Asia Books

Is Jerusalem all that special? Does it compare with London, Paris, or Honolulu? Well, whether it does or not, here is an excellent book about Jerusalem in the twentieth century.

The book opens describing a city of about 70,000 people (45,000 of them Jews). And I found it interesting that the Jewish percentage of the city did not change all that much during the century, even though there were all sorts of political changes: World War One, the British Mandate, World War Two, Israeli independence, and the reunification of the city.

Some of the stories are fascinating, such as how on December 17, 1902, during a severe drought, Muslim authorities permitted Jews to pray for rain at the Tomb of David. Within hours, there was a huge rainstorm.

There's plenty of interesting historical material as well. We find about about King and Crane, and their report (they said that Jews ought not be given guardianship over Christian or Muslim holy places). We learn about the riots of April, 1920, in which Arab mobs attacked Jews, explaining that the Jews were their dogs. And we see how everyone fared in the period prior to World War Two, and how more Arab violence led to the scuttling of the Peel Plan to create a small Jewish refuge in the region to which European Jews could have fled. And how that violence then led to the infamous British White Paper of 1939, which very severely limited Jewish immigration.

One of the best parts of the book is the comparison between the Jewish and Arab parts of the city from 1948 to 1967, when the city was divided.

Probably the weakest part of the book is at the end, where there is some mention of attempts to achieve peace between Arabs and Jews in the city. I think no one has the perspective to discuss this very well right now. Those who boast of compromising words and predict that peace may be in the offing are taking a serious stand. And that stand, while it may have been tossed out casually, has been disproven by events. Most of the talk about peace from known Arab terrorists has been insincere. Nor has this insincerity been a surprise to most historians. I think Gilbert would have been better off to simply admit that there has been recent violence and recent peace proposals. And that it is possible that in the future, we'll all see that some of the violence was historically very significant, or that some of the peace proposals were actually significant. But that now, it is too early to say anything of the sort. And that would have been a good way to avoid overdramatizing any of the most recent happenings in the city.

Still, this is an excellent book, and I strongly recommend it.

Gilbert is magnificent in his ability to take a complicated history of events and tell them to the reader in a concise, readable text. He also refrains from editorializing the content towards one side of the struggle. I believe this book is essential for grasping the current unrest in the Old City and throughout Israel. As a recent visitor to Jerusalem, I only wish I could have read Gilbert's work prior to my trip.

I read Gilbert's modern history of Jerusalem a few months after I had lived in the city on a holiday. Sir Gilbert (he was knighted not long ago) has a unique genius in bringing the reader to real time through the voices of those who lived in the times. A balanced book with deep touches of humanity and pathos. One is in awe of how this small city has such a history of blood, tears and hopes. The amazing art of Gilbert's genius is that his skills are transparent to the reader and he is as much a teller of oral history in the way he brings the vast resource of his research and sources as told history. Highly recommended.

I really enjoyed this book. This book has given me a clearer idea of the history behind what is happening in the news. Thank you Mr. Gilbert for taking a complex subject and history turning it into something that most anyone can begin to understand.

This is another meticulous study by Sir Martin Gilbert, one of the most prominent, knowledgeable and admired experts in the Middle East. Here he provides a remarkable insight into the history of the City of Jerusalem during the 20th Century.

The author commences with a description of Jerusalem at the dawn of the 20th Century, as a small provincial town in the Ottoman Empire, comprising of a population totalling some 70,000 people. The majority being Jews (45,000) and the remainder mostly Arabs (25,000). The Century approaching it's end with the City's population being more than half a million, the majority Jewish but with some 25% being Arabs.

The book documents Jerusalem under Ottoman rule until their defeat by the British during the First World War. The writer then continues to illustrate the City under British rule through the Mandate period. Appropriate attention being paid to the Arab riots of 1929/36, describing many of the horrific incidents, the role of all the entities involved and the ensuing casualties. Many factors & commendable detail so often overlooked are included here.

The author analyses the City during the Second World War and how the latter affected it's occupants. It is clearly shown that the coming of peace to Europe did not bring peace to Jerusalem.

Indeed, from 1945-47 the writer describes Jerusalem as a City in turmoil, with the imminent end of British rule and the intended UN partition. A partition which unbelievably intended to leave the Hebrew University and the City's 99,000 Jews (one sixth of the total number of Jews in Palestine) outside of the intended borders of the Jewish state. The author describes this and the resentment that this intended move caused.

The ensuing conflict of 1948 is recounted including the siege of Jerusalem and the horrors suffered by the inhabitants. This extends to the 1967 Six Day War with detail also provided of the fighting for the Old City between Israel and Jordanian forces. Indeed, the author omits nothing, extending through the Yom Kippur War on to the Palestinian `intifada' of 1987/89 and the assassination of Yitzhak Rabin.

Numerous maps and photographs are provided in abundance. Notably inclusion is a photograph of the often ignored & forgotten bombing by British Army deserters of the civilian thoroughfare in Jerusalem's Ben Yehuda Street in February 1948, which killed over 50 innocent Jews. (A captured British soldier apparently boasting of his involvement, but complaining that he did not receive the £500 promised him & his colleagues by the Arab Mufti).

The carnage and destruction in the Ben Yehuda photograph rarely receives the light of day with most `neutral' sources tending to highlight the attack on the King David Hotel by the Stern gang. Photographs are also included of the devastation inflicted on Jerusalem's synagogues by Jordanian bombing in the 1948 conflict.

The writer concludes this excellent work by declaring that Jerusalem can be the `essence of peace' or the `source of conflict'; `the scene of riots' or `of reconciliation'; the `focus of celebration' or `of protest'; of `religious devotion' or `religious hatred'; of `quiet contemplation' or `loud exhortation'. Those who know the City of Jerusalem will know that indeed this City is unique. I highly recommend this book.

I also highly recommend a work covering the City's most recent political altercations by David Bar Illan entitled `Jerusalem; The Truth'. Coupled together these two books will provide a thorough grounding in the background to the City. Those with an interest in the City's Biblical history and it's prophetic element will enjoy John Hagee's `The Battle For Jerusalem' which includes a detailed coverage of the Palestinian `intifadas'.

After returning from a tour of India, I decided I needed to learn more about this country. Mr. Anderson's book is a true look into this country. This book digs deep into the sights, smells, sounds and feel of India. A very easy read and a great travel log. I hope Mr Anderson continues to write.

In December 2004, the author left his home in North Carolina to study
yoga in India. Anderson found enlightenment in the land of Gandhi and
Mother Teresa, but not in the way he expected. The moment he stepped
foot in India, his lessons began. To quote the author directly:

"India asks existential questions, and demands immediate
reply. How can you square what you see here with your omnipotent,
benevolent God? You can't. What will you make of your life? What
purpose do your many pleasures serve when millions suffer unrelenting
pain?"

Anderson's odyssey begins in Delhi and proceeds through several
cities, including Calcutta. Calcutta, especially, left an impression
on his body, mind, and spirit. Five-star hotels co-exist there with
squalor beyond American comprehension. Caustic pollution burned his
eyes and seared his lungs as he walked the streets of Calcutta.
Emaciated street children fought with feral dogs over scraps of
rotting food on mountains of trash. People with leprosy, birth
defects, and infections begged from every street and gutter. And yet,
despite living in such unspeakable conditions, the sweet spirit and
inner light of the people shone clearly through their eyes and smiles.

Yes, walking the slums of Calcutta enlightened the healthy, successful
American lawyer and writer. After days of experiencing the sounds,
scents, sights of horrible human suffering, and toxic air, Anderson
was too sick to stand, too emotionally drained to weep. He returned
home determined to do all one man could to offset the suffering he saw
in Calcutta.

The Light Within is beautifully written; Anderson shares his
experiences powerfully with readers. He speaks not only for himself
but all humanity - the armless and legless, the perfect and healthy.
Along with writing this book, Anderson established the Calcutta
Children's Permanent Fund, an endowment providing medical and
nutritional support to the street children of Calcutta.

Joseph Anderson has the unique ability to bring the reader through a vivid and heart-wrenching experience of life in India. He takes the reader to places few tourists would venture, and he describes the challenges he encounters --from extreme poverty to personal discovery -- with a deep understanding of human emotion and a personal connection to our sense of sight, sound and smell. If you want to experience what life is truly like in India, through the eyes of someone who connects deeply with humanity, read this book!

Joseph Anderson's "The Light Within" may be the first book written as
a blog. Undertaking a pilgrimage to India (to study with yoga
masters) after his father's death, Anderson promised his mother to
keep in touch with daily blogs. It's evident that the blog was
written not only to his recently widowed mother, but to himself as he
recites his daily activities in England, Paris, and, most
importantly, India. The account goes far beyond a travelogue: it is
part diary, part meditation, part exultation, moves from description
to interpretation to philosophy, even to poetry! Anderson's language
is fluid and often lyrical, even at its most spontaeous. The
narrative is most alive when he gets beyond the touristy days in
England and France and arrives in India; he spares nothing in his
deeply sensory-and deeply moral-account of this land which offers
both splendid beauty and utter degradation. The fact that he has now
begun a foundation to rescue children of Calcutta from poverty,
ignorance, filth, and disease demonstrates the powerful impact this
experience had on him, one that will be shared by sensitive readers.

Pick up Mr. Anderson's book and find a compelling travelogue through India and all-too-human emotional terrain. The writing is fluid and graceful and you will find yourself immersed in the journey of this soul. You will find a wide variety of experience on display, from the haunts of modern London to the very heart of Calcutta and beyond.

Well worth a read!

It is great to have a look into Mao's China from the eyes of a child. I agree with many of the good things said, and just want to say this is a great book. Lyric, and a child's view, and great insight.

It's one thing to read the history of China's Cultural Revolution, quite another to see it through the eyes of a little girl who lived through it. In "Little Green," Chun Yu, born the year the Cultural Revolution began (1966), chronicles the first ten years of her life, from the revolution's inception to its ending with Mao's death.

What's startling about "Little Green" - the title comes from Yu's childhood nickname - is not just the vivid clarity of her memories but the beauty of her words. Written in verse, the book has the crystalline luminosity of Peter Matthiessen's prose and David Whyte's poetry. On one page Yu will speak eloquently of the gift of a blue silk ribbon; on another she'll share her pain - without being overly sentimental - at having her family's garden torn out after the state decided that private gardens were capitalistic.

"After a whole spring and early summer
of planting and watering,
the tomatoes were just starting to ripen under the green leaves.
Some melon flowers were still blooming on the fence.
The biggest melons had grown to the size of my little fists.
The sunflowers along the roadside
were only a couple of feet tall,
with tender yellow flowers following the sun around.
Nainai [Grandma] sighed.
'It hurts the conscience to destroy these crops.
What crime did the plants commit?' "

In this slender volume, Yu shows how her family is affected by the Cultural Revolution. Her mother, a teacher, becomes a target of the anti-intellectual movement; her father is sent for several years to a reeducation camp. In "We Saw Baba Only Twice a Year," Yu writes:

"Baba lived in May Seventh Cadre School,
where he was being reeducated.
The cadre school could only be reached by boat,
slowly moved by a long bamboo stick.
It took a whole day each way.
We saw Baba only twice a year,
in the summertime
and Chinese New Year.
After not seeing him for a long time,
it felt so strange to call him 'Baba' again."

The cover quote, from Maxine Hong Kingston, calls "Little Green" a "miracle" which initially sounded a bit over the top. But as I read the book and learned Yu's story, I didn't find this to be an exaggeration. For someone who learned English as an adult and spent much of her time in this country studying science, "Little Green," written with elegant simplicity in English, truly is miraculous.

I found "Little Green" so enjoyable that I began rationing it, reading just a few pages a night, to make it last. Thankfully, this is the first book of a trilogy, and Yu says she's already finished the second volume. I'll eagerly await its publication. Until then, I'll return often to Little Green's clear, bright lines.

Little Green is a wondrous work of art, like an ancient Chinese painting brought forward into modern time. Where a Western painter might fill up the entire canvas with paint, traditional Chinese painters used sparse brush strokes to vividly illuminate the very essence of their subject. So does Chun Yu use her poetry to bring to life the world of a ten year old child in the Chinese Cultural Revolution. Like the unfolding of a Chinese scroll, to read her verse is to journey across the landscape of that time. We see her family, other children, revolutionaries and "counter-revolutionaries," political struggle meetings, war trainings, cold streams, warm meals, forbidden ancient poetry, and the sound of snowflakes falling past her ear.

Little Green is suitable for all ages, both children and adults. From her readings in the San Francisco bay area, I also learned that this book is the first in a coming trilogy. I give it five stars.

This book powerfully tells what life was truly like under Mao and his cohort. Chun Yu brings a new voice with an amazing ability to enable the reader to imagine life inside China during the Cultural Revolution.

This is a fresh and new voice to the history of that era.

PS I am not a kid although submitting a review as a child is easier as there is no password stuff to climb through.

Chun Yu's "Little Green" is a great corrective to much of the highly effective propaganda that emanated from China during Mao Tse-Dong's Cultural Revolution. Chun Yu has achieved this with a unique voice and with a unique literary form that is unusually poetic and that is not in itself a propaganda piece.

I believe that "Little Green" should be classified as suitable for all ages. While children will undoubtedly enjoy and learn from "Little Green," I think it ought more properly to be included with literature also intended for adults.

This is a fine example of how ordinary people are capable of doing extraordanary things, in this case not only did Nick Dunlop write an incredible book but along with Nate Thayer was responsible for bringing enough attention to this bloody tyrant forcing the Govt. to finally incarcerate him. whether Duch ever goes on trial is anyboby's guess but without this book Duch would probably still be playing the role of missionary worker.

This is one of those books that you won't want to put down until the last word has been read. He is a great writer and has given me quite an education. I highly recommend it!

Nick Hornby poses the all important questions of how a vision of a better world can turn into bottomless evil, and how seemingly ordinary men can become mass murderers.
The ideological fundamentalists at the very top of the Red Khmer movement had a vision and a plan for the creation of heaven on earth (`the envy of the world'), but only for the 'good' soldiers. All the 'bad' ones, even (pregnant) women, children and babies, had to be simply murdered. Their utopia was a world of self-sacrifice, with no traces of individuality, no individual thought, no love (segregation of men and women), no foreign things, no towns, no money, no schools, no holidays.
The mass murdering was considered as an act of purification. It turned into a terrible real nightmare for the good and the bad. Everybody came to live in constant fear for their lives, acted in panic, told only what people wanted to hear and did what they were told to do. It was a system of paranoia, terror, constant surveillance and lies.
The Tuol Sleng prison became the heart of the movement, the centre of security, a symbol for a whole society as a slaughterhouse. Under torture people named names of innocent `spies', who in their turn named names, until ... `If the Organization arrests everybody, who will be left to make a revolution?'
After 4 years, the suspicions of conspiracies had killed more than three-quarters of the original Central Committee.

The answer to Nick Hornby's question is Duch, the Commander of the S-21 prison, a fundamentalist, a cold executioner of the orders of his superiors, a good father for his children, but living in constant fear for his own life, obsessed by the 'enemies' within, behaving irrationally, but enjoying his role as `butcher' for the creation of utopia.
As D. Chandler quotes at the end of his moving book `Voices from S-21', `ordinary people can commit demonic acts'. This potential is in all of us.

External facts
We should not forget the sometimes disturbing factors behind the rise to power, the violence and the stability of the Red Khmer regime.
Its Kampuchean enemies of the Lon Nol dictatorship were themselves extremely violent: 'Villages were burned and thousands were killed. Heads were mounted on stakes.'
Red Khmer guerillas were trained by British secret services.
The US secretly bombed Kampuchea during the Vietnam War driving the peasants into the arms of the Red Khmers.
And ultimately, nearly all governments of the world, the US, China, the Soviet Union, Great-Britain, Vietnam, Malaysia, Thailand, made of Kampuchea the front line of the Cold War.

Nick Hornby wrote a frightening book, which shows what human beings are capable of doing with other members of their species.

I also highly recommend the works of D. Chandler and the documentary by Rithy Panh `S-21'.

Nic Dunlop's first-rate detective story on the trail of Pol Pot's chief executioner, the notorious Comrade Duch, is a fascinating journey into Cambodia's recent bloody history. Through a series of testimonies by Duch's family members and people who knew him, Dunlop builds up a compelling picture of this former teacher turned mass murderer, whilst also giving us a running commentary on the development of the Khmer Rouge organisation through the eyes of former cadre such as Sokheang, now a human rights investigator though formerly a Khmer Rouge sympathiser.

The Lost Executioner is Dunlop's first book; he's primarily a photographer who became obsessed with S-21, known to many as Tuol Sleng, and its commandant, Comrade Duch. He even kept a photo of Duch in his pocket. By an astonishing stroke of luck, Dunlop met the man responsible for the deaths of more than 20,000 people, in Samlaut, a small town in northwest Cambodia in 1999 and exposed him with the help of Nate Thayer and the Far Eastern Economic Review, leading to his arrest and detention, awaiting trial. Dunlop's subsequent investigations and interviews now provide us with a great wealth of detail about Duch's life before, during and after the Khmer Rouge reign of terror though ultimately the reason for Duch's transformation into a brutal killer remains an unexplained puzzle. In a perverse twist, Duch converted to Christianity, had worked for an American charity, was living under a new identity and had returned to teaching before his unmasking. The book is written in an easy to follow though powerful narrative and I recommend The Lost Executioner to anyone seeking to delve into the morass that is Cambodia's recent past. It's a remarkable and revealing story.

Needless to say, the tragedies depicted in this book were very disturbing. Having read much on the genocide in Rwanda, I couldn't help making comparisons. Sadly, I saw too many similarities and my response goes from shock to curiosity. To his credit, Dunlop did not exploit the gruesomeness of the torture and killings. He was very respectful toward people, families, and to Cambodia as a whole. The story's focus was primarily on one member of the Khmer Rouge known as Comrade Duch who headed a prison with a nortorious reputation for committing brutal crimes against humanity. This focus gave Dunlop a unique twist to his book, however, the story was often made confusing. Not only did Dunlop fail to provide adequate historical background to the story, but even paragraph to paragraph the story was not easy to follow. The writing did not flow as easliy as I would have liked. I found myself back tracking a bit to get the story straight. Another interesting twist Dunlop makes was to question how such atrocities as this occur. He gives some thought to the dangers of Buddhism and socialism but I would have loved him to expound on these thoughts a little more. Nevertheless we see that the problem is multidimensional and not just political. He also exposes the failures of the U.N.(suprise,suprise) and of the U.S., but again, his argument is not made clearly or in detail. Despite some of my criticism of Nic Dunlop's writing, I was extremely impressed by his diligence, his committment, his honesty, and his persistence. He gets 5 stars for character and is to be applauded for this work.

This is an extraordinary book. The author begins telling the reader that even in today's Japanese studies circle there is still bias against those who research such things as this book. With that in mind, I delved into this fascinating book. Before going into the book's contents I want to say that Dr. Leupp writes in a style that is very easy to read while conveying a great deal of information. Before I started reading this book I was worried that he was going to write in such an academic way that it would leave the subject matter quite sterile. That definately is not the case. The author begins the book at first with an explanation of the long hitorical trends of homosexuality that can be found in the histories of China and Korea and he places these histories of homosexul cultures beside those of Greece and other European countries. He then delves into the homosexual tradition of early Japan mainly focusing on the Imperial Court, Buddhist and Shinto monks and priests, and finally Samurai. After setting this precedent, he goes into detail of Tokugawa homosexuality, mainly focusing on Kabuki actors and Prostitutes. He uses examples from both historical records and literature. This is a great book that should be read by those who are interested in not only homosexual history, but those who are looking for a fuller understanding of Japanese hitory.

The history of Japanese homosexuality is full of references to males dressing up as girls and serving powerful men in submissive relationships. Evidently bisexuality was the prevalent norm for Japanese MEN as almost every shogan has several 'beautiful boys' in addition to the women they kept. Many were exclusively devoted to beautiful young men---almost always dressed and acting like girls. This theme practically defines homosexuality in ancient Japan...the Japanese word for homosexuality was NANSHOKU which is loosely translates to english as "Male Colors". Nanshuko was so consistent in it's expression for so many years that it almost qualifies as a artistic expression or preference.

"Bishounen means not only cute, harmonic, lovely boy features but refers to the open feminity of a boy, and the way he can be associated to feminine beauty and delicacy. It involves the heavenly face whose beauty is deeply androgynous though boyish enough to remind us of his male gender, the curvy hips, legs and butt the standard bishounen soprts and make him attractive to both sexes, the evident delicacy of manners and personality and, most important of all, the homosexual tendencies the boy shows by liking other, more masculine males."

It is amazing that this expression of homosexual desire would exist so long in Japanese history even into a modern Japanese anime genre called "Yaoi"

Not many scholarly works read well, but this one does. Even if you are not a student of Japanese history and culture, "Male Colors" is a pleasure. Yes, there are sections with a lot of Japanese names (particularly when the author cites a string of sources), but by and large, this work is very accessable to us mere mortals who are interested in the history of same-sex love.

Initially, as the author describes, same-sex love in Japan was something practiced by elite groups: first the Zen Buddhist monks who are believed to have imported the practice from China (a curious notion because this also carries the connotation that homosexuality came from "some place else") and then the samuri elite. While factors such as the lack of eligible women may have contributed to the general acceptance of bisexuality, many, if not most, of the practicers of nanshoku had deep emotional ties to their partners. But as urban life began to grow, nanshoku was popularized through a combination of the kabuki theater and the commercial sex enterprises that cropped up.

Also interesting were all the examples of art depicting nanshoku, some of it quite ribald and most of it graphic. But that just lends more weight to the notion that there was no stigma attached to boy love during this period in Japan, at least not a universal stigma; it was quite nearly universally tolerated and any effort to control nanshoku usually was to control violent fights over popular boy prostitutes rather than a governmental decree against homosexual sex.

The book is heavy on male sexuality with little mention of lesbianism, but that's hardly a surprise considering most cultures tend to be strongly patriarchal and it is the men who record history. And as usual, it appears that it was through contact with the West, particularly with Christian missionaries, that the practice of nanshoku was eventually shunned into the crepuscular corners of Japanese culture. More evidence that if there is harm caused by same-sex activity, the harm is caused by a prudish societal mentality orignating in a rigid Judeo-Christian ethic that thrives on domination and guilt.

Gary Leupp's research was clearly thorough, and his end-result benefitted greatly from it. Although I already knew of both the monastic and samurai traditions of same-sex pairings, to see the extent to which this permeated Tokugawa society was fascinating. It also gave strong argument to the constructivist theory of homosexuality, which, when considered alongside biological factors, makes for a coherent picture of sexuality in society. It's clear from the work that more research can and should be done: same-sex pairings among women, and the shift from the Tokugawa to the Modern era in Japan and the resulting changes in sexuality would make for excellent books as well. One curious thing is the appendix of glossed terms in Japanese, Chinese and Korean. I for one would have appreciated more than a vocabulary list; if the notes in the text had contained the original language versions of his text, I'd have been happier.

I bought this book last year when I was doing a study on the construction of modern Japan, and I saw this book and thought it looked interesting. I didn't end up reading it until a few months ago, but once I started it I didn't put it down. This is a really interesting and accesible book. Although it is filled with lots of information, it is well written so that it flows along like a novel. It is easy and interesting to read, without being clogged down with lots of scientific and research terms. Although the topic of Japanese homosexuality isn't one that I have studied too intensly, I found this novel to be very interesting and I think it gives an excellent over-view to the subject.

We checked this book out of the library and our 5 yr old daughter just loved it! I like it because it's clever, quality literature for little ones that makes all ages laugh. The illustrations are also fantastic and add wonderful depth to the humor.

I had this book when I was younger- I'm 20 now. I was thinking about a story I read when I was younger about a couple who moved a mountian (or at least thought they did). I also remembered the Reading Rainbow rendition. I searched all over the Internet for the title because I no longer have it, or can't find it. Then I remembered it was a Scholastics! book. Here it is 10+ years later and I still want to read it.

Ming Lo and his wife love their home, but not that their house is at the bottom of a big mountain, which caused them nothing but unhappiness. Their roof always had holes from falling rock. It rained often under the mountain and with a roof full of holes it meant their rooms where damp and when the sun did shine it's warmth warmed the house and it was difficult to grow anything.

One day Ming Lo's wife told him he must move the mountain so that they may enjoy their house in peace. Ming lo replies that he's just man, how can he move a mountain? Ming Lo's wife knows of a wise man who lives in the village and tells him he should go and ask this wise man. And so Ming Lo does. Each time doing exactly as the wise man tells him and each time the mountain did not move. Finally the wise man told Ming that he must take his house apart stick by stick .They would carry these bundles in their arms and on their heads, and then face the mountain and close their eyes. Next the wise man said you must dance the dance of the moving mountain. You must do this for many hours and when you open your eyes you will see the mountain has moved. So Ming Lo and his wife did as they where told and when they opened their eyes... the mountain dance had worked and the mountain was now far away!

Arnold Lobel has a beautiful book with soft colored drawing! A great book to have as part of your childs' library.

what I liked about the book was that it was kind of funny. Because ming lo had to go back and forth to his house and to the wise man .But the wise man always told the wrong thin like to give some bread because the mountain might be hungry and thats why it didn't move.And also like to hit the montain with
wood and make alot of noise, but at the end the wise man told
ming lo to take all his stuff far from the mountain and they
were never have problem with the mountain agin.

Ming Lo and his wife live next to a mountain. The mountain constantly drops rocks on their house; clouds form at the peak and rain falls on their house (through the holes the rocks have already made) and it blocks the sun. Eventually, they have had enough!!

Ming Lo's wife sends him off to the village wise man that first tells them to run at the mountain with a large pole-this will knock the mountain far away. Of course, it doesn't work, so Ming Lo returns to the wise man many times to ask his advice. Each suggestion grows more and more silly until the last one that actually works!!

Mr. Label is most well known for his Frog and Toad books. The illustration style is similar with "Ming Lo", sharing similar muted colors but with softer outlines. The pictures highlight the foolishness of Ming Lo and his wife as they bang pots and pans at the mountain to scare it away or bring food to the summit to appease the mountain god. The wise man is an amusing character, sitting under a small pagoda in purple robes smoking a pipe (he produces more and more smoke each time that Ming Lo comes to ask him questions, to the point that he can barely be seen).

The story is easy to read and fun without being ridiculous. It's an excellent book for beginning readers and will keep children interested as they read on to find out what Ming Lo and his wife will be up to next! Highly recommended.

I read this book and watched the Sagwa TV series and I want to see more stories by Amy Tan aimed at children.The two stories are well written and in my opinion would recommend it to all parents even though I am not one.The best thing I like the two children's story Amy Tan wrote is that they keep you glued to them.Thanks Amy for the two good stories and I want to read more of them.

Beautiful illustrations will entrance children of all ages as Amy Tan shows she can entertain both children and adults.

Amy has shown she can captivate children as well as adults. Her illustrations are beautiful and wonderful and my 5 yr old daughter loved them as well. Wonderful story.

In The Moon Lady, Amy Tan author of The Joy Luck Club and The Bonesetter's Daughter, presents a small tale for young children which adults will also enjoy. Focusing on a story set in China, Tan brings her wealth of knowledge about China and its folktales as well as her love for this country and its traditions. In addition, the illustrations by Gretchen Schields add a wonderful dimension to the story since readers can also visualize the tale by viewing these pictures.

On a rainy day as grandchildren whine that they can't play outside their grandmother tells them a tale based on her own experiences as a child. Using this method Tan provides an allegorical tale concerning children and their wishes. Telling the children of her wishes as a young girl, Ying Ying tells the children a story about her own wishes at the times of the Moon Festival. And as all folk tales provide, Tan is adept at providing her readers with an adventurous tale compete with the mysterious Moon Lady and a moral to the story.

This is a good book for young children who cannot only learn about the Chinese culture but the saying "Be careful what you wish for." I also recommend this book at any age since it is also important to remember this as we move on in life.

Researchers constantly find that reading to children is valuable in a variety of ways, not least of which are instilling a love of reading and improved reading skills. With better parent-child bonding from reading, your child will also be more emotionally secure and able to relate better to others. Intellectual performance will expand as well. Spending time together watching television fails as a substitute.

To help other parents apply this advice, as a parent of four I consulted an expert, our youngest child, and asked her to share with me her favorite books that were read to her as a young child. The Moon Lady was one of her picks.

Adapted from Amy Tan's best selling book, The Joy Luck Club, The Moon Lady is a perfect book for encouraging children to read with and talk to their grandmother. The book also very subtly encourages children to take more responsibility for their own lives. The story provides a model for parents and grandparents for how to create their own stories to help children learn important lessons.

The story begins as three girls, Maggie, Lily and June, are bored because they have to stay in on a rainy day and can think of nothing that they want to do. Their grandmother, Nai-nai, is with them. Nai-nai tells them a story about when she was a young girl in China, and she ran and shouted and could not stand still also.

The story is about the day she told the Moon Lady her secret wish. Then unfolds a wonderful story of a young girl's adventure on a special trip to see the Moon Lady. Along the way, she sees many things she has not seen before, falls overboard, is rescued by a fishing family, and finds her family again after meeting the Moon Lady. In the process, she has one of those epiphanies that make all of our lives better -- that she is in charge of creating her own future.

The story is filled with references to family bonding and what is and is not proper behavior. The story also shows what family life was like for a somewhat well-to-do Chinese family in China at the beginning of the 20th century. These references are made all the more realistic by a wonderful series of drawings by Gretchen Schields with bright colors, beautiful detail, and authentic depictions of the China of years ago. It's almost like living a beautiful dream.

Then Nai-nai takes her granddaughters out to dance in the moon after the story is over.

Of all the children's books I have read, I place this one in the top ten for the 4-8 age category.

A central problem for many children today is that too much television, too many structured activities, and too little free time leave them feeling lost when nothing is on the agenda. Our misconception is that they need regimented lives like those that soldiers lead to fulfill their potential. This book will encourage you to readdress that misconception, and focus on how to make your children more competent in thinking about others, being more independent, and designing their own beneficial activities. That is all very important to actually unleashing their full potential. When you are done, think about how perhaps your own life needs a little improvement along these same lines.

Enjoy!

Donald Mitchell (donmitch@2000percentsolution.com)

"Next of Kin" is a remarkable first-person memoir that reads like a novel. Tom Reilly's story will take your breath away, whether or not you accept all the details. This is not another war story that revisits battles and the soldiers who fought them. Instead, this is a coming-of-age story that is catalyzed (but not defined) by the Vietnam War. Thanks to clean, straighforward writing, Reilly's story is a breeze to read. Critical readers may wish to see additional corroboration or evidence of this harrowing journey. The more casual reader will take it at face value and may appreciate the brotherly bond that made this story possible. May we all be so fortunate to experience such devotion.

Just a great story about the caring relationship between two brothers, about love and commitment, set in the era of Vietnam.

An adventure that covers half the world by an 18 year old from the midwest who lost his brother. He had to know what happen and it was clear, it was not war reltated.

This was a great read, a story that was hard to put down at night and when the book was finished, I felt like I lost a
friend.

The book is outstanding. I had my daughter pick me up a signed copy because the author lived in my town and I have always been interested in Vietnam as it was from my era.
I had no idea that I would be so enthralled from the very first page. I feel like I know the whole family and recognized all the places that the author speaks of. The pain and courage of both of the brothers reached out from the pages into my heart.
This book was so great I hated to have it end.

What a great story. What a dedication to a brother. we all could learn from this man. This is what family is all about. I highly recomend this read to everyone.

I am a woman in my early 40's and don't usually read books on war or enjoy hearing about war, but I couldn't put this book down. It was written so well that I couldn't wait to find out what happened next. It begins with young Tom Reilly, losing both of his parents and how his brother, Ron, was a constant in his life. Tom, at the age of 19, goes to Vietnam to find out the truth about his brother's death and his "adventure" over there. Tom has written a wonderful, loving dedication to his brother that will touch each and every person that reads this story. It doesn't matter if you are a man or woman, young or old, this is a book you'll want to read. You'll have such a good feeling when you finish.

This remarkable tale appeals to all ages. It's about the wisdom that comes from reflecting on history, the value of courage in facing one's fears, and the importance of love. Best of all, it features an artist who happens to be Chinese and demonstrates that "the brush is mightier than the sword," even in "slaying" a dragon.

This is a lovely story on multiple levels with a visual presentation that captures the attention of young children. I've been reading many picture books to my little one and it's always a pleasure to find a book that honors their innate intelligence and provides a positive message. I find it one of those rare gems that delights the young and more mature alike.

This is the most wonderful children's book I have ever read. I loved it and my seven year old daughter loves it also. It tells a wonderful story about Chinese culture,love and courage. The illustration is absolutely beautiful!I've recommended it to many friends with children.

The Paper Dragon has captured the heart of all the readers I have given copies to (I am on my eighth copy). The story of a humble artist sent to task against a fierce dragon, is portayed colorfully in word and pictures. The gate style print of the pictures lend themselves to become an intergral part of the storyline.

A touching lesson is given to us all, when we find that the dragon is thankful to be released from his reign of terror, and allowed to sleep again. I have heard my five year old tell the story to her friends.

This peaceful story is a lovely way to introduce another culture to young readers, and Robert Sabuda's artwork is beautiful. Mi Fei is an artist who is content to paint scrolls and live within his community until the villagers hear that a dragon has awakened to threaten the countryside and nominate him to face the foe. After a long journey, Mi Fei finds the dragon, who offers him a series of riddles/challenges to perform. Sabuda, better known for his pop-up masterpieces, brings the story to life with breathtaking images of vibrant color and flowing imagery.

Wonderful tale.

I found this book very interesting and educative. Not only did I get to see some magnificent photographs, I also got to learn some about the history of Japan.

This is a book about a very unfortunately forgotten era of photography. The Early works of the great photographers in Japan is finally brought to the general public and now we can see photos that we would have had to go to Japan to view. The Author has done exceptional research in getting the proper attribution to the correct photographers. I would now like to see a second volume from 1912-2007.

This book is for anyone who enjoys old photographs of other cultures. A collection of photographs that will never be seen anywhere else. The text is well done discribing all aspects of each photo. Great Book!!!!

Japan's change from a feudal society to a modern state is captured here in photos that cover its pivotal transitions between 1853-1912, when Commodore Perry compelled the reclusive nation to open its doors to the world. Some 400 old and vintage images from the period have been culled from museums, libraries and private holdings around the world - over half appear here for the first time - and thus no collection, even the most extensive Japan historical holding - will be duplicating by purchasing the 'must have' Photography in Japan 1853-1912. It will reach both specialty art libraries and college-level collections on Japanese history and culture alike.

Many of us have grown up on the myths of Japan, on the fairly tale land of samurai and geisha, of castles and 10 foot square huts. Like the knights of Europe, it can be hard to distinguish between the real living beings and the legends. However, fortunately for a brief moment the ancient and the modern intersected, and cameras were able to capture a feudal society on the brink of change. Cameras are like time machines. One little click of a button, and a small slice of the past is captured and preserved, opening a window from then to now, and allowing modern people to experience something so far lost as to almost be unreal. While they seem to be relatively modern inventions, cameras have been around for over a century, and the images captured from so long ago are a fantastic treasure.

"Photography in Japan 1853-1912" is much more than just a picture book, however. It is a complete education on the history of photography in Japan, from its barren beginnings to its flourishing boom as the country modernized and a craving for Western technology meant a constant demand for new equipment and skilled photographers. Absolutely everything is here, including the earliest known photograph of a Japanese person, a castaway rescued by sailors, as well as impressions from Eliphalet Brown Jr., the official daguerreotypist for the Perry Expedition. This could easily be a college text book, and its depth and breadth of knowledge is astounding.

But for those less than interested in a history course on photography in Japan, and just want to be blown away by the images, it also has exactly what you need. Gathering the best of 50 worldwide collections, over 350 images show the ancient Japan of our dreams, with full-page, hand-colored images of samurai in their finest armor, and beautiful geisha in their most expensive and extravagant costumes. Some of the photographs would be impossible to achieve know, like castles uncluttered by power lines and parking lots. Not that everything is just posed work. Several photographers of the time were interested in more photojournalistic "slice-of-life" shots, showing people going about their daily business blissfully unaware that these stolen moments would be studied and appreciated in a book over a hundred years into the future.