France Books

Having read several books on the move to EMU, this is definitely one of the most thoughtful and incisive (and by far the best written!!). Clearly the French perspective on the EMS and EMU is absolutely crucial to understanding why European monetary integration happened at all. Well done! This book enters into impressive detail about the French perspective but places the development of French policy clearly in the context of wider European developments so that the non-specialist can follow the text and learn about monetary integration more generally.

Having read several books on the move to EMU, this is definitely one of the most thoughtful and incisive (and by far the best written!!). Clearly the French perspective on the EMS and EMU is absolutely crucial to understanding why European monetary integration happened at all. Well done! This book enters into impressive detail about the French perspective but places the development of French policy clearly in the context of wider European developments so that the non-specialist can follow the text and learn about monetary integration more generally.

A detailed yet wonderfully readable account of the development of French policy on European monetary cooperation and integration from 1968 to the start of European Monetary Union in 1999. If you want to understand why the Europeans (led by the French) moved to EMU look no further. Unlike many accounts of the move to EMU, this book is neither too theoretical nor too economics-orientated. Howarth's convincing study is set in the context of French economic power objectives in relation to the Americans and the Germans.

This is a well-balanced, thoughtful study of French policy on European monetary integration. For those looking to understand EMU go no further!

This is a detailed yet highly readable account of the reasons why the French sought European monetary integration. I recommend it all those interested in why the French embraced EMU.

This affordable paperback edition of Volume V of Charles Oman's definitive study of the Peninsular War covers the turning point of the conflict. In early 1812, Napoleon withdrew some of his Imperial troops from occupied Spain for his ill-fated invasion of Russia. The dispersal of the remaining French troops to hold down Spanish insurgents coincided with a buildup of the Anglo-Portuguese Army, enabling Wellington to go over to the offensive with an experienced and well-trained force. The bold seizure of the Spanish frontier fortresses of Ciudad Rodrigo and Badajoz opened the way for Wellington's magnificent victory of maneuver over Marshal Marmont's French Army at Salamanca. Although Wellington overreached himself at the siege of Burgos and was forced to retrench on the Portuguese frontier over the winter of 1812-1813, the French had lost the initiative in the Peninsular War for good.

Oman brings out how Napoleon's attempts to run the Peninsular War from Paris and Wellington's superior ability to gather intelligence contributed to French defeats. Oman includes a brief but fascinating account, perhaps particularly relevant for modern readers, of the challenges faced by the British Tory government in supporting a long and expensive campaign to dislodge the French from Spain and Portugal. The Whig Party, in opposition, decried every expense and every casualty in favor of an immediate peace treaty with Napoleon. Such a treaty prior to Napoleon's defeat in Russia would have ceded control of Continental Europe to the French Emperor. The Tory government withstood Whig opposition and internal dissension to perservere against Napoleon, trusting Wellington to fulfill the mission of his command.

Oman's command of his subject in volume V is masterful. His narrative is mature and confident. While the focus is on the operational level of war, Oman provides descriptive and ocassionally thrilling vignettes of the critical battles. The footnotes provide much additional context.

This volume and series are highly recommended to serious students of the Napoleonic Wars. The casual reader without background of the conflict may find this volume a very challenging read.

Volume V of Charles Oman's definitive study of the Peninsular War covers the turning point of the conflict in the Iberian Peninsula. In early 1812, Napoleon withdrew some of his Imperial troops from Spain for his ill-fated invasion of Russia. The dispersal of the remaining French troops to hold down Spanish insurgents coincided with a buildup of the Anglo-Portuguese Army, enabling Wellington to go over to the offensive with an experienced and well-trained force. The bold seizure of the Spanish frontier fortresses of Ciudad Rodrigo and Badajoz opened the way for Wellington's magnificent victory of maneuver over Marshal Marmont's French army at Salamanca. Although Wellington overreached himself at the siege of Burgos and was forced to retrench on the Portuguese frontier over the winter of 1812-1813, the French had lost the initiative in the Peninsular War for good. Oman brings out how Napoleon's attempts to run the Peninsular War from Paris and Wellington's superior ability to gather intelligence contributed to French defeats. Oman includes a brief but fascinating account, perhaps particularly relevant for modern readers, of the challenges faced by the British Tory government in supporting a long and expensive campaign to dislodge the French from the Iberian Peninsula. The Whig Party, in opposition, decried every expense and every casualty in favor of an immediate peace treaty with Napoleon. Such a treaty prior to Napoleon's defeat in Russia would have ceded control of Continental Europe to the French Emperor. The Tory government withstood Whig opposition and internal dissension to persevere against Napoleon, trusting Wellington to fulfill the mission of his command. Oman's command of his subject is masterful; his narrative is mature and confident. While the focus is on the operational level of war, Oman provides descriptive and ocassionally thrilling vignettes of the critical battles. The footnotes provide much additional context. This volume and series are highly recommended to serious students of the Napoleonic Wars. The casual reader without background of the conflict may find this volume a very challenging read.

Sir Charles Oman's comprehensive seven volume history of the Peninsular War is the yardstick by which any other history of this theatre must be measured. It is exhaustive in detail and in breadth of coverage. If it happened, it is in one of these volumes. Napoleon may have considered Spain a side show, but as results turned out it was a bleeding ulcer. French losses here, combined with the 1812 campaign, placed a strain on the Empire which could not be overcome by even the best generalship. Any true student of the Napoleonic Wars should find these books and read them. They are essential to a complete understanding of the conflict.

Sir Charles Oman's comprehensive seven volume history of the Peninsular War is the yardstick by which any other history of this theatre must be measured. It is exhaustive in detail and in breadth of coverage. If it happened, it is in one of these volumes. Napoleon may have considered Spain a side show, but as results turned out it was a bleeding ulcer. French losses here, combined with the 1812 campaign, placed a strain on the Empire which could not be overcome by even the best generalship. Any true student of the Napoleonic Wars should find these books and read them. They are essential to a complete understanding of the conflict.

This wonderfully affordable paperback edition makes available Volume V of Charles Oman's definitive history of the Peninsular War, which covers the turning point of the war. In early 1812, Napoleon withdrew some of his Imperial troops from Spain for the ill-fated invasion of Russia. The dispersal of the remaining French forces to hold down Spanish insurgents coincided with a buildup of the Anglo-Portuguese Army, enabling Wellington to go over to the offensive with his experienced and well-trained force.

The bold seizure of the Spanish frontier fortresses of Ciudad Rodrigo and Badajoz opended the way for Wellington's magnificent victory of maneuver over Marshal Marmont's French Army at Salamanca. Wellington would later overreach himself at the siege of Burgos and be forced to retrench on the Portuguese frontier over the winter of 1812-1813. However, the French had lost the initiative in the Peninsular War for good.

Oman includes a brief but fascinating account, perhaps particularly relevant for modern readers, of the challenges faced by the British Tory government in waging an expensive six year campaign to dislodge the French from the Iberian Peninsula. The British Whig Party, in opposition, decried every expense and casualty in favor of an immediate peace treaty with Napoleon. The effect of such a treaty prior to Napoleon's defeat in Russia would have been to concede control of Continental Europe to the French Emperor. The British Ministry withstood both Whig opposition and internal Tory dissension to persevere against Napoleon and to trust Wellington to fulfill the mission of his command in Spain.

Oman's command of his subject is masterful; his narrative is mature and confident. While the focus is on the operational level of war, Oman provides descriptive and occasionally thrilling vignettes of the critical battles. The footnotes provide much additional context which will be of interest to the serious student of the Napoleonic Wars. The casual reader without background of the conflict may find this volume a challenging read.

I've read a dozen or so books of this type, usually when I'm looking for a mental primer or reminder of sorts of what I should do, just before I have to present in front of a crowd or be particularly persuasive in a written presentation. While most books of this genre are useful, I find many are either difficult to read and absorb in an afternoon or two and so I lose most of the message without intense study, or, alternately, they are so light and easy that they provide little new useful information beyond the obvious.

How to Wow, is neither of these extremes, but strikes just the right balance, and represents the best in a crash course in presenting ideas and being persuasive - in making presentations, in "one on one" encounters, in meetings, in interviews, etc. It's full of useful, usable ideas but written in a concise format, using persuasive language (the author puts in practice what she talks about in the "Put It in Writing" chapter). From the "don't-leave-home-without-them" general principles at the beginning of the book, to the "question and answer" information at the end, there is a lot of good useful advice and information in just 200 or so pages, presented clearly, and including a concise summary at the end of each chapter. It's hard not to take a away a lot of good new information, whether you're a seasoned veteran at presenting yourself or brand new in the business world.

If you have a limited amount of time and want to brush up on how to write and present a speech (or powerpoint), make a "one on one" pitch, conduct a meeting or interview, or just be at your best in a social situation, this book is well worth reading.

John Possumato
Possumato.com
http://www.linkedin.com/in/johnpossumato

How To Wow is spot on about how to burnish you presence in the world. Spoken with a humorous and a non condescending tone, Frances Jones easily presents and diffuses some of the most basic yet vexing conundrums of the business of life. Whether you are titan of industry or intern with your first toe in the door "How to Wow", like any good encyclopedia, reminds you of what your mother, teacher or mentor taught you and more importantly explains what they didn't.

Excellent read, open to any page and walk a way a little sharper for it.

I really appreciated how the author cut to the chase with much of her advice. It's all very practical and, though I'm just getting started implementing the advice, it gives me confidence just knowing that I have her tips to get me started when I think about presenting or business-socializing in an unfamiliar environment.

Loved the book! Its SMART. Its witty, its sharp, a direct how-to handle/manage/approach business that is fun and interesting to read. Frances is brilliant at teaching the obvious and not so obvious, while being humble at the same time. I am a better person having read her book. Thank you!

Having tried a large number of such books (my livelihood depends on making a good personal impression), I can say without reservation that How to Wow is the best book of its type available: the advice it contains is hard-hitting, fresh and straightforward. Unlike other volumes I have tried about self-presentation, the advice offered is unique, and the author's examples are drawn from a variety of occupations. At the same time, her methods and advice seem to be applicable to almost anyone: no matter how good you are already, the day after you read this book, you will be making better impressions.

Most refreshing is the fact that How to Wow avoids the trap of so many of its peers, which can be summarized as "Things your mother told you about how to make a good impression that you've forgotten or let slip".

In my view, How to Wow will become a modern classic, and is indispensible to anyone in a trade that requires either presentations or public appearances (or their handlers).

I only wish that I had had this advice fifteen years ago!

What a wonderful and insightful book this is! The tempi recommended are what blows me away-every one suddenly makes the song fit like a glove. The comments and background info for the composers and individual pieces are very thorough-I only wish there was every French melodie in there, I feel so much more secure with the songs that are included!

In the Foreword Bernac modestly says that the book "does not claim to be anything more than a guide for English-speaking singers who wish to study a repertoire which may not be very familiar to them". It is in fact far more than that, and French-speaking singers will find his suggestions for interpretation, tempo, expression and dynamics to be invaluable. He has an unerring instinct for when a song merits a few general comments for its interpretation and when it calls for a detailed phrase-by-phrase analysis. His choice of repertoire for inclusion in this relatively compact book is surprisingly comprehensive. Particularly useful are his suggestions for when to use the liaison (final consonants being sounded before a word that begins with a vowel, which happens more frequently in poetic language than in normal speech) and when not to. Liaisons are not always intuitive or obvious, even to those who were born and brought up in French.

This book is an essential resource for singers or teachers of singing by someone who knows.

I bought an interpretation of French Art Song book, it came perfect condition. Very happy with the transaction! C'est magnifique!

Pierre Bernac's book is an invaluable resource for all classical singers, voice teachers and vocal coaches. His writing is eloquent and graceful and the facts he offers on French diction and song interpretation are easy to comprehend. The poems of major French poets, set to music by many foremost French composers, are analyzed with guidance on elision and liaison, breath points and interpretation.He also includes a poetic English translation of each poem. Having been fortunate enough to have worked with Pierre Bernac earlier in my singing career, I have complete confidence in his artistic thoughts on all aspects of diction and performance of the French mélodie. My book is falling apart after all these years and I will most certainly buy another! You voice students out there who are interested in performance-GET THIS BOOK!

Eileen Davis, Author of: Sing French, Diction for Singers

New information is always one of the factors I like to glean from a non-fiction book. Sometimes the new material is major, sometimes minor. I immediately liked this book because I found a tiny bit of information that I've been curious about for years. A famous unsung, middle-class patron of many of the world's great artists who resided in Montparnasse ran a "Cremerie" directly across the street from Academie Colarossi Art School. The tiny café was described in numerous biographies but the shop owner was always described simply as "Madame Charlotte." I'd done a little research trying to discover more about this fascinating businesswoman whose building was stuffed with artworks and who loaned money to Gauguin so he could travel to the South Seas, but was unable to find her last name. It seemed to have been lost to history. On page 22 of this book the mystery was solved. She was identified as "Madame Charlotte Caron." That discovery immediately led me to buy this book that is chuck full of interesting biographies as well as more than 700 photographs of the artists described and their work as well as information about the people around this legendary Roaring Twenties artist's community. This encyclopedia of information is tied together by featuring Kiki (Alice Prin) at various points. It could have been tied together by using anyone of several artists who were such an integral part of the "Camelot of Paris Art." Picasso or Man Ray would have done equally as well, but neither of them was French or as sexy to look at in the nude.
This book is well worth reading. In many ways, it's like looking at a personal photo album with really good captions explaining the pictures and the people in them. Unlike most personal photo albums this one includes pictures of the "underside" of Paris along with pictures of its residents dressed and undressed. The residents apparently loved to party as demonstrated by the huge number of masked balls and other wild parties shown in picture after picture. This book is extra interesting because of the informal portraits of so many famous artists at work and definitely at play. With snapshots of the smoky world of the cafes, the brothels, the art schools, and the hedonistic picnics, the book makes that by-gone era live again. Kiki, with her cabaret dancing, nude modeling, infamous lovemaking and bubbling personality was the very personification of the hedonistic age that produced creativity the likes of which the world has seldom witnessed. She makes a perfect sexy trunk and limbs upon which to hang this elm tree-sized collection of colorful historic portraits.

This book gives both an excellent pictorial and verbal description of the evolution of the artistic life in bohemian Paris in the early twentieth century. Well researched and written, it brings the ongoing revolution in art (what defines art?) as well as society (the role of classes, women, etc) into both clear focus and understanding. The pictures are both numerous and superb and gives the book a real 'you are there' sense as well. The wealth of detail is sometimes almost overwhelming in fact. An very readable and enjoyable book!!

"KIKI'S PARIS: Artist and Lovers 1900-1930" faithfully evokes the era when Paris served as the nexus for the flowering of artistic movements as diverse as cubism, fauvism, futurism, and dadaism. Each photograph tells a rich story of the personalities and the city that shaped and inspired them.

This is a book that you'll want to read and re-read again and again. HIGHLY RECOMMENDED.

A time long gone of the parisian model for the teeming artists. Lots of great photo's and listings of the people of that time period. Puts you " there " as soon as you open the book. A timeless book of a wonderful age.

This book gives a wonderful photo journal insight into the free-spirited years of early 20th century Paris. The photos and descriptions are magnificent. This book will take you there in an instant.

What a pleasure to discover this little gem. A regal love story with romance, intrigue, lots of money and a happy ending,..sort of. And it is all true. This writer's crisp clean language never gets in the way of the story, just keeps moving us along on a journey devised to captivate and entertain. Only after I'd finished did I remember that I'd just enjoyed reading about an actual historic moment of great import. Now that's the way to do it!

This is the way I wish I had learned history!! Readable, enjoyable and insightful, not dry or boring whatsoever! I knew next to nothing about this story but the author presents a very interesting and detailed overview of King Edward's relationship with Wallis Simpson and the political crisis it caused, all while not losing the plot of a truly great love story. A very unique read which I strongly recommend. Authors take note... this IS creative nonfiction done right!!!

This book has introduced me to the wonderful world of "Beach History." It is ideal for someone who is interested in learning more about history without having to sift through mindless facts and figures or daunting chapters. Schulz's prose and writing style captures the reader from the beginning and carries them through to the end. Her attention to detail and vivid descriptions forces the reader to wonder whether the author was simply relying on her meticulous research, or if she was an actual witness to the events first-hand. An excellent choice for the novice and seasoned reader alike!

Great Book! I thorougly enjoyed reading it. History AND romance..I couldn't put it down once I picked it up. Ms. Schulz actually makes history interesting to read about. I knew nothing about these people before reading this book and now find myself with an affection for them. I'm eagerly looking forward to new books by this author!!

Great Book! I thorougly enjoyed reading it. History AND romance..I couldn't put it down once I picked it up. Ms. Schulz actually makes history interesting to read about. I knew nothing about these people before reading this book and now find myself with an affection for them. I'm eagerly looking forward to new books by this author!!

These Knopf Guides are fantastic. They are beautiful little books, they are not quick guides, they are conscious and indepth. The images are well presented and the text highly informative. This book on New York is especially good, New York is unique and lends itself well to a guide of this kind. Highly recommended.

It's the most handy guidebook I ever used. It tells you all the attractions in Manhattan and it doesn't flood you wth words. It organized into sections, so you don't have to fold the map over and over to find where you want to go. If you love to travel by yourself and you don't want to carry a big book around and look like a tourist, you should get this book.

It's only good for Manhattan though.

If you are traveling to NYC, and spending your time in Manhattan, this is the only map book you will need. It's compact, and will fit in your pocket, and is easy to use and to read.

It starts with a map of Manhattan, which is divided into several sections. Each section has a corresponding map. When you open the book to a section, you will see some text and small pictures showing some of the highlights that you may want to see in the area. Then, the page folds out to a detailed map that is large enough to read easily, even while your walking, but still quite compact. The paper is very heavy, and after ten days of extensive use, my book has no torn maps, or even battered edges.

The back of the book has both bus and subway maps, and although they are pretty small, you can still use them to get around on public transportation. The only thing I used to supplement this book was a compass, which helped when we emerged from a subway tunnel, and needed a quick direction.

The cost of this book is only slightly more than a traditional map and is, in my opinion, an incredible value for the money. As a first-time visitor to NYC using this book, I was amazed that I never got lost; not even once!

We used this book on our first visit to Manhatten and found the book to be very helpful. After preparing for our visit with this book, I felt comfortable and a familiarity with the city.

folks, this is the best idea for a tourbook/map that i have stumbled across yet. i'm not prone to raving, but this will garner praise from me until the cows come home (bearing foot & mouth) no doubt.

so, why is this so great? first of all, it's simple and well designed. the city is broken down into sections. you turn to those pages and there is a brief description of places to eat, shop, etc. the pages then open up into a map of the section with a description of major sites in the area.

brilliant! no fumbling around a big map trying to find your street. no squinting to figure out where you are. it's easy to find landmarks, metro stops, etc.

the card stock is nice and heavy and has lasted well even in my back pocket. the descriptions have been helpful without being too lengthy. and at this price, it's quite competitive with other maps while providing much more.

From the pen of history comes a novel that held my interest through its entirety. I happen to be a fan of historical fiction, and now Rod Randall has made me a fan of his. I, by chance, came upon this book at a time I felt a strong need to read, but had little time. In a concise 181 pages Mr. Randall fulfilled that need. I picked up the book and wondered through the first three chapters where it would take me as the reader. Only once did my other duties force me to lay the book down before I finished it early the next day and was rewarded with a stimulating tale of lovers, commitment to faith amid spiritual conflict, and a weight of guilt lifted from the shoulders of a person who, near the end of life, found what it is to be an imperfect friend justified by knowledge of what friendship is.

With and openess and clarity, Randall writes this historical story, drawing the reader in to the nuances and feeling of medieval France.
I was delighted to walk the streets of Paris and the convent cloister while I worried about the characters and the intimacy of their lives.
Thank you Mr. Randall for this superb book. I only wish that it had been 200 pages longer. You truly captured the ambiance of the time and the moods and import of the setting. Wonderful!

You can always learn from the past, which is apparent in the way the author utilizes the social and religious issues of the days of Abelard and Heloise as a means of addressing those similar issues which have represented themselves in today's world. Rod Randall pushes the boundaries of blasphemy/logic in this story of two lovers who are both drawn to each other with a passion that is so adamantly forbidden by the beliefs and biases of their peers. Not only is it an interesting and compelling love story, but it is also an emotionally spellbinding tale imbued with countless thought-provoking concepts that are represented by the author's own artistically crafted words. Desire, betrayal, uncertainty, compassion, and forgiveness are some of the many characteristics of this book that will keep you reading Rod Randall's version of one of the most amazing romances in history.

Fascinated by the story of Abelard and Heloise for years, I purchased this book on a whim and it did not disappoint. Alberic, a colleague of Abelard, tells the story of the two lovers to a fourth person, who the reader does not know the identity of until the end. Alberic watches their lives unfold, from the safety of his vantage point without having to commit to their ideals or to the ideals of the Catholic church at the time, although he claims to have been Abelard's friend and Heloise's self-appointed "protector."

The only thing I did not like about this book was that it was somewhat difficult to tell who was speaking from time to time. The whole book is written in first person, as Alberic, but the reader does not find this out for quite awhile, so it was hard for me to get right into the story. Occasionally, the author used words like "scampered" to describe the action of the serious university students, and that word was out of place for the time period. Also, Heloise "piped up" instead of "said" or "interrupted" or whatever. Those dialogue tags became disconcerting when reading. Nothing wrong with a good old "said."

Rod Randall has accomplished what most authors can't do for me. He has written a masterpiece that I simply could not put down. This story of Abelard and Heloise is an extremely well written, suspenseful, romantic, and easy to read historical novel. I highly recommend this wonderful book and have already used quotes to inspire some of my closest friends. Congratulations Rod!

Hesselbein and Cohen have assembled and brilliantly edited "enduring insights on leadership" from the Drucker Foundation's award-winning journal. What a superb selection of essays they offer! The Introduction by Hesselbein (all by itself) is well worth the cost of the book. As for the 37 individual essays, they are organized within seven Parts:

I. On Leaders and Leadership (eg Peter Drucker, Max DePree, and Herb Kelleher)

II. Leading Innovation and Transformation (eg Peter M. Senge, John P. Kotter, and Douglas K. Smith)

III. Leadership in the New Information Economy (eg Esther Dyson, Margaret Wheatley, and Kevin Kelly)

IV. Competitive Strategy in a Global Economy (eg Rosabeth Moss Kanter, Ann Winblad, and Keniche Ohmae)

V. Leading for High Performance (eg Steven R. Covey, Jim Collins, and Noel Tichy)

VI. Building Great Teams (eg Warren Bennis, Jon R. Katzenbach, and J. Richard Hackman)

VII. Leadership Across the Sectors (eg John W. Gardner, Regina Hetzlinger, and James E. Austin)

I know of no other single volume in which so many great business thinkers are represented by so many of their landmark essays. The editors are to be commended for the selections; also for the structure within which those selections are organized. This is "must reading" for leaders and, especially, for whose who aspire to be leaders.

"People both in this country and around the world also have an enormous hunger for ideas; that's why three years ago the Drucker Foundation launched 'Leader to Leader', a journal of ideas by leaders for leaders."Frances Hesselbein writes, "this hunger among millions of working executives demonstrates their concern for the future and a commitment to make a difference. The incisive thinkers and remarkable leaders who have contributed to the journal and to this book open doors, spark ideas, raise signal flags, and help satisfy that universal hunger."

In this context, I partially summarized only five of the thirty-seven essays written by thirty-seven talented thinkers.

I. Peter F. Drucker writes: "the three people from whom I learned the most in my work were all very different. The first two were exceptionally demanding; the third was exceptionally brillant. All three taught me a lot...Five lessons I learned from those remarkable men still apply today:

1. Treat people differently, based on their strengths.

2. Set high standards, but give people the freedom and responsibility to do their job.

3. Performance review must be honest, exacting, and an integral part of the job.

4. People learn the most when teaching others.

5. Effective leaders earn respect-but they don't need to be liked.

II. Doris Kearns Goodwin lists ten lessons from the stories of Lyndon Johnson, John Kennedy, and Franklin Roosevelt for leaders of today's organizations:

1. Timing is (almost) everything.

2. Anything is possible if you share the glory.

3. Trust, once broken, is seldom restored.

4. Leadership is about building connections.

5. Leaders learn from their mistakes.

6. Confidence-not just in oneself-counts.

7. Effective partnership require devotion to one's partners.

8. Renewal comes from many sources.

9. Leaders must be talent brokers.

10. Language is one's most powerful tool.

III. John P. Kotter argues: "No organization today-large or small, local or global-is immune to change. To cope with new technological, competitive, and demographic forces, leaders in every sector have sought to alter fundamentally the way their organizations do business. These change efforts have paraded under many banners-total quality management, reengineering, restructuring, mergers and acquisitions, turnarounds. Yet according to most assessments, few of these efforts accomplish their goals. Fewer than fifteen of the one hundred or more companies I have studied have successfully transformed themselves." Hence, he lists eight critical steps to transform your organization:

1. Establish a sense of urgency.

2. Form a powerful guiding coalition.

3. Create a vision.

4. Communicate the vision.

5. Empower others to act on the vision.

6. Plan for and create short-term wins.

7. Consolidate improvements and produce still more change.

8. Institutionalize new approaches.

IV. Warren Bennis argues: "I believe that behind every Great Man is a Great Group, an effective partnership. And making up every Great Group is a unique construct of strong, often eccentric individuals. So the question for organizations is, How do you get talented, self-absorbed, often arrogant, incredibly bright people to work together?" And he suggests ten principles common to all Great Groups:

1. At the heart of every Great Group is a shared dream.

2. They manage conflict by abandoning individual egos to the pursuit of the dream.

3. They are protected from the "suits".

4. They have a real or invented enemy.

5. They view themselves as winning underdogs.

6. Members pay a personal price.

7. Great Groups make strong leaders.

8. Great Groups are the product of meticulous recruiting.

9. Great Groups are usually young.

10. Real artists ship.

V. J. Richard Hackman identifies a number of mistakes that managers make in setting up and leading work teams.

Mistake 1. Use a team for work that is better done by individuals.

Mistake 2. Call the performing unit a team but really manage members as individuals.

Mistake 3. Fall off the authority balance team.

Mistake 4. Dismantle existing organizational structures so that teams will be fully empowered to accomplish the work.

Mistake 5. Specify challenging team objectives, but skimp on organizational supports.

Mistake 6. Assume that members already have all the skills they need to work well as a team.

I highly recommend this excellent collection as a whole.

This is a collection of outstanding contributions from the Journal of the Drucker Foundation, by leaders and thinkers. Key sections focus on: leaders and leadership; leading innovation and transformation; leadership in the new information economy; competitive strategy in a global economy; leading for high performance; and building great teams.

A few of the contributors include: Peter Drucker, Charles Handy, John Kotter, Rosabeth Moss Kanter, Steven Kerr, Noel Tichy, Stephen Covey, Warren Bennis and Peter Senge. This book offers an enormous amount of rich content. Recommended. Reviewed by Yvette Borcia, Managing Partner, Stern & Associates, co-author of Stern's Sourcefinder: The Master Directory to HR and Business Management Information & Resources, Stern's CyberSpace SourceFinder, and Stern's Compensation and Benefits SourceFinder.

"People in both in this country and around the world have an enormous hunger for ideas; that's why three years ago the Drucker Foundation launched 'Leader to Leader', a journal of ideas by leaders for leaders."Frances Hesselbein writes, "This hunger among millions of working executives demonstrates their concern for the future and a commitment to make a difference. The incisive thinkers and remarkable leaders who have contributed to the journal and to this book open doors, spark ideas, raise signal flags, and help satisfy that universal hunger."

In this context, I summarized partially only four of the thirty-seven essays written by talented thinkers as follows:

I. Peter F. Drucker writes: "The three people from whom I learned the most in my work were all very different. The first two were exceptionally demanding; the third was exceptionally brillant. All three taught me a lot...Five lessons I learned from those remarkable men still apply today:

1. Treat people differently, based on their strengths.

2. Set high standards, but give people the freedom and responsibility to do their job.

3. Performance review must be honest, exacting, and an integral part of the job.

4. People learn the most when teaching others.

5. Effective leaders earn respect-but they don't need to be liked.

II. Doris Kearns Goodwin lists ten lessons from the stories of Lyndon Johnson, John Kennedy, and Franklin Roosevelt for leaders of today's organizations.

1. Timing is (almost) everything.

2. Anything is possible if you share the glory.

3. Trust, once broken, is seldom restored.

4. Leadership is about building connections.

5. Leaders learn from their mistakes.

6. Confidence-not just in oneself-counts.

7. Effective partnerships reqire devotion to one's partners.

8. Renewal comes from many sources.

9. Leaders must be talent brokers.

10. Language is one's most powerful tool.

III. Warren Bennis argues: "I belive that behind every Great Man is a Great Group, an effective partnership. And making up every Great Group is a unique construct of strong, often eccentric individuals. So the question for organizations is, How do you get talented, self-absorbed, often arrogant, incredibly bright people to work together?" And he suggests ten principles common to all Great Groups:

1. At the heart of every Great Groups is a shared dream.

2. They manage conflict by abandoning individual egos to the pursuit of the dream.

3. They are protected from the "suits".

4. They have a real or invented enemy.

5. They view themselves as winning underdogs.

6. Members pay a personal price.

7. Great Groups make strong leaders.

8. Great Groups are the product of meticulous recruiting.

9. Great Groups are usually young.

10. Real artists ship.

IV. J. Richard Hackman identifies a number of mistakes that managers make in setting up and leading work teams.

1. Use a team for work that is better done by individuals.

2. Call the performing unit a team but really manage members as individuals.

3. Fall off the authority balance team.

4. Dismantle existing organizational structures so that teams will be fully empowered to accomplish the work.

5. Specify challenging team objectives, but skimp on organizational supports.

6. Assume that members already have all the skills they need to work well as a team.

Not only these essays, but all of the book as a whole is strongly recommended.

The Leader to Leader magazine, from The Drucker Foundation, is consistently one of the best magazines for insightful leadership thinking. Now the 'best of the best' has been gathered for this handbook. Harvard Business School Professor John Kotter's insight into the four most common mistakes that cause change efforts to fail are superb and right on the money -- and his chapter is just one of thirty-seven. I wish this book had been available when I started my leadership journey many years ago! Whether you are just beginning your leadership journey or you are well on your way to becoming a SmartLeader, this book is a resource that you will benefit from today and in the days ahead.

James J. Heaphy has provided the perfect picaresque historical account of daring and brio and spying in a Morocco which is struggling for its independence from the French. Heaphy is the perfect tour guide for the labyrinthine route; he provides an operational narrative of entwined complexities with delightful intricate details of privity that can only be supplied by someone uniquely qualified because he was an active participant in the intrigue of the time.
But history is infinite, and for me the most important function of this historical memoir is that it enables one to appreciate all the more the subsequent metamorphosis to the modern moderate Morocco, guided by the brilliance and inspired leadership of Mohammed VI, the present king of Morocco. With Morocco poised to lead in assuaging the many factions of the Middle East, Legerdemain contrasts for us in bold relief what we hope that rational leadership can accomplish.

This book was great! It made me laugh, cry, and left me wondering what was going to happen next. I highly recommend it, even if you aren't in to history (which I'm usually not), its written like a spy novel which pulls you in and makes you wonder how it all is going to end.

What a remarkable read! Heaphey's story made me sit up and wonder as to what really goes on in this world. His writing style made the book move like a novel. I hope he has more books on the way.

Legerdemain is a crackling good yarn. It's also an unexpected five-star mixture of history and travelogue stirred into a Cold War memoir. Oh, to have such memories.
As a Middle East specialist, I read books, magazines and web sites from necessity. I don't often enjoy much of the stuff I have to read to keep up. Legerdemain is a happy exception. I've added it to my bibliography because I found a gem of prediction among Jim Heaphey's well-crafted recollections. But you don't need utility as a motive to pick up this book, although you may learn a few things of interest, if you do. This is a five-star tome for me because I found a forewarning of our confusion over the current conflict with Islamists that is pertinent to my work. It could earn your five-star rating for any number of other reasons: clear writing, believable people, exotic locales and a special viewpoint into the early days of our conflict with the Soviets are all worthwhile reasons to follow this narrative for the fun of it. You are as likely to find a bonus in it as I did.

A tremendous read. This book moves along at a blistering pace. And it all actually happened. James Heaphey tells his story with great enthusiasm and really illuminates the inner workings of Government Agencies. I hope he has more stories to tell.