California Books

I agree with the earlier reviews but I'd like to provide some details about this book's strengths.
First, Payne places the people who made the Mississippi movement at the center the story. He tells the story of both the original local leaders who made it possible for the civil rights movement to happen in Mississippi and the activists who followed their lead in the 1960s.
Second, he extends the time span of the civil rights movement, showing that it would not have been possible without the "organizing tradition" referred to in the subtitle. Payne expertly traces the relationships and linkages between different generations of heroic troublemakers in Mississippi.
Third, he shows that the original radicals, and I mean those who wanted to change Mississippi from its roots, were those who had already challenged the system to achieve personal gain. "Bourgeois" blacks in Mississippi weren't uniformly complacent or fearful. Wisely, Payne does not use this fact to justify any notion of a "talented tenth" that ought to lead the masses.
Fourth, the chapter on Ella Baker is a stunning and riveting account of one heroic troublemaker who didn't receive enough recognition for her efforts.
Fifth, when Payne writes about what we typically consider the civil rights movement, he places you in the midst of the activists and makes you feel their exhileration, exhaustion, frustration, fear, and courage. Scholarly books never have this quality. At the same time, he does this in a historical context and with a critical eye which absolutely illuminate the raw material in a way that first-person and journalistic treatments rarely approach.
For these reasons, and many more, this is clearly the best of many excellent books on the civil rights movement. Some could fault Payne for placing less emphasis on the national and institutional dimensions of the freedom struggle. But, in the case of the black American struggle for freedom, Payne shows us the story begins with, and is carried by, people who tried to change their communities, not their nation.

Two years ago the author taught a short course at my college on the Mississippi civil rights movemement. He used this book, and I've been recommending it to people ever since. His style and content are both amazing, and I feel really lucky to have had an opportunity to read this book in a course structured around it. _I've Got the Light of Freedom_ offers a new perspective on the way history is taught and remembered. Organizing and people's history are emphasized in what happens to be one of the best movement books out there. It's everything scholarly writing should be. Kudos to Charles Payne.

The real history of the civil rights movement. Who really made the difference in a day to day way on the front lines. Not only that, a description of how to organize from a working class, feminist perspective in the context of the African-American freedom struggle. A must read for anyone who is trying to build the movement we need today to make a world free of oppression.

As a history major, I have various interests. One of my favorite things to study is the civil rights movement. Of all the books that I have seen, few match the caliber of this book. It takes the state of Mississippi (which may be the book's greatest irony)and shows how powerful a grassroots movement such as the civil rights movement can be with the proper forms of leadership. I urge anyone who is interested in learning about the civil rights movement should start with this book!

I'd pair the book with a more nationally-oriented one, such as the Taylor Branch trilogy, which give a better sense of national politics, but Payne's book is both profound and profoundly moving in its depiction of local communities and Ella Baker's "Organizing Tradition", which turns a number of assumptions about the movement on their head. I've read the book a few times with students and never fail to be personally engaged and to have invigorating classes with students. Great, great stuff!

Insightful. From someone who knows. I don't ordinarily go for poetry (with a few exceptions: Charles Bukowski, Pleasant Gehman, Bill Shields, Dan Fante, Jim Northrup, Jack Micheline, etc.) so it's rare for me to spend money on a poetry book--but when I do, it's usually something worthwhile--and this certainly is that: a gem of a book. I'd like to see Suzanne Lummis write more. The lady has paid her dues and it shows. I don't recommend everything I read--but this is certainly a book I would recommend. Too bad it's such a slim volume. There's an old saying, though: good things come in small packages--and Suzanne Loomis' IN DANGER is certainly one of those good things. I had to give it five stars. Also, that was a moving obit the lady wrote in the L.A. Times a few years back when the late great Charles Bukowski passed on. The piece was so well done that I had to cut it out and frame it. I don't know, I'm sure others have felt this way, but there they were: tears rolling down my face when I heard that Buk was no longer with us. Thank you, Suzanne Lummis.

suzanne lummis take the femme fatale sterotype and inverts it, and as a result, witty and evocative poems are born out of her experience in los angeles; especially the dirty parts that no one wants to know about. the poems should be read while drinking a stiff one or listening to tom waits...astonishing....

Can't add much to David St. Johns' rave intro, but simply put, these poems live up to this bold title in ways intriguing, charming and stark. Though they're indelibly fringe Hollywood, they penetrate mysteries that have no address. In other words, these poems are excellent. You'll love discovering every one.

Two lines to give you a taste: "City of sirens and lowdown ways, neons wincing like nerve ends, see what you've done?" and "You were the B-movie I just had to sit through again." Equally touching and jolting, these poems are one part earthquake and two parts heartache.

Usually in Raymond Chandler (the writer whose noir Los Angeles world leaps to mind when you're reading In Danger), the women are darkly lit and shot slightly out of focus-they're alluring, risky, always our of reach. Suzanne Lummis has turned the tables. She gets inside these shadowy creatures; she's the femme whose got her weapon trained on Marlowe, a guy who's not such a prince after all. It's a brilliant conceit, and it sustains itself throughout this fascinating collection. Like her heroines, Lummis' poetry skirts an edge; it's breathless, chancy, full of juice. If only more poets wrote this way.

I remember seeing this book for sale at the Los Angeles Natural History Museum long time ago and passing on it because at that time I felt it cost too much. Stupid me. A couple of weeks ago I was talking with an old friend and mentioned how I used to collect insects. He mentioned this book and told me he found a used copy on Amazon, so I followed his lead and found my own used copy. The price I paid was reasonable, little more than the original cost but I find it sad that other people have to try and engage in price gouging.

Regarding the book itself: it is printed on high quality paper and contains numerous photographs, most in color, along with drawings. It also provides descriptions of the insects (and there are brief sections on other crawly things like spiders, centipedes, sowbugs, etc.) so it really is a fantastic reference book for insects of the greater Los Angeles area. I saw so many familiar insects inside, ones I used to catch myself long time ago, so to me this book is fascinating. At 400+ pages it is also a valuable, detailed reference work. It's a shame it is out of print but I guess there isn't that much demand for something like this. It is an excellent book, though, and I highly recommend it to anyone who has an interest in insects from the Los Angeles area.

Great reference, and the only of its kind. Sadly it is out of print though still readily available for an elevated price moast of the time. The only "substitute" is Dr. Hogue's other California Insects book for the whole state. If you see either cheap buy it and donate it to your local High School Biology teacher!

If you want to know more than just the names and habitat of Southern California insects, then this is the book for you. If the insect is non-native, what is its origin and when was it introduced? If it stings or bites, what does it feel like and does the toxin affect the nerves like a black widow or just dissolve the local tissue like a brown recluse? Do they jump or dart? Why is it always showing up in a certain room or part of the yard? "Insects of the Los Angeles Basin" will answer these questions. Read this book and become the lone rational mind in a roomful of hysterical screaming humans recoiling from the sight of one of these magnificent little creatures.

A magnificent book. Hogue details all of the more important insect species, and some the of the lesser known, as well. Did you know that L.A. is home to 3 species of fireflies? There are numerous photos, black and white, and color, along with several line drawings.

My wife knew I wanted this book as a reference guide to the insects in our house and yard, so she surprised me with it on our anniversary. It made a wonderful gift! When I'd seen it at the bookstore, I hadn't had time to do anything but skim the pages, and so I was pleasantly surprised to find it's actually a readable book. I never thought I'd read a book on insects cover to cover, but this one I finished in a few days (even the chapter on Ticks and Mites).

Most reference books -- you know, the North American Guide to Seashells or whatever -- are dense and hard to use, with keys and indices and all the pictures collected onto the fewest number of pages possible, to save printing costs. But this book has pictures or drawings of every insect listed, right next to its listing. And while it doesn't cover every insect of the LA basin -- no book could -- I've yet to find one that isn't in this book.

But what really sets this book apart is the writing. Charles Hogue was the entomology curator at the LA Natural History Museum until his death in 1992. Surely, he had hundreds or thousands of people bring in pictures or specimens, asking, What is this? And he's written a book for that type of people, those who would never study entomology, but would notice and wonder at some unusual bug.

As you wend your way through the chapters, Hogue anticipates what you might find interesting, what you might ask, and he's right there with some details or answers. He'll mention how Belkin's Chigger played a role in a murder investigation in Ventura County, or recount how Black Witch moth (with a wingspan of 6 to 7 inches) was common around the Coliseum during the 84 Olympics, even though you won't find its caterpillars in the basin.

It's fun reading about dragonflies and whatnot. It's fun learning that the daddy longlegs in your cupboard isn't a daddy longlegs at all, it's a cobweb spider. It's not so much fun reading about earwigs. But telling your friends that earwigs can fly, and that the tubular lawn furniture on their patio might be housing large populations of them? That's great fun.

After reading this book, I knew I had to get on Amazon and give it a five star review. How nice that so many other people beat me to it!

Outstanding!! A simply awesome book about one of the gnarliest spots. Five stars hands down. Buy it now!

A first-class trio has come together to create the latest and greatest on the big green monster that is Mavericks. The format here is a collection of intimate perspectives by an ensemble of the knights-errant who have made it their business to ride these coldwater giants. The book is nicely split between the paddlers and the tow-surfers, with narratives collected by editors Bruce Jenkins (sports communist for the San Francisco Chronicle and author of The North Shore Chronicles) and Grant Washburn (surfer and documentary filmmaker) that paint a full, satisfying, and pretty scary picture of what goes in this marine no-man's land formerly known as Jeff Clark's private playground.
Contributors to this volume include Surfing mag editor and big-wave hound dog Evan Slater, paddle-surf advocate Dr. Mark Renneker, and a host of other giant killers including Josh Loya, Zach Wormhoudt, Peter Mel, Kenny Collins, Shawn Rhodes, and still more hugely talented riders, all of whom know how to spin a good yarn.
In addition to his editing duties, Jenkins offers up a trio of quality profiles and a neat piece on "going left" at this predominantly right-hander. For his part, coeditor Washburn, himself one of the great Mavs surfers, contributes an excellent reflective essay on the historic death of Mark Foo here in 1994.
But for me the big story in this book is the tremendous portfolio of legendary Bay Area shooter Doug Acton, who's been chronicling the Mavericks scene since the early 1990s. Acton has captured it all - from the biggest swells and the gapingest pits to nervous pre-session huddles and crux moments to the serene overviews and majestic lineups. With action shots bolstered by lots of images reflecting the mix of local and international camaraderie and lifestyle in and around this Half Moon Bay, California, phenomenon, this is beautifully-paced the book of classic proportions.
- Drew Kampion for The Surfer's Path [www.surferspath.com]

Inside Maverick's is an outstanding mix of excellent photos, writing and story telling. The book captures amazing stories from the unique mix of surfers that ride Maverick's. No extreme sport enthusiast's coffee table or bookshelf is complete without this book.

The stunning photos alone make this book worthwhile, but the surfing commentary is topnotch as well. A great companion to the DVD "Riding Giants", and you will recognize many of the people from the DVD in the book.

If you are in to any adventure sports or just an armchair surfer, this book is for you.

"Are you KIDDING ME???"

Those are usually the first words out of anyone's mouth when they see this book on my coffee table. And then, usually I have to throw in "Riding Giants" and change any conversation we may have been having.

The photography and story telling present by Grant and team in top notch. Grant alone has spent more than a decade chronicling the history of the world's heaviest big wave, and it comes through in an amazing presentation that anyone who could possible comprehend what these guys do will appreciate.

But then again, comprehending just exactly what these guys are doing is pretty much impossible.

Gumprecht's _Los Angeles River_ is a well-written history of the Los Angeles River, from Native American and Spanish/Mexican pueblo days to the present.

Looking at the concrete-lined flood control channel that the LA River has become, it is hard to believe that the LA River once was the main water supply for the City of Los Angeles. As the city grew, though, its water needs outpaced what the river could supply. An alternate source (which turned out to be the infamous Aqueduct), was eventually developed. With all the Owens Valley water coming into the city, the river became simply a dumping ground for wastewater and other undesirable things.

The LA River, more or less also determined the expansion of the city. Since farmers in the San Fernando Valley had no rights to the LA River water (it all belonged to the city), eventually, the San Fernando Valley had to join the City of Los Angeles to access any water.

The river was also known for flooding and changing its course unpredictably. These floods became more and more of a concern as areas near the river developed, first with agriculture, later with residences. After a particularly devastating flood in 1934, officials called on the Army Corps of Engineers to help with flood control. This led to the concrete channelization of the river.

After that, no one thought much of the river. Occasionally, the concrete channel inspired uses such as movie shoots and vehicular uses. It looked so much like a road, that several people proposed making the riverbed into a freeway.

Meanwhile, the river was starting to get some attention. Lewis McAdams founded the Friends of the La River, which is trying to get the river restored to its natural state. They have run into opposition by the Army Corps of Engineers, and other parties concerned about flood control issues. The future of the river becoming more than it is now (a paved channel with a trickle of water in it most of the time) remains in question.

The book started its life as a masters' thesis, but the prose is accessible, not overly academic. Recommended for anyone interested in the history of Los Angeles.

I first saw the Los Angeles River in TV shows and movies like Terminator 2 and have ever since been interested in learning more about this strange, concrete encased urban waterway. Blake Gumprecht's book does a great job of providing the history of the Los Angeles River from its pristine condition two centuries ago into the modern era as a "Freeway for Water" in the book "The Los Angeles River."

The author balances his coverage of the river and fairly represents both sides of the struggle to restore it back to a more natural appearance versus the need to provide flood control protection with concrete fortifications.

The book is extremely well researched and documented. Extensive maps and photos shed light on the topic and make the historical changes easier to follow.

My only wish is that a future edition will include color photos.

If you've ever wondered why Los Angeles is in the middle of a desert (hint: it wasn't always), what the river looked like before there was a city, and why the river was buried in concrete, this is the book. An excellent description of the origins of the river and the city, with insights into the modern revitalization movement.

Among the things I learned:
--The river starts in the San Fernando Valley, but the city of Los Angeles has claimed the water as its own since at least 1810, a claim eventually known as the Pueblo Water Right.
--Not all of those concrete beds in L.A. are technically the L.A. river, which starts along the south edge of the San Fernando Valley, dodges a number of movie studios, and makes a right turn through downtown before heading for the Pacific. The others are creeks and washes that feed (fed) the river.
--The area's light rainfall was sufficient to keep the river flowing year-round until suburbia took over. Concrete and asphalt reduced the water that soaked into the ground to be released slowly into the river. Now, the primary source of flowing river water is the what's been reclaimed from sewage treatment plants.

Worth the read for all Angelenos or anyone who is interested in Los Angeles.

Reading this book was an assignement for a geography course I was taking in college. My first thoughts were "A book on the L.A. River? How can they write an entire book on a river that flows a couple of days per year?" My indifference to the subject was quickly dismissed after the first few pages. This book is very insightful! It gives a detailed history on L.A., from it's foundation as a tiny pueblo to the sprawling metropolis it is today, with the river & water in Southern California being the central themes. I always wondered why L.A. was built in the area it's in & Mr. Gumprecht answers that in fine detail along with many other interesting facts regarding the annexation of neighboring cities, water rights, deadly floods and ultimately the concrete channel built to contain this unpredictable river.
Whoever is interested in the histroy of this region will no doubt greatly enjoy this superb book!

This fascinating book is packed with information about the history of Los Angeles. Not many present-day Angelenos would know that the location for the city was chosen because of the once-abundant flow of the Rio de Porciuncula, or Los Angeles River. Blake Gumprecht pulls an amazing feat in researching the River's many incarnations alongside the history of the growth of Los Angeles. In addition to providing detailed reports of the River's former courses, and devastating accounts of some of the River's infamous catastrophic floods, Mr. Gumprecht explains the River's role in shaping the course of Los Angeles city politics in greater detail than any previous study.

Once an ample stream that sustained all of the city's water needs for over 100 years, the Los Angeles River was then pumped dry, smothered in concrete, and almost pushed out of the city's consciousness. Incredible photographs appear throughout the book; many of these photos will make nature-loving Angelenos yearn for the Los Angeles River of yesteryear, with its bubbling, meandering stream, and its banks lined with willows and sycamores.

Long before you approach the end of this book, you realize that, in an over-zealous attempt to control flooding, the Los Angeles River was essentially raped, depleted, and buried. The fact that, at present, most of its 51 miles are cement is a shame -- especially in a city with so little park space. Amazingly, the River still provides up to 15% of L.A.'s drinking water, albeit from subterannean pumps that tap the River's flow before it ever reaches the surface. And millions of gallons of River water were diverted to the Silver Lake reservoir.

People who never knew that there was a Los Angeles River should go see the few surviving River greenbelts in the Glendale Narrows and the Sepulveda Dam Recreation Area to appreciate our city's River as it used to be.

P.S. - I encourage other Los Angeles River buffs to look at Kevin Roderick's book "San Fernando Valley: America's Suburb" to see other beautiful pictures of the River in its natural state, before the concrete obscured it.

Do you know someone who works in downtown San Francisco? Do you need to get him or her a Christmans gift? Look no further! Gail Todd has provided the perfect gift with her snazzy guide to lunchtime walks in the downtown SF area. A real treat for anyone looking to make good use of his or her lunch hour. A Great way to get to know the greatest city on earth.

As a 20-year resident of San Francisco, I'm pretty jaded when it comes to guidebooks about my city, but this book is a real treat! The author's fresh approach and clear, concise information makes this book a pleasure to read. Buy two and give one to a friend.

I just moved to San Francisco, and received Gail Todd's book as a Christmas present. It was the best present I've ever received. I had no idea downtown San Francisco was so beautiful, and I would have found the prospect of discovering it on my own daunting without this excellent guide. I recommend this book for anyone who lives or works in San Francisco. I also know from experience that it is a great gift to give to someone who lives in "The City."

Now that Spring is here, Gail Todd's walking guide to San Francisco is indispensible for anyone living in the City and looking for a new way to explore it. Beautiful pictures, detailed maps, tons of great ideas for lunchtime walks -- this guide has it all.

I would make one small addition to the other reviews. Lunchtime Walks in San Francisco, Gail Todd, is as useful for tourists as is it for residents! It became a permanent addition to our library after we were able to flip through a copy at the Rand McNally Store in San Francisco. For those not having the opportunity to peek first, this is a wonderful resource for trip planning. The walks aren't too long (about an hour for most), are centrally located, and a handy map is included with each. Information is provided on the history and the architecture of the area, shops, restaurants, picnic areas (yes, even in San Francisco there are areas for relaxing and enjoying your lunch in the great outdoors), and gorgeous views. Perfect for the visitor wanting to take some delightful jaunts including the 'must see' sites in a city that is made for walking. We've already book marked several of the 33 walks for our next visit to the city by the bay.

You'd expect this book to be either a paen to conservative values, or a completely dry legalistic review. It's neither, which is really wonderful. The first chapter suffers from bouts of overdetail, but once you get past that, the book blossoms into a very interesting pastiche of historical facts and musings reported in an unconventional array of styles that really hold your attention. Besides, where else would you read about the treatment of Jews in the Massachussetts Bay Colony?? A highly original read.

The first book by John T. Noonan, Jr., that I read was his tour de force, Contraception: A History of Its Treatment by the Catholic Theologians and Canonists, which I finished reading on June 5, 1967, finding it an exemplary study of a fascinating subject. On June 16, 1973, I read his Power to Dissolve: Lawyers and Marriages in the Courts of the Roman Curia. Each year I pick a book which I consider the best book I read that year. For the year 1973 I awarded Power to Dissolve the greatest book of the 55 books I read that year. When I saw The Lustre of Our Country I knew I could not go wrong reading it, and I was right. Other reviewers have written well of the book, but even if you do not read the entire book--its chapters are able to stand alone--read Chapter 7, entitled "The Pilgrim's Process." It is a dazzling and devastating critique of the Supreme Court's meanderings in dealing with the religion provisons of the First Amendment. This is an excellent book, and anyone interested in its subject will be rewarded in reading it.

This is a very special book. Its subject matter is weighty, its intent serious, its disciplines--law and theology--address issues of grave import. The purpose of this review is to alert potential readers to qualities as to which a more adequate review is likely to leave them unaware. The text of the "Lustre" is not ponderous. Instead navigation of the thicket of ideas which the text presents tends to leave the reader refreshed rather than drained. Eccentric and various in its organization and modes of presentation, this book frees one from captivity to a prescribed routing and invites navigation after one's own bent. Subtle logic combines with a pervasive historical sense. Events permeated with paradox and tragedy are presented with insight and wit. Not an easy read; but rewarding. As in the case of Whitman's Leaves of Grass, a reader of this book touches the life of a very special American.

John T. Noonan, currently serving as Judge on the United States Ninth Circuit Court of Appeals, has written both a personal and historical account of the experience of religious freedom in American history. Noonan begins his book by giving an autobiographical narrative of his Catholic upbringing in Boston and how this affected his theological and political views on religious freedom. He discusses his difficulty in reconciling his belief, taught by his father and other intellectual mentors, in religious tolerance with the teachings of the Catholic Church, which asserted that it was the one true church and that it was the duty of the state to actively promote Catholicism as the only true religion. Noonan then draws upon his theological knowledge to argue, contrary to what his Church once taught, that the very idea of religious freedom is fundamentally a Christian one. Noonan sums up his argument:
"By the first century A.D. there is in the Mediterranean world a religionEhat carries the concepts of a God, living, distinct from and superior to any human being, society, or state; of obligations to that God, distinct form and superior to any society or state; of authorized teachers who can voice these obligations and judge any society or state; of an inner voice of reason that is one way God speaks as well as by His authorized teachers. According to these concepts as taught by this religion, each person, individually and not as part of a family, tribe, or nation, will have to account to God as Judge for every thought and deed. Collectively, these concepts are at the core of liberty of conscience and liberty of religion."
Noonan then turns to history. In the Introduction to the book, Noonan put forward the argument that "free exerciseEs an American inventionEever before 1791 was there a tablet of the law, a legal text guaranteeing to all a freedom from religious oppression by the national legislature." Noonan now goes on to demonstrate the evidence for this claim. He traces the settlement of New England, the religious oppression of the Quakers and the Baptists, and then tells how religious liberty came about from these early conflicts. Noonan writes that:
Plymouth and the Bay Colony provided an ideal and a rhetoricEhode IslandEnd PennsylvaniaEhowed that organized government could exist without supporting a churchEand] Maryland provided the phrase [free exercise] that is at the core of the First Amendment. All four colonies demonstrated that the Church of England could tolerate other forms of Christian worship and so prepared the ground for the English Act of Toleration.
Noonan demonstrates that it was the pluralism of the colonies and the diversity of religious sects that contributed in large part to the development of religious freedom in early America. This "proliferation of sects" gave colonists "a variety of alternatives to the established" churches, which "created political constituencies that politicians had to consider."
The book then turns to the legacy of James Madison and how he has so influenced our views on religious freedom. Noonan gives a mini-biographical treatment to Madison, describing his early religious training and somewhat sudden entry into colonial politics during a critical time in our nation's history. The reader cannot help but to sense the author's deep affinity for Madison and his legacy. Noonan gives special treatment to Madison's role in crafting the American concept of church and state matters.
Noonan then goes on to describe early 19th century American church and state relations through a fictional sister of Alexis de Toqueville. Contrary to Toqueville's, Democracy In America, Noonan argues that church and state interacted in a manner that was not exactly in keeping with the Madisonian ideal. Government at this time was very closely involved with religion and supported it in a number of ways that could be construed as respecting an establishment. Noonan also describes the abolitionist movement and how this crusade was firmly rooted in American Christianity, at least the Northern variety.
Noonan focuses a large portion of his book dissecting and examining the legal aspect of church and state matters and religious freedom as a whole. He keeps the readers attention by a fictional dialogue between 'Harvardman' and 'Mr. Simple.' There are several interesting observations made by Noonan during this quite extensive examination of jurisprudence relating to church and state matters. One of the most intriguing is:
"Ceremonial deism was the court's description of prayers by a legislature, prayer at the opening of a court, and of 'In God We Trust' imprinted on the coinagesEust as Secular Humanism was nonreligious practice that was called a religion, ceremonial deism was religious practice that was not to be called a religion. The court created a kind of American Shinto, a state religion that for establishment purposes was a non-religion because its purposes were secular."
One could only conclude after reading such an argument that the Supreme Court has indeed established a religion appropriate for government support at the exclusion of all others. Is this not what Madison and others warned us would happen if the state took it upon itself to delve so deeply into religious matters as our courts recently have? Noonan argues his point but at the same time allows the reader enough leeway to decide on his own.
The book concludes with four examples of how the American concept of religious liberty has impacted the world EFrance, Japan, Russia, and the Roman Catholic Church. The final example brings us back to Noonan's own beginnings, or where the first part of the book left off. In 1965 the Roman Catholic Church formally adopted, after centuries of persecution of 'heretic' sects, religious toleration. Beyond the significance this event served for the author, it provides an appropriate closing to the topic of religious freedom and certainly a monumental one in human history as a whole.

One of the ironies of American Constitutional history is that many of our greatest jurists have never had the opportunity to sit on our highest court. One thinks of such obvious examples as Learned Hand, John Johnston Parker,Arthur Vanderbilt, Roger Traynor, and John Minor Wisdom. John T,. Noonan, currently a senior judge with the Ninth Circuit Court of Appeals, clearly deserves to be ranked in this select company( as does his philosophical antipode, Richard Posner of The seventh circuit). This book, remarkably lucid, remarkably learned and remarkably humane, constitutes the culmination of Noonans historical, legal and philosophical reflection.Other reviewers have already indicated the riches of this fine books contents. I will only note that I learned something new, or encountered a fresh and startling argument, on almost every page. Noonan has thought deeply about democracty and human freedom, not only in America, but in other countries as well. The chapters on France, Japan, and Russia show an understanding of the cultural political, and religous life of those nations which borders on the extraordinary. The chapter on Tocqueville( told through the literary device of an imaginary account of America written by Tocquevilles equallly imaginary sister, Angelique,) is quite brilliant, and opens up new perpectives on Tocqueville. All in all, a great book. One hopes for more from Judge Noonans learned and humane pen.It is truly amazing that mediocrites such as Breyer, Kennedy, Ginsburg and Souter sit on the court, while this deeply patriotic and brilliant man has to preside over the often humdrum cases of the ninth circuit.

Picked this up for an extended Northern California hiking and riding trip. I purchased about four others as well and I used all of them as each has a little something different. Not a single one was useless and none warranted less than 4 stars. I would reccomend doing the same rather than just picking one for your trip.

Pros - 1. This book is a very easy read. 2. Lots of very good information that you wouldn't find any place else. 3. The book is always prominently at the different Mammoth sport goods stores so its clearly popular.

Comments - 1. I really disagreed with one of her recommendations. But that is completely understandable. 2. There seems to be a little problem in mammoth with food being completely cooked at their restaurants. My wife got food poisoned at one place and my kids weren't feeling real good. The next day I talked with a "local business manager" who said she doesn't recommend restaurants in mammoth for this reason. The bottom line is to make sure your food is completely cooked and if it isn't send it back ! There are just too many fun things to do in mammoth instead of being sick.

As an avid skier and hiker I have found Mammoth from the Inside to be a goldmine of information. I keep it in my Jeep so I can find those great, really special, out-of-the-way Mammoth places Dunn Bates has discovered.

Very well written and concise guidebook on Mammoth Lakes and the surrounding area and region. We enjoyed Ms. Dunn-Bates light sense of humor, which made for easy and understandable reading. My wife and I have been residents of Mammoth Lakes for over 20 years, making the trek to L.A. and back many times, and Ms. Dunn-Bates wrote about stops and sights along 395 that we now must make time for! Good job!

What a great book! Thanks to the author's casual style and comprehensive knowledge, reading MAMMOTH FROM THE INSIDE is like getting "insider" postcards from a good buddy. A must-have book for outdoor enthusiasts.

Money well spent. We are ready for wildflower season! A lot of color pictures with good information. If you live in or near the Mojave Desert this is a valuable book.

I live on the Mojave Desert, Antelope Valley to be precise, and this book portrays the beauty we are now experiencing this spring. We have a beautiful Poppy Preserve on the westside of our valley. Jane Pinheiro was a woman who not only painted pictures of many of our wildflowers , but she was one of the people instrumental in seeing that the Poppy Preserve came into being. A number of her paintings are on display at the Preserve. I have one of her paintings, and with this lovely wildflower book, I was able to ascertain which of the wildflowers is depicted in my painting. If anyone is interested in not only viewing the array of colors during our spring wildflower viewing, but is interested in learning some of the names of said wildflowers, and a bit of background for each of them, this is the book to buy.

I love these Falcon guides mainly because of the lavish color illustrations. Every flower in the book has its own color picture, along with helpful descriptions. The front matter in this book includes all sorts of background material about the Mojave, along with the usual educational stuff about plant types, leaf distribution, etc. And the book is made to last -- if you take any care of it at all, it will last you forever.

Pam MacKay's 'Mojave Desert Wildflowers' is a wonderfully informative & beautifully photographed guide to the wildflowers of the Mojave. This sturdy plastic-coated field guide contains over 300 gorgeous photos, finely detailed plant descriptions, and is virtually an introductory textbook on Mojave Desert ecology. I highly recommend this book to anyone who appreciates the Mojave Desert. The author lives & teaches in the Mojave and her dedication, attention to detail, and love of the desert are revealed on every page.

Jim Otterstrom

This is probably the easiest to use desert plant book I have (and I have eight that focus on desert plants in all). What it lacks in completeness, it more than makes up for in terms of ease of use. There is a picture for each plant and the plants are grouped according to flower color. So as long as the plant is in bloom, it's not too hard to find out what it is. This book does a great job of covering the plants you are most likely to come across which makes it a great book to thumb through in the field. If you are dealing with similar species within the same genus or rare plants, you'll probably want to get the Jepson guide.

Lynn Davidman's book provides a sensitive and nuanced account of how mother loss reverberates throughout the course of people's lives in complex ways. As a fellow sociologist, I was touched by and learned from her deep and compassionate empathy for her subjects. She carefully and thoughtfully listened to their stories, and presents her analysis in a strikingly original way that honored the integrity of the narratives. This book helped me think about loss, identity, narrative and the art of sociological writing in new ways. I also know that her work has helped many individuals to make better sense of their own experiences of mother loss, something that few sociology books can claim.

I was impressed with the diversity of people interviewed. A central theme for most of the interviewees was how little disclosure of their mother's illness was given to them before or even after death. I was happy to see that children of the mothers who died in the 1980s and 90's were made more aware of their family situations. This book gives permission for those of us who have lost our mothers to open up the emotional attic and relive the memories that we all too often bury in our day to day lives.

The aspect of this excellent and thoroughly riveting book that was most striking and impressive to me as I read it is this: the author has accomplished a work of scholarship and great depth while, at the same time, sustaining an attitude of seemingly immeasurable respect for her subjects and their varied stories.

Early on, Dr. Davidman lets us in on something: "Ethnographers are emotion workers. In order to do this work with integrity we need to seek actively to create a safe space for our interviewees as well as for ourselves." Evidently she succeeds. The interviews - oral histories, really - are presented and interpreted with care and subtlety by Dr. Davidman. The stories are heartbreaking, each subject has suffered a grievous loss; but this book is never maudlin. In addition, its lessons are useful not just for readers who have lost mothers, but for anyone interested in the why and hows of human caring, hope, and love.

I was deeply affected and inspired to action as a result of experiencing this book. I will say that in my view, "Motherloss" helps to heal the world - not a small thing for academic research and hard work to accomplish.

What is perhaps most impressive about this high-achieving book is the wide audience to which it appeals. On one hand, Davidman is a masterful storyteller, weaving her own story of loss with the poignant and remarkable stories of her respondents. She is sensitive and incisive and expertly is able to represent the broad array of experiences with motherloss that she encountered during her fieldwork.

This book is also a superb example of what sociology can be. Far from crunching numbers or stating hackneyed conclusions, Davidman offers a work of qualitative sociology replete with thick analysis and an understanding of the complexities and contradictions of the lives we live. She offers a fresh perspective on the role of the sociologist that, I hope, will inform sociologists in years to come.

Her writing is lucid and engaging and carries the reader through many painful stories about motherloss and the aftermath of what she terms the loss of caring. Her steady voice and astute analysis demystifies the often silenced and unspoken tragedy of losing a parent at a young, formative age. There are few people--in the academy and outside of it--who I can think of who would not grow and learn from this book.

When I was fifteen, my mother died of cancer. This book is the first one I have found that has helped me make sense of this experience. My mother's cancer was not openly discussed in our family and we did not talk about my mother much after she died. But her death made a huge impact on my family;we were kind of lost without her. And for most of my life I have not talked very much about this. But reading this book and seeing the experiences of the people Davidman interviewed, helped me see how common our family's experiences were. It was helpful to learn about how society and the mother's role in it, and the American taboo on death, shaped our very personal, painful experiences of loss. I recommend this book to anyone who has lost a mother at any age. I'm sure you will find comfort in it.