Computer Graphics Books

This book is absolutely amazing. Before I read it, I hadn't a clue about what so-called "XIE" was or what you could do with it. Now, after reading this masterpiece of a work, I still don't know much about it, but I'm developing my very own imaging applications and making a lot of money -- in little time! Thanks Syd Logan!

This book is Fantastic with a capital F! Before I picked up this book, I had no idea what this so-called "XIE" was or what it could do. Now, having read this book, I'm considered the local X(ie)Pert (get it?), the imaging applications that I'm developing are bringing in tons of cash - in little time! Thanks Syd Logan!

Lots of tricks and other info that is interesting and useful.

Michelle Perkins' DIGITAL CAMERA TRICKS AND SPECIAL EFFECTS 101 tells how to use basic image-editing software to create polished results. From using a strobe light to create stop-action images to warping and blending digital images, Perkins' focus is on shooting and image editing techniques which require no single program or camera type to achieve.

I have attended several of Mr. Giorgianni's tutorials on color management in recent years and have found him to be an outstanding instructor. His book brings into focus the complex issues in color management and explains them all with unparalled insight. I'm sure that this was a very difficult book to write and produce. The authors and the publisher deserve the thanks of the digital imaging community.

I am the author of eight books, and my latest one is on digital imaging. In a word, I find Digital Color Management astounding - both in scope and in clarity. The writing is superb and the material is beautifully illustrated. I believe this book clearly reaffirms Kodak researchers as a prescient within the imaging industry. My only criticism is that this book was not available while I conducted my latest research. If you are involved in any aspect of contemporary imaging technology, not having this book places you at a distinct disadvantage. Thank goodness not too many books like this come along - it is enough to give any author pause, if not despair, as to what a technical book should be.

On va en ligne, pour faire des photos, des graphiques, et des copies. Car l'ordinateur donne aux artistes les couleurs toujours voulues. Les images se copient fidelement, de l'ecran a l'imprimeuse. Les couleurs se montrent le mieux, surtout si le noir est le quatrieme encre d'impression et si les points sont elliptiques, sur les plaques, les papiers et les colorants de la haute qualite. Reussir a dessiner a l'aide de l'ordinateur, ca se voit par les exemples dans tout le livre. Quant a moi, ce sont tres bien faits les coups de brosse crayeux dans le portrait de la jeune fille, et les tetes et les terrains sculptes au style de l'ile de Paques.

DIGITAL COLOUR IN GRAPHIC DESIGN works when drawing, painting, photoediting, and 3-D print the way you want. Because scanners and monitors work colors differently than desktop printers and offset presses, mapping can pass colors correctly along calibrated color handlers. Color management and matching systems can bring about accurately printed screen images. The 16.7 million digital palette prints best from 21-inch non-interlaced monitors onto dye sublimation desktop printers and calibrated offset presses working with black as a fourth process ink for better shadow density and overall contrast, with elliptical instead of round dots, and with quality colorants, paper and plates. Ken Pender gives striking examples, such as chalk brush icicles to his ice maiden portrait of his daughter, impasto sweeping brushstrokes to a cloned Photo CD image, and Easter Island type carving and sculpting to a polyhedron head and terrain. So the author is interesting to read along with Veruschka Gotz's COLOR AND TYPE FOR THE SCREEN, Steven Heller and Daniel Drennan's THE DIGITAL DESIGNER, Michael Leary et al.'s WEB DESIGNER'S GUIDE TO TYPOGRAPHY, and Michael J. Sullivan's MAKE YOUR SCANNER A GREAT DESIGN AND PRODUCTION TOOL.

Scrapbooking has become such a popular hobby and a wonderful way to preserve memories. Our best friends surprised us over Christmas by giving us a scrapbook detailing the exploits of my son in his first year of high school football. They know what they are doing but for us novices there are wonderful books like Digital Delights for Scrapbooking. This book provides many wonderful tips on getting the most out of your digital camera to produce stunning pictures for your scrapbooks. Many of the tips are so easy yet work wonders.

For instance to reduce glare and enhance color in your digital pictures you can place polarized sun glasses over your camera's lens to make a huge difference in glare reduction. The book also provides tips on producing perfect 8 X 10 pictures with your camera's resolution setting. Take advantage of your picture software and photo printer by using some of the various print modes like Black & White, antique, and sepia tone printing. Further enhance your pictures by creative use of specialty papers like transparency film, embossed paper, cardstock, pre-printed papers, and even cork.

Whether you are an active scrapbooker or not, you'll find many practical and fun ways to use your camera to produce brilliant and clever prints. A great buy and a valuable resource!

Reviewed by Tim Janson

This is a great book! I am very new to using my digital camera and sometimes I find the manual EXTREMELY overwhelming. It was nice to look at this book and understand what some functions are on my camera as well as how to use them. I can't wait to see her next book!

Unfortunatly I arrived at Virginia Commonwealth University's graphic design program after Phil Meggs had passed away. His legacy still lives on. Rob Carter on the other hand has been my professor. He is a great man who pushes his students into experimenting and becoming comfortable with their own styles of design. He is by no means a "stuffy" guy. I have some of their books and I don't have one problem with them at all.

By the way, this book is a good one!

The Digital Designer is a quality publication , plus it covers enough ground to be useful in all of the classes we teach, so students going through the program will probably keep it and use it in several classes.

Your text is written in a friendly, accessible tone, and is a relief from some of the stuffy "Design is the Center of the Universe" books out there. As an example stuffy books are anything by Stephen Heller, Phil Meggs, or Rob Carter.

Their books are really good, of course, but frankly too focused on defining design as an official profession. Their books to me always seem like they are stiffly trying to define design as a formal, codified, yet creative event.

You seem to have achieved that friendly informative tone with ease. Kudos to you on your well resolved text. Frankly, this book is more useful to our program than any Rob Carter book, because of its accessibility.

If you want to start with and understand digital image processing from its basic, this is the right book. Without too much maths it gets you to the point of what can be done, and how it can be done. It helped me to achieve a basic understanding from the zero level.

This older book is an excellent gentle introduction to digital image processing for those who have not yet had calculus, or for those who want to understand the basics before taking on the more daunting task of reading and understanding something like Gonzales & Woods, which is the standard graduate image processing text. The book begins with the basics of the various color spaces and how images are perceived by the human vision system. From that point, the chapters are grouped into the types of image transformations. Formulas are explained either graphically or with very simple mathematical notation. Before and after pictures are provided for each transformation. In chapter five, the author goes into some introductory computer vision and object recognition techniques. The handling of morphological processing is exceptional. The chapter on image compression does a good basic job of getting its ideas across to the reader. However, only the most basic compression techniques are explained in detail such as truncation and Huffman coding. JPEG and motion compression are just verbally described, due to the introductory nature of this text. More recent compression methods such as those involving wavelets are omitted. Part four of the book, "Image Operation Studies", is effective at hammering home what was discussed in the first three parts of the book. In part four, the author describes the algorithmic implementation of 39 of the image transformations described in the book, with the resulting images. This makes for an excellent summary and review for the student. The software on the book's companion disk has long ago become obsolete, but the ideas presented in the book are clear and great for any beginner in the field.

I am a professional portait and fine art photographer. I have used the book since it was first published and have found it to be invaluable when writing or explaining some of the value added advantages of digital imaging. P.S. The individual who only read about the book should try reading it. If his attention span is long enough.

It is invaluable when writing articles and helping customers.

Keep up the good work !!

When is the next edition coming out?

Digital Portrait Photography 101 (Digital Quick Guides series)

While this book is not very big it certainly had a lot of great information in it for a portrait novice like myself.

I had been asked to take some portrait shots over the holidays and I purchased this book to see if it would help. It helped alot. Mr. Hurter's writing style is clear and easy to understand.

As I knew nothing about portrait photography this book was able to fill in the huge gaps I had about lighting, posing, dealing with the subjects and much more.

I will use this book as a reference many times in the coming years!

Bill Hurter's DIGITAL PORTRAIT PHOTOGRAPHY 101 offers quick lessons from a long-time master, covering all the basics of solving common portrait problems, posing, disguising flaws, and more. Make the most of digital opportunities to make the most of portrait subjects in this quick guide filled with professional insights.

I feel really lucky to have stumbled across this book. It is not Lingo heavy, but tells you all the little tricks to making Director work for you, including what is the best movie format for your target audience, how to mask movies, how to control sound with simple commands, and much more. The author has a genuine enthusiasm for his subject matter, and he plainly has a lot of experience in designing multimedia interfaces with Director. His advice is straight from the field, and that's invaluable. His generous sharing of experience steers you away from frustrating mistakes that would otherwise drive you crazy. This book tells you all the cool, juicy stuff you need to know to make presentations with Director. You will not become a Lingo God, but if you are a beginner, you will advance to intermeadiate and borderline advanced levels with the knowledge gained from this book. And the author makes it all seem so easy - which it is!

This is a great book for web and multimedia developers. I have been using Flash and Dreamweaver, but saw a demo on what Director can do for the web. Although this book cover more than developing for the web, there's a ton of information to build the coolest interactive Shockwave sites. This book was extremely easy to follow. The section about the games and how to build them quickly was amazing. This book is worth getting.