Africa Books

If you are looking for a book that does it all, this is it. Each page is a wonderfully modern treatment of the wildlife and artistic essence of unspoiled Africa. Beautiful collections of drawings, and sketches using photographs of field notes really sets off the wonderful format of the book. The artwork is breathtaking and the paintings will make your heart stir with the desire to be in Africa yourself. This is the next best thing.

Africa: An Artist's Journal comes from Kim Donaldson, a renowned wildlife artist who grew up in Zimbabwe on a ranch. His lifelong passion for capturing wildlife in art lends to a journal that covers the wildlife, culture, and history of Africa as a whole. A highly recommended pick for any interested in wildlife art.

This book is for anyone who loves Africa, wildlife and or artwork. It has pages and excerpts from his field sketchbooks, drawings, sketches and paintings. The artwork is exquisite. What makes it a must have is that you also get a well written brief history/description of the countries, the national parks, animals and people residing in each region interposed with Kim Donalson's personal experiences. It makes you feel like you have been there.

For anyone who has been on safari or only dreamed of going, for animal lovers everywhere, and for those who love Africa or want to know more about the continent, this is an extraordinary guide. What I loved was the quality of the art (virtually photographic), but with a translucence and depth that photographs cannot match coupled with the insiders commentary that is incredibly humble, given the authors obvious knowledge of the subject. One of the finest African wildlife books ever and a definitive addition to my collection. Buy it, you won't be disappointed.

The Strand Book Stall at Bangalore was having its yearly sale in DEC.2003. I was out there browsing when I ran into this gorgeous elephant on the cover of this book. I get this feeling about books and knew I had to buy this one - it reminded me of the book by Ernest Thompson Seton that I read way back in 1986. It set me back by INR 1,615, but what the heck; the "Lions of the Serengeti" on pp. 12-13 itself recovered the cost of the "investment"!

The more I go through this book, the more I am amazed. Somehow, Kim Donaldson has come out with a masterpiece on Nature in Africa in all its glory and has been able to capture the many animals and their many moods in their natural habitat in a style that makes you feel that you have "walked the walk and experienced the silence" of Africa. Here's Kim's idea of a painting: "The way I decide the worth of a painting of Africa is by the feeling it evokes - whether it makes me homesick."

There are real gems right through the book. Tucked away at the top of the painting titled Grevy's zebra on pp. 154-155 is this African song of praise to the zebra:
~~~~~
You, who are night & day in one body
You, who are dark & light in one form
You, who are good & evil in one shape
Animal of two colors, animal of perfect harmony.
~~~~~

I browse this book at the junction points of a day: dawn and dusk. It reminds me of Sri Ramakrishna's observation that Nature is a majestic expression of divinity. It also reminded me of a particular verse in the Bhagavad Gita. So I hunted for the same in the copy of the Bhagavad Gita that I have, which is a translation by Barbara Stoler Miller (http://www.amazon.com/exec/obidos/ASIN/0553213652/104-8977925-4483157).

After some searching, I found the verse:
~~~~~
Deluded men despise me
in the human form I have assumed,
ignorant of my higher existence
as the great lord of creatures.
~~~~~

Imagine my shock when I noticed that the number of the verse was 9.11 (Chapter 9, Verse 11)!

Mr. Kofi Akosah-Sarpong wrote an excellent review of "Africa and the West" by Godfrey Mwakikagile, an academic author from Tanzania who has written many books about Africa, seven to date.

It is a major African work in the African Renaissance tradition and dignifies Africa, especially in the author's philosophical discussion of the African personality and Africa as an organic entity, in a way many African writers don't. And as always, as in his other reviews, Akosah-Sarpong captures the essence of the author's work few reviewers are able to.

There is, however, one semantic detail that needs to be clarified. The reviewer says: "Meanwhile, though the book deserves to be taken seriously, Mwakikagile states in the introductory chapter as if he wrote the book with another person by stating 'we' repeatedly."

As a well-read person himself, I'm sure Mr. Akosah-Sarpong knows it's common for writers, especially for academic authors, to use the first-person plural 'we,' instead if 'I,' in their writings; for example, by saying, "in the first chapter we discussed...," "We are going to address in the next chapter..." May be it comes from the imperial "We," when British kings said "we" instead of "I," and probably still do. It's acceptable in King's English.

One renowned African academic author is Professor Ali Mazrui in his book "Towards A Pax Africana" and others. As he states in the introduction to "Towards A Pax Africana": "In general terms we are concerned in this book with...We do not propose to limit ourselves to..." In chapter one, he states: "In this book we define diplomatic thought to be..." In chapter two: "In the last chapter we discussed utilization..." In chapter four: "We hope to discuss..." In chapter five: "We pointed out in the second chapter that..."

It does not mean Mazrui wrote the book with another person.

Otherwise Akosah-Sarpong's review of Mwakikagile's "Africa and the West," is not only excellent, but one of the best I have read of a major African book by one of Africa's prolific authors.

An impressive range of scholarship. The author's knowledge of the works of leading Western thinkers - from Kant and Fichte to Heidegger and Montesquieu and others - and of African philosophical traditions, is indisputable.

A lucid thinker of penetrating intelligence, Godfrey Mwakikagile is one of those Africans writing scholarly works to reclaim the dignity of the African personality that has been subjected to so much abuse since the imperial powers conquered Africa. Yet he is honest enough to admit Africa's mistakes, and shortcomings, including many in the glorious past of ancestral ways so much glorified by Afrocentric scholars.

This is a vital text in the study of African philosophy and identity, an area of abstract ideas in which the African mind is grossly underrated.

And the chapter on South Africa is a brilliant analysis of where this multiracial nation may be headed after the end of apartheid. The legacy of apartheid may be with us for generations to come; a bleak prospect for a country that is a beacon of hope on a troubled continent.

To be a modern African is perplexing experience. Not only is Africa the only region with the most dominant of foreign values, but the African, more especially the elites, are confused, transmitting such confusion unto the entire African personality, and making the African not only misunderstand himself/herself but difficult to explain himself/herself to the world about his/her personality.

Godfrey Mwakikagile, a Tanzanian journalist who worked with Tanzania's leading mass circulation "Daily News," echoing a familiar rallying cry, argues passionately for Africans to return to their native roots for balance and order. "Africa and the West" is also a reflective treatise, especially in its philosophical discussion of the importance of African values, history and tradition, African philosophical concepts, and way of life in pre-colonial times as compared to the advent of colonialism. "Africa and the West" is also an uncompromising demand for dignity and respect for Africans which they have been denied by today's leaders, which was not the case in pre-colonial times and continuing, as the author says, though contentiously, under traditional rulers in most societies across the continent today.

The author says the traditional leaders ruled by consultation and direct mass participation at village meetings. How to transform such pre-colonial consultation and direct mass participation across Africa's 2,000 ethnic groups in order to usher in democracy that fits the African environment is missing.

Mwakikagile recognizes Africa's natural beauty and abject poverty, diseases and disturbing ignorance, but his thesis aims at Africa's weak unity - "That is one of the main reasons why they [Africans] were conquered by foreigners, and why Africa is still weak and poor today." Before Mwakikagile attempts to answer why Africa's weak unity is the root cause of all its crises, he reveals the contradictory nature of Africa: Africa endowed with numerous world-class natural resources but at the same time Africa as "the only continent where it has been so easy for foreigners to take what does not belong to them." Why this? Weak co-operative spirit among Africans, more markedly their elites.

For Mwakikagile, Africa's weaknesses can be located in its personality. So to understand Africa, there is the need to psychoanalyze the African personality in relation to the world, "especially to the West." Why especially to the West? Because the West, more than any other people, conquered Africa, colonized it, brutalized it, demeaned its culture and indigenous institutions, and a large number of Africans, especially those who have been to Western schools, "were brainwashed into believing that they had no history they could be proud of; that all their customs and traditions were bad, and that even their languages were bad. Nothing good."

More than physical brutality to Africans such as Belgium's King Leopold ordering the amputation of Congolese for not meeting working (quotas) as expected in rubber farms or Germans brutalizing and killing Namibia's Herero ethnic group, the author demonstrates that the West's capture of Africa has been more at the metaphysical plain through propagation of ideas that skillfully but quietly demeaned African values. While he acknowledges that not all foreign ideas are destructive to Africa, he also states that not all foreign values are good either. It is here that Mwakikagile takes a swipe at Africentrism, a courageous venture aimed against the excesses of Afrocentric scholars. For Afrocentrists, there is nothing wrong with African values, and in their zeal to recall Africa's glorious past, have distorted Africa's values in order to "inflate our achievements."

His prejudices are firmly on the side of African Renaissance thinkers who recognize both the negative and the positive values of African culture and how to discuss them for the health of Africa's progress. This reveals the balances of Mwakikagile who is honest enough to criticize his own kind regardless of the wrath which he may spark, and which the African intelligentsia need for the health of the climate of the African Renaissance process.

Mwakikagile's piece adds to the struggles being waged by the new generation of African thinkers, journalists, and media outlets such as "Expo Times" (Sierra Leone), "West Africa" and "New African" magazines to open up the African culture, its negative aspects as well as its positive aspects, for eventual policy formulation. The reason being that colonialism did not help the growth of African values in relation to Africa's progress, and African elites, ever weaker, have not been able to mix their colonial legacies with African values unlike other ex-colonies in the development game. Meanwhile, though the book deserves to be taken seriously, Mwakikagile states in the introductory chapter as if he wrote the book with another person by stating "we" repeatedly.

A perfect rebuttal to the imperialist arrogance of the West.
Blunt in its assessment, incisive in its analysis, "Africa and
the West" is a vital work by one of Africa's most important
writers.

He may not be well-known like many others the continent has
produced; at least I have never heard of him, or read about him,
until recently. But that's probably because he's relatively new
on the literary scene, all his books on the market having been
published only since 1999. That alone is a credit to him, a mark
of distinction as a prolific author. And it does not diminish the
importance of his works.

"Africa and the West" is not only a definitive response to the
denigration of Africa by the West and others; it is also a major
achievement in the rehabilitation of the African personality
after centuries of subjugation by our conquerors. Godfrey
Mwakikagile has written an important academic book, which is
also a significant philosophical work about Africa, members
of the general public will find to be equally useful in their
study of the world's second largest yet least understood
continent.

Except for a number of typos, the publisher's fault, the work is
virtually flawless: unassailable its logic, well-documented, and
passionate in its defense of the African personality as a
spiritual and organic whole reminiscent of German nationalist
philosopher Johann Fichte in his lectures he delivered at the
University of Berlin, and published as "Addresses to German
Nation."

In one of the most important books written by an
African about African identity and the concept of the
African personality, Godfrey Mwakikagile's work,
"Africa and the West," is a compelling argument for a
return to roots, what Amilcar Cabral calls "a return to
the source," in Africa's quest for peace and stability,
equality and justice. Born and raised in Tanzania where
he also worked as a journalist at the country's main
newspaper, "Daily News," and at the Ministry of
Information and Broadcasting before going for further
studies in the United States, the author knows Africa
well. His book is also a philosophical treatise,
especially in its discussion of the importance of
African values, philosophical concepts, and way of life
before the advent of colonial rule. The work is also
an uncompromising demand for dignity and respect which
the vast majority of Africans are denied by their
leaders who constitute the modern African state, which
was not the case under traditional rulers in most
societies across the continent; they ruled by
consultation and direct mass participation at village
meetings. The book is also a blunt assessment of
post-apartheid South Africa whose economy is still
dominated by whites, as are most of its institutions.
The chapter on Afrocentrism is one of the most
courageous statements ever made against the excesses
of Afrocentric scholars, by an African scholar himself,
who is honest enought to criticize his own kind
regardless of the wrath he may incur. The book is also
an important work in the history of Africa's conquest
and subsequent colonization by the imperial powers. But
the author could have done better if he had concluded
this important study with a much longer chapter. The
last chapter has some very strong points, but is just
too short. Nevertheless, the book is recommended for
scholars and laymen alike, and has undoubtedly earned
its place in some major public libraries, and in
institutions of higher learning where it is used for
undergraduate and graduate studies like all the other
books by the author. He has a thorough command of the
subject, and the book is well-written without scholarly
pretensions.

Excelent recount of great african hunters and adventurers, very well written and documented.

Capstick has an ability to write as few others have ever mastered and those that did are also revered. His stories are addictive and captivating! A must read for those who love to hunt.

I've loved all the Capstick books and own and have loaned the ones I own many times, mostly to husbands of friends. But I must admit that I can only read one or two and then I have to stop for a while. Times were different then and there were lots of animals. No talk of endangered species. Today when I read about macho men slaughtering beautiful animals for sport it can get to be sickening. But, again, he is an excellent author and the books keep you on the edge of your chair. When you see the movie based on the Lions of Tsavo and have read the book - the book is soooo much more exciting. And - no love interest.

I know Peter personaly and have hunted with him. I am in his book Sands of Silence. I highly recommend all of his books. They draw from real experiences and actively bring the reader into the wild. He loved the outdoors and his work helps preserve memories and times of people and activity that is passing away. Each book is a treasure of adventure. BL Melrose, MD

I could not put this book down. What a sad world we live in today when there is no dark continent to explore the way that the professional hunters and wardens described in this book had to experience around the year 1900. What a sad world and what a bunch of counterfeits the Croc Hunter and Croc Dundee are. Author Capstick puts you there a hundred years ago, where prides of lions manage to devour 450 villagers before being shot, or where 30,000 elephants are shot in one country alone just to limit crop damage! These examples give you an idea of the world the hunters profiled by Capstick in this anthology of sorts walked into circa 1900 to 1940. Lions walking into huts populated with 100 sleeping people, only to leave without molesting a soul, only leaving their footprints around the myriads of sleeping African tribesman. Big cats jumping through windows to snatch infants in bassonets, toddlers grabbed off porches, the head being found a day later in the grass, Cheetahs killing humans just for the fun of it. Guns jamming and cartridges failing in the face of wounded lions. Deadly snakes, Puff adders, Black Mambas, no antidote, one example of these snakes even dropping out of trees to bite a human victim.

Make no mistake about it, Africa was all the danger you ever dreamed about and more at the turn of the last century. ANy game animal in North America is tame in comparison to the African beasts described so vividly by Capstick. Get this book and dream of an Africa unspoiled, full of game more cunning and ferocious than you, and dream about the original tribes, and the Englishmen that first made contact with them.

I will work my way through all of Capstick's books. I am hooked. This book is fanstastic.

This book starts out with a presentation of fractal geometry which is very comprehensible and enjoyable. Next it covers specific aspects of fractal geometry and their relation to African society, architecture, fashion, art, divination and games. This part of the book is very fascinating. I learned a lot about how recursion works and how it is used in African buildings and fashions in the chapter on recursion. Other chapters in this section are Geometric algorithms, Scaling, Numeric systems, Infinity and Complexity. They are all very interesting. The final section is on the implications of the fact that Africans used this kind of mathematics. The author emphasizes the application of African fractal geometry to education especially the education of African Americans who sometimes feel alienated from math classes which focus on the achievements of European peoples. One thing that the author stresses is that the fractal designs of, say city planning, made by African peoples are not more "natural" than the Western approach of dividing cities into rectangles. He says this assumption dovetails into a preconception of African societies as being somehow closer to nature and therefore unsophisticated. The author points out that fractal mathematics is hardly simple and also not easily intuited either. I did not find myself making this assumption but apparently some people do fall into this trap. Anyway, I highly recommend this book to anyone wanting an introduction, with applications, to fractal geometry and its use in African societies. I also recommend this book to educators looking for a way to get their students, regardless of their background, to be more interested in mathematics.

This is a brilliant book. As an Architect, I was truly enlightened by the idea of the 'other' culture(s), having a valid scientific basis in fact. I was always told in Architectural school that the 'Africans',(including those in the diaspora) were a peoples without and writing systems, technological background and no culture. I'm glad to see evidence that this is not the truth. I thank the author for his contribution.

Ron Eglash's brilliant work on Afrikan fractals helps to shatter long-held myths and misconceptions about Afrikans, the most pervasive and pernicious of which is the notion of Afrikans (both on the Motherland and in the Diaspora) as inactive agents in history. This work motivated me to complete mine on chaos theory and Afrikan fractals. My longer reviews of Eglash's book appear in the Nexus Network Journal (vol. 2, 2000:165-168) and the Journal of Third World Studies (vol. xviii, no. 1, 2001:237-239), each reflecting the publication's genre and disciplinary focus. Dr. Abdul Karim Bangura is a researcher-in-residence at the Center for Global Peace and a professor of International Relations in the School of International Service at American University, and the director of The African Institution in Washington, DC. He is the author of 21 books and more than 200 scholarly articles.

This is a brilliant book. As an Architect, I was truly enlightened by the idea of the 'other' culture(s), having a valid scientific basis in fact. I was always told in Architectural school that the 'Africans',(including those in the diaspora) were a peoples without and writing systems, technological background and no culture. I'm glad to see evidence that this is not the truth. I thank the author for his contribution.

This is an amazing book! It clearly shows how many of the common things that people of African descent do have may scientific connections. Hair styles that are worn today by people of African descent, have been worn as far back to the ancient indigenous Africans known as the ancient Egyptians. So it really no surprise that there is mathematical and scientific knowledge being found today by scientist and scholars.

This book should be in every school and home in this country. I take that back, this book should be in every school globally.

Another scientific book that would make a great set for any school or home is, The African Unconscious. Written by Edward Bruce Bynum. You can find it here on Amazon.com.

I like african princess because it tells adventurous true stories.And woman who had great courage and great symblos for woman.In Ethiopia when you are 10 years old you get married and are trained to do elderly things. The Portugues and Ugandans were in a slave trade. The Portuguess wer in the slave trade to recieve slave trade, and Ugandas would get weapons. All of these stories I mentioned were great and they tell you African history.

I discovered African Princess: the Amazing Lives of Africa's Royal Women while searching for history about African Royalty, and it is most excellent. The artwork is gorgeous and the text is simple enough for my 8 year old niece to read it and understand it. Rich history, intriguing stories, and pride in our history make this book great for all generations.

This is a book that all African American women should own. It gives a sense of pride to know where we come from. I applaud the author. Thank You.

From a female pharaoh in ancient Egypt to an African princess of her people who avoided men, and an empress, African Princess uses words and pictures to recreate the lives of six selected powerful royal women of Africa. Good reading skills in grades 2-4 will lend to an appreciation of early female African leaders.

Six examples of African feminine royalty are showcased in chronological order, from pre-Christian times to the modern era. Each of the women focused was representative of her time, yet she showed a foresight and independence that made her stand out from her contemporaries.

The text by former schoolteacher Joyce Hansen, along with Laurie McGraw's superb illustrations, makes for a captivating and inspiring read for youngsters, female and male. It also should be noted that the book should be shared with all children for there still remains some misconceptions in the general public about Africa, even to this day.

The book does a good job of addressing and correcting those misconceptions in a highly professional and insightful manner.

Although this book is described as being for the 4-8 year-old group, it seemed to me more like a 7-9 year-old book.

I was attracted to the book by realizing that the various animal-related stories that Alexander McCall Smith includes in his No. 1 Ladies Detective Agency books were among my favorite parts of those books. It occurred to me that the Akimbo books might have such stories in them.

Well, not quite . . . but the series is full of Akimbo learning about wild animals, the threats to animals from people, and deals with the problems through Akimbo's brave deeds. Children like to see themselves playing important roles in the world, and Akimbo and the Lions is very good for appealing to that desire.

Akimbo's father works as a ranger at a game preserve in Africa where some near-by farmers have been losing cattle to lions. Akimbo's father is asked to do something and goes to trap the lion. The results end up differently than expected and Akimbo learns a lot about the challenges of balancing domestic and wild animals in the same areas. The story is a heart-warming one that both boys and girls will enjoy.

The book is nicely illustrated which adds to the realism of the story.

Purchased these books for my grandsons and was told that they really enjoyed them.

This book was a fun book to read. I liked it a lot. I think it was my favorite book that I've read so far in my life. I am going to buy my own copy.

This book is McCall Smith's second book in the "Akimbo" series and like virtually all his books, it is masterfully done. In this book, Akimbo goes on a trip with his father, the new Head Gamekeeper of the wildlife preserve. They have gone to check out reports that a lion is eating cattle. The loss of cattle is akin to the loss of pure gold in Akimbo's part of Africa. Thus, such a lion must be handled.

Akimbo begs his father to take him on the trip. With some trepidation, his father agrees. The team of Gamekeepers and Akimbo travel to the farm which has reported the problem. No one actually has seen the lion, but they believe by the sounds and the results that it is surely a lion. The Gamekeepers set a trap, using a goat as bait. The trap is supposed to work by capturing the lion when he goes to get the goat.

The trap is set up, and Akimbo and his father get set to wait out the night and see what happens. As luck would have it, the lion does show up on that night. The trap is sprung, and Akimbo's father goes to check the trap. As soon as his father leaves the hiding place, Akimbo notices, he has forgotten his rifle. His father approaches the trap, and is dismayed to find, the lion is not in the trap. The lion is standing outside the trap, and starts to close in on Akimbo's father.

Akimbo has never shot a rifle before, but he has observed his father use it. He picks up the gun. He aims, and his father tells him, "Shoot into the air." Akimbo does so twice. The lion leaves quickly. Then they go to find out why the trap di not work, and find that it is sprung. Inside is a very small baby lion cub. The rest of the book discusses Akimbo's relationship with the lion cub, and the eventual release of the lion into the wild.

Once again, McCall Smith has created a wonder of a book. It is highly recommended as a children's story. It provides a look at a very different society and world than the American world. In addition, it shows the respect of the people for the animals. All parents with young children should find this book a great addition to their children's reading library.

It was one of the most passionate books I ever read. It made me cry. The pictures were wonderful. The book had very good descriptions. People who like animals, stories that take place in Africa, and love will like this book.

There are some books that are just so informative that no library should be without them. There are some books that are written so well that it is a positive joy to read the text. There are some people who have such a way of looking at the world that you feel comfort hearing them speak. There are people who have seen so much that their opinion is something you seek.

All of these traits are combined in this volume that only Foote's Civil War trilogy can compare with. The small stories that are routinely missed (such as the origin of "the real McCoy) and the relevence of these ordinary people making extrodinary things happen are coupled with the tales of the extraordinary people who had their ordinary vices. (Franklin's advice to take an older mistress because they are both more discreet and more grateful) Both named and unnamed he tells their tale as it fits in the piece of this puzzle of America

Unlike much of history which seems to have an agenda, Cooke's masterpiece is classical, telling a story of grandur without fawning and of warts without lambasting. It is a grand overview rather than a list of presidents, wars and laws. He captures the essense of what is importnat. It is as if he wished to give a consice guide to his compatriots in England of what facinates him about this land that he eventually settled as did many in his story.

It captures what America and Americans are very well and would be an excellent guide to any person who wants to understand us. With so many Americans ignorant of their own history it would be an even better guide to todays college or high school students to make them understand this land of their birth and how it came to be what it is.

This book is 30 years old as I write this (July 4th 2003) at the time he wrote this Cooke was in his 27th year of his Letter from America Broadcast for the BBC. When you finish this book you will find yourself wanting more. Have no fear Mr Cooke is now in his 57th year of his broadcasts telling the story of America 15 minutes at a time continues. Lets hope he dictates a sequel filling in these 30 years.

Besides being a beautifully written, poetic portrait of America's history, the author's British background provides for a totally different perspective. This viewpoint provides a different insight on people and events that an American writer might not have grasped and that I found very interesting and refreshing.

No stiff upper lip Brit here, not at all. As a transplanted British journalist Alistair Cooke who studied in America's Ivy League universities and then returned to America as a BBC correspondent seems to have been deeply affected and impressed by what he saw here. He stayed here and became a citizen. If the little man and his small cracker-barrel anecdotes represented the collective spirit of the country Alistair Cooke's fascination of the common man's philosophy captured that spirit simply and eloquently in his writings. This simple eloquent approach addressed and exposed the heart and feeling of the people that drove the great country for higher aspirations of the human experience. This is what he wrote about. His observations and examination of the Civil War capture the fervent feelings that Americans held be they morally right or wrong. Yet at the end of this struggle the common purpose of the people did not deter them to find their destiny in this land. The spirit never died and that is what Cooke seems to capture, explore and explain in such eloquent words.

Alistair Cooke, who died very recently, was a Briton who first came to America during the dark days of the Great Depression as a very young BBC correspondent. The venerated justice Oliver Wendell Holmes was one of the very first people whom he met - and he writes eloquently of that encounter in the Civil War chapter of this book. Finding our spirit and our optimism contagious, Cooke spent much, if not most of his life here for the next seven decades, getting the know the best and the brightest, the celebrity and the common man on the street, learned about our history with an appreciation that very few - even many Americans - have for this country.

The result is "Alistair Cooke's America" first published as a loving tribute to this country at its Bicentennial in 1976, with a revised forward in 2002, though with no mention of the tumultous events of September 11, 2001. Cooke writes movingly of our history and of the spirit of the American people, the fight for Liberty during the American Revolution, the move westward, that "firebell in the night" (to quote Thomas Jefferson) as the country tore itself apart over the question of Slavery. He writes of the Civil War, interestingly considering Antietam to be a much more significant battle than Gettysburg. His views on Abraham Lincoln are also surprising, in his view that President Lincoln was venerated in great part due to his death, and being the leader of the winning side.

Cooke also spends much more writing space on Woodrow Wilson, whom he clearly admires for his domestic and foreign policies, but either ignores or just wasn't aware of Wilson's Racist policies. By contrast, Theodore Roosevelt, whose Presidency bridged the gap between the Civil War years and America becoming a major power, gets barely two pages.

Cooke's chapter on the "Arsenal of Democracy" is a revelatory look at how America's policy of "Lend Lease" and our subsequent entry into World War II did save the world from Hitlerism, especially when France had fallen and Britain was on the ropes.

Despite some of his views, or perhaps because of them - This well-written and profusely illustrated book deserves the five-star review because Alistair Cooke wrote a history that belongs on every thoughtful American's bookshelf alongside Stephen Ambrose's "To America". The things we take for granted about how great this country is were never missed by this great British writer.

His prose depicting the American people throughout our nation's historical record are eloquent and shear poetry to read. His endearing objectivity and love of this land through his insightful words are stirring and heartwarming. You do not come across this type of writing with genuine devotion, respect and love for what comprised the greatness of the American spirit.

Anyone who was in the Peace Corps in or near Asmara or stationed at Kagnew Station would appreciate this lovely book.

Edward Denison, Guang Yu Ren and Naigzy Gebremedhin's ASMARA: AFRICA'S SECRET MODERNIST CITY examines the nature and architectural innovations of a city which holds one of the highest concentrations of Modernist architecture in the world. Experts with detailed knowledge of the city survey many of the structures, add notes from previously unpublished archival material, and include original photography not to be seen elsewhere. A 'must' for any college-level collection strong in architecture and modern urban landscapes.

A very important work that includes both the Eritrean history and the architectural mystique and prominence of this otherwise unknown city.

I applaud the authors for helping to preserve Eritrea's architectural treasures, which stand as a true gem compared with the rest of the African continent. Outlined in the book are those that were spared from the marauding British and greedy Ethiopian invaders and withstood decades of war.

I spent several years living with my family in Asmara as a young boy. Now as an adult I've been searching for a book that would allow my to do some arm chair traveling back to my former home. Mr. Denison's book allowed me to do that in both word and picture. The book is broken up into a general history section followed by detailed photos on the major architecture of Asmara in each of the significant eras, and offers both vintage and current photographs and design plans of the buildings in the city.

Terrific "lost history" book! Thank you, Mr. Denison, et al,
for rediscovering and sharing this fascinating story with the rest of us!

I absolutely loved this book. I read it with amazement as I compared the events of my time in Zimbabwe to the behind the scenes information presented in the book. I was amazed at just how much was never put on air for the general public to be aware of and also to know the depth of the people's convictions (even when they are wrong) and their willingness to act it out was very intriguing to me. Well written book I even learnt some things about my history I was unaware of. I can't wait for the next book.

The title says it, his book is excellent, written very well, blending the facts and interviews in a flow that makes it easy to read, but i would say it could prove very hard reading if you are not familiar with the area or African politics. I would not give this book to someone to read unless they were from Zimbabwe or studying the history of the country.

What i enjoyed most, having lived in Zimbabwe until 2004 is the book explains the reasons behind what happened, even living in Zimbabwe all my life i have learnt facts i never knew before, it does not change the way i feel but it does give me greater understanding.

As i said, unless you are Zimbabwean, have lived in Zimbabwe or studying the history of the area, this book may prove tough going.

I am originally from Zimbabwe, but left in 1981. I was looking for
a book on the history and current situation on Zimbabwe that would
be informative and not dry. I feel very much more educated about
the various issues that have led this beautiful country to the
very sad situation it now finds itself in. I definately would
suggest others read it.

With a deep understanding and love for this magnificent country, Hill lays out an excellent expos? over Zimbabwe's rise and unfortunate fall under the rule of President Mugabe. By elegantly blending historical events with a large number of interviews from both ZANU-PF officials and the MDC opposition to ordinary Zimbabweans, Hill has created a solid piece that is thorough and analytical but yet easy-to-read. Highly recommended for any reader in search of the root and underlying causes to Zimbabwe's worsening plight.

Africa correspondent for the Washington Times who grew up in different countries of southern Africa, including Zimbabwe, Hill gives a detailed account of the overthrow of the white-controlled government when the country was known as Rhodesia by indigenous black rebels and the subsequent cementing of the autocratic, often brutal rule of Robert Mugabe. Mugabe was one of the leaders of the insurrection and political leader of Zimbabwe (as the country was named after the end of white rule). To a large extent, this is the story of the murky circumstances whereby Mugabe became leader of the Zimbabwe African National Union (ZANU), including the assassination of its leader, and its role in helping to keep him in power. Instead of a bona fide political party in a democratic system, ZANU became the enforcement arm of Mugabe's one-man rule. Hill's chronicle of unfortunate Zimbabwe and biographical portrayal of its autocratic leader is a set piece in how things have gone wrong in many countries in Africa.

I love all the Jonathan Scott Big Cat Series Books. This is an excellent book for anyone who loves big cats. Plenty of info on habitat, biology, and great pictures!

I was watching big cat diary from the TV last week, and found out this program is just exactly the book I hv ordered from Amazon in Oct. I am exciting when receive this book. It has many beautiful cheetahs pictures. It worths to be one of your collection.

Being my favourite big cat doco, I had to buy the books to compliment Big Cat Diary.
I was not disappointed. The photos in this Leopard book are entirely unique and often include extremely rare images.
The writers/film makers have experienced some amazing things over their years of filming but most of it isn't covered in the TV series. This book goes into a lot more detail of the lives of certain Leopards and you really become attached to them by name (can be sad when you discover one has died).

Spectacular photos and highly engaging stories make this a winner.

Love the book and the fast service. I love all of the books that Jonathan Scott has written. I just wish in the US that we could still see the Big Cat Diary Series.

I love this book! Leopards are my # 4 favorite animals of all time topped only by jaguars, tigers, and of course lions. I think they are both cool and beautiful. I loved all the ones in here, most definitely the female ones. They were the most cool and beautiful. The only bad part was any of them getting hurt or killed, but other than that this book rocked! The cubs were cute, also. And boy, did I ever learn a lot about lions and hyenas as well as leopards. Like I said, this is a terrific book. I own it at home and will own it until my dying day. I highly reccomend it to anyone over the age of 12. Man, oh man, Amazon.com, you keep up making books like this.