Natural Language Books

anyone can run out of ideas when teaching students from a non-English background... this will help you get right back in to reach out where you were loosing touch..

In my experience, adult learners tend to be wary of spending any more of their precious time on grammar lessons. Instead they want a chance to use what they already know to express themselves, and to learn more about other cultures. "Compelling Conversations: Questions & Quotations on Timeless Topics" provides just such opportunities, in an engaging and teacher-friendly format. The 45 chapters are arranged by topic to address universally relevant themes such as "Your Life" and "Modern Times". Each chapter takes a semi-structured approach by providing open-ended questions, targeted vocabulary, proverbs, and quotations. There are no rigid lesson plans here, only springboards to lively personal and inter-cultural exchange. From my own background in classrooms on three continents I can say that this rich collection of material would be an ideal addition to the toolkit of any teacher still inspired by the notion of free speech.

I first tried this fantastic textbook with a high intermediate student that I tutor. I was amazed from the start at how naturally the conversation flowed. We were only halfway through the first set of questions when she decided to buy her own copy. Each of the 45 chapters includes a vocabulary section and list of around 12 to 15 classic quotations, along with between thirty and forty questions. The chapters can be used in any order, but I recommend starting with chapter one as it orients the students to the textbook and shows them how to get the most out of subsequent chapters. Either in the classroom or one on one, it's accessible to intermediate students and challenges advanced students. The quotations, from Socrates to Shaw and from Picasso to Pete Rose, are all identified by name, when they lived, and what they did. This book is truly a treasure.

Compelling Conversations is an effective tool for teaching conversational English to ESL students. However, it's combination of topic prompts to promote conversation and intriquing quotations to inspire thought make it a great tool for any composition instructor.

Having trouble coming up with a good prompt for your college comp. class free-write assignment? Compelling Conversations will provide you with seemingly endless choices.

I strongly recommend this book for any instructor interested in promoting conversation in and out of the classroom, and for any student interested in improving their English language conversational skills.

Advanced students who are in need of authentic conversation practice will benefit well from using this book. The content is varied, authentic, and relevant. The questions under each topic create a stable, thorough framework for personal sharing. The result is that students get meaningful practice and experience a really supportive atmosphere. I often use the book as a 'warm-up' tool to get students engaged in speaking, and it compliments the dryer ESL texts by having more depth.

Beautifully written book covering almost all area of spoken language processing. However, despite of relative ease of reading, it is necessary to warn the beginning reader, that in some sections the deep enough acquaintance to their theme is veiled. It, for example, concerns questions of definition and application of delta function concept in chapter 5 (Digital Signal Processing).

This book is a comprehensive overview of most of the major topics associated with speech processing. Divided into five main sections, the book is well structured with a clear division of concerns. The title, "Spoken Language Processing", may be misleading to some as language processing topics only accounts for one section of the book.

The first two sections cover the fundamental theories that should be understood before embarking in-depth into a study of speech processing. This may seem an obvious approach but many texts do not follow this pattern making their use as reference tomes limited. Separating background theory from its use is also useful in that it allows a rigorous approach to its description. Too often texts give a hurried imprecise overview of theories used before launching into a long and complex use of the theory; losing the reader instantly in a quagmire of formulae.

The first two sections of the book deals with background material, material that the reader should at least understand the key concepts of. The first section concentrates on speech in general (including production and perception), probability and statistics, and pattern classification. These last two topics mentioned are both important parts of the book and are dealt with in their own chapters. Both are well written with the right amount of explanation and background. Much of the remainder of the book expects at least some familiarity with the material presented here. These chapters, like all chapters in the book finish with a section entitled, "Historical Perspective and Further Reading". The inclusion of recommended further reading, in addition to the vast number of references appearing in each chapter, make the book as a whole a very good starting point for any work in speech processing.

The second section concerns itself with the DSP topics which relate to speech processing. In this section the reader will find everything from FFTs to multi-rate signal processing and speech signal representations to speech coding. Again the section is well written and the reader is not forced to refer to other texts to understand what is written. If a topic is not expanded upon here then it is an indication that is not dealt further in any great depth in the remainder of the book.

The third section of the book covers speech recognition and is probably the section which will find most use with many readers. This section is very thorough in its treatment of the subject. It starts immediately with a discussion of Hidden Markov Models which is almost exclusively the method employed in the pattern matching stage of speech recognition. Any algorithms that are mentioned are also detailed which really make the book useful. In fact algorithms are presented throughout the book making it a practical reference as much as a theoretical one. This is important because there is a big jump from understanding theory to being able to implement an algorithm to exploit that theory. Other topics covered include an excellent chapter on environmental robustness with one of the best discussions of microphones I have seen. Language modelling and search algorithms are given a thorough treatment. I would like to have seen more detailed information on front-end processing and endpoint detection, as this remains a critical stage of the recognition process. Perhaps the level of detail reflects the fact that this is currently a hot research topic with potential for significant advancement.

Section four, on text-to-speech processing, is a good overview of the field and better than any book I've seen on the subject. It shows numerous block diagrams of what you need to build such a system and gives numerous algorithms in pseudocode. It also dedicates a subsection to each block of the text-to-speech system block diagram, discussing in detail what you would need to do to implement that particular block. Since much of the individual blocks have been discussed earlier in the book, it refers you back to specific earlier sections for details.

The fifth section is a short one on entire systems and shows some case studies, concentrating on what Microsoft was doing at the time this book was published, since that is where the authors' research came from. I would highly recommend that anyone anticipating getting into speech processing have a copy of this classic nearby.

What a wonderful book. Whether you are a computer scientist or mathematician with limited exposure to the discipline of speech processing, or alternatively you are a dedicated expert in this field, you will find everything you are looking for in this book. For two weeks, I couldn't put this thing down. And that's an extraordinary testimony to a book that's 800+ pages of technical detail. If you want a high level understanding of how speech processing works, or if you want to dig in and build your own speech engine, everything you need is right here.

A thourough and complete review about the subject, in which many disciplines (language, computer, probability, statistics, numerical analysis) converge. As a non-practitioner I have found it an enjoyable opportunity to refresh my knowledges in the field of signal processing, and a source of many hints I have been able to develop in other branches. In spite of notations and methodologies (e.g. bayesian) a bit far from I am used to, the near one thousand pages never seemed extreme related to the meaning compressed into them, spreading from base theory to advanced applications.

This is a great book if you want to know the future of what Microsoft's top researchers like XD Huang etc are thinking and working. Dr Huang is a super star of the field and it is equally worthwhile to read his excellent book.

While nothing can compare to the real deal of a professional Linklater voice instructor, this freshly updated and expanded 2nd edition (from the 1976 inaugural printing) brings with it 20 years of Kristin honing her voice exercises, and it truly shows in the meticulous explanation, improved illustrations and the careful word choice.

And when the book cover says expanded, it isn't kidding. Many warm-ups have been extended with additional exercises, and one useful feature is the commentaries at the end of exercises, which manage to put the exercises into a real world perspective that makes easy sense.

This book's language never gets caught up in intellectual logic. Instead, the text is so well laid out that exercises move from explanation to actual practice, and then to the next exercise before you realize it. The text is a definite improvement from the 1st edition, and that says a lot considering that when it first came out in the 70s, Freeing the Natural Voice became a staple in the voice acting industry and in many American acting curriculums.

When read, the text feels like Kristin is there having a conversation with you, and that is impressive considering that it is an exercise book, though so much more than that. It should be used as a helpful reminder and refresher for every instructor and student of acting (not just voice), as I myself intend to refer back to it on a regular basis.

Another thing that should be said that the text and exercises make the whole warm-up purpose simple by breaking down the body-emotion-voice connection to its most basic level. If you pay half-attention, you'll learn more that you could possibly be prepared for about not just your voice, but more importantly about your body, and how common habits of tension and emotional restraint truly affect everything you are.

This book is about the deconstructing of the physical and mental self-made blocks that inhibit the natural voice and the natural body - seeking to instead rebuild a direct emotional impulse essential for great acting.

This new and expanded second edition is a gem. Hundreds of pages of clear, easy to follow exercises and commentary are presented in a step-by-step format that allows actors (and speakers in general) to progress at their own pace no matter what their level of experience. The vocal exploration is made even more enjoyable by the lighthearted and effective drawings found throughout. This is required reading for anyone interested in developing a more free and expressive vocal instrument.

As a teacher, I
find this new edition invaluable for students of all levels. It is complete, available and thorough. After working with many different books on voice, this book is the one I keep coming back to. My students love it.
The exercises are specific and continually return the student to the purpose of developing their voice- communication and the revelation of thought and feeling.

I've been using the earlier edition of Linklater's book for years. The new edition is better than ever!! I especially like the commentaries in each section and the new illustrations. Whether you've been teaching Linklater's technique for years or new to the work, this new edition makes it all even more accessible than ever.

As a theatre director, I have read a lot of books about other directors and stagecraft, and far fewer about the intimate work of the actor. I never got around to making a close study of voice until now, and FTNV has been a wonderful revelation for me.

Not only is Linklater's work imagistically strong and physically clear, but the thoughtful and careful way she approaches "release" seems a metaphor that extends well beyond the borders of the voice. It has inspired me in all facets of my artistic work. Wonderful, insightful, highly recommended.

Image processing is used to improve the visual appearance and transmission of images to a the human eye. It also concerns the preparation of images with respect to measuring an image's features and structures. Now in a newly updated and significantly expanded fifth edition, "The Image Processing Handbook" by academician John C. Russ (Materials Science and Engineering Department, North Carolina State University, Raleigh, North Carolina) "The Image Processing Handbook" features an informative chapter explaining which visual cues elicit a response from the viewer; descriptions of the latest hardware and software for image acquisition and printing including digital cameras; multichannel images and an analysis of their principle components; the issues of deconvolution, extended dynamic range images, and image enlargement and interpolation, and so much more. Enhanced with more than 2000 illustrations, and with the availability of a companion CD-ROM, "The Image Processing Handbook" is a seminal and essential addition to professional and academic library Computer Science and Electrical Engineering reference collections.

This, the fifth edition of this industry standard reference book on image processing has been significantly expanded. There are some 600 new and revised images. A major feature of the new edition is to describe the new advances that have come about in hardware for image capture and printing. This includes both new versions of traditional equipment and new emerging technologies. The text has been expanded in areas like deconvolution, extended-dynamic-range images and multichannel imaging including principal-components analysis.

In general this book does not cover the background mathematics that enables image processing. Those are left to specialty books on the subject. Instead this book is intended to be used in conjunction with hands-on equipment where the reader is encouraged to experiment with different methods to determine what is needed for the particular job.

While suitable for use as a text, this book is really a handbook for technical users. The book is more oriented to what the various tools availavle to help actually do.

I am a biologist with a little background in math. Using this book and matlab I could quickly implement basic feature recognition tools to analyze microscope images. The book focuses on concepts and explains them in intuitive language rather than in mathematical terms. Overall, it worked perfectly for me, but could be over-simplying for people with technical background.

John Russ' book on image processing was never intended to be a textbook on how to understand and write your own image processing algorithms, as you might believe by looking through the table of contents. It does cover just about everything you would see in such a textbook, but from a user's standpoint of these operations, not as an author of image processing code who needs to understand the algorithms behind these operations. Instead, Russ explains all of the operations, their value in various applications, and provides many illustrations showing before and after pictures of what each operation does. There are no algorithms, pseudocode, or mathematics in this book.

The jewel in the crown of this book is the companion CD. It contains over 200 Photoshop plug-ins for performing the operations mentioned in this book. These plug-ins work on 8-bit grayscale and 24 bit RGB images and are divided into the categories of image adjustment, color manipulation, image math, boolean operations, Fourier processing, morphological operations, neighborhood processing, distance-map operations, thresholding, feature measurement, calibration, stereology, and surface rendering. The bad news is that you have to obtain the CD separately. If you need to understand the detailed mathematics behind such operations, you might consult Digital Image Processing by Gonzalez and Woods, and then come back to this book for the tools to accomplish the operations explained in that book. The updates to this fifth edition include an additional chapter on human vision and how it ties into image processing. Also, the author has updated his sections on image acquisition hardware and software to describe the latest tools available. Finally, the topic of tomographic imaging has been expanded and given its own chapter and the chapter on 3-D image acquisition has been deleted.

This is an excellent book on image processing from a systems engineering and user standpoint. You will be disappointed if you expect to learn the algorithms behind the techniques demonstrated in this book.

As others have stated, this book comes as close as you'll ever get to a single-source reference on image processing. But if I were ever going to shoot anything down in it, I'd say that a little more mathematical background on some topics (and maybe pseudocoded examples) would help. For example, in the satellite geometric correction section, only a very high level view is given yet this is a challenging topic that could use more depth. Geometric transformations in general could use more depth, e.g. camera calibrations or image warping/morphing/mapping to other projections for example. Another example would be the need for a little more depth on how to make slow algorithms fast ...like convolution multiplications for example. Sure, you could write out the multiplies and spot commonalities, then re-use results that appear in more than one subsequent equation and what not, but some exploration of matrix math and how to make it efficient would be nice. But again ...I'm picking at small things here, and if John's book covered everything that I'd like it to, then it would become 2 books, not one ...hey! Now THERE's an idea! A 2+ book set by John Russ that covers a broader range of topics and does so in greater depth! That's something that I'd pay for (and much better to read than Ballard & Brown)

What do people make of places? Basso's opening sentence is a good example of what the Apache call `letting one's mind have room'. As we read through the chapters of the book Basso continues to add layers to the meaning of this opening question. It allows us to reflect on various uses of the word `make'. We make sense of places by interpreting them. We make places intelligible by foregrounding them. We make use of places; as sign posts or land-marks through the use of descriptive naming. We make places or constitute them as sites or repositories of learning; we invest them as placeholders for morality tales or homilies. We make places vital; we invest them with agency, we enchant them, animate them, in the spirit of golems; we take a piece of earth and through magic or metaphysics we bring it alive, giving it a mission and a life of its own.

Wisdom sits in places. The Apache are a good example of virtue ethics. This is a theory of ethics, usually based on Aristotle's Nicomachean Ethics, which argues against an ethical universalism and in favor of a particularism. It foregoes the quest for nomothetic foundations and looks instead to the development of certain skills or character traits. Aristotle created a catalogue of areas of behavior or traits with a continuum of possible dispositions. The virtuous behavior was the means between the two extremes of each continuum. Thus the virtue of bravery was somewhere in the range between cowardice and foolhardiness or irrational voluntarism in the face of impossible odds or a meaningless risk.
Aristotle's concept of phronesis finds an interesting parallel in the Apache moral imagination. Phronesis is a meta-virtue; it is the ability to choose the right action for each particular event; the ability to find the virtuous means between vicious poles. It is the essential skill for particularism which is the theory that the right action, the correct moral choice is particular to each unique event. It is opposed to the universalist proposition that there are sets of moral propositions or codes that we can apply in a covering law model. Universalism holds that when two of our moral codes clash we resolve the dilemma by applying a meta-rule, most commonly a deontological (Kantian) or utilitarian proposition.
The Apache's sense of wisdom is a good example of a pragmatic ethics informed by a set of virtues that are learned and continually developed throughout their life's journey. In the first chapter we note how each speaker brings the homily (the moral lesson associated with a place name) forward, making it their own, fleshing it out. One imagines that each speaker and hearer of place names is expected to silently immerse themselves in each homily; making it real by seeing it happen. The act of giving vision to the oral narrative is a process of developing layers upon layers of particular exemplars of the lesson. It is thus internalized and carried forward for the next use. As one gains wisdom one becomes more proficient at seeing when and where to apply these lessons.
This is similar to the thought of the American pragmatist and logician, C. S. Peirce, who proposed a fallibilism about knowledge, truth, and scientific results. He felt that we were always discovering more and that a full statement of any putative universal law was always deferred. Peirce's original pragmatism differed from what James and Dewey later made of it. For Peirce we expanded our sense of a truth through a process of discovering layers upon layers of particular applications and gradually gaining more of an understanding of the wider truth. But his sense of fallibilism posited rich moral concepts such as justice or duty as essentially contested concepts.

We have maps in our heads. There are other interesting parallels with the ancient Greeks besides virtue ethics. There is a significant body of study regarding Plato's thought on the spoken and written word. Plato argued that reality resides in absolute and eternal forms. Thus the impressions available to our senses are imitations that is but a shadow of these eternal truths; they confuse us and should not be trusted. Worse still are the imitations of imitations; thus his polemics against poetry, art, and the written word. It would be interesting to combine this with the study of texts in the 20th century to look at the Apache's preference for maps in the head. Barthes, Derrida and others all expanded our notion of what can serve as texts and it might be interesting to look at Apache use of places through some of those lenses.
In addition there are interesting parallels with the sophists. Although Plato and Socrates succeeded in creating our contemporary disdain for sophism, recent work in the study of Isocrates and others brings a new appreciation of certain tenets of sophism. The sophists exhibited some similarities to the Apache notions of epistemology. They both saw the elders and ancestors as the source of wisdom and warrants for knowledge to be used for current problems. They both argued that the knowledge of the past resided less in universal laws than in practices of the ancestors; actual responses to past dilemmas that are best accessed through interpretation rather than a rote use of the covering law model or a slavish rehearsal of rigid and dogmatic rituals.
They both thought that knowledge (as justified true belief) was discovered and ultimately ratified and warranted by the voice of the majority; the interpretation that found the most general favor. The sophists proposed that vigorous debate in an open forum of citizens is the most epistemologically sound form of inquiry. Their best speakers would take both sides on various propositions of what the ancestors would have done in the current crisis. The goal was to make the best possible argument for all options and let the citizenry decide.
Both the ancient Greeks and the Apache continued to observe religious rituals but it would also be interesting to compare characteristics of their religious cosmology, the role of the gods, and their associations with natural entities and nature in general.

This book was mediocre at best. Although Keith Basso did provide some insight into why the Apache people cherish their land, I felt that Basso kept on saying the exact same thing in every sentence. I had the point of the entire book by the time I was ten pages into it, and it kept on going, therefore making me lose my concentration on what I was reading.

Anthropologists, language students, and Native American culture afficionados will find this book, and any by Keith Basso, written links into a cultural past which struggles to exist today. As the Western Apache tribes become more modern, the information found in this and other Keith Basso writings, become necessities in the preservation of traditional Apache culture; with the exception of the knowledge of a few hundred very traditional Apaches still living in Arizona.

What do people make of places? This is the central question examined by Keith Basso in his ethno-linguistic study of the relationship between language and landscape among the Apaches of Cibecue, on the Fort Apache Reservation in central Arizona. Basso, a professor of Anthropology at the University of New Mexico, has spent over 30 years conducting field work among the Western Apaches. His publications concerning this group include articles on language, patterns of silence in social interaction, witchcraft beliefs, and ceremonial symbolism, among others. The idea for Wisdom Sits in Places stemmed from a study conducted between 1979 and 1984, in which Basso, with the help of a grant from the National Science Foundation and the guidance of the Apaches, conducted a study of Apache places and place-names; how the Apache refer to their land, the stories behind the place-names, and how these place-names are used in daily conversation by Apache men and women. The result is a stunningly informative account of the use of landscape and language in the social interactions of the Western Apaches.
Basso divides his book into four sections: Quoting the Ancestors, Stalking with Stories, Speaking with Names, and Wisdom Sits in Places. Each chapter's focus is to examine how landscape and language serve distinct purposes in Western Apache society. Basso incorporates the oral history of, and discussions with, local Apaches, as well as his formal training as an ethnographer-linguist, to explain the underlying themes of this book.
First, Basso introduces the reader to the idea of place-names and in the Western Apache construction of history. As conceived by the Apaches, the past is a "well-worn `path' or `trail' which was traveled first by the people's founding ancestors and which subsequent generations of Apaches have traveled ever since" (31). The ancestors gave names to places, based on events that occurred there. Regardless of the physical changes in the landscape that occurred over time, the story of what took place, as well as the place-name, was passed down through generations and serves as a connection between the people and their ancestors.
Second, Basso examines how the language and the land are "manipulated by Apaches to promote compliance with standards for acceptable social behavior and the moral values which support them" (41). The historical tales of place-names are without exception morality tales, intended to influence patterns of social action. Their purpose is to serve as warnings, criticisms, and enlightenment for those who are behaving improperly; not in accordance with the Apache way of life. The telling of a historical tale is "intended as a critical and remedial response" to an individual's having committed one or more social offenses. Apaches contend that if the message is taken to heart, a lasting bond will have been created between that individual and the site at which the events in the tale took place. In short, the land, accompanied with its historical tale, "makes the people live right" (61).
Third, through the act of "speaking with names", place-names can be condensed "into compact form their essential moral truths" (101). "Speaking with names" is considered appropriate only under certain circumstances, generally to enable those who engage in it "to acknowledge a regrettable circumstance without explicitly judging it, to exhibit solicitude without openly proclaiming it, and to offer advice without appearing to do so" (91). Evoking images of a particular place and narrative thus replaces a more direct form of advice or criticism, with "a minimum of linguistic means" (103).
Finally, with the guidance of his Apache friend, Dudley Patterson, Basso examines the path of wisdom in Western Apache society. Patterson explains there are two mental conditions, "steadiness of mind", and "resilience of mind", which lead to a third and most desirable condition, smoothness of mind. These three conditions are not innate; therefore, one must work on one's mind in order to gain wisdom. To work on one's mind, "one must observe different places, learn their Apache place-names, and reflect on traditional narratives that underscore the virtues of wisdom" (134). A resilient mind, according to Patterson, does not "give in to panic or fall prey to spasms of anxiety or succumb to spells of crippling worry" (132). A steady mind is "unhampered by feelings of arrogance or pride, anger or vindictiveness, jealously or lust" (133). Steadiness and resilience give way to a sense of "cleared space" or "area free of obstruction", conditions necessary for smoothness of mind. Only those who continue on the trail of wisdom their whole lives come closest to having a smooth mind, and are "able to foresee disaster, fend off misfortune, and avoid explosive conflicts with other persons" (131). Thus, wisdom is intertwined with the idea of survival through the consistent and thoughtful evocation of landscape and language.
Keith Basso and the Western Apaches of Cibecue have provided readers with an insightful and provocative account of the connection between language, land, and a people's cultural history. Wisdom Sits in Places opens the door for future research on place-names by shedding light on a previously overshadowed topic in anthropological studies. Basso's dissection of certain stories and social interactions can be overwhelming and a bit dry, but his purpose is made clear when his examinations are added together with the Apache narratives. What results is a clear picture of what language and landscape mean to the Western Apaches, the functional versatility of place-names, and the importance of being aware of one's sense of place.

Basso's writing is extraordinary. This great book consists of engaging articles that merge linguistics with cultural anthropology in an approach called the "ethnography of speaking." Placing this jargon aside, the approach is to demonstrate how Apaches use names, stories, and other ways of speaking to create and maintain their culture. Basso's work provides deep insight into Apache life, and it also serves as a model for ways to understand how language plays an important role in everyday life.

I used Dragon to first-draft Writing Nonfiction: Turning Thoughts Into Books. I was so impressed with the system, I included a chapter on using speech recognition to dictate a how-to book. Then I found Dan Newman's book. I recognized a number of things I had learned and found a whole lot more. Newman made the Dragon even more fun.

If you write a lot and are not an accurate, rapid typist, get speech recognition software. If you are fast and correct, keep on keyboarding. Dragon is good but you will have to make corrections. If you already make mistakes, it does not matter if you talk or type.

Dan Newman takes you step-by-step through using Dragon Naturally Speaking. (For coverage, click on Table of Contents in the left-hand column of this page.) He even includes trouble-shooting tips and resources.

Dan Newman is a great writer, gifted computer expert and a dedicated teacher.

As the author of 113 books (including revisions and foreign-language editions) and over 500 magazine articles, I highly recommend this book to anyone who has to write a lot. DanPoynter@ParaPublishing.com.

Why didn't someone write this book years ago? Dan Newman distills the complexities into concise explanations of perfect clarity. Dragonites need this book. All the problems I've been struggling with for years were solved in a few hours of reading. Talk about clear, easy organization. Thank you, Dan Newman!

This book not only covers Dragon NaturallySpeaking software but also offers several tips and examples on efficient speech recognition. The material is presented in such interesting fashion that makes this book fun to read. If you own Dragon NaturallySpeaking software, this book is a must to have.

Dave Newman's book is essential for any speech recognition user regardless of the amount of experience they may have. He teaches you techniques that help you improve your accuracy and speed. He also gives you pointers on how to optimize your software and hardware for maximum accuracy and speed. Dave provides a complete step by step guide on all the features of Dragon 4.0 with greater detail. He includes the new features such as surfing the web by voice. This book is a must have for making your speech recognition program usable in terms of reducing frustration and improving the overall performance of your software with his instructions which Dragon doesn't cover in their manual.

This is a really helpful book. I would prefer to read and Dan Newman's book than all the technical stuff in the Dragon manual, because it is so much more user-friendly. I have been using Dragon NaturallySpeaking since it came out in 1995. There is so much to know, and so much you can forget!! By reading this book, I am remembering some very useful tips, and learning some new ones. I would recommend this book to anyone using NaturallySpeaking.

My baby loves to look at this book. The artwork is clever and the story is great for repitition. This book is a great find.

the simple words and bold pictures lead babies and toddlers on a fun trip through the four seasons. this book helps children to use their imaginations to discover their environments.

My daughter loves this book. It goes with us, everywhere. She has memorized it at 2 years old. "the storms rage" has always been something I can dramatize when reading it. Now, she has her own way of emphasizing it. LOVE IT!

My 1-year old son LOVES this book. It's been one of his favorites since he first saw it. He wants to read it over and over, which helps to pass the time on car trips. He always laughs when the cow re-appears toward the end. Not many books hold his interest as much or get him as excited as this one!

I bought this book just for it's large print and short sentences. (ez reader). despite these two 'requisites', this is not just a baby book!
If you want to introduce your child to the 'flow' of eloquent vocabulary, this book should do it!
It is NOT a dumbed-down baby book. It is much more fun for me, as a parent, to read than any other baby book that I have met so far!
I can see why the baby's (in other reviews) prefer it!!
My six year old (learning to read) loves it, too.

My baby loves to look at this book. The artwork is clever and the story is great for repitition. This book is a great find.

the simple words and bold pictures lead babies and toddlers on a fun trip through the four seasons. this book helps children to use their imaginations to discover their environments.

My daughter loves this book. It goes with us, everywhere. She has memorized it at 2 years old. "the storms rage" has always been something I can dramatize when reading it. Now, she has her own way of emphasizing it. LOVE IT!

My 1-year old son LOVES this book. It's been one of his favorites since he first saw it. He wants to read it over and over, which helps to pass the time on car trips. He always laughs when the cow re-appears toward the end. Not many books hold his interest as much or get him as excited as this one!

I bought this book just for it's large print and short sentences. (ez reader). despite these two 'requisites', this is not just a baby book!
If you want to introduce your child to the 'flow' of eloquent vocabulary, this book should do it!
It is NOT a dumbed-down baby book. It is much more fun for me, as a parent, to read than any other baby book that I have met so far!
I can see why the baby's (in other reviews) prefer it!!
My six year old (learning to read) loves it, too.

I bought this book because I wanted a comprehensive introduction on the statistical approach to speech recognition. There is no doubt that this is an excellent book, that achieves this. If you are new to the field of speech recognition, be warned that this book isn't exactly the easiest to read, though.

For example, chapter 2 which discusses Hidden Markov Models, laying part of foundation for the following chapters, is full of mathematical formulas that won't be easy to follow unless you already have some background on the topic. I would recommend that instead you read L. Rabiner's paper "A Tutorial on Hidden Markov Models and Selected Applications in Speech Recognition". Rabiner not only shows the formulas, he describes their meaning, and the tutorial makes it easy for you to follow the text and actually understand what is going on.

That said, every chapter includes a section on additional reading (the above paper is mentioned in chapter 2) so you can always look up the references to help you understand the material, if you need to.

To summarize, this is an excellent text, that I would recommend to experts in the field, but beginners may need additional reading to get a better understanding of the book.

This book provides a comprehensive introduction to the statistical models and algorithms used for speech recognition. Jelinek sets up the speech recognition problem in the traditional way as the decoding half of Shannon's noisy channel model. While Jelinek glosses over signal processing, he provides an excellent overview of the symbolic stages of processing involved in speech recognition.

After a quick introduction, Jelinek digs into the statistics behind Hidden Markov Models (HMMs), the foundation of almost all of today's speech recognizers. This is followed by chapters devoted to acoustic modeling (probability of acoustics given words) and language modeling (probability of a given sequence of words), and the algorithmic search induced by this model. There are also advanced chapters on fast match (widely used heuristics for pruning search), the Expectation-Maximization (EM) algorithm for training, and the use of decision trees, maximum entropy and backoff for language models. He covers several auxiliary topics including information theory and perplexity, the spelling to phoneme mapping, and the use of triphones for cross-phoneme modeling. Each chapter is a worthy introduction to an important topic.

This book does not presuppose much in the way of mathematical, computational, or linguistic background. A simple intro to probability and some experience with search problems would be of help, but isn't necessary -- you'll learn a lot about these topics reading the book.

All in all, this is the best thorough introduction to speech recognition that you can find. Read it along with Manning and Schuetze's "Foundations of Statistical Natural Language Processing" from the same series; there's a little overlap in language modeling, but not much. You might want to start with the gentler book by Jurafsky and Martin, "Speech and Language Processing", before tackling either Jelinek or Manning and Schuetze.

This is an excellent book for people with speech recognition knowledge. The algorithms are very well described in a sound and comprehensive mathematical framework.

This book provides an excellent overview of speech recognition technology using Hidden Markov Models. Although Jelinek is clearly speaking with respect to his experience at IBM - he might as well be describing any other commercial speech recognition framework in the world. As a researcher and programmer in the area of speech recognition I regard this book as an excellent reference. It is concise, and I would say that anyone with a reasonable grasp of mathematics should have no trouble understanding most of the topics. In some of the more advanced areas some readers might need to refer to one of reference papers described in the book. I agree with the first reader - destined to be a classic!

This book is possibly the first of its kind - exclusively devoted to Statistical Speech Recognition. The author is a pioneer in the area - one of the 'fathers' of the field,as it were. Thus one expects the text to be authoritative, and it is. The 'information density' is very high - it's a small book, but absolutely packed with information. You'll learn a lot about Hidden Markov Models and their use in Speech Recognition, but it also addresses many other issues, like language modelling and grammar, making it much more than a mere 'speech maths' book.

However, this is definitely not meant for absolute newcomers to the field of speech processing, and it does assume some background in advaced mathematics as well, especially in probability.

If you're looking for other aspects of Speech Recognition or code, you've come to the wrong place - but please don't spoil the rating of an excellent book by complaining that it doesn't have what it never promised to :-) - if you want a solid introduction to the field as a whole, i'd suggest 'Fundamentals of Speech Recognition' by Rabiner & Juang, and if it's code that you're looking for, there's lots of excellent open source stuff available on the net, notably from CMU and Cambridge, and there are some recent books in the market exclusively devoted to implementation of speech recognition systems.

To sum up, if you have some exposure to speech recognition and want to learn the maths & concepts behind the Statistical approach to Speech Recognition, this is your book.

Rebeccasreads highly recommends OCEAN WHISPER/SUSURRO DEL OCEANO no matter what your mother tongue is, because... other than the flyleaves & the opening poem in both English & Spanish, this bedtime story is told all in picture... gorgeous, dreamy pictures of the life to be found in the deep blue sea.

Of shells & sounds, fishes & water, whales & mermaids, aquariums & dreams, all exquisitely illustrated by Dennis Rockhill.

A lovely way to fill your children's minds as they ready for sleep.

Ocean Whisper / Susurro del Oceano is a children's picturebook featuring a bilingual English/Spanish poem about the quiet warmth of the ocean, and its colorful plants and creatures. The poem leads into an elaborate story told entirely through soft, gentle, deep-toned artwork of a young boy and his dreams of experiencing the ocean firsthand. A unique, vibrant, and almost purely visual experience of wonder, that will surely appeal to and instill an appreciation of the sea's wonders within children of all ages, even the very young.

June 26, 2005

This wonderfully illustrated picture book begins with a mesmerizing poem that will lead children to a boy's bedroom.

During the dark hours of the night - the boy and his room are transformed. Dreams give way for the aquatic world in which to come to life!

Illustrations are exquisite and as I soon found out - children will use them to conjure up their own unique tales of adventure! This little masterpiece is great for young and old alike.

Reviewed by Betsie

A series of pictures is introduced by a 12-line poem "Ocean Whisper." The poem relates a young boy's dream that he is a whale cavorting with other whales in the ocean. The pictures are scenes from his dream. Dennis Rockhill, the illustrator, uses an artistic technique involving sketching and multiple layers of the scenes to create illustrations that capture the similar undersea world and world of a dream. A picture of whales and a fishbowl the young boy looks at in his bedroom as he is trying to fall asleep spur his dream. Ages 3-6.

My 4 year old son loves this book.
I am intrigued to watch his eyes move about the page and point and discuss different things about the undersea world. This definitely strenghtens his imagination.
I am amazed at the realism in the illustrations. Especially the underwater reflectivity from the light streaming down into the ocean depths.