous training so that he'll make it out of the Amazon alive. All of his senses are working beyond perfect, and he seems to be on the direct path to success. That is, until tragedy strikes.

BRINGING THE BOY HOME is refreshing, well put-together, and completely original. The continuous suspense resulted in a fast, easy read, making it a book I'd recommend to reluctant readers as well as avid ones. The plot blended realism with fiction and fantasy, opening itself to all types of book lovers.

Reviewed by: Chelsea Swiggett

A Caribbean Journey from A to Y (Read and Discover What Happened to the Z) is an ABC picturebook that leads the reader through the Caribbean islands as well as through the alphabet. From Aruba to Trinidad and alligator to yam, A Caribbean Journey from A to Y is filled with fun facts about life, cuisine, fun, and culture in island nations! "What words begin with Z? Zoo begins with Z, but we'd rather use it for zebra. We don't have zebras in the Caribbean (except at the zoo), but that doesn't matter. We will take our Z to Africa, where zebras are really from, and where they still run free." Simple, color illustrations in the style of a child's drawing enliven this wonderfully educational picturebook.

This is an alphabet book for children like no other. The words, carefully chosen, educate children in a way that is not just fun, but entertaining as well. The illustrations jump off the page and makes this book a journey like no other. Surprising, as you can tell from the title, is how Z is used at the end. This book is filled with suspense, history, knowledge and fun. This is a great book to read aloud, in a classroom, on the plane, etc. As a father, I highly recommend this book to anyone who is looking for more than an alphabet book, but a book that will leave the reader wanting to learn more about the caribbean islands and a better understanding about how the caribbean came to be.

This is a wonderful book filled with bright and beautiful illustrations and provides great information about the caribbean islands and their abundance of unique flora and fauna. The story is entertaining and easy to read, with a great discovery in what happened to the Z. I read this book to my son even though he is only 2 and he loves trying to find all the items listed on the page, provides fun and education. A rare find! A one of a kind ABC book!!

Mario Picayo's A Caribbean Journey from A to Y creates a sincere, helpful template for readers as they navigate the Caribbean Islands using the alphabet as their guide from letters A to Y (leaving the reader in suspense wondering where the Z has gone to). Each letter serves as a looking glass into Caribbean culture by representing its rich vegetation, diverse array of animals, and, most importantly the great people that inhabit these islands. While the alphabet guides the reader, Earleen Griswold's illustrations supplement the text with their lush, vivid colors that are diverse as the Caribbean itself. Bright hues of vibrant blues skies, colorful fish, and hot orange suns catch the eyes as well as the imagination. The story supplies the reader with factual and historical insight in addition to instilling a sense of great pride by uniting the Caribbean Islands by way of highlighting their origins to their African roots. I highly recommend this book especially for reading to children. The striking illustrations and enriching text are perfect for showing the little ones. A great read for children and grown-ups alike.

Beyond Dirty Dancing

Francine Silverman's The Catskills Alive!, now in its second printing, brings the vivid mountain area of Southern New York to life for the casual or more discerning reader. The guidebook's narrative is interlaced with nostalgia, pointing out the great vitality of the Catskills in the 1950s and the current local proprietors' efforts to revive a somewhat ailing economy.

The Catskills Alive! is divided into chapters of the four counties spanning across the Catskills region. Silverman dedicates two entire sections to the numerous campgrounds and farm markets available there.

The Catskills Alive! is a great guide to have for an area whose advertising signs misrepresent what is still in business and what is not. Silverman has a rock-solid grasp on her subject matter as she sheds light on the history of grandiose hotels which have since been razed. In the case of the Leibowitz's Pine View Hotel, for example, the building has been turned into a correctional facility. These little facts make her book an easy and interesting read.

Even sports fans can find something of interest in Silverman's book. Each chapter offers useful information on sports facilities, golf courses, fitness studios, bird watching, and the like. She offers noteworthy trivia such as famous faces who have graced the landscape, drawing the area closer to the reader's heart even as he or she is geographically miles and miles away. I highly recommend The Catskills Alive! for anyone who wants to learn beyond what you see in movies such as "Walk on the Moon" and "Dirty Dancing".

Christine Louise Hohlbaum, American author of Diary of a Mother: Parenting Stories and Other Stuff, is a freelance writer living near Munich with her husband and two children. Visit her Web site at http://www.diaryofamother.com

The Catskills have long been a vacation spot for New York residents: The Catskills Alive! provides a survey of the Catskills; from hiking and outdoors opportunities to history and regional attractions. Places to stay and eat are included in this take-along travel tote.

As in previous guides by this author, information is arranged according to specific areas of the Catskills. Highlights of Sullivan, Ulster, Greene, and Delaware counties are listed systematically in helpful fashion. Anything travelers or tourists could possibly want or need to know about the Catskills has been researched by the author. In a style that feels like reminiscing with an old friend, Ms. Silverman shares insights on food, lodging, and points of interest both past and present. And if her directions don't help travelers find their way through rustic country on mountain roads, the author states law officers and locals are friendly and helpful to lost tourists.

Catskills history is fascinating. In addition to step by step guides for each county, readers will discover charming stories about famous visitors - a who's who of the past.

The Catskills and Hudson River Valley come alive, thanks to Francine Silverman's skill. With fresh air, clean water, and pristine forests, it would make a most appealing destination.
As was her previous guide book, Long Island Alive, this latest book is a must have for anyone planning a visit to the Catskills.

Laurel Johnson
Midwest Book Review

Silverman, a veteran feature writer for newspapers and magazines, is an expert when it comes to providing the reader with the most up-to-date details pertaining to the Catskills.

The guidebook more than adequately dispels the often- heard misconception "there's nothing to do in the Catskills anymore."

Admirably fulfilling its objective of providing a comprehensive guide to the Catskills, Silverman pinpoints locations by dividing them into four areas- Sullivan, Ulster, Greene and Delaware.
Within these areas, the guidebook provides the reader with comprehensive listing and descriptions of places to stay, eat, and shop, attractions, museums, festivals, events, and other "goodies."

In a way, the book serves as an invitation for people to come and enjoy this beautiful area of New York State.

The introduction to the book sets the stage for the chapters that follow, giving a brief overview and explanation of the environment, forests, wildlife, contemporary Catskills, gambling, nightlife, getting around, driving, transportation services, where to stay and eat, shopping, seasonal considerations, guided trips, and brochures and publications.

Each of the chapters that follow describe in detail all of the above, and in addition provide some interesting tips, and "did you know facts."

As an example, Silverman informs us, Ostriches lack teeth but can painfully clamp down on your hand. Children should be warned to look and not touch.

The Kaaterskill Falls & Catskill Mountain House's guest list is a biographer's dream:
Alexander Graham Bell, Henry James, Oscar Wilde, Ulysses S. Grant, Mark Twain, Winslow Home and Tyronne Power.
Most of all, it was Thomas Cole, leader of the Hudson River School of Landscape painters, who popularized the region with his Catskill Mountain House and other paintings.

The book is also peppered with many other tidbits concerning the history of the hotels and bygone days, the Algonquin influence, community improvements, and works in progress that represent significant projects that may or may not materialize.

No doubt, this guidebook will be of immense aid to those who are contemplating a visit to the Catskills or perhaps those who vacation in the area but were not aware of its many attractions.

Silverman's profound knowledge gives the book a substance well beyond many Catskills' guidebooks.

Chocolate: Riches from the Rainforest is one of the most attractive books I've come across in some while. This is far more than a picture book though. Chock full of chocolate history, kids of nearly any age will find this book enticing.

I'd like to first point out that I gave this book 5 stars. Second...Amazon is selling this book at only $3.39 at this writing. This is a REALLY good deal and I'm going to buy the book. Now for my review:

I saw this book on display in the children's section of my local library. It has a very appealing cover to it and the word "Chocolate" written in it's title so...I HAD to check it out.

When I brought it home I thought it would be way to advanced for my 5 year old to be interested in but I wanted to read it myself. It is written for children maybe twice her age but she was VERY interested in the history of her favorite food and remained attentive to the whole book.

There were words and situations I had to give her a background on--such as what an African slave was/is. Unfortuneatly, slaves are still sometimes used in the production of chocolate to this day according to the author Robert Burleigh.

We loved the looks of this book...the lay-out, the yummy chocolate colors, photos, and illustrations are very eye appealing.

We now know a lot about the rainforest cacao (ca-COW) trees, the pods, the seeds and the complicated process that it goes through to become the chocolate we so love. Good thing we live in today's world. We also learned of chocolate's ancient infancy which at times was violent. Cacao was once only for royality and the very rich--not for 5 year old chocolate freaks like the one that lives in my home. We learned a lot and we loved this book!

Chocolate: Riches from the Rainforest tells the story of chocolate. The book begins by discussing where chocolate comes from and who discovered it. It goes on to describe how the ancient Maya and Aztecs drank chocolate regularly and offered it to their gods, and how the Spanish added sugar to chocolate to give it the sweet taste. The book also describes how chocolate making has changed over time and how it is made today. In addition, the book includes a glossary of terms used in the book and an author's note about some of the things he learned while writing the book.

I would recommend this book for ages 10 and 11. Children these ages will enjoy learning about the history of chocolate. I do not feel that this book would be appropriate for younger children due to the discussions of human sacrifices and slavery. I would recommend using this book during the summer as part of a fun segment on chocolate. Having chocolate available for the kids to eat would be ideal because it is difficult to get through this book without craving it. The book is filled with wonderful photographs and illustrations. These pictures add to the story by showing children the plant that chocolate comes from and some of the items that the Maya and Aztecs used to make and consume chocolate. There are also step-by-step photographs detailing how chocolate is made today.

Most of us carry out an intense love affair with chocolate. To some, it is a fundamental part of our love affair with another human and to a few, it ignites the passion in their life. This book describes the history of chocolate, and like some foods, one wonders how it was first discovered. Until I read this book, I did not realize how chocolate is made. It is derived from the seeds inside the fruit of the tree and requires a great deal of processing before it reaches the form that we love. This was an interesting book to read, well illustrate it is a concise, yet thorough introduction to the history of one of my favorite foods.