North America Books

The discussion of geologic events by Dr. Behnke, which explain how certain fish species became dispersed is most interesting as well as fascinating.
The paintings of the various fishes by Joseph Tomellari are worth the price of the book alone. All presented on high quality print and paper.

Awesome book. The CSU professor is the best authority on trout & salmon. Period! Also best illustrations you will ever see by Joe Tomelleri. A must have book for any trout & salmon lover!

Wasn't sure this book was still in print and as usual, Amazon came through and I had my copy in 5 days. You can't beat the Amazon Customer Service, delivery, and follow-up, Regards, D.K.Madison

This book is a wonderful piece of work, with great illustrations of the various species of coldwater species found in North American waters. Behnke writes in great detail on the various species of trout, salmon, char, grayling, and a few other coldwater species, and includes much detail on sub-species distribution in a current and historical context, often down to the watershed. He also includes sub-species that have gone extinct in historical times. An excellent introduction discusses such topics as the origins and evolution of Salmonids, as well as their classification, taxonomy, biology, morphology, and anatomy.

The only mild criticism I have is that more could have been written on the distribution of brook trout sub-species in the Midwest and East, along with lake trout of the inland lakes of the Upper Midwest.

The book should be in the library of every serious trout or salmon angler.

Behnke's reputation is international, and this book lives up to his reputation. Not only are the paintings by Joseph Tomelleri magnificent, but Behnke's scholarly descriptions are without equal. Maps showing ranges of trout are accompanied by information about the habits of trout, their characteristics, and historical information that sometimes goes back to the ice age. Put this alongside James Prosek's collections of trout paintings from across the U.S. and around the world and you've got three gorgeous books filled with information every trout aficionado needs. Russell Hill, author, the Search for Sheepheaven Trout and Robbie's Wife.

This was the first Tom Brown Jr. book I read. Than I read, The Journey and than, The Quest. I have also read several other Tom Brown Jr. books but these 3 are my favorites. I have read each of these books at least 3 times and learn more each time I read them. They will keep you grounded in reality and your spirituality.
I could not recommend it higher and would encourage everyone to pass on this vital information to family and friends before our ignorance and greed destroys us.

This book it truely incredible. It will make your re-evaluate your life and the way you live it. I think everyone should read this book at least once, if not once every year, just to get grounded again. A definate must buy!

I am thrilled with how fast the book arrived and the excellent condition it is in. Will definitely buy from this seller again.

In 1988 I happened upon the earlier edition of this book by Tom Brown, Jr. It was one of those books that seemed to "jump off" of the book-store shelf and right into my hands. In this book Tom describes his childhood adventures of meeting and learning from an old Native American medicine man named Stalking Wolf who was also called "Grandfather." It is still today one of my favorite books, worn and dog-eared. Tom's explorations and the instructions he received from Grandfather helped me return to that core connection with my Native American relations and to renew my pilgrimage into Native American spirituality.

After reading Tom's book I telephoned him to ask about his survival training program. He described a program that sounded far too rigorous for me at that time in my life, so Tom recommended I contact the Sun Bear Tribe that offered a softer and easier program started by the late Sun Bear, a Native American medicine man.

That began a pilgrimage to a wilderness program and then to a life changing vision quest, all of which has deepened and enriched my personal spiritual life.

This book holds a honored and holy place on my bookshelf. I am sorry it is out of print.

The Rev. Dr. Prentice Kinser III, author of LIMITLESS LIVING, A Guide to Unconventional Spiritual Exploration and Growth

As a long time Tom Brown fan, The Vision: The Dramatic True Story of One Man's Search for Enlightenment, keeps with the spirit of the previous works I have read. It is my feeling the author has a true message he wishes to impart on our society, one that leads to a better understanding of our relationship with nature and life itself.

This book delves into the author's message of a return to a intimate relation with nature and putting our lives on a natural path of harmony with the planet on which we live and must share with all living entities.

You will not be disappointed in the message, and the paths opened leading one to a better understanding of the way to achieve these goals. I highly recommend this work to anyone seeking these truths.

There is nothing I can say that would do any justice as to how great this book is. It was everything you could possibly hope for in an ethnographic text. You learn a lot about a culture very different from ours and it is truly just fascinating!

What do people make of places? Basso's opening sentence is a good example of what the Apache call `letting one's mind have room'. As we read through the chapters of the book Basso continues to add layers to the meaning of this opening question. It allows us to reflect on various uses of the word `make'. We make sense of places by interpreting them. We make places intelligible by foregrounding them. We make use of places; as sign posts or land-marks through the use of descriptive naming. We make places or constitute them as sites or repositories of learning; we invest them as placeholders for morality tales or homilies. We make places vital; we invest them with agency, we enchant them, animate them, in the spirit of golems; we take a piece of earth and through magic or metaphysics we bring it alive, giving it a mission and a life of its own.

Wisdom sits in places. The Apache are a good example of virtue ethics. This is a theory of ethics, usually based on Aristotle's Nicomachean Ethics, which argues against an ethical universalism and in favor of a particularism. It foregoes the quest for nomothetic foundations and looks instead to the development of certain skills or character traits. Aristotle created a catalogue of areas of behavior or traits with a continuum of possible dispositions. The virtuous behavior was the means between the two extremes of each continuum. Thus the virtue of bravery was somewhere in the range between cowardice and foolhardiness or irrational voluntarism in the face of impossible odds or a meaningless risk.
Aristotle's concept of phronesis finds an interesting parallel in the Apache moral imagination. Phronesis is a meta-virtue; it is the ability to choose the right action for each particular event; the ability to find the virtuous means between vicious poles. It is the essential skill for particularism which is the theory that the right action, the correct moral choice is particular to each unique event. It is opposed to the universalist proposition that there are sets of moral propositions or codes that we can apply in a covering law model. Universalism holds that when two of our moral codes clash we resolve the dilemma by applying a meta-rule, most commonly a deontological (Kantian) or utilitarian proposition.
The Apache's sense of wisdom is a good example of a pragmatic ethics informed by a set of virtues that are learned and continually developed throughout their life's journey. In the first chapter we note how each speaker brings the homily (the moral lesson associated with a place name) forward, making it their own, fleshing it out. One imagines that each speaker and hearer of place names is expected to silently immerse themselves in each homily; making it real by seeing it happen. The act of giving vision to the oral narrative is a process of developing layers upon layers of particular exemplars of the lesson. It is thus internalized and carried forward for the next use. As one gains wisdom one becomes more proficient at seeing when and where to apply these lessons.
This is similar to the thought of the American pragmatist and logician, C. S. Peirce, who proposed a fallibilism about knowledge, truth, and scientific results. He felt that we were always discovering more and that a full statement of any putative universal law was always deferred. Peirce's original pragmatism differed from what James and Dewey later made of it. For Peirce we expanded our sense of a truth through a process of discovering layers upon layers of particular applications and gradually gaining more of an understanding of the wider truth. But his sense of fallibilism posited rich moral concepts such as justice or duty as essentially contested concepts.

We have maps in our heads. There are other interesting parallels with the ancient Greeks besides virtue ethics. There is a significant body of study regarding Plato's thought on the spoken and written word. Plato argued that reality resides in absolute and eternal forms. Thus the impressions available to our senses are imitations that is but a shadow of these eternal truths; they confuse us and should not be trusted. Worse still are the imitations of imitations; thus his polemics against poetry, art, and the written word. It would be interesting to combine this with the study of texts in the 20th century to look at the Apache's preference for maps in the head. Barthes, Derrida and others all expanded our notion of what can serve as texts and it might be interesting to look at Apache use of places through some of those lenses.
In addition there are interesting parallels with the sophists. Although Plato and Socrates succeeded in creating our contemporary disdain for sophism, recent work in the study of Isocrates and others brings a new appreciation of certain tenets of sophism. The sophists exhibited some similarities to the Apache notions of epistemology. They both saw the elders and ancestors as the source of wisdom and warrants for knowledge to be used for current problems. They both argued that the knowledge of the past resided less in universal laws than in practices of the ancestors; actual responses to past dilemmas that are best accessed through interpretation rather than a rote use of the covering law model or a slavish rehearsal of rigid and dogmatic rituals.
They both thought that knowledge (as justified true belief) was discovered and ultimately ratified and warranted by the voice of the majority; the interpretation that found the most general favor. The sophists proposed that vigorous debate in an open forum of citizens is the most epistemologically sound form of inquiry. Their best speakers would take both sides on various propositions of what the ancestors would have done in the current crisis. The goal was to make the best possible argument for all options and let the citizenry decide.
Both the ancient Greeks and the Apache continued to observe religious rituals but it would also be interesting to compare characteristics of their religious cosmology, the role of the gods, and their associations with natural entities and nature in general.

This book was mediocre at best. Although Keith Basso did provide some insight into why the Apache people cherish their land, I felt that Basso kept on saying the exact same thing in every sentence. I had the point of the entire book by the time I was ten pages into it, and it kept on going, therefore making me lose my concentration on what I was reading.

Anthropologists, language students, and Native American culture afficionados will find this book, and any by Keith Basso, written links into a cultural past which struggles to exist today. As the Western Apache tribes become more modern, the information found in this and other Keith Basso writings, become necessities in the preservation of traditional Apache culture; with the exception of the knowledge of a few hundred very traditional Apaches still living in Arizona.

What do people make of places? This is the central question examined by Keith Basso in his ethno-linguistic study of the relationship between language and landscape among the Apaches of Cibecue, on the Fort Apache Reservation in central Arizona. Basso, a professor of Anthropology at the University of New Mexico, has spent over 30 years conducting field work among the Western Apaches. His publications concerning this group include articles on language, patterns of silence in social interaction, witchcraft beliefs, and ceremonial symbolism, among others. The idea for Wisdom Sits in Places stemmed from a study conducted between 1979 and 1984, in which Basso, with the help of a grant from the National Science Foundation and the guidance of the Apaches, conducted a study of Apache places and place-names; how the Apache refer to their land, the stories behind the place-names, and how these place-names are used in daily conversation by Apache men and women. The result is a stunningly informative account of the use of landscape and language in the social interactions of the Western Apaches.
Basso divides his book into four sections: Quoting the Ancestors, Stalking with Stories, Speaking with Names, and Wisdom Sits in Places. Each chapter's focus is to examine how landscape and language serve distinct purposes in Western Apache society. Basso incorporates the oral history of, and discussions with, local Apaches, as well as his formal training as an ethnographer-linguist, to explain the underlying themes of this book.
First, Basso introduces the reader to the idea of place-names and in the Western Apache construction of history. As conceived by the Apaches, the past is a "well-worn `path' or `trail' which was traveled first by the people's founding ancestors and which subsequent generations of Apaches have traveled ever since" (31). The ancestors gave names to places, based on events that occurred there. Regardless of the physical changes in the landscape that occurred over time, the story of what took place, as well as the place-name, was passed down through generations and serves as a connection between the people and their ancestors.
Second, Basso examines how the language and the land are "manipulated by Apaches to promote compliance with standards for acceptable social behavior and the moral values which support them" (41). The historical tales of place-names are without exception morality tales, intended to influence patterns of social action. Their purpose is to serve as warnings, criticisms, and enlightenment for those who are behaving improperly; not in accordance with the Apache way of life. The telling of a historical tale is "intended as a critical and remedial response" to an individual's having committed one or more social offenses. Apaches contend that if the message is taken to heart, a lasting bond will have been created between that individual and the site at which the events in the tale took place. In short, the land, accompanied with its historical tale, "makes the people live right" (61).
Third, through the act of "speaking with names", place-names can be condensed "into compact form their essential moral truths" (101). "Speaking with names" is considered appropriate only under certain circumstances, generally to enable those who engage in it "to acknowledge a regrettable circumstance without explicitly judging it, to exhibit solicitude without openly proclaiming it, and to offer advice without appearing to do so" (91). Evoking images of a particular place and narrative thus replaces a more direct form of advice or criticism, with "a minimum of linguistic means" (103).
Finally, with the guidance of his Apache friend, Dudley Patterson, Basso examines the path of wisdom in Western Apache society. Patterson explains there are two mental conditions, "steadiness of mind", and "resilience of mind", which lead to a third and most desirable condition, smoothness of mind. These three conditions are not innate; therefore, one must work on one's mind in order to gain wisdom. To work on one's mind, "one must observe different places, learn their Apache place-names, and reflect on traditional narratives that underscore the virtues of wisdom" (134). A resilient mind, according to Patterson, does not "give in to panic or fall prey to spasms of anxiety or succumb to spells of crippling worry" (132). A steady mind is "unhampered by feelings of arrogance or pride, anger or vindictiveness, jealously or lust" (133). Steadiness and resilience give way to a sense of "cleared space" or "area free of obstruction", conditions necessary for smoothness of mind. Only those who continue on the trail of wisdom their whole lives come closest to having a smooth mind, and are "able to foresee disaster, fend off misfortune, and avoid explosive conflicts with other persons" (131). Thus, wisdom is intertwined with the idea of survival through the consistent and thoughtful evocation of landscape and language.
Keith Basso and the Western Apaches of Cibecue have provided readers with an insightful and provocative account of the connection between language, land, and a people's cultural history. Wisdom Sits in Places opens the door for future research on place-names by shedding light on a previously overshadowed topic in anthropological studies. Basso's dissection of certain stories and social interactions can be overwhelming and a bit dry, but his purpose is made clear when his examinations are added together with the Apache narratives. What results is a clear picture of what language and landscape mean to the Western Apaches, the functional versatility of place-names, and the importance of being aware of one's sense of place.

I bought it as a gift for my husband who is into photography. He's really enjoying it. It arrived before Christmas too even though I got an email that said it would be late. I've had good experience w/ amazon on book orders.

This is a beautiful book of photography done by one of the most outstanding nature photographers America has ever known. The photos from all over N. America are outstanding. A wonderful coffee table book. Also an inspirational book for photographers or anyone desiring to be amongst the glories of nature. Galan Rowell knew what to look for in a great photograph.

I love this book! I'm in to landscape photography and this book is some of the best examples out there.

This book is packed full of breath-taking scenery with every page, from front cover to back, presenting exquisite photos of North American treasures. It is a picture book filled with eye candy for the nature lover, world traveler, and science enthusiast. I highly recommend this book to inspire your soul, renew your mind, and lift your spirits.

I have been a fan of Galen Rowell's work for years, and I had been anticipating getting a compendium of his North American work for a while. If you want to see some of Rowell's best from a technical standpoint, then by all means grab a copy, but be warned that this is some of the worse image quality I've seen in a photography book published in the last 10 years. Most pictures are overly grainy, there are some major pixel problems where colors blend (particularly in colorful sky shots), and color casts often don't match his originals. With the technology as good as it presently is, this is inexcusable for such an expensive book. Rowell deserved better.

This is an excellent translation of an amazing account. Favata and Fernandez give an accurate and interesting rendition of Cabeza de Vaca's words. Their notes aid in understanding and appreciation of the story. I highly recommend this translation to anyone interested in Cabeza de Vaca himself, the time period, or just a good read.

This is a startling yet interesting tale of Cabeza de Vaca's journey through the southern U.S. These men suffered greatly through their journey and yet accomplished what they set out to do in the end.

Truly a remarkable story of survival of the fittest.

Highly recommended.

Although this is a short narrative, the book presents the best description of early North American life I have read so far. The book is Cabeza de Vaca's autobiographical account of his participation in a failed Spanish expedition to colonize Florida in the early 1500's. Through a series of events, the members of the expedition end up traveling along the coast of the Gulf of Mexico into Texas and then overland into Sonora, Mexico. Only four members of the expedition returned to Spanish civilization, but they had earned the respect of many of the Indian tribes.

The Account not only presents details of the journey but also presents general historical aspects of North American Indians and Spanish colonization in the 1500's. Cabeza de Vaca has performed a great service in documenting the practices of food-gathering, agriculture, slavery, trade, and spirituality among the Southwestern Indians. His narrative also highlights the the perils of 1500's exploration and the harsh attitudes of Spanish colonists towards Indians.

The translators also deserve credit for their work. Using clear modern English, they have made The Account easy to read. They have also supplemented their translation with translation notes and histroical notes that are very useful, particularly in identifying locations in the text. Moreover, they have also included an introduction that places The Account and Cabeza de Vaca into a historical context.

In summary, The Account is not only a great narrative of the personal history of Cabeza de Vaca's travels across North America but also an important document about early Spanish colonization and Native American culture. I strongly recommend this book for all readers.

Texas history begins n 1528, when a hurricane sank a Spanish ship off the coast of Galveston Island. Four survivors washed up naked on the shore, including Governor Alvar Nunez Cabeza de Vaca and the black man, Estebano, who had been the slave of one of the drowned men. Thus begins one of the most remarkable adventures in history. This book is Cabeza de Vaca's first person account of his experience. He and his men first became the slaves of hostile coastal Indians who tortured them, but ultimately, after several years in captivity, escaped to go with other more sympathetic inland Indians. He describes the many Native American tribes he encountered, as well as their customs and how they lived. Most of them starved when not eking out subsistence on cactus fruit and nuts. The Indians had never seen a bearded face before and most were in awe of the Spaniards. They believed he had healing powers and demanded that he heal their sick. Cabeza de Vaca was a very pious man and called upon his god to help him. He prayed for patients, made the sign of the cross on their bodies, and extorted the promise that they would henceforth follow the true God. The sick Indians swore that they had been cured and Cabeza de Vaca became recognized as a powerful shaman, eagerly greeted by the Western Tribes who begged for his blessing. Cabeza de Vaca was North America's first lay missionary. Nine years after the shipwreck, he encountered quite by accident another group of Spaniards exploring New Mexico (and capturing Indians to enslave). Because Cabeza de Vaca insisted upon humane treatment toward the Indians, the cruel Spaniards imprisoned the crazy (and perhaps dangerous) naked man and took him to Mexico City. After living among the Indians for nine years, Cabeza de Vaca felt uncomfortable wearing clothes and could not sleep on a bed.

This is an extraordinary story, full of wonder, horror and faith. It is a work of literature. Those with an interest in Texas history, Native Americans, or the Spanish conquest of America will find this easy-flowing translation extremely compelling reading.

If you thought that the only thing that the Spanish explorers did was pick up gold and enslave the natives, this book is for you. Alvar Nunez Cabeza De Vaca was truly a modern man in the way he thought about people and things. Given only his wits having lost his clothes & food, he survives in a strange land for 10 years and walks out a reviered man among the natives. I had no idea anyone had done this. Our only regret is that he did not write more of his adventures and the socialogy & language of the people he lived with. Alvar Nunez Cabeza De Vaca had more than the usual dose of Duty, Honor and Country about him, and he kept all three when adversity struck.

This is a great book. The review in the August 2007, Journal of Mammalogy is spot on. Consider it an expert treatment on the skulls of many (but not all) North American mammals. I'm unsure of the value of the short treatments of birds, reptiles, and amphibians. I consider this money well spent and am sure I will refer to the excellent photographs and illustrations often over the years.

I have all of Mark Elbroch's books. They are essential for tracking & naturalist studies. I refer to them weekly for identification, more than any other books I own. I've also met Mark & had him sign the "Mammal Tracks" book. An all around great guy to study from & talk to. If you enjoy Mark's drawings check out his site for t-shrirts & other cool stuff.-Kevin

This is an excellent book for the serious amateur or expert. Great line drawings and photos accompanied by concise information on each type of skull.

I really was impressed when I received this book. I did not know that it was going to be in such detail and have full scale images.

It also has a plethora of knowledge useful for fields that study animal bones such as zooarchaeology, mammalogy, and zoology. I would recommend this to not only avocational researchers but academic researchers as well.

Outstanding book...wonderful photos of animal skulls...I was able to identify a fragment of a skull that I found by using this book. I know that it's the upper jaw of a house cat instead of a bobcat because of the small premolar tooth that bobcats and lynxes never have, cougars and ocelots always have, and house cats sometimes have. Should be on every naturalist's bookshelf.

I couldn't set this book down. He literally goes through every possibility, facing years of uncertainty, and still keeps trying - and graduates college and law school in the meantime. I cannot imagine going through what he went through in Kenya, then coming to the US as a safe haven, and facing such a drawn-out, uphill battle simply to stay.

His story is not always easy to read but it is very engaging, even if, like me, you are not a lawyer or law student. David Kenney Ngaruri and his friends and colleagues in this book are very inspirational.

This is an eloquent and heartbreaking tale of one immigrant's journey throught the U.S. Immigration system. It reads like a John Grisham novel although the story is sadly true. The author, a 7-foot tall Kenyan, was a political prisioner in Kenya for his role as a labor organizer. He faced imprisonment and torture and was ultimately able to escape Kenya via the promise of a basketball scholarship in the United States. In his quest for political asylum in the U.S. he encouters heartless judges,corrupt officials, State Department bureaucrats, a beautiful "witch", kidnapping rebels, interpid law students and a dedicated and brilliant law profressor (his co-author). I couldn't put it down and felt a mixture of outrage at the U.S. immigration system while in awe of the power of the human spirit to overcome the most dauting of odds.

My copy arrived yesterday; I may not get to read it until our beach vacation this summer. But the photo of the two authors on the inside back flap of the dust jacket may be the funniest author photo ever! It will be hard to wait until this summer to read it.

This is an amazing book that makes plain the unbelievable complexity of immigration law. Anyone with an interest in immigration policy should read this book.

For those of you looking for a good summer read to take to the beach, or just a great book to snuggle up with on a rainy day, I highly recommend opening up the pages of Asylum Denied. It is both informative and inspiring as it tells the story of David Kenney Ngaruri, the political asylee who struggled to stay in America. Although the book is currently being passed around law schools, as the new go-to-guide for asylum law, I am sure it will not be long before it makes the bestseller stands at nation-wide bookstores or grabs a spot on Oprah's booklist. Asylum Denied, written by two authors, the above-mentioned David Kenney Ngaruri and Philip Schrag, the professor of law at Georgetown University, serves both as a law manual and as a heart-warming story of adventure, perseverance, and love. Unlike most law-related books, it reads very smoothly and catches your attention from the first page. Even if this is not the usual type of book you read, I urge you to give it a try. If the face on the cover of the book is not enough to convince you to read it, then I hope this review will.

This book is a much needed guide to bird sign and tracks. It complements Elbroch's guide to Animal sign. It is well written and informative.

This is a guide to identifying bird families or individual species by clues they leave behind of their presence. The title may appear, at first glance, to be a typo. It is not. As the authors explain on the first page: "Sign refers to all the possible signs of their passing: sign of feeding, gathering material for nesting, the nests or cavity holes themselves, pellets, droppings, feathers lost during molt, or kill sites."

This book appears to be packed with too much information for a beginner to digest. But its actually quite good for anyone who is interested in birds and would use such a book more than once or twice. The information is organized by types of sign - tracks, feathers, feeding signs, droppings, nests and roosts, etc., rather than by species. This allows you to read about whichever subject you're interested in and to take in the basics behind, say, interpreting signs of feeding, rather than getting bogged down by details specific to a certain species.

Due to the nature of the topic, the squeamish may not enjoy all the pictures. However, the pictures are certainly not as gruesome as they could have been.

In the introduction, one of the authors writes: "real tracking is bigger than one lifetime. Tracking, as our ancestors knew it, was a body of knowledge handed down from generation to generation. Each person added to this knowledge..." The authors clearly see themselves as a continuation if this process, referring to and giving credit to other excellent books, such a Rezendes' "Tracking and the Art of Seeing".

To my knowledge, this is the only book like this specific to birds. I feel this would be an excellent gift idea for that hard-to-buy-for bird watcher.

petervtamas@mail.com

Collaborative written by Mark Elbroch and Elanor Marks, Bird Tracks & Sign: A Guide To North American Species is a gorgeous birder's guide filled cover to cover with full-color photography on thick, glossy, sturdy paper. From bird trails and feathers to pellets and nest, bird signs of every shap, size and format are presented, described, and lavishly illustrated. Portable, authoritative, and "user friendly", Bird Tracks & Sings is very highly recommended for North American birdwatchers and aspiring ornithologists of all ages and skill levels.

I really got excited when I saw this reviewed in National Wildlife magazine. I often see bird tracks or even a nest when out walking but didn't know how to translate that into useful information. This book clues me in on the bird that matches those signs.
The author, a renowned tracker, spent 14 months, 12 hours a day studying bird tracks, scats, nests, feeding signs and roosts plus collected information from museums for this book.
Users of this guide may also want to try:
-Flattened Fauna: A Field Guide to Common Animals of Roads, Streeets and Highways
-Scats and Tracks of the Southeast (also guides for other areas)
-A Field Guide to Desert Holes
-A Key-Guide to Mammal Skulls and Lower Jaws
-That Gunk on Your Car (insects)
Bird lovers now have another tool to identify birds.

Call me cynical but in the last twenty years I have seen field guide publishers recylce the same old info over and over again, just adding a new tabulature or color photos. The text is minimal and always leaves me wanting more.

Not so with this book! Mark and Eleanor have created something that goes well beyond any field guide currently on the market concerning birds! This stuff is new and never before seen except for experienced birders in the field. It is easy to use, fun to use and it will help anyone learn more about birds, their habits and sign. The photography is stunning as well.

I cannot over-recommend this book. Go get it, now!

Ricardo Sierra

..and buy this book right now. A freind of mine showed me Floyd Scholz owl book and i was amazed. I found that he wrote another book , Birds of Prey, and ordered it. Just got it in today and it's fantastic. This book contains gorgeous photos of several species of raptors, but not just in outdoor shots or hard to reference flying poses. These are studio photos, close ups of spread and folded wings, details of the feet and head and a number of full body shots. There are also scientific line drawings of the birds, detailing the feather arrangement and body proportions. The back of the book has one the coolest sections ever...how to carve raptor statues! This mans carving skill is amazing to the point where it's almost ridiculous. His bird sculptures look 100% real and the clear step by step instructions make it look easy.
This book is perfect for artist's reference. It does have some text, such as the species profile at the start of each chapter which is awesome. However this book mostly photos, scientific drawings and artwork...which is also awesome.

Seriously, buy it.

This is a gorgeous book packed with large color photos of many beautiful live birds. Its intended purpose is as a sourcebook for artists, but it will universally appeal to any bird lover.

The introductory chapter illustrates common features of raptor anatomy. Detailed chapters follow on 17 major North American species with numerous color photos and line drawings with dimensions.

A practical application is included with a step-by-step section on carving and painting a finely detailed kestrel in wood. There are even instructions for making remarkable lifelike eyes from acrylic plastic.

The book concludes with a gallery of the author's own fabulous museum quality carvings. This is a great combination of nature photography and fine art.

This book is an absolute must-have for anyone who wants to draw these birds... or simply appreciates their beauty. These aren't simply glamor-shots, they're close-up detailed images, from a number of different angles. Every one is well lit, in crisp focus, and shows wonderful detail.

Not only bird artists, but any bird lover would enjoy this book. The pictures are excellent, in focus and from all angles.

This book is often in use at my lab table.

This wonderfully photographed book is an excellent reference for anyone interested in carving birds of prey. An extremely thorough series of photographs is included for each bird covered in the book. Additionally, patterns and other carving consideration are included for each specimen. The book concludes with a chapter on creating acrylic eyes for carvings, a chapter on carving and painting a kestrel, and a chapter exhibiting some of the authors carvings. Incidentally, the author's carvings are great.

Scholtz's other book, Carving a Red Tailed Hawk, does not do this book justice. This book contains better photographs and better carving.

I would highly recommend this book to anyone remotely interested in carving birds of any type.

I'm into lepidoptera, and own several buttefly books. This is definitely my go-to guide, and anytime I go in the field, this is the book I bring. It's great to have photos, field marks, maps, and there are pictures that show variations among different species. The format's great because one side of the page is all photos, and the facing side has the map and text. I think that if you're just getting into butterflies, a book like Introduction to Southern California Butterflies or the Golden Guide Butterflies and Moths are good to start off with, as this one may be a little to much for someone who is not too familiar with butterflies and doesn't know the basics yet.

This book was recommended by a person who was experienced in butterfly identification. As a beginner, it is awesome. So for the experienced and the beginner, it is wonderful. A must buy for the curious in all of us about those beautiful butterflies God put on the face of the earth!

Glassberg's BTB is the benchmark and the book to buy first. You may not need another.

A quick summary for anyone who doesn't want to read my ramblings. This is a great identification reference. It is intended only as an identification guide. And as that, it is excellent. But with so many butterflies described, the casual butterfly observers may want a smaller book / chart with only local species for easier lookup (perhaps in addition).

First, it is important to know what this is. It is a field guide to aid in identification of butterflies and skippers, with very good photos for that end. The photos may not be artistically pleasing to everyone, but they are taken in such a way to best present the butterfly for identification. Unique identification characteristics of individual species are pointed out when they will aid in the identification. Size and geographical distribution is also given. On each photo the author also tells you how large the photo is compared to a real specimen.

This is not a butterfly reference book. You will not find detailed information about the butterflies in this book. Instead, you will be able to identify what you find, and then use the name to look up more details on that butterfly in another book / the Internet.

This is also not a coffee table book with large glossy photos of butterflies. Due to the sheer number of species described in the book, each photo is rather small, and as mentioned earlier, may not be artistically pleasing to everyone. Little attention is paid to the background, since that is not very important to identification. When the plant the butterfly frequents is important to the identification, it will be mentioned in the text.

The sheer number of butterflies in this guide can be overwhelming to the casual observer. I don't know if I'll ever see more than 1% to 2% of the butterflies listed here. Since the butterflies are not sorted by region, getting a less comprehensive book with local species only may be easier for the casual observer. This book stays at home, while I carry a small laminated "quick guide" to common local butterflies.

I don't observe them through binoculars (the book does have a short section on that as well), I photograph them. There's a short section on butterfly photography that, while mainly focused on film photography, does contain some good tips.

The only thing I have not been able to identify definitively so far with this book are skippers.

A while back I wrote a review of the Peterson Series "Field Guide to Western Butterflies", which I had used in the field during the 4th of July Butterfly Count in the Organ Mountains of New Mexico. I gave it five stars as I thought it the best field guide to actually use in the field. The rival Audubon guide to butterflies left me cold because it simply does not show enough detail for identifying hard species. I thus dismissed photo guides because of this bad experience, thinking that artists did better work in illustrating these beautiful insects. I was wrong! There is a way to produce a photo guide to butterflies that actually works and Jeffrey Glassberg has done it! This is the best field guide that I have ever seen for butterflies. The photos, mostly taken by the author, are simply superb! The best thing that Glassberg has done is to standardize the photos so you can compare the same characters. This is a major innovation and must certainly have taken a lot of time. The placing of maps and descriptions opposite the photographic plates is also a major change from the other popular guides. It sure saves a lot of page flipping!

I am often laughed at because I still use a 35 mm SLR for photographing insects, but Glassberg's photos (all with a 35 mm SLR) show why it still may pay. Digitals are, I know, the coming thing and will soon overtake SLRs, but most digitals still cannot match an old Nikon FM2n with a 55 mm macro or an Olympus with a 90 mm macro, both of which I use.

Glassberg's remarks about how much space digital shots take up (5 MB roughly for a decent high resolution) are probably dated because of gigabyte technology which allows as much as 200 shots at a time, even at high resolution. However, I still like the feel of a SLR and many digitals (but not the more expensive ones) are boxy and difficult to hold. I get irritated with the automatic focus that often keeps me from getting the shot of an easily disturbed subject.

Those aside; if you are at all interested in butterflies and can afford only one book, get this guide! It is the new standard for photo guides and it will be hard to ever beat it.