Poland Books
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Sensitivity and Brutality Combine For a Stunning RemembranceReview Date: 1999-12-26
Graphic, Stirring Depiction of HolocaustReview Date: 1999-09-27
I am amazed at the author's ability to recall so many details. He writes from the heart, without artifice. His spare drawings provide haunting illustrations of what words can't always describe on their own.
Read this book. You will be moved.

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A tale of courage against impossible oddsReview Date: 2005-12-17
Insights into KEDYW, the AK in General, and the Warsaw UprisingReview Date: 2007-10-17
In recent years, some (e. g. Jan T. Gross) have advanced the disingenuous argument that Poles were willing to incur the German-imposed death penalty for harboring radios and guns, but much less so for harboring Jews. To begin with, everyone knows that getting away with hiding a forbidden object is much more likely than getting away with hiding a human being. As it turns out, Poles weren't particularly risk-taking when it came to radios either: "Radios in private hands were a rarity, their possession punishable by death." (p. 72). As for black marketeering, Poles really had no choice, and they knew furthermore that the death penalty upon being caught wasn't consistently enforced: "To survive, the inhabitants of Warsaw had to use the black market...In my place, a real gendarme would, at his most benevolent, confiscate the goods, and at worst let go with his sub-machine gun. Searches of trains often ended in the shooting of women and men traveling with contraband food supplies." (p. 83)
Likiernik describes his experiences in KEDYW (KIEROWNICTWO DYWERSJI, or Directorate of Sabotage) (pp. 67-70), which included the blowing up of a German train that was taking ammunition to the Russian Front. He played a direct role in the assassinations of German officials, including Commander Schmalz (pp. 96-97) and the Gestapo agents Jung and Hoffman (p. 103). KEDYW was somewhat better armed than other AK units (p. 107), but some 70% of KEDYW members later perished during the Warsaw Uprising (p. 147).
Just before the Uprising, Likiernik had what turned out to be a prophetic experience: "My friend Roman Mularczyk (later known as Roman Bratny, the celebrated writer) came to see me several days before the Rising. `Mark my words,' he said. `The Russians will provoke an insurrection in Warsaw and when we start fighting, they'll stop their advance and let the Germans finish us off.'" (p. 111). And so it happened: A vast sea of death and destruction.
During the Uprising, the most unpleasant German weapon was the Nebelwerfer ("bellowing cow" or "wardrobe"; p. 123). Likiernik was wounded a number of times, and had to be moved from a field hospital because the Germans would murder the wounded (pp. 117-118).
After the war, Likiernik observed the Communist takeover of Poland from a Polish mission in Paris. He also noted: "The demeanor of the new arrivals from Poland, especially of the officers, was getting increasingly strange. Some communists of Jewish origin could hardly even speak Polish." (p. 178).
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"higher than angels"Review Date: 2007-07-18
Great Book!Review Date: 2004-02-04

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An intense, personal, and moving story of evading the German troops and camps during World War IIReview Date: 2006-03-14
The Warsaw Ghetto: Some Seldom-Heard InformationReview Date: 2007-08-08
Dembowski presents a variety of historical information. We learn that the prewar ONR had been outlawed by Polish authorities since its inception (p. 62). While the occupying Germans forced Jews to wear the star, they also forced the Polish slaves in Germany to wear the "P" (pp. 45-46). Marek Edelman recounted the fact that Warsaw's Jews initially disbelieved Polish reports of the mass gassings of Jews (pp. 53-55). Edelman's wife praised THE PIANIST for its qualities (p. 39).
Dembowski rebuts Mordecai Kaplan's charge that Polish priests wrote false certificates for Jews out of mercenary motives. In actuality, false baptismal certificates were a risky undertaking, incurring the German-imposed death penalty for both the priest and recipient if caught (p. 99).
There is irony in the betrayal of Anne Frank by a Dutchman. Two of her benefactors were not arrested at all, while one of the remaining two was released after arrest. Had Anne Frank's family and benefactors been Polish, they would all have all been summarily shot by the Germans (p. 83).
The Jewish-Christian bacteriologist Ludwik Hirszfeld put prewar Polish anti-Semitism into perspective: "My nation accused by the world of anti-Semitism is a good nation. [It gives assistance] despite the death sentence for help, and despite the inherited antipathy towards Jews. I believe that if Jehovah maintains the register of all the injuries suffered by Jews, he will erase the Przytyk pogrom, university disturbances, and separate seating for Jews [in the universities], because Polish antipathy lasted only as long as there was a vision of powerful Jews. It was replaced by pity when the pauper appeared. It was the case during the Jewish martyrdom." (p. 124).
Several accounts, such as the fictional little Polish girl in Steven Spielberg's SCHINDLER'S LIST and the various selectively-chosen anecdotes in Jan T. Gross' FEAR, would have us believe that Poles delighted in Jewish suffering. In contrast, Antoni Marianowicz (Kazimierz Jerzy Berman) wrote: "When we were returning to the car, wearing our armbands, children at Zytnia Street pointed their fingers at us and whispered: `Look, the Jews!' There was no animosity in their voices, only curiosity in seeing the officially branded people." (p. 114).
The reader learns that the eyewitness monographs of Hirszfeld (p. 33), Makower (pp. 102-103), and Marianowicz (p. 110) have never been translated into English. Why not? Is it because these Jewish Christians are not considered Jews, or is it because their works don't fit the ultra-Judeocentric and oft-Polonophobic motif of much contemporary Holocaust material?


Incredible research and artists' profilesReview Date: 2001-08-31
Excellent OverviewReview Date: 2000-01-28
It is wonderful to have these books accompanying my art collection.

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A MUST READ!!!Review Date: 2006-06-04
A wonderful book.Review Date: 2006-01-25

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Eyewitness Travel Guide-KrakowReview Date: 2007-08-31
Cracow (Eyewitness Travel Guides) by DK Publishing Review Date: 2007-08-23
Eyewitess Travel Guides are very good because they cover so many areas (history, architecture, planning, maps where to stay & eat, etc.) with excellent pictures and other graphics. The organization of the Eyewitness guides gives a quick overview of the city or country and helps to view a city or country by making it very easy to identify sites and buildings. The Eyewitness Guides facilitate touring by superb organization of maps, drawings, pictures and descriptions so that sigificant points of interest and sites are easily idenfied. They give alot of info, but are not too long. And I keep them as good references in contrast to many touring guides that I immediately discard after I have seen the area they cover. In other words, the content does not justify carrying the additional weight.
The Krakow guide is one of the best in the series. My biggest negative of the book is that it spells Krakow with the letter "c," not "k."

Storyline ....Review Date: 2002-07-05
ThiS boOk Is GrEat FoR aNy aGeReview Date: 1999-04-23

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DEAR ESTHERReview Date: 2000-06-11
DEAR ESTHERReview Date: 2000-06-11

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A chilling account of the treatment of Jews during that timeReview Date: 1999-05-20
A totally absorbing book that I will never forget.Review Date: 1998-09-05
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His warmth and love for his fellow man is evident throughout his memoir. Morris provides a vivid look at pre-war Poland and the lives that were stolen from our families. And, much as he greets his guests with genuine warmth and affection today, he treats each character in his book with similar respect and reverence.
His memory is outstanding as he remembers the many personalities and every day people of his Warsaw youth, and later in the death camps. His descriptions are detailed and he suceeds in bringing out the special qualities of each character. This is so important because more often than not, the people he describes with such affection will soon be dead at the hands of the Nazis. Much of Holocaust literature refers to the millions who were massacred. Morris didn't know the millions but he pays beautiful homage to the hundreds who crossed his path.
From homage to carnage, Morris's story takes us into the Nazi occupation and his incarceration in several death camps. Similar to his skills in painting a picture of his pre-war youth, he is equally and shockingly vivid in his memories of the camps. The brutality, anguish, and sheer inhumanity he witnessed is brought to life as only a man of his artistic talents can do.
And in the midst of the brutality, there is the friendships, the shared moments, and the appreciation for his fellow prisoners that is necessary for the reader to grasp onto so that he or she may continue with the chilling chronicle of Morris' survival.
A Brush With Death has warmth, beauty and brutality. It is one of the many stories of the Holocaust experience, and one which I am confident will provide a unique perspective to the most horrific period in recorded history.