Africa Books

"A Handful of Summers" is the most informative and entertaining book on tennis I've read.

But the 1997 HarperCollins edition is dreadful: the paper quality is poor, and -- most importantly -- all the photographs are missing. I was so disgusted with it I returned it to Amazon and bought a second-hand copy instead.

The five-star rating is for the writing, not the edition.

Be warned.

I think this book was named the best book on tennis by some or other panel. Though I have not read all that many books on the sport, I cannot imagine a better book on tennis, or any other sport for that matter. Forbes is a delightful author, writing with gentle wit and charm about his childhood on a farm in the Eastern Cape, his tennis career and his life after tennis. Reading the book it is impossible not to mourn the passing of an era when sport was played for the enjoyment thereof, and sports star were friends.

A book that should be read by everybody, not only people interested in tennis or sport.

Gordon Forbes has captured the essence of what sport used to and should still be. From South African farmlands to the lawns of Wimbledon "Forbsie" paints a humorous picture of tennis in the fifties and sixtys. The cast of characters become personal friends and the author like a big brother. A Handful of Summers is among the classics on my bookshelf.

This is a journey through one man's life in an era so different from today. An insight into the world of 'amateur' tennis and its twists of professionalism. An era when tennis was played for the joy of the game, travelling, a varied existence, and a lack of anything better to do!

This traces the realities of life on the tennis tour in the 50s and 60s and the ups and downs which went with it, especially given that Gordon Forbes was from a culture as complex as that of South Africa.

This books gets you really involved in the lives of some of the greatest tennis legends of all time, and others who strove to reach their heady heights, but never quite made it to the top! This book contains so much passion and honesty that it draws you in. You can almost believe that you are right beside these tennis greats, treading in their every footstep, hearing their every breath. You feel as if you grew up with them, laughed their every laugh, and suffered their every defeat.

This is a must for every lover of tennis, and should not be written off by those who have no interest in the game. This is no ordinary tennis chronicle.

Deon Meyer's American debut novel, HEART OF THE HUNTER, is a first-rate thriller, worthy to be on a bestseller list. Not only does Meyer write a fast-moving story, he also acquaints his readers with the landscape of South Africa. He writes suspense that moves quickly and delves deep into the heart of his characters. They jump from the page and involve his reader with immediacy. Meyer invokes sympathy for minor characters as well as his protagonist, Tiny Mpayipheli.

Tiny is a six-foot three strongman, retired from a life of killing for hire to that of a mechanic in a motorcycle shop in a small town. He lives with the woman who changes his life, Miriam Nzululwazi, and her son, Pakamile. All three are drawn into a spider web of life changes that none can control. Tiny's former life seeks him in the form of an old friend, held captive by persons unknown, who is desperate and contacts the quiet giant.

In 1984, the complicated government of a South Africa that has emerged from its struggle for independence is the undercurrent for Meyer's plot. Distrust among competing agencies leads to players with ambition seeking their own dynasties within government departments. Prime among these is Janina Mentz, officer in charge of the Ops Room's special unit of the National Intelligence Agency (NIA). Her agency intercepts a phone call from Tiny's friend, Johnny Kleintjes, to his daughter and rolls into action. Mentz's mission is to stop Tiny from delivering a disk, believed to contain sensitive government information. Mentz calls on the diabolical Tiger Mazibuko, a marine officer with no scruples, for help in the Ops mission.

Tiny's skills as a former assassin and KGB operative come into play when he sets forth on a stolen BMW motorcycle across the Cape country to deliver the tape and rescue his old friend. Adrenalin long suppressed by his present pastoral life bursts into activity when he leads his pursuers across the South African veld on a chase for survival. Meyer's description of the terrain makes his audience a part of the story, cheering for Tiny's success and the return to his new life. But we want to witness the strength and skill he possesses as part of the old. We're not disappointed.

HEART OF THE HUNTER is a wealth of information about South Africa's struggle, disparity within her infant government and identity crises in both public and private sectors. Meyer's capable scripting weaves images with identity and blends the two with incredible skill. Chapter breaks blend portions of the story into a continuous thread that connects the characters through common word bonds. For example, Tiny waits for the subject of his first assassination. "The door, dark wood, was shut again...This was not the way to wage war...not right." A section break follows. Then, "There was a bar on the door, white letters on a green background that read PUSH/DRUK, and Miriam obeyed...She realized she was in a dead end."

HEART OF THE HUNTER should be in strong demand in the American market. We'll look for more from this outstanding author.

--- Reviewed by Judy Gigstad

In Cape Town, South Africa, former freedom fighter (or assassin depending on which side you supported) during the "Struggle", Thobela "Tiny" Mpayipheli has become a dedicated family man. He contentedly works at a low paying job because he looks forward to going home every night to his beloved Miriam Nzuluwazi and her son.

His violent past returns when a distraught Monica Kleintjes informs him that his old compatriot in arms her father Johnny needs his help. Tiny owes Johnny so when Monica asks him to deliver a disc to terrorists because if they are not handed over to them by a certain time they will kill her father. He accepts the mission bur the CIA, al Qaeda, the government, and other agencies also want the disk. Killing a retired assassin to obtain what they want is fine by everyone involved as Tiny learns how perilous a friend in need is and how deadly competition can be to the "supplier".

This exciting post apartheid and 9/11 thriller never slows down especially when everyone seems to be chasing after Tiny (actually he is sort of a South African Little John) fleeing on a stolen motorcycle. Tiny is a terrific center of gravity as he keeps the tale moving and focused while the support cast either enables a deep look into the HEART OF THE HUNTER or want to kill him. Cape Town and the surrounding countryside make a fabulous background to the escapades. Though over the top at times, Deon Meyer provides an action packed suspense thriller starring a fabulous hero.

Harriet Klausner

Thobela Mpayipheli is an African giant, ex-spy, who is now living with his fiancé and her son in a small town in South Africa, called Guguletu. He has vowed never to go back to his old life, but his peaceful existence is broken when Monica Kleintjes, the daughter of one of his dear friends from the past, asks for his help. Johnny Kleintjes has been kidnapped and will only be released upon the delivery of a disk containing information that is crucial to national security. Kleintjes gathered this information when working in an integration project in an effort to document the real history relating to the events that took place in the dark era of the Apartheid.

Thobela, or Tiny as his friends call him, is a mysterious man that shows great kindness at moments, and cold-blooded violence at others. In a world when everyone wants to see things white or black, he presents a solid gray. This can be clearly appreciated by the reaction of the people as he goes on his quest, mounted on a powerful motorbike. Some see him as a hero, while others regard him as a dangerous man who cannot be good because he used to work as a "collector" for a drug baron. There is one reporter for the Cape Times, Allison Healy, who tries to answer the question: Is Tiny good or bad? This will provide us with valuable insight regarding the main character, but: can the question be answered with certainty?

One would thing that helping a friend that has been kidnapped would be hard enough, but Thobela has other problems too. Janina Metz, a high ranked officer in one of the intelligence agencies, had a wire that allowed her to listen to the conversation between the kidnappers and Monica. Therefore, she activated a special forces group led by a violent and vicious captain named Mazibuko. The idea is to prevent Tiny from delivering the information to the kidnappers. Thus, he is drawn into a mission filled with dangers and violence; a mission in which he will be faced with a worthy opponent in the relentless captain Mazibuko.

The exotic setting, the cleverly crafted plot, the exciting action, and the rich and complex main character, make this a novel that has it all. Deon Meyer has created a real masterpiece that is not even one notch below the work of some great authors in the genre, like John le Carré. I will be eagerly looking forward to this Meyer's new book!

A man contacts an old friend asking for his assistance; with that one action, a government agency is set in motion, tracking all activity, assessing security and setting safeguards in place, so finely tuned as to be error-proof. In one simple act of acquiescence, lives are irrevocably changed.

A society is defined by the agencies that conduct the business of the people. Developed by the South African Presidential Intelligence Unit (PIU), designed from an intelligence-specific prototype, the Reaction Unit (RU) falls somewhere between a counter-terrorist organization and hostage rescue unit, similar to the British Special Air Services. The creators of the RU have dark dreams of redemption from a shameful past in South African human relations and, given an opportunity to prove the superiority of the unit, envision new beginnings for a country struggling to redefine its political and social systems.

Thobela Mpayipheli, a six-foot-three giant of a man with a gentle heart, has finally found contentment in his life, living quietly with his woman and her young son. A former member of Umkhonto we Sizwe ("the spear of the nation"), part of the black resistance when South Africa was fighting for racial balance and equality. Thobela, AKA Tiny, has made a covenant with himself and those he loves, putting the violence forever behind him. But when an old friend from the past makes a request, it is a call to honor that must be met. Thobela must act as his conscience dictates, aware of what is at stake when he allows his natural instincts to resurface. Tiny is the unknown quantity in the equation, the one man to test the raison d'etre of the RU.

Like all bureaucracies, once set in motion with agendas activated, everything proceeds as planned, inexorable. Regardless of nuance or human complications, these pseudo-machines are incapable of subtlety, or changing plans to adapt to exigent circumstances. Whatever and whoever is in the way is simply collateral damage.

"Contact. Action. Control." Protect the State at all costs. The action man of the Reaction Unit is Tiger Mazibuko, who lives for the thrill of the chase and a worthy opponent. He's been training his team relentlessly, preparing for just such an opportunity. Mpayipheli is the perfect adversary, a man who challenges all the skills Tiger has honed. As long as Tiger's supervisor, Janina Mentz, dehumanizes Mpayipheli, Tiger can behave dispassionately, impossible to stop. Meanwhile, Mentz sits in the catbird seat, answerable only to her Director, watching the machinations as the RU goes into overdrive, tracking Mpaypheli. This is a high-stakes chess game, and it is deadly serious.

The contretemps between man and "machine" balances in fragile stasis before chaos erupts and the forces collide, uncontrollable. Special interests, driven by self-preservation and pride, are motivated by the arrogance bred of power, corrupted, a somnolent decay that destroys the integrity of the agency itself. Meanwhile Mpaypheli's only desire is to fulfill his mission and return home, but circumstances conspire to isolate him, returning him to that state of existence he inhabited when he was a killing machine.

Meyer's complex characterizations are excellent, introspective and compassionate, revealing the underlying humanity that is at war with rigorous indoctrination. These people are multi-faceted, troubled, dealing with the demands of duty vs. personal integrity. Meyer uncovers the layers that form the whole of the human heart and the violence that destroys innocence, fomenting intolerance and distrust. Luan Gaines/2004.

As Hinge fo Fate opens in early 1942, The Japanese had just destroyed most of the American fleet at Pearl Harbor; Japan was about to drive Britain from Southeast Asia and (perhaps) invade Australia; German and Italian troops under Romel were about to invade Egypt, and Stalin's Russia was under attack by the German Army, which had completed itsoccupation of virtually all of Europe, from France to Norway, Lithuania to Greece. Parliament was calling for Churchill's head. This was a true world war (contrast, Bush's War on Terror)--and Britain was losing.

Churchill's reaction--the entry of America and Russia into the war as Britain's allies guaranteed that the Allies would ultimately win--Britain, US, and USSR simply had greater resources than Germany, Japan and Italy. Thus it was only a matter of time.

The attack by Parliament was a sign of a healthy, strong democracy--as Churchill said, how many countries had strong enough political institutions to allow this type of no holds barred debate while under attack, and still survive.

And survive they did. The first half of Hinge of Fate describes a series of worldwide disasters, unbroken by a single significant Allied victory. Then came the legendary battle of Alamein--where General Montgomery beat Rommel, the Allied landing on the north coast of Africa, the US Naval victories at Midway and in the Coral Sea, and Russia's effective resistance against the German Army at Stalingrad and in the Caucasus Mountains.

By the end of 1942, it was not yet clear that tha tAllies would win, but they looked a whole lot batter than they did at the beginning. Along the way, Churchill gives us his impressions of the politics involved--both internal British, within the larger Commonwealth, among the Allies--and particularly his relationship and struggles with Stalin--and the tension between the British (focused on Europe) and the Americans (pushing for more resources to fight the Japanese in the Pacific).

Hinge of Fate continues Churchill's inimitable style, mixing contemporaneous, detailed, memos, telegrams, letters, and directives he wrote, the responses he received, connected by new (in 1950) commentary by Churchill himself. This makes no pretesne at being an "objective" or multi-focused history of WWII. It is clearly, and exclusively, the war from Churchill's unique perspective. But, what a perspective!

Winston Churchill was remarkable, as much as for any other reason, for the sheer volume of words he produced. In a long life, during which he was often preoccupied by both family matters (he had four children) and matters of state, he nevertheless found the time to compose an inordinate number of books. I say compose, because he perfected a system during the first war, which revealed its efficacy more than ever in the second, of working through secretaries. There are many odd anecdotes told about Churchill, not the least of which is that his secretaries, sometimes working in rotation throughout much of the night, were obliged to attend to him and take down what he said, even in the bath. This way of getting the material down in print proved to be very effective, as the tens of thousands of published pages of his work amply demonstrates.

His long history of the Second World War continues with "The Hinge of Fate." Although he was personally assured that the American entry into the war meant the ultimate defeat of Germany, he still had to see to the day to day running of the war machine, and counter the perverse effects of both German victories and British pessimism. Now began, as well, the long battle with Stalin about opening up a second front in France, to take some of the heat off the Russian armies in the East. In fact, his relationship with the Russian leader is one of the most interesting sources of anecdotal references throughout this series.

This is history being well told by a man who was, while perhaps not a trained historian as such, so steeped in the history of his family and his country, that he an utterly unique point of view. The fact that he was also a central figure in the war itself, means that we have, if you like, a one in a million chance victory on our hands, as though we had just won a lottery of sorts, by being able to read him.

Churchill's fourth book, `Hinge of Fate', covers the time period from January 1942 to June 1943. The Japanese, after Pearl Harbor, were advancing through the Malaya peninsula and onwards towards Singapore. With bold offensive strokes Hong Kong, Burma and Singapore were soon in Japanese hands. In the Atlantic, U-boats were taking high tolls in allied shipping and soon the British, Dutch and Americans were being run out of the Pacific. The gains in the African desert were soon lost as Rommel regain the offensive and retakes Benghazi. Churchill now faced censure at home and soon he needed to reorganize his Generals. Hitler was pushing forward on the Eastern front towards Stalingrad and many setbacks were shifting the balance.

This volume is well named as there is much offensive and defensive struggles going on in the Pacific theater, the African desert and the Eastern front. All three Allied countries were up to their necks in trouble, and the Axis forces still had the upper hand. It wasn't until Alamein, on the African coast that the hinge turned in favor of the Allies. Churchill states that "Before Alamein we never had a victory. After Alamein we never had a defeat." Some of the most interesting parts of the book are Churchill's relationships with Stalin and FDR. Much has been written about these and it is nice to get Churchill's views and opinions about these men and the struggles they faced. Churchill acted, in many ways, the diplomat and statesman greasing the way between the Allied powers and paving the way for Torch (French North Africa), Bolero (Administrative preparations for invasion of France) and soon Overlord (France liberation 1944). Stalin wanted the Western front cross channel attack, of German held France in 1943 as planned, but because of the efforts on the African desert it wasn't until 1944 that Overlord was able to take place. Churchill needed great diplomacy and FDR's help to convince Stalin of the inability to make Overlord work in 1943.

It is great to read Churchill's rendition of this time and place. He was right in the middle, and at this time, still in command of the allied war effort. Well worth reading and adding to the history shelf.

Because he was writing for a population that had lived through World War II and knew its facts, Churchill's 6-volume history of that time can be more than a little daunting for contemporary readers. His is a kind of top-down history that approaches unconscious autobiography: Churchill seems to feel that reproducting his memos, letters, and "minutes" -- in painfully small type -- will provide the reader with all the info necessary to completely know and understand the war. Of course we know it ain't so; Cornelius Ryan, John Toland, and Stephen Ambrose, just for starters, have written far more accessible and comprehensive histories that present a variety of viewpoints and don't gloss over difficult or unsavory moments. Instead, one should read Churchill in order to read Churchill-- in order to enjoy the company of that most remarkable statesman, in order to savor his impeccable prose and snicker at his wicked humor, in order to marvel at a life that began in mid-Victorian times and ended in the heyday of the Rolling Stones. The man's prescience was uncanny, not only in recognizing the evils of Hitler long before any other world leader, but in comprehending the nature and extent of what was then a genuine Soviet menace. Despite his anachronistic attitudes about people of color, Churchill was no racist; he simply lived in his world as we live in ours, and his story is an object lesson for the present. How much of what we now revere as received truth will be questoned, even debunked, 50 or 60 or 70 years from now? Yet authenticity and honesty will always last longer than glibness and flash, and Churchill has more a & h on one page than the easy-to-read historians have in their entire oevre. I'm afraid our puny and wan little world, so beset with its infantile fears and carefully nurtured insecurities, gooey with political correctness, dizzied with the hoohaw and the yelping of the media, is now far from capable of producing such a giant. Young Winston would be given Ritalin in school today and taught that white males like him are born evil. To paraphrase "Buffy the Vampire Slayer," he saved the world -- a lot -- and he did it with the English language.

Even as a child, and as an African, I have always been interested in the TRUE HISTORY of my continent not told by the so called conqueror, which has always shown people who rebel in a disgustingly bad and unture light. Especially the american majority, who somehow get amnesia regarding the how and why this STOLEN LAND got its so called democracy.
Once again, this book is very detailed and tells how and why really the ENTIRE CONTINENT OF AFRICA, was inflicted with dirty politics (GOLDS,DIAMONDS, MINERAL WEALTH, ETC.),for the ill gotten gaines and total disregard of the indgenous people by europe and the united HATES of america.ESPECIALLY THOSE OF COLOUR.

As a professional legal historian with an interest in both social history (I was nurtured in "Warwick school" historiography) and in colonial legal histories I have a strong professional interest in the subject matter of David Anderson's account of the Mau Mau period in Kenya. The book is first-rate in all respects.

It is more than this however. Thoughtful and learned, it nonetheless reads beautifully.

The book resonated with my own family history however - as it will for many readers around the world. Born into the British Empire of the 1950's, I was raised in a British settler society (Canada), saluted the Union Jack in school each day, and heard stories of Dominion and Empire as I grew up. The British Empire was the best of all possible Empires and its treatment of subjects more humane than others (the USA "Indian Wars" provided particularly strong contrast for one raised in the prairie west). Part of an Irish diaspora family, my cousins lived and live in the old country but also in Canada, Australia, the United States, and New Zealand. One uncle lived out his days in India and one black sheep dedicated herself to a communist liberation of Ireland (another served Scotland Yard arresting suspected IRA terrorists: I think they never met).

Anderson's account of Mau Mau is disturbing, not just for explaining the violence on all sides and the state excesses conducted in the cause of "security" in times of "terror", but for its account of settler society in a colony where the "native" was in the numerical majority.

Ever-smug, Canadians are too prone to celebrate our country's commitment to civil liberties, human rights, and anti-racism. The parcitular features that make Kenya's "White Highlanders" (as the settler society was known) seem vile, however, are features also present on both sides of the border in North America: the first-people's deprivation of lands; the denial of customary entitlements long-established under native law; the refusal of one generation to acknowledge the wrong-doings of their testators; the insistence on non-native political control; and subtle and not-so-subtle racism directed against the lands' first inhabitants.

Though the reader is drawn at every juncture to critical judgment of "White Highlanders", and - by necessary implication on the part of anyoone locating the book in its temporal and spatial context - white Rhodesians, and the creators of South Africa's apartheid state, no descendant of immigrants to any "settler land" can fail to recognize that their own status bears more relation to the "White Highlanders" than to the "native" victims of colonization.

HISTORIES OF THE HANGED is must-reading for settlers and their children everywhere.

Read against the background of telling classics such as Harold Cardinal's UNJUST SOCIETY, it is informative and disturbing in equal measure.

W. Wesley Pue,
Nemetz Chair in Legal History,
University of British Columbia

This expose of the English colonial history of Kenya does a good job setting the record straight on some key issues, and brings to light the suppressed shadow side of the endgme during the period of the Mau Mau. The infamous reputation of the Mau Mau always deflected attention from the totally inept and repressive nature of the last hurrah of the colonialists in the sunset of the British Empire. The colonialization of Kenya was ill-conceived and predatory from the start, and the whole history was a riddled with a set of contradictions, such as the artificial creation of the exploitative white settler culture dooming Kenyan development from the first. You cannot let loose such a gang of people such as the white settler crowd, poor white trash in a true sense, without the rapid appearance of a malignant culture and infrastructure. This account brings to light what was quickly downplayed, the massive repression of the Kikuyu during the Emergency, with the creation of acutal Gulags. The depiction of many of the judicial processes of the period, including the trial of Jomo Kenyatta, is of a mockery of justice. The Kenyan style colony was really an instance of the Empire in decline from its nineteenth century peak and at least the British had the sense after Suez not to prolong the inevitable. See also _Imperial Reckoning_, by Elkins

With the fracas about the American prison at Abu Ghraib in Iraq, one could read this book for a different perspective. It looks back at the anti-colonial rebellion in Kenya after World War 2. Best remembered in Britain and the US for the depredations of the Mau Mau. Who were demonised as the terrorists of the 1950s. A war against the Mau Mau was portrayed as a war between civilisation and savagery. See "The Hunt for Kimathi" by Henderson, as an example of the British viewpoint.

But the book writes of a different reality. The Mau Mau were only part of the manifestation of a people rising up against European colonialism. The British resorted to harsh tactics, including the detention of 70 000 Kikuyu, without trial. Here in the text is another and different account of the Kenyan struggle. Independent of the British government, and sympathetic to the Kenyans. Not that the author holds any brief for the Kenyan-style socialism which Jomo Kenyatta pursued after independence.

As the title alludes, the book gives unstinting coverage of the death penalties handed out by the British, in a valiant but futile attempt to hold back the tide. The book reminds me of how in the late 70s, in Perth, Australia, a local newspaper interviewed a white bloke who had been one of the hangmen in Kenya. His job was to execute the convicted guerrillas. But not just hang. Often, the shock of the drop would decapacitate the head. And, in any event, the bowels would evacuate. He had to clean up the mess. "A loathsome task" and "nothing like [what] the movies" depict about the gallows.

To be fair to the British, they were at that time also executing people in Britain by hanging. Albeit in far smaller numbers.

As a homeschooling mom, I highly value books that inform my child about historical facts, while captivating them with exciting stories. I highly recommend this book as a supplement to any Egyptian studies. Written in "newspaper format", it is a joy to read aloud to my children. Using imaginative headlines and wonderful illustrations and photos, this book has definitely captured my child's attention. The plethora of historical facts presented are accurate and entertaining. I would recommend this book for children between the ages of 5-12.

This is a wonderful book that written in a News form. The information are incredibles. I totally think that this is a great book for anyone who is interest in Ancient Egypt.

This book presented some events from Egypt's history in the form of newspaper articles. It was a very creative way to give children an introduction to Egyptian history. It presented lots of interesting informationa, and also some neat pictures. This book is good at sparking a greater interest in history in children while entertaining them at the same time.

This is a delightful book. It has wonderful color illustrations on every page, and it's loaded with facts and information about the history of Ancient Egypt. It covers a 3000 yr. period, and contains a detailed, colored map of ancient Egypt, articles on pyramid building and the mystery surrounding the death of Tutankhamun, a list of the most important Egyptian gods and pharaohs, and charming colored "ads" for goods and services in use at that time. This informative book should appeal to kids, teenagers and adults alike, who want to learn more about the fascinating realm of ancient Egypt.

Beautifully written, fast-paced, and moving, this book is a winner. Applegate has created a strong, admirable character in Kek, a recent Sudan immigrant to Minnesota, who bravely faces his new and often strange life. An ideal book for class discussions, both young people and adults will also enjoy it as a memorable story. Like many of the best books, it widens my understanding of others while also providing a good story. I'm not surprised it was recommended to me by several friends; I'll be recommending it to many others.

Katherine Applegate's HOME OF THE BRAVE is another novel in verse that will appeal to boys as well as girls. It may help that plenty of middle grade readers already know Applegate from the ANIMORPHS series, but this book has a completely different feel to it.

HOME OF THE BRAVE is about Kek, a Sudanese immigrant who recently arrived in America after witnessing the death of his father and brother. He left his mother behind and wonders every day if she is alive. The poems that explore Kek's emotional state are poignant and accessible to young readers, and the more traumatic scenes are set alongside lighter stories of Kek adapting to life in America and experiencing new things, from snow to washing machines.

This is a kid-friendly story (those who love animals will have an additional connection) that explores a dramatic issue in current events in a manner that is personal, sensitive, and hopeful.

Author Katherine Applegate's novel HOME OF THE BRAVE is memorable and haunting. In spare verse filled with detailed imagery, she introduces us to Kek, an African refugee struggling to come to terms with the loss of his immediate family and his new life in America. On his trip from the airport to the Minneapolis home of his aunt, he spots a tired old cow on a tiny farm. He names the cow, Gol, and she becomes both his link to the past and his hope for the future.

Kek stays in the home of his aunt and his older cousin, Ganwar, who has lost a hand in the fighting in the Sudan. Kek makes new friends: young Hannah (a foster child), an older woman named Lou who owns the cow Gol, and his new ESL teacher, Ms. Hernandez. He refuses to stop hoping that his missing mother will be found, even though his immigration supervisors tell him she is most likely dead.

There are so many things to love about this story. It's very readable and the action moves quickly, so even reluctant readers will find themselves caught in the story. We see America through the heart and mind of a young immigrant. Kek comes alive for us, and soon we are seeing the world through his eyes. He faces both small and large challenges, but he takes action by finding a job on Lou's farm and urging his older, embittered cousin to join him. He helps his friend Hannah reconnect with her lost mother, and ultimately finds a new home for the cow, Gol, when Lou decides to sell her farm.

There are no wasted words in this story. Every page moves the story forward, and every word paints a vivid picture of Kek's world. By the end of the novel, I felt I'd gained a renewed respect for the idea of America as the "home of the brave."

I recommend this story to readers at all levels. Teachers will find many cross-curricular uses for the novel in the classroom. Young readers will enjoy the story on their own as well. The character Ganwar will catch the attention of high school readers, and adults will find this story a rich and meaninful experience. At a time when immigrant issues are much-debated, this novel provides a personal and heart-rending viewpoint that is sure to provoke a thoughtful response.

An outstanding novel, sure to become a classic.

Having been an arrival to this country at age 12, I've always been interested in books that explore questions such as "What is home?" "What does it mean to be a stranger in a new land?" and "How does one begin to belong?"

A novel written in free verse, Home of the Brave is a poignant story about an African war refugee from Sudan named Kek who arrives in the US in the thick of winter in--of all places--Minnesota. His father and brother have been killed, his mother is missing, and he has lost everything about his life that he has ever known. Welcome to America.

From a dry, hot land where he was part of a nomadic herding tribe, Kek has arrived in a freezing cold country where he must not only learn a new language, but also make friends and cultivate hope for his future. Usually the optimist, even Kek feels distraught upon his arrival at his new home
In the course of this tender tale, Kek makes friends--with a neighbor living in foster care, with an old woman who owns a rundown farm, and with an aging cow named Gol (which means "family" in his native language). His relationship with Gol is critical to his sense of belonging--and interestingly, it's one where language is not important.

Through a combination of touching and humorous vignettes (my favorite being the time when he puts his aunt's dishes in the "washing machine," i.e. the laundry!), Applegate allows us to accompany Kek on his journey to find "home." And, isn't that something we all want to find?

Once in a while a children's story comes along that carries you away with lyrical language, an authentic voice, and a story that allows you to make connections much larger than its plot. For me, Home of the Brave did all of the above. I'd highly recommend it as a companion read to Shaun Tan's Arrival, as well as on reading lists that deal with refugees, immigration, and home.

I read a lot of books but this one is definitely one of the most thought provoking. The authorgives a very personal look into her journey of "seeing how the God of hope fits into the sick, needy world around us". The book is a 5 week journey where the reader reads a chapter, reflects on it, journals and is led in very specific applications and then prayer. This book is a journey in understanding the poverty of the world, prayer and how YOU can be the messenger of God's hope and love to a dying and lost world in need of a Savior. Read it and EXPECT to be changed.

This is a wonderful book!!! You really can make a difference in this world! We have become so accustomed to nodding our heads in agreement that action needs to be taken to alleviate the suffering in this world, and sit on our hands waiting for someone else to do it. This book should be required reading for every congregation in America. "If you think you're too small to make a difference, then try sleeping in a closed room with a mosquito." (African Proverb).

This book is really special. It's laid out as a five week read, with each week broken down into five daily readings (along with some space for questions and reflections at the end of each reading). It's about poverty, but in a more general sense than some books. It's not just about one problem (or solution) or one kind of poverty; it's about the general problem of living in a world with people who have real, desperate needs, be they monetary, food-related, housing-related, emotional, spiritual, opportunity-related, physical, or what have you. The five chapters are: Poverty of the Heart (which is about our own attitudes and beliefs), God is Not Silent (what the Bible says about poverty), Understand Poverty, Prayer, and Be the Change (which is about how to take action).

The book stands on its own, but it's also part of an all-church curriculum (kits for pastors, small groups, children, and youth) that's supposed to last 5 weeks and includes a dvd, lessons, sermon suggestions, promotional materials, etc. I haven't seen the kits since they're not out yet, but the book is really great.

First off, this is a very attractive book. It has lots of fun art and lots of pictures and even pictures of the people that the stories are about, which is neat. The pictures really help reinforce the tone of the book, which is about poverty, but is meant to be encouraging. And even though the pictures are of tough things, kids living in poverty, they're really nice pictures and really help to humanize the subjects, instead of just making you feel guilty and presenting you with a world so different from yours you can't identify with it. The writing is really good, too. It's written in a sort of personal reflection type of form, almost like a conceptual journal, which softens the blow of some of the hard stuff being said a little (if you want to take it straight on just replace the "I" with "we" in your head). The way each chapter is broken up helps you to digest the material (this book covers a lot in a short space) and keeps you from being overwhelmed. The attitude of the book is really positive, which is nice, and the stories are really powerful.

Overall, a really great book, and I'm really looking forward to seeing the dvd. Poverty is kind of a hot button topic right now, so this book is very timely. It's a great treatment of the fundamentals of the subject; instead of focusing on just one temporary problem or one limited solution, it goes for the eternal core of the problem and how it relates to ourselves, our faith, and our world. It takes a tough subject and tackles it in a way that anyone could handle. If you have any interest in the subject or want to help someone else understand it better, this would be a great choice. Five stars.

I have some confessions to make.

First off, I'm one of those millions of Christians living in America who donate time and money out of guilt and obligation. I have found peace of mind knowing that when I wrote a check, I could cross that off my list of "Christian things to do." Kind of a, "Whew! I'm glad that's taken care of" sort of attitude.

My next confession is that I'm absolutely paralyzed by the sheer enormity of the needs that exist in the world. I would often think to myself that I SHOULD do something more and would often talk about doing something more but was filled with self-doubt thinking, "what difference is it going to make anyway? I mean really, how is my pittance of a donation going to end poverty or cure aids or feed the World's hungry?"

Here's my last confession. I've held the opinion that I also struggle financially and my family's needs come first before anyone else gets a slice of my financial pie. Afterall, I've worked hard for what I have and I'm not about to put myself in dire straights because someone else didn't put in the same effort.

OK. Now that I've come clean, I have to admit that reading Hope Lives has changed my life and I don't make this statement lightly.

What this book has done for me is open my eyes and revealed to me what God has asked me to do; not from a position of guilt but rather from an expression of love and grace. Truth be told, I'm blessed. I mean truly blessed. Blessed that I live in America, blessed that I have the opportunities that I have and blessed that I've been given the God-honoring privilege to serve him. Through this book, my eyes were opened to the causes of poverty and I can honestly say that my heart has been changed and I'll never quite be the same.

In short, Hope Lives helped me recognize that God is on the move and he's weaving an amazing fabric that I play a small role in helping to weave. He isn't asking me to do EVERYTHING but he has put me in a time and place and has given the means to do SOMETHING. What I do with this opportunity is ultimately up to me.

The cover of Hope Lives refers to a "Journey of Restoration." I assumed "restoration" meant that the poor would be restored to self-sufficiency. What I didn't realize was that I was being restored and the greatest transformation was occuring within me.

I pray that this book does the same for you.

As a longtime reader of the Church Fathers, I found this book delightful. Oden's observations about Eurocentric interpretation of Church history are right on. I highly recommend it.

Thomas Oden writes, "Christianity would not have its present vitality in the Two-Thirds World without the intellectual understandings that developed in Africa between 50 and 500 C.E. The pretense of studying church history while ignoring African church history is implausible." (10) Yet, in his book "How Africa Shaped the Christian Mind," Oden purports that for centuries Western intellectuals have in fact ignored or downplayed the momentous contributions of African Christians to church history and theology. According to Oden, today's Christian mind has its roots in the writings and teachings of the early church leaders from Africa, in the struggles of the early church martyrs from Africa, in the lives of the desert Fathers of Africa, and in the early Christians who fled Africa taking their faith throughout the Mediterranean cities. Oden suggests that it is critical for contemporary African Christianity to learn of its prestigious heritage--to learn that Christianity is a vital, traditional African faith rather than a foreign imposition.

He writes, "The profound ways African teachers have shaped world Christianity have never been adequately studied or acknowledged, either in the Global North or South." (9) This is a story that Oden believes needs to be told throughout African villages and cities and must especially reach the African child. He believes it is a story best told fully by young African scholars. The story of African Christianity conveys extraordinary faith, courage, tenacity and intellect that must serve as inspiration and guides not only for African Christianity but for universal Christianity today.

In its infancy, Christianity spread to Africa. Oden laments that even African theologians have been tempted to fall victim to the stereotypical idea that Christianity developed in and came from Europe. This mindset ignores the vast oral tradition and written evidence indicating that African thought shaped and conditioned nearly every Christian diocese in the first millennium of the faith.

Oden asserts that in Christianity's first 500 years, "the period of its greatest vitality," the African Christian intellect was the model that was sought and widely emulated by Christians of the northern and eastern Mediterranean shores. (29) Oden claims, "The Christian leaders in Africa figured out how best to read the law and the prophets meaningfully, to think philosophically, and to teach the ecumenical rule of triune faith cohesively long before these patterns became normative elsewhere." (29-30) Through the third, fourth and fifth centuries, African Christian ideas were flowing to the other centers of Christianity.

The book is divided into two main parts: "The African Seedbed of Western Christianity" and "African Orthodox Recovery." Oden also includes an Appendix that outlines the challenges of early African research and a literary chronology of the first 1000 years of Christianity in Africa. Oden focuses on seven ways that Africa from the first to the fifth century shaped the Christian mind. These seven ways provide the foundation for his thesis in the book:

1.The Western idea of a university and Christian scholarship was born in Africa, mainly in Alexandria which possessed an unrivaled library and a vast learning community of philosophers, scientists, writers, artists and educators. Influential figures include Clement of Alexandria and Pantaenus.

2.Christian exegesis of Scripture first matured in Africa by writers like Origen, Didymus the Blind, Tyconius and Augustine of Hippo.

3.African sources like Tertullian, Cyprian, Athanasius, Augustine and Cyril shaped early Christian dogma on subjects such as Christology and the Trinity. Many problems of Biblical interpretation and Christian definitions were worked out through African Christians' battles against the major heresies of Gnosticism, Arianism, Montanism, Marcionism and Manichaeism.

4.Early ecumenical decision making followed early African conciliar patterns that provided a practical model for ecumenical debate and resolution. African church leaders like Demetrius of Alexandria, Cyprian of Carthage, Optatus of Milevis and Augustine raised and helped settle issues on penitence, diocesan boundaries, episcopal authority and ordination and on Christian doctrine.

5.The African desert Fathers birthed worldwide monasticism through their patterns of personal sacrifice, ordering of the life of prayer, study, work, radical discipleship and balance of solitude and communal life. Oden elaborates on the example of how the monastic patterns of Antony, Pachomius and Augustine would have lasting influence in Italy, France and all the way to Ireland.

6.Christian neoplatonism emerged in Africa with Africans Philo, Ammonias Saccas and Plotinus being the central figures. Clement of Alexandria was among the earliest to convey the connections and distinctions between logos philosophy and the Christian teaching of God.

7.Rhetorical and dialectical skills were honed in Africa prior to advancement in Europe with Tertullian, Cyprian, Arnobius, Lactantius and Augustine excelling.

According to Oden, the time for Orthodox recovery in Africa is now and urgent for three reasons:
1.rapid numerical expansion of Christianity
2.a new hunger for intellectual depth
3.the perceived might of the Muslim world, and the concurrent exhaustion of modern Western intellectual alternatives.

African Christianity does not have the comfort to invest in the Western idea of ecumenism and unity that equates all ideologies and rejects absolute truth and moral superiority of the historic doctrines. Likewise, a faith devoid of the supernatural is of no use to African Christians who rely on miraculous intervention. Oden asserts that African Christianity is rejecting a "permissive ecumenism" and tolerance for sin in favor of the truths found in its wellspring of classical exegesis that deals with the problem of sin through penitence and humility. (116) Oden sees in the heart of African Orthodoxy a model for a contemporary Christianity revitalized by a corrected perspective on the relationships between tradition and Scripture and between faith and charity inspired by the Holy Spirit.

He presents what is basically the tip of the iceberg of evidence for his thesis. He admittedly limits himself to the task of being a catalyst to ignite African and other scholars to take the initiative to fully develop his ideas. The book is sufficient to whet readers' appetites and pique interest in discovering the rest of the iceberg not seen in this book.

Oden writes, "Among the benefits of reading early African Christian teaching are the courage to face complex tasks, reduced anxiety and the consolation of knowing that suffering can be transcended by hope. Seemingly impossible obstacles do not intimidate." (135) If a lesson for all Christians stands out from early African Christianity, it may be what is articulated by Alan Paton's seminal South African novel "Cry, the Beloved Country:" "there is one thing that has power completely, and that is love. Because when a man loves, he seeks no power, and therefore he has power." Oden has illustrated that African Christianity has been characterized, since it inception to the present, by power sourced in a keen sacrificial love flowing with grace, faith, hope, and courage while remaining anchored in truth and community.

Thomas Oden's "How Africa Shaped the Christian Mind" was not the book I expected when I read the title. It was different, it was more, it was less, it was challenging, and it was and is important.

Oden, recently retired after a distinguished professorial career, is perhaps one of the most renowned Church historians of our day. His four-volume opus on the history of pastoral care is a classic, for instance.

Oden now sees as his life's work, for the remainder of his life, the uncovering of the buried treasure of African Christianity. Of course, what one means by "African" is crucial. Oden wisely steers clear of much modern and post-modern imbalance here. He avoids the Euro-centric approach that diminishes anything African as being simply borrowed from European culture and thinking. On the other hand, he equally avoids an "Africa first" framework that presumes that everything has its roots in Africa.

For Oden, and for "How Africa Shaped the Christian Mind," the "Africa" he speaks of is anything that happened on the African continent and anyone who lived and ministered on that continent. This avoids the endless debate, for instance, about which Church Father was or was not "African." How does one define that? By skin color? And by what amount of pigmentation? By nationality? Why wouldn't any nation in Africa be by definition African? By ancestry?

The ancestry issue coupled with geographical/cultural impact is Oden's most important contribution. In sum, he argues that even if Augustine, for instance, had a father whose ancestry was Greco-Roman, would that mean that Augustine, living his entire life in Africa was not African? Additionally, given that his famous mother, Monica, was almost definitely of Berber (north African) descent, would that not make Augustine African? And just as important to Oden, can we wipe out the impact on Augustine's parents and on Augustine of living in the African geography and partaking of the African culture?

So, for Oden, "African Christianity" is the Christianity of any person who was born and/or lived on the African continent. Thus, for Europeans to claim Augustine, Origen, Tertullian, and others is a robbery of immense proportion in Oden's thinking.

Given this perspective, Oden's entire book is actually a call for others to build upon his small start. It is a call to take seriously the oral and written tradition of material spoken and penned on the African continent. It is then a call to explore the past, present, and future impact of that legacy.

For the past impact, Oden wants to examine how African Christian theology and practical Christianity shaped and interacted with non-African Christianity. For the present and the future, Oden hopes that such increased understanding of the enduring African Christian legacy will validate and encourage modern African Christians regarding their heritage, will open the doors for African seekers to understand that to convert to Christianity is not betraying their heritage, but returning to it, and to encourage all Christians to learn from and with modern day African Christianity.

Some will find in "How Africa Shaped the Christian Mind" more ecumenism than they find palatable. However, one does not have to agree with Oden's entire perspective or agenda to learn from him and appreciate his fair and balanced historical perspective.

For anyone wanting to sort through the current debate in a scholarly way, Oden is the person to read. For anyone wanting to enliven their appreciation of the ancient African Christian faith, "How Africa Shaped the Christian Mind" is the book to devour.

Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction, Spiritual Friends, and Soul Physicians.

Thomas C. Oden has done a great service for the church by writing "How Africa Shaped the Christian Mind." This book takes in great consideration Africa's contribution to Early Christian History. The book surveys various topics such as Christian intellectual history, the history of literature, Scripture exegesis, philosophy, physics, moral insight, discipline, etc. However, particular attention is given to Africa's contribution to Early Christianity. The book revisits what has been silent and untold in Church History for many centuries by both ecclesiological and secular historians. Oden writes with passion, conviction, yet with an irenic spirit. He states, "Christianity has a much longer history than its Western or European expressions. The profound ways African teachers have shaped world Christianity have never been adequately studied or acknowledged, either in the Global North or South" (p.10). The author posits some serious challenges to all educated Christians to reconsider the past. Early African History is nothing but ecclesiological history. The church cannot fully appreciate her rich history unless she is learned of her great African heritage. Although the book is directed toward Christians, yet non-Christians will profit from it significantly. Those who love the truth simply cannot ignore Oden's important work.

This is a wonderful African tale of a crocodile family and a hunterman. The story allows for children to really evaluate the way that man treats other beings and it teaches a lesson, of humility, graciousness, love and irony. Alot for a little book, huh? I love it and my son loves it!!!

The author is a superb artist. I have been collecting this African artist's one of kind ceramics for a number of years so I was excited to find that he wrote and illustrated a book. My seven year old son loves this book. His first grade teacher read the book in class when they were studying the folk stories of the world. The drawings in the book are worth the price of the book.

I loved this book! One day an author named Baba Wague Diakite came to our school to talk about his book "The Hunterman and the Crocodile." Each classroom got a copy of the book which I read. Soon I discovered that the story was going to be performed as part of the first school play of the year! Even though my class wasn't in it I got to meet Baba-Wague while working on the set since he lives right down the street from my school! And though I had to see it performed four times( because I was asked to do sound) I never got tired of hearing the same same story. I guess seeing "The Hunterman and the Crocodile" come to life gave the meaning of the story even more meaning. I would reccomend this book to anyone of any age.

This is a wonderful children's book. I love it!! We need more authentic authors and illustrators of folk tales from Africa. Where did these drawings come from? They're FABULOUS!!!

This is a wonderfully informative book for kids to learn about the wildlife of Madagascar. The text is easy to read & filled with descriptive info presented in an absorbing manner. Illustrations are provided on each page, and they are quite beautiful. I was pleasantly surprised to find Dr. Patricia Wright's name mentioned in this book, as her research work on lemurs is quite impressive & interesting!

The illustrations in this book are a delight, and add to the story that this author has put together about her work in the rainforests of Madagascar. She depicts both the positive and the challenging (sometimes not so rosy) aspects of living and working in a remote rainforest location. It would be a treat for any young reader you know. Nature loving adults (lemur fans in particular!) will also get a kick out of this one. The stories are heartwarming, and accurate(I have worked at the site that inspired this book).

Learn why Madagascar is famous for wildlife, see the lemurs through the eyes of a gifted naturalist. This is a fantastic combination of gorgeous art, realistic science, and hopeful conservation, by the author of many notable children's books on wildlife in Africa and Australia. Buy it for your children, your grandchildren and for yourself, it is a wonderful book.

This is a wonderful account of what it is like to be a primatologist, searching for the world's most beautiful and rare primates on the most exotic island of Madagascar. The text is engaging and the illustrations, also done by the author, are spectacular. This is a great book for grown ups who want to learn more about lemurs and Madagascar, or for children who want to do a book report. The book provides a hopeful message of conservation.