China Books

This is the best generally available book on Chinese and Japanese ink-painting in English of which I am aware. Why? Because it is not, primarily, a "how to" book. Yes, there are extensive examples of specific brushstrokes and characteristic forms and techniques, however they are by way of explanation and illustration, rather than instruction. There is much talk of history and aesthetics, but from a practical perspective; this is not, primarily, a book of art history or criticism. Rather, it looks at those things from the point of view of a painter, rather than an academic. While it's not an easy read, I would recommend this every bit as much for beginners as those with more experience.

So, why would this be useful for the beginning painter? While some authors would have you believe that Asian ink work is rooted in a spontaneous expression of feeling, and/or that a meaningful piece of art can be created with just a few, easily mastered, brushstrokes, these are extreme oversimplifications of the actuality of Asian art. Tossing a bit of ink on some rice paper may be spontaneous, but it isn't the same as the Spontaneous school of Chinese painting. In reading this book, which is admittedly dense and occasionally dry, the reader can gain a strong background in the traditions and aesthetics of ink painting. While learning basic brush control from a teacher or how-to book, "The Way of the Brush" will give you not just context and history, but an understanding of how to compose and construct a work -- how to put those brushstrokes together.

It could be said that this is not a book about how to paint in the Chinese and Japanese style, but how to look at a painting in the Chinese and Japanese style. In doing so, it also points the way towards seeing like a brush-painter. Unless you can see, not merely with your eyes, but with your mind, it is impossible to make the jump from brushwork to painting, from technique to art.

This is the book from which I learned sumi-e. It is well written, with wonderful examples. If one is seriously interested in the subject and in learning how to paint high quality works, it is the definitive work. The artist, P'u Ch'uan, who illustrates particular styles and strokes, is a master, providing some of the best examples one could hope for. The works of other artists in their instructional books pale by comparison; they fall into the "You too can paint a masterpiece in 60 minutes" sort of thing one sees on TV. Those are acceptable if you accept the limitations and set your sights accordingly. The standards set by this book are extremely high.

The historical perspectives help a great deal in understanding not only the background of the art, but also in understanding the background of the strokes. These backgrounds are essential to more fully appreciating the work of others and in informing your own work. The great variety of styles and artists presented--contemparary and historical--help one to form one's own style.

This book teaches both an appreciation of the art form and a sound basis for attempting it. I can't say I have mastered the form by any means, but working based on this book has been a rewarding experience.

Highly recommended.

This is one of the best books about Chinese painting for those who want to understand not just Chinese painting techniques, but also something of the history and variety of traditional Chinese brush painting. The one drawback is the usage of the outdated Wade-Giles romanization (the book was first published in 1962), but that is merely a trivial annoyance compared to the wealth of information the author provides. Most instructional painting books are written by painters who focus on their own style, and give no credit to all the masters who have gone before them. This book shows many examples of paintings by master painters (ancient and modern), along with examples from the author's own teacher, master painter P'u Ch'uan. He thoroughly describes the different painting styles, with excellent examples, and many bibliographical references. I especially liked the fact that he gave 7 different versions of translations of "the Six Principles" of Hsieh Ho; by combining the common threads in all of them, their real meaning becomes clearer.

Another subject he talks about, although briefly, is the importance of understanding brush strokes in order to be better prepared to deal with forgeries and copies. This subject is almost universally ignored in books on Chinese painting, and yet it is very important. I have seen a painting in a catalog from one of the big auction houses that on first glance looked like another one of Li Ke-ran's many water buffalo paintings, and was attributed to him by the (anonymous) seller. Upon closer scrutiny of the brush strokes used, it was obviously a fake. And I am by no means a true expert.

If you are a beginner with no teacher to help you, then you will probably need other books, too. But for anyone who wants to learn about the history and traditions of Chinese painting, this is the ideal book.

This book is a beautiful introduction to Tibetan culture and landscape and Buddhist beliefs and practices. It's left me longing to see Mount Kailas and the other sacred places he lovingly describes. I've since bought the author's more recent book, "Buddhist Reflections."

The author, Lama Anagarika Govinda, is an erudite and sophisticated buddhist who brings to life a land and a people who will hardly exist in their native Tibet much longer. For someone who wants to have a westener
explain the history, geography, art ,etc. of the "roof of the world" prior to the Chinese genocide, this is a wonderful guide. Of course there is a terrific description of buddhism in general and the specfic variety practised in Tibet. However, this may not be the best place to start. At least a basic knowledge of Tibet would be helpful, otherwise one could get mired down in so many strange names and concepts.

This is a wonderful insightful book on Tibet and Buddhism. It opened my mind even more to a different way of thinking and being.

As a history major we read this book, or an excerpt of it, in a class on Vietnam. Two years later I sit down and read it again, and the ties to the political dissidence, confusion and conflict today in Iraq are all too clear. While the contributors at the time were concerned with a conflict in Nicaragua, we are now drawn east. As the United States continues to either openly or covertly work towards the overthrow of governments that do not support it, peace is becoming harder to find. Just as the American public did not agree thirty years ago to its tax dollars being used to fight a war that we cannot win, once again the people of the US are speaking out against a war that cannot be won. This is an amazing book, and a great read. An interesting quote comes from former president George Bush as he says that, "We must ensure that any major foreign policy commitment has the full support and understanding of the American people..." How quickly we forget.

I was a student at Pryor Junior High School when Bill McCloud decided to publish this masterful piece of work. I did not sit in his classroom, I had the other 8th grade history teacher (Mr. D), but I still learned a great deal from Bill McCloud and this book. In fact, I purchased the first copy of this book off the press and the author signed it as such.

Since then I have purchased several copies and gave them to friends who have become history teachers. However, the book helped me to understand not only Vietnam, but war in general. My father and several uncles served in nam, and I hardly knew a thing about the 'conflict' or what they went through until I read this wonderful book. I gained a new respect for my father and all those who served. When my father finally asked me about it (my interest in the book) it opened the discussion between he and I about his time spent in the war and the effects it had. Those conversations were some of the best times I was able to spend with my father.

Thank you, Mr. McCloud once again for your effort and I hope more people will be encouraged to read the responses to this question from some of Americas greatest leaders, and heroes. I rate it a strong buy. If you don't have it in your collection, then your collection isn't complete.

I first came across this book when preparing for a Veteran's Day presentation. As a Vietnam Veteran it was difficult for me to sum up my feelings about that time (my time) in history. I really struggled with what to tell Jr High kids about my experience and war in general. Bill McCloud's efforts to collect and record thoughts from some of the major and minor players of those difficult days in American history was invaluable to me. In my view the book captures the essence of the mood and thoughts regarding the "Vietnam experience."

Where is Tibet? is the book of my dreams. As a multi-cultural family (I am American and my husband is Tibetan) we cherish reading this with our [...]. (It helps me practice my Tibetan, too, with its clear phonetic translations) I first found this book in Nepal when I was teaching English to Tibetan nuns, and several of the older nuns and I were crying by the end of it, the book is so touching, but in a simple, accessible way.

I have learnt Tibetan for about two months in India, I found this book extremely helpful for Tibetan students too. The text, though simple, are written with Tibetan script, transiliteration and English translation, the story is good too. I found it quite touching that finally His Holiness (in the comics) said, "Tibet is in your heart".

Yes, Tibet is in my heart, I'm going back there one day.

where is tibet is a book that displays tibetan buddhist philosophy in a clear and beautiful way. it is an inspiration to read and motivates the reader to want to work to save tibet, and to treasure what tibet means in their own heart, to live a life of compassion. it is about two tibetan children living in exile in india and is an excellent introduction to the plight of the tibetan people as well as testimony to their spiritual strengths and hopes. i find the book to be inspiring and motivating to readers of all ages interested in buddhist philosophhy or the plight of the tibetan people. the illustrations are beautiful and intricate, adding texture to the written word as they display another facet of tibetan culture. this story seems to penetrate the heart of tibetan buddhism. i recommend that anyone interested in their own personal spiritual journey read this little book of wisdom and hope for the words apply to all struggles, not only the tibetan exiles, and the philosophy is buddhism in simple terms.

I've gotten hooked on the Judge Dee Mysteries. I was always a fan of the Charlie Chan movies and to find a series of books that are more authentic and set in ancient China is a real treat! Written so well and captivatingly.

Published in 1965, the historical mystery, The Willow Pattern, A Judge Dee Mystery by Robert van Gulik, portrays 7th century AD China and Judge Dee, the Lord Chief Justice in China's Imperial Capital. The author, a Dutch scholar writes in the manner of a traditional 18th century Chinese writer of 7th century Chinese mystery stories. Although historically Judge Dee was a magistrate in the Tang Dynasty, the stories are set in the Ming Dynasty. The antecedents of this popular mystery series is only the first complications the reader meet. Judge Dee (probably based on a real character) is an intelligent and canny Confucian Magistrate who always delivers impartial and fair justice to all. Populist hero Judge Dee and his justice are not always in line with the Imperial Rule justice. But Judge Dee's justice always solved the crimes and sends the evildoers to their doom.

But, justice did depend on Judge Dee and how he alone decided to investigate, interpret the facts, interpret the law, pass judgment and decide the sentence (if any) based on his judgment and knowledge of the case. There was no appeal after Judge Dee declared the verdict. Fair, impartial justice under the old Confucian system in China was solely dependent on the judgment of the magistrate. The mystery story, The Willow Pattern illustrates how arbitrary Chinese justice can be under the old Confucian system. Ordinary citizens of China were regulated differently from the nobility. Women were, of course even lower in status than ordinary citizens. The ability to defend their life with deadly force, a natural law that we take for granted in America, is illustrated in The Willow Pattern, "Women of the underworld sometimes carry an iron ball of about the size of a large egg in the tip of each sleeve. Since the law forbids ordinary citizens to carry daggers or other cutting weapons on their person, on the penalty of a flogging, those women have developed a special art of fighting with loaded sleeves." The "loaded sleeves" were considered deadly weapons. The people accepted their place in life since it was the will of heaven that the rulers had a mandate to rule. When they had a bad master they understood that they were expected to accommodate the situation as their fate. Speaking of a bad man (Yee) who was their master, Cassia explains, "He was a bad man, but he was our master. Heaven willed it so." Justice was also the will of heaven so when it was not arbitrary that was a blessing but not to be counted on.

The story here occurs during a time of plague and Judge Dee rules alone in the Imperial City and wears many different hats. He must administer and safeguard the city's food stores, manage the military (normally separate from civilian control) and deal with the disposal of the plague victims. Judge Dee also investigates charges of wrongdoing, conducts inquests concerning suspicious deaths and arbitrates civil affairs. He also prosecutes, defends, adjudicate and oversee sentencing of criminal cases. Judge Dee is also concerned with finding the causes of the plague, the plague sanitation problems and trying to ameliorate the conditions in the Imperial City. Justice in China during a state of martial law is also harsh with no mercy under Judge Dee. Under Judge Dee's rule when the hungry, poor men and women attempt to raid the granary for food, they are slaughtered by the military. Military iron-shafted arrows launched by the soldiers' crossbows are no match for the unarmed civilians. Judge Dee rationalizes that 30 dead men and women saved thousands of people from starving. Judge Dee does not investigate if there was a better way to deal with the hungry crowd. Floggings and beheadings are also considered rational steps for controlling the unruly crowds.

The fact that justice for all was not an ideal realized in old China escaped Judge Dee's discernment. The safeguards built into the Chinese justice system (ring a gong if something's wrong) do not always lend themselves to practical living. The pressures of Chinese life in old china for the poor to conform to the governments mandate to fulfill the will of heaven take their toll. His Confucian training and way of life does not leave room for the possibility of justice not being blind in a society mandated by heaven. "High up here in your palace, my lord, you know very little indeed about the kind of justice meted out by the minions of the law to us, the poor." In the end Judge Dee does mete out fair, impartial and creative justice and just desserts for the evil doers. But, even with Judge Dee heroics, justice in old China is not always assured or just for everyone.

A fun read on any level that you care to take it!

This book is great! I have read it 4 times!

I saw myself, and so many others I know, in the pages of this book, and found myself coming to a deeper level of understanding and compassion for everyone.

Learning about what drives patterns and behaviors in life, has brought profound meaning, resolution and revelation to key relationships in my life - both past and present - as well as given me tools to better relate and respond to others to manifest more harmony in my life.

I have more understanding about why both my marriages failed and I've also come to understand what I will need in a partner to sustain a lasting marriage and how to see signs of it in his face. My relationship with my school-age daughter has improved drastically because I now understand what makes her tick and I know how to better anticipate and respond to her in ways that nurture her based on her special, elemental nature - because it's written all over her face!

This excellent book is based on ancient Chinese wisdom tweaked to accommodate the needs of modern psyches. Well written, organized, and photographed, it describes techniques that have nothing to do with "reading the future" or performing amusing parlor tricks. Instead, they may give you a new ability to understand and accept yourself and every other being on the planet. While this introduction cannot go as deep as Jean's workshops (see http://wisdomofyourface.com/), it provides a fine basic text from which to begin your exploration of a fascinating premise.

The Wisdom of Your Face is a major contribution to the art of Chinese Face Reading. The clarity of its approach, with pictures to exemplify each characteristic, makes it iviting for all. If you have any interest in Chinese Face Reading, this book is a "must" for your library!

Brilliant, academic work w notations, just what I was looking for. Very well written and engaging, at all time critical towards sources. Recommended!

Jonathan Clements has managed to take the story of the controversial Empress Wu and make it extremely entertaining, while still maintaining historical accuracy. He keeps the narrative going at a quick pace, but provides enough details to keep the reader from becoming lost or confused.

Empress Wu is a really difficult historical figure. She is neither a good guy or a bad guy. She is a woman who did some amazing things, and some really terrible things. So many biographies of Wu have an agenda, either to make her look like a martyr or a villain, and the truth is far more complicated than that.

Clements provides both what is known about Empress Wu, and various opinions and constructs of her made by those who came later. He shows how the image of Empress Wu is often twisted to meet the needs of political fads, and that all of these perspectives should be taken with a grain of salt.

Even if you know nothing about Chinese history, you will find this book a fascinating and lively read.

This is a wonderful biography. I was somehow worried it would be boring. However, the author manages to narrate Wu's life and times in such a way that I could not put it down, and read it in less than a week's time.

Starting as a 13-year-old concubine favorite in the harem of Emperor Taizong, Wu seduced his son by whom she later became pregnant and murdered her rivals - including the empress - to become empress herself. Possibly guilty of infanticide, and of murdering her own sister, once she became the 'power behind the curtain Wu schemed and cheated her way to the throne and ruled personally under the name Emperor Shengshen from 690 to 705 (the first woman ever to use the title emperor which had been created 900 years before by the first emperor of China Qin Shi Huang). After surviving two revolts against her, in her early 80s ailing Empress Wu was unable to thwart a coup. While considering her frequent portrayal as a despot, one must bear in mind the traditional Confucian idea widely held in her day that women in general, and especially influential women, caused trouble and were not to be trusted.

For a better understanding of China, I would recommend reading: 1 and 2) two books by S.A.M Adshead: "China in World History" and "T'ang China: The Rise of the East in World History"; and 3) "Fools Are Everywhere: The Court Jester Around the World" by Beatrice K Otto, which is full of information on witty Chinese jesters.

Additionally, another excellent biography of a much maligned queen worth reading is "Marie Antoinette: The Portrait of an Average Woman" by Stephen Zweig.

I read this book on my way to Shanghai on business, and it was a fascinating book. It's written by a retired naval officer, and it is a first hand narrative about what went on in China along the Yangtze River in the early part of teh Chinese century from a US Naval Officer's point of view. He talks about the river boats that carried trade up and down to the coast, the naval ships of different countries that provided security along the river, and the historical events that overtook the country between WWI and WWII.

During this period the Manchu dynasty was overthrown, various warlords rose up in the power vacuum, and ultimately a civil war developed between the Kuomintang (Nationalists) and the Communists. Adding to the mix was the outbreak of WWII, and the Japanese occupation. The book takes us up to Pearl Harbor, and carries its narrative well through many different events that were going on at the same time without confusing you (a difficult task given the complexity of the times).

The author covers the political and historical events well, and also covers such day to day things, such as how the river boats navigated the rapids with the help of the coolie labor pulling them upstream by ropes. He goes into Chinese culture, relationships between Europeans, Americans, Japanese, and Chinese people. He also explains the trading concessions, and even goes over the layout of Shanghai. An amazing amount of subject matter that was somehow put down in a way I could follow it all. If you are going to do business in China, this is a good book for background on how the country was first opening up to the West. You can see the problems they had, and it helps give you a perspective on how they look at the West today.

I found the book interesting in two areas - as a business man doing work in China, I enjoyed the easy to read historical account, and the first hand narrative of Shanghai (I made it a point to visit the places he talked about). Also, as a retired military officer, I found his discussion of military affairs in an environment we called "Military Operations Other Than War (MOOTW)" fascinating. That, and his account of life as a naval officer, and how the military personnel in China lived on a day to day basis.

Like any good book, it is excellent in many ways, and I can't recommend it enough.

This book, by the late Rear Admiral Kemp Tolley, is a very interesting and at times humorous account of the life of U.S. Navy gunboat sailors on China's Yangtze River from the time of the American Civil War through the mid-20th Century. During that period, China went through a tremendous amount of upheaval that included revolution, civil wars, major wars with Japan, and smaller wars with western countries. In the midst of China's upheaval, small American gunboats and those of other foreign nations tried to protect the lives and commercial interests of their citizens living in China.

Kemp Tolley, who passed away in 2000 at age 92, was himself a young Naval Officer in the 1930s when he was assigned to the Yangtze River Patrol. From that vantage point his tales of U.S. Navy life on the Yangtze--both on duty and off duty--in the 1930s make for some interesting anecdotes, whether they deal with U.S. sailors battling the river and Chinese bandits, romancing White Russian and Chinese women, or brawling with British and Italian gunboat crews in the bars of Yangtze River towns.

"Yangtze Patrol" is a great true adventure story and captures some of the same spirit as the novel, "The Sand Pebbles," which dealt with one U.S. gunboat crew during the Chinese Nationalist Revolution in the mid-1920s. However, any American reader of "Yangtze Patrol" needs to keep in mind how most Chinese viewed the Patrol. That view is well summed up in "The Sand Pebbles" where an American missionary asks Jake Holman, a gunboat sailor, how he'd feel if, instead of American gunboats on the Yangtze, there were Chinese gunboats sailing up and down the Mississippi River.

A fogotten chapter of Naval history is brought to life in this fabulous volume. Kemp Tolley, once a sailor in the Yangtze river patrol, outlines the Navy's service in China from its humblest beginnings prior to the cival war through the loss of the last gunboat in 1941. For those of us interested in Navy history, This book brings a lively and action packed legacy from our "China Sailors"

Subtle, beautiful, honest glimpse of the most massive public energy project ever undertaken. Linda Butler captures the life and death of the people, commnunities, and cities that were sacrificed for this energy project.

If America is "addicted to oil" then China is addicted to electricity. In the past 3 years China has approved and is building more new coal fired power plants than the entire United States fleet. You would think that this massive hydroelectric project at Three Gorges Dam would appease China's hunger for new energy, but the reality is it's just a drop in the bucket.

This book does a wonderful job reflecting on what we loose when society progresses.

As a person with a long-standing involvement in both photography and the professional evaluation of major energy projects in many countries (including hydro) I really appreciated the true value of this wonderful book.

To begin with, many not involved in this kind of work may not appreciate how politically sensitive it is. It took a great deal of courage and savvy for Ms. Butler to create the relationships and the entrees needed to make and exit the country with all those wonderful photographs and interview materials. This is no small feat in its own right. It speaks highly of her and also says alot about the growing openness of China.

Turning to the content, the quality of the photographs - in purely photographic terms - is superb. Lest we forget the power of black and white and the time-tested virtues of powerful composition, lighting and choice of subject matter, this is the place to recall them. Most of these pictures are not merely records - they are good photographs.

The captions and the text are very well done. This book is not a one-sided tirade against dam development. Rather, it is a sensitive, obviously well-informed and balanced perspective on the costs and benefits of these undertakings - both at an individual and more aggregate societal level. It is very clear from this book that there are winners and losers, progress and losses, and the actual long-term net result remains to play-out. This is reality.

There are important lessons of experience to be learned from this text. Let us not forget the scale of this enterprise. China committed something like six billions dollars to resettlement alone for over one million affected people. That a certain percentage of this money got misdirected through corruption and poor implementation is not surprising, and to the Chinese themselves - not acceptable - people are going to jail for their misdeeds. Ms. Butler faces these issues head-on and in a balanced manner. It becomes clear from reading this text that no matter how well-designed a project may be, the quality of the implementation arrangements and the structures in place for assuring their proper functioning are truly critical.

Finally, returning to the book as a production in its own right, the quality of the layout and printing are superb. Very highly recommended.

This amazing book by Linda Butler is a beautiful and heartbreaking look at the Three Gorges Dam project in China and the changing landscape because of it. The images are incredible and the text is haunting. The photographs are wonderfully reproduced and she has a great eye for capturing the subtle silence and the small nuances of the people and the landscape. Her vivid images document a changing China in a very intimate way. This text is a true photographic and historical treat!

Usually I buy an anthology just for one or two stories by my favourite authors. I picked this one up for the Nalo Hopkinson story, 'Shift,' which turned out to be about Ariel & Caliban from The Tempest, but I was pleasantly surprised to find several other stories I liked. Neil Gaiman's story is good, of course, and is a tribute to Ray Bradbury, about a gathering of the seasons. Michael Swanwick has two stories in this Year's Best, and both turn out to be really short; 'Five British Dinosaurs' and 'Cecil Rhodes in Hell' are both funny, but in different ways. 'The Pagodas of Ciboure' I had read in some other anthology a long time ago, and liked. What city dweller knew slugs could be so fearsome? I was a little disappointed in the Ellen Klages story, since I was hoping for a lot from it, but Naomi Kritzer's 'Comrade Grandmother' made up for it. It's a terrific story about Baba Yaga's participation in World War II. And of course there's an Ursula K Le Guin story too. All in all, a great anthology.

Once again, it's time for the annual Year's Best Fantasy volume, edited by David G. Hartwell. This year's version, volume 3, has even more goodness than last year's version did. Twenty-nine stories in all, ranging from short 3-page stories to 40 page ones, by some of the biggest names in the field. This is the perfect sampler to see what's going on in the Fantasy world, to see who the up-and-comers are, and get a taste of what they're offering. On the strength of some of the stories in this volume, I'm definitely going to check out a couple that I've never tried before.

I'd say that this volume is better than last year's edition, just because there weren't any stories that I didn't like. There were some that were weaker than others, of course, but no real clunkers in the bunch. It has fantasy for every taste, from urban fantasy to other worlds, if you've got a taste for the stuff, this book will satiate it. I will, of course, include a list of the stories at the end of the review so you can check them out and see if there are any authors that you particularly like.

I love the short fiction format, especially when it's done well. There are some standout entries in this year's edition, capped off with a short little piece by Michael Swanwick called "Five British Dinosaurs." This one is extremely short, but a lot is carried in a small package. It's about the discovery of dinosaur bones in Great Britain in the 19th century, along with the discovery that there are some living specimens hanging around in the British aristocracy. This story is hilarious and I found myself laughing throughout it's brief span. The thought of a walking dinosaur speaking in proper British English, disputing the reconstruction of the bones of his ancestors, is priceless. Swanwick gives the dinosaurs a lot of personality, along with a lot of arrogance. "Things were definitely better run in the Mesozoic?But mammals knew their place then." Swanwick has the honour of being the only person with two stories included, but they are both very short and so I figure Hartwell decided that he could afford the space.

Another standout is Steve Popkes and his story, " A Fable of Saviour & Reptile." This is a re-telling of the Jesus story, from the point of view of a talking turtle that befriends Jesus when he's young. The turtle is suitably haughty, given his long life span and his infinite patience (given the fact that it takes him a long time to get anywhere). It's an interesting take on the whole Messiah story, but if you can get past the irreligious tone of the story, it is very heartwarming. Hartwell warns in his prologue to it "Do note the word 'fable' in the title." While it gives an alternate view of Jesus and his life (including filling in the missing thirty or so years that the Bible doesn't include), it is very respectful the idea behind the story. The turtle is characterized wonderfully, and Jesus is too if you can get past the fact that he does drink when he's younger (getting a little drunk with the turtle) and he has a wife and son. It's a story about the power of myth and how humans can attach meaning to anything if it will help them get through life and possibly throw off the yoke of oppression. There are some very touching moments and conversations between the two of them, especially when the turtle comforts Jesus in his cell right before he's crucified. This is probably the best story in the book, and I am definitely going to track down some more by this guy.

Other particularly good stories are Kage Baker's "Her Father's Eyes" (a tale of a young girl and the boy she meets and befriends on a plane), Neil Gaiman's "October in the Chair" (a typical Gaiman tale about stories and the people who tell them, this time a group of god-like beings), and "A Prayer for Captain LaHire" by Patrice E. Sarath (a story of three knights who followed Joan of Arc until she burned, and the horror that they discover a fourth disciple has unleashed). Finally, there is P.D. Cacek's "A Book, by its Cover." This is a wonderful little tale about a Jewish boy in the aftermath of Kristallnacht in Berlin, and the bookshop owner who he believes is doing evil things afterward. It's has a wonderful message about books and the effects that they can have on a person.

If there are any weaknesses in the book, they are purely my personal feeling. I'm not a big fan of Tanith Lee, though I know that she is very popular. Thus, her story "Persian Eyes" didn't do a whole lot for me. In it, a Roman noble family is destroyed by the work of a slave girl and her magic eyes. It was more interesting to me than her entry in last year's book, but not by much. Also, "The Pagodas of Ciboure" just dragged on a little too long for my tastes. In it, a sick boy is healed by some French fairy creatures called "pagodas," though he has to save them from an onslaught of slugs first. It's cute, and it's well-told, but it's just too long.

That being said, I did enjoy even those stories. This is just a top-notch collection of short fantasy. Hartwell has done it again, pulling together a varied group of stories that can't help but satisfy. If you're a fantasy fan and like the short fiction genre, this is definitely the book for you. Hartwell has another winner, and I can't wait for next year's edition.

David Roy

Most of the anthologies I've read in the genre of Fantasy/Scifi and horror are mixed bags of personal likes and dislikes of the editors...some of which are a bit too gory, too 'realistic' or just have what I'd like to call 'fantasy around the edges'. This series is really 'the best'...not the usual commercially bland mixes (see, Bob Silverberg's Legends), but a good mix of quirky, new authors as well as some well known names (Gene Wolfe, Tanith Lee) with a nice blend of both light hearted and serious fantastic tales. Standouts would be: Gene Wolfe's From the Cradle, Naomi Kritzer's Comrade Grandmother, and Michael Swanwick's Five British Dinosaurs.