Europe Books

This was one of the most powerful memoirs of the many Holocaust stories that I have read. It was difficult to put it down, and when I did, I had to take time out to contemplate what I had just read. One of its strengths is the author's continuous attention to details and facts, giving us a day by day, month by month, and year by year account of what his and his fellow Jews' daily life and subsequent sufferings were like. It is, in fact, so detailed that the reader feels like he/she is right there in his hometown of Tyczyn as he passes his boyhood surrounded by the love of his family....then with the Nazi invasion, the descent into the abyss begins as each day brings new heartbreak, new difficulties. The author has an extraordinary ability to describe emotions so that the reader can feel within himself just how the parents felt, how his fellow prisoners felt as they suffered and were brutally killed.

The memoir is a searing indictment of 2,000 years of Christianity and its utter failure as the fabric of society is torn asunder under the Nazi occupation. The simple one and a half page of the Prologue left me angry and emotional as the author describes how even today the Poles reject any ties to centuries of Jewish culture and their former "neighbors". Throughout this tragic story the author relates in simple but graphic detail how the "Christian" Poles stood by and jeered, laughed, threw stones, and showed utter contempt for the Jews and their terrible suffering as they passed by and were beaten and shot by the German and Ukrainian guards. Even worse were the Poles and Ukrainians who hunted down Jews as they tried to escape and either killed them or turned them into the Gestapo.

The most sobering aspect is that what happened in this book, one man's attempt to survive in conditions so terrible and dehumanizing that it takes courage to even read it all, is that this happened in countless towns, in countless families, to countless innocent men, women, and children simply because they belonged to a group that was condemned. It became "ok" to discriminate, then humiliate, then beat, then kill and finally annihilate. What is the lesson to be learned? The chilling and sad answer is that the world has in many respects learned nothing. This powerful story is an indictment of humanity itself.

The only reason I put this book down was to reflect. This story is so important - I will do as another reviewer suggests - "This book is to be read and passed down to our children to read.
Very powerful.
A suspensful read on a horrific truth.

The 23rd Psalm: A Holocaust Memoir is the chilling personal testimony and memoir of the daily life of George Lucius Salton, a Jewish man who survived the living hell of a Nazi concentration camp. An intense, gripping tale of hatred and power used as a brutal club to perpetrate atrocity, and the author's witness and narration of the unspeakable, The 23rd Psalm is an welcome and invaluable contribution to the growing library of Holocaust Studies. Providing powerful refutations of anti-semitic revisionist historians, these personal and eye-witness accounts are all the more significant in view of the holocaust generation now reaching an age where they are rapidly passing from among us.

The 23rd Psalm is a story that has been imprinted upon my soul, that will remain there as long as I live. I share in the sentiments of Pat's review; I was both compelled to stay in its pages by day and visited with its images at night in my sleep, somehow sharing in this man's plight.

Thank you Mr. Salton for allowing others, for allowing me, into the most private and intimate and horrific memories of your life. I esteem you, and those like you, with the utmost honor. May the Lord cause His face to shine upon you my friend.

It must have taken the author a great deal of inner strength and pain to come to terms with these horrible happenings and be able to put them down on paper to share with all those that read this book. It was amazing that one so young would be quick enough to call on survival skills at the right moment. Though some, of course, was luck, this author displayed a natural instinct to survive throughout his nightmare.

Not knowing much about this period, I was quite interested to find out more on this era.

This book gives us an over view of what is known of the time. I was stunned to find how little is known of this time. What we do know is that the period went though some dramatic changes? However how we don't know. There are unfortunately few written sources of the period and the archaeologist have little at present to help us.

An Age of Tyrants: Britain and the Britons A.D. 400-600
Christopher A. Snyder
The Pennsylvania State University Press, 1998
ISBN 0-271-01780-5

This is a wonderful book to bring to life a cohesive mosaic of the two centuries that followed the removal of Britain from the Roman Empire to the arrival of the papal mission under Augustine in 597.

Published within the past few years, this book bring together many of the latest elements in the trail of King Arthur available to the modern scholar. His book is filled with the most credible theories based on academic consensus, drawing from the most recent translations and comparisons of ancient sources.

What is most singulary worthy of this book is the lack of judgement on the topic of Arthur and Merlin. After laying out the entirety of the context within which Arthur and Merlin may have lived, these two characters are dealt with only in a brief three page appendix. Snyder describes the historical basis for the two characters then ends his brief discussion without trying to postulate who they actually might have been. "What the historian can contribute, however, is a better understanding of the period and place in which Arthur and Merlin may have lived for those who wish to pin down these legendary figures to time and space."

Indeed! This is precisely what he has done. Anyone interested in playing Pendragon or reading Arthurian literatute will appreciate how he frames the era in terms of these "tyrants" -- self-made men who usurped traditional authority to re-establish order and deal with the chaos of the dissolution of the Roman empire.

As a scholar what I like is that the author has made a thorough documentation of where he gathered all of his information. This book itself is short, at 260 pages of text including appendices. Yet it then has 124 pages of rich and curious notes and a lengthy bibliography from which he cited his information.

Christopher Snyder is Associate Professor of History and Chair Department of History and Politics at Marymount University in Arlington, Virginia.

It is very refreshing to read a book about this period of British history that is not obsessed with the Arthurian legend, interesting though that is. Mr Snyder uses the little written evidence there is from the 410-600AD period to try and form a picture of the conditions at the time. The second part of the book discusses the archaeological evidence in depth and the final part constructs a coherent picture of what life must have been like in post Roman Britain using the evidence of the first two sections. Arthur and Merlin are mentioned in an appendix and at a few points within the text but only to point out that the historical evidence cannot say one way or the other whether these personalities existed.

Mr Snyder has settled on the title "An Age of Tyrants" to describe the era as being preferrable to "Sub-Roman Britain". I'm not sure if this title is adequate but it is superior to the somewhat demeaning "Sub-Roman" description. This period was clearly not as savage as has previously been thought.

My only minor criticism is that I would have preferred to see more illustrations of the archaeological sites and artefacts but overall I found this an extremely interesting book that was difficult to put down.

Christopher Snyder says the inhabitants of what is known today as England, Scotland, and Wales would not have called themselves Britons before the arrival of the Romans. In pre-Roman days they would have been known by names associated with their tribal affiliations. Many of the individuals might have referred to themselves as 'Combrogi' or 'Cymry' the latter a Welsh term referring to friendship and/or love of place. The Romans named the "big" island across the "English" channel Brittania. About 400 years after they arrived, the Romans formally withdrew from Britain and left behind a changed place (and probably a few ex-Romans) -- including the name by which the inhabitants knew themselves.

For a long while scholars referred to the period following the departure of "official" Rome and the final "conquest" of Britain by Angles, Saxons, and Jutes the 'dark ages'. More recently, scholars have referred to this era, which stretches from about 400-600 A.D. 'sub-Roman Britain'. Christopher Snyder says he would prefer to call it the Brittonic Age, although his book title names it AN AGE OF TYRANTS.

Snyder's book is divided into three parts. First, he explores the written record -- the writings of Britains Patrick (5th Century) and Gildas (6th Century) and other non-Britonic witnesses. He discusses Latin terms from the extant written material, such as the word "tyrant" which was construed differently by different people in different places speaking different languages. Snyder suggests the "tyrants" described by St. Jerome or the Honorable Bede may not have been as badly behaved as the negative connotation of theit term suggests. In fact, Snyder says the tyrants distant churchmen described may have been more akin to the "tigern" or Celtic lord.

In the second part of his book, Synder discusses the archeological record of the Brittonic Age--which has been overlooked and undervalued as it falls between the rich material record of the Roman (Cirencester, Bath) and Anglo-Saxon (Sutton Hoo) periods. I found this section of the book illuminating as Snyder has systmatically inventoried and synthesized the evidence from a many "digs" into a coherent whole.

In the third section of his book, Snyder uses the material from parts 1 and 2 to describe life in the Brittonic Age in various kinds of settlements (towns, villas, forts, etc.) and the social structure of the people including aspects of government, religion, military, and economic. He says the Britains were a Romanized-Christian people who did not revert back to the tribal behavior that existed before the coming of the Romans.

Snyder is a professor at Marymount University and for all I know he is a member of a religious order, but having graduated from Georgetown University myself, I know that religious affiliation does not mean one cannot be objective. However, Snyder's conclusion that pagan ways disappeared in the Brittonic Age as the population became Christianized may not be exactly accurate.

Based on a reading of the material in Snyder's book and other material, I suspect Celtic ways and the Christian ways merged into an entirely new religion. According to Snyder, Pope Gregory suggested at one point that as the clergy converted pagans they should adapt "pagan temples and rituals to Christian usage in nonviolent ways." I think that is exactly what happened, and I think that explains in part why The Blessed Virgin Mary became so important in Great Britain--which Snyder, a professor at MARYmount might have noted.

I must admit, like so many others, I was originally drawn to the post-Roman period by the "historical King Arthur." But the period is a rich and diverse one, worthy of study in its own right--not only as "Arthur's Britain." In this incredible volume, Chris Snyder--probably the greatest expert on post-Roman Britain alive today, in my opinion--paints a picture of Britain that is anything but a "sub-Roman" "Dark Age." If you ever raised an eyebrow when your history textbook skipped from the Romans in 400 CE to the Anglo-Saxons in 800 CE, then you should read this book. If I had begun with a volume like this when I began my foray into post-Roman Britain, my how farther along I'd be now!

The Bellerophon -- or Billy Ruffian to Jack Tar, who wasn't familiar with Greek mythology -- is, or at least used to be, a familiar ship to English schoolchildren, because it was the ship that collected Napoleon on his final failure and used to be regularly illustrated in textbooks.

In David Cordingly's deft and straightforward biography, the Billy Ruffian turns out to have had an unusually interesting career, with even some echoes still reverberating in the 21st century.

Cordingly does not attempt to retell the history of the Napoleonic wars, or even just the naval wars, through the experiences of the ship, but he does nevertheless give a concise review of the naval strategy and most of the important battles. Billy Ruffian took a brave part in three of the most important -- the Glorious First of June, the Nile and Trafalgar.

Billy Ruffian was badly knocked about in all three, actually being driven from the field at the Nile, although only after giving a stout fight to a much bigger French ship.

Although slugfests in the Age of Sail could be very bloody, not many men died in the Bellerophon's fights: four at the First of June, 49 at the Nile, 27 at Trafalgar. Compared with the butcher's bills presented at places like Waterloo and Borodino, seapower was a cheap way of dealing with tyrants.

The heroes of the Billy Ruffian also were true Britons. Although a myth has grown up that European ships' crews were cosmopolitan, one captain of Bellerophon wrote down a unique list of the origins of all his sailors. (Why he did this odd thing is unknown.) Fully half were English and most of the rest Irish, Scots and Welsh. Many foreign places were represented in the crew, but only a small proportion were foreigners.

After the war, Bellerophon was converted into a floating prison, and Cordingly's description of this episode is as interesting as all the war stories.

The part of Billy Ruffian's history that still resonates concerns what to do about Napoleon. The situation was very similar to that faced by the American administration today, and the outcome was similar, too.

Napoleon's status was uncertain. At times he wanted to be considered a prisoner-of-war, at other times not. The British Cabinet was convinced that, whatever his legal status, he had to be put away. In this, they were undoubtedly correct.

The interference of lawyers in matters that were beyond the scope of law was then, as now, a danger to innocent lives, and while Bellerophon never ran from an armed enemy, she did flee in the night from a lawyer, who was thought to be carrying a writ of habeas corpus. (In fact, it was only a subpoena in a civil suit.)

In the end, Napoleon went to St. Helena, the Guantanamo Bay of 1815.

"The Billy Ruffian" is a satisfying ship biography, with one exception. It is lavishly illustrated, as might be expected from Cordingly, formerly Keeper of Pictures at the National Maritime Museum. Unfortunately, in the paperback edition the reproductions are too small to be examined. The hardcover edition (which I have not seen) is probably, therefore, the better bargain.

This is an absolutley fabulous book and read, for both the knowledgeable reader of the 19th century Royal Navy or the novice regarding that era. There is naval history, social commentary and history, as well as of adventure and seamanship.

A great book to read, keep and read again.

I enjoyed this biography of a 74-gun ship of the line that was everywhere during the Napoleonic wars. He gives interesting information on shipbuilding, life at sea, the Cadiz and Brest blockades, the battles (Glorious First of June, Nile and Trafalgar), the Admiralty and Navy Board, press gangs, prison hulks, Lord Nelson, etc.

The problem is his very sympathetic treatment of Napoleon. It's one thing to say he was a brilliant battlefield commander. But it's inexcusable to fail to add that he was a ruthless tyrant who drenched Europe in blood and kept it at war for over 20 years. After Waterloo, Napoleon surrendered to the Bellerophon and Cordingly seems to agree that the British were somehow hardhearted in exiling him to St. Helena, rather than giving him what he wanted--a nice cottage in the English countryside. What he deserved was a rope at the nearest yardarm.

Instead of the usual biography of a famous captain or battle, Mr. Cordingly treats us to the life of a famous ship of the line - Bellerophon.
From a protracted birth in the slips of the Medway, through the highs and lows of the American and European wars, to an ignominious return to her birthplace, we read the history of the Georgian Navy as written by her commanders, officers and crew,
The author's painstaking research of the Admiralty records and Naval chronicles breathes life into what could have been a simple catalog of events and postings ... first-hand accounts, log-books and extracts from letters flesh out the bare bones of ports and locations, while the background of contemporary historical events puts Bellerophon's role into full perspective - this is the real stuff that Forester and O'Brian drew on to create their adventures.
Why Bellerophon? There are plenty of other famous ships, but none had the fortune to engineer the collection and safe conduct of the most famous and wanted man in the world from his enemies in France. This was to be the high point of a long and distinguished career, as immediately afterwards she was decommissioned and spent her last 21 years as a prison hulk.
An informative and absorbing read.

Veteran scribe of the seas David Cordingly has wrought a spellbinding biography of HMS Bellerophon, "The Billy Ruffian: The Bellerophon and the downfall of Napoleon: The Biography of a Ship of the Line, 1782-1836", one of the most important warships in Great Britain's Royal Navy during the French Revolutionary and Napoleonic Wars. "Billy Ruffian", as she was know affectionately by her sailors and much of the fleet, played a pivotal role at three of the most important battles during these wars with Revolutionary France and Napoleon's French Empire; The Glorious First of June, the Battle of the Nile, and Trafalgar. At the Glorious First of June HMS Bellerophon fought decisively against a French fleet nearly twice the size of the British fleet commanded by the elderly Admiral Lord Howe, the Royal Navy's most distinguished fleet commander at the onset of the French Revolutionary wars. At the Battle of the Nile, HMS Bellerophon fought a fierce duel with the larger, more powerful French ship-of-the-line L'Orient, the flagship of the French fleet, only to be rendered a drifting hulk with the loss of much of its crew killed or wounded, a short time before L'Orient blew up and sank; an explosion which was heard twenty miles away. And then, of course, was Bellerophon's heroic struggle against French and Spanish warships at Trafalgar, made most memorable by the death of her captain during the battle's climax. Yet the most important episode in her celebrated career occurred at the close of the Napoleonic wars, as the warship which carried Napoleon Bonaparte back to England at the end of his "Hundred Days", mere weeks after his defeat at Waterloo by an Allied army commanded by the British general Arthur Wellesley, Duke of Wellington. Tragically, Bellerophon's distinguished career as a Royal Navy ship-of-the-line would end shortly thereafter, with the last two decades of her life spent as a prison hulk. Coordingly is a captivating, mesmerizing writer who has created a splendid biography of this important, yet forgotten, warship. Fans of naval warfare and of course, C. S. Forester and Patrick O'Brian, will find this memorable book well worth reading.

Karl-Heinz Frieser's Blitzkrieg Legend provides a detailed view of Germany's campaign in the west during May 1940. Unlike most accounts of this campaign available in the United States, Blitzkrieg Legend presents events from the German point of view. Frieser offers an intellectual and historical basis for understanding the blitzkrieg concept by examining the usage of the term in wartime propaganda, and comparing the material and doctrinal preparations for war undertaken by the adversaries. Frieser states "...blitzkrieg signifies an attempt to turn strategic necessity into operational virtue against the background of shortages in economic resources."

However, the heart of the book is the author's detailed presentation of the Wehrmacht's attack through the Ardennes, across the Meuse River and straight across the Allied rear areas to the English Channel (with over 40 color maps).

Highlights include:
- Logistics behind the German move through the Ardennes.
- Role of the Luftwaffe.
- Crossing the Meuse at Sedan under fire in rubber assault boats.
- Guderian's decision to turn west with the 1st Panzer Div.
- Blocking the French counter-attack at Stonne.
- Stealth crossing at Houx by the 5th Panzer Div.
- Rommel's 7th Panzer Div and the drive through Montherme, Montcornet and Avesnes.
- Tank battles at Hannut, Flavion and Arras.
- Rundstedt's halt order before Dunkirk.

As he endeavors to account for the tremendous disparity in outcomes between the German forces and their Allied adversaries, Frieser focuses on the mission-based tactics which allowed German commanders to respond to local conditions in a way their Allied counterparts could not match. Combined with extensive use of radio communications, ground-air coordination, more efficient re-fueling practices, and the schwerpunkt principle, mission tactics gave the Germans a doctrinal edge in handling the fast-changing conditions of maneuver warfare. As Frieser sums it up, "An operational war of movement above all is a problem of command technique."

Nazi Germany's spring offensive of 1940 opened a new chapter in warfare -- never before, in the long history of European conflict, had a victorious campaign of such magnitude (and brevity) been seen. Frieser is at pains to demonstrate that the most exhaustive quantitative and qualitative analysis of the opposing forces would not have yielded any basis for predicting such an overwhelming German victory. The book focuses on the tactical details of the "sickle cut" breakthrough in the Ardennes sector and the subsequent exploitation to the Channel coast. (The operations of Army Group B in Holland and northern Belgium barely rate a mention.) Readers will appreciate the abundance of operational and tactical-level maps (in German, of course), and Friesers combat narrative translates well. The German Army, despite deep misgivings within most of the high command, implemented and (for the most part) stuck to a superior strategic concept that was executed with great energy and outstanding tactical skill. Above all, Frieser's account pays tribute to the initiative displayed by German soldiers of all ranks. From Generals down to sergeants, this army demonstrated near-unbelievable energy, adaptability, and presence of mind throughout the campaign. It is a story well-told, with lessons that will resonate with every serious student of military history.

This is the definitive account of the campaign in France and Benelux 1940. Thoroughly researched, myth-busting, superb analysis, easy to read in spite of its academic complexity.

This is an excellent study of the 1940 blitzkrieg campaign in Western Europe and looks at the struggle of the German High Command to adopt the brilliant "sickle cut plan" when they themselves were expecting a long drawn out war and then looks how the campaign unfolded in depth. The book examines how the German victory came about even though the German forces were outnumbered and also contained in some instances inferior equipment e.g. the panzer divisions contained mainly inferior tanks of panzer pzkpfwIs & pzkpfwIIs.

The German advantages however lay in their ability to co-ordinate all arms in their arsenal e.g. airpower, armour, infantry and the German personnel on the battlefield were able to make quick decisions in the field and were always conscious of time and pushed onto their objectives. The author relates this ability to quickly react to the German training in that the German command gave out objectives and missions, but the way in how these were to be achieved was largely up to the individual officers in the front lines. It was also the unauthorised actions of commanders like Guderian and Rommel by relentlessly pushing forward with their panzers and outstripping the supporting infantry that caught both the German and Allied commands of guard. The French & Allied way was to wait for orders but once received they were generally hopelessly out of date, and time and again opportunities to launch effective counter attacks were wasted. The French Command was slow to react, unable to coordinate all arms and could not organise an effective counter attack at the operational level, they could only achieve this at a tactical level.

The author examines how the Germans came out victorious even though they contained large numbers of inferior tanks. The Germans achieved this by concentrating their armour in panzer divisions adhering to Guderians concept of "punching with the fist and not feeling with the fingers". The French tanks were superior in armour and firepower but lacked radio and had small fuel tanks. The French were constantly stopping to refuel from fuel trucks whereas the Germans tried to alleviate this by carrying fuel in jerry cans with them. The German tanks contained radio that enabled crews to better coordinate their attacks and gave them the edge. When the French did manage to mass their tanks it was in a linear fashion with no depth and the Germans were easily able to penetrate. Once the French lines were penetrated and the Germans raced on and reached the French rear areas, panic ensued and the French front virtually collapsed.

The author points out the French Command incorrectly assessed the Ardennes as impassable by armour, neglected the Sedan sector through lack of mines & incomplete bunkers and ignored reconnaissance reports of German movements and of course were far too slow to react. Also, the French airforce was not very effective because a long drawn out war was expected and therefore only a portion of available aircraft were committed.

This is indeed an interesting and well researched book and highly recommended.

This book is both an analysis of whether the campaign in France in 1940 was planned as a "blitzkrieg" and a rather good account of the campaign itself.

The author very convincingly demonstrates that the Germans in general (and Hitler in particular) did not plan the French campaign as a blitzkrieg-style attack. While the high command's conservative plans resembled a revamp of WWI plans, a few new-style officers--principally Manstein and Guderian--came up with and convinced Hitler to authorize the daring plan to attack through Sedan. The campaign would have been an even greater success if Hitler and the senior generals had not lost their nerve and continually reined-in the panzers. In any event, all the German generals were a bit stunned by the quick victory. The author concludes by saying that France was an "unplanned but successful blitzkrieg, while Russia was a planned but unsuccessful blitzkrieg."

The book is also an excellent account of the campaign, and points out many interesting facts, such as:
--the French supreme headquarters was not equipped with a single radio at the outbreak of the war;
--another senior headquarters had a single telephone line, which became inoperable every day betwee 12:00 and 14:00 while the battle was raging because the swithboard girl insisted on her lunch break;
--at the outbreak of the war, the Germans had twelve times more trained radio operators than the French army;
--while the superiority of many French tank models over the German panzers is rather well known, the author recounts an incident in which a panzer commander grew so frustrated that his panzer could not damage a nearby French tank that he dismounted and attacked it (unsuccessfully and with fatal results) with a hammer.

Meticulously sourced, well written, great book. My only quibble is the rather excessive use of the word "astonishing"...

Brendan Behan's memoir of his time incarcerated in England , is a comical, sympathetic and humanistic work of art. As a young IRA member arrested in Liverpool at the age of 16 in possession of explosives he demonstrated a remarkably fatalistic viewpoint for someone so young and seemed to take in the experience as an observant participant in a human drama without a hint of self pity.

As he begins in a remanded prison before his transfer to London and ultimately to a Borstal (reform school) he meets with a variety of characters both fellow prisoners and "screws" or guards and they populate his story that also includes incredibly detailed descriptions of the routine of a life behind bars.

Behan became famous as a playwright and notorious drinker in his later years and died tragically young apparently from years of heavy drinking. He is a writer of great insight and power and should not be missed by anyone interested in Irish literature.

I was epecting something a little more politically polemic or bleak, but this account is hysterically funny and inspired. Behan's writing is always vital, his grasp of dialogue perfect, but this novel enjoys a pacing brilliance I dared not hope from a playwright. Most dramatists have trouble with narrative prose because the rhythms are different, but not so with this account of his jail time as an adolescent in England.

I'm an avid reader and can't believe I overlooked this book for so long. Perhaps I dismissed Behan as a professional Irishman, known more for his carousing than for his writing. What a mistake! This memoir is profound, profane, funny and, ultimately, humane. Read this book now; you're in for a treat.

This autobiographical account of Brendan Behan's arrest and imprisonment from 1939 until around 1943 in a British Borstal (youth correctional facility)is an outstanding piece of literature.

There are four primary strenghts to this great work.

First, the language is witty, charming, and creative. I found the mixture of Irish and British male adolescent working class slang to be musical and amusing. Behan had a wonderful sense of dialogue and the manner in which young men verbally duel with each other, striving for rank and dominance and friendship.

Second, the story is unique. A 17 year old IRA terrorist is arrested and sent to a youth facility full of adolescent petty criminals. The worlds of incarcerated vs. free; adult vs. adolescent; Catholic vs. Protestant; Irish vs. English: and criminal vs. political prisoner are just a few of the wonderful tensions and juxtapositions that Behan creates.

Third, is Behan's slow pace and ability to observe the most remote details, describe them uniquely, and then weave these streams of images together to create a world and to populate it with characters that ring true with every word.

Fourth, the story is a tremendous testament to the goodness of mankind. Underneath the tensions, the rivalry, the ideology, the story reveals the simple common kindness of mankind. Brendan Behan may have evoked this kindness through his own exceptional openness and acceptance of his fellowman or he may have observed this kindness through this insightful but possibly biased vision of the innate goodness of mankind; but, none the less, his faith in our sometimes distorted and crippled species shines through the autobiography like a beacon of hope.

I wish I could have given more than 5 stars to this superb work. Don't rush through this book. Let Behan take you into his experiences and his kind view of the world of man.

There are several excellent reviews for this title, so I won't attempt to reinvent the wheel with mine.

The best I can say is that with each page of this incredible book, I find myself closer to a person I never thought I'd like, let alone truly love.

When all is said and done, Brendan Behan is not about The Cause or The Revolution or liberalism or conservatism or anything. Brendan is a human being, in it for Brendan and his best interests. But don't let this make you think that he is a selfish being. Quite the contrary... Brendan finds the humanity in others, far away from the propaganda and agendas he's been fed since infancy. And in that, Brendan finds the humanity in himself.

He's been gone now for... well, longer than I care to believe. But in this, his most powerful and insightful work, he speaks to an audience that is far from outdated, saying the things he feels and believes, with an honesty that most of us wish we had, but work far too hard to conceal. His candidness speaks to our deepest secrets, and opens up a self-awareness in those who wish to explore it.

I am an avid reader, 40 years and going... and I count this as my single favorite book. That is not a distinction given lightly.

Brendan Behan may not be here now, but his message of humanity and humor and growth is ageless. I can only hope that more people take a moment to read it.

"There was a time when the sun never set on the British Empire. From Ceylon to the Americas, England ruled, bringing her lifestyle to Crown colonies around the globe.

Being stationed in India or Egypt, however, was no excuse to relax the standards of living to which British Army officers were accustomed. Living 'under canvas' did not mean roughing it. Instead, they brought their homes with them, packing cunningly constructed, portable furniture suitable for any elegant tented dinner.

Today, campaign furniture's elegance and simplicity have made it a must-have item for decorators and antique lovers. Nicholas Brawer's new book British Campaign Furniture: Elegance Under Canvas (Abrams) provides a fascinating history and a guide to collapsible decor."

I just had to have this book. The subject matter was unusual and touched on the social aspects of camp life in the British Army.
The pictures are fabulous.

This is an excellent review of British Campain Furniture.

Each piece is photographed in colour and/or Black & White, discussed and given brief measurements. The "disembled" photos are of great use to anyone who wishes to reconstruct any of the items from the book, as well as satisfying the just plain curious. Some of the gadgets are fantastic.

Unfortunately, like most books of this type, the author is limited by the pieces that he can access within a year or two. I know there were 'Campaign' folding rocking chairs, and I an certain that there are other examples of furniture, with other systems of assembly ( Louis Vouton made a folding-bed-in-a-trunk for the Brazza Expedition in Africa in the late 1800's which survives - there is a single picture in 'Treasure Chests').

I can only hope that the author will be encouraged to keep looking & photographing, and that we may see a second volume in years to come.

Sorry Amazon, you just don't have enough stars........

"If you were a British officer during the 18th or 19th century, your home had the look of a proper English residence, with desks, chairs, sofas, chests and fancy bedroom suites--even if you lived in a tent.

'The only real difference between fine household furniture and its campaign counterpart was that the latter could be quickly folded up, packed away in boxes, transported, and--without the use of nails, tacks or tools--reassembled...,' Nicholas A. Brawer writes in British Campaign Furniture.

How the furniture can be taken apart and stored is fascinating. One dining table and set of four padded chairs and a chaise lounge can be broken down into pieces that fit into two small crates.

There are pictures of the furnishings set up and stored. Often officers lived better overseas than at home. One cartoon depicts a British officer and his wife dining in their home overseas, with a half-dozen servants waiting on them, and then dining at home after retirement, with only one housekeeper.

Nearly half the book is a portfolio of the furnishings and detailed descriptions of manufacturers and furniture makers."

This book is a must have for anyone interested in English antiques, social, military, or naval history. I have never seen another book on this subject and it is filled with very interesting "before" and "after" photographs of dozens and dozens of pieces of campaign furniture "assembled" and "disassembled." I imagine this book has been a great hit in London.

In the 106 pages of THE BURNING TIME, Carol Matas is able to take you through tremendous tragedy. And hope.

Rose's mother is a midwife who is known for her great gift of healing, and Rose oftentimes helps her mother. Rose's father dies unexpectedly, leaving just she and her mother to take care of themselves and the land he left them in his will.

Her father's relatives are not happy that they did not receive the land upon Rose's father's death. One uncle in particular feels it should be his and is willing to do about anything to get the land for himself. This is where the historical travesty against women during that time period becomes so real--Rose's mother is accused of being a witch. If you think you know what happened to women accused of being witches during that time, you will still be moved by what happens in this book.

Carol Matas has taken such a historical event and put such closeness to it with her characters. No longer is France in the 16th century something read about in a history book, but rather real people let us into their lives and we experience a different kind of world. A different kind of society.

As a teacher I recommend this book often and every student of mine who has read it absolutely loves it. It is a quick read with a powerful punch.

Reviewed by: Dianna Geers

[Quote]very interesting book but later when it got to the to tourture I thought that that like come on ok thats enough! but then again at a point I was interested in what they were doing to the women back then . overall its a very good book i reccommend it for girls and boys 12 and over[/Quote]

I dont understand what you mean by torture since there isnt alot in this book. Two quick segments and the rest of the book is child free. Your a noob.

on a winter day my teacher thought about reading us a book so she picked this one, the burning time; when she started off it seemed like a very interesting book but later when it got to the to tourture I thought that that like come on ok thats enough! but then again at a point I was interested in what they were doing to the women back then . overall its a very good book i reccommend it for girls and boys 12 and over.

A touching, sad, suspenseful and truth-filled story of a teenager named Rose, and her mother who helps to heal people. And an angry group of people against them. And a terrible, powerfull man who comes to their town.
This is story involves risk, love, betrayal, you name it... This book has it all. I highly reccomend it.
However, only for teenagers and very mature children. It is based on the horrid witch hunts and does include some disturbing things.
If you have a chance to read it, do! I could hardly put it down. The suspence will catch you and hold you. A great tale.
It also brings truth to what really happened in the witch hunts so long ago... A must-read.
Enjoy!

Carol Matas, best known for the "Of Two Minds" novels and her various Holocaust fictions, has created a shocking novella about two women who find themselves trapped in a witch hunt in Renaissance France.

Suzanne Rives, a beautiful and fiercely independent widow and skilled midwife, refuses advances from two men to live with her daughter, the main character Rose. People have already been suspicious of her herbal treatments, but when a witch hunter spreads terror in the town comes, Suzanne's fate is sealed.

However, Rose still has some allies: Sylvie, a plucky castle maid whose motives are revealed later, and Raymond, a young man. Suzanne is subjected to horrifying torture by the cruel witch hunters and fanatics.

The violence is bloody and shocking, but never goes over the top. This book is well written, taut and poignant, about a mother-daughter relationship that must overcome the cruelties of the day.

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

This can be a very helpful starting point for your travel planning, containing useful information about many attractive, special places in Italy. In this modern era, however, it is also important for the reader to leap to the Internet for additional information before making those reservations.

That done, you will discover that there are several potentially disappointing errors in this book, most notably the transposition of the photos for the magnificent Villa San Michele (Fiesole; attributed to Michelangelo) with the Hotel San Michele in Cortona. The former is one of the most beautiful and expensive hotels in Tuscany, standing atop a hillside overlooking Florence. The Cortona San Michele (while quite nice) is a more modest, affordable hotel, on a steep, narrow city street. One can only imagine the dismay for the visitors who arrive in Cortona, expecting the first, and found themselves at the latter! "Certainly doesn't look like its photo, now does it?"

Tighter editing--- and diligent reader investigation-- is essential. But all totalled, a recommended starting point for travel planning, especially if you recall that ancient Roman admonition, "Caveat Emptor!"

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

I first heard of this book in the late 1980s, when I was at Western Kentucky University. Alfons Heck was touring universities with a Jewish survivor of the Holocaust, and together they would tell the stories. Mr. Heck was amazing -- a sweet, gentle old man, now not only horrified at what he had participated in, but very worried that this could happen again, that people could allow themselves to be twisted in such a way. It was his message over and over -- look for ways that you are being manipulated, think twice before you look for blame on how your life or the economy is going, or you get caught up in a movement, etc. I bought the book right then and there. It is not a very well-written book, true, but the honesty and detail are spell-binding and put this book in the five star range. It's a must-read for anyone wanting to try to understand how entire communities/nations can go so very wrong. I had him sign my copy, and he said at the time that the rights had been bought to make it into a movie. I asked him who he wanted to play his part. He looked up from the book, smiled, and said, "Someone good-looking!" The Jewish lady he was touring with came up at last and put her hand on his shoulder. "Alfons, Alfons, we must go now. We have to go." It was said with such affection.

This book is an autobiography of a young man of the Hitler Youth organization and explains the deep public support for Hitler, especially among young people. What is surprising is how long after the war it was before young Alfon saw and realized the depth and breath of the tragedy that the Nazi's inflicted on Germany, the Jews, and the world. It goes a long way to explain and reinforce how hard-headed the Germans really were in devotion to Hitler.

Mr heck's book gives the reader a true insight into life in a militarized society. His details--from family members to the region near his home, paint a vivid picture of what happened in a rural part of Germany. many of his descriptions--his home and town, his service, and his travels, have not changed all that much since 1945. Much like Charles MacDonald's "Company Commander", this book takes the reader directly to the action.

I think a book is good if it is thought provoking, enjoyable reading, written in an easy-to-read style. Although the style I found not so easy to read, I found this book very thought provoking and enjoyable. I was able to identify (somewhat tenuously) with this Nazi zealot. I was able to feel that "there but for the grace of God (went) I". This, despite the fact that his twin brother was not as zealous as he, that he saw his best friend taken away as a subhuman Jew, that even the people of his small town knew about concentration camps (what did he think went on there?), and that he witnessed a proud old German Jew WWI veteran, who had lost his leg in that war, punched in the nose till blood spurt forth merely because he complained that he could not get into the truck due to his missing a leg. I wish the author had written somewhat about how he managed to rationalize away these things he witnessed directly. But then, what can he say? We all want to see ourselves as superior to others and must work at learning that the ugly, the short,the blacks, homosexuals, women, the crippled, the retarded, the mentally ill etc. are just as good as we are. Certainly there are plenty of prejudices present here in the USA also and if we had gone through what Germany went through prior to Hitler's ascendancy, we might also be susceptible to a leader such as he. At any rate, I found this honest personal history very enlightening. One example: he says "I wish I could shoot the bastard who killed them (his dog and horse)" to which the General replies, "Nothing wrong with a desire for revenge." This sentiment seems so normal on the face of it, but he was a Catholic and don't they teach, "Vengeance is mine, saith the Lord"? I'd like to think an American general would say to me, "My boy, war is hell. They kill our loved ones and we kill their loved ones". At any rate,I thought this was a great book. I would recommend it for a book group, so that members would be prompted to discuss the issues it raises.

I enjoyed this book because Heck simply states the facts. There is not a lot of philosophizing - in straightforward language, he tells it as he experienced it. His story is interesting and moving and illustrates how children were used to further Hitler's goals. Heck died recently. I hope he has found peace.

There is so much to say that I will have to force myself to be brief.

I tend to speed read my way through books but Crossroads 1969 demanded my time and I was glad to give it. This is the type of book that should be read more widely and maybe, through more exposure for the author in Amazon Shorts, it will be. Reading it reminded me that there are probably more John Cassells out there who, with one simple break, could be acknowledged as some of the great writers of our time.

John Cassell describes Crossroads as 'based on a true story' and his decriptions of people and events are so real, so 'in the moment', that he most certainly must have experienced them first hand. That said, it is one thing to experience a person or event and quite another to put it down on paper in a manner that gives the reader a sense of having watched it happen. That is Mr. Cassell's true gift. The people who populate the pages of Crossroads, from the drunk singing his own interpretation of "When Irish Eyes Are Smiling", to the centred and sensible Marcie, to the the bribable Spanish customs official, are so well described that I felt like I had just watched a movie instead of reading a book.

I am grateful to Amazon Shorts for providing a forum for my short stories but I am equally grateful that being there allowed me to make the acquaintance of John and other fine writers. Without the Shorts program, Crossroads 1969 would never have found me and I would have missed something truly worth the reading.

Brother John, I kid you not when I say that this is a wonderful book. Well done and five stars!

>> I'd already begun the battle to secure a berth for myself in a seminary at Berkeley, having submitted the necessary applications and labored over the essay which was supposed to explain in detail why I wanted to become an Anglican priest. All my friends and family had their own ideas on the subject, ranging from the worst reasons to the best. Mine, I am afraid, would have probably surprised them all and could never have been included in the essay. In truth, I was looking for a dream world to inhabit, a small country parish in the west of England where I could write scholarly theological works, drink scotch, and go prematurely senile minding a turnip garden. <<

For me, there's no substitute for reading a passage of the author's own words, to get a sense of whether you'd want to read a book. For that reason, I often quote a passage from the book I'm reviewing, isolating a segment which exposes some of the most compelling or life-filled word usage. One of the many possible prime quotes of John W. Cassell's syntax in CROSSROADS: 1969, the above passage gives a feel for this author's rich, clear voice. That quote can be found in both CR: 69 and SOLDIER OF AQUARIUS.

When I read that passage, I was already pulling for this warm, intelligent, spirited young man to succeed in living in that dream world, even though I feared that reality of pure scholarly theology might not even exist within the darkened political arenas of religious sanctuaries, except in a few very isolated, monkish cases. I wanted that world to exist, if only for John Cassell to be able to cloister himself into that dreamed type of sacred luxury of religious ecstasy and intrigue.

But, as the novel's plot developed and I saw how John was blocked from entry into that dream world, it was too clear that another world and path awaited this young man's footprints. It didn't take long before the author Cassell's words immersed the reader into subcultures of different paths and possibilities, each disallowed or road-forked-way for various reasons. Each time I fully shared John's disappointments, as I admired his ways of moving ever onward into whatever experiences he lived, through nightmares and joys, catastrophes and raptures, empty spaces and intrigues.

One thing John's life and his books do not provide is any whiff or hint of boredom. Enthrallment is in there, for keeps!

In this case, the enthrallment was not only through a philosophical journey with fascinating directional changes (as intriguing as those in the Tin Man's Quantum Leap out of the Kansas of his heroine's childhood); it's the most unusual travelogue you'll ever read on a USA citizen touring Europe and North Africa in more intimate ways than possible through friends who "live there"... and with less (almost equal) means than it would take to buy a Kindle Reader. Kindle: Amazon's New Wireless Reading Device (John's novels are available through Kindle, too.)

I recommend taking the journeys through Cassell's novels, either in physical book form, and/or through Kindle. Eventually, I'll own both/all forms of this pioneering author's works now forming their place within The Classic Literature of the Next Age.

CROSSROADS: 1969 may be my favorite of JWC's novels listed below, though now that SOLDIER OF AQUARIUS: 1969-1970 is out, that would be my favorite of those two, because that is where this saga of a series is seeded, and because my blurb is included in the opening quotes from, "What other writers are saying about John W. Cassell."

There are a few logical ways to approach a step into reading the sequential counterculture novels of John W. Cassell:

-- One is to begin with CROSSROADS: 1969 (published 2005) and follow that with AN AQUARIAN TRAGEDY: 1970 (published 2006 under pseudonym James Mundell). An Aquarian Tragedy

-- Another is to begin with SOLDIER OF AQUARIUS (published November, 2007) Soldier of Aquarius: 1969-1970 SoA is a compilation of the two above novels; the two component novels were formatted for each other in their original united state.

After reading the pair of books (CR & AAT) or the original manuscript which had both of those novels in one (SoA), the road fork would offer:

-- ODYSSEY: 1970 Odyssey: 1970

That novel gives a brief summary of CR, then covers the plot of AAT with a few chapters added to extend the protagonist's experiences through the whole year of '70, the effect of which broadens the view (through the expanded time structure and interjected research of major, news-breaking events) of what Cassell calls the Counterculture movement, with its multi-angle-motivations (realistically exposing dark and bright). Whereas CR & AAT focus on an individual's personal perspective of how he reacted to and worked within and through those timeframes; ODYSSEY presents a broader cultural perspective, looking outward into the world as well as inward into the psychological, sociological impositions and enhancements of the same individual.

The author's suggestion is to read CR:69 + Odyssey:1970... or S of A.

Then, the sequence would be as follows:

-- HELL'S QUEST: 1971 Hell's Quest: 1971

This novel continues from the base of either of the above alternatives, through the same protagonist, based on the author himself. In HQ, however, the author adds extensive (and fascinating) fictionalized elements to some of his biographical base, whereas the other novels listed above are based strongly on autobiographical realities.

-- DEVILLIER'S COUNTRY BLUES: 1972 DeVilliers County Blues: 1972

This novel continues where HQ leaves off, including the addition of fictionalized elements into a biographical basis, with the balance of fiction continuing to increase.

-- UNCERTAIN PARADISE: 1973: Part 1 (Release scheduled for late December, 2007)

This novel continues where DCB leaves off, with the balance of fiction again increasing. This novel is a satisfying read in itself, even if Part 2 does not materialize. However, you will be wanting more of JWC's novels, no matter what books you read first.

Take time to visit our discussion forum in the Amazon Shorts category, "A toast to John Cassell's novel, "HELL'S QUEST: 1971, an ongoing commentary."

That forum title has evolved well beyond a seminar on writing within a successful story format, for short pieces, novels, or sequencing sagas; yet in its evolution that forum has remained carefully focused on highly informative concepts related to writing while using Cassell's works as the baseline for comment. If you're at all interested in an X-ray view of "authorship-in-progress" or completion of Nobel Prize worthy literature, you'll feel satisfied with what you'll find there. Maybe the best part is that many of those contributing to that forum are still alive and writing... though a few quickened characters, ghosts, and poltergeists did and do apply!

From your friendly, local (on Amazon) parapsychologist,
Linda G. Shelnutt
Morning Comes: the Pre Dawn Blues - Part 1

Review of John W. Cassell's "Crossroads: 1969" (Once, We Were Young) - By Jack Engelhard

John W. Cassell traveled to Europe in search of America and to understand this it helps to be a Child of the 60s -though in a sense we are all Children of the 60s since the art, the music, the literature and even the politics of that era, all of it is still very much alive. In "Crossroads: 1969," Cassell' uses a bio-novel technique to recover the past - the second half the 1960s and into the 1970s - and the result is a masterful rendering of an era.

In trying to find America, through the backroads and the highways of Europe, Cassell was obviously trying to find himself as well, and this no one ever achieves, something nearing perfection, but it's the pursuit itself that makes for an exhilarating adventure; in this case, Cassell's adventure, wherein he introduces us to new landscapes and new people, and we never know, until we turn the page, who might be waiting for him around the next corner.

Cassell writes it straight and his most noticeable skill is in his ability to take us with him wherever he goes. We're with him when a friend turns into an enemy and we're with him when strangers turn into friends and we're with him when at any moment he could be arrested by the French police or the Spanish police - or the dreaded ESTABLISHMENT.

We understand his shyness toward women at a time when women were getting bolder. This took some of us off stride.

This is all about being young and the 1960s were about many things, but mostly about being young. America, during that period, was going through the symptoms of birthing, or rather, renewal. America was trying to figure out exactly what kind of nation it wanted to be. Therefore, there was that, the Establishment, and then there was the counterculture.

Like so many of us, Cassell found himself caught in the middle. Lucky for us that he turned to writing to share the excitement of a nation and a man still unfinished.

The adventure continues.

Today, the lines are much more clear-cut. You're left or you're right. Back then, we were still trying to make up our minds.

The 1960s were the defining decade of a generation. But which America was the correct one for us?

Cassell doesn't lecture or pontificate. He only observes and lets us, his readers, arrive at the conclusions. That's what we call good writing, and as so often happens in this bio-novel - great writing. There are so many nuggets to choose from here, but Cassell pretty much puts his finger on what the 1960s were all about when he writes: "The future was certainly ours - there was nothing but time. Yet there was not a moment to lose."

What a beautiful snapshot! Yes, we knew that at this moment the decade belonged to us, we were all in revolt, and yet we recognized that at any moment it could all be over. Vietnam was happening, after all, and the cities were burning, and everybody, it seemed, had issues, so we knew that it could not last. How long could we continue to protest when at some point we'd actually have to raise a family and earn a living? We'd have to cut our hair and most likely join a corporation - the Establishment.

One day we would have to grow up.

Cassell did grow up and what an incredible bio he developed over the years, much too long and storied to repeat here, except to note that out of all that, he enlisted in the United States Air Force, served as a New Mexico State Trooper, and also served as a district attorney - but that only touches on his many achievements.

His greatest achievement, though, as far as this reviewer is concerned, is in reminding us that once upon a time we were young. Once upon a time everything was possible.

Maybe such a time will come round again.

Bravo, John W. Cassell!

Jack Engelhard's latest novel, "The Bathsheba Deadline," is now available in paperback. Engelhard wrote the international bestselling novel "Indecent Proposal."

John W. Cassell is an author of extraordinary talent. His descriptive style, wit and smooth prose take you along on his journey, which is not only interesting, but captures the imagination and takes one to boundless territories.

If you never read any of John W. Cassell's work, you have missed more than just a little. You have missed adventure, excitement, romance, and wonderful trips, journeys, where you feel, almost believe, you are there with him sharing his sometimes wild, sometimes hair-raising, and often just plain fun adventures. Definitely five stars for this very, very talented writer.