British Isles Books
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Superb investigatingReview Date: 2007-10-25
Thought provokingReview Date: 1998-12-31

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Permanence and Change - a cornerstone of literary theoryReview Date: 2008-04-24
A keystone work in the field of rhetoric and social theoryReview Date: 2000-12-03
In "Permanence and Change" Burke establishes the ways in which "form" permeates society as much as it does the arts. Consequently, even when we look at forms are art we are not dealing exclusively with aesthetics, but with more rhetorical notions of form of which we should be aware. Part I "On Interpretation" works from Veblen's concept of "Trained Incapacity" to establish the connection between rationalization and orientation. This leads to the idea that motives are shorthand terms for situations, the interpretation of which are thwarted by the "occupational psychosis" of the individual. Here is where you get your best sense of Burke as providing a synthesis of Freud and Marx. Part II "Perspective by Incongruity" is perhaps the key section for me in all of Burke's writing, especially given the degree to which I embrace the concept. The goal of which is to create new meanings that are progressively more "real." Part III "The Basis of Simplification" advocates "the poetry of action" as the ideal conceptualization of the interpretive process. As always, the scope of Burke's use of evidence, both in the literary and critical worlds, is astounding. "Permanence and Change" is a key work in the field of rhetoric and social theory.

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Brilliant analysisReview Date: 2008-03-18
Well written and thought provoking
Makes me look at Philanthropy in a new wayReview Date: 2008-03-17

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Erudite and highly readable survey of later Georgian EnglandReview Date: 2000-09-02
First, a few words to place my remarks in context. I'm not a historian (I'm an economist), but I've long enjoyed reading general histories. Indeed, I've read the entire 15-volume Oxford History of England, a series now being replaced by the New Oxford History of which, I believe, "A Polite and Commercial People" is the first volume.
Not being a specialist, I'm in no position to comment on whether or not Langford's book is representative of recent thought on the period. He'll sometimes set out a position with which he disagrees, and then explain his reasons for coming to a different conclusion. In these instances his may or may not be a minority view, but at least he has set out the opposing position with what seems like clarity and fairness. I'm not sure I'd want him to do much more in what is, after all, a book for the general reader.
The "general reader" of old was, of course, notoriously well-read, and at times Langford takes advantage of this assumption. I don't actually have the book handy just now and so can't check chapter and verse, but I think it helps if, for example, you've already heard of Maria Teresa. The author doesn't have time to explain, and a few times I found myself having to make an educated guess but, in 725 pages, this happened quite rarely (a tribute to the author's organisational skill, not to my own reading).
Traditional political history takes up only three chapters which Langford spreads throughout the book covering, respectively, from the accession of George II to the fall of Walpole, to the end of the Seven Years War, and to end of the American War of Independence. I've no idea how innovative or otherwise Langford was in choosing categories for his other chapters, but he manages to make concepts such as "politeness" interesting and coherent enough to serve as their themes. It strikes me that, when political history first began to fall out of favour, it was replaced by rather dull stuff that focussed excessively on, say, education or the poor law. Yes, these topics are dealt with thoroughly in Langford's book but, somehow, he manages to organise and interpret his material in such a way that it has all the narrative virtues we old-fashioned "general readers" used to like in those political histories. (I know that must sound naive to a historian, but these reviews are meant to be helpful to others who might share my failings. Another naive confession: I can't resist drawing a great many parallels between the period Langford describes and, on the other hand, our own times.)
Throughout, the author's style is elegant, varied and energetic without ever seeming affected in the slightest. It is direct, but capable of considerable nuance. I'm a surprisingly slow reader for a person who reads so much, but this really was [cliche alert] a page-turner [/cliche].
Now that I've finished it, I still might not be able to pass a pop quiz on the Gordon Riots, say, or the War of Jenkins Ear. Still, I've been entertained and--if I can put it like this--enlightened by this first volume in the new Oxford series. Bring on fourteen more!
An outstanding survey of 18th century EnglandReview Date: 2008-01-20
In it Langford presents a wide-ranging history of England from the accession of George II to the loss of the American colonies. He presents the era as a chaotic one, with the country still coping with the consequences of the Glorious Revolution, which let a deep impression upon politics and society. Though the aristocracy remained the dominant group in many respects, the author sees the middle class increasingly coming to play a vital role in English life as the century progressed. In an age of commercial prosperity, their"polite" values increasingly contested with those of the upper class, setting the stage for their gradual assertion as the dominant segment of society in the century that followed.
Langford's book is an outstanding survey of Hanoverian England, one that draws upon an impressive range of scholarship. Though his main focus is on the politics and society of the period, very little escapes his coverage, as economics, art, and literature also are addressed within its pages. Though he presumes that his readers possess some prior knowledge of his subject (the mini biographies of people offered in footnotes in the old series are absent here), his analysis and arguments are clear and forcefully made. The understanding he provides of the era makes his book a critical resource on the subject, and a worthy successor volume to those from the venerable old series.

A Lost OpportunityReview Date: 2005-08-01
Superb overviewReview Date: 2001-07-19
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Blackwell Publishers:Review Date: 2000-12-02
A necessary book, and a great readReview Date: 2000-12-17

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The first and last word on Proust's lesbians...Review Date: 2001-03-11
Highly recommendedReview Date: 2001-07-26

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Reading Adoption: Just the book I was looking for!Review Date: 2005-12-07
In Reading Adoption: Family and Difference in Fiction and Drama, Marianne Novy, an adopted person who is a Professor of English and Women's Studies at the University of Pittsburgh, gives astute commentary about adoption literature from Oedipus to the novels of Barbara Kingsolver. As a sensitive memorist, Dr. Novy also reveals how adoption literature has enhanced and sometimes hindered her own search for self-definition. This author's goal is to "more of the next generation of adopttes to feel less alone" and to make adopted parents aware (through literature) of the stuggles necessary to meeting their children's needs.
If you love reading, if you are connected to the world of adoption, if you crave making connections between literature and drama and people's interior lives, this is the book you are looking for. As an English teacher and parent by adoption, I found it spoke directly to both my professional expertise and to my personal experiences. I applaud Marianne Novy for her fair, generous and interesting book, the work of a gifted scholar and mature daughter.
A breath of fresh airReview Date: 2006-02-12
Unlike many adopted persons who have written their stories, when Ms. Novy found her birthmother and family, she did not find soul mates or people with whom she had a great deal in common, even though she was welcomed and values the ongoing relationship she has with them. She wrote, " There are two simple views that public discourse about adoption falls into too easily. One is the view that only adoptive relationships matter; the other view is that only birth relationships matter. Some people have articulated a third viewpoint, that both matter but probably in different ways, that it depends on the circumstances, that adoptees have a choice about how to negotiate their identity and their relationships. But this approach still is not as widespread as it should be. I hope that this book, by analyzing places in literature where simplifications are found and places where they are transcended, will show more people how their world looks with a third view."
Marianne Novy admirably succeeds in doing this, and illuminates the tension between families, birth and adoptive, that is always there, and is always much more complex than the all-nature or all-nurture camps try to make it. She makes us all question our dearly held myths and icons. By not accepting without comment either the "forever family" fairytales beloved of many adoptive parents, or the reunion fairytales beloved of many birthmothers and adoption reformers, she makes all of us think, not just feel, and she stretches our imagination to encompass the complexity and diversity of adoptees and adoption as it is lived.
This is a groundbreaking book that should be read and discussed by all who are touched by adoption.
Mary Anne Cohen
Feb.2006

I thought I had it down, more-or-less...Review Date: 2008-06-07
This is really helpful for understanding Ulysses as well, as many of the essays discuss the connections between the characters appearances in both novels. The essayists discuss the interesting behaviors of characters, such as Cunningham and Bloom, and the stasis of their reappearance in Ulysses. Also, the narrative structure is examined, in that, characters, who domineer the language of the narration are shown to do so as well in Ulysses.
I may not be a Joycean scholar, but I couldn't imagine that these essays wouldn't shed a new light on Dubliners. As for students or first-timers, I'd wager this is a fantastic source for writing papers. I wish I had this last semester when I was actually assigned to read "the Dead" and Portrait of the Artist.
Your first and final commentary opening these deceptively simple yet infinite and fathomless short stories.Review Date: 2007-01-19
This collection of fourteen scholarly essays (plus introduction and preface) provides not only the best basis for beginning appreciation of these still revolutionary short stories, but remains solid assistance for advanced readings of these subtle, elusive, shifting tales.
The Dubliners are called the most accessible of Joyce's work, yet the first essay in this collection quickly dispels this error in judgment, as it unfolds the hidden depths and embryonic techniques which bloomed in his later work. What we see upon the surface of these tales is not trustworthy, but open to a myriad of interpretation. Joyce's clever ambiguity has provided a wide spectrum of readings of his short stories, according to the reader's sense and sensibilities, prejudices and presumptions, of which the reader herself may not be fully conscious. As with Wilde's criticism, we often see in Joyce, particularly in these sparse stories, our own image and likeness believing we are reading as the author wrote. This collection of commentary well relieves us of this accident of parallax.
Please review these commentaries for a brilliant glimpse at Joyce's early writings and his tentative trial of narrative techniques later so maturely elaborated in Ulysses. Even a long time reader of Joyce learns much from this collection of essays, as the work of Joyce always holds more to reveal, and these studies are excellent in opening for us further dimensions in this deceptively complex early tales.
Highly recommended for beginning and advanced readers of Joyce, most recent, valuable and substantial of any commentary upon this collection of tales, and indicator of further study.

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Remarkable Insights into Dorothy L. SayersReview Date: 1999-12-12
Inspiring reading!Review Date: 2003-03-31
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