Russia Books

Book was very easy reading and well organized. One of the best history books I have read.

if you want to no about the early to last romanov's and russia history this book is for you.this writer leave nothing out.

Mr. Lincolm, unlike Robert Massie who wrote "Peter the Great," left me with the clear impression that he understood the source material he had at hand, and was able to verify through corroboration every thing he said. Some of the more incredible stories, or speculative rumors are left out. This does not make his work any less enjoyable, but it does lend Mr. Lincoln's work a feeling of solid thoroughness in its research--something that is lacking in Massie's book. If a story was left out, I felt quite confident that Mr. Lincoln knew of the story, but could not corroborate it to his satisfaction.

This book is very thorough and incredible in its vast sweep. But it is broken apart into major periods. Each period is further broken down into topics, such as political history, economic history, social history, and so on. This format makes the book quite useful as a reference as well as enjoyable to read. This is the best book on the story of the Romanov family in the English language to date. And I can see this book firmly establishing itself as a timeless classic, alongside Shelby Foote's "Civil War," or Gibbons, "Decline and Fall of the Roman Empire."

W. Bruce Lincoln's history of the 300 years of Romanov rule in Russia (1613-1917) is easily his most readable account of Russian history. While Professor Lincoln's research is meticulous as ever, in this volume he has to cover far more ground than in his other more focused histories and thus he avoids some of the digressions that he normally might allow himself. The result is a superb one-volume history of the Tsars and Tsarinas who determined Russia's development from a minor principality into the largest empire on earth.

The Romanovs consists of four parts: Muscovite beginnings (1613-1689), the Rise of an Empire (1689-1796), Empire Triumphant (1796-1894) and the Last Emperor (1894-1917). The first three parts each consist of several chapters, with the first covering biographical details of the Tsars and Tsarinas in that period, followed by chapters on political and cultural changes in that period. There are only two significant problems with what is otherwise a superb presentation: a non-chronological methodology and a lack of a single supporting map of Romanov domains (there are two maps of St Petersburg's layout). In the first case, Lincoln tends to keep coming back to Tsars in subsequent chapters on culture, politics, etc which is very confusing. Indeed, he seems in a rush to plow through the biographies of the Tsars, then revisit their cultural accomplishments, then come back again and discuss their political accomplishments, and then maybe discuss a few scandals or wars. As for the lack of maps, it makes it extremely difficult for the reader to evaluate the territorial expansions of the various Romanov rulers or Russia's growth over three centuries.

Despite these two flaws, the Romanovs is a delightful read for anyone with a scholarly interest in Russian imperial history. Perhaps the three most significant rulers that Lincoln assesses are Peter the Great, Catherine the Great and Nicholas II. Most histories tend to elevate Peter to hero status, but Lincoln's evaluation is more mixed. While Peter gets great credit for pushing Russia to modernize, the costs he incurred may have been too great. In particular, Lincoln questions Peter's obsession with building his capital on totally unsuitable terrain; the fact that the Russians were able to eventually succeed in constructing Peter's dream capital often disguises the fact that the human and financial losses were exorbitantly wasteful. The reader will be left to ponder the question that if Peter had built his capital elsewhere, Russia's development might have been much less painful. As for Catherine, Lincoln prefers to minimize the scandal and corruption associated with her court and view this as the golden age of Russian cultural development. Finally, Nicholas II appears as even more of a fatalistic dolt bent on self-destruction than he did in Lincoln's previous books. In sum, The Romanovs provides a solid and very readable account of Russia's development under the Tsars and Tsarinas.

A genuinely great book. Lincoln certainly could write, and make
all those old Russians seem really interesting. As Lincoln's
former students (including me) know, his lectures were tediously
boring, so that makes the books all the more remarkable.

Zeepvat didn't write anything short of an amazing book on the 19th century Romanovs. She really got into the intimate details of family life as well as writing of their political role. A must read book for all Romanov fans!

A delightful collection of stories starting with the first Nicholas and Alexandra in 1817, winding it's way to a story about the Tsesarevich Alexei. Many lesser known members of the Imperial Family are here, many who are quite interesting in and of themselves!

Very well written series of 'short stories' of different members of the Russian royal family at the turn of the 19th century, some obscure and not normally written about, which I found very refreshing. I am an avid collector of historical biographies, Russian royal family especially, but I have never seen such a comprehensive exploration of the Romanovs. Quite a few pictures I had not seen before also. All in all a great investment, and a very good read.

This book goes way beyond the normal stories of Tsar Nicholas II and Tsaritsa Alexandra Feodorovna. Charlotte Zeepvat leads us through the personalities in the Romanov family, and what part they played in imperial Russia and its downfall. Through these biographies the reader can understand the slide from a united family to the rival factions that partly brought about the Revolution and its aftermath. I would highly recommend this book to anyone who has ever wondered about the imperial house of Russia , and the fate that awaited them.

This is a well written book that covers the last century of the Russian Romanov dynasty.

The author has chosen a wide focus rather than a narrow one on Nicholas II and Alexandra. For once we get to meet the other family memebers, learn about their personalities and what events shaped their lives and the fate of the dynasty.

We also get to read in detail about the various palaces and estates the family used. These are often referred to in other books without any real background information on their history or importance to the family being described. This book fills that vacume.

If you know nothing about the Romanovs this is a fantastic place to start as all these people's live stories weave in and out of each other to create an amazing and true story.

I thought I was getting the tarot deck and a book of its history, but this is only a paperback about the history and traditions of Russia and this tarot style in specific. Informative and well-written, though.

Ever since my eyes fell on this deck I was drawn to it. I am of Eastern European heriatage and it appeals to me. The artwork is beautiful and makes for great readings. I am one who interprets the cards and the artwork, as well as the meaning, when reading the cards, and this deck is wonderful for doing just that. I also love the feeling I get when I'm reading these cards. I can't quite describe it, but it is special. Perhaps it is reconnecting with my family heriatage.
I love this deck!

This deck has delightful illustrations and is a joy to read. I find this to be a pleasant change of pace from my Universal Dali tarot deck. If you want to learn tarot, but the Rider Waite deck is not your thing, I suggest you take a peek into this one. The size of the cards are pleasant.

I have a number of tarot decks that I actively work with,
more for spell work than reading the future, but this particular
tarot deck, the Russian Tarot of St. Petersburg, is without
doubt the most beautiful tarot set I have ever seen. Each card
is elegantly painted by the very talented Yury Shakov and
really captures the spirit and images of old Russia. But, more
importantly, at least to me it seems that Yury Shakov must have
also been a talented magician, because each card is filled with
mystical and occult symbols that are truly amazing. A wonderful,
beautiful tarot deck, regardless if you wish to read the future,
create spells or simply gaze upon them as artistic masterpieces.

Russian artist Yuri Shakov's miniature art work (he painted them at normal card size) is a crystaline cathedral of 78 stained-glass plates. Mr. Shakov incorporated historical icons where symbolically referential. Example: The rotting skull on the Death card may be that of Ivan The Terrible, and as has been mentioned, Stalin is the Devil. The Two of Clubs is a Russian 'Boyer', an influential man, akin to a 'Burger', to which the word is probably related anyway. The Fool is a rag-tagged 'scomorhoki'. Mr. Shakov passed away during his illustration of The Russian Tarot of St. Petersburg, and so not all of the cards were actually painted by Yuri Shakov.

The accompanying book by Cynthia Giles is not at all childish, but rather sophisticated and scholarly. Some very interesting Russian history is presented, which sets the stage for some of the characters on which the cards are modelled. Especially useful are the "keys", or one-word meaning of the card, written underneath the card name. The court cards and the major arcana do not use these keys, however. Be mindful about nuances of meaning that vary from those traditionally given for the Ryder-Waite deck. The Death card, for instance, can in fact indicate physical death. But these things are always subject to context. The arrangement of the court cards together, breaking them out of the more orthodox habit of listing cards One through King, is a bit difficult, and impedes the ease of looking up cards. For example, if you want to look up the Page of Clubs, you don't start with the One of Clubs and flip through to the Ten of Clubs and then Page of Clubs; oh no, this would be too easy. You have to find the section marked "The Court: Card By Card".

The cards are startlingly beautiful, and capture an essence of psychic experience not unlike that revealed by hallucinogenic mushrooms, where a dark "outer space" background frames illuminated colors and strictly define textures. Mood is precisely captured. In some ways, these cards are cold, dark, isolated and lonely, in contrast to the Ryder-Waite, which can be warm, sunny, and in the company of friends or family. I've imagined that this is what existence may look like if our spirits roamed randomly throughout the spirit world, like the Vietnamese girl in the film Hair, who, after becoming a war casualty, was shown floating through space, aware and melancholy.

The integrity of the elemental significance is not well preserved, I think. Clubs and wands are traditionally assigned to the element of fire, but the clubs of the Russian Tarot of St. Petersburg are simply war maces, as opposed to green staves (Ryder-Waite) or torches. Ryder-Waite uses plenty of hints to indicate the suit of wands as belonging to fire: red-haired knights, kings and pages; green buds issuing from staves (inner flame or life force). Still, each and every card has depth and character. Nothing about this deck is dreary, including rendered meanings.

I rarely open the box, and when I do it is mostly to admire the artwork, rather than conduct a metaphysical assay. Imagine the gilt leaded crystal in your fine china cabinet--that glass set you take out on maybe one dinner party a year, and you will have an idea of what I'm talking about. The backs of the cards are gilt bordered, with fine floral scrolling. You will not be disappointed.

It is an amazing and helpful book. It really is a guide to using contemporary Russian. The best book I purchased in 2007. I use it often. It is one of the five important books for learning Russian. What do I list as the five book? Wade's A Comprehensive Russian Grammar, Wade's Using Russian Synonyms, Beyer's Pronounce it Perfectly in Russian, a dictionary and this book.

If you want to master Russian as a secound language, this book is a major help.

There's not a whole lot I can say about this book that hasn't already been said. I noticed, however, that most of the reviews were written before the second edition of this book was published. Rest assured that Mr. Offord has made a great book on Russian even greater.

Perhaps the most useful part of the new edition is the section on computer and Internet terminology in Russian, a lexicon that is conspicuously absent from most of my other Russian books. Thanks to the revision, this volume is now every bit the contemporary usage guide its subtitle indicates. And if you want an idea of just how authoritative the book is, the Schaum's Outline of Russian Grammar (which has earned five stars practically across the board) lists "Using Russian" as its source for the entire chapter on Russian prepositions. And the prepositions section of "Using Russian" is only a tiny fraction of its rich repository.

The only drawback to this book is that it is a bit expensive, especially for a paperback, but it will reward you with a constant return on your investment. No serious Russian student's reference library should be without it.

I've always had my command of the Russian language complimented by native speakers. Not only do they praise the refineness of my speech, but also the varying degree of registers and different applications of style of my spoken Russian. My written Russian has gotten no less compliments; it has always been compared to that of an educated Russian - well-refined, very correct and very upscale, with a nice touch of colloquialism to spice up the writing. When chatting with Russians of my age (21), I will often resort to colloquial speech. As a result, what people compliment the most about my Russian is not only my command of the language (which does get its fair share of compliments), but also its 'flexibility.'

However, this is not a review on my fluency in Russian, but what has become of my Russian after reading and studying this book.

Not only does it take your command from advanced to proficient, it also covers different aspects, styles and registers of the Russian language; something which is often ignored in other conventional Russian textbooks. I have books of the same series focusing on different languages (i.e. Using German), and none of them was as in-depth as the Using Russian textbook. It even covers aspects of the Russkiy Mat - or Russian swear words, that other, more "politically correct" textbooks are often inclined to ignore. Russian swear words are an essential part of Russian colloquial speech, whether we like to admit it or not. This book, unlike other Russian textbooks, acknowledges this issue and dedicates a small, but detailed, section about the Russian swear words. That's only a small part of it.

While it does explain the grammar at some points, this book is primarily focused, as the book title suggests, on the APPLICATION of the language, and different circumstances that require different registers. It also gives the varying dialects and different words used across different styles (from colloquial to elevated) in order for the learner to add more flexibility to his command of the language.

In sum, I cannot say anything but agree with what every other review has said about this book. It is simply awesome and truly helpful to those learning Russian.

However, I would disagree with those who say that Using Russian substitues Wade's "A Comprehensive Russian Grammar" because both books are important and both books are invaluable to the Russian language learner. The only difference is that both books have two DIFFERENT FOCUSES, where one is more concerned with the grammar and fundamentals of the language, and the other is more concerned with the actual application of the language. Both books, in essence, compliment each other.

As a speaker of several languages I tend to collect these sort of grammar text books. I have textbooks of Russian written in German for example - and very good they are given that for a substantial part of the German population it had been a compulsory language and a whole host of quality text were published to that end. However, in the couple of decades I have been studying languages this is still about as good a reference guide to the secret intricacies of any one language I have yet to come across, although books similar to this do exist for other languages.

All sorts of secrets are unveiled here but to give just one example I would mention the highly useful list of different forms of a person's first name - not just the usual informal but also a whole host of forms such as the hypocoristic informal - even the vocative forms appears in a table. It became clear to me why someone was calling out to catch her friend's attention saying 'Tan!' (the vocative form of the formal 'Tatiana') rather than the usual informal 'Tania'. Tania it turned out had majored at university in Slavonic languages and when I pointed out my new found discovery of a vocative case (the lost seventh case that exists in remnant form only in select instances) in Russian, even she was surprised. This is so typical of this insightful book which is crammed full of linguistic insider tips of a sort that have a grammatical basis but extend into the very heart and core of Russian culture and socio-linguistic etiquette. In short - these are all the sort of things that make learning a language so much fun and such a wonderful lifetime's adventure.

While I agree that even though a good basic grammar text with tables of cases endings, conjugations and so on will still be necessary along with a good dictionary, I nonetheless think anyone who has read this book would wholeheartedly agree that this is a textbook that you unconditionally MUST have if you are seriously considering learning Russian. I strongly recommend it even to absolute beginners in Russian as well as to the most advanced of learners. This book is a lifetime's investment for learners of Russian as a second language, so you might as well get it right at the beginning because it will serve you for a lifetime.

A classic and indispenable textbook. Don't hesitate - just buy it!

Mr. Offord has done an amazing thing by developing this book. I'm not exaggerating when I say it has clarified the language and helped me speak it more than did living for months in Russia -- or maybe the combination of the two was the trick. I can't wait to see what he's added for the 2nd edition.

The book -- and the others in the series (German, French, etc) -- will appeal especially to those who enjoy learning language using a formal approach, organizing topics into e.g. registers, augmentative suffixes, homographs, modal particles, etc. Don't be afraid! It all adds wonderful clarity. His English equivalents of words and phrases with subtle meanings are very well done.

After having studied it, I still enjoy picking it up and looking through a random section. Don't hesitate to get it if you enjoy Russian and are past the basics.

In light of the previously posted shining reviews on this text, I suppose there is not much more to be said, but I felt compelled to bolster what has already been written. This book is, along with Norman Friedman's US Submarines since 1945, without question, among the definetive works on submarines of this period. Outstandingly researched and presented. Do not hesitate to buy this book. Top notch.

I was somewhat skeptical of this book when I saw nothing but 5 star reviews from purchasers of the title. However, having read it, this is THE Cold War submarine reference. It contains insights not only into the technologies deployed, but the rational (or in some cases the Irrational) that led to the development of the mysterious technological marvels we could only speculate on during the cold war. The authors clearly show both American and Soviet perspectives on the cold war submarine development. I found the information regarding the CONFORM design on 1967 to be of particular interest. Rickover's insistence on developing the 688 class killed CONFORM. Yet CONFORM was 40 years ahead of anything available at that time. It is interesting that the 688's were far more fragile than one might imagine. Yet Rickover insisted on having his way. Where would we be had the CONFORM design gone through?? This book is absolutely the best material that I have read to date on cold war submarines.

Not as many actual pix of subs as most books but it is very well written and also dabbles into the politics and design that went on with each new design of submarine. Nice charts and missile specs and things like that. Goes into greater detail of the US boats more than Soviet.

I sought a book with a serious overview of the topic of Cold War submarines, and not a book about one or another aspect of the topic. I ended up with a book that contains both an excellent overview as well as serious discussion of specific submarines, strategies, technologies and the men behind the scenes.
The story is well placed within the historical context of the political, military and economical events and processes of the Cold War. The text is well written and well structured.
Especially fascinating is the look behind the scenes of Soviet submarine design, construction and operations - those were among the best-kept secrets of the Soviet Union.
Besides dealing with "main stream" submarines, there are several interesting chapters about different experimental projects; rescue submarines and several fantasy projects, like freight vessels and aircraft carrying submarines.
Although the story is focused on the Cold War period, there is a detailed discussion of WWII technology that highly influenced Cold War designs, as well as descriptions of post Cold War vessels and fleets.
The book is well illustrated with photographs and line drawings.

I knew about a Polmar from reading references in some papers, so I finally decided to give a try. I wasn't disappointed. There were lots of technical details giving an overview. Better yet, it is a balanced account - by no means are Americans portrayed as all powerful.

If there were two things it can be improved on - well, one would be the placement of the endnotes. It is a matter of taste, but considering how many there were and how interesting they were, it might have been more convenient to have put them at the bottom of the main text as footnotes for each page.

The second is that I would have killed for a chapter or two on "other than the equipment". Subs are not just their designers, their admirals and the technicals - it is also the men, their organization and their training. Polmar briefly goes over the differences, but it could have been given a full chapter or at least an Appendix if extra efficiency measures were applied to the pre-Cold War history stuff.

Now, I'm going to buy another Polmar book that would hopefully fill up the gap. Wish me luck.

Ever since the Soviet Union crumbled in the early 90s, many first-time entrepreneurs who had exceptional financial success amidst the chaos that followed the collapse of the old way of life found themselves targets by the ruthless Russian Mafia, the KGB and also, the United States government.

This real life story of the author, Alex Konanykhin, is a detailed account of his life that spanned his relatively simple days in college to being the "Bill Gates" of Russia; from being one of the most powerful men close to Russian president Boris Yeltsin, to a marked man by the KGB; From a political refugee in the United States to being a prisoner, and then finally to freedom.

Written during his frequent incarceration, Konanykhin narrates a story worthy of a best-selling spy novel that proves once again that reality is certainly far stranger than fiction. It tells us even in the free world as long as there is lust for money, no one can escape persecution.

The book adequately shows insights into the dark world of Russian politics with its influence even reaching U.S. shores and the breadth and depth of the KGB's clout in the U.S. government. The paperback offers a different and deeper perspective into the conspiracies revolving inside Russia's political affairs. Many will find this revealing and will understand better what truly happened to the author.

Readers will be shocked about the hidden agenda of governments including the US' own government. You will be convinced that what is commonly released in the media has more to it than meets the eye. As you read this book, you will also find it unbelievable that the US government is all too willing to help KGB-controlled Russia, the so-called "Superpower of Crime," catch its political enemies.

The book also exposes a part of the Soviet culture which blindly hates capitalism yet it tolerates or sometimes encourages lust for power and wealth among its citizens.

The author, whom the CIA calls "The Kid," reveals that titles are more important than actual production in a Soviet economy. To get by, one must be well-connected to men in power - it ensures a good job that pays well without having to actually work. It also shows how fear of authority restrains the whole nation from straying beyond the Soviet thinking. And only the brave few will prevail; challenging the status quo.

Appropriately titled, Defiance tells its readers that even in a world such as where the author lived in and against all odds, one can triumph. Alex Konanykhin's memoir is an absolute must-read for anyone - particularly those who are interested in Russian business or politics.

Today, Alex Konanykhin, 39, heads KMGI, a thriving high-tech B2B agency located in New York which services major corporations and ad agencies across the globe.

And you think you've got it rough?

Young, wealthy, powerful and prominent one day and a robbed fugitive with a KGB contract out on his head the next, so has gone the life of Alex Konanykhin. Like they said it on 60 Minutes,

"Alex Konanykhin didn't only have KGB after him...He had the FBI, the Justice Department, even the CIA all on his case, as a favor to the Russians, part of a deal to allow the FBI to keep a bureau in Moscow."

And while you may have heard a bit about the chaos and danger faced by Alex and his wife Elena on 60 Minutes, CNN and FOX News, you now have the chance to experience the thrill of their misadventures first hand in Alex's new fact action page turner, Defiance.

While the plot is as twisted as any international paperback novel, this is the real McCoy - every bit of it a true story. From cover to cover, you'll find yourself immersed in a world of cruelty, intrigue and espionage, and seeing it through the eyes of an indomitable hero diametrically opposed to the oppression and lack of moral fiber (and ingenuity) around him. What started out as merely an attempt to quell an internal business takeover took him on a whirlwind adventure that left them fleeing from country to country, until finally finding themselves seeking amnesty within the safety of the borders of the United States.

But the story doesn't end there. In fact, it only begins.

Soon after fleeing here for safety, Alex learned that it wasn't just Russia that was after his life. You may just be surprised to learn of some of the social (and potentially life-threatening) injustices that various departments of the United States government made this young man and his wife suffer through as the US Court system became the playing field for a battle of immense, far reaching and often quite unexpected proportions.

More than just a great fast paced read highlighting the highs and lows of an incredible decade of change, Defiance is also a great source of motivation and inspiration for rising entrepreneurs and business men and women all across the globe. In addition to the hope inspired by the story of the chase, you'll also find wonderful insight into the budding economy and changing political ideology in Russia that are sure to refresh the hearts and minds of even the staunchest and experienced Capitalists around!

In a world far too short of people with principles, integrity, and long-suffering Alex's story is sure to inspire individuals in just about any negative situation, from imprisoned immigrants to disgruntled employees, to reach above their current circumstances and hold fast to a dream of something more, something better.

With an intense plot that will speed you from the first page to the last, and a bird's eye view of a world straight out of a spy novel (hey, that's not just me saying that, judges said so too!) Defiance is a compelling page turner that solidly deserves two thumbs up!

-Jennifer Gibbs

Defiance is a riveting, eye-opening, and compelling story of the Konanykhin family, who desperately tried to stay one step ahead of former KGB agents and ruthless CIA, FBI, and INS agencies. Once one of Russia's wealthiest men, Alex Konanykhin runs for his life (and the life of his devoted wife, Elena) after his bank is taken over by former KGB agents through extortion and fraud. The KGB displayed their unsavory tactics through kidnapping the Konanykhin couple. The two successfully perform a daring escape from Hungary and obtain quiet refuge in the United States, which had granted him a green card from the United States Immigration Department.

Their freedom in America was short-lived. The Konanykhins were arrested on bogus criminal charges which had been sought by the Attorney General of Russia. While an innocent man and his wife are trying to seek justice, powerful law firms, and even an INS agent, come to Alex's defense as a pro bono case.

Brilliantly written, Alex tells his own story in Defiance eloquently. The book is a must-read for every American who values basic Constitutional rights and how these rights can be trampled on for sheer political purposes. Follow the story through a myriad of legal maneuvers by the INS and United States Department of Justice designed to sell out the Konanykhin's in order to win favor with the Russian Government. Defiance dramatically sends message to readers that government agencies, whenever located, can succumb to corruption and use under-handed tactics with conscious disregard for basic, human, and constitutional rights.

But Defiance is not just about the issue of constitutional rights. It is also relays the disquieting apathy and lack of courage of our society as a whole to defend basic constitutional rights of others when these rights are placed in jeopardy.

Stripped of their estimated $300-$400 million in assets, the couple soon becomes disenchanted with their situation and begins to lose hope. But their courage to fight the system and their love for each other, which never wavered, is inspiring for us all. Having lost fortunes before and working his way back to wealth, Alex is a role model for aspiring entrepreneurs everywhere. This book restores the sense of ultimate justice while reminding us that even "justice", once denied can never really be restored when it has been delayed.

The emotional courtroom drama recounting the Konanykhin's story climaxes in the rendering of a decision by an American Immigration Department administrative law judge. The judge is faced with a politically-charged situation. Will the judge rule in favor of the Konanykhins and do them justice? Or will he collapse and lend aid to the intelligence agencies' carte blanche tactical methods?

Alex Konanykhin was a major supporter and friend of former Russian President Boris Yeltzin, whose political campaign was substantially funded financially by Alex. The Russian mafia and the KGB have likely taken over many of the new industries in Russia, and around the world, as well as the United States. The Konanykhin's story cannot help but capture your interest and keep you on the edge of your seat through every page.

Fasten your seat belts and prepare for the ride of your life.

Alex Konanykhin's story of his phenomenal success against overwhelming odds in becoming one of Russia's first entrepreneurs and the steep price he paid as a result, is one that rivals and even tops any novel by James Patterson,Carol Higgins Clark, or Frederick Forsyth. The sad part is how the U.S. goverment was a willing party in Russia's attempt to suppress and kill Konanykhin.

The most amazing part is that this is ALL verifiably true!

Defiance By Alex Konanykhin How to succeed in business despite being hounded by the FBI, INS, Homeland Scurity, Interpol, Department of Justice, and Mafia hit men. This is the amazing true story of Alex Konanykhin, a young man who made millions in Russia during and immediately after the ending of the Soviet Union's Communist dictatorship. He was an entrepreneur in business even before citizens were allowed to pursue capitalistic ventures and before he had completed college. His wealth was seized by the KGB and he had to flee Russia to keep from being killed or thrown into political prison. He continued to pursue business ventures within Russia even from his exile in Hungary and later the United States. In a difficult to fathom true account he describes how the United States government sold him out to the KGB and Russian mafia who wanted him returned to Russia so they could kill him. The biographical account reads like a Clancey novel. His determination and courage are amazing, and what was done to him by trusted government entities of several countries is horrifying. An interesting read.

I bought this book in a bookstore in Hollywood,(my friends said I was the only person they knew who could go to Hollywood and find a bookstore). "Land of The Firebird" is one of my all-time favorite books. Suzanne Massie, the wife of Russian historian Robert Massie, (Peter the Great, Nicholas and Alexandria), has a great love for Russia and its people and it glows from every page. As a historian, I hate to admit it but too many history textbooks can bore one to the point of tears. No one who reads this book can be bored. In its pages you meet characters from Russian fairy tales like Maryushka and the wicked sorcerer Kaschei the Immortal, Prince Vladimir of Kiev who became a Christian and changed the course of Rusian history forever, the tragic Ivan the Terrible, and the titanic Peter the Great who brought Russia kicking and screaming into the modern world.
But along with the history of the great rulers of Russia is the story of how they all added to the body of work that makes Russian art some of the most beautiful in the world. Russians loved to live on a grand scale, and their art was as lavish as the lives they led. Even the common people had a great love for vivid colors and rich peasants made their wooden homes into works of art. The book comes with beautiful illustrations and leaves the reader wishing for more. It is great as a textbook in art history and history classes or for anyone who wants or needs to know more about the Russians. My copy of the book is worn and falling apart. I am going to order a new copy from [...] so I can keep this treasure for years to come.

This is a very detailed book on Russian History by Suzanne Massie and I greatly admire it. It is certainly a must have for those who are interested in Kievan Rus, the Mongol Invasion, Ivan the Terrible, or any of the Russian composers like Glinka and Stravinsky and the Mighty Handful. Just don't expect any Soviet history. This is all about the times before the Revolution.

A+

I've had this book for years and it's one of my all time favorites- a must read, insightful. Beautiful- exquisite illustrations.

I first read this magnificent tome on Russian history and culture in 1997. As it was part of a history class in college, the first read was a bit of a drag...page after page of description concerning the minutia of Russian life: clothes, churches, meals, religious & superstitious rituals, architecture, commerce, political strife, and so on. Really, with the whirl of the Social Circus of that college year, trudging through all this obscure information brought me no end of grief and silent lamentation! To think of all that time I could have been out with friends looking to score whatever cheap release was on hand or burning inside...spent instead sludging through *detailed history*!

Cut to four years later...

I'm going to Russia. In two weeks. Like so many other unplanned affairs that seem to formulate out of nowhere and take one by the lapels, shoving one screaming into the storm of life, this reviewer took it in stride and decided to find some quick-but-informative text on the destination in mind--especially one with such contradictory reports as Mother Russia. Thus, I dug this out of my library and began anew, stifling a faint unpleasant feeling no doubt inspired by those long sleepless college nights. There had to be some merit here, yes?

Oh yes.

'Land of the Firebird' is a WONDERFUL and ENGAGING in-depth look of Russian history from 987-1917, spanning the ascension of Vlad and the Orthodox Church to right before the Revolution. With colorful prose Suzanne Massie details the variety of Russian existence--tsars and serfs and merchant-princes and babushkas--no stone is left uncovered as she cross-references nearly a thousands years, writing with equal consideration of art, poetry, country-life, court-life, politics and its myriad games, myths and legends, influence "outside the sphere." It would be impossible to truly set down the full range of Russia experience for this time in the 450 pages allotted the reader, but the author does an admirable job in covering the major shakers and movers and events while sparing a considerable amount of print for the minor peoples and patterns that set the foundation of this ancient, troubled country. It certainly put an interesting light on what I saw come the spring of '01.

Indispensable for the casual student of Russia.

A comprehensive pursuit of pre-Revolutionary Russian history, well crafted and beautifully written. In my view, this is one of two distinctly outstanding single-volume histories of early Russia available. The other is Orlando Figes' "Natasha's Dance". The first six chapters proceed up to the first Romanovs, granting Ivan the Terrible a captivating revealing that is clearly informed by good scholarship. Chapter 10, "Catherine: A Mind Infinitely More Masculine", delivers a riveting, provocative look at Catherine and her Russia, with probably the finest chapter in the book. The VERY best thing about Land of the Firebird is the profusion of illustrations, all meticulously chosen. Photographs are plentiful (including an amazing snow-covered Church of the Transfiguration of the Saviour), but three ample sections of color plates pour out a stunning array of Russian paintings, which, if not unrivaled by other comparable single-volume efforts, is remarkable for an exquisite discretion. Land of the Firebird is a knowing work with respect to Russian art history. Here are Ryabushkin's "Russian Women of the Seventeenth Century in Church", Repin's "Ivan the Terrible at the Death of His Son", Serov ("Peter II and Princess Elizabeth Riding to Hounds"), Levitsky, Argunov, Kiprensky, Shibanov's "Celebration of a Marriage Agreement" (beautifully reproduced), Briullov, Venestianov, Chernetsov, and Sadovnikov (the darkly beautiful "View of the Winter Palace at Night"). Indeed, there are multiple paintings by Repin, F. de Haenen (five paintings c.1912, including the exuberant "Ice Slide"), Serov, Larionov, Malevich and Kustodiev (1916), including his bewitching "Moscow Tavern". The final plate is Serov's heartbreaking "Nicholas II". I mention these artists' names (and more are included) for those familiar with art history, to say to them this is a very worthwhile book. But the magic of pre-Revolutionary Russian art is unreservedly here for us all in a masterfully drawn Russian history primer. Useful bibliography in appendix. Absolutely recommended.

This is a great book. The book is easy to read and has all the information on Monte from the day he was born all the way to his death. It tells us how Monte gave his life to the Armenian nation. After reading the book I sent a thank you later to his brother for writing the book. This is a must read for anybody who is intereted in Armenian Heroes.

The above title are three words that come to mind after reading My Brother's Road. Markar Melkonian puts a human face on an "American-Armenian" legend, noting not only his brother's amazing accomplishments, but also his failings. Never-the-less, this book confirmed the fact that Monte Melkonian deserves the title of a national hero. His selfless ways and unstoppable drive for a cause bigger than himself are deliniated in the context of historical events. In short, one cannot help but admire Monte Melkonian while reading this book.
I thank Makar Melkonian for producing this fitting text about his brother, a revered son of Armenia.

I really dont know what else to say. This book details his constant resolve to better the Armenian cause. Though it involves conflicts with other Armenians, his focus is for the Armenian nation (past, during the cold war, present, and future).
He literally gave his life for the Armenian people. Though drawn into political conflicts, he was clearly an apolitical nationalist, and a true hero. May God bless his memory, and his brother, who wrote this book.
I thank Monte and Markar for teaching me so much about Armenian history. Like you, Monte, I am reborn and my spirit will rise up like a phoenix. I am more an Armenian, having learned of your life. You gave yourself for (our) my future, and I will always honor you for it.

In reading My Brother's Road, one can't help being made aware of the inevitable reciprocity of history. Monte, and others like him, were modern-day Maccabees, that cultural paradox of virtue and brutality, ideological fervor and compassion. To his added credit, Markar does not shy away from discussing the hard realities of the NKR conflict. In the end, that kind of honesty is the least his brother would have required.

Every Armenian and non-Armenian alike should pick up this book and read it.

Richard Pipes does a good job at laying out the workings of Russia's Tsarist Regime. What I found to be most interesting and persuasive is Pipes' frequent contrasts between Russia and Western Europe. For instance, he looks at the status of the nobility and the strength of the church. In both instances, Pipes draws a clear path as to how, in Tsarist Russia, these institutions became virtual extensions of the state bureaucracy (in sharp contrast to Western Europe, where they often served as brakes on royal power). In addition, Pipes places Russia squarely in the sphere of Asian (specifically Mongol) influence. As evidence, he points to close similarities between the Khanate and Tsarist "patrimonialism." In doing so, he de-emphasizes the oft-stated argument that Russia was the close heir to Byzantium. Finally, Pipes continally demonstrates how Tsarist policies laid the groundwork for the Soviet system (though the latter took those policies to a far bloodier and more extreme conclusion). My only criticism of the book is that Pipes does not deal directly with the issue of Russia's "national minorities" (beyond a quick mention of the Jewish Pale of Settlement and several Polish rebellions against Russian rule) and the attempts by the Tsarist regime to "Russify" those groups. I think that this would have been quite relevant to look at in Russia during this period. I am looking forward to reading Pipes' writings on later events in Russia.

I think this is the best of what I guess you would call Pipes' "Revolutionary Trilogy." "The Russian Revolution," perhaps two or three times the length, is impaired a bit by Pipes' sometimes tedious moral-pointing. "Russia Under the Bolshevik Regime" seems a bit less ambitious than the other two, and in any event it is surely the one least likely to survive the torrent of new material that is becoming available after the fall.

What distinguishes Russia in Pipes' eye is the tradition of "patrimonialism" -- as a political category, a coinage of Pipes' own, though with its roots in Weber, in Hobbes and Bodin, even in Aristotle. Pipes means to denote "a regime where the rights of sovereignty and those of ownership blend to the point of becoming indistinguishable, and political power is exercised in the same manner as economic power."

"Despotism," Pipes continues, "has much the same etymological origins, but over time it has acquired the meaning of a deviation or corruption of genuine kingship, the latter being understood to respect the property rights of subjects. The patrimonial regime, on the other hand, is a regime in its own right, not a corruption of something else."

This is a brave assertion, and Pipes remains faithful to it. Indeed, the core of the book is perhaps his chapter entitled "The Anatomy of the Patrimonial Regime," where Pipes tries to show how utterly different is the tradition of governance in Russia from the tradition in the West -- even in Western nations that we might think of as "reactionary."

There are other virtues to this book. His introductory chapter on the environment is perhaps worth the price of admission, as he retails the grim arithmetic of topsoil and grain production. His discussion of serfdom provokes all kinds of questions about the relationship between serfdom in Russia and slavery in the West.

A work of just 318 pages can hardly pretend to be the last word on the history of a great nation, and Pipes maintains no such pretention. I take it as given that much more could be said to inform, expand upon, or criticize, Pipes' perspective. But as a framework for approaching the study of Russia, it is hard for me to see how it could be bettered. As a provative contribution to the literature of political analysis generally, I should think its claim is equally strong.

This book is an absolute must-read! Before I read this book the history of Russia was a weakly connected sequence of contradictory events to me - that I wasn't able to organize in my mind in any comprehensible way. After reading this book I see a clear picture of my country's history. I suddenly understand what is going on. Every historical event, every action of a historic person suddenly falls into place, I see their meaning. This book provides you with an understanding of the real issues that have been troubling Russia for the past 1200 years. You will understand Russia and you will understand its people. The mext time Russia is on the news, and you have some Russians making a statement or conducting some action - you will understand where they are coming from when they are doing that.

This is indeed a brilliant book. Any one who wants to understand Russia should read it. I can not praise it highly enough. Please get a copy and learn and enjoy.

When I purchased this title in a used bookstore for two dollars, I was somewhat apprehensive about its scholarly quality, author biography not withstanding. Upon reading, however, I must say that I felt Pipes admirably illumined what is a very complex economic, social, and cultural subject. Specifically, his thesis concerns the manner in which the Russian state, under various formative influences, developed an essentially proprietary attitude towards land and subject alike. In Pipes' view this has been the primary determinant of all Russian history following Mongol domination. I myself make no pretenses to be an authority on the subject, but Pipes' use of evidence generally convinced me of the credibility of his claim. I would recommend this title to anyone interested in a general account of the pre-revolutionary Russian state apparatus.

Ivan Turgenev (1818-1883) is one of Russia's greatest authors. Turgenev was a pro-Western author who portrays a vanished Russia of serfdom and
rural landowners. Tsar Alexander II liberated the serfs in 1861. It is reputed that the tsar took this action based on his reading of these sketches.
The book is divided into twenty-five sketches portraying peasant life. Along the way we meet such characters as:
Chertopkhanov who loves his beautiful, spirited horse Malek Adel. When the horse is stolen the old landowner journeys across the steppes seeking to find the majestic creature. This tale will break your heart. Turgenev is good at describing animals and the joy of awaiting a day of hunting.
We meet the Hamlet of the Shchigrovsky who falls in love with a beautiful gypsy serf. Turgenev believed the statoc social structure in Russia needed to be changed for the better. He did not live to see the Russian Revolution living most of his life as an exile in France.
Death is a story of how several Russians met their deaths. Stoicism is a characteristic we see in this harrowing and sad tale.
Singers takes us to a village drinking den where we witness a raucous singing contest among serfs.
Someone who does not hunt may believe that this classic will be boring. How wrong! The book is written with lyrical descriptions of nature in all seasons of the rural year. We almost wish we could join the unnamed narrator as he journeys from his estate meeting the men and women of Russia. Turgenev is a poetic author who wells deserves a revival of popularity.

It's taken me until now to get to Sketches From A Hunter's Album. Now I have finished it and now I am grieving. It will stay in my nonlending collection so I can savor it even after the surprise has gone. It's like losing a friend.

Turgenev calls these 'sketches' rather than stories. It's a good distinction. More story writers should concentrate on their sketch pads. The sketches are of places and people in the rural south of Russia in the 1840s. Each is strung thematically on Turgenev's wandrings through the countryside while hunting for game birds. Each begins with a mention that he was hunting in a certain place. He goes into lovely thoughtful and surprising descriptions of the woods or marsh, the sky, the smells, the sounds, the light. Even in translation, these are exquisite. He speaks of shifting light shining through the leaves onto the forest floor, or unbreatheable noonday heat, or changing skies at the advent of a storm, a dawn, or a sunset; he calls up moments from your own life that you thought could not be shared with anyone who wasn't there and he makes you relive those moments as if he had been there with you.

For anyone who has spent time out of doors, these little Aldo Leopold nature essays standing alone would be reason enough to read the 'Sketches', but these are just hors d'œuvre to his descriptions of the persons he meets while hunting. When sketching people, Turgenev does gracefully what Dickens tried to do and did clumsily; that is, he describes the physical characteristics of a person and gives you a fully formed description of their character as well, and he does this without sounding forced and without showing himself. (And you will burst out laughing at the sudden recognition that, indeed, someone does look 'like a root vegetable'.)

"Sketches" was published twice in Turgenev's lifetime and in the second edition he added to it. In the earlier sketches, Turgenev brings a character to life in a description; the character may speak a few words, and disappear from the scene, as people do in real life, leaving the reader to speculate what became of him. Yet, Turgenev has given us enough insight into the character that we think we know what probably happened next, and so the story is complete. These are elegant Aristotelian constructs with the action taking place offstage, and, oh elegance! with the final action taking place in the reader's imagination after the story has ended. If my description leaves you wondering, read them! (Would that I could spur you to act as Turgenev spurs his readers to think. Ah, but it's too much... .) This is what Turgenev does. He starts you thinking, but requires you to complete the story. In the later sketches Turgenev is just as deft in his descriptions, but perhaps to satisfy the market or his editors he adopts a more plot driven model. These later contributions can more truly be called stories rather than sketches. They are equally well-crafted, but they demand less of the reader. Curiously, they give us less as well.

The hunter's travels theme gives the collection an interrelatedness, almost like a picaresque novel. As in Huckleberry Finn or Don Quixote, neither the author nor the protagonist directly express opinions, but as stories accumulate the reader acquires the author's strong politicized view. We meet the aristocrats and peasants of rural Russia. The serf-holding system had been 'liberalized' in the early 19th century, but it is revealed as the unnamed slavery it was. Landlords control peasants' rights to marry; they name the persons to fill regional conscription quotas; they assign agricultural and residential alotments; and thoughtless and uncaring aristocrats use these powers carelessly or maliciously to destroy lives. Liberal aristocrats fare no better than traditional feudalists, as Turgenev details social reformers' well-meaning disasters which beggar both for the peasants and the bumbling aristocrats who direct them.

America often forgets that its civil war was part of a European pandemic of peasant revolts driven by the extended logic of the Enlightenment. As masters and slaves in the United States were struggling with the immorality of a divine order handed down from a prior age, the masters and servants in Europe did the same. The 1840s, 50s, and 60s were tumultuous times in central and eastern Europe. Turgenev, arrested and exiled in 1852 because of the 'Sketches', has an historical place akin to the American abolitionists of the same day, however, unlike Harriet Beecher Stowe, Turgenev draws his characters in three dimensions with humanity, with love and understanding even when he does not forgive them their moral failings. The 'Sketches' would be an interesting book to teach alongside Huckleberry Finn.

Turgenev effectively invents a new form -- the literary sketch -- to impart a new kind of content. What is brilliant about these sketches which are in part nature meditation and in part biographical sketch is how Turgenev allows each character to speak for themselves. As a result we feel like we are hearing something we have never heard before -- the natural voice of the people. By allowing people to speak for themselves Turgenev gives us a truer and more genuine idea of how people -- serf and gentry -- really think and relate. Each sketch begins with a detailed description of the natural surroundings he is walking through and these descriptions give us insight into Turgenev's cast of mind which is infintely receptive, and discerning, even romantic and delicate at times as when he describes staring up through the forest canopy and imagining he is staring up at the world from beneath a vast body of water. These magnficent introductions set the mood for the character sketch to come. When he meets a serf it is as if he is merely continuing his communion with nature for the serfs live at one with the land. When he meets one of the gentry, however, and passes time in their company he feels removed from the natural settings and people he so values. It is a fascinating and very subtle technique but Turgenev makes the landowners seem like unnatural creatures who are disturbing the natural order. Though he is one of the gentry himself Turgenev hunts with the serfs , he values their company and conversation, and he values what they know. He knows them as individuals not just as serfs and so we too come to know them as individuals, each with their own personality and ideas about life and story to tell. Since we know these sketches are from real life we listen more carefully to them than we would if they were mere inventions; real life has a resonance that fiction does not. Given the choice of spending the day with a either serf or a landowner Turgenev would choose the serf. The serfs have not received an education and their opinions are often shaped by superstition, and yet it is these very superstitions that make them such colorful characters, the gentry may be educated but they are full of self-importance and affectations and see everything through the limited scope of their own self-interest which is merely another form of ignorance. Turgenev's most effective weapon is not bitter invective but irony. He never comes out and says serfdom is bad because the landowners are in some cases such vile creatures that there is no need to. By simply quoting them and describing their manners and actions Turgenev allows the landowners to do a fine job at condemning themselves.

The most profound sketch to my mind is "Yermolay and the Millers Wife" which relates the harsh treatment doled out to a beautiful serf woman merely because she wants to get married, and a close second is "Bezhin Lea" about a group of boys telling ghost stories around a fire as they tend a herd of horses grazing at night. The former sketch pefectly conveys what absolute power the landowners have over every aspect of the serfs life and the latter sketch perfectly conveys how the serfs pass down their own particular brand of wisdom from one generation to the next. Perhaps the most famous sketch however is "Khor and Kalinych" which juxtaposes two kinds of serfs--one resigned to his lot and the other who despite his status as serf finds his own kind of freedom by wandering the countryside. "Kasyan and the Beautiful Lands" is perhaps the most unusual story as it presents a sage-like man who speaks as though he were a living oracle. Deprived of education the serfs remain in thrall not only to the landowners but to ignorance as well; nonetheless there is a beauty and tragic grace in the voices of these serfs that remains in memory long after you have read these sketches. The sketches are complex and layered enough to invite you back to them again and again.

The biggest joy of the sketches is their casualness. Nothing is ever overly stated or stated in black and white but everything nonetheless appears clear as day. It seems at times as if Turgenev is the only enlightened soul in Russia and yet he is absolutely civil even when with a pernicious landowner because he innately knows what is right and he trusts that we know as well. Turgenev reminds me of Thoreau in his devotions which are equally divided between nature and the forwarding of liberal ideas. Though Pushkin and Lermontov both came before him Turgenev was the first Russian writer to achieve fame outside of Russia. Fathers and Sons is considered his masterpiece but these sketches stand as something unique in all of literature.

There was a moment, long back, when you lay in the dry, brown grass on Blueberry Hill, listening to the whispering wind on a bright September day. A catbird mewed off in the little green woods down by the tracks. A rabbit thumped once or twice; a white sea gull soared over your head in the brilliant blue sky that held promise of a crisp New England fall to come. The gull headed out to sea, that dark blue Atlantic lying just beyond the old seaside mansions of Boston executives, already boarded up for the season. Your thoughts flew off with the gull, to life beyond that little town on a rocky peninsula, but the clear light, the smell of the sea, the tiny mewing of a catbird--these stayed with you forever. Fifty years later, it's all gone except the sea. A writer tries to catch the world around him (her). The best create word-portraits that preserve the past into the future.

Turgenev caught the Russian countryside south of Moscow as it was in the 1840s, when serfdom still ruled, and hunters could roam properties at will. His lyrical descriptions of nature, in my opinion, have never been surpassed; on every page, you feel as if you were there. Your head fills with the beauties he saw, you cannot remain untouched. Turgenev wrote of the enduring peasantry warts and all, no simplistic pictures for him, and he lambasted the vanity or predatory nature of the landlord class. SKETCHES FROM A HUNTER'S ALBUM is just that, only a series of separate pictures composed around the author's trips through the countryside to hunt. Religion and poetry suffuse the pages along with insightful portraits of many individuals. "Bezhin Lea", "Kasyan from the Beautiful Lands" and "Bailiff" will impress you with their psychological excellence along with the beauty of their descriptions. "Singers" has to be one of the most powerful stories of music ever told. "The Living Relic" reminded me of India in its acceptance of human fate, though it is certainly a Russian tale of those times. Almost every story is a masterpiece by itself. In short, in all my readings throughout my life, I can scarcely recall a more beautiful book than this. I recently re-read it. It is ridiculous to give it five stars. If Russian literature contained only this book, it would already be world-renowned. Read some of my other reviews---you'll see I don't say this lightly.

Simply, one of the greatest book ever written. Turgenev's style is wonderfully evocative, and yet it has not an ounce of sentimentalism: its depictions of natural landscapes are incredibly lucid, almost detached, in a sense; today, we could say his writing has a "zen-like" clarity. His human character are little parts of this whole, but Turgenev's panteism has nothing of the desperate, ferociously ironic pessimism of, say, Thomas Hardy; his vision is perfectly impartial, and yet sympathetic: each of his characters appears in his fundamental, intact dignity of human being. I'm not myself a starry-eyed dreamer: but reading this book, with its wonderfully easy and aimless wanderings, is like psychoterapy; you can't get out of it but feeling calmly hyper-oxygenated, as it were; you can't read this book but thinking that this man, Turgenev, mysteriously understood what it is like to be fellow sharers of this strange place, Earth, and of this strange thing, life. If something like "occidental buddhism" does exist, this book is a lesson in it.