Japan Books

The first time I glanced trough this book I was dissapointed.
Having read it a few times, I now cannot understand why -probably because the photos that could have been better (white clad practicioners on white background. Not much contrast which makes it hard on the eyes).

Shigeru Oyama was one of the finest and most respected teachers in kyokushin karate (known for its full contact, bareknuckle competitions), until he left and founded his own style known as world Oyama karate.

This book is one of very few to focus on the fighting aspect of full contact styles. Tactics, theory and fighting combinations is the core of this book, and it is all very good.
While many combinations shown would be fouls in any knockdown bout (the full contact, bareknuckle rule system used in kyokushin, world oyama, ashihara and several other full contact styles), it is the tactics and foot work that gives a glimpse of how Jissen kumite (all out full contact karate fighting) should look like.

I highly recommend this book to any practicioner of any style that use knockdown rules in competition (you know who you are). Practicioners of other styles might find it interesting to see aswell, even if they might not use most of the information due to rules restrictions and the difference in tactics that it leads to.

Excellent photo-packed guide with explanations that will guide the student from the basics to full-contact sparring. This book is excellent in reinforcing what you learn in class.

If you are looking for real Japanese Karate Instruction, this is it. Look no further. Great book! Highly Recommended for real Karate Students.

The movie Princess Mononoke has impressed me a lot, I have had the opportunity to see the version original subtitled to the Spanish one and from then on, as animator, I have a concept very different from the animation. The characters capture to the audience for their personalities, only and completely believable, far from hero's / villainous typical stereotypes, in this film, it lines her that they separates it is narrowed until disappearing, giving place to an unique and personal experience. The animation of the film is simply delicious, and Hayao Miyazaki's master like storyteller are clearly patent. I have the Japanese Artbook of this movie and it is simply wonderful, and I wait my copy of this fantastic edition of Hyperion impatiently.

I have viewed the subtitled edition of the animated film Mononoke Hime and I must say it is absolutly magnificent!! ^_^ I was totaly absobed by it's great storyline. The storyline of this film is indeed very deep and carries with it many messages and thoughts on society and the nature of man as well as his relationship with Mother nature . Mononoke Hime, though it does contain violent scenes and much of it's plot involves battle, too portrays a beautiful love story. With this film scheduled to be released in the U S in October, I encourage all able to go see it. I belive that those who view Mononoke Hime in the theaters this fall will be just as impressed and touched as I was after viewing it. Those who view Mononoke Hime in theaters this October will also be able to view animation in a whole new prespective. Hopefully it will make some realize that though they are only "cartoons", animated pieces are very capable of portraying human ideas, thoughts and emotions in a very mature, adult fashion. So well are these emotions portrayed that they are made tangible. It is for this very reason that I have become a fan of japanese aniamted works (anime), for in the US, many people including animators, are under the impression that animation is truthfully only a field built for the amusement of children. I must thank Hayao Miyazaki, the creator of Mononoke Hime, for producing such a wonderful animated film which I am lucky to have been able to see. This film will always have a place in my heart.

I saw the movie "Princess Mononoke" subtitled and I must say it is fantastic! Not the best of Miyazaki's works (Nausicaa is my favorite) but still a good movie! Cant wait for it to come out!

It should be noted that the author of this book "Van Waterford" is actually Willem Wanrooy using a pen name. Wanrooy was not just a researcher. He was a Dutch soldier and survivor of the sinking of the Junyo Maru, one of the "hell ships" used by the Japanese to transport prisoners during WWII. He was rescued from the sea only to be put to work in the camps he writes about here. If he writes more about certain ships or camps than others, it is only due to his personal experience, not a lack of desire for completeness.

The title is self-explanatory. The author accomplished a formidable research job. He lists every known Japanese camp used to detain prisoners of war and allied civilians during World War II and gives a brief history of each. There were hundreds of camps to house more than 100,000 people.

He also describes the conditions (awful) in many of the camps with quotes from inmates. To compare: about 4 percent of American POWs captured by the Germans died compared to about 31 percent of Americans captured by the Japanese.

My purpose in looking at this book was to find accounts written by the POWs and detainees themselves. The bibliography after each section met my need by identifying many primary sources. This is not a book you'll likely read cover to cover, but as a reference book for students of World War II in the Pacific it should be on your shelf.

Smallchief

Van Waterford had compiled the very best overall view of the massive internment of prisoners by the Japanese during WWII. (He clearly cites the record that the Japanese decided to consider the civilian internees as POWS, a decision many to this day refuse to recognize)Since the Japanese deliberately destroyed all relevent records, it took a dedicated historian to compile from hundred of sources the best compilation of facts and figures I have ever seen. This is a must for any serious research on the subject. One of the better listings of the infamous Hell Ships even though multiple voyages seemed to be ignored and a number of ships not mentioned. The compilation of pow camps by region also is the most complete I have ever seen. Having studied the POW experience for many years and owner of hundreds of books relating to the subject, I place this on the very top shelf.

A piece of fabric is the pulse of life is written across our eyes by drape, shape, texture, and hue. Art forms, and perhaps art itself, have their own genetic codes-forms of doubling and redoubling that, as DNA does with the cell, determine a look, a feel, a character, an emotion. Lucky, then, are the pieces of fabric doubled and redoubled by the eyes and hands of Yoshiko Jinzenji. A few snips of color and weave become a mix of art and the irrepressible urge to adorn that make you want to dive off this world and into what you see.

She best articulates the origins of all this in her book's Introduction:

"I have a very clear memory of my first encounter with quilts. It was in Toronto in the winter of 1970, in the furniture section of Eaton's department store downtown. There, surrounded by standardized fluffy bedspreads, were two handmade quilts draped over wooden racks. I went over to them as if drawn by a magnet and took them in my hand, wondering what on earth these handmade quilts were doing in the middle of a display of manufactured goods. The oddity of the combination was stunning. The quilts were made by joining together many small pieces of cloth and then covering the whole with fine hand stitching. Each had a price tag, and I was stunned again to see that they were not much more expensive than the manufactured spreads. Who could have made these, I asked myself, and what had inspired their beautiful handwork

Yoshiko's work is a textile manifestation of the preoccupation with apres-antique and avant-garde that characterizes so much of Japanese culture today. On page 40 she recounts the symbiosis of ancient textiles in the tea ceremony; a scant 7 pages further on were are suddenly confronted with a work made of some of the most interesting cloth ideations of Jun'ichi Arai. Jun'ichi is arguably the most innovative and certainly the most influential textile creative artist working today-the textile equivalent of Issey Miyake's fabrications in his heyday of two decades ago. Jun'ichi has taken the marriage of technology and history further down the road to progeny than any other designer. He also is an astonishingly good and sensitive writer, and his Foreword to Yoshiko's book is so good that it is reproduced below.

Yoshiko, like Jun'ichi, is nothing if not a creative technician who happens to make art. Her text and caption content sums to an amazingly low overall word count given the amount of detail and philosophy it conveys. One reason is the lush plates-many so good they could be enlarged and hung in a gallery devoted to contemporary fine-art photography. Then there are the dozens of step-by-step how-to diagrams that guide the home quilter through the process of emulating Yoshiko's pieces. The readers need not be especially accomplished sewers, either, for despite their complex look, Yoshiko's pieces are really composed of fairly straightforward elements lines and patterns; there's just a lot of them. Any who would re-create one of her works at home needs patience more than proficiency.

Yoshiko is generous enough to pass along step-by-step instructions for a dyeing method she found via experiment in order to accomplish what must be the ultimate coals-to-Newcastle notion in textile history: dyeing white material white. That might seem an exercise in conceit, but the reason goes far back into the wellsprings of Japanese aesthetics. As she tells it,

"I had been making quilts for years from fabrics that I dyed myself with natural dyes when I had a kind of awakening. It was during an exhibition where my work was being shown together with that of a lacquerware artist. When I looked at his pieces, with their simple and beautiful form and their quiet sheen achieved by applying lacquer in careful layers, I thought, what kind of fabric could I make that would have the same sense of power? Finally it came to me, I wanted to find a natural dye that would dye cloth white. . . . In the field of natural dyes white was the one color no one knew how to obtain. For me white was suggestive of the fusuma and shoji sliding doors used to separate Japanese-style rooms, as well as the traditions of sumi ink drawings and calligraphy and even the white sand of Zen gardens."

"Finally I hit on the idea of trying that strange combination of tree and grass, bamboo. Two or three hours later the cloth had been transformed. It was if the silk was a prism sparkling with colors like pink, yellow, and green. It was a white with depths."

Yoshiko's book is a combination of high art and ladle-in-the-dyebath practicality. The many full-plate and even more part-page pictures amply illustrate the first. The drawings and text take care of the latter. With so many active quilters and societies all around the world these days, few would argue that quilting isn't an art form. With Yoshiko's book in hand, anyone interested in quilting, textiles, home design, or fashion design will be inspired to make art of their own. Her 90 specific projects, clear design patterns and detailed instructions can guide just about anyone with enthusiasm and patience to make quilts, pillows, clutch purses, mandalas, spreads, wall hangings, and even a hammock to end all hammocks. Yoshiko's work is a rarity even in the world of art-to-wear and its nonwearable textile art relatives: utterly unique.

This book is beautifully written and designed. The cover and paper used are artful. Yoshiko Jenzenji shares her passion for quilting in a way that weaves a common thread through cultures, locales, nature, and spirituality. I could feel my heart swell as I read through this book and as I looked at and studied the photographs. This is a book about her quilts and about quilting--but the photography and artistry of its cover and between its covers makes it a special treasure. I am excited to own this book and will be proud to display it. I am so inspired by Yoshiko Jenzenji's quilt work and passion for quilting. I became dizzy with inspiration! I will recommend it to every friend I have--and not all of them are quilters! I would think they would all want to BECOME quilters after experiencing this book. Yoshiko Jenzenji seemed to open her heart and her home with this book. I am thankful to her for sharing her passion and talent with the world!

Yoshiko Jinzenji has made a beautiful book showing her magnificient quilts and pieces of fabric arts.

The book itself, photos, paper, printing, writing, style, is a piece of art. A book you will be happy to own, no matter if you are a quilter or just a book lover. A perfect coffee table book for any home, though this one is so much more than a coffee table book. This book deserves to be read and be looked through again and again.

Yoshiko Jinzenji has been a quilter for a lifetime, and during these years she has developed her own unique and perfect style. We get to know Jinzenji through the pages of the book, both through words and through pictures. We meet her and her quilts in Kyoto, and we meet her in her studio in Bali. The book also have a section on how to make quilts, easy to read, easy to follow the step by step instructions. Jinzenji makes her quilts from ancient fabric collected from around the world, and she makes her quilts from natural dyes in light, clean colors. But no matter what the fabric is, her vibrant quilts all stand out and have all their own story to tell

The highlights in the book though are the pictures. The somewhat clean and stylish picture of a Small Modern Amish quilt displayed on the wall in her Kyoto home, the fantastic puzzle of an uncountable number of small Mandala quilts put together to form a universe in colors, cloths and patterns, the collague of many pictures from scenes around her studio in Bali as inspirations for future quilts.

The way the writing and photos in the book are put together shows the reader a new way to look at the surroundings, and through that a new way to look at life. Or to say it with the words from the foreword of the book, written by textile designer Jun'ichi Arai; I am convinced that Yoshiko Jinzenji's achievements in establishing a new genre in quilting will never be forgotten.

An excellent book. Mr. Rain gives great insights into what it takes to work on the staff of a General Officer- In this case Marine Corps General Ray Robinson. Some great anecdotes about Robinson, a Marine who served throughout WW2 in quite a few of the major Marine Campaigns of that war.

Great book! This book gives wonderful insight into what it was like going to war in the Pacific and fighting on Iwo Jima. The author gives a candid account of the events he went through preparing and fighting in WWII.

Enjoyed the book!! Great reading for the veteran. A must read for
students who want an insight as to what really happened in WWII and the bravery of our American soldiers. An honest account of one soldier's story of Iwo Jima.

I bought this book in Toyko for 4800 yen, so I'm not sure exactly why Amazon is charging {} (!) for it. In any event, this long book of photos is the ultimate conversation piece: Tsuzuki writes a weekly column for a Japanese newspaper about odd things one can see driving around Japan and this book is a collection of his finds. It shows that small town Japan is just like small town US--full of odd folk monuments, primitive art, fiberglass dinosaurs, homespun museums, and other folksy treasures. If you know someone who is going to Japan, have them buy you a copy.

This is book that contains many shocking photo that reflects many interesting aspects of the Japanese Culture. It is definitely one of the most interesting photo journey I have read. It is a collection of temples, museums, and site in Japan. From Hokkaido to Kyushu, it included over 150 extremely intriguing places. Great photograph, and great layout of the book. It sure suits its name "Roadside Japan". Some of the picture might be disturbing for some people, but that is just part of the Japanese Culture.

I got this book after I read Tokyo Style, also by Kyoichi Tsuzuki. As with that book, this one has huge, glossy pics and if you can afford it, it's an entertaining book. I lived near/visited several of the places discussed in the book when I lived in Japan from 1993-1998. I got the feeling at some of the locations that they weren't much used to seeing foreigners. I got my copy in Japan, and it has both Japanese and English text; so maybe you can justify it to yourself as an expensive study aid, if nothing else!

Very useful compilation of three masterpieces. Although it isnt the most deep edition in terms of commentary or introductions, it certainly delivers the goods on the main texts. (Serious students of Japanese might prefer a bilingual edition of the individual texts).

All three of the books contained in this one volume really should be in the collection of anyone interested in Japanese philosophy, religion or martial arts. It is not often that three really good books get bundled together into one volume but to have three classics together is really extraordinary.

The reflections of a master swordsman, the advice of a proper old Samurai and the explanations of a well-traveled scholar fit together synergistically; they add up to much more than the sum of the parts. Although the writers were separated from each other in time, they are united in a coherent view of what constitutes proper conduct and honor. There is enough difference in their styles of expression to illuminate points that might otherwise be obscure and at the same time provide some interesting juxtapositions.

Those who are already familiar with one or more of the books contained in this volume will find that having all three of them together is a real plus. Each, on its own, is an important little book; the three of them together form an important big book.

I was so happy for Amazon's fast shipping. I have been eye-balling The Book of Five Rings for quite some time. I've been on a personal quest to understand the history and philosophy of the Samurai, but I confess to not having a lot of time to read any more. Most of my reading ends up being in an airport waiting for a flight. Needless to say, the last thing I need is a bunch of hardcover books to haul around.

I saw this volume and had to do a little Snoopy Dance. Not only did I finally get to read "The Book of Five Rings", but I went on and read "Hagakure" and "Bushido". I feel like I have a real understanding, or at least as much as someone from the West can have about the Samurai's philosophy and way of life. Kudos to Amazon for finding this gem.

Sometimes when reading or thinking or, simply, being direct witness to the casual cruelty that God is so evidently fond of, we feel a small bubble become loosened in the vicinity of our inner soul and, rising and expanding, it reaches surface and our faces spontaneously contract and our eyes fill with tears and we must sit quietly for a moment and, in my case, wish that we could smash that God squarely in it's hellish face. But it passes and we are again back in the normal universe where we understand that things just are. The reader of this book has more than one opportunity for such experience. The slightly elitest tone of the author does not detract but, somehow, offers some hope that we may grow up. The translation, as well as I can judge having lived only four years in Hiroshima, is superb.

This book is the heartrending story of a Japanese child prostitute. She was sold by her family at the age of 8 to a sex slave trafficker, shipped to North Borneo (port of Sandakan) and forced to work in the sex business at the age of 12, even before she had her first menstruation.

The roots of the trafficking system were religious, economic and political.
On the religious front, the Confucian system of patriarchy determined the social duties of women. They were told to obey first their fathers, than their husbands and ultimately their sons. The social superiority of the male permitted the exploitation of women financially, physically, sexually and emotionally.

Economically, high taxation rates for the farmers (60 % of the yield went to the landlord) provoked poverty and famine: 'There were days when I would have nothing to swallow but water from morning 'til night.'
Starving peasants felt compelled to sell their daughtes in order to save the rest of the family.
The main character in this book, Osaki, agreed (?) at the age of 8 to be sold in order to permit her brother to buy farmland.

This poverty was aggravated by the settlement policies of the government provoking a burgeoning population in the region.
More, the Japanese government did nothing against the traffickers. On the contrary, it needed the foreign currency sent back by the sex slaves in order to become, as it said, a strong nation.
The selling of children in Japan has only been abolished in 1959.

After the exploitation by the government and the landlords, the children were milked by the traffickers, who took 50 % of their earnings and compelled them to redeem with the rest their original inflated 'investment'.

Having heavily supported the Japanese nation with their bodies, the sex workers were looked upon as 'Boule de Suif's' by the rest of the population when they could come back home. They tried to avoid to be recognized in order to escape their social 'stigma'.
Osaki survived prychologically nearly unscathed and without guilt her harsh experience.

This book is a profound human document about the struggle for survival. It is excellently introduced by Karen Colligan-Taylor.
Highly recommended, not only for Japanese scholards.

I also recommend the autobiography of the geisha Sayo Masuda, as well as the work of Robert Van Gulik 'Sexual Life in Ancient China'.

Sometimes when reading or thinking or, simply, being direct witness to the casual cruelty that God is so evidently fond of, we feel a small bubble become loosened in the vicinity of our inner soul and, rising and expanding, it reaches surface and our faces spontaneously contract and our eyes fill with tears and we must sit quietly for a moment and, in my case, wish that we could smash that God squarely in it's hellish face. But it passes and we are again back in the normal universe where we understand that things just are. The reader of this book has more than one opportunity for such experience. The slightly elitest tone of the author does not detract, but offers some hope, that we may grow up. The translation, as well as I can judge having lived only four years in Hiroshima, is superb.

This could've been featured in our collector's section or even our sports section, but is presented here for its powerful artistic survey of Japanese sports through its lovely baseball card art. SAYONARA HOME RUN! THE ART OF THE JAPANESE BASEBALL CARD features player history, card art, and loved and hated baseball teams alike. It will attract any with an interest in world baseball or in collectible ballgame cards - and many a browser with an interest in neither!

Diane C. Donovan, Editor
California Bookwatch

This could've been featured in our collector's section or even our sports section, but is presented here for its powerful artistic survey of Japanese sports through its lovely baseball card art. SAYONARA HOME RUN! THE ART OF THE JAPANESE BASEBALL CARD features player history, card art, and loved and hated baseball teams alike. It will attract any with an interest in world baseball or in collectible ballgame cards - and many a browser with an interest in neither!

Diane C. Donovan, Editor
California Bookwatch

Vinatge Japanese baseball cards are among the most beautiful baseball collectibles in the world. I discovered these treasures over ten years ago during a trip to Japan and became an avid collector. My passion for the cards eventually led to a on-line card business and a career as a baseball writer. John Gall and Gary Engel's new book Sayanara Homerun! depicts hundreds, if not thousands, of theese beautiful cards. The book's presentation is wonderful. Cards are gracefully portrayed as art but the accompanying text will statisfy both baseball card collectors and fans of Japanese baseball.

If you are an American baseball cards collector, come see what you are missing. If you a fan of Japanese baseball, come see great pictures of your favorite stars.

I spend hours paging through this book and expect that you will enjoy it as much as I have.

Although the project was supposed to last only a few months, Asahi shimbun were absolutely deluged with responses and they eventually printed 1,000 out of 4,000 letters received. Not only does the book give the reader a personal glimpse of what it was like to be a foot soldier, housewife, high school teacher, etc.,it is also organized in a way that details the events of the war from the first settlements in Manchuria to the occupation and even how people feel about their role today. It's a great way to get the full chronology of events as well as all the personal depictions.

I was shocked at how the footsoldiers were treated by the officers and was surprised to read tales of killing superiors in battle, much like "fragging" occurrences in the Vietnam war. Throughout the book there are gut-wrenching stories of combat, but there is also an underlying thread of humanity; officers finding ways to keep their soldiers alive, a vacationing zero pilot who convinces a group of admiring boys not to join the military, a young soldier who secretly puts some of the bones and ashes of other soldiers into the empty boxes so the families have something to pray to.

I sat down to read the first chapter at 6 pm but I couldn't put it down. I finished it at 2 am. My best friend teaches high school history and I'm going to copy off a few of the best stories for him to use in class. This is a must read... for anyone.

This book does a great service in helping us see the Japanese in WW2 as more than mindless fanatics.It is an compilation of letters written to the editors of one of Japans largest newspapers, the Asahi ("Morning Sun")Shimbun during the 50th anniversary commemorations of the end of World War 2.The stories are primarily from military participants or family members of military personnel and most are very frank and gut wrenching. I got the sense that many of the ex military men were trying to come to grips as to why they were fighting- and the answers are not what this American reader has come to expect. I have always thought that the Japanese were brain washed sub-human fanatics when it came to fighting, but many of the stories reveal compassion,caring and a full awareness of the situation they were in. They speak of heartless, cruel and inhuman superior officers who thought nothing of leading entire battalions to death in their quest for glory, but they also realize that these officers were just the products of a military system where cruel treatment of recruits was a tool to instill blind obedience to superior officers. I still don't think that this is a good excuse for the many atrocities that were committed by Japanese forces during the war, but it goes alot farther in helping me to understand how such atrocities,e.g., Rape of Nanking, Bataan death march, arose. The letters from family members are particularly poignant as they recall fathers, brothers, uncles and sons who were never seen again.I was very moved by several letters from family members who had childhood memories of the deceased soldiers that really drove the point home that war is such a terrible waste(hate to sound like a cliche). The Japanese lost more than 2 million people during the war, and it would be hard not to find a family that didn't face tragedy. I gave this book to several friends who said it completely opened up their minds about what they thought about the Japanese during World War 2.While we all agree that Japan was not right for its war of aggression and the pain and suffering it caused to millions of Asians, Americans, British,Dutch and Australians, we can now hear for the first time the voices of the Japanese participants and learn that they too cried and suffered and felt deep guilt for what they did.

The first shocking chapters of this book give us a picture of a military culture whose sadistic norms were so out of control that it's almost incomprehensible. Sometimes I wonder if the allies did Japanese soldiers a favor by killing them so they could escape an army with an absolutely sick sense of discipline. One soldier wonders how many trainees committed suicide to escape punishment: just for breaking a firepin on a rifle! On Japan's surrender, an army nurse recalls soldiers turning on and beating officers who were screaming, "Forgive me, forgive me". Another soldier remembers suffering trainees whispering, "Bullets come from behind in a battlefield". I grew up hearing Korean stories about Japanese abuse that I never thought to be true until now.

It's certainly not surprising that such an army of the walking dead would commit atrocities as a norm rather than as an exception. One story recalls using prisoners as targets for new recruits who were so scared that their bayonets were shaking. He recounts how they drew a red circle around the prisoners' heart, not as a target, but as the one place you were NOT allowed to stab so the prisoners would suffer as long as possible. Many of the tales of wartime heroism are simply acts of decency in defiance of unspeakably cruel punishment.

Was such ferocious sadism unique to Japan, or does this teach us about other great cultures as well? Many admire the samurai, the Zulu, the Spartans and other great warriors reknown for superhuman conduct. Perhaps this sadism is the cost of such greatness - the natural reaction of humans being held to an inhuman standard?

Nevertheless, as the war drags on and unrealistic notions of superiority fade, the stories inevitably become more human and share much more in common with the horrible sufferings of all people from war. It was a war where both the innocent and guilty suffered from the fanaticism of the strong.

The editors reveal that they did not publish articles that were simply long nationalistic rants. Interestingly enough, this coincides with the fact that almost no articles were written by or defended those who perpertrated this plague of barbarism. It may very well be that the anti-war bias of the editors has robbed us of a look into the psychology that gives birth to atrocity.