China Books

Thanks goes to Steve Martin for bringing to light a significant, and nearly forgotten, history. Through artifacts (Steve's impressive and beautiful collection of opium paraphernalia, and period photographs) and down to earth story telling, I found myself transported to opium dens in the East and West, and imagined the lives and circumstances of those who were entranced and enveloped by the narcotic.

The pictures are gorgeous, the writing evocative, and the topic and the objects themselves provide a fascinating portal for history.

When the paraphernalia associated with opiates comes to mind what do you picture? Syringes? Drippy candles? Bent spoons? These are the gear of the heroin user but what about heroin's long dead uncle, opium? The paraphernalia of the two drugs couldn't be more different. This book will take you back in time when drug use was at least practised with style and flair. The opium pipes, lamps and other accouterments illustrated in this book are gem-like works or art made from rare and precious materials such as silver, ivory and jade. It's a world long lost but the author manages to bring it back to life for a brief moment and dazzle us with the promises of chemical bliss that tempted our ancestors. Getting addicted back then was no doubt as painful and ruinous as it is today, but they sure knew how to do it in style!

The Art of Opium Antiques is one of the most artfully illustrated and artistically written books on the subject. Throughout its pages Steven Martin traces the cultural use in China alongside the artistry and astounding craftmanship of the time, from the low and common to the truly decedent. Photos of amazingly ornate apparatus are peppered throughout alongside diagrams depicting the main components of a typical pipe or lamp. Historical photos help put one in the mind frame of the times, allowing one to contemplate how this blissful habit, aided by dedicated artisans progressed up until its zenith during the nineteenth century. Martin's vast collection and grasp of the subject are equally great, allowing one to walk away with a greater appreciation for opium related antiquities. There is no doubt this book will help spawn new collectors as well as reconfirm the addiction of the collector aficionado, for this book is a grand spring board for newbies and opium-porn for the serious collector.

Such a great book! Instead of just relating the well-known disastrous effects of opium, the author of this book brings new insight into the history of the drug by exploring Opium paraphernalia as an art form. It works!

We are brought into the mythical Opium dens of a not so distant past, with the rich illustrations of this text. A rare photo of an 1880 Butte, Montana bunkhouse "opium den" is particularly amusing. However, it is the lush photographs of the drug paraphernalia that make this work so worthwhile. The extensive captions that accompany each photograph have enabled the author to not only inform the reader about the use and artistic achievement of these artifacts, but entertain as well.

The result is a more humanizing view of the addiction itself. Knowing that these beautiful instruments were the tools in which to feed a deadly addiction gives us another vantage point to view this era of history.

Anyone with the an interest in the history of China, the Chinese Diaspora living in the USA in the late 18th/19th century or the history of Southeast Asia will find this book particularly fascinating. The Art of Opium Antiques will be an essential addition to your bookshelf.

This book is really helpful to identify antique opium art. I work for Asia Galleries in San Francisco where we sell a lot of antique opium artifacts. I had hard time to find a book that helps me to study about details of opium art, but in this book I see many dampers, pipes, lamps, and opium scrapers are similar to the ones Asia Galleries have; therefore, I was able to gain some knowledge through this book. Now, I am confident to explain details of our antique opium art to customers. I would like to say thank you to Steven Martin.

This is the best translation of Taoist sexual practices available. The translation formatting is excellent. If you have any degree of previous exposure to Chinese language and Taoist concepts this is not a spring board to further knowledge, it is a rosetta stone. Not an ounce of this text is watered down, like so many of the other books on this subject. Further, the full inclusion of herbal formulas in this text are incredibly vital to understanding the true value of huang di's teachings from su nu.

Best of all ... there are no pictures.

A fine text by a true scholar.

Here is the largest collection of historical Chinese texts on Taoist sexuality in English, excellently translated and footnoted. A must have reference work for the serious, advanced student.

This is not an introductory text, and I think a beginner would be hard pressed to understand and practice many of the techniques in the book.

I'm just a beginner on this subject,I started with some photocopies on the subject(nothing special)and found them not very elucidatory. I wanted to know more!...then I bought this book,although I haven't read it all,from the pages I read, I felt I could comprehend easier what was being said.It explained certain doubts that came accross from the other texts I read.

I think(from the little insight I have)that this book is perfect to understand the subject, if one already knows something about Taoist ancient sexual practices.

This book collects nearly two dozen classical writings on the use of sexual energy in achieving health and long life. It's a distinctly non-Western tradition, but presents a unified, interlocking set of ideas.

The largest part of this lore corresponds to Western alchemy. It uses many of the same metaphors, such as mercury, lead, and the crucible, and much of the same elliptical language. In a few places, the metaphors or code-words are so obscure that translators disagree wildly on their meanings, and even on whether the meanings can be reconstructed correctly. Other parts of the writings draw on mystical Taoism, Buddhism, and the same vital energies that explain acupuncture and traditional Chinese medicine. Not surprisingly, much of the tradition is aimed at male readers, with relatively little concern for the women. Despite the over-all male orientation, the last few selections do address women, with needs that sometimes match and sometimes differ from the men's. Even the men's writings address the importance of the woman's excitement, though, and describe the outwardly visible signs of its many stages.

However it is phrased or whoever it is addressed to, this set of practices is based on summoning and channeling sexual energy. Many of the authors use the "paired way" of coition to raise that power. Others use solo exercises in self-stimulation for the same purpose. This seems especially common in the women's texts, possibly because placing her needs before the man's would have been culturally unacceptable. The emphasis is on yogic self-discipline rather than exotic poses. Still, one author does offer a list of couplings with poetic names such Mandarin Ducks United (a pose I enjoy very much, because of range of additional caresses it makes possible). I recommend this book very highly to students of Asian thought and to anyone else who wants to see different perspectives on the practice and power of human sexuality.

//wiredweird

This is a work of scholorship and not simply a book about the ancient Chinese view of sex. It's very complete and contains both usuful material for moderns and very interesting historical material regarding alchemy, Qi Gong and Chinese medicine as they relate to sex.

this is a unique book that is most useful in "de-mystfying" asian ingredients. I have bought and seen a lot of food related books and this one is remarkable for its accuracy and user friendliness (the pictures help so much!!). I bought it back about 10 years ago or so and it taught me a lot. A very good investment for anyone interested in asian food and asian flavours michael

Asian Ingredients is a cookbook in reverse. The familiar formula dictates that a little of the cookbook is dedicated to some cultural background titbits and a glossary; the rest is devoted to recipes. Cost, as his title indicates, offers us a major tour of the foodstuffs with just a sprinkling of recipes throughout. And that is exactly why the book appealed to me. Here you get the best bookish knowledge mixed with personal experience as he gives ingredients not just names, but cultural context, almost bringing them to life as if historical characters. Soy sauce, he tells us in the introduction, "evolved from ancient methods of fermenting and preserving meat and game ¡K" The Chinese value fresh water fish above salt water because the latter are considered to be already partly preserved (less fresh) - salted by the water they swim in. Amongst gems like these are plenty of practical advice for both the market and kitchen. But while the book includes a Region of Use listing for each ingredient, the geographical origin of each recipe is unfortunately left a mystery. The book is also crying out for a separate recipe index. You would not buy this book for the recipes alone but I tried four or five and whenever I wore my reading glasses and did not try to cut corners, I ended up with some really good food. Simple Roast Chicken with Sichuan Pepper (I was drawn to the word Simple), for example got the thumbs up from my friend Linda. The photographs being black and white are not always as illuminating as they should be, and there may be a few questionable facts. For instance, we learn that Dong gwa (gua) is Cantonese for Winter Melon. Not mentioned is the fact that this pronunciation is virtually identical in Mandarin. All in all I would call this an excellent reference.

A terrific reference for people like myself: round-eyes who want to learn about authentic asian ingredients and cuisine. The book is a great guide to many obscure and, to outsiders, mystifying ingredients. What's most important is that the book clearly describes the ways in which they are commonly used and (often) provides sample recipes; this allows you to utilize previously unknown items correctly and learn how their flavors are part of traditional asian dishes.

The book is well-written, though this version is the first I've seen, so I can't comment on whether it's really "new and expanded". Someone with a keen interest in food can sit down and read it cover-to-cover. I was also impressed by the care taken to differentiate national/regional applications of ingredients. Much discussion is given to how the region and history shaped the use of ingredients and what is accepted in contemporary cuisine.

All in all, a great reference book.

This excellent, informative book deserves to have been reprinted (how could such a fine book have gone out of print?), but beware of the "fully revised and expanded" claim. I ready owned the out-of-print hardcover and bought the new paperback edition to check out the updated information. I've looked pretty closely, and the only new copy I can find is very incidental (i.e., changing the locations of farms from exotic locations to the US as more domestic farmers are now growing Asian produce). No new recipes, either, although some new titles (to throw unsuspecting readers off the scent?). If you don't have this book, and you are an Asian food aficionado, do add it to your collection. However, I am very irritated at the publisher's suggestion that this is a new edition (it's a good old-fashioned reprint, and that's all) and at the previous reviewers who didn't find it necessary to warn other buyers of this important fact. I would rate it much lower for readers like me who own the original, but newcomers to this classic will find no quarrel.

`Asian Ingredients' by Bruce Cost is one of those books like Patience Gray's `Honey from a Weed' and Claudia Roden's `New Book of Middle Eastern Food' which gets cited as THE authority on its subject by culinary heavyweights such as Ruth Reichl and Alice Waters. So, in my quest for the perfect culinary library, I really need to read and review this book. I am very happy to say that the reputation of this book is not overdone. It is one of the finest books on culinary ingredients I have seen on either Oriental or Occidental cuisines. The author states from the outset that his objective was not to give us an encyclopedic work. What we get is much closer to some of the finer books on Mediterranean cuisine such as Nancy Harmon Jenkins `The Essential Mediterranean'. In many ways, Cost's book is far more practical, albeit less analytical than Jenkins' work.

Cost deals with the fairly homogeneous food world of Japan, Korea, China, Viet Nam, and Thailand. He mentions India as an influence on Thai cuisine, but does not deal directly with Indian cuisine, as it is substantially different from the cuisine of China and the rest of the Far East. The book also does not deal with the cuisine of the Philippines or Indonesia, as the cuisines of these two nations are heavily influenced by European colonization beginning in the 16th century.

One of the best things about Cost's book is that it is organized in such a way to make it a pleasure to read for background information. While I have never sat down to read the Larousse Gastronomique for pleasure, I read Cost's book from cover to cover with great pleasure, skipping a very few subjects on which I was very familiar. Costs book is divided into the following seven (7) major chapters:

Fresh Ingredients including Herbs and Seasonings, Vegetables and Fungi, Meat, Poultry and Eggs, Fish
Preserved and Processed Ingredients including Dried Ingredients, Cured Ingredients, and Soy and Coconut
Condiments and Sauces including Soy based condiments, Fish based sauces, Chili based sauces, Vinegar and spirits, and Flavored oils
Spices, Sugars, Nuts, and Seeds, including Spices, Sugar, Nuts and Seeds
Rice
Noodles and Wrappers
Flours and Thickeners
Cooking Fats and Oils

One of the most dramatic lessons to be learned from this book is the fact that like the Mediterranean respect for dried and preserved ingredients such as salted cod, dried pasta, and dry beans, Asian dried ingredients such as seaweed, vegetables, fish, and mushrooms are highly regarded ingredients in their own right. They are not `second best'. By drying and concentrating their flavors, they bring something to the party that is simply beyond their fresh precursors.

Another fairly dramatic discovery is the fact that while so many of the spices prized by Europe and so greatly desired by Renaissance Europe were grown just next door to China and Japan, these spices such as black pepper, nutmeg, cloves, and cinnamon (cassias) really did not and still do not play a big part in East Asian cuisine, except for Thailand, which is influenced by the curries and other spices of India. Northern China and Japan almost totally reject the use of the `cookie spices' except for ginger, which is used heavily throughout the region covered by the book.

It is interesting to see both the harmony and the dissonance created when one lays Mediterranean and Far Eastern cuisine side by side. Some of the biggest parallels are the importance of garlic, pork, mushrooms, cilantro, and New World (capsicum) chilis. Some differences are in the relative importance of drying versus salt curing. As Nancy Harmon Jenkins points out, salt is much more important in the Mediterranean cuisines simply because the Mediterranean is saltier than the oceans, so it is a lot easier to acquire than on the Pacific Rim. There are some salt cured pork products, with hams very similar to Smithfield hams, but nowhere near as much of the Charcuterie / salume culture of Western Europe. The greatest differences between the two areas lies in the use of milk. There is simply no milk culture in East Asia from cows, goats, sheep, or buffalo. The Chinese and Japanese feel the same towards Europe's more aromatic cheeses as westerners may feel about fermented fish sauce, birds nests (dried bird saliva), and seaweed. Where the European uses animals' milk, the Asian uses milk refined from soy or coconut.

An important part of this book, more important than similar samples in most other books of this type, is the recipes, especially for things such as fish and chicken stocks, which are far simpler than comparable French stocks. They are not just simpler; there is a whole rationale in the Chinese cuisine against including vegetables in chicken stock recipes.

Two of the most useful aspects of this book are the recommendations on how to best use Asian markets and which commercial preparations are of a high quality. I had some reservations regarding a local Chinese run farmer's market with a fish counter until I read Cost's description of Asians' regard for freshness in fish. The `Iron Chef' episodes where virtually all seafood ingredients are presented live is not for the sake of show business. These people are SERIOUS about their fresh fish! Note that while this book was originally written and published in 1988, the new paperback edition was revised in 2000, so the numerous comments about which prepared brand name ingredients are the best should be fairly current.

This book is so good you will be remiss if you buy any other book on East Asian ingredients without first reading this new edition. Other books may offer better coverage of selected aspects of this subject, but this book is certainly the gold standard against which other books should be measured!

Very highly recommended, especially if you like to read about food as well as eat it.

I stumbled on The Banquet Bug by Geling Yan in my "local independent book store." I just spent two weeks in Hong Kong and two days in Macau, so I am fascinated with anything Chinese right now. I want to better understand this vast culture and how it currently manifests.

I just finished reading the book and I am stung by the hugeness of what Geling Yan reports, of the layers and complexity she exposes, in a book presented as a "comedy" and "entertaining." This book is a brutal commentary on life not only in China but in the United States. What is presented here could be written anywhere that the disparity between rich and poor continues to stretch, anywhere where the politicians and builders are corrupt, anywhere where some people have to sell their own blood to live.

This book ends with strong, gentle acclaim for Motherhood, for Little Plum, in her outspoken wisdom, nonjudgment, and innocence. The last word, "Good" is a knife to the soul. Has he compromised his principles, or does he continue to know that what matters can never be bartered, purchased, or sold?

"The Banquet Bug" by Geling Yan centered around Dan Dong, who was laid off as a factory worker and who accidentally stumbled a lucractive part-time job, as a "banquet bug." Dan was mistaken as a journalist at a conference and he was treated to a banquet and it was the best meal he had eaten. On top of that, at the end of the conference, he along with other journalists were given some money which were "a little something for their trouble." He printed fake business cards and thus, began his journey as a professional banquet bug. Soon, he discovered the world of journalism, corruption, and basically deception. His fake job as a journalist became "real" when he was commissioned by the unfortunate, such as peasants, massage girls, and laborers to expose injustice.

This was a interesting satirical novel. Even though the premise of the novel seemed to center on Dan's job as a banquet bug, but it was actually just a stage for the author to write about more serious issues, such as corruption and poverty. The characters in the novel were memorable; such as Dan's fellow assertive journalist, Happy and his quiet but fiery wife, Little Plum. This was somewhat different from the typical Chinese novels that I have read in the past. Highly recommended.

I thoroughly enjoyed Banquet Bug. In this novel, we meet Dan Dong, a laid-off factory worker who is mistakenly ushered in to the world of corrupt journalism, decadent foods, and "money for your troubles". Highly observant of protocol and customs, Dan becomes adept at passing. Dan gradually begins to transform into that which he was pretending to be.

Geiling Yan has given us a treat. All of the characters are vividly created - from Dan's wife Little Plum, to the assertive journalist Happy, and the great artist Ocean Chen. Moreover, the descriptions of the food and locations are wonderful. The novel raises many questions - about identity, oppression, happiness, and authenticity - without sacrificing an enjoyable story. I highly recommend this book and look forward to more from Geiling Yan.

Russians have long been notorious for their satirical view of life under the Communist Party government and their willingness to invent jokes about it. For example: "After waiting five hours in line to buy meat, in the dead of winter, Igor begins to snap. He starts jumping up and down, yelling, "I can't stand it anymore! This developed socialism sucks! The system is totally corrupt!" After a couple of minutes, a grim-looking type in a black trenchcoat approaches Igor, shakes his head slowly, points his finger to Igor's temple mimicking a pistol, then walks off without saying a word. Igor comes home especially dejected. His wife asks, "What's the matter? Are they out of meat again?" "Worse," Igor says. "They're out of ammo."

The Chinese are not as well known for cynically humorous self-criticism, but Yan Geling's THE BANQUET BUG adds admirably to an emergent wave of such books from Ma Jian (THE NOODLE MAKER), Ha Jin (THE CRAZED, WAITING), Dai Sijie (MR. MUO'S TRAVELING COUCH), and Annie Wong (THE PEOPLE'S REPUBLIC OF DESIRE). Ms. Yan tells the story of Dan Dong, an emigrant from rural China into Beijing, where he has become a married but unemployed factory worker. Dan and his wife, Little Plum, live in an unused part of the factory, subsisting on canned goods that have passed their expiration date, electricity tapped from the nearly defunct factory, and industrial waste water of indeterminate but suspect quality. One day, Dan inadvertently gets invited to a media event that includes a sumptuous banquet of exotic dishes along with an envelope containing "money for your troubles," the Chinese way of buying good press coverage. Thus begins Dan's new career as a "banquet bug," a person who falsely represents himself as a journalist in order to enjoy the banquets and receive the money for his troubles.

The bulk of Ms. Yan's novel follows Dan's misadventures as he gradually evolves into a poor man's journalist, inadequately educated for the role but instinctively honest in his desire to report truth and express outrage at corruption and injustice. No matter what Dan does or how uninformed he is, he miraculously manages to make the right decisions and say the right things, each time gaining more credibility and greater access to important people; in this, his character is reminiscent of Kosinski's Chauncey Gardiner in BEING THERE. Along the way, Dan Dong meets the renowned artist and fellow landsman Ocean Chen, the ruthlessly ambitious reporter Happy Gao, a foot massaging prostitute named Old Ten, and a small collection of oppressed individuals and rapacious businessmen who each want Dan to write news stories that will help them. Even as Dan practices his own form of banquet crashing deceit, he sees that those he meets simply want to use him for their own ends. In Ms. Yan's China, nearly everyone is both a user and a prostitute, living without principles and selling themselves for whatever gain it affords them. Truth is utterly relative, a product of each individual's particular motivations and objectives, further perverted by State censorship and editors' fears of government sanction.

As Dan becomes increasingly worldly from his journalistic experiences, his moral decline is contrasted with that of his oddly childlike wife, Little Plum. Throughout the book, Little Plum offers an almost saintly presence - uneducated, unassuming, undemanding, forbearing, and unwaveringly persevering. When confronted, she demonstrates flashes of anger and instinctive peasant savvy, but otherwise, she seems so devoid of affect and oblivious to her husband's unfaithfulness as to be almost robotic. In the end, however, it is Little Plum to whom Dan Dong will ultimately return after his two years' exposure to the workings of modern Chinese society - the unjust factory manager who has just upgraded to a Lexus even as he claims he is unable to pay his workers, the sleazy property developer Mr. Wu, the suffering peasants looking for justice in the capital city, even the self-serving guards at a car dealership who threaten to rape Little Plum.

Yan Geling's story is filled with trenchant observations about modern Chinese life, presented in a low key, satirical voice. Whether she is riffing on China's penchant for abstruse statistics and its materialistic perceptions about art (Happy Gao chooses as a gift from Ocean Chen one of his largest paintings based on her computations of the market value per square inch of the master's work), spoofing a saleslady's real estate pitch for an as yet unbuilt complex ("She is like an instructor of Marxism, teaching beautiful ideas of communism, helping you see things far beyond the way they appear now, so you can enjoy them in advance while they are still beautiful ideas."), or simply remarking the moral emptiness of modern Chinese life (Just tell him there's no right or wrong in China; it all depends on who you know."), Ms. Yan is an entertaining and spot-on observer. She wraps her commentary in a creative and engaging story line filled with memorable characters. The end result is a delightful read as well as education in the manners and mores of the "new China" - I heartily recommend THE BANQUET BUG to those interested in China and anyone who enjoys a well-told tale from a different culture. I recommend as well Ms. Yan's earlier novel, THE LOST DAUGHTER OF HAPPINESS, a stunning book that made me an instant fan.

Dan Dong was laid off by the cannery where he worked, so he and his wife Little Plum are forced to live on only noodles and out of date canned sardines. It's not the best fare in China, but it's better than the tree barky gruel with roasted grasshoppers they'd lived on in the past. Still, it's pretty awful, so when Dan is mistaken for a reporter while he's at a posh Bejing hotel looking for a job and is ushered into a press banquet, he goes with the flow and enjoys a fancy meal.

He quickly learns that with a business card saying he is a reporter, he can crash any number of press banquets, and there are a lot of those, banquets supporting causes and products and the press not only gets to eat haute cuisine for free, but they get paid (a small bribe actually) to write favorable stories. Dan goes on an internet site and gets himself a business card and thus he becomes a banquet bug, someone who pretends to be a reporter for the free meals and the cash.

However, much to Dan's chagrin, this banquet bug business isn't exactly on the up and up and the government has spies posing as, well as banquet bugs, trying to root out the phonies. Also, Dan would like his wife Little Plum to sample some of these very high class meals, and that could lead to his downfall. Plus, he begins to grow a conscious. He starts writing, but alas it's not the kind of stories the press wants.

Dan's deception is going to lead him on a roller coaster ride of corruption, greed, great food, an affair with a reporter and will even get him arrested, but through it all Dan's inner goodness shines through. He is a great character in a great book. It's been a couple years since I read THE LOST DAUGHTERS OF HAPPINESS which I adored and I liked BANQUET BUG even better. Perhaps, because BANQUET was written in English, so there wasn't a translator between me and the author, although Cathy Silbers translation of HAPPINESS flows very well. Actually these are both five star books, just wonderful, both of them.

Review submitted by Captain Katie Osborne

Having read and enjoyed the first edition of Blind Corners, I became curious about the second edition from the comments Amazon.com provides. Sure enough, I am glad I ordered it. Tabin's encounters with the people of the Himalayas are unique since his adventures now include the way in which medical care is usually given there and the amazing way in which he and his team manage to cure blindness there. As another reviewer says, this read inspires me to think of adventure, and at the same time doing good, in my everyday life. It surpises me to be thinking about my life because of a book that is so much fun.

This book caught me by surprise. I would not have noticed this book on my own, as the title does not grab me. However a friend recommended it to me, and I like adventure books, so I picked it up. It is extremely well written, taking the reader along on fast paced and humerous adventures-from Africa to Antarctica to New Guinea; from the invention of Bungee Jumping to scaling the last unclimbed face of Mt Everest. So on one level it works brilliantly as a fast paced, interconnected collection of short stories describing amazing and crazy adventures by the author and by a cross section of his amazing and crazy acquaintances. But it is more than that. As I read the various vignettes, I found myself viewing adventuring from the unique perspective of the author. Not "thrill seeking", but as a life long quest to maximize life's experiences while maintaing deep respect for the physical and human landscapes encountered along the way. It also gave me a deeper understanding of the events and personalities that led to the recent tragedies on Mount Everest, a view perhaps clearer and certainly different from that gained by reading "Into Thin Air". Finally I was extremely impressed by the authors description towards the end of the book of the author's recent efforts to cure cataract blindess among the peoples of the Himalayas. These passages are not written as self-aggrandizing, but rather continue the themes of the rest of the book, atking the reader into a different part of the world with both humor and insight. Throughout, the book emphasizes that one does not need to go to the ends of the world or be a world-class athlete to live adventures. By the end, the adventure stories and the descriptions of the humanitarian efforts together left me inspired to think about my own life and how I might try to maximize my own fun quotient and perhaps do more good at the same time. Any book that leaves you rethinking your own life while fantasizing about doing more has to be at the top ones read list. This is a wonderful book-and given its limited exposure, it is a hidden gem.

Blind Corners is the most fun adventure book I have read in a long time! It sucked me in from the start, had me laughing out loud and held me in suspense. I did not put it down until I finished. My only complaint was that it was too short. I wanted more. It brings you along for a wide range of adventures from the invention of Bungee Jumping to the first ascent of a new route on Mt. Everest to starting an eye hospital in a remote area of Pakistan. It gives a different perspective on climbing Mt. Everest from "Into Thin Air" and other tragedy oriented accounts. "Blind Corners" focusses on the joy of climbing, the joy of adventure and the joy of life. It is a must read.

Tabin is a FREAK! :-) Blind corners recounts Geoffs many adventures around the globe. An excellent mixture of mountaineering and other adventures; an inspiring book. It'll make you want to quit your job and move to Iran Jayra. The book will keep you wondering how Tabin ever found time to earn his doctorate.

Geoff is the 4th person who climbed the 7summits including Carstensz Pyramid. And his book is one of my all-time favorites; this guy is not only an explorer but a crazy adventurer as well. Great stories about the first bungee jump and standing on Carstensz summit without permit, but with penisgourds...

Now there is a 2nd edition! This new and extended edition contains extra chapters about Geoff's amazing cataract surgery projects in the Himalayas and Karakoram.
Also there are new chapters about guiding &, other climbers: George Lowe & Rob Slater (in addition to the part about Lou Reichardt) and some older chapters are updated.

Geoff shows that a life of adventure can be combined with doing great things for others. His cataract project has changed many thousands of people's lives, as they turned from being completely blind to seeing for a few dollars worth of materials and strong determination of Geoff and a few others.

It's hard to say what the biggest adventure is: climbing the east face of Everest or being bitten by a rat while operating in Pakistan without lights, but one thing is sure: "it just doesn't get any better than this".

"Dayenu" & "Kay guarnay" are 2 themes in this book written by an eloquent and smart pragmatic man. Just read it and find out what it means... then head off to your next adventure; who knows, it might just make the world a better place to live in...

But the best thing about this book is that it's available again as it is not to be missed by anyone who has ever felt even the tiniest spark of adventure in his or her brain. Now in paperback, cheaper than ever, but richer than ever as well.

ps: it's 235 pages (not 304 as [stated by Amazon.com]);

This book is not simply an translation of Atisha's simple yet profound sutras, it is a treasure trove of wisdom from the mouth of the master. So profound,it opened my eyes to things I wanted to know, already knew, and didnt particulary care to know--they are all the same. Osho can really open your head and heart, show you REALLY how everything is ONE. If you let his teachings in. His words will give you joy, A-HA's, disapointments, courage, sadness, fearlessness and how to deal with fear--which is all centrally linked to the ONE fear--the fear of dying. Dont be scared of Osho, he would have loved it if you were though! What a powerhouse of infinite wisdom and philosophy! I love the man who was never born and never died. Osho--In my heart forever. With Love, Gauri

have been life long lover of osho,simply no body compares to his simplicity and penetrating insight.truly an realized and enlightened master.

Any religion you pick, if you are looking for a real insight from a fresh spring, turn to Osho. Tibetans no exceptions, and you will inevitably enjoy this. Careful, though: it is designed to suck you in, and, low and behold, you will fall in love with Osho. You just have to research into what has been done to him throughout his lifetime to see what might happen to you.

This book is for the bold!

It will change your life and once you take control of your life anything is possible.

If you are in a matrix - controlled by religion, government etc. this book will help set you free.

If you want to stay where you are in life, don't real this book.

BOOK OF WISDOM - BY OSHO
Discourses on Mind Training.This one whispers the Truth. Wisdom you find in words but Truth is in the gaps between the words, in the spaces between the lines. It is a silent, unspoken whisper. Between the lines read, 'Existence loves you' It comes like a fragrance from every page. Osho says it takes courage to find the truth. People are not ready to up their dreams and their dreaming. They are not ready to drop the mind and move into the immediate. Only few people have dared to discover truth...It is risky; it may shatter all that you have known before and you will have to rearrange your whole life. It is dangerous. It may destroy all your illusions, it may shatter dreams. Only Silence communicates the truth as it is. We have God's words and his silence. Ready to journey to the mystical land.......(Journalist Editor Free souls Online 'ilaxi patel')

I ordered a used copy of"China Cry" and was very pleased with the product. It arrived in excellent shape and in a timely manner. I ordered Dec. 11 and received the book Dec. 20. I did not know what to expect since this was the first time I had ever ordered a used book. Due to this experience I will definitely consider ordering used items in the future. Thank you for retaining my trust in Internet shopping.

This is the incredible story of Nora Lam, a woman whose unwavering faith in God has seen her through more upheavals in her life than most people ever experience.

Her story spans decades and takes the reader through the invasion of China by the Japanese. The daughter of a western educated doctor, Nora saw her comfortable upper middle class life end in 1939, when at the age of seven she was forced by the Japanese to flee her home on the outskirts of Shanghai with her parents and seek refuge at the home of her step-grandmother's house in the French section of Shanghai. There they would remain for three miserable years, during which Norma was to have the first of a number of visions of a guardian angel, appearing in the guise of an old man. This guardian angel would sustain her and advise her in her hour of need throughout her life.

At the age of ten, she and her parents once again fled. This time they were to travel to Chungking, in free China, where her grandfather lived. Only after a perilous journey through Japanese occupied China and after being beset by robbers along the way, were they to cross the heavily guarded border and arrive safely at their destination. In the primitive city of Chungking, which was subject to continual bombing by the Japanese, Nora was to learn many life lessons that were to hold her in good stead.

Nearly four years later, in 1945, having survived the invasion of Shanghai by the Japanese and their heavy bombing of Chungking, Nora returned to Shanghai after the Japanese surrendered. There, Nora was to continue her education at a boarding school for girls. Now an impressionable fourteen years old, it was there that Nora renewed her interest in Christianity. Then, in 1949, the peace of life in Shanghai was once again disrupted for now seventeen year old Nora, when the Communist Army entered within its confines and Red Army soldiers were suddenly everywhere. The Cultural Revolution had only just begun.

Nora studied hard at the university in hopes of becoming a lawyer for the state. There she met and fell in love with Lam Cheng Shen, a handsome and young legal scholar. Some time after graduation, in 1955, when she realized that she was pregnant, Nora and Cheng Shen got married. Shortly after, she and her husband were subjected to interrogations by Communist officials, as they were deemed to be suspicious because of their family connections and because of that fact that Nora had, at one time, held Christian beliefs. Moreover, as Nora's independent spirit began to chafe under the repressive and oppressive party line, she found herself in conflict with the state and sentenced to death. Her moment of truth arrived when the pregnant Nora was brought before the firing squad.

What happened next is sure to make one believe in miracles. It is at that miraculous moment that life really began for Nora. She goes on to live a life that is nearly incredible in terms of its experiential breadth. It is a secular life ultimately lived in the service of God in all parts of the world. It is amazing what this young woman would go on to achieve and accomplish in her life. Notwithstanding the fact that some of her story strains credulity, hers is, indeed, an inspirational story that will make one believe in a higher power, if one does not already do so. It is surely a story worth telling.

Nora Lam has gone on to establish the Nora Lam Ministries, which is based in California, and she leads evangelical crusades in China and the United States. A movie, based upon this book and having the same name, has also been made.

I read this book some years ago. I've also viewed the film. However, the book brings out more details that reach deeper than the film. I enjoyed reading how the Lord saved & delivered Nora Lam and her family. I was also very encouraged by Nora's faith in what God would do for her and her family. She had tremendous faith! This is a very touching story that I would recommend to anyone. It is an excellent book that doesn't take long to read. God Bless! Happy reading! You'll be glad you did. :)

Lam Sung Neng Yee's story is marvelously told in this book. The communist don't play. Her story is both remarkable and insturctional.

I received this book into my collection when my father passed away a few months ago. A few days ago I picked it up and decided to read it. Am I glad I did. It's falling apart now, but I plan to use some hot glue to hold the pages in the binding so I can read it again later. This book can give a person a lot of insight into the workings of God in our world today. People who think God is dead need to read this book. He is alive and well and ready to come to our aid when and where we call on Him. Christians need to read this book. Sinners need to read it. People who are luke-warm need to read it. It has really inspired me to do all I can for God in 2004.

A very dear friend has an autistic son. His behavior has always mystified me. I could never predict what he's about to do, and many times when he did something I didn't understand why he did it. Worse, I couldn't seem to connect with him at all.

The China Doll has actually helped me understand his reactions. I still can't predict what he'll do, but thanks to the "For Parents and Educators" section, his actions make a bit more sense to me, and I have a much better idea of how to interact with him.

I'm afraid I'll never really be friends with this boy. I can't sit and chat with him about the school day or a new video game the way I can with his brother. But after reading this book I understand him a little bit better. And thanks to the positive message in this book, I'm a lot more comfortable being around him.

I enjoyed reading this because as a primary school teacher last year I finally had the experience of one autistic girl in my class. This book is so wonderful for children to understand why somebody is different and how their behavior can be interpreted. The illustrations mesh perfectly with the story and young children can relate to the main character. I also like the way the author gently leads the reader into the subject. Very skillfully done. I will look for more books by D.M. Rosner and also more of Robert S. Jones' illustrations.

Ms. Rosner's book, "The China Doll," is an insightful glimpse into the world of autism.

The story is well-crafted, which tells of a little girl who receives a doll that isn't quite like her others. The color illustrations compliment the narration beautifully.

Not only does Ms. Rosner shed light on the behaviors that typify autistic children, she also provides an informational section in the end that relates advice on how to identify and understand this behavior.

Autism is unfortunately a growing concern in America. I highly recommend "The China Doll" for anyone who deals with autistic children, or would like to know more about autism.

This book written is written in a wonderfully creative way. It is a terrific basis for explanations to siblings of children who are "different". As I read it I felt it would be a great example for all kinds of issues faces by the siblings of autistic children even better as a great tool for parents who do not always know what to say.
Thanks to the author the additional information provided in the afterward is very detailed and really gives the reader other resources for information.

As a nurse I know that siblings often become the life long advocates for persons living with disabilities. This book will help those siblings not only resolve ambiguous emotions in themselves, but explain their brother's or sister's special needs to friends and playmates. This book would benefit siblings, friends, and classmates of children with any variety of challenges, not just autism.

When I was a kid I though that the Chinese written language was impossible to learn (unless you were born there) and that the signs were just a bunch of arbitrary strokes impossible to remember.

All this changed when I picked up this book in the 1990s. I then discovered the connection between the Chinese culture and history, and the written Chinese language. It is thick with carefully chosen and categorized stories, often experienced by the author herself, about how a Chinese character reveals something about Chinese history, thinking, or everyday life in ancient times. The Chinese themselves are often strangely unaware about the etymology of their Hànzi characters, since the school system encourages rote learning. Its richly illustrated by drawings and photographs that shows similarities between something and the character representing it. E.g. how the character for "well" resembles the ancient Chinese way of constructing wells, quite different from western ones.

What this book is not:
- Its very, far from anything like a textbook in Chinese writing. But it may be the best soft introduction to such a topic. Its well suited for people that want to know something about the Chinese language, but don't want to spend time studying it.
- Its not a dictionary. It covers 500 characters in 350 pages. The characters are not selected because of word frequency, or usefulness in everyday life etc. Many characters covered are really rare.
- It doesn't say anything about how the signs are pronounced. It is strictly about how the Chinese culture embedded in the written language.
- If you stop reading before the last chapter you will believe that the Chinese language are mostly made up of ideographs or pictograms (a picture of something in the real world). In fact more than 90% of Characters are made up of Radical-Phonetic signs (explained in the final chapter) and character do not resemble anything "in real life". To "unlearn" this misunderstanding I will recommend J. DeFrancis: "The Chinese Language: Fact and Fantasy"

Because of this book, I moved to China and studied there in 2005. Without getting inspiration from this book a few years ago, I would never have thought it was worth even trying to understand the Chinese language.

CHINA : Empire of Living Symbols. By Cecilia Lindqvist. Translated from the Swedish by Joan Tate. 424 pp. New York : Addison-Wesley Publishing Company, Inc., 1991 (1989). ISBN 0-201-57009-2 (hbk.)

Although Cecilia Lindqvist is a professional scholar of Chinese and was in fact a pupil of Bernhard Karlgren, one of the greatest sinologists of the 20th century, she is one of those rare scholars who, instead of devoting herself exclusively to academic publications, has not been afraid to produce a book designed for the general reader.

Her book, though founded in a specialist knowledge of both Chinese and China, where she lived for many years, is written with a light and engaging touch, is magnificently illustrated with numerous photographs, both black-and-white and color, line drawings, maps, Chinese characters, etc., and is so beautifully produced that it could be read or browsed with interest by anyone.

Her book attempts so many things, and succeeds so well in them all, that it would be difficult to overpraise it. It introduces us to the pictorial element of the Chinese script in a more engaging way than has ever been done before, and becomes in fact a painless way of acquiring a vocabulary of the basic building blocks which go to make up Chinese characters.

It relates these basic pictograms to a wide range of topics in Chinese cultural history in a sumptuously illustrated series of chapters dealing with - Oracle Bones and Bronzes; Man, Mankind; Water and Mountains ; Wild Animals; Domestic Animals; Carts, Roads, and Boats; Farming; Wine and Jars; Hemp and Silk; Bamboo and Tree; Tools and Weapons; Roofs and Houses; Books and Musical Instruments; Numbers and Other Abstract Characters. It also includes a chapter on Meaning and Sound which traces the development of Chinese writing from the early pictographs through to phonetic compounds.

The book is rounded out with a gallery of superb color photographs; a section on Character Stroke Order; a really excellent Bibliography of both Western and Chinese books (which unfortunately gives only the pinyin and lacks the sinographs for the latter); a table of Dynasties and Periods; and a full Index.

The book is a curious size, having been made 8.5 by 8.5 inches to accomodate its many photographs, is bound in full linen, stitched, and beautifully printed on a very strong smooth ivory-tinted paper.

Anyone who, after reading the book, would like to learn more about China's culture or writing system, will find that the fully annotated Bibliography with its extensive list of interesting works for further reading will provide many leads. These range from general books on the science and civilization of China up to such things as specialist Chinese dictionaries of the ancient bone and bronze forms of the characters.

Lindqvist's love of China, its people, language, and culture shines through on every page, and her book is clearly a labor of love. It can be recommended without reservation as a marvelous introduction to one of the richest and most fascinating cultures on earth.

This is a fabulous book on Chinese, though it's not a textbook on learning Chinese. It tells the history of the development of many characters, and is fascinating. The main part of the book goes back to the oracle bones and ancient bronzes and shows quite a few of the characters and how they developed. A chapter in the back of the book (where I started) tells how the characters were invented. It tells of the various strategies for creating characters. Every strategy devised for creating characters ended up being exhausted, and new strategies had to be created. One of the last strategies was the `radical' concept, where they would take an existing character that sounded like a word that didn't have a character, and they would add a `radical' to it to create a new character. This concept allowed for almost a limitless number of characters and was one of the final strategies. It's interesting to note that in ancient China, most of the words for daily life had no written equivalent. Writing for the most part was reserved for administrative tasks, record-keeping, etc. Words that were used for daily life for thousands of years had no written equivalent and posed great challenges to create characters.
The author is Swedish and the book was translated from Swedish to English recently.
It would be a great book for anyone studying Chinese, but it would also be a great book for Chinese children to learn more about the history of China. It really is a fascinating book that I can hardly put down...
This book also helps with learning (& remembering!) Chinese characters, but a reader does not have to be learning to read and write Chinese characters in order to gain a lot of insight not only into the language, but the Chinese culture itself.
By the way, did you know that the character for `self' Zì, originally meant `small nose'? In western society, when people refer to themselves, they may point at their own chest, whereas in China, traditionally, people pointed to their nose. That's how the character Zì, [which originally meant `nose'] came also to mean `myself', or `self']. It's also interesting to note that the radical for Bí [nose] is the same character for Zì [nose]. In fact, Zì means `small nose' and Bí means `big nose'.
The book is filled with all sorts of fascinating things...

I cannot believe how beautifully this book was written. Even as a Chinese educated in China, I was fascinated by this little book. It is not only about Chinese language but also about a people, a nation, and a civilization. This book made me re-think about my cultural heritage that I am extremely pround of already. I recommend this book to anybody who is interested in China and humanity in general.
Thank you Cecilia Lindqvist. Your professional expertise inspired me and your lovely sense of humor made my days.

Glad to see it was translated from Swedish. It is quite good, I have seen other interpretations of some characters than the ones she gives. Also I was hoping she would cover more characters. Still a very interesting book.

Tom Anderson
Anderson Analytics, LLC
http://www.andersonanalytics.com

I have read all the Judge Dee mysteries at least twice, and really love them. However, I have just read a number of books on China and discover that van Gulik has purposefully mislead readers to make ancient Chinese justice just like Western justice and rather appealing. The truth is almost the exact opposite.

If you are interested, a standard history of china by harvard professor John Fairbank and Merle Goldman, China A History, explains that the Chinese justice system was openly corrupt (corruption did not have to be secret - it was and is the accepted way), relied on torture of both plaintiff and defendent, had no consistent laws, no equal punishments for the same offence (everything was based on class and kinship status) and bascially was just like modern Communist law: it was a vehicle for the state to control behavior. The goal was not 'justice' in the Judeo-Christian sense but state control.

Also like Communist China under Mao, imperial law relied on collective punishment to terrorize the populace. The entire population was divided into groups of ten and one hundred families, and if anyone in the whole group was condemned, the entire group could be executed. For serious offenses against the state, thousands of families could all be executed.

Van Gulik is always showing citizens bringing disputes before the court. In reality, this was never done (as both sides could be tortured and both sides had to pay the court and both sides had to bribe the court). Instead, people relied on their village elders or clan heads to rule on disputes, as the court system was too dangerous.

Most of the ideals that Van Gulik gives to Judge Dee of fairness, protecting the weak against the strong etc. are Christian values that go back to the Jewish Bible (God creating all men equal, protect the weak and the stranger, equality before the law etc). They are antithetical to Chinese values from imperial to modern times. It is very important not to pretend that foreign cultures are the same as we are...or that our values are universal. They are very special treasures that we should be incredibly grateful for.

The Judge Dee books also mention women's tiny feet at times, but he never tells the reader that until 1900, all upper class and middle class women in China had their feet broken and maimed leading to their being crippled for life, unable to walk normallyeuphemism - binding their feet). From the 19th century, this custom of torturing and crippling women spread among the peasants also. 10% of girls probably died from this treatment.

Van Gulik prominently features 'courtesans' and 'prostitutes.' A more accurate term might be slaves or sex slaves.

We are often told that China was 'more advanced' than the west until modern times. In truth, they were most comparable to ancient Rome, a cruel and despotic slave-owning culture with admirable roads and art. But Rome at least had rule of law, something China never had.

So, enjoy Judge Dee - but take it for what it is, bascially a fun Western mystery story set in a lovingly recreated period piece, kind of like most Hollywood movies - great costumes, great settings, fun plots, endearing characters - all basically unrealistic.

The Judge Dee Mystery Series by Robert Van Gulik are paperbacks that I keep after I read them. In fact I have purchased every one that Amazon offers. These are superb Asian-flavored legal mysteries, impressive because of the historical accuracy and insights about the Chinese character given by Van Gulik. In this book one of the cases the Judge solves (there are 3 different cases) is the mystery surrounding the death of a young girl on her wedding night. Needless to say Judge Dee gets to the bottom of the murder and solves all 3 mysteries. It's important to note that Judge Dee-Jen Dijeh (630-700 A.D.) was a real Magistrate known for his wisdom in China, and his stories became a part of the folklore of China. Robert Van Gulik was fascinated by the tales of this judge and wrote a fictionalized series featuring the Judge in the early 1950s. If you enjoy well crafted myteries that are full of wit, clever plot devices, action and adventure as well as great descriptions of food and culture, you'll love all the Judge Dee Books just as I do.

Yet another strong entry in Robert Van Gulik's series about a crime solving Imperial Magistrate in seventh-century China. In this book, Judge Dee has taken up a new posting in the large and flourishing district of Poo-yang on China's east coast. The district seems prosperous and relatively crime free, so the judge's retinue consisting of his faithful retainers Sergeant Hoong, Ma Joong, Tao Gan and Chiao Tai are all looking forward to an easy posting. But contrary to all expectations, the team has to deal with several crimes in the district soon after arrival. A young girl has been raped and murdered with her killer absconding and the judge is also asked to look into a long series of crimes committed by one of Poo-yang's wealthiest merchants Lin Fan by one of his victims who may have her own hidden agenda....To make matters more complicated, the judge soon learns that the monks in the wealthy Buddhist temple in the area may be preying upon unsuspecting women and cheating them of large sums of money by promising them that they will be able to conceive a child by offering prayers and money at the temple! This may seem like an overwhelming series of problems, but Judge Dee with the help of his assistants is able to clear up the various crimes with his usual flair and wisdom. Enormously entertaining, both for its wealth of historical detail about ancient China as well as for its finely plotted mysteries. Highly recommended for fans of the series and even those who are just looking for a good mystery read.

Rebeccasreads highly recommends THE CHINESE BELL MURDERS in which Judge Dee solves the mystery surrounding the death of a young girl, where all the evidence points to the guilt of the deceased lover. on her wedding night.

Judge Dee-Jen Dijeh (630-700 A.D.) was a Magistrate known for his wisdom & wit in China, & his stories were a part of the local folklore. Robert Van Gulik, who had a historian's interest in China in the early 1950s, was fascinated by the tales of this judge, & finally collected & fictionalized them into four volumes.

The wit, ingenuity, & genius of Judge Dee is well reflected. Remember the old tales of King Solomon the Just -- well, give them an Asian flavor, a touch of Old China -- & you get Judge Dee.

All of Judge Dee's books are most pleasurable - - worthy of 10 stars!

The Chinese Bell Murders is another of the classic Judge Dee mysteries authored by Robert Van Gulik. This book, along with the Chinees Maze Murders, is probably the best of the Judge Dee books.

The plot of this story involves three disparate events, a rape/murder, shenanigans in a Buddhist temple where women with fertility problems are apparently giving birth due to divine interventions, and a corrupt businessman who is involved in a bloody family feud. Along the way, Judge Dee and his assistants have an encounter with the bell that is the title of the story. Van Gulik ties up everything in a tidy package that is engrossing and gives the reader an insight into ancient China.

What is impressive about this book is the historical accuracy and insights about the Chinese character given by Van Gulik, no doubt due to his service in the Dutch foreign service and his credentials as a Sinologist. The Buddhist influence in T'ang Dynasty China and the corruption of monks was a constant problem and Van Gulik is not complimentary in his portrayal, which is similar to the unfavorable portrayals of Buddhism by Chinese writers throughout history. Also, the corruption of businessmen in China and the conflict between northern and southern China is well portrayed. Only a Chinese or somebody who is familiar with China can understand the nuances and conflict.

As one of the original five Judge Dee books (this one is the second book in the sequence), the detail and the plot are very much in line with the famous Chinese stories of the day, albeit in a more compact form. This lends authenticity and makes these stories better than the later Judge Dee stories, which are still good.