Russia Books

Finishing this the second book in The Bronze Horseman Trilogy by Paulina Simons- is no small feat. A 500+ page tome- it's no light read. (By the way, here in the states, the second novel in the trilogy is titled Tatiana and Alexander- but most elsewhere in the world, it's Bridge to Holy Cross.) But finish I did and loved every minute of it!

If you've never read The Bronze Horseman and its sequels- it's a sweeping epic that harkens back to the days of the mini-series: think The Winds of War and The Thornbirds. The first in the series, The Bronze Horseman, is set in Leningrad during WW2. The book literally takes you through the gamut of emotions before leaving you with the two main characters, Tatiana and Alexander, separated- one facing torture and uncertain death at the hands of the precursor to the KGB and the other suffering TB while interned at the hospital of Ellis Island.

Tatiana and Alexander begins there, but it also takes you back and tells you Alexander's story- something which we didn't get as much of in TBH. Alexander has all the qualities I LOVE in a hero. Noble, strong, and totally in love with his woman. So much so he resists temptations of the nubile flesh thrown at him while separated from Tatiana, and it's his love for her, and perhaps a touch of fate, that keeps him alive. They simply couldn't break him. He was brought low, yet he stayed strong. This mix of humility and strength never fails to hook me. I have to say, he's got to be one of my all time favorite heroes- and I can't believe I forgot that till now!

Tatiana is just as perfect. She makes her way to a new land, thinking her husband and the love of her life lost to her and then gave birth alone to his son. Yet, when she discovers a scrap of hope that he IS alive, she is willing to give up all to find him. (These books are SO romantic.)

The second book brought it all back and I think it's just as good as the first- though in a different way. It's not about these two together like in TBH, it's about who they are apart AND together. Excellent read, once again.

Another great book by Paulinna Simons! She never disappoints. If you have read others, read this one!

WOW, In 2001, I read the first book in this series (only I didn't know it was the first in a series until recently). I was incredibly moved by the love stoty in The Bronze Horseman and absolutely loved the characters. I was disappointed when it ended. For years, I checked to see if a sequel was out and after a while, forgot to check. A few months ago I discovered that Tatiana and Alexander was available and when it arrived in the mail, it was like a "bronze" gift. This book has a different writing syle but still filled me with more insight and stories of these two strong and resilient characters. It's one of those books that my family knows to "leave me alone when I'm reading" or else!
Can't wait to read the final book in the series.

I read this series in order. First is "The Bronze Horseman", second is this book "Tatiana & Alexander", and third is "The Summer Garden." They are all very long books. All three are exceptional!!! I laughed, I cried, I loved the couple like they were my personal friends. You really need to read them in order or else the sequels will bring up lots of questions/confusion. The Bronze Horseman is obviously open-ended leading to the sequel. You could read the second one, Tatiana & Alexander and stop there because it isn't obvious that there's a sequel. But I recommend the last one, The Summer Garden, because it is soooo good. I don't know when I got into a series more. Highly, highly recommended!!!!

In this melodramatic, epic sequel to "The Bronze Horseman", Paullina Simons follows Tatiana and Alexander after their parting when Alexander is presumed dead, and pregnant Tatiana escapes to America via Finland and Sweden. Love and war are the two main motifs here and the story focuses more on Alexander, than on Tatiana (who was the central character in "The Bronze Horseman"), although the action goes back and forth between these two protagonists. Additionally, the time and space constraints do not apply (as opposed to "The Bronze Horseman" where the rules of chronology applied, here the narration is non-linear) - the action jumps freely between the past, when Alexander is a boy and a teenager, and present, when he struggles during the war as a prisoner and soldier, and between Alexander's journey from Russia to Germany, and Tatiana's life in the New York City with their baby son, Anthony.

The novel begins in Boston, in the 1930s, when Alexander's parents, the Barringtons, make the crucial decision to emigrate to the Soviet Union and renounce the American citizenship. This was already mentioned in "The Bronze Horseman", but here Alexander's family life and childhood in the Soviet Union are described in grisly detail. The disappointment with Communism and subsequent deterioration of the family shape Alexander into the tough, secretive man, living only for himself, desperate to survive, running away into the steppe and finally to Leningrad, where he becomes an officer in the Red Army - until he meets Tatiana and the love for her turns his life upside down. Alexander survives Soviet prison and interrogations, the work with the prisoners' battalion, the escape with the soldiers under his command through ruined Poland, running away from the ruthless, deathly Stalinist system, and the prisoners' camp in Germany, although he is starving, wounded and physically at the end of his capability. On his way, he meets Tatiana's long lost twin brother, only to lose him again, and tests the friendship and the military fidelity and discipline.

Tatiana in America holds to the strange, unexplainable belief, that in Europe torn apart by the war she can find her husband, although everyone believes him dead. All her efforts are directed only towards this goal, To reunite with Alexander, she overcomes unbelievable obstacles and, of course, they are finally reunited and move to Arizona (I hope this is not a spoiler, since it is the ending to be expected in such novel, isn't it?)... So that their story can be continued in the last part of the trilogy, "The Summer Garden", which I cannot wait to read.

Surely, the ending in Arizona is a little absurd (although, who knows, maybe it was possible then), as well as all the coincidences that bring Tatiana and Alexander together. When the novel is read as a romance, it is pretty old-fashioned (rare nowadays in the tradition of "Gone With the Wind", "Doctor Zhivago" or "The Blue Bicycle"), and no doubt, delivers its promise and is a material for a great movie. For me, the highest value of "Tatiana and Alexander" is in the fabularized background and descriptions of the reality of the Soviet life in the hardest period of the 1930s, the spies and moles, the interrogation methods. Paullina Simons was born in Leningrad, in the dissident family. Her parents and grandparents, heavily stricken by the Communist regime and the war, escaped to the US in 1973, when Paullina was 10, so probably she has some first-hand information about the times, which she faithfully portraited in her novels.

What a trip! This book gives you most of the details you need to get on the train and get an education. Time passes fast so take advantage of each moment. Four men just returned from Beijing to Moscow (August 2008), the trip of a lifetime. Very helpful guide into the cities and scenes along the way. It doesn't tell about all the great people riding the rails with you. Friends forever!

I am leaving soon for a two-week trip in Siberia. This book has been an exceellent primer. I'll know more about how to judge it when I return.

I have not been able to find any single travel book that covers as much useful information as this! I will be traveling the Trans-Siberian rail this summer, and this book has been a constant companion through my planning process. Detailed information on all of the towns and cities along the way along with maps to avoid getting lost while wandering. Definitely a bonus for the all of the information on smaller towns- it's very difficult to find a travel-worthy guide book that covers more than just St. Petersburg and Moscow, not to mention UB!

Can't recommend this book higher to anyone considering journeying the Trans-Siberian Railway!

Because I plan to trip on the Trans-Siberian Railway next year I bought this book hoping to read some advice and tips on how to travel the whole trip, where to stay, how much it costs, where to stay etc.

But his book absolutely surpassed all my expectations!! There are not only those tips on trans-siberian rail, but also "travel guides" for cities like Moscow, Irkutsk and even tips on how to get to Mongolia, where to stay in Ulan-Bator and so forth.

I have no idea how I would plan my trip without this book! It's really amazing how much information (and even with tips from other "ordinary" travellers!!) is in that, for instance bus-numbers from Moscow airport heading to the center of the city ...

The book absolutely worth the money.

For passengers on traveling on all or most of the Trans-Siberian Railway and visiting the cities along it, there are only two English-language travel guides. The Lonely Planet guide appeared in 2003 with a second edition in 2006, while Bryn Thomas updates his guide almost yearly and in 2007 it reached its seventh edition. I'm a two-time veteran of the Trans-Siberian, using the 1st edition of the Lonely Planet on the eastbound Trans-Manchurian route, and the 2nd edition on the eastbound Trans-Mongolian. When I recently discovered Bryn Thomas' guide in the local library, however, it struck me as the guide that I wish I had had on the trip.

The Lonely Planet guide and Thomas' have much in common. Both include a history of Russia in the Trans-Siberian era and general information about culture. They both give sightseeing guidance and lodging listings for the cities along the way. The LP sticks to the three traditional routes between Moscow and Beijing or Vladivostok, but Thomas has now added Yakutsk, soon to be accessible by rail) and other possible rail terminus cities like Prague and Hong Kong.

What makes Thomas' guide real special is his enthusiasm for the train journey itself. Unlike the LP guide, he gives timetables for the route, truly equipping the reader to prepare for the trip without having to look for too much information outside the book. Thomas discusses in detail the layout of carriages, specifics of what the carriage attendant can do for those under her charge, and things to look out for at kilometre markers along the way. The LP guide has little about the journey itself, and what little interesting information it did have in the first edition disappeared in the second.

Thomas' tone is also much more pleasant to read than in the common guidebooks for independent travelers. He doesn't try to sell you places you have already decided to visit with an overuse of words like "vibrant" and "spectacular". I also admire that he succeeds in writing for a general audience. While some of the accomodation listings are pricey, it doesn't feel like he is dismissing backpackers like certain sell-out guidebook lines.

I don't think I will ever travel the Trans-Siberian all the way again. While still fairly low considering the distance, fares are rising and I usually have the three free weeks needed to hitchhike from Europe to Ulan-Ude or Vladivostok. Nonetheless, I'd certainly recommend this to travelers planning a trip that is well-worth doing at least once.

When Gordon sent me the book, I was excited to dig into it, but life is busy, and I didn't get a chance to read it right away. I am sorry I delayed reading it as it is an excellent story. I couldn't put it down once started. Gordon's undying passion and perseverance in the recovery of these WWII relics is impressive. I thought that I have had some pretty crazy adventures moving aircraft around here in the United States, but they are nothing compared to the situations that Gordon and his group had to endure. It makes me very thankful to live in America. Warbird Recovery is a well written story that I wholeheartedly recommend to anyone, even if you are not an aviation fanatic like me. Thanks Gordon!

This book is a narrative of tenacity, grit, adventure and very real danger. This book is for anyone that enjoys a concise and quality read, as it is informative on a variety of topics. Gordon Page crafts an intense tale of his quest for a WWII aircraft as an "Americanski" in various settings throughout Russia in the early 90's. The story is exceptionally well-written and fast-paced. No fluff here, and great descriptions of the horrid accomodations, delectible menu items and treacherous, exploitative and sinister characters Mother Russia offers up for Gordon and his companions to navigate throughout this quest. Gordon was one of the pioneers in military relic treasure-hunting in Russia. Lots of guys have done it since, but Gordon is very lucky to alive as he ran into all of the initial life-threatening obstacles, before the Russians realized the profit opportunities, and became receptive to Westerners looking to buy the remnants of war. Reads like a spy novel, meets travel guide. Excellent. Read this book!!

Gordon Page's Warbird Recovery is a book that once you pick it up, you will not put it down until you finish it. And finish it you will quickly as it is a true to life page turner. Fittingly I finished mine sitting in an airport waiting for my plane. Fortunately I didn't wait as long for my plane to arrive as Gordon and his team did waiting for their's. However, during my wait I got to enjoy Warbird and it made my wait fun and exciting - just like the book. Buy it, read it, enjoy it! I know I did.

As soon as you start reading the first page you will not be able to put this book down! It is an incredible story that will keep you on the edge of your seat from start to finish. Gordon Page puts you right with him and you will ride the emotional roller coaster he endured throughout this adventure. Read this book and you will wonder why this story has not yet been made into a movie!

I definitely knew nearly nothing about warbirds, or much about airplanes in general, when I picked up this book, but I walked away from it wishing I had a pilots license - a victim of Gordon Page's passion and determination having rubbed off through his recollections. The travel adventures of Page and his companions are sometimes funny, sometimes disturbing, but consistently entertaining, and the book is very easy to engage with, which makes it a quick page turner, as well as a quirky introduction into the passions of warbird enthusiasts.

I love travel. I love stories and gritty, difficult, joyful interactions with peculiar locales and cultures, and I cherish being able to sample those adventures through the stories of others. If you're like me, this travel memoir will get you excited. Sketchy helicopter rides, run-ins with the Russian mob, shady bribes organized by shady contacts, etc. - it's all there! And through all the action, you come out with a solid appreciation for the preservation and restoration of history as experienced through these important WWII warbirds.

This book beautifully illustrates the thought-control practiced by the Communists in the Stalin era. Although everyone who has studied Soviet history as come across references to people being "cut out" of photos or history being rewritten this book actually SHOWS the reader the process and, more important, the stories behind many of these edits.

Soviet books I had access to in the 1980s always seem to have grainy photographs... whether by design or by accident these types of photos were easier to doctor. People who were no longer in favor or whose presence in a photo put a lie to the politically-correct version of history then in vogue were taken out, sometimes in a way that made the change undetectable and in other cases quite crudely. Another shocking aspect of thought-control was that in many cases it was done by citizens themselves, inking out printed images of those known to be out of favor with the Party or cutting pictures from books because they contained "unpeople." This practice is what gave Orwell some of the ideas he used in 1984.

I shudder to think what Photoshop would have done for the Communist Party. It might have forestalled the Fall of the Wall for ten years!

A terrific historical document. Graphically captures the paranoia and retroactive history making that was Stalinism.

I saw this book just today, in History class. Like another reviewer, i had previously read 1984, and thought it was great, but a little far fetched. would they *really* go to all those lengths to distort history? Well, "The Commissar Vanishes" answered my question. I don't think i've ever seen something so... wow.

Splendid blending of text and photographs. I gave this book to my teenage son as he was reading "1984" for a school assignment. He was impressed with the book on its own merits. The pictures draw you in, and I think this is especially true for teens. I could also see that it helped my son understand that Orwell's fiction was everyday life for the people of the Soviet Union.

A true gem of a book, dealing with a subject that is much overlooked. As the inspiration for Orwell's 1984 revising history, it is a chilling look at early Soviet attempts to rewrite history by erasing people from photos. Watching a photo of 5 men dwindle down to a picture of one as the others are disgraced, imprisoned, killed and then erased is just mindblowing!

Whether you are a fan of Soviet history (i'm not) or not, the cold war touched us all and this book documents it in the entirety

I was disappointed by this book. The subject is very interesting. I never knew about US citizens who had disappeared into the Gulag, so I picked up this book with enthusiasm. The early chapters are very good describing those Americans who went to the USSR with high hopes and beliefs. But then we lose sight of them, and the book becomes a rather moralizing history of the US diplomats and politicians who ignored their fate with long discourses on the evils of the Stalinist regime, which we know very well from better books, by Figes, Applebaum, etc.

A great piece of forgotten history of thousands of American fools going to Russia in the 1930s to help out Russia & the great 'communist experiment'. It applies to today as we have the same kinds of 'liberals' in the US that simply don't want to see anything wrong in the Communist countres of today. China is STILL full of gulags but our liberals just love China. This book sticks out because these were AMERICANS that bought the 'big lie' hook line and sinker.
A statement by the American miners in 1931:
"We the members of the fifth group of miners (from America) which have been exploited by the bosses of America, and thrown out of work for our services into the 13,000,000 army of the unemployed have decided to leave that capitalist country and help the Soviet Union..."
And out of 75 of these miners only a few ever survived the gulags that they were sent to and ended up escaping their 'workers paradise'. They became instant citizens of the USSR when they set foot in Russia. Their American passports were immediately confiscated and these very US passports were then used to smuggle Soviet spies back into the US> Pres. Roosevelt continued to ignore anything bad about the USSR.
This is amazing stuff that certainly applies to current events all over the world.
GREAT book about a forgotten history. We need to know this stuff!

Tzouliadis forces your eyes open, and relates a history most Americans never heard of. In some ways, it matches John McCain's terrible secrets about his actions as a POW, and his deliberate efforts to hide those still MIA. THOUSANDS of Americans, including WWII and Korea POWs were enslaved by Stalin, along with millions of Russians. Most died. Prior to 1941, the Russians themselves estimate that 8-15 MILLION perished. Having a US passport was no help. Through the 1950s, if an American sought help from our Embassy, they were ignored, and it would lead to his/her arrest. A terrible story, extremely well told. A must read. Tzouliadis' book has added a very important chapter to America's (& Russia's) history.

If you have not read any or much about the evil deeds that occurred in the USSR, especially in the days of Stalin, this would be a good book to purchase and read. Mr. Tzouliadis writes from a specific viewpoint and with understandable anger, while using the cases of Americans caught up in the Soviet experiment for the structure for his story.

For those who have already read a number of the many books on the Stalin era, this book may provide little additional information.

Those who think FDR was our greatest president need to come to terms with how he and some of his closest aides bent over backwards to be kindly to Joseph Stalin and his deadly regime.

I saw a review of this book in the Economist a few weeks ago, and it reminded me of a brief newspaper article I read in about 1996. It talked of thousands of US POWs who had disappeared after WW2, apparently kidnapped by the Russians. At the time I thought that was pretty big news given the uproar over the relatively small number of MIAs in Vietnam. It was just a cursory article, and when I asked around, no one seemed to know anything about it. When the Internet arrived I searched a bit, but didn't find anything much either. This review was the first time I'd seen the thing mentioned in 12 years, so I got the book immediately. It's really a brief (and in my opinion very well written) history of the gulags, with the American angle (both 30s emigrants and post-war pows) as a selling point, and as I didn't know much about the gulags either I found it fascinating from both ends. Moreover, as the reviewer from the Economist said, "the horrors of the Gulag ought to be as well known as Auschwitz, but they aren't". Hard to know if the scale of the atrocities or the general ignorance about them (notably with the Russian population now heading willingly back into a neo-Stalinist styled state) is more disturbing.

I loved reading "Walking on Ice." It's an easy-to-read fun book full of important insights into the Russian (and at times, American) culture.
For every Rusophile out there, I highly recommend it!

Andresen, an American doing business in Russia, has written a lovely book in a most UNbusinesslike style. It's quite literary, filled with surprising and poignant and insightful phrases. I'm not a business person, but am a "Russia" person, and love the warmth rising from this book about slippery, icy negotiations in a rather fluid environment. I'm also not a Russia expert by any means, but have been there many times and found myself nodding and smiling in appreciation while underlining passage after passage in this book. His comparison of Moscow, St. Petersburg, and Nizhny Novgorod is wonderful, and makes it clear why we must become well acquainted with all three great cities. His use of music and literature to explain cultural (and business) practices is most enlightening, and the essay collection is simply outstanding. This book will be of great help to all who wish to understand Russia and her people better.

This is an excellent read which provides a detailed and insightful guide to the nuances of perhaps the most misunderstood, enigmatic and complex country to grace the earth. It's a survival guide to contemporary Russian culture.

Having lived, worked, and personally invested with the Russian people, Mr. Andresen clearly has a first-hand vision on building lasting relationships with people we often don't appreciate or understand. Clearly, he has invested a good part of his life in learning and expressing to us what it takes to succeed in this part of the world.

Walking on Ice is a "must read" for American politicians, businessmen, students, or anyone who wants to dive beneath the illusive surface to gain some insight into the Russian mind set. Sadly, all too often we enter the arena of foreign affairs naively thinking we can interact in the same manner as we would with Americans. Granted, Mr. Andresen had a preliminary advantage of being familiar with Russian art, music, and culture; but I believe his success was also due to his gift of being a humbly receptive observer which enabled him to uncover the subconscious intent of those he was negotiating with. This enabled him, when he found himself on "slippery ground," to take the next step in the right direction. This discernment is what he shares with his readers, giving a "nutshell" feeling of how to stay on your feet in the Russian culture. Packed within 142 pages is an insightful guide sprinkled with humor.

This is an excellent history book. Even though I was had to read the book in many sittings, I never lost the train of thought of the author.

My only criticism is that I really wanted to learn more about Peter the Great and how he built St. Petersburg. I felt the book was lacking in this very important aspect of the history of Russia

Book was very easy reading and well organized. One of the best history books I have read.

if you want to no about the early to last romanov's and russia history this book is for you.this writer leave nothing out.

W. Bruce Lincoln's history of the 300 years of Romanov rule in Russia (1613-1917) is easily his most readable account of Russian history. While Professor Lincoln's research is meticulous as ever, in this volume he has to cover far more ground than in his other more focused histories and thus he avoids some of the digressions that he normally might allow himself. The result is a superb one-volume history of the Tsars and Tsarinas who determined Russia's development from a minor principality into the largest empire on earth.

The Romanovs consists of four parts: Muscovite beginnings (1613-1689), the Rise of an Empire (1689-1796), Empire Triumphant (1796-1894) and the Last Emperor (1894-1917). The first three parts each consist of several chapters, with the first covering biographical details of the Tsars and Tsarinas in that period, followed by chapters on political and cultural changes in that period. There are only two significant problems with what is otherwise a superb presentation: a non-chronological methodology and a lack of a single supporting map of Romanov domains (there are two maps of St Petersburg's layout). In the first case, Lincoln tends to keep coming back to Tsars in subsequent chapters on culture, politics, etc which is very confusing. Indeed, he seems in a rush to plow through the biographies of the Tsars, then revisit their cultural accomplishments, then come back again and discuss their political accomplishments, and then maybe discuss a few scandals or wars. As for the lack of maps, it makes it extremely difficult for the reader to evaluate the territorial expansions of the various Romanov rulers or Russia's growth over three centuries.

Despite these two flaws, the Romanovs is a delightful read for anyone with a scholarly interest in Russian imperial history. Perhaps the three most significant rulers that Lincoln assesses are Peter the Great, Catherine the Great and Nicholas II. Most histories tend to elevate Peter to hero status, but Lincoln's evaluation is more mixed. While Peter gets great credit for pushing Russia to modernize, the costs he incurred may have been too great. In particular, Lincoln questions Peter's obsession with building his capital on totally unsuitable terrain; the fact that the Russians were able to eventually succeed in constructing Peter's dream capital often disguises the fact that the human and financial losses were exorbitantly wasteful. The reader will be left to ponder the question that if Peter had built his capital elsewhere, Russia's development might have been much less painful. As for Catherine, Lincoln prefers to minimize the scandal and corruption associated with her court and view this as the golden age of Russian cultural development. Finally, Nicholas II appears as even more of a fatalistic dolt bent on self-destruction than he did in Lincoln's previous books. In sum, The Romanovs provides a solid and very readable account of Russia's development under the Tsars and Tsarinas.

A genuinely great book. Lincoln certainly could write, and make
all those old Russians seem really interesting. As Lincoln's
former students (including me) know, his lectures were tediously
boring, so that makes the books all the more remarkable.

A marvelous book. The author is to be commended for his ability to recall these events from the vantage of so young an age at the time of occurrence. This story is little known, sometimes actively forgotten, almost always disregarded in the record of 20th century crimes against humanity. I had the privilege recently of speaking, literally for only a few minutes, at the funeral of an older man (born 1922) from Rowne--only a few miles from Adamczyk's hometown, Luck. A decade older, he tried to get to Hungary in October, 1939, failed, and was therefore a criminal for having made the attempt. His story, then, was of direct prisons rather than of being dumped by the side of the tracks. Each situation had its advantages and disadvantages. The man from Rowne was "amnestied" from Norilsk, above the Arctic Circle, in late 1941, and his story paralleled that of Adamczyk until arrival in Persia, emaciated--at 86 pounds at age 20 and suffering recurring malaria. There are a million of these stories; more should be published.

I am sitting here struggling to find the words to begin to express my love for this book. I have just spent the past twenty-six hours not putting this book down. Now, I don't know if it is the fact that my family had delt with these similar circumstances and moved to the same area of Chicago, but i have never felt so connected/transported to individuals in a book as I did with this one.

The ugliness of reality balanced with hope, faith, and love render this reader, at least, speechless. I can only thank Mr. Adamczyk for a glimpse of what my family had found to difficult, with good reason, to talk about. This book has left me with a greater understanding of World War II, the atrocities of a Communist rule, and a deeper appreciation of my Polish faith and heritage.

This book reflects the resilience of the human spirit even in the most devistating of circumstances and stands as an inspiration to reflect on the freedom we too often take for granted.

...Wow!

Simply stated, this book reiterates everything my grandpa told me about the Russians' way of life and their mentality brought on by the deceitful communist system full of oppression and anti-western propaganda. Read and you will begin to fathom the injustice inflicted upon the peoples, both Polish and Russian. It will take generations to undo the damage.

Anyone with half a brain might wonder why the Nazis are still minced to pieces in all media 60 years after the war's end, while the Soviets, with 70 years of blood on their hands, have passed quietly out of their Communist terrorism without any great international trials or severe criticisms by the Western media. Is it because the leftists still believe that "true Communism" has yet to be attempted? Well, perhaps, there are such fringe lunatics still around (in the Frisco and NYC areas).

No, the real answer lies in the deadly dealings of the Allies in WWII, in cooperating with Stalin in the Lend-lease supply of materiel, and in not condemning the murders, exile, and starvation of the Poles before Germany attacked Russia. In our all-out effort to defeat the Nazis, the USA and England cooperated in suppressing the knowledge of the 5,000 Polish officers and Polish civilians shot and buried by the Soviets in 1939, when they invaded and took over Eastern Poland. This famous massacre in the Katyn Forest was for years blamed on Hitler, when the Germans had not yet been in that side of Poland. Only when Gorbachev came to power was the murder order signed by Stalin made public - but Roosevelt knew, as did Churchill.

This remarkable book takes us into the frightening world Wiesiu Adamczck, a seven-year-old boy when his father, then 47, was taken away and killed in Katyn Forest, unbeknownst to his family - Wiesiu's mother, older sister and brother. They are all packed up on trains and sent to Kazakistan, as members of a bourgeois oppresser class, they must be punished according to Soviet logic.

The writer, now a man in his 70's, is an excellent wordsmith, who doesn't stint in telling what Russian and Polish expressions mean. He dwells on his own family, his own people and the terrible consequences of the Communist regime for the people of the USSR, for the Poles, and for all nations which fell to its avarice and terror after WWII. His incredible adventures, if you want to call them that, in surviving such a deportation through the Eastern republics of the chaotic war years, into Persia and finally to England, then the USA, is a ten-year journey of incredible hardship, hunger, cold and homelessness. His mother dies, and the truth about the father is known at the end of years of hoping against hope.

What Hollywood or the BBC could do with this material! The story of the Soviet empire and all its disgusting inhumanity should be aired out thoroughly, even more so than the Nazis' philosophy. If it should take root again, woe betide the planet and the millions to be starved in the future.

This book should be mandatory reading in the US high schools, as many students will never know that non-Jewish-descended EUropeans also suffered dreadful consequences during the war.

A skewered history is often a false one, and that is slowly happening throughout the US media, in omitting the Communist side of the horrendous torture and killing from 1917-onwards.

Well, this book will make it clear: FDR knew it, as he knew that Pearl Harbor was to be bombed.

The teaching of history is often distorted by selective presentation of past events. Virtually everyone has heard of the 5-6 million Jews killed by the Germans. Few outside Polish circles have a clue about the fact that 2-3 million gentile Poles were also murdered by the Germans, and a few hundred thousand by the Soviets--first as Poland's sworn enemy and then as an "ally". While Churchill and Roosevelt were dilly-dallying with "Uncle Joe" Stalin, he was still murdering Poles and executing his plans to deprive "liberated" Poland from her rightful independence, freedom, and sovereignity. The western powers shamelessly disregarded the Atlantic Charter and betrayed the Poles--who all along had been fighting on their side on just about every front, and who had played a significant, if not decisive, role in preventing the Luftwaffe from achieving air supremacy over the English skies as a prelude to the planned German invasion (Operation Sea Lion).

This work provides an absorbing personal account of the deportation of hundreds of thousands of Poles by the Soviet Union following the German-Soviet conquest of Poland in 1939. Wes Adamczyk, then a boy of 7, was to lose his father in the infamous Katyn Massacre, and his entire family was uprooted and sent to a living death in Kazakhstan. He was one of the lucky few to be released and to eventually find his way to a new life in the United States. Decades later, he fulfilled his wish to visit the site of his father's murder near Smolensk, Russia.

The reader is exposed to the brutality of the Soviet police as they ransack the Adamczyk home, destroy objects related to Polish patriotism, and herd the family ("enemies of the people") into overcrowded trains for the fateful trip east. Every day becomes a battle for survival. They are near starvation. However, individual Kazakhs and Russians show friendship towards the Poles. The young Adamczyk befriends Mr. Petrovitch on a fishing boat. The moving account tells how the elderly Russian teaches the boy the truth about Communism. It is lies on top of lies on top of lies. In fact, the continued spying by the Soviet police on the captive Poles does not stem from the fact that they suspect that the Poles may escape or revolt. The spying comes from the fear that the locals may learn the truth about the outside world from the Poles--that the non-
Communist world is not rotten, and that the Soviet Union is no workers' paradise.

Nazi Germany turns against its erstwhile Soviet ally, creating a chance for the Poles, consigned to eventual death from starvation, overwork, and disease, to escape the Gulag. Negotiations "succeed" in securing the release of captive Poles. But the Soviets drag their feet, and only a fraction of still-living captive Poles end up being released. The Adamczyk family has to stage a near-escape adventure to reach Iran. The squalor of the just-freed Poles is indescribable. Thousands die right there, including Wes Adamczyk's mother--ironically just a short time after having finally left the clutches of the Soviet hell.

Tens of thousands of previously-captured Polish officers are found to be conspicuously and unexpectedly missing, and the Soviets say, "They all escaped to Manchuria". As time drags on, the Adamczyks realize the fate of their father and the remainder of the POWs. The Soviets don't admit responsibility for the Katyn Massacre until 1990. The long cover-up by western governments is little better than the decades-long Soviet one. The west needed a second coverup to cover its first coverup of the conspiracy of silence about this heinous Soviet crime.

The Adamczyks, like all surviving Poles, get a cruel blow when they learn that Roosevelt and Churchill have betrayed their faithful ally Poland by giving away eastern Poland to the Russians, and allowed a Communist puppet state to be forced on the rest of "liberated" Poland. In a sense, all of the Polish sufferings and sacrifices turn out to have been in vain. The Adamczyks, and millions of other Poles, have no home to return to. The only "happy ending" is a new life in America.

This book was purchased for a college research project and it was just perfect. It talks of Kandinsky's color theory and how music and color co-exist. The seller was professional and I got the book when it was promised. I would order from this seller again...definately!

Wassilly Kadinsky was a 20th century painter and his CONCERNING THE SPIRITUAL IN ART provides a blend of philosophical, spiritual and artistic reflection as it examines the premises and presence of spirituality in art. This new edition is a recommended pick not just for art students of modernism, but for readers of spiritual works: it includes letters between Kadinsky and Sadler, unpublished prose poems, and a fine attention to artistic reflection and analysis.

Diane C. Donovan
California Bookwatch

I enjoyed reading the book. At times it was over my head,but still it was worth the effort!!!!

Kandinsky throws his ideas out in a slightly esoteric manner. It make take a few rereads to really grasp the quality of discourse he presents. But, in the end, his commentary shines brightly through his comparisons of music to painting. The spiritual triangle is comparable to Maslow's Hierarchy of Needs. It is important to remember that Kandinsky is not using the term "spiritual" in a religious sense.
This book is a very good read for anyone feeling slumped in their art making. And for anyone who wants to expose themselves to ways of thinking about art. By the third time I had read the material I had underlined and highlighted almost every line and filled all the margins with notes. The book is fantastic. It is especially good when paired with Hans Hofmann's essay "In Search for the Real." Although the ideas in the two books do not parallel. In fact the lines aren't even on the same page. Kandinksky's critiques of other familiar artists are very interesting too. Names like picasso and Cezanne pop up quite a bit.
I'll stop rambling now. Read the book, it is very good.

Kandinsky had risen to positions of influence in other disciplines (political science/economics and law) before directing his considerable intellect to painting. His insights extended into the historic 'meta' trends of the arts and sciences, including the physical sciences, and had his interests been directed more to the history and philosophy of science instead of the history and philosophy of art, he might have written Kuhn's observations regarding paradigm change a half century before Kuhn did: "Here and there are people with eyes which can see, minds which can correlate. They say to themselves: 'If the science of the day before yesterday is rejected by the people of yesterday, and that of yesterday by us of today, is it not possible that what we call science now will be rejected by the men of tomorrow?' And the bravest of them answer, 'It is possible.'"

Instead, Kandinsky extended the frontiers of painting and authored philosophic writings on the future of art that are among the most important of such works. M.T.H. Sadler, who translated this work into English, was a friend of Kandinsky's and was among his early admirers. The notes he has written in the front of the book (Translator's Introduction) are therefore more helpful than could be the opinions of many other critics, including myself:

"Anyone who has studied Gauguin will be aware of the intense spiritual value of his work. The man is a preacher and a psychologist, universal by his very unorthodoxy, fundamental because he goes deeper than civilization. In his disciples this great element is wanting.

"Kandinsky has supplied the need. He is not only on the track of an art more purely spiritual than was conceived even by Gauguin, but he has achieved the final abandonment of all representative intention. In this way he combines in himself the spiritual and technical tendencies of one great branch of Post-Impressionism.

"The question most generally asked about Kandinsky's art is: 'What is he trying to do?' It is to be hoped that this book will do something towards answering the question. But it will not do everything. This--partly because it is impossible to put into words the whole of Kandinsky's ideal, partly because in his anxiety to state his case, to court criticism, the author has been tempted to formulate more than is wise. His analysis of colours and their effects on the spectator is not the real basis of his art, because, if it were, one could, with the help of a scientific manual, describe one's emotions before his pictures with perfect accuracy. And this is impossible.

"Kandinsky is painting music. That is to say, he has broken down the barrier between music and painting, and has isolated the pure emotion which, for want of a better name, we call the artistic emotion. Anyone who has listened to good music with any enjoyment will admit to an unmistakable but quite indefinable thrill. He will not be able, with sincerity, to say that such a passage gave him such visual impressions, or such a harmony roused in him such emotions. The effect of music is too subtle for words. And the same with this painting of Kandinsky's. Speaking for myself, to stand in front of some of his drawings or pictures gives a keener and more spiritual pleasure than any other kind of painting. But I could not express in the least what gives the pleasure. Presumably the lines and colours have the same effect as harmony and rhythm in music have on the truly musical. That psychology comes in no one can deny."

Some aspects of Kandinsky's color theory are dubious, at best they cannot be universalized, and Kandinsky sees this. But other of his ideas and arguments are widely accepted among artists, even as being self-evident. Stating that "there is no 'must' in art, because art is free," that is, free to address external representations OR "the inner need," to merely chase after material 'objects' OR to wrestle with the mysteriously spiritual, to somehow meld the two visions OR to stay purely to exploration of the spiritual high ground, Kandinsky absolutely rejects the materialistic expectation of an art "explanation" that has been articulated by EO Wilson in his unfortunate daydream 'Consilience' (Wilson knows ants better than he knows humans, and is given to understanding humans to be essentially ant equivalents).

Anyone interested in art history, painting of the past century, or the relationships/correlations/divergences of the various arts (visual, musical, literary), as well as anyone interested in the meaning and purpose of art, or in the philosophy of aesthetics, should read this important book, perhaps more than once.

This was a very well-crafted and informative book, which I would recommend reading to those who haven't yet. For those who have, and who enjoyed it like I did, I would recommend Tent Life in Siberia: An Incredible Account of Siberian Adventure, Travel, and Survival, which George Kennan's account of his travels around eastern Siberia on dogs and reindeer sleds.

The Other Side of Russia is part travel narrative, part social history, part memoir, part food writing. All these parts come together to make a terrific book.

Sharon Hudgins and her husband Tom spent a year and a half in post-Soviet Siberia teaching business management for the University of Maryland's overseas program. As peripatetic ex-patriates, they were familiar with unfamiliarity. But they were still not prepared for what Siberia had to offer them.

Join Sharon and Tom as they picnic with the Russian Mafiya, try to teach in an educational system that discourages questions and independent thinking, and ponder why a herd of horses is tangled in downtown rush hour traffic.

In "Absurdistan" it is just one perplexing thing after another. The electricity and water in their poorly-constructed apartment building work only intermittently. But in spite of such challenges, they make friends and entertain regularly. Cultural differences mean that the same friends who swoon over delicacies such as wafer-thin horse liver slices rolled with layers of horse fat, are unable to enjoy a Hudgins Tex-Mex feast.

Hudgins's previous work as a food and travel writer are evident here, and I wouldn't be surprised to learn that she writes fiction as well. The narrative is effortless and the stories she tells are by turns engaging and frightening.

In The Other Side Of Russia, author Sharon Hudgins takes the reader along on her Trains-Siberian Railroad adventure through Siberia and the Russian Far East, an area that was closed off to Westerners (and most Russians) prior to 1990s and the collapse of the old Soviet Union. Here the reader will be treated to a unique travelogue that will take them from the frozen surface of Lake Baikal, to feast with native Siberian Buryats, the food markets and "high-rise villages" of Vladivostok and Irkutsk, Christmas celebrations, New Year's banquets, Easter dinners, and Siberian festivals. The Other Side Of Russia dispels the myths and misconceptions about the Asian part of Russia which extends across eight time zones between the Ural Mountains and the Pacific Ocean. Offering a window of observation into this land of harsh winters, vast uninhabited spaces, friendly people, strange cuisines, and thriving modern cities, The Other Side Of Russia is a welcome, informative, and highly entertaining read which is especially commended to the attention of armchair travelers and students of Russian culture and history.

The Other Side of Russia emerged from Barbara Hudgins experience of living in Siberia for a year and a half, from 1993 to 1994. Working as the onsite program coordinator for the University of Maryland University College in Siberia and the Russian Far East, she worked and lived in Vladivostok and Irkutsk.

Hudgins book is the first book about Siberia I'd come across written by someone who spent extensive time in Siberia. This gives her a depth of understanding that adds a lot to her memoir.

The structure of her memoir is unusual. She's divided the book into two sections. The chapters in part one focus on place - Irkutsk, Vladivostok, Lake Baikal, etc. - and the chapters in the second part focus on aspects of life and culture in Siberia - housing, education, food and festivals. Hudgins supplemented her first-hand experience with extensive research. This offers readers an in-depth source of information about many aspects of Siberian place and life.

What's lost in this non-chronological format is Hudgin's own adaptations and reactions over her time in Siberia. She does insert some feelings and personality, but the focus is on the topic, rather than on her personal experience or characters who change and develop over the period.

Hudgins seems to have thrown herself into Siberia with a remarkably open mind. She expertly captures the small details of Siberian life and renders vivid pictures of feasts shared with Russian friends. For those who have been to Siberia, this book will take you back there. For those planning on going, The Other Side of Russia provides a great overview of the life and culture.

In THE OTHER SIDE OF RUSSIA, the University of Maryland University College has established a joint undergraduate degree program in business management with the Far Eastern State University in Vladivostok and the State University in Irkutsk. In the summer of 1993, author Sharon Hudgins and her husband, Tom, packed off to Siberia and the Russian Far East to serve as teachers in this cooperative venture, while the former was also Maryland's on-site program coordinator in both cities. This book chronicles their experiences from their arrival until their departure in December 1994.

Whether she's describing the immensity of pristine Lake Baikal, the problematic living conditions in their high-rise apartment, local customs and food of the Buryat people, the vagaries and perils of shopping for household necessities, maddening water and electricity outages, local festivals, the growing pains of a free-market economy, the university students' learning ethic, or the conviviality and generosity of their Russian friends, Hudgins has a keen eye for small details, as when describing an open air market:

"An Uzbek woman ... sold raisins and nuts in small paper cones made out of official forms from the Irkutsk Municipal Water Department ... In one part of the market, a pretty teenage girl, wearing a garish, flower-printed dress and a thousand-yard stare, held a handful of peacock feathers and sipped a can of Dr Pepper, while in another section two older women, both drunk, tried to punch each other out in a fist fight."

I haven't been so engaged by a travel essay about Russia since Hedrick Smith's 1976 bestseller, THE RUSSIANS. My only criticism is the relative lack of photographs - only a couple at most per chapter. Luckily, Sharon's poetic prose paints pictures almost as effective as snapshots, as this from her vantage point on the Trans-Siberian Railroad:

"A profusion of wildflowers carpeted the meadows, like an Impressionist painting exuberantly expanding beyond the limits of canvas and frame: undulating shades of yellow, gold, and blue, maroon and magenta, soft pink and pristine white, the pale purple globes of wild onions gone to seed, thousands of red-orange tiger lilies, whole fields of dark purple Siberian irises, and occasionally a single red poppy or two, like a stubborn symbol of politics past. Outside Chita a small lake glistened under the midnight moon."

For me, a travel narrative is all it can be if it makes me want to go there myself. THE OTHER SIDE OF RUSSIA accomplishes that. Well, maybe for just a brief visit, perhaps, because I certainly wouldn't want to live there.