United States Books

Michael Shapiro does a superb job not only of capturing the excitement of the Brooklyn Dodgers' last pennant-winning season but also of explaining just what the Dodgers meant to so many Brooklynites. Set against the background of the Walter O'Malley-Robert Moses negotiations that would determine the fate of the Dodgers, Shapiro provides logical proof that it was not O'Malley's intention to move the ballclub but that Moses kept making a fool of him to the point where remaining in Brooklyn would have been rather humiliating for O'Malley.

Though never elected to any office, Robert Moses was the most powerful official in New York City in the late 1950s. His power was further enhanced by the fact that the Mayor at that time, Robert F. Wagner Jr. was both lazy and indifferent, and would not have gone far in politics except for the fact that his namesake father was a very popular U.S. senator. If O'Malley was going to get the land and permits to build a new ballpark, he was going to have to go through Moses and Moses couldn't have cared less as to what became of the Dodgers.

O'Malley tired desperately to be taken seriously by Moses and the NYC politicians to where he even had the Dodgers play seven "home" games in Jersey City in 1956. In the end, the Dodgers moved to Los Angeles, not because O'Malley plotted to take them there but because L.A. politicians eagerly and actively courted O'Malley to move to their city while their New York counterparts, especially Moses, gave him the brush-off.

O'Malley wanted to build a ballpark at the junction of Flatbush and Atlantic Avenues, where multiple subway lines and the Long Island Railroad converge. Moses at first wanted O'Malley to build a ballpark in a hard-to-reach part of Bedford-Stuyvesant and later proposed having the city build a ballpark on the site of what is now Shea Stadium. Anyone familiar with Brooklyn knows that if you're riding the subway, it's easier to get to Yankee Stadium from Brooklyn than to go out to Flushing Meadows, where Shea Stadium is.

In any case Los Angeles made O'malley an offer he couldn't refuse--300 acres in the heart of the city, where multiple freeways converge. New York officials made no effort to compete as Brooklyn didn't count for much in their eyes. When the Mets were created a few years later there was no question in their minds that they should represent New York and use the orange "NY" logo formerly used by the New York Giants, rather than the Brooklyn Dodgers' "B."

50 years have now passed since the Dodgers moved, and Walter O'Malley has been elected to the Baseball Hall of Fame. The ballpark he built and paid for (which opened in 1962) remains one of the most beautiful and popular in major league baseball. Shea Stadium, on the other hand, built by Robert Moses with taxpayers' money and opened in 1964, will soon be torn down. What is more, New Jersey Nets owner Bruce Ratner is currently trying to arrange to move his NBA basketball team to that same junction in Brooklyn that O'Malley originally wanted.

Michael Shapiro is an excellent writer and his book is highly recommended!

This book probably doesn't get the sales or the attention it deserves, because the title and the cover make it look as if it's intended just for baseball junkies. But it's far more than that. In just 332 pages, Shapiro tells four stories:

1. The story of the National League pennant race in 1956.
2. The story of why the Dodgers (and therefore the Giants as well) decided to move to California in 1958.
3. The social, demographic, and economic changes that Brooklyn (and, by extension, much of urban America) experienced in the post-World War II era.
4. Thumbnail sketches of the personal lives of the core players in the Brooklyn Dodger lineup from 1947 through 1956.

None of these four themes is given short shrift. Furthermore, Shapiro has organized this book beautifully. He seems to have done a perfect job in choosing exactly where to break the narrative of the Dodgers' wins and losses, and insert a section about the changing character of a neighborhood in Brooklyn.

Not only that, but Shapiro's writing is superb. Here is his account of the last pitch of the last Dodger game of the regular season - a game they had to win in order to clinch the championship, with Dodger Don Bessent pitching to Pittsburgh's Hank Foiles:

*****
Don Bessent went into his windup. The last thing he thought before releasing the ball was, he later said, "Tight, keep it tight."

Hank Foiles swung. The next thing he heard was the thud of the ball in Roy Campanella's mitt.
*****

You don't have to be a baseball fan to enjoy this book. You just have to enjoy good writing and a wonderful story, wonderfully told.

I have long been interested in the old Brooklyn Dodgers, having read multiple books on the subject. This is among the best. First of all, it is an excellent read. There is plenty of baseball included in its pages, and the Dodgers teams of the 50s were always interesting. But I learned much more than I expected from this book about the politics that led to the team's move to California. It's too bad the franchise couldn't have remained in Brooklyn, but the reasons they left were different than I would have imagined. The book also paints the picture of a post-World War II New York that was rapidly changing. As a lover of baseball, history and baseball history, I thoroughly enjoyed this book.

Wow. First let me say that I'm not a Brooklyn resident or a Dodger fan and picked this book up without knowing anything about it. The book turned out to be one of the best baseball books I've read in quite some time.

I was drawn into the book immediately. It is clear in the Prologue that Shapiro is a very good writer and that the book is as much about the fifties and Brooklyn as it is about a pennant race. The book is enjoyable on both fronts.

Shapiro does a great job of weaving a portrait of the changes going on in Brooklyn in the mid-fifties and giving younger readers a good idea of what it was like to grow up in that era. It is clear that Shapiro has done quite a bit of research and I think the reader really gets a good look into the personalities of the players and other characters in the story.

Any fan of baseball history will do himself a favor in buying this book. It truly deserves more acclaim than it has received.

THE LAST GOOD SEASON, by Michael Shapiro, earns itself a provisional rating of FIVE STARS in my mind, based primarily on the quality of the writing (which is uniformly excellent) and the depth of the research (which, within limits, is exhaustive). Yet the book deserves, like Roger Maris' "61*", to be only a qualified ***(**) success.

Much of that qualification comes from Shapiro's heavily touted and slanted thesis that Dodgers owner Walter O'Malley was not responsible for the Dodgers' departure from Brooklyn in 1957, after Robert Moses refused to build a replacement for the aging Ebbets Field.

Shapiro's grasp of the facts regarding Brooklyn is somewhat fuzzy. He says, "Jews went to Midwood [High School], poor blacks to Jefferson." Yet in the Dodger era, Brownsville was predominantly (70%) Jewish. It was not until later that Brownsville became a black neighborhood. Shapiro waxes rhapsodic about Midwood (his childhood home?) but slights the rest of Brooklyn. He admits that by the time he became aware of the Dodgers they were gone. Ironically enough, even while granting O'Malley absolution in absentia he makes and supports every argument as to why the man did not deserve it.

Shapiro blames, among other things, "white flight" for the Dodgers' relocation, but then argues that fans come in all colors. It's as if, in pardoning O'Malley, he is trying to convince us of something he really doesn't believe himself.

According to Shapiro, "Robert Moses is the bad guy in this story." This is an incredibly strong statement, particularly since Shapiro admits in many places that O'Malley was mendacious, that he was arrogant, that his plans for a new Buckminster Fuller-styled stadium seemed, at best, to be for public consumption only (O'Malley stole the scale model from the actual designer, Billy Kleinsasser, and used it without permission or recompense at public events), that he dealt with player and staff salaries in increments of hundreds and thousands of dollars not hundreds OF thousands of dollars (i.e., star pitcher Preacher Roe claims his highest Dodger salary was a paltry $28,000.00 in 1955), that he did not understand the "Little People" who were Dodger fans, that he once (as a youngster) traded a stack of Dodger baseball cards for one Giants' Christy Mathewson, that he fined employees who mentioned Branch Rickey's name in his presence, and, in short, that he was not really a fan of the team he owned.

Shapiro wants to paint horns on Robert Moses' head, and in some sense they do belong there, but not necessarily in the sense that Shapiro would prefer. Like the Master Builders of Ancient Egypt he had virtually unlimited power in his sphere. The ironically-named Moses was a man with a vision for New York, and he set about creating that vision of shining, rising buildings (such as Lincoln Center), vast bridges (the Throgs Neck, the Whitestone, The Triborough, and the frighteningly huge Verrazano are all his), and endless parkways (as a sampling, the Cross Island, the Belt, the Northern State, the Southern State, the Meadowbrook and the Wantagh) linking New York City and its expanding suburbs in a net of urban development. Yet this visionary had pathological flaws. Monomaniacal in his sphere, he had no compunction about unilaterally razing hundreds of city blocks, evicting tens of thousands, and altering the neighborhoods and neighborhood patterns of New York without a thought. Such changes brought other, unanticipated changes---the "through" expressways of The Bronx relegated it to a kind of backwater status accelerating its descent into slum conditions, and Moses' chopping up of neighborhoods in Brooklyn balkanized the Borough into a patchwork of disconnected rich and poor enclaves. Moses was more successful on sparsely-settled Long Island and in Westchester, where his road network created rather than changed demographic patterns.

When these two prima donnas met head-to-head, they treated each other with barely-concealed contempt. Although Moses was at first favorably disposed to a new stadium in downtown Brooklyn, this agreement soured within days. Without access to O'Malley's papers (which he was refused by the O'Malley family), the reason for this sudden souring is unknown, and ripe for speculation. Moses pressed, at first, for a new stadium in Bedford-Stuyvesant, a declining neighborhood; O'Malley refused. Moses promised him a new stadium in Flushing Meadow, Queens (the future Shea); again, O'Malley refused, declaring that the team was to remain in Brooklyn---he countered with an offer to build in Brooklyn, on the site of a ramshackle meat market. Moses refused to condemn the property (a first for him).

This bickering was never about questions of civic-mindedness, fan appreciation, nor humanitarianism. This was strictly a personal issue between the two men that affected millions of people.

While this was going on, the 1956 Dodgers struggled successfully through their World Champion season. Shapiro's snapshot of the team is far more detailed than his portrait of the politics, and is a joy to read. Shapiro is at his best as he describes the dynamic tensions that existed between the various Dodgers, the great negotiator of personalities, Pee Wee Reese, and their fanbase. It is clear that Ebbets Field was no longer a suitable home, at least without major modifications. Parking was very poor, a serious concern in the emerging era of the suburban commuter fan; the stadium itself needed to be revamped, the plumbing fixed, the seating rearranged. Still, Ebbets Field was only 45 years old, and was a solid structure, despite its flaws.

If O'Malley was indeed "desperate to stay in Brooklyn" as Shapiro posits, then why weren't his efforts directed toward staying? Why was he engaged in a stalemated battle of wills with Moses over a new stadium? Perhaps O'Malley simply wasn't "desperate" enough. Certainly, Yankee Stadium and Fenway Park still stand in less than desirable locations, but they draw dedicated fans nonetheless. Had O'Malley spent a part of his considerable fortune buying up some surrounding properties and building a parking complex, and then incrementally improved Ebbets Field with better seating and new amenities, the Dodger fanbase would have continued to travel to Flatbush.

O'Malley did not do this. He wanted land, and a lot of it, on the cheap---had Moses condemned the meat market, O'Malley would have bought the property for pennies on the dollar, a very attractive possibility to a man who squeezed a penny hard enough to put a permanent wave in Lincoln's beard. Los Angeles offered him that and he jumped, literally across a continent, to get it, taking his team about as far from Brooklyn as it was possible to go in his desperation to stay. Yet, if he'd REALLY wanted to stay, Flushing Meadow beckoned. And despite the fact that Flushing is not Brooklyn, the New York football Giants play in New Jersey's Meadowlands and still remain a New York team (the O'Malley-inspired move of the baseball Giants from Manhattan to San Francisco is another issue). In 1957, many of Brooklyn's fans were Long Island transplants, and more would be as time passed. Queens, while not the best of all possible worlds, would have been a convenient waypoint for fans from the old and new neighborhoods.

For that matter, had either O'Malley or Moses given a damn about Brooklyn, they would have cooperated in building a new stadium and reinvigorating Brooklyn. Neither cared to.

"Walter O'Malley was not a bad man. He was devoted to his wife and his children loved him," Shapiro points out. That's nice to know. But O'Malley was also an S.O.B. in business. The two are not mutually exclusive. "Only a sentimental man," Shapiro writes, "would have stayed." Maybe so. But the Dodgers and the Dodger fanbase needed a sentimental man, they needed a fellow fan, they needed a man who loved the team and who loved Brooklyn. What they had was Walter O'Malley, who saw the team merely as a moneymaking concern. O'Malley's actions speak for themselves, regardless of Shapiro's revisionism. And if O'Malley was "not unique" among team owners but merely "so obvious" about his profit motives, the blame is still his for eroding the spirit of The Game, and beginning the slide to where we are today in baseball with its overly mobile nonentity franchises, bloated payrolls, stars on steroids, cupidity and stupidity, and fan disinterest.

In the face of necessity, sentiment oft-times does not serve. But in circumstances of choice, such as faced by the Dodgers, sentiment can be a hedge against callousness.

What O'Malley (and Moses) failed to grasp is that a ball team is more than an agglomeration of men in uniform standing around in an open field. He (they) failed to grasp that a baseball game is more than just nine innings and a cold toting of runs, hits, and errors. It is a conversation at a water cooler, a friendly argument over lunch, an invitation to meet at the ballpark on Saturday afternoon for dogs and beer and a chance to see The Duke of Flatbush. It is a sense of neighborliness, a sense of pride, and was---still is---an important part of Brooklyn's special identity.

As Roger Kahn says in The Boys of Summer, "In the best of all possible worlds the Dodgers would be in Brooklyn and Los Angeles would have the Mets."

That's as it should have been.

I recently took a trip to NYC and I got this and a few other maps in advance to get to know the layout of the land. This is an excellent, detailed close-up map. It would be especially helpful for those who are moving to NYC or are there on a long trip.

If your new to visiting New York or you have been there before, this is great to have on you. I found a copy at my local library, wanted one for my trip, no one else had any in stock. Needed it in a week and Amazon delivered in two days. This is a great book, it has everything you need.

In this city, knowing EXACTLY where you're going is valuable because we are on foot most of the time: it's important to be able to plan what subway and/or bus combination it will take to get to a destination without extra walking/trudging about the city aimlessly.

Having every single major building number marked on this street atlas is also helpful as I am not the type that does the "formulas" found in the tourists' books to determine cross streets based on building numbers.

I have lived in NYC over 5 years and am astounded by the value this little book has. Buy it so you know where you're going in NYC!

I purchased this earlier this year, just prior to my trip to New York City.
It was really handy, especially considering it's size.
It's really easy to read, and it makes using the subway simple.

The street numbering is also very handy.

I bought this weeks before my vacation in NYC and it helped in my planning - AND it was invaluable during my stay. The bus maps were highly useful (tourists: take the buses, it's a great way to get from point a to point b) and having the building called out is great. The varying levels of detail are also great. I can't say enough good things about this book. Also, everyone I have shown this book to (both tourists and native New Yorkers) loves it.

This scholarly and highly readable book is of importance to art historians, historians, and anyone with a serious interest in orientalism as both an art movement and a western cultural phenomenom. The illustrations are superb,and the additional profile articles on key orientalists (such as Richard F. Burton) are an added bonus. This book is certainly worth more than its price and will be of lasting value to future readers.

"coffee table" art books are usually just vehicles to display reproductions of the paintings. Not here - Davie's writing would make compelling reading if it was published in regular book format. He mainly focuses on orientalist painting itself - and shatters the critics - but he also has a fascinating section on four famous 'orientalists' which include Richard Burton and Lady Digby.

The reproductions are are splendid very accurate ( i have the pleasure of having easy access to some of the original paintings) and capture the exquisite craft of "Orientalist" painters. often with close ups of parts of painting that allow the reader to see the elaborate detail.

Worth every penny. I find myself reading it again and again.

An outstanding volume providing high quality images and interesting commentary. Too many art books commit the sin of spreading large images over two pages so the picture gets lost in the spine - not this one. Orientalist paintings are crammed with detail to show the erudition of the artists and their patrons: for once you can see plenty, and you're not sold short by the layout or the print quality. Not a book if you're looking for lush pictures of harem lovelies, one of the aspects of orientalism not given such high prominence here. Over all impression? The many different effects created by light in Middle Eastern landscapes, and the skill of these artists in capturing it

Brilliant book completely covering the subject, solid research, perfect rare illustrations. Lots of forgotten and difficult to find names. Very useful and highly recommended - worth every penny!

Really I'd like to give this 5 stars but for the lack of women it's 4. I feel sort of silly doing so because the art is astonishing and the sheer beauty just magnifies how "art" has changed. I wonder if any artist alive today could come close to duplicating these masterpieces. I doubt it. And Mr Davies writing blends with the terrain and subject matter splendidly.

"A vivid account of how Jackie Robinson and Branch Rickey shattered baseball's age old color line. A must read for baseball fans everywhere. A wonderful book so ably pulled together by noted baseball historian and journalist Harvey Frommer."

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"Just a terrific book. It fills in so many of the blanks about the story of Jackie Robinson and Branch Rickey. It's like a history lesson. And the intro by Monte Irvin puts it over the top." - - -Billy Sample, MLB Radio
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The Story Of Rickey And Robinson
by Russ Cohen
BASEBALLOLOGY.COM

If you have never heard of Branch Rickey or Jackie Robinson, boy do I have a book for you, it's called Rickey and Robinson: The Men Who Broke Baseball's Color Barrier! Jackie Robinson was one of the greatest multi-sport athletes to ever walk the earth and Branch Rickey was the guy with the guts that gave Robinson his chance to shine, it's a truly amazing story.

Rickey was a lawyer with a rich history that will amaze you in this book. As always author Harvey Frommer goes into tremendous detail to shed even more light on a great story!

Robinson was a true American hero and this book talks to all the right people to give you a feel of how Jackie felt and was feeling during his playing career. The book also points out how he was a civil right's activist as well.

The book talks a lot about the Negro Leagues and mentions even more players that you may not have heard of that unfortunately never made it to the bigs. Anytime you can read about Josh Gibson, Roy Campanella and Satchel Paige you are in for a fun time.

Jackie died a young man at the age of fifty-three-years of age. This great man had to endure more stress, on and off the field, than most people could imagine. His funeral had 2,500 mourners and when you see the names you will see the type of respect that Robinson garnered.

The author does a great job of keeping the final chapter of Robinson's life as upbeat as possible. It was sad but there was so much good to reflect on and the book did that. The afterword was a nice little story and the boxscore of Robinson's first game along with Rickey's player and managerial record are priceless.

Buy this book now

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Professional athletes are probably no more ignorant of history than the rest of us, but there was something especially disturbing about the number of modern players who, in 1997, during the fiftieth anniversary of Jackie Robinson breaking the baseball color line, revealed that they didn't know who he was. Pollsters probably didn't ask, but it's likely even fewer would have known who Branch Rickey was. That black players in particular, whose careers follow the path that these men blazed, do not comprehend and honor the debt is most troubling of all. Anyone wishing to remedy their own lack of knowledge, and even those who think they already know the whole story, will find Harvey Frommer's Rickey and Robinson an invaluable resource and a truly moving read.

Mr. Frommer had the novel idea of structuring the book as parallel biographies of the two men, their stories overlapping and lives knitting together for that remarkable period of years when they, almost by themselves, integrated major league baseball. Jackie Robinson's is the better known tale, from UCLA to the Army to the Negro Leagues to the Dodgers' minor leagues and then to Brooklyn, with a significant career in business and politics afterwards. And most baseball fans will be familiar with Branch Rickey's reputation as an innovator, his most lasting contributions, besides integration, to the game including the batting helmet and the organized minor league farm system. Met fans too will recall Ralph Kiner's stories about how tight-fisted and patronizing (in both the positive and negative senses) Rickey was with his players. But Mr. Frommer gives us a full picture of the man, of his religious background (which seems to have played no small part in his willingness to be a racial pioneer), his keen mind for the game and for business, and his endless maneuvering to improve his teams. Each man led a life full enough to support a biography of his own. Here we get both and they're fascinating.

But the event that defined their lives was the meeting on August 28, 1945, at Brooklyn Dodgers headquarters, between Rickey and Robinson. It's astonishing to realize that this first time the men ever met, Branch Rickey asked Jackie Robinson to take on the daunting task of being the first black man to play organized white baseball (at least since the color bar had been erected decades earlier). But Rickey had made a true project of the whole idea, had scouted the Negro Leagues and the personal backgrounds of the prospective players thoroughly, and he knew Robinson was uniquely well-suited-- by his ability, his intelligence, his education, his relatively middle-class California upbringing, and his temperament, desire, and will--to bear the burdens. And so "The Meeting" was not just a get acquainted session, but an opportunity for Rickey to probe and to prepare Robinson, even to the point of demonstrating the kind of taunts he should expect to hear, before offering him the bittersweet role of, as he put it: "carrying the reputation of a race on your shoulders."

The whole book is enjoyable but it is this chapter that really sings. The Meeting has been the subject of books, film, stageplay, and more, but it's never been told better than here, with high drama and a sense of history, but also with an immediacy that makes the reader feel like he's a fly on the wall in Rickey's office those sixty years ago. No one can understand what happened in baseball and in American society over those sixty years without knowing the story of Rickey and Robinson and, Mr. Frommer having given us such a rewarding and readable book about the men and their noble achievement, there's no excuse for not knowing it.
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Pinstripe Press
Rickey and Robinson
The Men Who Broke Baseball's Color Barrier
Blending exclusive interviews with Rachel Robinson, Mack Robinson (Jackie's brother), Hall of Famers Monte Irvin, Duke Snider, Pee Wee Reese, Roy Campanella, Ralph Kiner and others,
- The Pinstripe Press

Celebrated author Harvey Frommer evokes the lives of Brooklyn Dodgers General Manager Branch Rickey and heralded baseball player Jackie Robinson to describe how they worked together to shatter baseball's color line.
"This book clearly illustrates the elegance and class that BOTH men showed on the field and off. Frommer has provided a fresh perspective and a testament to overcoming adversity in the face of ignorance. Rickey and Robinson is a must read for hardcore baseball fans everywhere."

I would love to read this book, my great uncle died aboard the Leopoldville and though the family has been told stories from some of the survivors, it would be nice to have a researched account of it all. At $1,050 a copy, I fear it may take a while before that happens, but all the same, i'm glad someone took the time to find out the truth about this disaster. This month, my great uncle's 3 brothers are all being awarded medals for their service in WWII, Korea and Vietnam. These are the real heroes, these four brothers.

This true story of the souls lost and those who lived on from a World War II disaster is unequalled in military history. There is probably no other single incident in WW2 that compares to or involves so many lives in so many states, stories that continue on to this day. The stories Andrade provides, and his writing ability place you on the Leopoldville on Christams Eve, 1944, the day it was lost.

My father-in-law's brother perished in the sinking of the Leopoldville. I married into the family 20 years ago and never really knew what happened to Uncle Waldo. Now I am filled with a great sense of loss at never having known him--and that loss is compounded as I think of the nearly 800 families who lost sons, husbands, fathers, and uncles.

I am also filled with a great sense of appreciate and reverence for all those on board--for those who gave their lives and for those who survived the terror.

Allan Andrade did a great job of presenting the story and introducing those who involved. They are very real people to me now. I finished the book with tears streaming down my cheeks. This is a must read for anyone who had family involved in the sinking. It is an important piece of history for everyone. It reminds us of the price others paid for our freedom, but it also raises important questions about the mistakes or errors that contributed to the loss and the failure to acknowledge those problems.

Thank you, Mr. Andrade, for writing this important book.

I just put this book down and was astonished both by the tragedy of the disaster and by Andrade's insightful and meticulous reporting. I highly recommend it.

"`Hey, I'm alive!' Drew blacked out. When he came to, he found himself on a beach, naked protected only by a raincoat thrown over him. He heard a faint voice `Throw him in there too.' Drew, realizing that they thought he was dead, yelled." This is just one of many harrowing tales of a life and death struggle resulting from the sinking. "SS Leapoldville Disaster, December 24, 1944" is the story of this troopship loaded with American troops being rushed to the help in the Battle of the Bulge. It was sunk barely five miles from shore taking with it 763 American servicemen. The book consists of many short stories detailing individual accounts of the disaster. Even the Introduction has 38. These were compiled from hundreds of interviews and research. Andrade includes many actual copies of letters. Perhaps the most moving are letters from parents to their sons before they knew they were dead. One story in particular is very moving: "Lt. Gene Barwick died that night. They never recovered his body. Each Christmas Eve reminded Barwick's parents of his death. His young bride eventually remarried and had two children but 20 years after her first love's death, she took her own life on a Christmas Eve." Many who died were only 18 to 21 years old and came from 47 of the (then) 48 states. All are listed by state in the In Memoriam Section at the end of the book as are the survivors.

This disaster was kept secret for many years. It was understandable during the war but not so afterwards. Allan Andrade has done a service to the nation and to the families of those lost with his book. It is well done, and an easy read - well worth your time!...

This book continues, along with An Adopted Woman, Twice Born and other titles the ever-thrilling story of a birth mother's reunion with the child she was forced to give up as an infant because she was unmarried and underage, usually from the 1940s, 1950s,or 1960s. Looking back on this practice it seems so cruel to both the mother and the child. I was wondering what becomes of these young pregnant girls today, and it hit me: abortion. How very sad in a totally different way. Society has its ways, often brutal when looked at from a distance, even a very short distance. Both ways of dealing with unexpected/unwanted pregnancies are obviously devastating to the mother, but at least adoption affords an opportunity to become acquainted with the child who was given up. In this story, the author has a rocky few years as we all do in one way or another, but always has the love of her children, and always has the hope of finding her baby. When she finally does, it is very exciting to read of the thrill the mother feels and of the slow awareness of the found child, now a grown woman who had never had any plan to seek out her birth mother. While being excited for Susan, the mother, my heart went out to Joanne whose entire life was instantly changed by this meeting. She was a married woman with a job, friends, and a loving family. Now, she was justifiably afraid of this woman entering her life, claiming to be her birth mother, who was pitting her entire happiness on Joanne's returning her love. Susan never quite goes over the line relative to stalking or smothering or demanding love, but she gets close. In any case, it is a very satisfying book and it is nice to read about such nice people who can have such a happy conclusion to a heart-breaking (for the mother) beginning.

I just LOVED this book! I can't say enough about it. I am an adoptee and it was really great to hear a birthmother's perspective. She told an honest, heartwarming story that flowed well and was easy to read. I couldn't put this one down!!! Grab your box of tissue, warm blanket & enjoy!!! It was EXCELLENT!

I very much enjoyed reading this "fantastic" read! I have been in the adoption searching business for over 13 years now and this is one of THE best adoption search stories ever - not kidding. The way Susan expressed herself and that oof her family members shows such genuine love and affection, considering what she had to go through.

Jan Bowyer

I attended High School with Susan Mello Souza but we were never friends. I knew who she was, but always considered her to be one of the "popular" girls and she always seemed to just be bursting with confidence... little did I know. I reconnected with Susan just this past year as I was surfing the net doing genealogy ... our last names were the same and that is how it came to be that I found a former classmate. After I read about the loss of her daughter, Jackie online and the story of her being pregnant in High School and giving that daughter up I contacted her via e-mail. She was very gracious and we e-mailed back and forth several times and I ordered a copy of her book.
The story is very well written and for me personally it showed me the "other side" of the adoption story. You see, while Susan was struggling with giving a baby up I had my own personal struggle. My parents were getting a divorce and I decided to give up my Dad and allow a step-father to adopt me. Like Susan this decision would haunt me for many years.
I thank God that I too had the chutzpah to correct a decision that was in may ways made for me and I was reunited with my Dad.
After reading Susan's book I came to realize how much pain I had inflicted on my own Dad.
Susan lost not one but two daughters in her life and you feel her pain, but also know that hope is what carried her through the dark days. This book I believe will inspire not only those birth mothers still looking for their child, but also those who may have given up on people that loved them.

When reading Susans and Joannes book...It brought me to a place I once was. As I shared Susan's life, her love, loss, reunion. I felt as though I was there. Sharing, hurting, caring. It really IS a MUST read. Whether you are a part of the adoption community or not. If you are...it helps the healing process. If you are not..you will learn we are not horrible. Just loving mothers searching for our lost children.

I was quite pleased with this book, especially the expanded edition, which includes information about his offspring. I wish it had more photos, but the photos that are there are choice. Wolfe did his research. And interesting read and a must have if you're a fan of Secretariat.

This book is great and chock full of beautiful, rich, and colorful photos; Secretariat almost looks real in some of them. It has just as much accurate information as Bill Nack's "The Making of a Champion," but doesn't go into the tedious detail of related bloodlines and the syndicate deal made for Secretariat. I found this book to be better than Nack's because of that, the pacing, and the gorgeous photos.

This book is a beautiful book, with great photos to supplement the text. It will be of interest to all.

I bought this book as a Secretariat and general thoroughbred racing fan. I discovered it in a book store in St. Petersburg, FL a couple of years ago, and just recently purchased it for my very own through Amazon. At that time, I remember seeing it on the shelf and with wide-eyes, removing it to sit on the floor cross-legged and look at the beautiful array of photographs. I couldn't believe that a coffee table book had been put together about my favorite champion.

And that's still how I feel. If one is looking for photos and photos and more photos of this red legend, this book is the one to own. I am just now getting around to the text, as I have read two Secretariat biographies already, but that is also well written and captures major and interesting details about this horse's life.

Thank you Raymond G. Woolfe Jr. for composing a book that is worthy of our 1973 hero.

On Oct. 4, 1989 the evening news shows carried the story that Secretariat had been euthanized. I cried my heart out. Called in sick to work the next day. My personal hero had left us. The current generation of Barbaro-worshippers can't understand what it was like to watch The Red run. You knew you were watching history unfold, as much as when Neil Armstrong stepped on the moon. Secretariat lifted up an entire nation, kissed it and put it back down. We were sick of Vietnam, sick of Watergate, sick of being the trashcan the world kicks down the street. Secretariat, the most magnificent assemblage of bone, muscle, brain and heart walked out in front of us and said, "watch me." Simple and to the point. Bred in America. Homegrown and hardworking. And setting the gold standard for perfection. This book simply reminds everyone how he was and how he made us feel. Nearly 20 years later I still cry my heart out on October 4th. But I look at his photos and read the stories about him and I am grateful to have been a witness to something that defies description.

I would recommend this book to girls who like journal style writing. Kristiana Gregory writes this book as the main character, Suzanna's, diary. She uses the elements of suspense and surprise to hold your attention; including how, when, and where Suzanna and Clara's mother died. I learned a lot from this book about the Gold Rush. I learned what gold fever was and how some men became thieves because of it. If you want to learn more about the Gold Rush and you like surprises then you should definitely read this book.

I am a huge fan of all the Dear America books. The Gold Rush is really cool and this book made me feel like I was there. This story is about a young girl who leaves her home to go and live with relatives. On the way her father gets gold fever, so they head out west. I really enjoyed reading about Susanna and all her many adventures

This book is the most fantastic book I have ever read! Susanna(the main charecter of this book)a girl who has no mom, a father who is a doctor in the Gold Rush, a bossy older sister, and who gets merried at the age of 15. She is always getting into trouble during the Gold Rush, But Wait! I don't want to spoil the whole story! I want you to read it yourself. I love this story more than anything ! Please consider this amazing book!

If your like me loving the past than you should read this book. It's about a girl and her father is a minner so they have to go differnet places so he can find work. At some parts it's hard for her and her sister. I SAY YOU SHOULD READ IT!!!

This book is about a girl named Susanne whose dad finds out about the California Gold Rush. They decide to stay for about a year, then go back to Oregon. Their dad goes away for a little while, leaving Susanne and her sister in charge of the cabin. A boy gets sick, and they want to help him, but their dad is away. They go searching for him, and they come upon a chunk of gold weighed around 1,000 dollars. Back then, that was a lot of money to just find. Anyway, this is a very good book and I suggest it to readers. READ IT!!!

"The book was better." Moviegoers are always saying that.
Back in 2005, *Los Angeles Times* columnist Steve Lopez wrote a series of stories about a homeless man who turned out to possess orchestra-level talent on several stringed instruments.
Lopez turned his columns into *The Soloist* -- and now it's being turned into a movie (an early Oscar contender, no less, to be released Nov. 21) starring Robert Downey Jr. as Lopez and Jamie Foxx as Nathaniel Ayers, the musician who suffers from paranoid schizophrenia.
So why not just wait for the movie? Downey Jr. is a great actor, and Foxx, having played another gifted-but-disabled musician in Ray, just might pull off the mix of inspiration and delusion.
Because books provide detailed, verbal pleasure, that's why. In real life, fore example, Lopez is married and very much involved in the life of his young daughter; in the movie, he's divorced. OK, so screenwriter Susannah Grant (*Erin Brockovich*) needed to streamline the narrative.
But scenes recorded for the movie won't capture the author's commentary. Movie directors can compel our focus, but they can't enter into the characters' interpretations. At one point, for example, Lopez decides to spend a night on the streets as a homeless person alongside Ayers, who demonstrates how he taps a stick on the sidewalk at night to scare off rodents. And Lopez observes: "He's a classical musician who has taken a great fall and now finds himself fending off sewer rats, but when I look into his eyes, I find no hint of regret, no recognition of this nightly collision between beautiful thoughts and ugly reality."
Most important, the process of reading through the months and months of coordination it took among several people to get Ayers off the streets and into treatment (tentatively, provisionally) -- the reader's act of setting the book aside, then returning to it days later -- mimics the one-step-forward, three-steps-back hassles that Lopez endured just to make Ayers' life a little better. Movies accelerate problems, then "solve" them in two hours.
Director Joe Wright allowed us a glimpse, in *Atonement,* of a happily-ever-after ending that's severely undercut by stark realities. Reader-viewers of *The Soloist* will anticipate an ending that offers the hope of continued treatment for Ayers, not a cure. Lopez's book ends with the question of whether Ayers will be able to continue attending concerts at Walt Disney Concert Hall, let alone performing in them. No sentimentalized Hollywood endings are welcome here.
If they intrude, then this Thanksgiving, you can stroll out of a cineplex somewhere and justly say, "The book was better."

Steve Lopez has written a moving story of a talent musician and, in the process, written an illuminating two-year autobiography.

Great story line. Towards the end, I began to read slower, then pick the book down for a few days, because I did not the story to end. I think this fall around October, November the movies based off this book is scheduled to come out, Starring Jamie Fox. Might not be a bad idae to pick this box up and read it before the movie comes.

Steve Lopez writes an eloquent, very personal story of a homeless, mentally ill man with a brilliant, talented past. It is totally by chance that Lopez meets Nathaniel Ayers along Skid Row in downtown LA. Captivated by the music Nathaniel plays on a beat-up violin that is missing two essential strings, Lopez steps over the threshold into a world very unlike his own.
As a reporter, Lopez's style is rich, tactile and complete. We follow Nathaniel's trail of breadcrumbs from humble beginnings in Cleveland to Julliard to the tunnel in LA where he sleeps.
Lopez's visually evocative language creates a spell that shows us how the mentally ill are marginalized and along with him, we ride the magic carpet of great hopes for recovery and change and then plummet into the depths of Nathaniel's delusional brain chemical mania.
All the while, Lopez allows us to experience his personal emotional struggle of managing a reporter's tettering job, a wife, a two year old daughter and his commitment to helping Nathaniel, once a musical prodigy, now brought down by schizophrenia.
Poignant and touching, this book is a true story of people so real, you will wake from the page with music in your ears and in your heart.

The Soloist by Steve Lopez was such an excellent read. I related to the music side because I am a pianist and the mental illness side. I've never had Schizophrenia, but when feeling down I know how revitalizing music is. This was a warm, touching story that pulls you in and makes you care about Mr. Nathaniel Ayers. I could feel and understand his love for the music. I would like to know how he's doing and what became of him. I have never felt that way after reading a story. The story just touches the humanity in me and I think in everyone who reads it.

This is a great Book! We used this book in a sign language class I took. It is easy to read and understand. I would highly recommend this book to anyone who wants to learn to talk to the deaf or hard of hearing.

This book covers numerous "word groupings" in 17 chapters. Some of these groupings include, "Days of the Week & Time"; "School & Education"; "Descriptions,Thoughts& Emotions"; "The body& Health"; "Mealtime& Food"; "Home&Clothing"; "Numbers,Math Terms,Quantity &Money"; "Pronouns,People&Relationships"; "Actions"; as well as many more.
I especially like this book for the photographic illustrations. So far this is the only ASL book I have found with photographic illustrations.

With each word there are specific instructions for the proper hand shape, position, and movement to go with each sign as well as a visual reminder for memory. At the bottom of each page there is a photographic guide as a visual reminder of all the proper hand shapes that are used in all the signs for that particular page.

I would highly recommend this book for any with the desire to learn Sign Language.

This book was a required text for a Sign Language I course. The pictures are very clear, it gives good description of hand shape, location and movement. I really like that it gives a hint of how to visualize each sign, it makes it much easier to remember.

The book "Talking With Your Hands, Listening With Your Eyes" is a great book for people wanting to start learning sign language. The photographs of the signs are very clear. I especially like the additional material throughout the book about Deaf Culture and history. I recommend this book and enjoyed reading it even though I have been a student of sign language for 5 years.

Love the book, first borrowed it from my local library. The binding does tend to crack with much use, so I broke my book's binding and put all the pages in clear cover sheets in a 3 ring binder. Cost a little more but it was worth it because now I don't have to worry about destroying it and my book will last a lot longer. I found this book the most helpful in explaining how to do the signs as well as illustrating them in very clear photos. I highly recommend!!!