Japan Books

I heard about this book and was able to find it easily online and at a great price.

I enjoyed reading this book so much I finished it in less then a week. Parts of it are featured on a PBS documentry called "The War" (Or somthing like that), anyhow, the book gives all the reader could ask for; loss, comraderie, and the absolute brutality of war. It is my favorite first person account I have read so far, although William Foley's "Visions From A Foxhole" is exceptional as well. If you were ever curious about a Marine's combat life, read this book, and if you have already read this book, go out and thank a veteran, or current soldier for what they have done for you so that you should never have to experience the horrors of war with your own eyes. Thanks Vets and current men of all wars.To those Marines: SEMPER FI

This book gives us an idea of how the shocking horror of the Pacific conflict turned normal guys and to-be college professors into focused killers that simply didn't have the option of seeing the other side as human. When the author describes why no prisoners were taken by either side, you've already read so much that it makes sense.

Anyone who believes combat is a visceral experience similar to that seen in the movie 300 needs to read this book. Mr Sledge's book is recommended reading for every enlisted Marine at the beginning of his career. I argue that it should be required reading for every elected representative before they vote to send Americans into combat.

This book is a personal memoir of a US Marine who was a member of a front line company (Company K, 3 battalion, 5th Marine Regiment) in two World War II Pacific theater campaigns. It is not about tactics, operations, or strategy, but about what life was like for for men in front line units in the Pacific, the dangers and the depravations they faced. This book is important because of the perspective it can give the reader.

Though its focus is almost entirely on one small band of men (the men of Company K), it provides the reader with important context for understanding the world. Most obviously it gives one a window into what it means to be solider and the "face of battle", how war brings out the best and the worst in human kind, how disease and stress can be as deadly as bullets and shell fragments, and how dehumanizing the whole experience can be. Reading this first hand account makes these statements more than cliches, it makes the personal cost of war tangible in a way third person accounts can not.

Although I suspect this wasn't the authors goal, the book also provides those of us in the post baby boom generations an important perspective that can help us make sense of the arc of history from World War I to 80's. During the World Wars hundreds of thousands, if not millions of people had similar experiences, it must have had a profound impact on how they approached the world, which in turn must of have shaped the inter War and post War periods. Before reading this account I wasn't able to really appreciate how World War I lead to an increase in nihilism or the pain Vietnam War protests must have caused some veterans. Without reading this (or a similar account) one can't have a full grasp on modern history.

As a high school student, I first encountered this character in a series made up of five books. At the time, each book was released weeks or even months apart. I was so enamored with the story that I finished each book before the next one was released. But I eagerly anticipated each installment. It was like being hooked on a daytime soap. But mind you, this is no soap opera. This is perhaps the most captivating story I have ever encountered. I am pleased to find this edition contains the whole set in one book. If you are a fan of sword fights that begin with but an intent in the mind of the combatant coming to an end in the deceptively tranquil plains of feudal Japan, look no further. This story reminds you that however perfect the sword is as a tool for killing, the deadliest weapon remains the swordsman and not the sword. Musashi is the ultimate swordsman and his story has all the elements of an engaging epic containing betrayal, honor, struggle, unrequited love, death and much more. The duels of the sword depicted here are like nothing I have ever read or seen or heard about before back then as a high school student and now as an adult. Printing quality and paper quality is excellent as befits a treasure of literature.

Great story!! Full of action and wonderful details so you really feel like you are part of the story. My son who does not like to read cannot help but enjoy this one. Just when he seems a little bored the author has something exciting. A great read for boys or men.

I read this books while I was in the senior high school, approximately twenty years ago, but until now the story is still clinging in my mind and it refused to forget it because this is a best novel I've ever know.Extremely worthy to own it. It seems that Eiji Yoshikawa did a great deal of works to perfecting it.

I remember reading this years ago... now I'm reading the Vagabond comics based on it. So much fun.

I read Musashi 15 years ago, and I remember it vividly. It's such a sweeping, wondrous novel, I'm surprised it's not more famous than it is. I became a bit of a Yoshikawa fan from this, and visited his home, preserved as a museum, outside Tokyo. A beautiful serene place. Musashi, in retrospect, was highly inspirational to me as a writer, in terms of pacing, character development, and raw storytelling. I recently bought a copy for a fellow writer, who has samurai themes in his works, and I'm sure I will continue to gift this novel to my friends. Enjoy!

Shattered Sword by Parshall and Tully is simply breathtaking, the most thoroughly researched and lucidly thought out history of an event that I have ever read. Setting out to tell the story of Midway primarily from the Japanese side they have created the new standard of that crucial battle in the dark days of 1942 that shines as an example of scholarly effort without parallel.

First these authors clearly did their homework, and to say that they explore the battle in the utmost would be an understatement. Setting the stage for the battle with germane explanations of the geopolitical, then strategic, and then operational backdrops that led up to 4-5 June 1942 the authors then delve into the battle wielding an awesome array of salient information ranging from the psychological makeup of the senior Japanese commanders on the scene, to Japanese naval doctrine of the time, to the naval architecture of the four Japanese flat tops, to how many bomb carts each carrier had (and are thus able to derive such details as the quickest possible practical TIME, down to the minute, it could have taken to re-arm waiting dive bombers and torpedo planes in the hangar bay) to even the names of individual Japanese pilots in the CAP and when they were launched. What emerges is a picture of the battle in toto, grounded in a thorough understanding of the pacific campaign and the entire war itself, aided by a completely fresh and unbiased look (which subsequently shatters many myths about the battle) and delivers not just the most accurate picture of what happened and why during the fighting, but also what it meant in the larger scheme of how the rest of the war was fought and ultimately won (or lost by the Japanese). This is truly the stuff history is supposed to be about.

What is better yet is that the book, in a surprising cut against the grain for pieces written by more than one author, reads both like an erudite intellectual analysis and Tom Clancy-esque action thriller. Throughout the book you are taken from the strategic and coolly logical minds of senior commanders, to white knuckle seventy degree dives in the cockpits of cascading American SBD's flying through walls of flak and marauding Japanese zeros. Later you are privy to the acts of desperate survival of Japanese engineers sweating in the asphyxiating air of the engine rooms in their carriers as the ceilings above them start literally glowing red from the heat of uncontrollable fires ravaging above and blocking their only route of possible escape.

After setting the stage of the history of the Japanese naval war in the Pacific up until the time of the battle and explaining the strategies, doctrines, and technical features (i.e. carrier air wing make up, command organizations, etc.) of both the American and Japanese navies the authors place you onboard the ships of the Kido Butai for a minute by minute account. This in depth and detailed account takes you from the moment they sortie from Hashirajima bay to their ignominous retreat mere weeks later. The writing is crisp, fast paced, and clear, conveying information, tension, emotion, and action all at the same time without compromising any of those features. Told primarily from the Japanese side it is taut and disciplined, delivering information to the readers as it came in real time to Nagumo and the staff of the Kido Butai on the cramped bridge of the Akagi and under fire, instead of giving the reader a truly "God's Eye View" of the battle. There is just enough delving into the worlds and actions of Nimitz in Pearl Harbor, Flether onboard the Yorktown, Spruance onboard the Enterprise, and several other American forces to give appropriate context and understanding, but the reader is basically experiencing what the Japanese commanders were going through. This allows the reader to truly appreciate the Clausewitzian "friction" that plagues any battle, and to understand the decisions the commanders made at the time. After the fact everything is tied together by the authors to deliver a true picture of exactly what happened each minute of the battle. The scope of the battle and the author's telling of it is enormous, covering not just the more familiar strike on Midway istelf and ensuring carrier duel, but the ordeal of survivors from each carrier as they attempted, futilely, to save their ships then abandoned them, to the harried Japanese retreat and the less familiar American attacks on the Mogami and Mikuma which ultimately led to the latter's destruction.

The book sets the record straight on many things, of which I cannot mention all. When the American dauntlesses rained down upon the Japanese carriers at 1020 however it is clear that their decks were NOT full of a strike package just moments from launching to crush TF 17, this was a myth that was propagated by Mitsuo Fuchida after the war's end for self serving purposes as well as dramatic flair. VT-8's heroic and fatally doomed torpedo attack did not draw down the Japanese CAP, instead it was just one of a series of hurried and poorly organized American attacks that virtuously threw the Japanese into confusion and left them reacting to conditions rather than shaping them. The Americans were not so outmatched as is commonly believed, but still won a glorious victory ableit against a deeply flawed plan developed by the actually bullying and overbearing Yamamoto (who was restricted from leaving Kure Naval Harbor while in Japan to visit Naval General HQ in Tokyo on fear that other resentful officers there would literally kill him.)

The lessons the authors draw from this battle are applicable even today. The Japanese primarily lost the battle, and the entire war for that matter (although for the entire war the relative industrial might of the US played a far more important role than it obviously could have in this single, early on confrontation), due to an operational rigidity born of national culture and character. This rigidity left it unable to correctly learn lessons from its past operations, anticipate future operations as well as enemy capabilities and reactions to such, and, most critically, to adapt to real world circumstances when their overly elaborate plans inevitably began to unravel against determined and unpredicted enemy actions. (The Japanese expected to face a cowed, fearful, and largely reactionary and passive US Navy at Midway, and not the aggressive and ably commanded force that Nimitz actually sortied to meet them and that guided itself on the flexible principle of calculated risk rather than dogmatic devotion to operational planning.)

I simply can not say enough good about this book. It is useful to anyone with an interest in history as an example of the heights that that discipline can reach and the edifying fruits it can bear when practiced properly, to those in the military who seek a better understanding of how war actually is fought and can be fought best, to someone who wants to read about a real world battle written with the excitement and drama of a great fiction author.

HIGHLY RECOMMENDED!!

Haven't finished its reading yet, this book is a superb job about the battle of Midway. With every data carefully referenced and a lot of research in the JPN archives, most of them ignored so far in western bibliography, this book torpedoes a lot of myths that have risen around the famous naval battle over the years.
Reflects, in my opinion, the real "fog of war" that both navies had to fight with those days.
It is mainly focused in the Japanese side, giving credible answers to questions that had been ignored over the years by all history books that I have read.

"Fantastic" is not enough to describe this book. The research which has gone into it and the amount of details presented is absolutely unbelievable.
In the wake of this book, I don't think there will be any further need for continued discussion over the relative action of the US and IJN fleets and what really happened near Midway on that fateful day.
The explanation of Japanese tactical and strategical thought which lead to their demise is clearly spelled out and it finally lets the reader understand the how and why of the action Adm. Nagumo took at the time.
Altogether, I could not have asked for a better book on the subject.

Simply a must-read for anyone with a serious interest in what happened off Midway in June 1942, and why events unfolded the way they did. The authors explain not only what happened, but why - in exhaustive detail. And therein lies the reason I could not in good conscience give this outstanding work 5 stars.

When the subject is as complex as this battle, and the research so comprehensive, any author has a responsibility to write as concisely as possible. Doing so respects the reader's time and improves the chances of the less dedicated making it through the text. Not only is this book unnecessarily wordy, the authors sometimes use three or four paragraphs to explain a point only to spend another paragraph or two summarizing and/or providing 'in other words' alternative explanations. Frankly, the average reader may be hard-pressed to finish this work. I half expected the last page to be a submission form for three hours of credit.

With that said, the afterglow is a pleasant one for those of us with a deep interest in this battle and the patience to read through to the end. The authors do a fine job of explaining why they're explaining. For example, with great effect they use Japanese carrier procedures and doctrine as evidence indicating what was actually happening in specific timeframes. Another example is showing the real role the decimated American torpedo squadrons played, which was critical but not for the reasons most people believe. The research appears impeccable and the conclusions reached on points where absolute evidence does not exist make sense.

The authors are perhaps a bit snarky when addressing some other sources on the battle, but I believe that to be a product of their own passion for accuracy, the battle, and the Imperial Japanese Navy as opposed to any intended animosity.

Bottom line: highly recommended, but be prepared to invest some time.

I was rather surprised that the authors make no mention of the actual prime source for the Battle of Midway that most Americans carry around in their heads: the 1976 film, "Midway." With familiar names like Henry Fonda, Glenn Ford, Robert Mitchum, Hal Holbrook and Charlton Heston, the film reinforces the popular wisdom that an under gunned American Naval task force, on June 5, 1942, surprised the main fleet of Japanese carriers bearing fighter planes helplessly exposed on the decks. Certainly I had never heard the names Yamamoto, Nagumo and Genda prior to seeing the film one rainy summer afternoon. After reading Parshall's and Tully's masterful study of the battle, I was even more surprised to learn that this enduring version of the Midway encounter came not from the understandable pride of American historians, but from the pen of Fuchida Mitsuo and Okumiya Masatake, whose "Midway: The Battle That Doomed Japan" [1955] served as a template for historians, school books, and even Hollywood.

Since Japanese historiography has shaped the Midway story for over six decades, Parshall and Tully decided to address their gripping minute-by-minute account of the battle through the eyes of Japanese experience and intentions in order to restore a sense of perspective. In truth, much of Mitsuo's narrative and interpretation is not as much defective as it is deficient. Midway was the product of complicated forces; its individual tactical events at many turns had lives of their own. Thus, only by breaking the battle into dozens of microcosmic signatures could Parshall arrive at something resembling a true chronology of the encounter, though war is such a hellish psychological event that exactitude is its first victim.

The attack on Pearl Harbor on December 7, 1941, was for the US the beginning of the beginning. For Japan it was the beginning of the end. It may not have been clear to Americans in 1941, but Japan's eastward expansion to Hawaii was something of a Pickett's Charge moment save that Japanese efforts had, for a time, a more favorable psychological outcome. Parshall's map [20-21] makes the Japanese problem crystal clear: advancing across the Pacific meant investment north and south as well as east. Japan at this point had been at war since at least 1937, first with China and then throughout Southeast Asia.

In these circumstances the Midway situation takes on a whole new look. The Empire's interest in seizing the Island had little to do with westward expansion, and much to do with protecting its holdings. Possession of Midway would allow the Japanese to cut US supply lines to Australia. Achievement of the goal was certainly within capability, given the limitations of the US Pacific Fleet, had not the ambitious Admiral Yamamoto Isoroku overreacted to recent US sorties with a complicated plan of his own for Midway. Yamamoto violated a basic tenet of war--massed force--to execute simultaneous action toward Dutch Harbor in the Aleutians. Parshall is careful to note that this Aleutian action was not a feint, as is popularly believed, though Dutch Harbor had questionable value in any strategic equation.

With two carriers off to the cold north, Yamamoto proceeded to Midway with four carriers instead of six, and just a one carrier advantage over Halsey's three. [Bill Halsey, of course, would be hospitalized with shingles and replaced by Ray Spruance for the Midway expedition.] The result is basic history, with the US destroying all four Japanese carriers with the loss of only the Yorktown. Parshall certainly does not diminish the accomplishment, nor do he and his colleague entirely deny the element of luck. More often, he takes the dramatic edge off of events, reminding his readers that in war the best schedules go awry, runways get congested, radios break, intelligence gets manhandled, and weather conditions change.

Parshall believes that that US Pacific fleet was not quite the crippled eagle it is often portrayed to be. Between the Pearl Harbor and Midway encounters the Lexington and the Yorktown had embarrassed Yamamoto on several occasions in his back yard. The US Navy had learned quite a bit about aerial warfare despite the fact that at Midway its planes were somewhat inferior. Vice Admiral Nagumo, commander of the strike force, found himself repeatedly surprised by the Americans' tactics and capabilities, though admittedly some of these tactics--with tragic and needless loss of life--were as much a surprise and shock to the Americans' own commanders.

Parshall observes that American forces did enjoy an overall edge in technology, planes notwithstanding. Photographs of the late Soryu, Kaga, Hiryu and Akagi carriers throughout the book reveal tinker-toy vessels of another generation, which in some cases were actually Gerry rigged when designers changed schemes. US carriers enjoyed greater simplicity and a much more efficient deck technology, particularly in the design of elevators which allowed for rapid turnover of planes for duty. Most notably, American carriers enjoyed much safer and more efficient fire control systems, which gave the Yorktown an added essential day. From a humanitarian standpoint, Parshall brings home the terrible suffering of Japanese sailors primarily from fires resulting from poor ship design. As a rule the rank and file of the Japanese Navy manifested an amazing courage and devotion to duty; Parshall's account puts the responsibility for their plight in the appropriate places.

Parshall's decision to write from the Japanese perspective was quite daring and very successful. As befits a military work, nearly one-third of this book is composed of maps, photos, and an exhaustive bibliography. It is hard to imagine how the author could have been more helpful with his illustrations of ship movements and time lines. And yet this is a work with a gripping story line. The revised truth about Midway is still a captivating tale, about commanders coping with strain and sailors loyal to their comrades. For all its technical information, Parshall's work can best be described as eminently human.

Sailor Moon is one of my favorite manga of all time. These books are so hard to get. If you can find one grab it !

I haven't read the manga(any of it) but I want to point something out. Who in this entire universe would want the name Bunny? I woundn't. Maybe that's why they changed it to Serena. Just a tiny clue, you know.

This is one of the best volumes. Usagi and Mamoru and Serena and Darien and Bunny and Darien are my favorite couple. This volume is so romantic and touching. Sailor Moon and Tuxedo Mask are my favorite couple. This volume is so romantic and wonderful. I loved it. I read every volume and loved it. I've been a huge fan since 1995 and still love this series- the anime, manga and lvie action version. Usagi/Mamoru Serena/Darien Bunny/Darien Sailor Moon/Tuxedo Mask are the best couple and the main couple and have the best love story.

This is one of my favorite Sailor Moon volumes. In it, my favorite couple, Bunny/Darien, Usagi/Mamoru, Serena/Darien have lots of romantic moments. I loved both the Japanese and English versions. The Japanese version is my favorite and the English version is great. I use both the Japanese names, Usagi and Mamoru and the English names Bunny and Darien. In this book, Usagi, known as Bunny and Mamoru, known as Darien begin to date. When Usagi (Bunny) wakes up in Mamoru (Darien)'s bed, they reveal their secrets to each other. Tuxedo Mask rescues Sailor Moon from a battle and kisses her. Darien reveals his identity as Tuxedo Mask. He tells Bunny the truth about his past. Although at first they'd enjoy teasing each other, when Darien reveals his identity to her, she admits that she has strong feelings for him and they begin to date. Darien tells her about his childhood. Bunny finds a pocket watch and takes it with her, while Darien saves Bunny's handerkerchief. He gies her a new nickname, in the Japanese version, Mamoru's nickname for her is Usako. Usagi then calls Mamoru Mamo-chan. In this version, Darien's nickname for Bunny is Buns. Bunny becomes very happy with Darien's new name for her. The next time they meet, Bunny sees her new boyfriend, Darien, reading about crystals. Darien playfully teases Bunny as they talk together. Bunny gets excited as they begin to talk. Bunny decides to keep his identity a secret, so the others will let her stay together with Darien. Darien apologizes about before and Bunny smiles and tells him it's alright. Bunny tells Darien that she wants to return his pocket watch. Darien tells her to keep it and he tells her he has something for her and they can trade next time. They reunite when Sailor Moon is about to fall and Tuxedo Mask saves her. Sailor Moon kisses Tuxedo Mask. Darien begins to think about the different sides to her. When Sailor Moon is about to be attacked, Tuxedo Mask saves her. Darien takes the shard for Bunny. Bunny is in shock. She calls out to Darien. Then their past is revealed. Usagi and Mamoru, Bunny and Darien, find out that in the past they were two lovers, Serenity and Endymion. They were in love and reincarnated in the future to meet in the present. Bunny finds out that Darien is her true love. When she sees him in her arms, he is taken away. Bunny is heartbroken and stays in her room for a week as she begins to remember the past. This volume is romantic, touching and will make you cry. It is truly one of the best volumes ever.

Well, this book is when sailor V first appears. She is totally cool. Darien and Bunny (Tuxedo Mask and Sailor Moon) figure out eachothers true identities. And they find the silver imperium crystal(which is very very important). If you have seen Sailor Moon on Cartoon Network, just a thing. This is much different. Sailor Moon isn't as...clumsy. And the whole crystal thing is done way differently. Still an amazing book, well written, good plot. Any real sailor moon fan will absolutely adore this book.

Inspector Morimoto is a detective who works in the Japanese city of Okayama, which is a medium sized city. He like to ride around on the city trams, and take slow train journeys through the countryside. And he likes to sit in his office with his feet on his desk drinking tea and staring out the window while he discusses problems with his helper - who is Police Officer Suzuki. And in one of the chapters Inspector Morimoto will show you how to cook a Japanese pancake! It is a wonderful book, and I never realized umbrellas could be so fascinating!

I love reading books written by westerners who have spent a lot of time in Japan. I've been there many times myself. I prefer the non-fiction, but have read most everything available, so sometimes read the fiction.

The story is engaging, however, I feel it could have taken place just about anywhere. It didn't have a Japanese feel to it. Inspector Morimoto and Suzuki could have been a detective team in any country as there was almost nothing about their characters that seemed Japanese. There just wasn't that feel of Japanese charm or that little touch of humor that I think there should have been. Even in this day and age in Japan I find it unbelievable that a Japanese man would get tea for a younger Japanese woman--or most any woman.

The train ride descriptions and the lockers in every Japanese train station are very accurate. However, the larger lockers usually cost much more than the smaller ones which usually do cost 300 yen (About $2.50 right now). There are usually three sizes of lockers--the largest ones costing 500 to 600 yen. I've stuffed my luggage in them many times. I know, I'm probably nitpicking.

I also thought there was an obvious way the bad guy could have saved himself a lot of trouble and obtained the desired result for himself. But then, there couldn't have been a book.

This book was interesting enough to make me want to read the next books. I'm hoping there's much more character development in those.

I really enjoyed reading "Inspector Morimoto and the Two Umbrellas". I liked the main plot and I particularly enjoyed reading about the train rides.
I am not good at solving riddles but I could hardly put down the book. I finished reading the book in just 3 days. I thought it was a very clever story. I felt so good when I read the ending. After reading this book I decided to read the rest of the series.

This has got to be the dullest detective story that I've had the misfortune to read. The action consists of Detective Morimoto and his sharp young math-minded assistant Suzuki taking the train to different locations. Now when I find the descriptions of the scenery between Okayama and Osaka the most interesting part of the novel that spells trouble for the storyline. Besides the fact that the detectives don't do much besides ponder the problems and interview people, the writing itself slows the story down. Overuse of words such as "quite" and "rather" and lines like "as we shall see later in the story" make the writing style altogether passive. I would have liked to have seen more character description - these two protagonists could have been located in any country as they did not use a single Japanese word for flavor. (I recommend using the Japanese honorifics such as "san" at least.) Yawn... here we have proof that being a good mathematician does not lead to being a good novelist.

What really annoys me the most is all of the bogus 5 star reviews posted here at Amazon for this book. I can tell that the author self published this book with no editor and promoted it here with these generic 5 star reviews so that it would be prominently displayed on Amazon's lists. Bah humbug! I got suckered into buying this but I hope that anyone who reads this far looks elsewhere for their entertaining detective novel.

I admit it, I'm a sucker for all things Japanese. I like this series and am working my way through them steadily. They are very, very dry [although it rains a lot] and some might say that not a damn thing happens. In reality, a crime occurs and then 'the team' of Morimoto and Suzuki work on their inductions and then their deductions till they have the crime figured out. Then they talk it through again, then they confront the criminal, then they sum up. They also spend a vast amount of time on the tram, the train and the bullet express, so the chances of a police chase are pretty slim. As slim as the books themselves, in fact. All very cerebral, exactly as you'd imagine a police procedural written by a mathematician.

I have this book since 1984 when Tetsuko Kuroyanagi became a Goodwill Ambassador for UNICEF. I was in 7th grade at that time. I have read it over 20 times. Every time, I found joyful, happiness, and touching. But I lost it when we moved. I did get an used one. And I have read it over and over again. This book inspired me to study Japaneses. I love it. GREAT BOOK for children and for adult. READ IT if you want to find your childhood and refill your imagination.

Honestly I read this book over 25 years ago and thought that this book has long been discontinued. I guess this proves what a time-tested treasure it is. The author, a TV celebrity in Japan, recalls her childhood and the unorthodox school she went to. Absolutely adoring in the simple story of how a concerned mother tried to do the best for her daughter and how a simple man did his best to give a bright and meaningful future to the few children who comes into his life.

It is the type of book that makes you wish that there were more teachers like him and that you had a teacher like him.

This is one of my all-time favorite books. First published in Japan in 1981, this beautiful book depicting the true story of innocent little Totto-chan, her family, friends, and above all, the innovating educationer she befriends in the years leading up to, and during the first years of WW2, remains a national best seller in Japan to this day. I don't have any children of my own, but if I did, and if Tomoe-Gakuen (the elementary school Totto-chan attends) existed today, I would immediately enroll my children there. Since there is not, I hope I have the good luck of finding somebody like Sosaku Kobayashi to help make my child the happiest and kindest child in the world.

It was due to this book's beauty that then UNICEF Executive Director, James P. Grant persuaded those working at UNICEF to appoint the author, Tetsuko Kuroyanagi (who is Totto-chan grown up), to UNICEF's International Goodwill Ambassador, enabling her to visit and help children in need all over the world.

For people who have read this book and those who have not, I also recommend "Totto-Chan's Children : A Goodwill Journey to the Children of the World" by the same author. It tells the story of Totto-chan grown up, still big-hearted as ever, striving to help children in need. Check it out!

In 1969 I was part of a group of teachers who created a school much like that featured in Toto Chan. We thought we were on the "cutting edge" of educational practices without knowing that a school in Japan had been delivering many of the same holistic, humanistic educational practices over a quarter of a century before. I'm sure many U.S. educators who thought/think they were/are in the vanguard of educational practices would appreciate this beautiful story of a dedicated educator and his students.

I have not read a better book which has made me laugh, cry, love, and ponder over is such a way! This book is awesome and worth much more than 5 stars.

I've read a number of books on Zen, which technically can't be written about. Zen Flesh, Zen Bones by Reps and Senzaki is a good example of the pithy stories and poems that teachers use to "point toward the moon" while helping students not to confuse the finger for the moon.

The selection of material and translation are very good.

I have the Shambhala edition. It is a shame that one of the few good-quality translations in Shambhala's Pocket Classics series is out of print. If you can find one you should buy it, because it really can be read again and again and it really does fit in your pocket.

For a different sort of introduction to Zen I recommend D. T. Suzuki's Introduction to Zen Buddhism (An Introduction to Zen Buddhism).

For a fuller treatment it is hard to beat D.T. Suzuki's Essays (Essays in Zen Buddhism: First Series).

What strikes me as I read many of the reviews here is that most of the reviewers have a truly fond feeling for this book and that many have also read and re-read it over the years. Both of these experiences are true for me too!

"Zen Flesh, Zen Bones" is a collection of Zen tales that touch the heart and mind in the true spirit of Zen.

It was the first book that I ever read about Zen and it is invaluable still. I purchased my first copy in my early college days and over 20 years later I bought this book again, because I had lost my taped up and worn out copy in a move. I simply had to have this book once more, which in a strange way is an Attachment, yet not... which sounds like some half-baked Koan or humorous Zen twist like those that are so wonderful in the stories in this book. ( "What is the sound of one page turning?" )

If I had to choose one book on Zen it would be this one.
There are many, many fine books that delve deeper into the subject of Zen, but "Zen Flesh, Zen Bones" has the friendly essence and simplicity that is Zen. If you had no other introduction to Zen, somehow I think what is in this book would suffice.

The title of the book is no lie, it is telling the truth!

Peace

a great starter book. The parables are easy to read and simple to understand. I first read the book in larger size format 10 years ago. Today, I still appreciate every content of it. The best feature of the pocket size format is that you can carry them anywhere or leave it beside your bed when a bit of zen is needed in your life. I don't know why Shambhala Publishing stopped printing them.

I don't know why I find this book such a comfort. But it is one. I have read and reread it for over thirty years now. Zen is very foreign to American life. And it is hardly the answer to that life. But it is a partial answer -- if its influence on me is any indication.

This is one of the earliest Zen books available in English. ZEN FLESH, ZEN BONES is not "about" Zen, it "is" Zen. An omnibus of beloved Zen tales ("101 Zen Stories"), the classic ten "Oxherding Pictures," and the "Mumonkan" ("The Gateless Gate") a collection of those ironic, irreverent, and seemingly illogical Zen riddles known as Koans, this book is an excellent, one might say, indispensable, part of any Zen practitioner's library, whether beginner or Dharma Heir.

It's an excellent translation. Zen writings are essentially paradoxical, filled with sense impressions, and sometimes arcane (Koans descended from Chinese law cases of the Confucian period and are still called Cases today). ZEN FLESH, ZEN BONES will not have you tearing your hair out trying to decipher the language of the Zen Masters (given the number of shaven-headed monks, you have to wonder), but it still gives the reader a great sense of the fluidity of thought that marks the material.

There are other books out there that "explain" Zen, or "teach" Zen, but ZEN FLESH, ZEN BONES is the essence of the immediate experience that IS Zen. The recorded version, read by Peter Coyote, is a wonderful listening experience.

Sit with it.

Japan. 1912. Japanese society is divided, or at least complex. Still with most of it's body and soul in the ancient tradition of the East, but with ever increasing impulses towards the "Western culture" (In the unsemitically correct reality, we of the "West" have infinitely more in common with the traditional culture of the East than we do the current world-wide Weimar Republic, but oh well). Mishima, the author, was more or less a Japanese representative of the "conservative revolution", and appears to have been quite well read. His life reminds me in many ways of Corneliu Codreanu and Julius Evola. His well-known dramatic ritual suicide as a protest against the betrayal of tradition in Japan, and the Japanese submission to American rule, followed him and his radical "right wing" organization's (The Shield Society) failure to arouse the Japanese Defence Force into rebelling.

The book is the first in a tetralogy, and follows Kiyoaki Matsugae, a young student from a family of the lower nobility in his relationship with Satoko Ayakura, the daughter of one of the 28 families of the higher nobility, her being the daughter of a count. The book in many ways actually reminded me of the excellent "Victoria" by Knut Hamsun, with the constant back and forth in the interaction between the characters, sometimes they love each other dearly, and at other times torment each other. Such is the nature of difficult relationships, I guess! The book paints a very vivid picture of the end of a noble era, and the translation I read was excellently done. The moral teaching of this period, and it's sometimes less noble effects is excellently portrayed.

Through certain misunderstandings, Satoko ends up being future wife of one of the royal princes, and Kiyoaki is driven to despair. Long story short, as all the books in the series, there is no happy ending, but that is basically the ending of all our lives. This is a book I highly recommend, and apart from a few minor flaws, it is all in all an excellent tale, and I look very much forward to reading the rest of the series. 4,5 stars.

(I read a different edition)

Maybe it was a bad transalation. Maybe I could not relate as a westerner to an old Japanese story, but I really did not enjoy this book. It was maudlin and unbelievable. Story was boring. Character development was terrible and it was poorly written/transalated. I recommend Murakami's Norwegian Wood for those who want to read books by Japanese authors.

Mishima's Spring Snow is a coming-of-age tale for nouveau riche Kiyoaki, whose naive childhood crush on the more mature Satoko grows into something much more powerful, beautiful and, ultimately, destructive. Kiyoaki's failings are human and familiar; acting on rash impulses, immaturity, a failure to realise what he wants till he has lost it. Mishima's characterisation is finely drawn and accurate. The scheming Tadeshina turns out to have her own secret heartbreak, enervated Ayakura lacks guile but not luck, the ancient loyalties of the Abessess make her a formidable eminence grice. The characters are at once individually drawn and representative of a unique and fascinating era of flux and change in Japan, as ancient modes of behaviour gave way to modernising forces. Mishima's novel is both of its time and timeless. A true masterpiece.

Just finished reading an excellent book, just a few minutes ago, and I feel compelled to write a review, while ideas are still fresh in my mind.

This is the first book I've finished reading for my Summer Reading. The book is called Snow Spring (Haru no Yuki) by Mishima Yukio and its the first book in his masterpiece, The Sea of Fertility or Hojou no Umi. The Sea of Fertility is a series of four novels by one of Japan's greatest authors. The book I have is the Vintage International edition, translated by Michael Gallagher.

This novel really moved me. In the last 100 pages, I couldn't do anything but finish it. Just like a short story by Edgar Allan Poe, where the reader hangs onto every word until the truth and mystery is finally revealed in the last word, so does this novel grip the reader.

On the surface is a conventional tale of the Japanese idea of unrequited love, a theme that is done over and over again in Japanese fiction. What sets this piece apart from others, is Mishima narrative drive and richly detailed characters and the psychological insight into every major and minor character involved.

Kiyoaki begins his ill fated relationship with the beautiful Satoko, whom he has known all his life. At first he disregards her and then he is on fire to obtain her love after she is engaged to a Prince. Wealthy families are invovled in making the Wedding ceremony a success and any type of scandal leaking out to the press must be avoided at all costs. But Kioyaki single minded determination to pursure Satoko, despite such obstacles, causes the reader to want him to succeed.

On the one hand, Kiyoaki lets his desires and emotions rage out of control and on the other all those emotions put him into action. He used to sit around in his room all day, lonely and depressed, until he just decided to pusure love. Its his drive to obtain love and his selfish quest for Satoko's heavenly beauty that pushes him along page after page. These type of overly romantic novels can quickly turn unwittingly comical in lesser writer. But Mishima combines the richness of Japanese traditional and culture with romantic ideas of love and realistic views, based in concrete reality, that prevent the work from becoming a low form of soap opera.

The novel is both realistic novel and emotional charged romantic that causes the entire work to be a cleverly crafted paradox. For example, Honda is Kiyoaki's best friend in high school. Honda has a revelation that he must prevent Kiyoaki from pursuing Satoko becomes of his friend's harmful obession. The fact that Honda can't bring himself to hurt his friend by giving him a cold rational arguement, shows love between friends that isn't distorted by irrational love. Kiyoaki's love for Satoko is more based on his own selfish fantasy. It is this fantastic love that wins out between Satoko and over Honda, who had good intentions but failed to act on them. Irrational love wins out over the gloom of reality.

Without giving away any more of the story, let me just end with how this book took over my imagination and wouldn't let it go for 2 whole days. All day Saturday and all Sunday afternoon, I cared more about the characters in this story then my own family. I couldn't do anything else except finish reading it.

It starts out slow but builds to a breakneck speed in the end. It is highly recommended for anyone who wants to read an excellent novel this Summer. Forget about it being Japanese and look past all that exoticism and you will see the novel for all its beauty.

Today I will start on the second novel in the series, called Runaway Horses.

I can't wait.

In "Spring Snow," Yukio Mishima has chosen the perfect title for his novel. The narrative is as gentle and as beautiful as wet snow on spring blossoms, and indeed there is a poignant scene where two lovers have a tryst in a rickshaw under such conditions. It was my first foray into the world of Mishima -- indeed, of Japanese literature -- and will not be my last.

The story of a young and handsome aristocrat, Kiyoaki Matsugae, and the beautiful and mysterious Ayakura Satoko, comes from the same time-honored tradition of as more familiar star-crossed lovers such as Romeo and Juliet, Pyramus and Thisbe, Tristan and Isolde, and Lancelot and Guinevere. Set just after the Russo-Japanese War in the early 20th century, the novel offers intriguing insights into a Japanese culture that is at once in flux and clinging to traditions.

If you love a writer whose strength is description of nature, Mishima is not to be missed. His words are as fit as any Nature Channel special on the wonders of Japan and he is equally adept at describing the contours of his young lovers' bodies. In addition to the sensual and sensuous wonders, the inner psychology of passion-plagued minds is a point of expertise for this writer. He deftly avoids sentimentalism while walking the thin line between hatred and love, between passion and pain.

Symbolism, description, psychology, and a gentle narrative pace. What's not to love? Readers looking for a fast-paced plot might not be overwhelmed, but those who love it when they stumble upon a "writer's writer" will be glad they tried Yukio Mishima. It is the first book of the tetralogy, "The Sea of Fertility."

I purchased this for my daughter for Christmas. I took some time to browse through the book and found it full of interesting information in addition to recipes and directions on how to prepare ingredients. I was very impressed, as was my daughter.

I wanted a book with a lot of information and recipes. Too many cook books are filled with pictures, and empty of information. This book is the opposite. Don't expect many photos, do expect lots of information. The author gives you information about the food, about the preparation, and about the ingredients. It even gives you a little Japanese history as related to the food.
This is a must buy for anyone serious about cooking Japanese food.

My wife and I bought this cookbook in Japan 25 years ago and have used it often since then. It is the best I've found on describing ingredients and how to do certain techniques especially making sushi rice.

A beautiful book, clearly written, but the simple of the title is misleading. These are difficult, exacting recipes calling for both ingredients and kitchenware that require a search in specialty Japanese markets.

This is the only Japanese cookbook you will ever need. As other reviewers have already mentioned, it is indeed "the Bible of Japanese cooking."
A little bit about me, I first feel in love with Japanese cooking at the age of 8, when for my birthday, my parents took me to Joto's Japanese restaurant and I tried Sukiyaki. The sauce was to die for. The sauce won me over more than the ingredients inside the pot.
I just had to know how to cook it so luckily for me there was a Japanese market nearby. I went inside a bought Japanese Cuisine for Everyone by Yukiko Moriyama. It was ok for the time. It does contain actual photographs of all the sauce bottles and packages of dried foods that you need to find. It can be hard to locate items at the market and the pictures helped in the beginning. Then, years later, I bought Japanese Women Don't Get Old or Fat by Naomi Moriyama. It does have some traditional recipes mixed in with fusion cooking. Recently I bought Japanese Homestyle Cooking by Tokiko Suzuki and Harumi's Japanese Cooking by Harumi Kurihaara. Someone let me borrow an old book from Time Life books in the Foods of the World series called The Cooking of Japan. I have looked through the Nobu cookbook and it is filled with wonderful pictures but the recipes are hard for the average cook. That said, Tsuji's Japanese Cooking: A Simple Art towers above all others in content, detailed descriptions, cutting techniques, meal planning, and how to put together lunches and dinners based on the seasons. Other books have the aboved mentioned information but not on the level of Tsuji. Its like comparing the novels of Jane Austen to those of Danielle Steel. Both are romantic writers but only one is a genuis whose works stand the test of time.
Now in its 25th Anniversary, not much revising was needed, according to the author's son, you can see real Japanese cooking without all the added fusion cooking of today.
I do agree with Tsuji in his introduction where he writes, "With a Japanese recipe, however, unless you have been to this country and eaten the food, you will probably have little idea of what you will be aiming at." Despite the fact that sushi bars are everywhere and numerous Japanese restaurants are popping up, I feel dissatisfied everytime I go to a Japanese restuarant in the Tampa Bay area. Ok the sushi is good for the most part, if you avoid the California and cucumber rolls, but the main dishes are usually sub par. Each time I look at the menu and see Teriyaki Chicken or Steak I cringe. Its just not what I'm looking for. I'm sure America does have real Japanese resturants like Rangetsu in Orlando that cater to Japanese tourists or in other places like LA or NYC. I'm baised because I'm spoiled. I lived in Osaka, Japan for three years and Osaka has to be one of the great food cities, along with Kyoto, in all of Japan. Tokyo does have excellent food and the giant crab in Hokkaido is great but there's something about the food in Kansai that is extraordinary.
I lived with a Japanese host family for 1-year. Often on Saturdays, if I had no other plans, we would go to the supermarket to pick out things for the whole family. I got first hand experience on how to pick what kind of fish and why and how to buy various ingredients.
Then she would cook and I would sneak around the corner and watch. Sometimes I didn't think she wanted me to see how to cook so I was always quiet. Then I would slip back to my room and write it all down.
Also, you could wander around Osaka and just happen to find little soba and udon stands, kaiten 100-yen sushi, ramen restaurants, sukiyaki shops, shabu-shabu, Yakiniku grills, and my own personal favorite, Okonomiyaki (seafood pancake) where your table is a grill and you make and cook Okonomiyaki yourself. Staying 3-years in Osaka, I never had bad food even at the occasional trips to Wendy's or MacDonalds. Ok with that in mind, Japanese Cooking shows most of the stuff I learned from my host mother, plus the Osaka-style of Sukiyaki that I ate at many different restaurants in Osaka, Kyoto, and Kobe, and all the foods that I tried in the Kansai area. It goes far beyond all my experiences with my host mother, reading various cookbooks, and learning how to cook simple dishes from different Japanese girlfriends.(When I would visit a Japanese girl at her apartment, I would cook for the most part.) I wish I would have read this book before going to Osaka because all kinds of doors would have opened up that I didn't even see at the time.
Overall the single best Japanese cookbook out there.

This book is great for people who want to learn by themselves our with a teacher. It has real life situations and easy to learn. I recommend buying the textbook for more practice and the CD.

This book is very good, but there are not many to choose from. This was 3 quraters of classes.

Overall a good book!

I learned Japanese as a second language from the Genki books, and now I use them to teach students of my own. This is by far the best Introductory Japanese book out there!

I am teaching myself Japanese and I really like this text. This book has a good collection of vocabulary and is very easy to follow. I recommend this book to everyone. It is excellent! My Japanese friend is very impressed with what I was able to teach myself. I feel very confident in what I have learned. The student CD that accompanies is a little lacking, though. It only covers dialogue and vocab for the book (and workbook), when I really wish the CD included more from the textbook. I also recommend getting the workbook for more practice. You should know that you need the student CD to use the workbook. Genki 1 has to be the best text out there for learning Japanese!

This book may be good for young students who anticipate homestays (and I'm skeptical even about that, for reasons below), but if you're an adult you may find this book excruciating. I recently moved to Japan, and finally determined to take some private lessons to get a more systematic grasp on the language than I have had hitherto. My school uses this text. I can't compare it with other college-style textbooks, which may mostly suffer from the same problems, but among the issues I have with it are:

@ The framing scenario is of foreign students living in homestays and interacting with their homestay families and with each other; there is also a lot of school-related vocabluary. This is largely irrelevant for an adult's experience. It is useless for business, BTW (though in my own case, I was looking more for daily life vocabulary and situations than business).

@ Even within this scenario, the book doesn't teach you how to really have conversation -- all classmates address each other with polite "-masu" form verbs. In real life, this would be distant or even rude with your pals. (Moreover, on the accompanying tapes female gaijin characters like "Mary" and "Sue" address their classmates and homestay parents in that saccharine, squeaky little-girl voice that is normally used by shop staff and female announcers on infomercials, not people talking to friends or family.)

@ In Japan, it is very rare for people to mirror back to you what you say, or for it to be appropriate for you to mirror back to them. This is especially true if your main interactions are with people in shops, where they will use a lot of "keigo" (honorific speech) or other specialized formulas. Simple example: A waitress will bring stuff to your table and ask "Yoroshii desu ka?" (Is that OK?), you don't answer back "Hai, yoroshii desu." Even saying goodbye is highly context dependent; e.g. when someone says "Sorry I'm being so rude as to leave before you," even if you can catch the Japanese phrase you will look like an idiot if you reply symmetrically (been there, done that). This book doesn't give you a clue about dealing with such situations, nor help you to unravel what Japanese people are saying to you when they respond to your questions or remarks. All dialogues and exercises are based on the mirroring principle (as well as indiscriminate use of "wa", the topic particle). So it's pretty useless for practical purposes -- unless you plan to use Japanese in class only.

@ While it's a plus that reading & writing practice are integrated into the text, the reading selections in early chapters are devoid of imagination. After several chapters of reading stuff like "Are you OK? I am fine. It's cold here in Japan. I took some pictures, studied Japanese and took a bath. My father is nice, but very busy," and so on, you just want to scream.

@ Although the publication date is 1999, at which time a dot-com boom was beginning even in Japan, this book is snail-mail all the way: you spend time learning about stamps and postcards, but there isn't anything about email, the Internet or texting. (Forget also about DVDs -- people watch videos.)

@ Japanese verb conjugation has a wonderful regularity, in that almost every verb has a set of stems that are based variously on -A-, -I-, -U-, -E- and -O- (e.g., negative, polite, dictionary, causative and "let's" forms, respectively). This tracks the order of Japanese vowels in the kana writing systems, so it's easy to remember. However, "Genki"'s presentation of verbs obliterates this useful pattern (see, e.g. conjugation chart @ 344 of Vol. I).

@ The book lacks any review chapters, appendices, exercises or quizzes to help you consolidate what you've learned in a chunk of preceding chapters. Schools don't necessarily take the initiative to review the material every now and then, so you may need to request special quizzes to force yourself to review stuff you studied weeks earlier. My teachers were amenable when asked, though my lessons are one-on-one, and this might be more difficult to do if the book is used in a class situation (you might ask about that before you sign up). If you're using the book to study on your own, you're on your own with this too.

Like most students of Japanese, I've stocked up on a shelfload of other books of varying usefulness. (Two of the best, Rita Lampkin's "Japanese: Verbs and Essentials of Grammar" and Jay Rubin's "Making Sense of Japanese", unfortunately are exclusively in Roman characters, or nearly so.) You will definitely need to to the same (or at least half a shelfload) if you use this book. But not getting bored by the boook will be a bigger challenge if you're older than 22. One possible tip might be to look for a book that has at least one gaijin co-author. This one is written entirely by Japanese authors; it could have benefitted from the perspective of a formerly-puzzled foreigner.