California Books

It's a very user-friendly approach to group study of the Bible and how to apply it to daily life.

We use this bible in our Weekly Bible Study and to prepare for our weekly Sunday School. It provides good concepts and thoughtful questions that we use to facilitate our classes. I like how it presents a mini learning series by several different categories and topics.

I am enjoying this Bible as it has questions that are thought provoking. I have read others that give you information and where to find more information but this is the only one that I have come across that asks you questions and makes you think of what is written.

This is perfect for teachers of teens, great for study reference, Bible studies, questions and more. I am exceedingly happy!

If anyone is looking for a Bible that aids in group Bible studies then this Bible is the one for you. Many Bible study teachers often lack the knowledge to guide members in a thorough study of the Bible. This is due to the fact that there are no proper guides in many of the study Bibles that are out there (though the "NIV Study Bible" and the "Spirit of the Reformation Study Bible" are somewhat exceptions). The problem with many study Bibles is that they just provide brief commentaries on the passage at the bottom. The problem, however, with this is that they do not challenge the reader to critically examine the passage themselves. It provides explanations but does not push readers to think through the passage. This Bible, however, provides a series of questions at the side of the page for the readers to think through carefully. This greatly aids teachers and readers to ask the relevant questions pertaining to a passage to effectively lead a study group.

Robust account of one of the seminal figures of early America, one attempting the creation of an indigenous culture cast in a more universal mode than that of the provincial Christianity of his roots. The courage to give up his secure life as a minister for the uncertainties of exploration and creative renewal marks Emerson's trail through a pioneer's psychological American wilderntess, to touch on and integrate everything from the post-Kantians, to the Buddhists/Hindus to the Persians and Sufis. That Emerson evolved into a near firebrand abolitionist is an aspect of his life unsufficiently told, and this part of his later career runs clear in this book. All in all, a first rate pioneer story of another kind.

This is the only biography of Emerson that truly matters. Richardson locks in on the essentials - the development of a seeking mind is search of the ground of being and the nature of reality. Emerson is our Founding Thinker and to do him justice, a biographer has to grapple with the how and why a mind grows, changes, struggles and reaches new heights. Even if you haven't read much Emerson, this biography sheds light on what Emerson meant when he said, "Nothing is at last sacred but the integrity of your own mind."

In the past, my experience in reading Emerson has been similar to reading the Tao Te Ching; interesting, non-mainstream in its point of view, puzzling to understand what exactly it means. So I would pick up the Tao and read it at different times of the day and different frames of mind, hoping that it would resonate with me, but it never did. Maybe it was the cultural difference, or the language, or not being able to easily identify with Lao Tzu. Such had been my experience with Emerson. I wanted to understand him better because what little I did understand made me want to learn more, but I just couldn't get there.

This biographer, Richardson, really did his homework and any who want to understand Emerson better should appreciate this work. Emerson kept exhaustive journals and collections of his thoughts for many years. He read widely and deeply, kept detailed notes, and thoroughly indexed the notes. What perfect material to access for writing a biography! Apparently Richardson went back and studied much of the source material that Emerson references in his journals and brings into this biography an understanding of who Emerson was reading and what it meant to Emerson, so we receive the pleasure of following along on a journey in the development of a powerful mind. Then Richardson is able to write about this development so that it is easily readable to us moderns. It's quite a remarkable achievement.

"Mind on Fire" shows me that Richardson is certain that studying Emerson and his message is worthwhile. So much consideration has gone into this biography that when I laid it down after almost non-stop reading for several days over the holidays, I felt like I really understood Emerson for the first time, and now have much better insight. I plan to let this book simmer in my mind a few more months, then pick it up and read it again.

If Richardson could also write something as lucid and detailed to help me understand the Tao Te Ching, I wouldn't have 10,000 questions about the 10,000 things. ;-)

Mr. Richardson's 'Thoreau A Life of the Mind' was not only the best biography I've read on Thoreau, but one of the most exhilerating and enlightening reading experiences of my life. So I decided to read his 'Emerson The Mind on Fire.' And it was every bit as intimate and intelligent.

There are times you feel that you're intruding upon Waldo and Henry on one of their walks. It was an endless stroll of two intellectuals and humanists on the path of being very human. Each of the one hundred chapters (both books) are kept short, which helps move the reader from topic to topic without ever feeling put upon (too much detail can drag what is otherwise very interesting.) Though, for me personally, I would love to savor every moment these two great men shared. I don't think I could ever get bored.

Emerson has many close friends with whom one gets to know intimately. His personal address book was a whose whose of literary and intellectual greats.

The relationship between Emerson and his second wife, Lidian, is of great interest. She was also intellectual and as much a partner in life as she was a wife. Her presence is everywhere in Emerson's life.

Emerson's essays are pure poetry. And the behind the scene snippets into how they became a part of his legacy was both insightful and relevant to the day to day interactions and causes he committed himself. His transformation from the unremarkable child into the neverending 'student' of self-education and commitment to social conscience throughout his entire adult life is one to be admired.

Mr. Richardson is one of the best biographers of nineteenth century literaries. He is truly one with his topic.

Robert Richardson's biography of Emerson is superb. Though, as Richardson reminds us, Emerson did not like superlative language when precise and adequate language would do, it is the case that at times the superlative, the precise and the adequate converge (as, in fact, they often did in Emerson's writings). Richardson's biography is indeed superb in its unfolding of Emerson's life -- the loves, the friendships, the losses, the intellectual and spiritual hunger, the religious quest, the writers in America, in Europe, in Persia and elsewhere to whom Emerson owed and acknowledged debts, the grasping at and for a world, the determination of a single, brilliant human being to find his way and to see his life, and all individual lives, as imbued with the divine and thus worth living.

The book is also superbly written. Each short chapter offers enough substantive insight to urge the reader into the next. It is a long book, but not long-winded. Richardson provides the reader with some morsel of insight in a few pages of narrative, and then offers a rest to digest what has been said. His placement of quotations from Emerson's journals, essays and other works is brilliant, offering the reader a useful sketch of Emerson's metaphysics and ethics. In my own case, this has allowed time to reach for other literature more fully descriptive of the events or scenes offered in a particular chapter, or to reread chunks of Emerson's writings while moving through the biography. The book is a useful tool not merely for a study of Emerson's life but for a study of Transcendentalism and of the interplay of ideas across the Atlantic that shaped American thought in so many ways. One sees more clearly where and how such writers as Nietzsche and Thoreau obtained the seeds of their own truths from Emerson's works and thoughts.

Richardson has set the standard for the writing of future biographies. Again, simply superb.

I am still reading the book and have been quite pleased with all the details of Mr Sylvester James Jr. Life, I am sure when a read the final pages it will be as smashing as the life he lived!! I also found a DVD, Filmed in San Francisco, in 1985 or 1987 when he celebrated his birthday, the video is grainy and not what I expected which was Him and the Famous (Two Tons of Fun,) what I have is Sylvester in his what I call break out years his voice was not as vibrant during this period but to have anything of him suits me just fine. He came into his own he perfected his voice and character, I still miss his presence on earth just as I do all the Great Ones.

Sincerely,
LEE

At last, a beautifully-written book about a beautiful artist - Sylvester. I have been waiting for this book to arrive for years and, finally, here it is!

I was hooked by the opening chapter which tells the story of a young boy named Tiki Lofton who sneaks out of his bedroom window at night and over to a friend's apartment where, in 1960's South Central, with the help of a young Sylvester, he transforms himself into a "Disquotay." The Disquotays were a group of boys who liked to dress up as sophisticated ladies. And Sylvester, or Dooni as he was known then, was in charge of the wigs.

"The first Disquotay bash that Tiki went to was over on 120th and Athens, at Etta James's house, sometime around 1965. Etta, who would later be inducted into the Rock and Roll Hall of Fame (largely on the strength of her 1961 hit "At Last") and the Betty Ford Center (largely on the strength of her smack addiction), was already a recording star and a friend to many local Los Angeles drag queens . . . The house, with its swimming pool and fireplace, had stunned her. Women, drag queens, and guys, all sending joyful noises in Tiki's direction; the music had been jumping; Walter Jackson's version of "Lee Cross," Jr. Walker & the All Stars' "Shotgun," "Nowhere to Run" by Martha and the Vandellas, Fontella Bass singing "Rescue Me." Gay kids all perched on gigantic speakers, singing and carrying on . . . Tiki had said to herself. "This -- honey, where is this world?" Within months, she would be a full-fledged Disquotay, made-up, bewigged, bejeweled."

Joshua Gamsom recreates this world vividly in that first chapter. Simultaneously, he introduces us to the members of Sylvester's family. His beautiful and beloved mother and grandmother. His twin sisters, Dette and Dean. The quotes are full of heart and expertly placed and the story unfolds like a fine silk fan. I can't help but think that Sylvester would be very pleased to read this biography.

I had the honor of meeting with Sylvester to discuss a project a few years before his death. It was mid-afternoon and he was sewing sequins on something, which was his favorite pasttime. He was always sewing, a talent he picked up from the women who raised him. He walked over to the turntable and put on Patti LaBelle's "If Only You Knew" and said he was dedicating the song at his One-Night-Only concert the following night to his fans and supporters in San Francisco, the city in which he always felt most at home. That night, with Martha Wash at his side, they performed that song together, bouncing their voices off each other inside the Castro Theater. Those two powerful voices, the acoustics of the Castro Theater, and the magical spell he wove with Patti LaBelle's song was something to behold.

That Sylvester could hold his own with the amazing Martha Wash is a testament to the power of his falsetto. He didn't have a thin, reedy falsetto. His was full-bodied, gravelly even, and very much in evidence on one of his biggest hits, "Do You Wanna Funk."

"So when I tell you, that you're really something, baby, will you stay, or will you go away."

Joshua Gamson captures the essence of Sylvester's personality, the diva fits as well as the immense kindness and sensitivity, and wraps it all together into an highly readable book that I wholeheartedly suggest you pick up. Although some have faulted him for not having an encyclopedic knowledge of music, Gamson lets experts like Joel Selvin provide insightful commentary.

It is my hope that someone has optioned the book for a movie and we can expect to see this wild individual portrayed in all his glory.

John Waters wraps up "The Fabulous Sylvester" pretty well in his cover blurb: "A well-written, touching, dignified biography of a gay black diva who never really fit into any minority but managed to achieve his dreams of stardom. Now that's what I call a man."

Five Stars. Great Read.

Magic happens where reality and fantasy overlap. It's a space that dance music star Sylvester effortlessly occupied during the outrageous and flamboyant club scene of the mid-70s to early 80s, when those lines were happily blurred on a nightly basis.

Gamson does an excellent job of showing Sylvester's `six-degrees of separation' influence - he worked with emerging stars like Bette Midler, Patti LaBelle, The Weather Girls ("It's Raining Men"), American Idol judge Randy Jackson and Patrick Cowley (Megatone Records).

By focusing mainly on Sylvester, Gamson gives the reader an inside look and feel of the gay club scene that was a mix of Broadway and Bowery Row. Sylvester epitomized that drama and contrast with his falsetto voice but powerful vocals and androgynous but commanding stage presence. He created a propulsive musical genre ("Do Ya Wanna Funk?" "You Make Me Feel") that defined the era's manic, raw and pulsating energy.

AIDS turned the party lethal, killing off both his audience and the mood for high energy music. Soon, Sylvester, along with hundreds of others in the arts and entertainment community, was dead. There are lots of devil-may-care musicians whose audiences escape through their lives and music, but there will probably never again be a time when the audience and the artist were so intimately in synch, both feeling and living the beat.

The Fabulous Sylvester is a fascinating recounting of the life of Sylvester, the dance scene and Sylvester's career. This book explores the life of Sylvester from his early childhood days to his development into an international dance icon. This book does not sugarcoat any part of Sylvester's life. It is detailed and honest and shows us all aspects of his life and career. This book is as interesting and fabulous as Sylvester was.

Joshua Gamson took the reader on a magical journey of Sylvester's glitter world of music, sex, and drugs with the abandonment that was the time of the 70's. Sadly, there was no gold at the end of the rainbow and we, like Sylvester, saw the decline with terrible retribution.

I highly recommend this book; it's a quick read and you won't be able to put it down.

I'm on Day 6 of a 30-day vegan challenge (just diet, not lifestyle). I just got this book last week and the timing was perfect. It has dozens of gourmet-tasting but easy recipes that are either vegan or easily converted--vegetable recipes, soups, salads, grains, and even some desserts.

Most of the recipes focus on plant foods (which is the whole point of "the new American plate"). The grains recipes often rely on intact grains, which I prefer over flours. The recipes are pretty simple but contain yummy combos I would never have done on my own, like quinoa with peas and sage, or roasted parsnips with sweet potatoes and apples.

The book has a nice layout, a thorough index, and photography that makes me drool (yes, over vegetables). I just wish I could find more books exactly like this one. I'd give it more stars if I could.

I've been cooking healthy for a while, but this is by far the best overall cookbook (healthy or not) I have come across. Everything I tried has been great. Even my picky daughter has bought a copy and lives by it, so whether you have gourmet tastes or plebeian like my daughter, it is a perfect cookbook.

It amazes me that the best healthy eating cookbook is also the best cookbook for modern American cuisine. My fiance bought this book about a year ago and I am consistently impressed by the variety and taste of the food contained within (it also helps that she is wonderful). My personal favorite: the couscous with raisin, apricot and ground beef.

I received this book wrapped in plastic and once opened I was overwhelmed with the smell of mildew. Once all was corrected (great customer service) I enjoyed it. I have cooked several things and tried new legumes I had never heard of. I would recommend it to anyone who enjoys the art of cooking healthy unusually good foods.

Having recently gone into remission, one of my key focuses is to eat healthier, etc. This cookbook really helps. I know what I should eat, the problem is making it taste good enough. This cookbook knows what spices go well with vegetables, etc. to make them wonderful. You can eat well without feeling guilty.

At least if you read this book, you will know where it all started. Nothing more than basic calculus and mechanics is required, but the book is still tough going for those of us who aren't physics studs. The style is archaic, and Newton even includes the occasional theological comment (for example, in one of the Lemma's he refers to God as "an infinite and elastic spirit)." But for those with the patience, determination, and discipline to make it to the end, you can pride yourself on having read one of the most important founding works of modern science, and perhaps the most important and revolutionary single science book ever written.

My edition of this book was part of the famous Great Books of the Western World set, and it was one of my favorites. The only work in the set to require any higher math, there is no doubt it had to be included in the set because of it's importance. But unfortunately I suspect it's the most neglected work in the entire set of 54 volumes and over 300 works because of the level of technical difficulty.

What I have to say is Newton.... What else are you lookin for in a Physics book. Ohh yeah the only problem it has that its size is such a college book(huge), and it is not hard cover.

Principia explains with great detail some elements of Eucledian geometry, Calculus, Fluid mechanics, Three laws of Gravity and The Method of the Universe. Newtons three hundred year old advice remains true today to read Book One and Three while skipping Book Two altogether. I can honestly say that subject is not too difficult but is guilty of being well conceived but poorly worded. The latter was Newtons own intention to make its reading very exclusive and making him less vunerable to his contemporary critiques. This version has the diagrams illustrated on multiple pages for each Scholium to avoid the constant turning of its pages. I advice a slow read of Book 1 and 3. The last Scholium of Book 3 is the best discussion as to the existance of God that I have read. Long live the spirits of Shakespeare, Newton, Vermeer and Beethoven.

I am writing my dissertation on Newton and have found this translation incredibly helpful and surprisingly readable.

The Principia is one of the most difficult and inaccessible books ever written -- so much so, in fact that even John Locke (himself a pretty smart guy) had to ask Christian Huygens to explain much of it to him. This difficulty was intentional, because Newton did not want people who only understood math a little to try and undermine his arguments. For this reason, he rewrote book three so that only those who had read and understood book 1 could understand its concepts.

People laugh when I tell then that I own a book with a three hundred page introduction, but it's a book that needs a three hundred page intro. In their intro, Cohen and whitman describe the history of the principia, its structure, an explanation of where prior translations have fallen short, and -- most importantly -- note which of the Principia's sections have been most significant during and after Newton's time. This is helpful so that when you get to each section, you are more likely to notice which elements may have seemed most controversial, where he is taking down Descartes' vortices, etc. I'm not saying I agree 100% with cohen and whitman on all of their points, but they have produced a work that does not simply translate the book; it also shares the writers' substantial knowledge about the principia.

This is an essential and monumental translation. If you are at all interested in early modern science, you must own it.

The Principia is the basis for much of modern science. It is swallowed hook, line and sinker by mathematicians and people in physics as a 'holy grail.' It is a continuation of very old fashioned thinking, hooked on 'cause and effect' relationships, Aristotelian in nature. One would think that modern science could see through this veil of antiquity, but seemingly has not yet had the courage to do so.

It is essential reading, however, so see how far 'science' has not moved for nearly 400 years.

This particular translation is of interest in that half of the book tries to explain and support the original text. Bit too hard of a sell to justify Newton's arguments. Again, it is a must-read for anyone seeking to understand the flaws of modern 'science.'

This is one of the all time great true crime books. If you like true crime, you must read this book.

I realize this is an odd heading for a review, but one of the very first things the author points out is that the crime was as incredibly stupid as it was brutal. I don't want to spoil the story too much, but added to a long list of very stupid mistakes made by the kidnappers was an apparent failure to understand how the telephone system in San Jose worked.

The author tries to explain this, but I supect that in this day and age when many people haven't even used a rotary dial phone, his explanation was inadequate. In 1933 the telephone system in San Jose was completely "manual." Telephones had no dials or buttons. When someone wanted to make a call, he or she simply picked up the receiver. This action caused a small light to go on over a jack in the switchboard, which was of course marked with the number of the calling party. The operator then plugged in one of a pair of cords from the shelf in front of her and asked "number, please?" The caller then spoke the wanted number to the operator who used the other plug to connect to the jack of the wanted number. She then had to press a small lever to ring the wanted party's bell. Consequently, tracing a call was ridiculously simple; all someone had to do was read the numbers next to the jacks in question on the face of the switchboard.

Of course all operators would have been alerted to signal the Chief Operator when anyone asked for the number of the Hart residence. The operator could also delay a few seconds before starting to ring the Hart's phone, giving the Chief Operator extra time to alert the law enforcement officers at the Hart residence that there was an incoming call.

All this resulted in Thrumond being arrested while using a pay phone to call the Hart residence. While San Jose city police were not involved in the arrest, it should be noted that he was using a telephone something like 150 feet from the main police station, not the wisest choice of locations.

This evidence would have been crucial if the case had come to trial and if Thurmond and Holmes had recanted their confessions, or if the confessions had been ruled inadmissible, which was possible even in 1933.

In other areas the author paints a vivid picture of the local political scene, and how "bosses" controlled much of city and county government. It's also interesting to note that much of the area around San Jose was rural at the time.

The brutality of the crime notwithstanding, I cannot in any way approve of the lynching, and I'm of the opinion that the governor should have been impeached for first failing to provide national guard troops to help defend the jail, and secondly for his outright approval of the lynchings and treat to pardon anyone convicted of taking part in them.

Prosecutors in three, if not four different jurisdictions were preparing charges against Holmes and Thurmond. There is simply no way they could have gone free if the first case against them for any reason had failed.

Swift Justice is more than a story about the murder of Brooke Hart, the son of a prominent San Jose businessman in 1933. It is about vigilante justice in its worst form--lynching.

Farrell starts the book off with Brooke Hart and the events that led up to his kidnapping and murder. He points out that most of his material was gathered from witnesses and/or people who wish to remain anonymous to this day. So, he cautions the reader about the accuracy of his story. The detail in which he describes the body and the lynching is gruesome. It works with the story, though, because I got the sense why the citizens of San Jose flew into a rage at those two men and the justice system. Brooke Hart and his family were revered by many, and in their eyes, what those two men did was unforgivable. The sheriff's department started receiving anonymous threats against those men and alerted the police chief. When the threats became more severe, he brought in more deputies to secure the area while the police chief did nothing. Then a small crowd gathered outside the station house. Slowly, it grew into a large mob. At eleven o'clock that night, they stormed the jail, dragged the men out of their cells, and hung them on two trees in St. James Park.

Farrell did an excellent job in depicting this scene. I felt like I was right there in the sheriff's office while he pleaded for those men to confess to their crime. I felt his desperation and terror of the crowd outside, and the adrenaline rush when he and his deputies fled for their own lives. He was a man on his own; however one firefighter helped another prisoner escape. Other than that, nobody helped them. Then there was the mob, itself. As I read those pages, I couldn't believe how good, decent citizens turned into bloodthirsty savages. But there they were, chanting and raving as the men were dragged out by their peers. The lynching was a spectator event, and everybody who knew or heard of the Harts attended with their babies and children. It was appalling and sickening. The authorities didn't arrive until it was time to gather the bodies and clean up the mess.

The St. James Lynching of 1933 was the last to occur here in San Jose. Since then, the penal system has made several improvements; however, the system leans more toward the civil rights of the criminals than to the victims. The pendulum always swings left and right, never landing in the middle. I recommend this book to anyone who is interested in San Jose's history and/or the justice system. With all terrible tragedies, there is something to learn.

I'm not ashamed to stay I stayed up all night reading this book. I thought I'd read a few chapters before bed and...well, I just couldn't put it down. Brooke's murder is particularly brutal -- I could hear his final calls for help inside my head. The description of the lynching is so vivid you feel as if you're there, shouting and manning the battering ram with the rest of them. My only complaint was that the "after the lynching" section seemed to drag a bit. All in all a wonderful book, which I would highly recommend to any fan of true crime.

I must admit, I have a biased viewpoint. As a descendant of not one, not two, but three people who were summarily executed without the benefit of due process (one was most probably guilty --- the other two probably were not), accounts such as the San Jose Lynching tend to rub a raw nerve with me.

In a brisk, wonderfully written narrative, the author sets the stage and lets the events unfold to their unsettling conclusion. Along the way, he makes some interesting points about mob mentality, vigilante justice, and the abication of moral authority that our leaders on occasion display.

Most troubling for me are the points raised at the end of the book. The abrupt dispatch of the two murder suspects meant that other leads never were followed up on by the authorities. The author makes it clear that the two men were most certainly guilty --- they confessed to the crime, and the circumstantial evidence certainly pointed towards their guilt. However --- most troubling of all --- the circumstantial evidence also pointed quite strongly to additional men being involved in Brooke Hart's kidnapping & murder. Did other men get away with murder because the San Jose mob was too impatient to wait for a trial? The author does not beat us over the head with his theories, but he correctly points out that, because there never was a trial, a lot of questions that needed answering went unaddressed.

Certainly, it is a cautionary tale for those who believe that the justice system is too sluggish, and that we should just "line 'em up against the wall and shoot 'em." Maybe some time has been saved --- maybe justice has been served fully. But you can't confidently state it as fact.

This is an ok effort by Ms. Goldstein but unfortunately the recipes don't quite result in the amazing flavors that Georgian cuisine is known for. Perhaps it is Ms. Goldstein's substitutions of less authentic ingredients as some ingredients in the "real" dish are hard to find. Perhaps it is something else. (Her "adjika" is REALLY bad/wrong for instance....)

OK book if you want an idea of what Georgian cuisine is like. Not good if you REALLY want the real thing...

This is a marvelous, utterly authentic encyclopedia of Georgian cooking. I tried some of the recipes before leaving for Georgia in summer 2006, and they were great, and gave me a good idea of what to expect. Once in Georgia, the book was an invaluable reference that I constantly turned to whenever I tried something new. Just about *everything* I had is in here, along with many things I didn't get around to sampling.

This book also helped me learn the correct Georgian names for the dishes and many of the ingredients. A significant portion of the book is devoted to providing cultural background on Georgia and Georgian food, such the elaborate rules for a _tamada_, or Georgian toastmaster. With its charming photos of representative paintings scattered generously throughout its pages, it also made me a Pirosmani fan, and better able to appreciate the originals when I saw them for myself.

Most importantly, as the other reviewers say, the recipes *work*. We just made the potato salad with walnut paste (p. 172), and it was delectable. Other dishes we have tried and like include tomato soup with walnuts and vermicelli (p. 73) and green beans with egg (p. 130). Pkhali was one of my favorite dishes in Georgia, and I'm glad to have the recipe for when I get around to making it myself. There is a recipe for beets with cherry sauce, a dish a travel companion had tried but that even some of our Georgian hosts weren't familiar with. For the few recipes that seem to be missing from this book, like eggplant with walnut paste, try Please to the Table: The Russian Cookbook, another excellent collection of delicious recipes from all the former Soviet republics.

_The Georgian Feast_ is well worth having even if you don't eat meat - many of the recipes are completely vegetarian. This book is a real treasure.

I've already written a review of this great book. I have only one suggestion: the basic khmeli suneli recipe can be augmented further to reach the authentic smell and taste. The wikipedia article on khmeli suneli has additional ingredients that can be added to the recipe. I tried that, about 2 teaspoons of each ingredient that's not already in Darra's recipe (less for black and chili pepper), and it came closer to the authentic smell and taste. I think the author of the wikipedia article might have meant safflower (marigold) instead of saffron though, so I didn't add that.

As someone who was born and grew up in Tbilisi, I was very happy to find this book -- it captures all of my favorite recipes, and when I prepare them according to this book, they taste just like my grandma's cooking.

More than just a recipe book, this is also an exploration into the rich history and culture of Georgia, and how the history shaped the cuisine. I suggest this book to everyone who would like to add some interesting preparations to their cooking. For vegetarians, Georgians have plenty of healthful and filling ways to prepare veggies and beans, and also some mouth watering sauces that will enliven any dish (veg or not).

I enjoy this book both as a cook book, and as a historical book!

I gave this book to a Georgian and she loved it. It had all the dishes she had eatten as a child. If your looking for a book to fill in any missing recipes this is the book for you.

One of the greatest books ever written.

Also the kind of service / support rendered by Amazon, when the first copy did not reach me, was truly touching and amazing. Within a fortnight of not having received the original book sent to me, I had the book finally in my hands ! Great customer service.

For all the great technological magic of our age we suffer the misfortune of living in a time where the depth of hyperbole rends the edge from language leaving us bereft when the time comes to describe something truly remarkable. Thus to say that John Woods' translation of Thomas Mann's Joseph and His Brothers offers readers a gift of almost indescribable value may leave one wondering if I am making a literally true statement or simply wallowing in the common puff of our day. In this case the latter is the case for Mr. Woods' translation of Mann's great opus offers the reader an experience both challenging and sublime.

Readers unfamiliar with Mann's work may feel a sense of vertigo beginning this even more than his other works. Much of the style of narration, unique with its perspective shifting through time, seems almost purposely designed to leave one doubting their footing. Increasing the sense of dread is the books sheer heft, with over 1500 pages of small type and weighing in at almost two and half pounds. Yet those brave souls who resist the temptation to lay down this load in favor of a more easily digested work will come to in the end appreciate the feast to come. Mann's work rests on its own unique rhythm, and once the reader grows acclimated they will surely appreciate both the work and the great skill of Mr. Wood as translator. This series of four novels expounding on the biblical tale of Jacob, his son of Joseph of the famous robe, as well as his brothers, often comes when people engage in the entertaining and fruitless parlor game of determining the greatest literary work of the 20th century. While no single work can claim such a title, the complexity of the work and the Herculean task of translation should be evident that this is only the second instance of its translation into English in the more than 60 years since it first appeared.

Beyond simply outlining the work's subject matter, in many ways it seems written with the express intent of defying further description. With a complex web of interrelated stories, occasionally taking subjects that the bible reflects on for only a sentence and expanded on them for a hundred pages and at the same time seeking to place this seminal tale in its religious, historic, and cultural context, the work often leaves the reader gasping at the audacity of Man's enterprise. Yet almost every one of his efforts comes as a remarkable success, leaving one much to ponder. Indeed, any expectation that one can rush through this work will surely leave you with only a headache and little to show for the effort. Instead, one must take their time and slowly chew on Joseph and His Brother's digesting each piece in turn. Like many great works this one takes effort and diligence, but the reward comes as more than just bragging rights for having read it. Far more, it will offer an often eye opening new perspective and beckon from the book shelf to be taken down again so that you may reread this section or that.

One last point: to end where I began, Mann's attention to detail and word choice often gives pause, making each of us consider the harm done when we rain down words on a subject when a mere drop would do.

The new translation of Joseph and His Brothers is beautiful, as is the novel. Yes, it's long--about 1500 pages--but it's worth all the time it takes to read. Perhaps this isn't the place to start, if you haven't read Mann before, but if you already admire his work, you're going to love this book.

This isn't really about Joseph and his brothers, but about his father, Jacob. An amazing achievement, taking the bare bones of the biblical story and adding research from Judaism and Egyptian and Near East mythologies and oral histories. Plus Mann went to the land covered in these histories to see it for himself. There is an ironic, slightly satirical tone which surprised me - I thought it would be so religious - not at all. He made everything matter-of-fact and plausible and made the biblical characters come alive as real people, always adding the small details of their way of life then. Jacob seems such a sympathetic man, as Rachel does a woman, but Joseph comes off as a tattle tale, and there is the one line in the bible to support this as in everything of which Mann writes. Such a sad and touching ending to this first book.

Anyone who has read my Listmania "Escape Mass Market Fiction" knows that I touted this novel (tertrology actually) as having ".... the most exquisite language since Shakespeare". But it is truly beyond that. After 30 years and over 3,000 books read I can affirm that there simply has been no greater work of fiction produced in any century by man or woman. One of the reviewers for the Lowe-Porter translation was dead-on saying you keep wanting to go back and reread the last 20 pages you managed to finish just to savor the experience. Original editions are a little rare and expensive, but, like any treasure, it's rewards are transcendental, and once read, you can consider yourself part of the most esoteric world of the true literati. NOTE-- Beginners who are easily scared off and prefer to sample before committing might want to skip the Preludes and go straight to the main chapters.

Donald W. Engels book is chock full of logistical details that any serious student of Alexander The Great would need, to undertake an in-depth study of the logistical needs of this great general. Personally, I believe Alexander The Great was the greatest commander on the battlefield and his success is due in no small part to his exceptional understanding of the logistics necessary for his army to conquer the ancient world. He learned his craft under the able tutelage of his father, Philip of Macedon. Philip saw in his son the genius he had for organization and entrusted his logistical planning to his son while he was in his late teens. I guess a classical education provided by Aristotle didn't hurt him!

Engels book solves Alexander's logistical challenges by using the relationship of time, distance, geography, climate and the nutritional needs of his army. He uses ancient historical sources as well as recent archaeological work to fill in the many blanks that had been plaguing students of Alexander's conquests for years. One of the great facts that Engels points out is that Alexander used very few pack animals since they needed too much food and water. He used men instead to move his army, which made it lighter and faster. The statistical tables, maps and appendices alone make this a most worthwhile book. Had Field Marshall Rommell had access to Engels work he might have not allowed his lack of logistics defeat his strategy, thank G-d the book wasn't available to him!

This is the consummate work for understanding the logistics of ancient warfare. No serious student of Alexander The Great can be without this book. Being that I am a retired U. S. Army Major, I recommend this book to anyone who is interested in ancient warfare, and history.

i would recommend this book to anyone who is interested in military strategy or ancient history. i read it in a day because i simply could not put it down. engels provides a case for alexander's movements based on what is logistically possible through the movement of troops and supplies. well researched (he pulls from sources as diverse as ancient greek text and us. army records), the book opened my eyes to what warfare in those days must truely entail.

this is not an introductory book on alexander's campaigns, however. the author assumes you have good knowledge of what the pervailing theories are of the routes that he took, and doesn't waste time explaining details that might not be known to someone who hasn't already read and studied this time period.

Engel's little book is one the best investigations into the effects of logistical factors on warfare that I've ever read. Reducing the energy needs of any body of men and animals to a formula,applying logical constraints to deductions about the movement and function of these groups, and by rigorous historical investigation into the geography, history and climate of the relevant places involved, Engels picked out the motivations and concerns of Alexander (and his enemies) as he marched across the shuddering corpse of the Persian Empire.

Don't be put off by the implied technical details above. This is a very readable book, a story, even. It's one of my favourite reads. Engel's conjectures are thought provoking, but always backed up by hard evidence. Anyone studying warfare in any time prior to the modern period (where trains and the internal combustion engine changed everything) needs to read this book to understand how things worked.

Alexander's logistics management during his unprecedented (and unmatched) military campaign is something that's easily overlooked considering the reams of books about virtually everything else about Alexander. But this seemingly mundane subject matter turns out to be one of the most fascinating aspects of Alexander's truly multi-faceted genius. This book provides a great insight in layman's terms of what it was like to manage a campaigning army of approximately 50,000 plus followers (engineers, doctors, cooks, entertainers, scientists, craftsmen, servants, etc.) of around another 15,000 people and at least 10,000 horses and mules. It's easy to just throw down the numbers and do the calculations, but it's another thing to imagine the logistics involved in procuring the food, water, and other resources to keep the army moving at a swift pace of 35~40 miles per day.

Engels does a great job of helping the reader visualize the enormity of the logistics problems involved and how they were tackled by Alexander as he and his army marched through Asia. Alexander was a very hands-on kind of a leader who was involved in the minute details of logistics operations when necessary but did so without getting into micro-managing those underneath him. Alexander knew every aspect of his army inside and out and lived like a common solider, which is what truly endeared his soldiers to him with fervent loyalty. This book provides great insight into an aspect of Alexander that some will ponder about but never bother to delve into. How did Alexander lead such a huge army and a supporting contingent over 22,000 miles of extremely difficult terrain and environments? This book goes a long way in answering that question.

This is a very illuminating book on the supply and logistical challenges that Alexander the Great had to overcome in his numerous brilliant and successful campaigns. Donald Engels's book is unique in that it focuses on an area that many authors either takes for granted or pay scant attention to, yet it is an integral and critical part of any successful military campaign.

The book contains some important lessons for all commanders today on the critical importance of logistics to sustain an army and ensure that it is well supplied and that troops remain motivated. The book shows how Alexander's intimate knowledge and understanding of terrain, geography, weather, seasons, sources of provisions and accessibility of routes enabled him to expertly solve the various logistical challenges thus ensuring his decisive victories. The immensity of the calculations that he had to make, the numerous permutations that had to be taken into account with respect to factors such as speed of troop movement, water and food requirements for people and animals as well as the weapons and ammunition shows really how capable Alexander and his staff were.

The book thus authoritatively highlights the fact that Alexander's genius for effective logistical system played an essential part in complementing his brilliant tactical skills and leadership acumen. After reading this book, you can make sense of why Alexander made certain decisions as supply and logistics severely restricts where an army can go, its speed, rest periods, how long it can stay at any given place, the number of soldiers that can be accommodated as well as methods of transport and supply, among other things.

Having read this book, one can really appreciate with awe just how great Alexander was to wage brilliantly successful campaigns in distant and remote lands, such as Persia and India, when the ancient means of transport and supply were poor and inefficient. It took methodical, detailed and thoughtful planning and Alexander's sharp intellect to put it all well together.

All the Live Little Things began the golden era of Wallace Stegner's writing career. Finding the right voice in a first person narrative, he followed this beautiful novel with Angle of Repose, The Spectator Bird and Crossing to Safety; all are highly acclaimed.
In All the Live Little Things Stegner brings to the page a great deal of raw material from his life. The character of Marian was a composite of friends who had died of cancer, Peck was a composite of the 60s "beatnik", which in real life caused Stegner to retire from teaching and devote his time fully to writing. The callousness of Dave Weld's bulldozing on virgin land reflected the author's long term concern for the environment. His beautiful description of nature throughout the novel, and use of nature as a learning tool, expressed his life-long love and dedication to the American West. Even Joe and Ruth Allston were drawn from the real life marriage of Wallace and Mary Stegner. This matrimonial understanding and bliss is reflected in the opening page of the recently published "Selected Letters of Wallace Stegner":
What does more to stay us and keep our backbones stiff while the
world reels than the sense that we are linked with someone who
listens and understand and so in some way completes us?

All the Live Little Things flows beautifully. It has rich, well written characters that keep the novel moving towards a bittersweet conclusion. I did not believe the plot was forced or took unnatural turns; rather it followed the characters as they thrashed about with their struggles, sins and destinies, all seen through the eyes of the flawed but wise Joe Allston. As the character says near the story's conclusion: "There is no way to step off the treadmill. It is all treadmill."

Stegner once wrote that "In fiction I think we should have no agenda but to tell the truth." All the Live Little Things does draw heavily from the truths of Stegner's life in the 1960s, but it also holds its own as a thoughtfully written fictitious story of pain, hope, resignation, acceptance, and other qualities that mark the human condition.

just a note for everyone
the hippie in the book was actually based on Ken Kesey

Wallace Stegner's _All the Little Live Things_ focuses on a nine-month period in 1967 in California and the lives of five neighboring families in a rural area on the verge of becoming a suburban subdivision. The first-person narrator, a crusty sixty-seven year old retired literary agent, Joe Allston, describes his relationships with his neighbors and his own struggles to maintain a healthy, ordered garden. Each of the five families has its own philosophy, whether explicit or implicit, and its own eccentricities. Much of the novel examines how people coexist and how lives become enmeshed. The Allston's garden, which despite Joe's efforts is constantly being overtaken by gophers and poison ivy, is a metaphor for how life all too often resists people's hopes and desires.

The Allstons are an older retired couple from Manhatten who have moved west to find solace and comfort in the anonymous quiet of gardening. The Welds have lived on the land for generations as farmers and with each generation must sell more and more land to survive. The LoPresti family is wealthy and socially connected. Fran, the wife, indulges her artistic sensibilities in sculpture, in part to deflect her tense relationship with her daughter Julie. The Caitlins are a young family new to the area. Marian, the wife and mother, is a beautiful thirty-year old woman whom Joe dotes over. The Allstons adopt Marian, her husband John, and their daughter, Debby. Finally, there is Jim Peck, a graduate student, who squats on the Allston property. Jim Peck and his "family" of accolytes represent the excesses of the 1960s counterculture and the dangers of chaos.

The novel works in a flashback sequence. As he walks around his property, Joe Allston reflects on the momentous events of the past year and his feelings of loss. He feels that he is "infected with consciousness and the consciousness of consciousness, doomed to death and the awareness of death." At the same time, he realizes that the loss he has suffered has made him richer (see the quote for the review) because death, in some sense, affirms the experience of having actually lived. Marian's view, which Joe accepts intellectually but not yet emotionally, is that one must "be open, be available, be exposed, be skinless." Throughout the novel, we see Joe stripping back the layers of himself in his self-reflection. We see his rage as well as his sensitivity and acceptance. He even seems to acknowledge that he has fallen in love again to fill the void in his relationship with his wife.

Interestingly, the ending of _All the Little Live Things_ is similar to Stegner's last novel _Crossing to Safety_ and is written with the same intensity. One of Stegner's gifts is his ability to depict multiple generations in his novels and the conflicting viewpoints of generations. While Stegner usually sides with the older generation, there is a continuity in outlooks among the old and the young. Joe learns about himself--his demons as well as his strengths--in his interactions with his neighbors.

This is my third Stegner novel including Angle of Repose and Crossing to Safety. All the Little Live Things has a more 'elemental' style than the other 2 novels. It is compact and extremely logical. There is not a throwaway sentence in the book. For anyone looking for deeper, relevant background reading - I suggest these pre-requisities prior to reading Little Live Things: Shakespears 'The Tempest' - where the literarary figures of 'Calaban (i.e., Peck)' and 'Prospero' are introduced. I would have been quite lost without having first read Tempest. Another great book that I think provides the 'mythological basis' for Little Live Things is Joseph Campbell's 'Pathways to Bliss'. In Campbell's book I learned the basic philosohpy of Jainism - which is the foundation for Marian Catlin's character as well as the title of the book. You get a better sense of the Joe Allison's heroic struggle as he confront his personal demons (personified by Peck)living deep in the gully across the 'spritual bridge' that he cannot bring himself to go across. Quite a hero's journey indeed.

I can't say yet that I read all of Wallace Stegnar's books (I'm working on it) but I have read his prize winners: Angles of Repose, The Big Rock Candy Mountain, Crossing to Safety, and The Spectator Bird (in that order), plus a couple of others. For this one--a prequel to The Spectator Bird--Stegnar gets my personal prize! He simply outdoes himself.

It's the late 1960s just south of the Bay Area. The narrator is a retired book editor look for tranquility after the death of his 30+ year old son who died while surfing, his apparent profession being a beach bum--at least so his dad tells us.

With the arrival next door of (1) a live-off-the lander who reminds his wife of their son, and (2) an interesting, itelligent young woman who he is they way he would have wanted the daughter he never had, the narrator's life gets complicated, less tranquil, but also quite interesting. It is the story of the coming out of a curmudgeon. Stegner's ability to describe nature is never better, despite the suburban setting.

This vies with Annie Proulx's The Shipping News as my favorite book that I've read to date.