Art Books

The Sandman, Neil Gaiman's masterpiece, is something quite rare--it's excellent from start to finish. Nowhere does the series falter, it just gets better and better. "Brief Lives" is the pinnacle of the series. As Dream, the Sandman of the title (he also goes by Morpheus), searches for his lost brother Destruction alongside his sister Delirium, it becomes evidently clear what Gaiman has been building to since the beginning: change. Change within the heart of Dream. Since being imprisoned for 70 years by human sorcerers, Dream has become increasingly compassionate and kind. When this is pointed out to the Lord of Dreams, he denies it, maintaining that he has not changed at all. And here lies the tragedy of Morpheus--his stubbornness and his unwillingness to accept what's standing right in from of him.

In a sprawling fantasy epic detailing the spectrum of imagination, Gaiman has hidden a very simple story--one of redemption and change. It's this subtlety, this humanity, that sets The Sandman above the rest and makes it classic, a series everyone should read.

This is another great collection of Sandman stories which anyone who is a fan of the series should read. My only complaint with this collection is that the stories start out very strong but the ending is a bit of a flop. I am glad that I read it since this does contain events which will probably be of greater importance further along in the series.

Dream is sulking, until his sister Delirium motivates him to help her look for Destruction, their brother who has abdicated his Endless responsibilities.

On the way, through the various people they meet, and reflected in his servants and helpers, we see Dream's thought processes begin to change and mellow, even more so after he finally gets around to dealing with his son, Orpheus, after such long neglect.

I thought Season of Mists was my favorite The Sandman volume until I read Brief Lives.

Brief Lives absolutely has it all--drama, action, comedy, romance, and philosophical ponderings. It focuses upon Morpheus rather directly--unlike other volumes where sometimes he exists within the stories only peripherally--as he helps his sister Delirium track down their brother known as Destruction.

Destruction is part of The Endless. The other members of The Endless are his brothers and sisters Destiny, Death, Dream (Morpheus), Desire, Despair, and Delirium. He long ago abandoned his post and family, choosing instead to exist on his own terms. Addle-brained Delirium unusually makes up her mind and decides she wants to reunite with her favorite brother. She is very surprised when she manages to enlist the aid of her brooding brother, Dream, especially after all her other brothers and sisters refuse to help her.

Dream accompanies Delirium on quite a journey as created by Neil Gaiman who makes brilliant use of legend and mythology, both preexisting and self-manufactured. They finally find Destruction, but things don't go exactly as expected and incredible possibilities are revealed.

I love this volume so much because something happens to Dream that hasn't really occurred in the previous volumes--he changes. While always dynamic in dialogue and appearance, Dream was not a character who seemed to evolve. I enjoyed Lord Morpheus just as he was, but now that Gaiman introduces a changing Dream, a Morpheus who suddenly empathizes with mortals and family members, he becomes all the more fascinating.

Furthermore, the afterward by Peter Straub was absolutely riveting. Brief Lives was enthralling on its own, but Straub's afterward analyzing the volume makes it, and the intricacies of Gaiman's artistry, all the more impressive.

~Scott William Foley, author of Souls Triumphant

This is one of my two favorites in the 11-volume "Sandman" series, which has proven Gaiman to be a genius storyteller. Three centuries ago, Destruction -- one of the seven Endless, who existed even before the gods -- abandoned his responsibilities, left his realm, and went off to do his own thing. Essentially, he ran away from home. Not that the world has lacked for destruction since then, but he's not behind it, anyway. Delirium, who has roughly the persona of a three-year-old combined with a drugged-out-flower child -- but is a very sweet person for all that (well, . . . not "person" . . .), misses her big brother and tries to find one of her siblings to help her look for him and convince him to return. Dream (the Sandman) finally agrees to accompany her, but for his own reasons, and the quest brings in a number of innocent bystanders (who suffer, as bystanders do), as well as an assortment of ancient but now out-of-work deities. A number of neat ideas are tossed out casually, too, like the notion that a few thousand people still exist on Earth from the very earliest days of civilization, or even from the dawn of the species.

Bernie the lawyer, killed by the collapsing wall of a derelict building, tells Death, "I did okay, didn't I? I lived fifteen thousand years. That's a pretty long time." To which Death, a pragmatic sort who resembles a Goth girl, replies, "You got what everybody gets, Bernie. You got a lifetime. No more, no less." Great stuff.

This book may perhaps not meet your expectations regarding content: I expected to see the uncles in their own habitat, surrounded by the debris of compulsive hoarding, at one with the world they had created. Lidz does not show this world: instead, he shows mainly the two uncles who live outside asylums at odds with the outside world, fumbling their beyond-quirky way through the landscape of New York.

That difference could make or break your interest in the book. Which do you want to read about, two curmudgeons at home in the nest they have created or two outcasts in society? I'm not saying that either narrative pathway makes for a bad or good book; I merely suggest that, before you read, you be prepared for what you will be reading. You might also consider that the four uncles of the title really refers mainly to two uncles; one of the others makes a single cameo appearance, and the other uncle gets a bit of space toward the end.

Lidz takes slow steps in childhood, telling ancedotes about his times with the two main uncles. These humerous takes are made forceful because they are told against the backdrop of his mother's long, ultimately fatal bout with cancer, a narrative that underpins the first half of the book. You thus have two strong narrative themes in the first half: the bumbling uncles (and the question of how on earth they function) and the sick mother (and the question of how on earth she manages to hang on to life).

The book becomes rockier in the second half, beginning when Lidz is an adolescent and his father remarries. Time speeds up considerably and without warning: you go from the slow ascent of the roller coaster to the rapid descent, and, narratively speaking, it's a rocky ride. It does make some narrative sense to speed up this second half, but it's too much too quickly and thus disconcerting for the reader. The second two uncles are introduced rapidly and don't receive as much analysis as the other two.

The book goes on to wrap up (incompletely) too quickly as well. It's as if when one uncle dies, another uncle is plugged in to take his place, and, what with the uniqueness of the uncles being emphasized, it doesn't work in the narrative. Lidz's attempt to introduce his recording techniques is also akwardly introduced, though I don't know how he could have done it more smoothly.

All in all, though, it's a good book. The strong first half does much to make up for the weaker second half, and the character's personalities make for excellent dialogue throughout. Lidz is an excellent prose writer who simply needs to pace himself a bit better; the writing itself is commendable. Recommended.

Heard the taped version of UUNSTRUNG HEROES by Franz
Lidz, the author's tale of growing up in what might charitably
be called a dysfunctional family . . . it consisted of him and
his sister, their parents, and their father's four brothers who
played an even more significant role in his upbringing when
his mother died.

If you ever thought your family was strange, wait until you meet
this group of eccentrics . . . for example, one brother thought
Mickey Mantle was out to get him . . . another collected
shoelaces . . . how Lidz, who became a writer for SPORTS
ILLUSTRATED, managed to escape the lunacy is beyond
me.

The fact that he grew up on Long Island, not far from where
I was raised, made the book even more interesting to me . . . that
and the narration by John Turturro . . . the actor's work greatly
aided in my enjoyment of UNSTRUNG HEROES.

This story although sadding at times kept me giggling and laughing at the antics of these uncles based on the real-life uncles of the author. I can see why it was made into a movie--it is a ball of fun and yet heartbreaking in others and down-right silly at times--in the end you come to feel as if you KNOW these men and the rest of the family and you feel slightly sad that more people don't look at the world through their eyes, but instead are so quick to judge those considered "different". I hated to see it end---a great, great story!!!

The author possesses fierce intellectual honesty, and his prose has a bare, involuted rhythm that is almost hypnotic. Very, very funny.

I could show you a sentence in Unstrung Heroes as elegant in its implications as the binomial theorem, and another as economically sphinx-like as the square root of minus one. The declarative sentence, Franz Lidz makes you suppose, is perhaps a writer's highest achievement.

Great children's book. It's a fun way to encourage and read with your child.

This books is wonderful! I am using it in small groups at work and the kids absolutely cannot get enough of this book. I bought all titles in the series! Great for paired reading among siblings, parents and children, and friends!

Our students really love all the books in this series. They frequently choose them to read to each other during free choice time. I would really recommend this book to other teachers as a great source for oral reading practice!

My seven year-old grandson introduced me to Mary Ann Hoberman's work. He loved reading to and with me. I'm a volunteer reading tutor and I use her books to teach first graders to read. They love it.

I highly recommend the books by Mary Ann Hoberman to excited kids about reading.

Judith Hays

I love Mary Anne Hoberman's "The Cozy Book", it is always a great bedtime story. So, when I found this title on Amazon, I couldn't resist. My son is 7 and enjoys reading, so this was perfect for us; he reads to me, I read to him, and we read the last verse together. The stories are cute and short, good if you only have a few minutes at the end of the day. The emphasis on reading is an added bonus.

Yhis book belongs on the bookshelf of all those interested in the early days of psychedelic research and it's social ramifications. One word for it: Excellent!

Can't think of a more informative and interesting way of describing this period of time. I loved this book. Big thanks to the authors!

_Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond_, first published in 1985 and revised in 1992, by journalist and author Martin A. Lee and author Bruce Shlain is a fascinating and wild account of the history of LSD in America. The implications of this journalistic history are startling in that they show the role of the CIA and the government of the United States in creating much of the LSD culture that grew up during the Sixties. I should add that one advantage of this book over Martin A. Lee's other book _The Beast Reawakens_ (1999) is that Lee is able to keep a cool head and write about LSD without lapsing into paroxysms of hysteria as he does when writing about Nazis. This is very fortunate for the reader because it spares us from having to sort through a lot of irrelevant nonsense. The history of LSD in the United States is a fascinating one, and the creation of a drug culture in the Sixties as well as the links between this culture and the hippies, the New Left, and the anti-war movement offers much interesting material. But, lurking behind the whole thing is the nefarious role of the CIA and the government, originally in testing out these drugs in a series of unethical experiments and later in possibly manipulating the very culture that arose from their newfound prevalence itself. This is a fascinating story and one that should be told particularly in light of the complex relationship that has always existed between the drug culture and the state.

The book begins with an Introduction entitled "Whose Worlds Are These?" by Andrei Codrescu. This Introduction lays out the use of LSD as presented in the book both through the experiments of the CIA and as promoted by such figures as Captain Al Hubbard, Aldous Huxley, Timothy Leary, Owsley, Art Kleps, Ken Kesey, and others. The book proper begins with a Prologue in which the authors explain the discovery of LSD-25 by Dr. Albert Hoffman, who was later to give an important speech to psychedelic followers in 1977. This Prologue also details the role of the CIA and through such projects as Operation MK-ULTRA engaged in unethical experimentation with LSD on unwitting participants. The first section of this book is entitled "The Roots of Psychedelia". The first chapter of this section is entitled "In the Beginning There Was Madness . . . " and details the role of the CIA in the unethical use of LSD and later in promoting the LSD subculture. This chapter includes sections entitled "The Truth Seekers", "Enter LSD", "Laboratories of the State", "Midnight Climax", and "The Hallucination Battlefield". This chapter details the role of the CIA in experimenting with LSD through projects such as Operation MK-ULTRA, mentioning such figures as William "Wild Bill" Donovan, Allen Dulles, Dr. Sidney Gottlieb, and the hijinx of George Hunter White. The authors explain how originally the model for LSD was that the drug mimicked psychosis, but that eventually this model was to change. The CIA saw the drug as potentially useful for interrogations and engaged in many experiments on unwitting participants with the drug. The second chapter is entitled "Psychedelic Pioneers" and details how the drug was moved from the CIA clandestine operations to the counter-culture. This chapter includes sections entitled "The Original Captain Trips", "Healing Acid", and "Psychosis or Gnosis?". In particular, this chapter explains how government funded psychiatrists and psychologists came to believe that LSD may have some therapeutic potential thus abandoning the original "psychotomimetic" theory of LSD. The government engaged in much research on this drug, and by taking place in government sponsored experiments as participants, many prominent counter-cultural figures became involved with the drug (as a case in point there is the case of the poet Allen Ginsberg). Some figures came to see LSD as revealing deep secrets and as having a profound effect on human nature leading to the popular perspective that LSD offered a form of "gnosis" thus replacing the government's "psychosis" perspective. The third chapter is entitled "Under the Mushroom, Over the Rainbow" and explains how prominent individuals including Harvard professors (such as Timothy Leary and investment banker R. Gordon Wasson) became involved in the drug counter-culture. This chapter includes sections entitled "Manna From Harvard", "Chemical Crusaders", and "The Crackdown" - showing how the government eventually sought to crack down on LSD use eventually leading to its illegality. The fourth chapter is entitled "Preaching LSD" and discusses for example the hijinx of Timothy Leary (who some maintained was a CIA agent). This chapter includes sections entitled "High Surrealism", "The Psychedelic Manual", and "The Hard Sell". The fifth chapter of this book is entitled "The All-American Trip", detailing the rise of the Merry Pranksters who followed Ken Kesey. This chapter includes sections entitled "The Great Freak Forward" and "Acid and the New Left" - showing the problematic relationship between the LSD counter-culture and the political New Left. The second part of this book is entitled "Acid for the Masses". This part begins with the sixth chapter of this book entitled "From Hip to Hippie" showing how the LSD counter-culture created the emerging phenomenon of the hippie. This chapter includes sections entitled "Before the Deluge", "Politics of the Bummer", and "The First Human Be-In", in particular this chapter discusses how the "bad trip" came to emerge from a cultural matrix in which LSD was regarded as harmful by the establishment but as liberating by the counter-culture, virtually assuring that many would experiment with the drug themselves to find out for themselves the effects. The seventh chapter is entitled "The Capital of Forever" and includes sections entitled "Stone Free" and "The Great Summer Dropout". The eighth chapter is entitled "Peaking in Babylon" and includes sections entitled "A Gathering Storm", "Magical Politics", and "Gotta Revolution". In particular, this chapter shows how the LSD culture emerged in Haight-Ashbury and how it interacted with such other phenomena as the political New Left and the anti-war movement emerging as opposition to the Vietnam War, mentioning such things as the Diggers and the Yippies. In particular, many on the politically reductionistic New Left saw the whole hippie phenomena as an attempt to drop out of politics entirely and thus regarded it negatively. Further, many hippies became easy prey for dangerous psychopaths such as Charles Manson. The ninth chapter is entitled "Season of the Witch" and includes sections entitled "Armed Love", "The Acid Brotherhood", and "Bad Moon Rising". This chapter explains the relationships between the New Left and the anti-war movement forming as a force of opposition to the Vietnam War as well as the continuing and complicated relationship with the hippie culture and the phenomenon of folk music. The tenth chapter is entitled "What a Field Day for the Heat" and includes sections entitled "Prisoner of LSD", "A Bitter Pill", and "The Great LSD Conspiracy", in particular, this chapter maintains that behind the scenes the CIA may have been manipulating the drug counter-culture and may even have seen the Haight-Ashbury district as a social laboratory. The book ends with a Postscript entitled "Acid and After" and an Afterword.

This book offers an interesting study on the Sixties and the drug culture focusing around LSD that emerged out of this decade. In particular, after reading the book, it becomes clear that the hippie movement was easily manipulated by psychopaths such as Charles Manson and larger forces out of their control such as the CIA. Further, the naïve belief of many that LSD would lead to world peace turns out to have only been a passing phase. Another problematic raised by this book is the relationship between LSD use and New Left politics. Unfortunately, the New Left sought to reduce everything to politics so failed to appreciate any sort of development that lay outside of their own political sphere. This book offers a good examination of a troubled era and some of the hopes of people in that era that were ultimately manipulated by larger forces.

Watch Video Here: http://www.amazon.com/review/R2NWFN612DXX3 My video review of Acid Dream. Really great bookAcid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond. ***** 5 stars =)

This book is perfect - It offered everything I was hoping for when I first purchased it. It covered from the end of the 50's and the Beat generation and how their influence lead into the hippie generation, and it ended in the early 70's tying in the beginning of rock and punk. It is a true spectrum of the 1960's counterculture generation.

It's a large book but its facinating to learn about the history and the culture. Like previous reviewers said, it really ties up everyhting and clearly shows the correalation between the drug counterculture and the govn't & society during that time period. I was born in the 80's and this book really showed me alot about the 60's counterculture and the attitudes towards drug use and young people during that time. I can see alot of correalations between that era with Vietnam as the war that they were protesting versus todays war in Iraq and the amount of US citizens that are against it.

The author also goes into government policies at the time and conspiricys and covert CIA and classified documents. I was amazed by the actions of the CIA and thetesting of LSD on unsuspecting American citizens. It is like the stuff movies are made of but it really happened! Truly and amazing and interesting book - I could not put it down. I reccomend it to everyone, regardless of your view on LSD or drug counterculture - a true wealth of information on 1960's America.

All About Braising: The Art of Uncomplicated Cooking

This is a must have for anyone who likes to cook. I wasn't sure how much difference braising would make but figured I'd try it. Wow! once you try it you will never want to cook chiken or roasts any other way.

I already owned a copy of this book. My brother was home and borrowed it to make osso bucco. He is a chef and was thoroughly impressed with Ms. Stevens' book. I just ordered another copy to have sent to him for his birthday. I've only had rave reviews from food I prepared out of this book. I think it should be on everyone's bookshelf.
http://www.amazon.com/gp/product/0393052303/ref=cm_cr_rev_prod_title

I'm just an amateur, but this book seems to be the most comprehensive braising cookbook. Look at all the all-star chefs she has consulted. She explains the steps necessary to get a tender, flavorful braise and tells you why they are necessary. Loads of good recipes.
If you don't braise--you should--it makes the best dishes and is convenient for a group since you can do it ahead of time.
If you are going to braise, I think you could be wasting a lot of time and effort and missing out on wonderful meals if you don't have this book.

This is a superb book. Very well written thorough in its explanations and recipes with many varied recipes to choose from. Missed having lush photography to entice me more to cook, but a small omission in an overall impressive cookbook.

I never knew what braising was when I bought this book. It caught my eye because it was so thick, and I thought "How can there be that much on braising?" Well, I have to say, buying this book has been the nicest surprise in my cooking. I have made the absolute best pot roast ever (I never liked pot roast until I cooked it following Molly's recipes). She does such a terrific job of not only presenting the recipes in this book, but EDUCATING you on what makes a good cut of meat, how to buy fish, what to look for when selecting vegetables, etc. You will learn a lot from Molly if you read the book.
Note that there are very little pictures in the book, which usually renders a cookbook useless for me. However, the way she has described and categorized the recipes, I have never once yearned for a picture to know if something will be good. I just read through the title and recipe and think "Yum, that sounds great!" She's really a great cook and teacher. Kudos to you Molly!!! I love your book!

Buy it. You will be a better cook if you read the first couple chapters and make sure you spend the money and buy a good pot. You won't be sorry.

As for the two star review, I'm certain that their version of the crock-pot pot roast is the reason I never liked pot roast in the first place (you probably need half a bottle of ketchup to stomach it). Pay no attention to that review.

I can't tell you how much I love this book!!! If you like chicken, the chicken fricassee is the best. Also, her pork chops are to die for!

Update: I've been cooking from this book going on three years now and I am still in love with it. One of the great things is not only the recipes and education she gives you, but just about every recipe she recomends a side-dish and a wine. How great is that!? You don't even have to think about your menu. She also starts each recipe with a story about how she came across the recipe, which really gives it meaning and makes me appreciate how wonderful good cooking is. Great job Molly!

As a mother of a 15 month old daughter, I was looking for a book that I could read to her that would teach her that she is connected to the universe. I believe that all of our energy combined is God (for a lack of a better word)...and this book says this beautifully. I think I would have loved this book as a child as much as I do as a mother. This is my new favorite children's book after reading it to my daughter for the first time today. I almost had tears in my eyes it is so wonderfully written. I'm looking forward to giving this book as a gift to other spiritual mommy's that I know. The illustrations are lovely and kept my daughters attention the whole time. I will be reading this to her very frequently.

This is a wonderful book. I have a four year old son who has owned this book since before he was three. He loves and understands it, probably more so than many adults. It is the favorite book for my husband and son to read together.

If you like this book you will love "Child of Fairy, Child of Earth". Both books have beautiful verse, illustrations and messages.

This book is beautifully inspiring and a needed aid in nuturing spirituality in children, I love it as much as my 3-year-old.

If you have a universal outlook on spirituality- you will love this book! My children beam after we read it. They feel special, loved, secure... all the things we want for our kids. There is not ONE THING scary or negative in this book. It voids the polarity idea. It is fantastic.

This is by far one of my most favorite children's books. "I am part of all I see, and all I see is part of me." Those first two pages sum it up.

The illustrations are warm, gentle, and beautiful. If you look closely you can see little elves and fairies hiding in the forest. My girls love to try and find them while we are reading.

I have given this book as a gift many times and it is always well received.

Thank you Chara for creating such a wonderful book for our evolving little ones (and their parents)!

I really loved this book by Desi Arnaz. I recommend "Love Lucy" by Lucille Ball to go with it. I have that one also and love it as well.

This is a wonderful book! I read it in a weekend; I could not put it down. No one gives Desi enough credit for all he's done. He was very creative and innovative! I feel like he is the Godfather of modern TV: how it's written, filmed, produced, cast, marketed etc... He set the bar so high, no one in TV history will surpass his genius and his wonderful work.
This book gives insight to his personal life too. Because of the way it is written and the language used, it feels like Desi is there talking with you and telling his story. Much of the book is about before he marries Lucy, and the story continues though to 1960 after their divorce. He said that he had enough meterial written for a second publication that would be titled "Another Book". But sadly it was never developed or published; I wish I could have read about his older years too.
To understand someone is to love them, and this book makes you Love Desi!

Back in 1957 when Dad bought our first tv, there was a big battle about where it should go. Mom won the battle to keep it out of the living room and it was relegated to a tiny room near the bathroom on the first floor of our humble abode in Small Town, Wisconsin. Mother placed an unruly philodendron on top of it to hide it as best she could and, seldom to return, she left the room to my brothers and me. I Love Lucy was already in reruns, although I think it was still in its Monday night primetime slot as well. The show was on a lot because it was the only thing in reruns and I loved it! Reading Desi Arnaz's book brings those days back for me. Desi takes the reader along from his days as a conga boy for Xavier Cugat, through his tumultuous relationship with Lucille Ball. Along with insights into their personal lives, Desi relates (in an almost conversational writing style) how the show came to be produced and filmed almost by accident. Included are fun anticdotes about casting Vivian Vance and William Frawley as neighbors Fred and Ethel Mertz. Perhaps most fun in Desi's waltz down memory lane is his reminiscing about specific key episodes with stars of the day like John Wayne, William Holden, Harpo Marx and Bob Hope. It's hard to imagine today the impact that I Love Lucy had on our lives way back then. Lucy and Desi were everywhere in the media and when Ball and Arnaz announced that they were splitting up (and that the show was ending), people felt really bad for them, myself included; Everybody loved Lucy. I still love Lucy, especially after reading this, Desi's wonderful, heartfelt memoir.

I got this book and could not put it down! So much is said about Lucy (and she was talented)but with Desi and his input she was brilliant! I felt as if I was sitting and listening to a man..replay his life. It reads like a conversation! I only wished he could have done a second book! If you get the chance don't miss this book! It made me love Desi even more.

Throughout the pages of this book, one gets the impression that Desi really did love Lucy and she loved him, but they seemed to be one of those couples that could not live together. He was a philanderer and she had a hot temper and that (apparently) made for some rough living.

The singular most interesting fact from this book that I will probably never EVER forget is this: After Desi and Lucy were divorced, he called her every night for the rest of his life. They were more than lovers, they were best friends and it seems that the relationship continued, even after the marriage ended.

This book is really a manuscript-length tribute to Lucille Ball. Desi's love and admiration for her shines through its many pages. He is kind to her in this memoir and unlike the poison-pen style of today's celebs, it seems that Desi just wanted the world to know that Lucy really was the amazing, interesting and gifted soul she appeared to be.

It also has some fascinating insights and background about the program and its sequels. Plus, if you want to know the scoop about William Frawley and Vivian Vance (Fred and Ethel), it's all in these pages. Those two really did NOT like each other.

I bought this book (used, cheap) and my little paperback copy arrived tattered and worn , but I couldn't stop reading it. Very well written, very interesting and a real tribute to the star of "I Love Lucy."

This is a great book for everyone who wants to run out and do great things for God without stopping to ask what God actually wants. The only drawback in my opinion was the way "apologized" to the people he had hurt. If he would have just offered an unqualified apology it would have been great, but for some reason he felt the need to mention that he had been prompted to apologize and then follow it up with, "there, I've said it." But, part of the point is that we're all growing and learning, and I did see real humility in the way he's running his current business. No longer playing the same games as before. Very entertaining and insightful book.

I laughed and cried, but I learned as much from this as a management textbook. Very captivating, entertaining, but emotionally charged with what do we do when God allows our dreams come crashing down around us.

This book had to have been an exercise in humility to write. I have nothing but the utmost respect for Phil Vischer after reading his story. My wife and I learned about the Veggie Tales in the late 90's after receiving a recommendation from some of our friends. We've been fans ever since and have 3 kids who have all grown up with Bob, Larry, and the Veggie crew. It's hard to believe so much was going on (good and bac) behind the scenes at Big Idea as we all laughed and sang along with the Veggies at home.

A great story about one man's Christian journey through the world of business and his growing relationship with God! As an entrepreneur in the early stages of several companies, the lessons taught are invaluable. As a Christian who is always dreaming, setting goals, and striving for worldly "success" this book has made me step back and re-evaluate my life and relationship with Him.

On business, Phil talks about the early stages in computer animation world in which he was a revolutionary. He teaches about money and cash flow in relation to running a company. He discusses leadership and his struggle to run a profitable "Christian" company in a secular world with non-believers all around. What's amazing to me that through it all, this is not a book that points blame anywhere but the on it's author. In fact, the names of anyone in which others might have placed blame are not ever mentioned!

On Christianity, it's inspirational to read a true story showing the Christian walk and struggle illustrated by Henry Blackaby in his devotional study Experiencing God. Blackaby writes, "If you start something and it does not seem to go well, consider carefully that God, on purpose, may not be authenticating what you told the people because it did not come from Him, but from your own head. You may have wanted to do something outstanding for God and forgot that God does not want that. He wants you to be available to Him, and more important, to be obedient to Him."

What a powerful book! A must read for Veggie Tales fans, Christians, and business people alike. Lessons to be learned by all.

I just got finished reading this and was totally blown away. I really appreciated his honesty and openness about what happened to Big Idea and this reaffirmed my feelings about the other so-called business books out there: it's easy to look like a genius when you study successful companies and draw contrasts, but the same methods don't work for every company.

Phil is a great storyteller, and I'm pleased to have been let into his world for a few hours.

Raised as I was on Sesame Street, it took me several episodes before I realized, "Hey, there are no females here. Isn't this show about good role models?" (VeggieTales came out the same year CTW launched Zoe, Sesame Street's first popular female muppet, to great fanfare.)

But the Veggies were fun so I continued to watch, as Bob, Larry, Pa Grape, Junior Asparagus, Mr. Nezzer, Mr. Lunt, Jim and Jerry all got personalities and subtexts. Poor Little Laura remained a whiner. Junior's mom hardly gets to speak. And Esther? A one-note.

So I was interested: Did some executives force Vischer onto this lopsided stage, or did it just happen? And the answer is: he really is that way.

He says that when he and his now wife (wife of 16 years, no doubt happy) found they were expecting, she "had" to drop out of college in her freshman year. We are just supposed to accept that. As it takes longer than one school year to go through a pregnancy, he didn't mention any complications, and this was the '80s, not the fifties, I found that puzzling. He just as cavalierly dismisses her singing aspirations--again, this is the '80s.

Again and again, his theme is that "kids" and "families" need good examples. This is good. He condemns Madonna. Understandable. And it doesn't occur to him that some kids might be females who need good examples, and that families might include women. Interestingly, Vischer even quotes the Bible to explain creating Bob: (paraphrasing) The Cucumber came first, but he was alone, and that was not good. So I created a sidekick.

Wait a minute, didn't the original tale mean creating a ...?

There are many intentionally laugh out loud moments in this book, and some that I think occurred by accident. After working himself into a heart condition, he states that while his wife and in-laws played with the children, he went into his wife's childhood bedroom and started to sketch the Veggie Tales Theme Park. Shades of Harry Chapin, here.

I absolutely expected more about __valuing__ his wife and children. It would have been possible to do that without compromising privacy. But they barely get a mention.

But, to be fair, all that is puzzlement at the man. To review the book, I have to say it was well-written, humorous, and told a great deal about the writer and his philosophies. He is absolutely driven to create, and does so, despite odds. He gives as clear, and as beautifully written, an account of how CG changed the entertainment scene as I could ever hope to see.(Vischer covers so much material it would have been helpful to have had an index.)

He is true to his vision as long as he is able, and doesn't let failure tear his faith apart.

My 8-yr old daughter just loves this fashion design kit. This is her 2nd one... she received the fancy party dress kit last year for Christmas. She entertains herself for hours & comes up with the most creative designs. It is wonderful for ideas, creativity, motor skills, patience. Highly recommend it.

Got this for my 11 yr old daughter and she has really enjoyed making outfits and putting them on the hangers. We found scrapbook paper to make even more outfits. We love Klutz.

So cool !!! Great for fashion divas in the making. A great creative gift for girls ages 9-12.

I highly reccomend this item! I am a paper crafter, and I love using these paper fashions to make quick stylish cards. I love this item because unlike some paper fashion books, it offers paper and templates, not precut paper or stickers. This is a great product for scrapbookers and cardmakers, and for all girls big and small. Also, there are miniature hangers included that add an extra touch to my cards, and I even hung ties on them to make a father's day card.

We bought this for our 10 year old granddaughter and she was delighted with the kit. It's simple to use, everything is included and it gave hours of fashion fun for a young girl. These kits as a whole are very appealing to preteen girls.

This book is an excellent tool. It focuses very specifically on effectively creating a business presentation. The tips were valuable to be and I have been creating presentations for several years. It will also be very easy to reference in the future.

This book is about making CONSCIOUS decisions for balancing the story board itself for hard facts, visual, ethical and psychological aspects, politicily correctness etc. but of course doesnt stop there.

The book shows and discusses which elements you need to convey your story and why you use certain presentation technics over others to achieve your goals.

The book is devided in 14 chapters. Each chapter is focused on either

a) How to create or develop your basic story or on
b) How to enhance it

(by using the described technics and its implications and reactons it will provoke).

What makes this book standing out is the careful analyzation of the aspects that came into play when giving an presentation.

That obviously includes the analytical skills itself but also the time and effort to explicitely mention and discuss (dis)advantages of each element.


The carefully chosen presentation samples will be disassembled throughout the book and taken apart into its peaces, analyzed, explained and put back together.

Where required, the example will be (dis)assembled several times to bring the points across.

Its the analysation of those presentations and its aspects to a granular level and putting the gained knowledge into a conscious presentation creation process that make the book so valuable.

Most books tell you just how to use software to make graphics etc. but this book tells you what you have to present to your adience to actually win them over.

The fact that the many aspects are explicitely explained helps you visualize the options you have at your disposal and the reason why you chose one presentation form over another.

While this book focuses on presentations that show off your assets and the art of persuasion. There is also a companion book "In the line of Fire" which focuses more on the defense to hardball questions.

I do also want to recommend a third book - "Dan Roams: Back of the Napkin" which focuses more on the technical aspects of how to find your story, and a strong focus on visualizing it fool prove and providing rock solid hard facts that wont be beaten.

What Jerry*s books does express very well is the fact that giving a presentation is like being an athlet.
You will have to exercise "verbalize" regularly to be in top form when it counts.

Good luck to you !!

We've all sat through presentations that dragged on forever, but led nowhere. What's worse, we've probably even given a few. As the author puts it, "The problem is that no one knows how to tell a story...and no one knows that they don't know how to tell a story."
Author Jerry Weissman boils it down to telling a compelling story. That's easy to say, but hard to do. With this book's guidance, you can become an effective communicator--whether convincing employees of the need to change, persuading prospects that you have the best solution or leading skeptical community groups to support your cause.

Presenting to Win overflows with practical advice on how to engage an audience by telling your story with a focus on what's important to them. You become an `audience advocate' whose concern for your listeners' needs puts them at the heart of your presentation. As Weissman describes it:
"Persuasion is the art of moving your audience from Point A, a place of ignorance, indifference, or even hostility toward your goal...navigating them through an unbroken series of Aha!s...to Point B, a place where they will act as your investors, customers, partners, or advocates, ready to march to your drum."

By following Weissman's detailed roadmap, we can learn how to tell stories that move and motivate our listeners by keeping them engaged from a compelling start to a big finish.

Silicon Valley Presentation Guru

Weissmann's first career was as a Hollywood producer and screenwriter. His friendship with venture capitalist, Ben Rosen, led him to his second career as a presentation guru. In 1988, he launched a business that taught high tech executives to move from feature-laden, techno-speak dissertations to engaging, listener-centric presentations. Yahoo, Intuit, Cisco, Microsoft, and Intel all benefited from his teachings.

The Opening Gambit is Just the Beginning
Weissman offers plenty of real world anecdotes, how-tos, and helpful graphics that convey how to grab and keep your audience. His opening gambit concept typifies his approach. He first offers the rationale, supports it with multiple success stories, and describes a broad range of opening gambits.
To engage an audience, an opening gambit pulls them out of a state of disinterest or suspicion about you and your presentation. Asking questions is one of seven such gambits discussed. In 1993, Scott Cook founder of Intuit (maker of Quicken and QuickBooks) faced a jaded audience of investment bankers. Rather than launch into a feature packed discussion of his new product, he asked two questions:
* How many of you balance your own checkbooks?
* How many enjoy doing it?
After a round of chuckles, he continued, "You're not alone. Millions of people around the world hate balancing their checkbooks. We at Intuit have developed an easy-to-use, inexpensive home finance tool named, Quicken." With this `Aha' moment, Cook was off and running.
Beyond the Opening Gambit--Components of Successful Presentations
Equally insightful chapters on presentation essentials provide a level of detail and clarity that leaves nothing to chance. They include:
* Story development
* Graphic design
* Delivery skills
* Tools
* Q & A techniques
In each case, Weissman

Presenting to Win: A Blueprint Worth Following

Weissman demonstrates that even those of us who aren't naturals can present to win. Learning what he teaches requires significant effort because his approach contains such a broad range of interrelated elements--and includes variations that differ depending on purpose, topic, and audience. Making it easy for our audience is hard for us. But, as Microsoft, Intel, Cisco, Intuit, and Yahoo learned, the effort is well worth it.

Presenting to Win is a terrific book. I got a clear, structured, sensible system to create presentations that will skyrocket the level of mine. I will keep this handy every time. Thanks for sharing your wisdom, Jerry.

Jerry Weissman is one of those rare people who has written an authoritative sounding book about how to present and has the real experience and background to justify every claim he makes.

The book starts with the premise that the presenter must focus on the audience and that he must make them focus on him. He must understand the mental point they are at (Point A) and moves them to Point B. He must understand what is in it for them (WIIFY) and constantly use it as he constructs every slide to walk them to Point B. He must also understand the setting of the audience, and his main points of argument. Finally, he must tie those points together with a flow structure that fits his argument.

That's the first half of the book and as someone who has through some awful presentations, I can only wish reading this book were the equivalent of a driver's license for public speakers.

The back half of the book draws on his background in television and employs standard cinematic techniques to improve the appearance of PowerPoint. It's easy to overlook this part, but it makes a huge difference as well.

I've now had a chance to see people who have used these techniques for years present, and it makes a huge difference. I have also seen someone present in a tough situation using these techniques for the first time. This person is level-headed and not given to fads. His comment? "I wish I had run to Jerry's book ten years earlier."

If you speak in public, this is the one book you have to read, and re-read. It is common sensical, based in fact, and surprisingly intuitive.