North America Books

Dr. Mickel's Ferns for American Gardens is the most comprehensive and useful book on ferns for the professional and amateur gardener alike. For those of us who are plagued with deer in our gardens, ferns provide alternative deer-proof plantings. The variety and beauty of these plants have often been underrated, but they fill an important element in the shade garden as they provide texture not often found in other plants. What better way to get to know these plants than with this book. Chapters show the structure of the plant, how to use ferns in the landscape, and beautiful photographs of the many genera, species and cultivars, all listed in alphabetical order. Each plant shows practical attributes such as height, hardiness zones and difficulty of cultivation. A real plus. It also has a chapter on ferns for specific conditions such as sunny conditions, rock gardens etc. The Web now allows the interested gardener to acquire more unusual ferns, and this book will steer you to make the correct decisions on what would suit your garden best. I rate this book as a must-have on ferns.

This book has a tremendous amount of information concerning ferns in America.
It is certainly well worth the sixteen dollars I paid for it. It contains a guide for flowering plants that you can partner with ferns. It gives descriptions of the flowering plants as well as their periods of bloom.
Also, in the back of the book is a glossary of terms which is very helpful and an index of common names.
If you need to identify a type of fern, this is the book to use. The pictures are very good and the descriptions are concise. Scientific names as well as common names are given. Propagating ferns is discussed as well as pests and hardiness zones. A list of mail order sources for hardy ferns is listed at the back of the book. Lots of information is given throughout. I would recommend this book to anyone who wants to learn about or grow ferns.

This book has excellent illustrations of a variety of ferns with an description of each. Well worth having for anyone interested in a fern garden.

In this excellent book Mickel furnishes an enormous amount of information about ferns without becoming pedantic or over-bearing. It is reflective of the author's life passion and years of hands-on gardening experience with these plants. The book is nicely organized so that a neophyte such as myself can reference it easily yet it provides enough in-depth information to satisfy the more advanced "fern-aholic". There are great sections on each species detailing origin, ease of cultivation and habit. Although one can tell Mickel never met a fern he didn't like, he makes it engagingly obvious in some cases which are his favorites and why. There is a great section on Matteuccia struthiopteris(ostrich fern) which includes a recipe for preparing and cooking the fiddleheads. Differing from the cook's point of view, the gardener steps in to assure us that cutting the fiddleheads brings no lasting damage to the fern! In another section on the Himalayan maidenhair fern he shares his delight in the accidental discovery that this species is adaptable to indoor cultivation.
The general information on fern structure and reproduction is concise and easily understood. There are a host of new terms in Fern World to be grasped, such as crosier, sori and rachis but Mickel makes them all comprehensible. Gardening with ferns, their prefered habitats, companion plants and even propagation are addressed as this is far more than a field identification book. There are an assortment of good line drawings and small color photographs of the individual fern species, but if this book has a weakness I would say that the photos are undersized and there are not enough of them. However, this is not an opulent coffee-table book but a good solid reference book which is easy to use and full of helpful, practical information for the fern-garderner at what ever level. I still rate it as a solid five star garden book.

This book contains descriptions of a very large number (over 500) of ferns organized by genera and focusing on North American species. The horticultural information goes fairly deep and appears to be very sound. Cultural information is provided for most species. If you are an amateur gardener, this is a good reference for ferns already in your garden and ones you are considering obtaining from local nurseries or from catalogs. Be advised, however, that the book is not a field guide. Although there are many color photos, not all ferns are illustrated. If you are seeking to identify ferns in the garden or the wild, there may be other books that would better serve this purpose.

Book about Warblers
this reference book is very helpful in identifying the migrating warblers.
It arrived in very good condition.

This book is much more than just a field guide to the warblers. It contains a wealth of information on identification, but it also functions as a summary of the scientific literature on the ecology of each species, complete with references to the primary literature. This guide is a great way to not only get more serious as a birdwatcher, but also to help this interest develop into an interest in and understanding of ecology.

As a field guide, this book is exhaustive and excellent. The illustrations are extremely clear, and there are distinct illustrations of different sexes, ages, and plumages (fall/spring) whenever these plumages are distinct. In addition to the illustrations of perched birds, there are also excellent illustrations of undertail patterns, which are very important and useful. Throughout the text as well, there are a number of detailed color photos. Visually, this guide has it all! The range maps are large and clear, although I wish that the range maps would mark migration paths more clearly.

The expanded chapters on each species are outstanding. While some of this information, especially the plumages, range, song, habitat, and behavior, would be interesting and useful to birders, this book goes above and beyond by discussing in depth the ecology of each species, taxonomy, and conservation status. The writing is clear and concise, and there are numerous references to the primary literature as starting points for people who are interested in further reading.

Bottom line? If you like warblers, you have to get this book! You will not be disappointed.

Several years ago, while watching the bird feeders at Muskatatuck National Wildlife Refuge in Seymour, Indiana, I heard a voice behind me pointing out that there were two races of White-crowned Sparrow at the feeder. He went into detail about the subtle differences between the two. At first I thought to myself, who is this guy? Later, I realized that it was Jon Dunn! I have had a high respect for him ever since.
Years later, he was the guest speaker at our bird club meeting. He presented some of the plates from his, at the time, upcoming new field guide to warblers. I fell in love with the plates from the very start. Thomas R. Shultz and Cindy House did a remarkable job, and the detail that was carefully gathered from museum specimens is second to none. I knew from the beginning that I had to have this new field guide and I couldn't wait until it appeared on the shelves.
When I bought my copy of the finished product, it was even more than I expected. Aside from the detailed plates making fall and female warbler identification easier, the text is filled with information on virtually every aspect of life history of each species, with cross-references that will aid any serious researcher. More than just a field guide for identification purposes, this book belongs on the shelf of beginners and experts alike who share a passion for warblers.

This book provides good color plates of the warblers in various stages of plummage. The distribution maps are easy to read and color coded. I bought the book because of the multiple pages of natural history information on each species. The birding guide I use in the field has excellent illustrations but totally lacks in the supplemental information. So, when I get home, I grab this book to learn the biology of the species.

Kimball Garrett and Jon Dunn worked together once again to produce a masterpiece. The information on status and distribution is remarkably accurate given the exceptional detail in which it is presented. The identification discussion is thorough and accurate. The discussion of subspecies, their taxonomy, and their identification (as is possible) is remarkable. The books only failing are the illustrations, which are flat and unrealistic for the most part. Their usefulness is limited.

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.

This book is beautifully illustrated and very helpful. I have shared ideas from this with friends and family.

Have you ever wondered why front yards in North America consist mainly of lawn? Is there a law that demands this? The writer starts by briefly reviewing the history of our love/hate affair with the front lawn and pointing out how costly they are in labour, water and poisonous chemicals.

The writer then explains how she changed her ordinary, lawn-filled front yard into a garden, working around the objections of her husband. From there she explains the groundwork that must be undertaken when a plain front yard is changed into a garden. Most of the remaining chapters discuss different types of gardens - cottage gardens, minimalist gardens, small city gardens and so on. The writer presents each topic and then introduces gardeners who have developed variations on this theme. The final chapter "Overcoming Obstacles" shows how gardeners have coped with dry soil, steep gardens, a garden that must incorporate a fire hydrant or a power pole and so on. There is a reasonable resource list at the end.

This is a very useful book for people who are tired of the front lawn but don't know quite what else to do with the space. The approach is relaxed and personal and has examples of gardens from Ontario to Texas. The advice is practical, the illustrations are relevant and show the gardens at different seasons. The writer knows her topic thoroughly and has given us a very readable and attractive garden book.

Liz Primeau has written an inspiring guide that can help you transform that bland patch of lawn between street and house into a rich landscape. Front Yard Gardens tells the stories in words and beautiful photographs of dozens of front gardens in various styles. The gardeners behind these wonderful front yards have coped with budget and space constraints, although most have dedicated considerable time and energy to their projects. Almost all of the gardens are Canadian, a plus for those of us who live in colder zones: many books about front yards emphasize styles that can only be achieved in milder areas like Southern California, where gardens remain lush year-round. Ms. Primeau's book is refreshing because it deals with the strategic and emotional challenges of introducing a front garden into a neighborhood where front lawns are the norm. The book also discusses the evolution of these gardens over time, encouraging the reader to simply start somewhere and implicitly acknowledging that for an enthusiastic gardener, the garden is never "done." Liz Primeau has given us a terrific book, although she has omitted photos of front gardens in winter and as part of streetscapes.

So many gardening books focus on the high-end gardens of a few wealthy people. This book is practical, whimsical, and full of photographs and stories about real front-yard gardens. The owners have to contend with problems like streetlights, copycat neighbors, variances, etc., and many of them are redesigning and planting on a budget. This focus makes the book truly inspiring as well as useful. A great investment in getting rid of your boring lawn!

I love this book. Two years ago I was inspired by this book to rid my yard of lawn. I had a designer design a cottage style garden for my front and back yard. It took my kids 2 months to dig up all the grass and then we started working on the design. We were novice gardners, so along with this book and about 12 others we have completed our yard.
My neighbors who are lawn lovers, have been very interested in our progress.
We wave and smile at everyone who pass as we work in the yard, and this seemed to ease some of the neighbors anxiety about our odd doings.
The kids are now 18, 15, 13, 12, and 6, so seeing the whole family working together has been a big plus.
So far we are still the only family in our subdivision with no lawn, but We get nice comments,and see more people gardening.
I am asthmatic so no lawn mower fumes are great, and this is a great "green " project for the whole family, and the kids are so proud of themselves, and the positive feedback they get.
This is a very expensive investment in time and plants but worth it.

If you are not a Robert Utley fan you soon will be. This second in a two volume series, Utley shows once again why he is the king of frontier US history. This is an excellent piece of scholarship and writing.

Recounting the final, massive push by the Regular Army to subdue the American Indians, this volume covers the 25 years after the Civil War when control of the Plaines was wrested from the Indians, from the first skirmishes with the Sioux over the Bozeman Trail to the final defeat and subjugation in 1880.

Proud of the Unites States Army and is accomplishments while simultaneously sympathetic toward the Indians, Utley traces the campaign directed by Major General William Tecumseh Sherman. The result is a very evenhanded account resting comfortably between the "the barbaric band of butchers depicted in the humanitarian literature of the nineteenth century and the atonement literature of the twentieth." The people we meet are simply a group of ordinary men doing the very best they could under remarkably trying circumstances that were often under equipped and ill supplied.

A great deal has been written about the United States Army during the Civil War. But tales of the postwar army can be just as thrilling as stories from the war, though this portion of military history is, sadly, often overlooked. Robert Utley attempts to correct this oversight in this excellent book, which deals with the nature, structure, and activity of the portion of the army engaged on the frontier from immediately after the Civil War until Wounded Knee. Arranged in an order that is easy to follow and is logical if not always strictly chronological, each major military operation against the Native Americans is handled with skill and sufficient detail. The result is a fascinating look at the army as a whole.

The main value of this book lies in the fact that it provides an outstanding overview of military operations as a whole (as opposed to books that treat just one battle or campaign). The work fills in many holes that will undoubtedly exist for anyone who has studied a part of the Indian Wars, and who would like to have a more general overview available to them. Anyone who has studied the Little Bighorn, for example, will find in this book a wealth of information that will explain in great detail many of the factors that led up to that action and also many of its ramifications. This book is essential to any study of Western history, especially military history.

Robert M. Utley offers the sequel to his _Frontiersmen in Blue: The United States Army and the Indian 1848-1865_. In this second installment, Utley attempts to eradicate the myth of the frontier Army as blazing a path of glory westward that has been portrayed in Hollywood movies. Rather, he argues the frontier regular Army was only one of several contributing factors to the subjugation of the Native Americans. Other determinants such as westward expansion by waves of immigrants, and professional buffalo hunters attributed as much, if not more, to the Indian demise as did the soldiers. In a sense, Utley offers the antithesis to Dee Brown's _Bury My Heart at Wounded Knee_. The author highlights the Army's role as a frontier police force carrying out civilian policy that lacked cohesive strategy against the Native Americans. Utley begins with a general survey of the United States Army in the post-Civil War years. The author outlines the relationship between the War Department, its near autonomous bureaus, Congress, and the Executive Branch, with brief discussions into the tenures of Generals Ulysses S. Grant, William T. Sherman, command-staff functions, and logistics. Chapters on weapons & equipment, and outpost life round out the first half of the book. Utley remains objective and unsympathetic at times to Blue Coat and Indian alike. For example, in his discussion of General George Armstrong Custer's defeat at the Little Big Horn, Utley, a noted Custer scholar, blames the boy general for the debacle. The author cites several reasons for the defeat of the 7th Cavalry. On the surrender of Geronimo in 1886, Utley credits both Generals George Crook and General Nelson Miles equally for their improvisations in overcoming logistical hardships in the harsh Sierra Madre Mountains. Acknowledging that the elimination of the Chiricahua Apache from Arizona was the prerequisite for re-establishing peace to the area, Utley does not sympathize with Geronimo's plight. It was only after the removal of the Chiricahuas, hostile and neutral alike, argues Utley, that peace was finally brought to the Southwest. In the final episode of the Indian wars: Wounded Knee, Utley engages in mere semantics. The author depicts Wounded Knee as a "tragedy" not a "massacre," the term generally preferred by the Indians. Utley feels the idiom inappropriate because "massacre," points to "deliberate and indiscriminate slaughter" which, he feels this occurrence was not. Utley believes, the soldiers tried to restrain from firing on women and children, however, in the melee, hitting innocent non-combatants was unavoidable. In the chapter titled "The Problem of Doctrine," Utley sees the Indian wars of the late nineteenth century through lensesmirroring the war in Vietnam (this book was first published in 1973). Utley observes the U.S. Army applied conventional tactics in an unconventional war. He illustrates how hostile Indians were oftentimes indistinguishable from peaceful reservation Indians. The hostiles utilized guerrilla tactics-hit and run raids and disappeared into the night. By day, the warrior factions would easily blend back into the general Indian population. If this be the case, it can be argued that the United States military had learned nothing from its own history. Robert M.Utley, often seen on the History Channel, and preeminent military historian of the period, has once again consulted a vast array of archival material. His evidence is equally balanced between primary and secondary sources, with endnotes after every chapter. The author consults an impressive collection of Government documents including a detailed list of Congressional and Senate papers in an impressive bibliography. Generous, easy to read maps, and a peppering of period photographs make this an essential addition to any library.

Utley does an excellent job of showing what post-Civil War Indian fighters faced. First was the transition from the Union Army fighting Confederates to the U.S. Army fighting Indians.

Utley documents how that work was made much harder by the cheapness of the War Department and Congress. Downsizing the Army drastically to save money wasn't enough. Congress stuck most the infantry with leftover muzzleloaders rather than repeaters, meaning that their Indian foes usually (Winchester-armed themselves) could bring superior firepower to bear.

Meanwhile, the frontier Army had to go through the twists and turns of War Department, or Interior Department, twists and turns on Indian dealings, and in different high-level officers having different approaches not just to Indian fighting but to Indian truce and treaty negotiations.

Meanwhile, the grunt work, as typical, was to be done by the infantryman, not the cavalryman.

Read the whole story of his struggle to do his job in this book.

This is a good book about the US Army, Indians and the early west after the civil war. It follows events and gives points of view that are not clouded by the normal politics or attitudes. It is a clear account with facts, the probable intentions based on facts, and the actions. It allows the reader to get a good sense of the period and actions. The book gives enough detail to back up the facts but does not go overboard. This is a good start at studying the time period and the US Army at the time. Being into history, it was highly informative. It is a great book for those who want to read about the period but not get heavily into research. It goes deeper than just a brief summary but I think it gives just enough to allow understanding. It is easy to read and flows from chapter to chapter.

Fundamentalism is the movement arising among Christians in the early 20th century who fervently defended the fundamental doctrines of Christianity while opposing modernist liberalism. In his Fundamentalism and American Culture, George M. Marsden investigates the historical context and ideological roots of what came to be American fundamentalist Christianity, recognizing complex influences from nineteenth-century traditions like revivalism, holiness, and patriotism. Marsden says, "Fundamentalists were evangelical Christians, close to the traditions of the dominant American revivalist establishment of the nineteenth century, who in the twentieth century militantly opposed both modernism in theology and the cultural changes that modernism endorsed" (4). His interpretation of the phenomenon of fundamentalism treads a middle ground between those who reduce it to a purely social reaction to the emerging trend of modernist thought, and someone like Ernest Sandeen who views fundamentalism as essentially theological (201). Some evaluations from observers of the height of the fundamentalist frenzy saw it as hollow and brief; the Christian Century said in 1926, "it is henceforth to be a disappearing quanitity in American religious life, while our churches go on to larger issues..." (192). Marsden does not relegate fundamentalism to the position of a short-lived radical sect, but sees it as a significant movement with deep roots and continued relevance to today's American evangelicalism. As a result, he devotes about half of his book to in depth account of late 19th and early 20th century currents of Christian thought.

Marsden focuses on three major themes. First, he highlights a tension within fundamentalism--the tendency at times to preserve the perceived identity of American culture (viewing America as Israel), and at other times to take on the identity of a separatist minority sect (viewing America as Babylon). Second, he studies the prominent movements of Christian thought in American evangelicalism before the emergence of fundamentalism. He sees deep roots in America's revivalism, pietism, the popularity of holiness, and middle-class Victorian values. Third, Marsden observes a wavering stance among fundamentalists regarding science and the intellect. On one hand, the scientific "common sense" type of principles of 17th century philosopher Francis Bacon allowed the average person clearly to see the plain facts of God evident in Scripture. On the other hand, this same scientific approach allowed proponents of Darwinian evolution to discard the unrealistic, supernatural, miraculous accounts found in the Bible. Naturalism and evolution were powerful enemies of Christians who wanted to maintain the fundamental supernatural tenets of the faith. Increasingly over the years, anti-evolution became a more unifying passion than even adherence to Christian orthodoxy. Marsden comments, "Many people with little or no interest in fundamentalism's doctrinal concerns were drawn into the campaign to keep Darwinism out of America's schools... The more clearly [fundamentalists] realized that there was a mass audience for the message of the social danger of evolution, the more central this social message became" (170).

After chronologically recounting the origins of fundamentalism, its peak in 1920-1925, as well as the subsequent gradual growth of fundamentalist ideology through denominations and universities, Marsden shares his interpretation of the movement. Fundamentalism was initially a religious assertion against the threat of modernism, but the event of World War I gave fundamentalism crucial characteristics. War-related crisis provided an occasion for paranoia and militant defense of religious views. Marsden compares evangelicals experience of encroaching modernism to the "traumatic cultural upheaval" of cross-cultural immigration (204).

I find quite helpful Marsden's reluctance to paint the fundamentalist movement as either purely theological or purely social. By resisting extremes, Marsden's eyes are open to the great and sometimes even contradictory complex issues informing fundamentalism. He says it is "a mistake to reduce religious behavior to its social dimensions" and admirably acknoweledges the power of spiritual forces and deep-seated convictions (203). I wish he had made some value judgments, even if tentative and qualified, and used a biblical standard to grant the reader practical ideas for how to move forth with knowledge of historical fundamentalism. What traps and misconceptions did fundamentalists fall into that contemporary evangelical may be vigilant to avoid? For what elements of fundamentalism can we be grateful and which can we even strive to emulate? This desire of mine, though, is just because I'm more interested in ideas than events. I prefer philosophy to history. People who love history may have more fun reading this than I did. Marsden's objectivity seems appropriate to a scholarly book in the genre of history.

Good reading. It presents a good review of the culture and the strengths and weaknesses that religion can play in forming it.

George Marsden's biography of Jonathan Edwards was so well written that I decided to read more of his stuff. This book on fundamentalism is a classic. Many scholars of Christian fundamentalism paint with too broad a brush, often lumping evangelicals into the fundy camp. Marsden avoids this mistake. He also acknowledges what many do not, that the fundamentalism of the post WWI era took on a much harsher and more separatistic tone.

Marsden does a nice of discussing some of the towering figures of the movement: D.L Moody, R.A Torrey, Arno Gaebelein, J, Gresham Machen, Jonathan Blanchard and Charles Blanchard (the President of Wheaton College). He shows how early fundamentalists like R.A Torrey and W.H Griffith Thomas thought that evangelical zeal should be coupled with social concern. Marsden also highlights the fundamentalist disdain over the more liberal Social Gospel, which jettisoned evangelism completely.

We also get to see the fundamentalists like Billy Sunday and William Jennings Bryan, who were concerned about people coming to know Christ, but not quite as concerned about people coming to know more about the doctrinal content of Christianity. This was a major concern of the evangelical Princeton theologians (BB Warfield, Charles Hodge, and J. Gresham Machen).

There is also a newer chapter in this edition that traces the development of fundamentalism from 1980 to the present day. In this chaoter, Marsden also takes himself to task for not discussing how the relaxed mores of the "Roaring Twenties" alarmed the fundamentalist community, nor did her mention the role of women in the fundamentalist movement of 1871-1925.

But these criticisms duly noted, I still like the book very much and commend it to those interested in religious movements.

Rev. Marc Axelrod

I have read the 1980 edition of this book.

How to use the word miracle in one's vocabulary, but not accept the signs and wonders of Jesus Christ, the Virgin Birth, the ressurection, any event recorded in the Old Testament that goes against the laws of Nature. To accept the premise that God on rare occasions does something beyound the laws of Nature or the existence of God entirely, A modernist may use may use the word miracle to describe the unexpexted or an event happening despite the mathematical odds- but not an act by a supernatural being overruling the laws of Nature.

To not believe in such a Being, means to deny the facts described in the bible. These scholars do not accept the Lord God as described in the Bible. This type of Theologian albeit University instructor or Pastor of a church was quite prominant in Europe before 1870, but not in the United States until later. This book is a debate among those who accept the bible as true as it is and those who deny the word of God as valid.

The date of the book is not arbitrary. Since the author cites the end of the Civil war and Darwins theory of evolution as major cataylist to bringing the debate to the forefront in the United States. This includes the University, the pulpit and in the American Culture. This book is a narrative about social change in American society, theological thought, and the major players in Christian Revivals and Theology. Not just the scholars in the Universities. The book touches on changes in the Universities(1980 edition), but its main focus is on society. Is the Bible sufficient to show how God interacts with the created.

I found the reading interesting and easy to understand.

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I used this book to get insight in background of R.A. Torrey, and it helped wonderfully. Espescially for me as a European theologian, it helped to get insight in history and society of the States, especially concerning the relation between pre-millenianism and cultural atmosphere and impact on theology, especially on the question of the personhood of the Holy Spirit!

For European theology it gives an insight in the background of the more and more popular evangelical and pentecostal churches and their theology, that has its roots there, where this book is al about!

Stefan R Timmerman

Ken has done a magificent job in Honoring The Medicine. Nothing of this caliber has been done since Vogel's classic on the subject. A must read for anyone desiring to understand Native American medicine.

Kurt Kaltreider, Ph.D
Nanticoke/Cherokee

Honoring the Medicine is an amazing book foro anybody who is interested in Native American healing. The author rich and in-depth experience provides a direct connection and language to the reader to bring more clarity, wisdom and balanced knowledge.

Hi,

For me it is a great book, if you want to know more about your self and how native americans healed them self and others

This is an awesome book on Native American healing. I would recommend this to anyone of a Shamanic leaning, or to someone who seeks to learn more about Earth-based, Native spirituality.
This is brilliant, and a must for any spiritual person's library.
~OakRaven~

I feel that this is one of the best books on the market on Nativer American Spirituality and teaching..Mr. Cohen has written it in terms that can be understood by anyone with a heart to opea and read..
Respectfully
Phillip Gray Wolf Rice
Munsee Lenape

Until very recently, there were no large press picture books about contemporary Native children written by Indian authors. For this reason, Jingle Dancer is particularly notable. The story of Jenna, a member of the Muscogee (Creek) Nation living with her family in Oklahoma, is written by a Native author. Rather than focusing exclusively on Jenna's Indian identity, however, the book presents Jenna as an average American kid, living in suburbia, who calls on her Native sensibilities and her broad community of supportive females to overcome a problem as she tries to put together her regalia for the Jingle Dance. Readers who are not familiar with the customs presented here will learn much, but above all, they will learn that Indian children are alive, well, and living rich lives amongst them, a lesson infrequently taught, and rarely so pleasantly. Rich, bright, cheerful watercolor illustrations by husband-and-wife team Cornelius Van Wright and Ying-Hwa Hu enhance the presentation and bring Jenna to life. A significantly informative Author's Note and Glossary make the book even more effective.

What? No teepees or war paint? Bravo! Cynthia Leitich Smith's JINGLE DANCER is a refreshing story about a Muscogee-Ojibway girl wanting to participate in a powwow by performing a traditional dance. This contemporary picture book story is free of the stereotypes sometimes associated with Native American tales, and instead shows Jenna watching her grandma dance on a video tape, visiting a friend in a new duplex in the community, and talking with her lawyer aunt. The reader is also introduced to information about a traditional story, game, foods, and dance. Smith's lyrical narrative and captivating story makes this a perfect read-a-loud -- as my five-year-old daughter will attest to. As an Asian-American, I'm always thrilled to see contemporary stories with multicultural characters shown in real and positive ways.

Beautiful illustrations by Cornelius Van Wright and Ying-Hwa Hu!

Cynthia Leitich Smith's, JINGLE DANCER, is a delightful book. Ms. Smith weaves a lovely story of the strong female ties in Native Ameicans matriarchal societies. Smith celebrates the loving, sharing spirit of friends and families. The passages of Jenna dancing through her day from dawn to moonlight are pure poetry. Cornelius Van Wright's and Ying-Hwa Hu's bright lively illustration are a perfect match. Cynthia Leitich Smith's writing is to be applauded as a great addition to the world of children's books.

Watching her own grandmother dance the traditional jingledance,Jenna hopes to carry on the proud tradition.

In order to makeher own dress "sing," however, Jenna will need four rows of jingles. There isn't enough time before the next powwow to mail- order the tin beads, but Jenna doesn't loose faith. A Muskogee Creek story about a bat that she is told by her Great Aunt Sis shows that no one is too little to make a difference.

Rising sunlight reached through a window pane and flashed against... what was it, hanging in Aunt Sis's bedroom? Jingles on a dress too long quiet. "May I borrow enough jingles to make a row? Jenna asked, not wanting to take so many that Aunt Sis's dress would lose its voice. "You may," Aunt Sis answered, rubbing her calves. "My legs don't work so good anymore. Will you dance for me?" "I will," said Jenna with a kiss on Aunt Sis's cheek. Now Jenna's dress needed three more rows.

With the assistance of those in her community who cannot dance at the powwow, Jenna finds enough spare jingles to make her dress sing. With patience and practice, her hope is fulfilled.

In JINGLE DANCER, Cynthia Leitich Smith honors the tradition of jingle dancing, a ritual of the Muscogee (Creek) Nation, which has been celebrated for generations. Jenna is a delightful, ambitious child with great pride---a wonderful heroine for this picture book story. Not only does the author capture the feel of Native American heritage through the exposition and resolution of the story, but she adds to the mood by using the position of the sun in the sky to describe the passing of time within it. The author's note at the end of this picture book provides the fascinating background to this custom.

Cornelius Van Wright and Ying-Hwa Hu's brilliant watercolor illustrations are the perfect medium in which to bring this endearing Native American story to life.

A reading of JINGLE DANCER is sure to inspire a jingle in the reader's heart.

Writers Moon reViews (WritersMoon@aol.com) P.O. Box 182, Nesconset, NY 11767-0182 Copyright (c) 2000 Lynne Remick LynnRemick@aol.com) Reprinted with permission from Lynne Remick and Fantasy, Folklore & Fairytales