Japan Books

This is a soft yaoi about Matsukawa a manager of an adversiting company and Nishioka a photograher who are always agruing with each other. The story starts of slow but as you go along it get interesting as they realize each other's feelings for one another.

Toko Kawai artwork is pretty good but I like the way she puts more emphasis in the characters expressions as the story develops.

I actually read this book waayy back when it was fan-translated and I made SURE to get my very own copy! The translation is better and tighter then the fan work- which is how it should be, but often is not.
Toko Kawai's art is beautiful and her characters tend to be more adult,less hormonal. Hey, these guys have carreers that DON'T depend on sleeping with the boss or a co-worker. The story itself has a slow build for most yaoi fans, but the resulting relationship is cute as brash photographer Nishioka comes to realize he has feelings for his contact in an advertizing co Matsukawa, and comes to realize that said contact has always, quietly been watching him since they first met- 5 years ago.
And hey, if you're anxious for action, the last chapter and the short- showing 18 year old spoiled, directionless Matsukawa and reveals the reasons why he is so gentle and patient TODAY- should be right up your alley!

I love this manga. I'd vaguely heard the name before but never paid attention to it until I stumbled across it on Amazon and read a few reviews, then decided to just go for it. I'm so glad I bought it!

I tend to like character development in my yaoi/shounen ai and get a little irritated with the stories that have characters go from thinking they're straight or not questioning a relationship with someone they know to sleeping with them in 0.002 seconds. That's not the case with Loveholic. I'll try not to repeat too much of what other reviewers have said though I agree with the fact that this is a great manga and I love the expressions. I actually like the art as well, and Nishioka is adorable in his glasses.

So aside from the fact that this story has a plausible plot, good character development, and likable characters (Nishioka yells and complains a lot but I find it endearing for him and Matsukawa's gentle, reserved nature conveys a sense of almost sadness at times without it ever explicitly being stated), what I actually loved the most were tiny little details in the art that made the people seem more realistic. For instance, there's a part where Matsukawa is leaning between elevator doors and the way he's posed is how I've seen real people pose in similar situations. In another part, Nishioka is staying late and he's troubled, has a lot on his mind, and is trying to act casual so his assistant doesn't notice; rather than having him sitting statically at the table, he's drawn leaning against the table with his upper arms, one leg supporting him on the ground, the other bent and resting on a rolling chair next to him. I saw that and thought, "I've done that before when I was in a particular mood."

The expressions and poses of the characters convey their own sense of emotions and thoughts without needing little bubbles all over the place stating, "And now Nishioka is feeling sad." I never realized before how much that can impact a story, and how little other manga does that, until I started noticing the details in Loveholic.

Another thing I love is that there are two little stories included in this volume that show an excerpt of each of Nishioka and Matsukawa's pasts, giving a glimpse into why they are the way they are now, and also giving an explanation as to why they could accept having some sort of relationship/ sexual relationship with each other. The flashbacks/back stories are well done, in my opinion, although Nishioka's did briefly confuse me because I couldn't tell if it was a flashback or something current and the borders around the panels weren't black. But I figured it out in the end.

I seriously wish I could buy the entire series right now. I can't wait for Volume 2...

i have been a fan of this series for a long time when it was scanlated by fans, and could barely contain my eagerness to see it in print in english. loveholic displays all the delicate touches inherent to all the works of kawai-sensei, and then some. compared to her earlier works, the themes, characterization and the writing in loveholic is a testament of her maturity as an artist and storyteller.

the manga revolves around two seemingly opposite characters; nishioka the eccentric and temperamental photographer and matsukawa, the cool, calm and collected advertising executive. both are involved through work and despite the differences in personality, both actually shares a long history and friendship. the volume slowly explores the growth of their initially platonic relationship as it deepens into a more intimate bond. nishioka and matsukawa recognizes - subconsciously or otherwise - the strong attraction to each other, and takes their time in figuring out what exactly they want from the other. their cautiousness stems from the fact that both has been scarred by personal tragedies in their past. on his part, matsukawa's maturity comes at a bitter price, while nishioka still struggles to reconcile with his past.

the sedate pacing underscores the poignant revolution of their love story and showcases the intricacies of human relations. in this sense, it is truly an adult romance. kawai-sensei's gentle touch graces the tale with a sensitivity that is often overlooked by many yaoi (even traditional romantic) mangas. it is not to say that the characters does not resonate on a sexual level; they do, but it is their deep understanding of each other that serves as the foundation of the plotline, making the manga utterly beautiful and fulfilling.

the art, as always, is typical to kawai-sensei. her character designs are lanky and gorgeous, the lines simple and uncomplicated. the facial expressions are delicate and expressive, which reflects her themes and writing style very well. i enjoy the chibi-fied forms as well. her panels are generally simple and clean, but not too sparse. the plot, while angsty, is interspersed with many comic moments, with a natural flow to it and she makes some of the most memorable supporting characters, especially kumi, nishioka's perky assistant. like most of her work, loveholic so far remains soft yaoi with not too revealing love scenes. those looking for racier mangas should look elsewhere.

this volume is a magnificent start to the loveholic series. i look forward to the continuation of the adventures of nishioka and matsukawa in the future. being a big fan of touko kawai fan, i may be biased, but this is one of the better offerings in the genre, and worth a check.

This soft core Yaoi between Matsukawa, a successful executive, and Nishioka, an independent photographer, is just the type of heartwarming and emotional romance I expect from Toko Kawai. Her artwork may not be the best but I marvel at her ability to inject so much feelings into the facial expressions of her characters. Her words may be simple but they are underlined with emotional depth and her story telling skill is remarkable.
Both Matsukawa and Nishioka are well developed characters. They have been badly scarred by their unhappy pasts and therefore afraid to love again. On the surface they seem to drive each other nuts. But deep down they do care for each other as their feelings caught up with them over the years. Here the mangaka does a marvellous job building up the emotions, from the subtly hint of attraction to full blown need for the other. Her plot is well thought out, credible, engaging, warm and sprinkled with humorous moments. The revelation of both men's unhappy pasts does catch me by surprise, especially Matsukawa's story which is deeply touching and tragic. Finally the last bonus short story is especially sweet.
A great release from Junemanga and I definitely look forward to the evolution of their love in Loveholic 2.

I though that some parts overdone with comic characters and Japanese attitudes but overall fascinating. I loved examining the photos of some of the earlier robots over 200 years old. Some look incredibly intricate as well as beautiful.

I also felt inspired to get one of these modern robots too.

All of my life, I have been promised that the age of the robot is just around the corner. It seems like one of those things that is always in the immediate future, and always just out of reach, an eternal carrot that we keep moving towards, always one step ahead. Fifty years ago, they figured we would all be living with robots in our homes by now, doing domestic chores, entertaining us, educating us. Our plastic pal whose fun to be with!

"Loving the Machine" again makes this promise, and again I am inclined to believe it. Author Timothy Hornyak plays show and tell, taking you on a guided tour through robotics from the primitive first attempts to the modern marvels of Asimo and the semi-android Replee Q1expo. They really are stunning, and one can almost feel the fire of creativity and inspiration driving modern robotics research. The scientists are building robots out of passion, out of a real sense of discovery rather than commerce, and that is what always drives technology forward. All of the different fields are coming together, mixing software with hardware, sharing breakthroughs and triumphs that far outnumber failures and disappointments.

Ostensibly, "Loving the Machine" is also about Japan's relationship with the robot, and it is. Japan's culture of robots stretches back into its distant past, with the Karakuri automatons that are still wonders of ancient technology, unable to be replicated today. Whereas Western cultures have Superman, Japan has Mighty Atom, the robot superboy. Whereas the US has GI Joe, Japan has the super robots Gundam and Mazinger Z. Japan has nurtured a deep-seated love for the robot, and the whole country holds its collective breath waiting for the first truly intelligent robot to announce its own birthday. However, in attempting to contrast cultures, this is where the book loses its footing. The author makes much of The Terminator and the Replicants from "Blade Runner", stressing the West's fear of technology out of control, but never mentions R2-D2 and C-3PO from "Star Wars", Rosie the Robot Maid from "The Jetsons" Johnny 5 from the films "Short Circuit," Bender from "Futurama," or Isaac Asimov's heartbreaking hero from "The Bicentennial Man" There is not even a mention of how the fearsome Terminator returns for a second movie, this time as the hero saving a young boy. While not on the same level, the West has also long had a love affair with cute, friendly robots who are friends and companions rather than just functional machines.

I've been let down before, but "Loving the Machine" has given me a boost, returning me to the childhood where, when asked to draw a picture of what I thought life would be like in the year 2000, I drew a happy home complete with robot butler and flying car. The flying car may be out of the question, but there is at least still some hope that I might live to see the first truly intelligent robot announce its own birthday. Frankly, I can't wait.

What else can I say that my title doesn't convey?

My only carp--perhaps--is that the author fails satisfactorily to address the issue of why robots, so very hyped (albeit less so than, say, thirty years ago), have failed to establish significant inroads in domestic settings. Visit a Japanese automobile factory and you'll see robots everywhere--mounting parts, soldering, painting (even painting one another--accidentally, one hopes!). But in the home--as comedically immortalized in Woody Allen's 1974 hootfest, "Sleeper"--you don't see robots other than as curiosities, such as non-pooping "dogs."

Hornyak could have made the book more entertaining by including the anecdote about Herbie--had he known it. Herbie was a non-anthropomorphic robot that delivered inter-office mail in an AT&T facility in Silver Spring, Maryland. His route was not preprogrammed, but was "taught" to him by spray-painting a gradually fading metallic stripe onto the carpet: Herbie would follow the stripe, stopping whenever someone stood in his path. (Herbie was very polite: not only did he move slowly, but he did not step on feet.) One conniver thought it would be funny to spray-paint the stripe right over to the fifth-floor picture window, whereby Herbie committed hara-kiri in a spectacular blaze. (The jokester was less upset at being fired than at the eighty-thousand-dollar legal judgment.)

Do you want to know what's going on in the world of human-like robots? This book will bring you up to the present and it's happening in Japan. It's good light reading with the right balance of photos of robots. Not any kind of depth - just a light entertaining read. Kid's will like it as well as any adult who's interested in cartoon robots and real cutting edge human-like robots.

The book really shows how easily human-like robots are slipping in the psychie of Japan (and eventually the rest of us). Are we really ready for the coming robot world? Doesn't matter. We're all being softened up by these friendly and so nice robots. Nice, nice robots. Step by step with the help of their human inventors and advertisers, they've started their march into human society. I'd suggest watching the movie "I Robot" after you've read the book, or give both as a gift.

Loving The Machine: The Art And Science Of Japanese Robots is a fascinating and informative tribute to Japanese popular culture and its love affair with humanoid robots ranging from anime's Astro Boy to automatons imagined in speculative fiction to have existed in the Edo period of Japanese history. In stark contrast to American movies portraying robots as ruthless, Terminator-style killing machines, Japanese cinema and television has a tradition of gentler robots that mimic human activities. Full-color photographs on every page illustrate this unique analysis of what Japanese culture celebrates robots, Japan's historical connections to robots, and what modern technology indicates the future holds. Loving The Machine is very highly recommended reading -- especially for modern Japanese culture buffs.

One of the best books about pre-war Japan. Each story brings to life a different aspect of life, culture, and class as they existed before the war. If you've visited Japan, you'll have a hard time believing this kind of world ever existed. I guarantee you won't be able to put it down.

This is a factual book in which a world that no longer exists becomes vividly real as seen through a provincial doctor's elderly patients recollections of their younger lives. My first introduction to this book came through my Japanese language teacher. Her physician is the son of the author. Each chapter covers the recollections of a single patient, so the book is very easily read in discreet portraits which together paint the overall picture. Dr Saga's patients tell their stories with such intimacy, warmth and frankness that you are drawn ever deeper into their world. All lived in and around Tsuchiura, a town on the edge of a large lake about 30 miles north of Tokyo. Many of the stories are of fishermen who made their living from the lake. There are also the merchants, gangsters and entertainers. Together, these people provide a real insight into the way people lived and worked in Japan before the rapid development of the latter half of the 20th century produced the comfortable lifestyles of today.

1st person accounts collected by a Tsuchiura doctor from elderly Japanese. Together, they piece together a quiltwork of Japanese society from the bottom on up. All, in pre-war Japan. Tsuchiura is just next door to Tsukuba, a modern science city and destination for many foreign researchers in Japan. As one such researcher, the book helped me understand some seemingly unexplainable remnants of old practices that still persist. I couldn't put the book down. The stories of lives jump out of the pages.

This book is filled with priceless historic snapshots of real-life everyday drama that cannot be found in any textbook. From farmers, fishermen, and merchants to executioners and geishas who entertained kamikaze pilots in the last days of their lives, these simple, unadorned memories of ordinary smalltown Japanese people living in a previous era under circumstances that we in modern, high-tech times cannot imagine left me in awe of the power of the human body and spirit. A learning experience in culture and history that reinforces how valuable the memories of our own elders are.

A collection of interviews with people who tell stories of their lives in a small japanese village from about 1890 to 1930. Arranged by occupation, all are very interesting. One of the most intriguing aspects of the book is the commonality the stories share with my own American relatives (as to the hardships of farm life, what people did for fun, etc.). The book even occasionally slips into a "when I was a kid we had to walk two miles uphill in the snow" sort of mode, but this makes many of the stories all the more touching.

Rikko was a very imporatant part of the Japanese Imperial navy's offensive tactic and type 1 bomber along with type 96 (presicely speaking , "Land based Attack plane") was one of the most produced Japanese airplanes during the world war II. HOwever, it has been largely neglected and even condescendingly remarked with such an humiliated ephithet "flying Cigar". There are several volumes that covers this interesing speciman and cheery blossom like career of Type 1 Rikkoin Japan ,however Mr. Tagaya's volume is perhaps for the first time in English. Although the volume is a typical Osprey format , which mean less than a 100 page and lots of photos, text of Mr. Tagaya's insightful and often exciting, which show he has incisive knowlege on Japanese aviation in the pacific war. This is one of the best Osprey aviation volumes and I am eagerly waiting for his next volume in this series.

The Betty is a famous japanese ww2 bomber, but on his operative are until today few notices. The book is the n° 22 in the growing Osprey Combat Serie; as usual is very well done, with rare photos, many colour plates, some orders of battle for the various air group and enough details on operative use. The evolution of the Sentai strenght and the appaling losses suffered from the aircrews are also well detailed. The action against the Force Z on december 10, 1941 and the use versus US Navy ships in the Guadalcanal campaign, is enriched with day by day account of the mission. I found the book in some way better than others in the same serie, with a particular attention toward new informations on the "Betty".

Osamu Tagaya is one of the world's foremost researchers on Japanese naval air forces. His superb command of the subject material is evident on every page of this volume. The illustrations are excellent as well. A valued part of my personal library.

-jon parshall-
Imperial Japanese Navy Homepage
http://www.combinedfleet.com

The Betty is a famous japanese ww2 bomber, but on his operative are until today few notices. The book is the n° 22 in the growing Osprey Combat Serie; as usual is very well done, with rare photos, many colour plates, some orders of battle for the various air group and enough details on operative use. The evolution of the Sentai strenght and the appaling losses suffered from the aircrw are also well detailed. The action against the Force Z on december 10, 1941 and the use versus US Navy ships in the Guadalcanal campaign, is enriched with day by day account of the mission. I found the book in some way better than others in the same serie, with a particular attention toward new informations on the "Betty".

Osprey has again come through with the goods with this 22nd volume addition to its series. It is filled with the same highly detailed aircraft and unit data readers have come to expect, and receive, from Osprey publications. It has this and a great deal more. I found it insightful and hard to put down. If this volume has any shortcomings it would be that it is so readable that it will be quickly digested by the reader! Mr. Tagaya held my interest through every chapter. I eagerly await the next volume by this gentleman (D3A Val Units) as a result of my satisfaction with this fine piece of research. A great deal of insight from various and numerous Japanese sources is very much in evidence here. Readers are exposed to the G4M Betty and the hardships of the aircrews/units that flew it to be sure, but as an added benefit Mr. Tagaya's research sheds light on the chasm of differences between Japanese and American air campaign theory and management in WW 2. Anyone with a more than casual interest in the subject will quickly realize its value and want to keep this reference readily available. Worth every cent you'll pay, and more!

My Journey In Karate: The Sabaki Way is a in depth book about Kancho Ninomiya's Journey though Karate. It describes how he won the All Japan Tournment and started the Enshin Karate Style. I am a Student of Enshin and Recommend the book to anyone who wants to read a great book about Karate. Two Thumbs up!

Anyone who has been a serious martial artist will throughly enjoy reading the inspiring story of Grand Master of Enshin Karate Joko Ninomiya. Anyone who has been serious about the martial arts for a significant amount of time can relate to Ninomiya's life story.

Before beginning his study of kyokushin karate at the age of 15, Ninomiya practiced judo. After making the transition to karate, Ninomiya never turned back and had the dream of becoming a karate champion. The book explains how he would go to different karate schools in Japan and challenge the top students to improve his skills. He challenged different schools in a dignified way, he never used bully tactics. After hearing about the all-Japan karate tournement, Ninomiya practiced diligently for years until he was able to win first place. In the book, he talks about his training and preparation, his fights and the people who helped him become better as a martial artist and as a person.

I like the way Ninomiya emphasizes that karate is not about winning tournaments and beating people up, it's about confronting yourself and pushing beyond what you are today. Master Ninomiya admits that he did not realize the true meaning of karate until after he had accomplished one of his goals. Sometimes that's what it takes because after we win something or accomplish something big, we often ask ourselves "now what?" and become complacent. We should fight against this complacency because it will only make things harder in the long run.

Towards the end of the book, Ninomiya gives his opinion of "no holds barred" fighting contests. I agree with Ninomiya that "no holds barred" contests appeal to a morbid curiosity. People often watch these types of contests and are happy to see someone lying flat on their back at the end of a match or seriously hurt in some way. Ninomiya founded The Sabaki Challenge which is a real karate tournament, but he has a point system that emphasizes technique to minimize injuries.

I have been a martial artist for most of my life, and so have always been attracted to stories that outline other martial artists journeys. Joko Ninomiya has written a "must read" for anyone whose chosen path is the Way of the Warrior. He has done an outstanding job of outlining the highs and lows of a life dedicated to the "eight Fold Path". I was also moved by his love and respect for his Sensei and for his father. This book was much more than I expected and a wonderful addition to everyone's library.

Kancho Ninomiya is not only a world class champion, he writes with a certain gift; one that captures the essence of a lesson one could only get from training with him... and make no mistake, this may make for an inspiring read but reading it without training in any martial art is as hollow as reading Shakespeare and never seeing it performed... I began studying karate very seriously as an adult under Sensei Kishi, one of Kancho Ninomiya's teachers and best friends, as well as a collaborator on this book... this text captures the true spirit of martial arts training, something that is very difficult by nature of the difference between the written word and the life of martial arts training. Osu.

Rarely in the martial arts world are biographies rich with insight about both the individual and the training. Normally, -except a couple bio accounts of Bruce Lee and Chuck Norris' auto-bio account- the books are very dry and not very telling. Sometimes it is the writing and often it is because the reader is never really let under the skin of the martial artist. In this book - that has changed.

Ninomiya graciously allows the reader to travel in his mind and spirit as he grows from an unfocused (though hardworking)martial artist and somewhat immature teen into a higly skilled and mature warrior.

The reader travels and sees when Ninomiya, through several events and a couple of key mentors, understands himself and his journey through karate. Unlike most auto-biographical accounts, I never felt Ninomiya was boasting about his success. Instead, he shows where his failures and determined manner leads to success beyond winning a "trophy."

An excellent book. I learned much from this extra-ordinary man.

The New Lean Pocket Guide XL is a great addition to our training materials. This larger size, new topics on Lean Office and Six Sigma, and most importantly, the numerous digital photos makes this book a benchmark in the industry. We distribute these in all our training sessions. We even discuss the photos and have found ideas for improvements just by looking at them. It's nice to have a book that is this concise, does not clutter information up with case studies (as everyone has one), and has those photo examples upon which to "see" and then "do". A book that does distinguishes itself from the others!

I have purchased nearly every Lean book that has been published over the past 10 years, including The Lean Pocket Guide (MCS Media, Inc.) and found this book to be the best value on the market from current materials available. I like the larger print (in the 5" by 7" format), the new topics that were included, but most significantly, the actual photos of Lean manufacturing practices. The photos that were included have assisted our continuous improvement teams already. Seeing the picture of the Heijunka board for planning on page 26 allowed us to modify our entire shop floor scheduling visual system to emulate something similar to what this displayed. Many other photos that were included also are giving us great ideas for future kaizen events. Great addition to the world of Lean books! Lean Lean Trainer, Sycor Manufacturing, Inc.

I had purchased The Lean Pocket Guide over a year ago and recently purchased The New Lean Pocket Guide XL. Both are superb Lean references. What I do like about the XL version, including the new chapers on Lean Office, Six Sigma, is the Glossary of Lean Terms and the Waste Audit. But most of all what I found most beneficial were the actual photos placed throughout demonstrating many of the Lean tools. Many books just offer illustrations, The New Lean Pocket Guide XL shows Lean in action in various manufacturing operations. The book does it for me. I will be purchasing these for all my managers and supervisors (the associates already have The Lean Pocket Guide). An excellent enhancement of an already great book!
Continuous Improvement Coordinator, BA Systems, Inc.

This book is a handy collection of all the lean tools you can think of. Each tool is described clearly and simply in a couple of pages with a step by step guide for implementation. You probably need to have a background understanding of lean and its principles to use book but it is a handy reference of all the tools. It lacks overview material on the history and philosophy of lean, and it would be useful to have a clearer description of how to fit the tools together (perhaps some flow charts of what to use when etc). In summary then, great description of lean tools; lacks the background on lean and how to deploy it as a philosophy.

I like the format of this handbook and it is definitely easy to use, it gives simple explanations on the concepts and tools of Lean. I would definitely purchase copies for my process improvement team. I would also use it to teach lean concepts in my company.

I HAVE BEEN READING TURNBULL'S BOOKS FOR YEARS EVER SINCE I STUMBLED ACROSS A OLD TITLE OF HIS FROM THE 80'S.IF WANT THE ULTIMATE AUTHORITY IN THE ERA OF THE SAMURAI, READ HIS BOOKS.ANYONE ELSE IS A WASTE OF YOUR TIME.

This proves to be a valued addition to the Osprey Campaign series. The author, Stephen Turnbull wrote a great summary book on one of final major campaigns fought by the Japanese samurai during their heydays.

The campaign in question was Tokugawa Ieyasu's effort to secured his family rule of Japan by destroying the only other family who had the power and prestiage to challenge him. That family was the one of Toyotomi Hideyori, son of the great Taiko, Toyotomi Hideyoshi. While Battle of Sekigahara in 1600 created the Tokugawa Shogunate, Osaka Campaign of 1615 secured it for the next 250 years.

This book proves to be well written, well research and reflects strongly on the author's command of the subject. The author explains clearly the motives, directions and purpose of the campaign. The campaign ironically proves to be some sort of a Sekigahara Part II type of scenario since so many members of the Toyotomi army were made up of survivors who lost the first battle.

The book is organized into Osprey's typical set-up of introduction, background, commanders, troop type and finally the campaign itself. The entire book is exactly 96 pages long including the index. It come well illustrated, the maps are easy to read and followed and there some which proves to be very useful. The author have also provided some very nice order of the battle as well.

Overall, the book come highly recommended for anyone interested in Japanese samurai history. This book will go superbly well with Ospery's earlier book on Sekigahara by Anthony Bryant which proves to be equally well written.

I have been reading and enjoying Stephen Turnbull's books since 1978. His latest book about Osaka in 1615 as the last battle of the samurai is outstanding. I pre-ordered it knowing it would be good, but I was blown away by how comprehensive it was.
Turnbull has a seemingly enless number of stories about the samurai. Interesting anecdotes such as the question of Tokugawa Ieyasu being killed and replaced by a kagemusha (shadow warrior)is fascinating. I am looking forward to his next book due out this fall.

Osaka 1615, Stephen Turnbull's latest Osprey effort, is a welcome addition to the sparse English sources on Japanese warfare. Much of the information in this volume is presented in English for the first time, and Turnbull does a good job of detailing the movements and maneuverings of the two armies. I found his coverage of the many small battles occurring at the beginning of the Winter Osaka Campaign to be particularly well done and helpful. The orders of battle are highly detailed and extensive. As always, Turnbull excels in his ability to breath life into what could otherwise be a straightforward military history with many stories of the `glorious' (and not so glorious, as in the case of a commander who was lying drunk in a brothel as his fort was being captured) deeds performed. The volume is loaded with prints, woodcuts, and modern photos of the battlefields from Turnbull's archives (one of the best and most diverse sources to be found outside Japan). Colorful and detailed maps round out the volume. At 96 pages, it's not quite as extensive as could be hoped for, but hey, that's Osprey.
I'd like here to address some points made by another reviewer that I found rather odd, as Turnbull covers them all in his volume.
1)"Unfortunately, Turnbull is somewhat weaker on examining the actual military aspects of the campaign, such as why the Tokugawa won (yes the artillery was important, but simply not decisive at this point in history due to slow rate of fire and limited battlefield mobility)"
Artillery fire WAS the decisive factor in the Winter campaign (and henceforth the campaign as a whole). After several failed assaults on the Osaka castle defenses, Ieyasu decided to take a different approach. He knew his best bet was to prompt Lady Yodo (Toyotomi Hideyori's mother) to coerce her son into entering peace negotiations. Ieyasu knew Lady Yodo well, and his keen insight into her nature led him to believe that opening up on her living quarters with his artillery would have the desired effect...and he was right. The artillery bombardments of the keep (along with the entreaties of Yodo's family members sent as envoys by Ieyasu) drove the Toyotomi to a disastrous agreement with Ieyasu that ended up leaving the castle stripped of much of its defenses. The superior range of the Tokugawa cannon meant that they could bombard the keep at will without fear of retaliation. Rate of fire and mobility were simply not important factors, and for that matter even the physical damage they caused. Without the artillery, it's likely that the siege would have taken many extra months or perhaps years...if the Tokugawa coalition held that long.
2)"...or how many casualties occurred."
Turnbull doesn't discuss this for the simple reason that there exist no contemporary records of casualties for the battles as a whole. Anything on his part would be no more than wild speculation.
3)"Turnbull's methodology for the most part ignores how units fought or operational decisions in favor of spotlighting individual behavior."
Welcome to the world of samurai warfare, where operational decisions many times tended to be on the `There's the enemy-go get them!' and `We're being attacked-go get them' level. Some armies such as the Shimazu or Uesugi would pull off well planned ambushes and assaults, but these were the exception rather than the rule.
4)"After reading the description of the main actions on 3-4 June 1615 I found it difficult to gauge from this volume why exactly one side prevailed (other than the obviously higher level of initiative on the Tokugawa side)."
As Turnbull explained, the Toyotomi forces (outnumbered two to one) found their initial assault blunted as the Tokugawa continually brought fresh troops into the battle (while the Toyotomi forces became more and more tired and depleted). When the assault ground to a halt, the Toyotomi commander (Sanada Yukimura) was killed and their exhausted forces broke.
The book is not without its faults (I'd give it 4.8 stars rather than 5)...there are a few typos (for example, Kyushu is spelled Kyosho on page 9). The map of the battle of Domyoji on pages 70-71 has some mislabeling (there are two number 3's on the map-one of which should be #2-and number 1 & 2 on the map should both be labeled `1'). The same map also shows further troop positions on the Toyotomi side that do not agree with Japanese sources and appear to be incorrect. There's also some statements made to the effect that the walls and outworks of the castle look now just as they did in 1615-not so, as the original Toyotomi walls and structures were covered with dirt and built upon for the `Tokugawa' version of Osaka castle built around 1620. Likewise, the present keep is said to be based upon the Toyotomi version of the keep-however, the dimensions, number of roofs, and even something as basic as the castle's color are completely different.
All in all, however, Turnbull has done an exceptional job with the book given the limited space. There's something to be learned here for both serious scholars and casual readers. Highly recommended for any aficionado of Japanese history!

In Osaka 1615, Osprey Campaign #170, Samurai expert Dr. Stephen Turnbull provides an interesting summary of the final battle that unified Japan under the Tokugawa shogunate. I have been reading Turnbull's work since I was a student in Japan in the early '80s, when I also had chance to visit Osaka Castle. In short, Turnbull has a huge wealth of Samurai-related knowledge that he is able to convey on these pages to fascinate readers who enjoy Eastern tales of derring-do. Unfortunately, Turnbull is somewhat weaker on examining the actual military aspects of the campaign, such as why the Tokugawa won (yes the artillery was important, but simply not decisive at this point in history due to slow rate of fire and limited battlefield mobility) or how many casualties occurred. The author presents the reader with one Samurai account after another, but after awhile they start to appear as ciphers since we really don't know much about most of them. Turnbull's methodology for the most part ignores how units fought or operational decisions in favor of spotlighting individual behavior.

The volume follows the standard Osprey campaign format, with the usual 2-D and 3-D maps. Dr. Turnbull divides the campaign narrative into the winter and summer phases. I must admit that Dr. Turnbull adds good insight into Tokugawa Ieyasu's character, but most of the other leaders remain obscure. After reading the description of the main actions on 3-4 June 1615 I found it difficult to gauge from this volume why exactly one side prevailed (other than the obviously higher level of initiative on the Tokugawa side). Since the author admits that the final battle could have gone either way, this question deserved better analysis. Overall, this volume covers the subject fairly well, although it remains aloof from military issues, such as logistics, intelligence.

I have a hardback copy of the painter and the wild swans,i got it in north carolina i think that the art work is firt class.

HOW could a book like this be out of print??

I decided that as a children's librarian who loves picture books, I can no longer simply sit back and admire them in silence, so I'm determined to review my favorites here on Amazon and share with others the treasures I've found. The Painter and the Wild Swans is just such a treasure, and I regret that the cover image isn't available for the book, because that would at least give readers some idea of the stunning illustrations available in this book.

Claude Clement is a Parisian author of children's books who wrote this after she was inspired by pictures of Siberian swans. All I can say is, it's no wonder this book received the French Foundation Grand Prize for Children's Literature. The story is that of a skilled Japanese painter who is rich and popular. When he catches sight of wild swans, he is enraptured by their beauty and decides he must paint them. This pursuit of beauty becomes his obsession and ultimately, powerfully transforms him by the end of the tale. In addition to Ms. Clement's lovely text (translated to English by Robert Levine)there is a line of Japanese poetry in calligraphy on each page of the story. At the end, these lines are translated for the reader into Teji's (the painter of the story) Poem, recounting the entire story in poetic imagery. That alone would have made the book worth reading.

But then there's the art. Acrylic paintings by Frederic Clement (no relation to the author) give the jewel of story a worthy setting. This gifted illustrator has provided images that at once invoke the Japanese culture and style, and yet become art in their own right. Clements marvelous technique of morphing pictures (On one page the viewer can see the swans fade into snowdrifts. On another, a view of clouds and mountains slowly changes into an old man offering a cup of tea. The pictures are there to savor and look over time and time again.

There is perhaps one downside of this particular treasure, and that is the audience it is meant for. This book probably won't work for most youngsters--it's too subtle and mature. But adult readers may avoid it thinking that all picture books are for children only. This is simply not true, and I'd like to convince more individuals of that fact. The Painter and the Wild Swans really works best for ages 9 and up, in my opinion. It's a marvelous example of a folktale styled story from Japan, and should work well in any folktale, or multicultural book collection.

Those who enjoy the Painter and the Wild Swans may want to also look at THE BOY WHO DREW CATS: A JAPANESE FOLKTALE by Arthur Levine and MUSICIANS OF THE SUN by Gerald McDermott.

Happy Reading! ^_^

The Painter and the Wild Swans is one of the most beautiful books I've read. The art work is stunning, the story is unforgetable. This author's other books are also of equal quality. It is utterly, utterly incomprehensible that they are out of stock.

We took this out of the library some months ago and it is still with me. The tale is marvelous: light, airy, beautiful but the pictures are what carry the book. They are carefully crafted and have a spirituality all of their own. I can't wait to get my hands on a copy and send a couple to friends of mine. Transportational!

Kazuo Inamori, the founder of Kyocera, puts forth his philosophy on success in business and life in this book. One thing that you'll notice is that he takes an almost religious approach to work, and believes that one can find true happiness through work. At the same time, he realizes that work can be a real struggle, so he gives good advice for pulling through those difficult times at work. I recommend this book to anyone who would like to look at success in business through other means than money. It will help you see how you can gain self fulfillment through your work.

I've never written one of these reviews, but this is one of the treasured books in my library. I've owned it since it came out and continually refer to it for advice and council. I have also given it to many customers. Kyocera's website is also an inspiring to place to see how Mr. Inamori put his philosophy to work to bring a legacy of business success worldwide. His people-practices would change the world if practiced.

This is a great book! Whether you read it straight through for the inspiration or read a section a day (usually only a page in length) as a meditation guide, just read it and absorb it. Give it to your boss, give it to your customers, give it to your peers, give it to your team members, even give it to your family. All will be better for it.

I bought this book back in 1995, and after much reflection and numerous business/leadership books, I must say Mr. Inamori is still in a class of his own. Though he teaches seemingly oversimplified concepts, it is indeed the correct concepts--if there is such a thing. Correct, for example, in that you can leave the world knowing your grandchildren will be proud that you existed. If you're familiar with Maslow hierarchy of needs: when you're reading this book, you will have no doubt that the author is at or above the self actualization stage, which I must say 90% of all the so called gurus of business don't seem to be in. The concept that you should speak from your heart, not implementing certain "techniques" in public speaking rings true for me personally. I'm grateful for such a gift from Mr. Inamori.

Kazuo Inamori's book is highly inspirational in its evocation of "passion" as the underpinning driver of success in life. In all fields of social endeavour, it is the most passionate individuals who stand out, and ultimately achieve success. We see this in the sporting arena (Muhammad Ali, Leyton Hewitt), in business (Richard Branson, Jack Welsh), and in politics.

Inamori's book is divided up into two parts. Part one provides a series of insights on "How to Succeed in Life", covering the following key areas: ability, effort, attitude, and success. His central thesis is that success = effort x ability x attitude. Most of us tend to see success as the result of effort and ability, but overlook the power of maintaining a positive attitude. Inamori urges the reader not to overlook the immense power that a positive attitude can have, both in terms of attracting support for our goals, and in terms of building and maintaining our own self esteem.

The second part of this book focuses on "How to Succeed in Business" and covers the following eight areas; passion, profit, ambition, sincerity, strength, innovation, optimism, and 'never give up'.

Above all else, this book contains genuine bursts of insight that will enrich the perspective of most readers. Unlike so many self-help products that promise the earth and deliver disappointment, this book is as close as the thinking person will get to "the real deal".

I would put this book on the same shelf with "The Witch Doctors" by Micklethwait & Wooldridge, and "Dangerous Company" by O'Shea & Madigan - all of these are excellent business books, and stand out as unique and valuable contributions to our understanding of the meaning of success in today's modern world of work.

For those who cannot read Japanese, there are few options with regards to publications and studies on Sakamoto Ryoma. Jansen's extraordinary work simply a 'must have' for all who wish to better understand the Meiji period and one of the most important men in all of Japanese history. Simply phenomenal.

Who is Ryoma Sakamoto? He wasw a samurai in the middle of the nineteenth century. He is considered a hero by his native Japan. His story begins when Commodore Perry brings his American ships to open Japan by force. Many samurai were insulted by this gunboat diplomacy. Sakamoto was one among many who called for the government to expel these foreign interlopers. However, it was more easily said than done. As time passed, Sakamoto came to realize that Japan was in no position to challenge the West because the West had vastly superior weapons. He came to admire the position of strengthing the country through international trade and emulating those institutions that were admirable in the West. For Japan to defend itself, it had to become a strong country and the only was to do that was by modernizing. To modernize, the military government of the Shogun had to be overthrown. This leads to the Meiji Restoration in which the Emperor takes back the power to rule from the Shogun. Unfortunately, in the process, Sakamoto is assassinated, which made him a martyr for the process of modernization.

This book follows the events leading up to the Meiji Restoration, and it especially focuses on Sakamoto's role in setting it up. It provides an overview leading up to this period and shows that there were many factors which lead to the overthrow of the Shogun. Perry's arrival was only a trigger that unleashed years of frustration. To get a better grasp of Japanese politics, I think this book is an excellent source for understanding the founding of the modern Japanese state.

If you really want to understand Japan's amazing journey from feudal swordsman to world power in just 50 years... Then you need to learn something about the Meiji Restoration. If you want to learn about the Meiji Restoration... then you must spend some time learning about the life and times of Sakamoto Ryoma. Ryoma, as he is affectionately known by his adoring cult of fans in Japan, is a true legend in Japan, a sort of "Daniel Boone" of Japan, if you will. In spite of its age, Jansen's work is still the definitive biography in English, and is likely to remain so until America's interest in the outside world rises above its currently meager level. To be fair, doing Jansen one better would require an extensive knowledge of one of the world's most difficult languages, and why try when there are still so many corners of Modern Japanese history that are untouched by Western scholars? Do you want to get inside the head of a truly old-fashioned, "swashbuckling" hero who quite literally changed the world by contributing to Japan's entrance into the modern world? This, then, is still the place to start.

This proves to be one of the better books on the Meiji Restoration movement and Sakamoto Ryoma who was the one of the primary movers of that movement as Japan moved to a more modern government and society. But I would be honest to say that this book is NOT for casual readers since the subject matter is so alien and complex to many English speaking readers. Meiji Restoration is a complex subject matter even for Japanese history students but Jansen should be credited for bringing such a matter to clearer light in his book.

Professor Jansen's book is the first English-language biography of Sakamoto Ryoma, the most celebrated historical figure in Japan today. It is also an in-depth study of the political and socioeconomic situation during the turbulent and fascinating years of the Meiji Restoration, the dawn of modern Japan. When I first read this book fifteen years ago, it struck me as an invaluable college-level textbook for students of Japanese history. It also made me aware of the need in the English language for a more probing analysis of Sakamoto Ryoma, the man. It was then that I began the 7-year process of researching and writing RYOMA - Life of a Renaissance Samurai, which I believe is a true-to-life portrait of Ryoma - blood and guts, heart and soul.