Creativity Books
Related Subjects: Hofstadter, Douglas R.
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A great book for artists to loosen up rigid framesReview Date: 2008-01-18
Blow Away!!!!Review Date: 2007-05-22
Strong art - weaker philosophyReview Date: 2004-09-16
A great way to Watercolor painting IdeasReview Date: 2006-08-21
elegantdesign.co.nz Book ReviewReview Date: 2004-02-29

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The Cosmic Anthropological PrincipleReview Date: 2000-09-16
In The Artful Universe, Barrow explores in great and fascinating detail just exactly how the fine structure of the cosmos bears fruit in the structure of the human body, and in particular the structure of our ideas, preferences, values, aesthetic reactions, ways of thinking; our minds. The primary thrust of this wide-ranging survey is that animal minds and bodies subjected to natural selection are in big trouble if they embody propositions about the world, and therefore about the appropriate way to behave, that are in any important way essentially wrong. He argues that just as the structure of the eye constitutes evidence one way or the other for the correspondence to reality of our ideas about light, so the structure of, e.g., our mathematical faculties constitutes evidence for the mathematical structure of reality.
Barrow is terrifyingly erudite, and a clear, graceful writer. He manages to convey boatloads of highly technical concepts from numerous fields in crystalline arguments accessible to anyone with a basic scientific education. You will learn a ton from this book. You'll work for it - Barrow never condescends - but you will be well rewarded.
Science and Art Do MeetReview Date: 2005-05-17
The thesis of this book is quite simple: Science has found that we humans are wired so that certain things in the universe are necessarily that way and could not be otherwise. Because of this "hard wiring" as one commentator observes, the strict methodology of science has just recently began to branch out of its "models" of uniformity and embraced diversity. Meanwhile, the diversity of human creativity, especially as it applies to the arts, has avoided at all costs any semblance of having a "model" by which to judge the universal appeals of so much diversity. It's time that the creative arts started taking a look for "models" into serious view as it evaluates themselves. I think this is a reasonable and defensible thesis against solipsism.
The argument is not an either/or dysjunction, but an and/both conjunction. Science has discovered a number of theories which serve to explain the universe as we know it. It strives to find the common ground on which to evaluate the world as we have come to know it. Conversely, the creative arts and the humanities have avoided, to the extreme, any effort for artists to "conform" to similar models found in nature and described by science. Barrow thinks it is time to reverse this odd peculiarity.
After all, when we evaluate painting or music, for example, we see that certain patterns emerge which give each endeavor a backbone for acceptance or rejection. The archetonics of harmonic cords and pictoral perspectivism require that certain creative arts fulfill these a priori demands, otherwise we regard such works as "distorted" or even worse "contorted." This result is not arbitrary, but developed over years of knowing that representational art must be "three dimensional," not two, and that in music a chord is composed of certain harmonic notes that please the natural disposition of the ear both aesthetically and physiologically.
Barrow illustrates these patterns of proportionality, perspectivism, chordal harmonies, etc., in light that they shed on the acceptability or rejection of certain "given" patterns innate in life. His thesis that the creative arts ought at least entertain the association of these innate given patterns in their evaluation as "works of art," just as science has decreed that the universe itself operates on the principles of certain immutable laws. I found his argument persausive, as one who is endeared more towards the artistic endeavors more than to the scientific ones. Thus, not all that passes itself off a "art" ought to be evaluated on the basis of its diversity, but also on the basis of its conformity to certain aesthetic criteria that are found in nature itself. Thus, many of those artistic endeavors that are meant to shock the observer by their discordance and lack of proportionality are incongruent with certain immutable aesthetic judgments based on nature's inherent designs. Ergo, the creative arts may have a certain degree of freedom to create outside the boundaries of our natural dispositions, but for the most part they must play within certain rules enough of the time in order to constitute pleasing versus unpleasant art. How much of a jump there is between "good" versus "bad" art from these immutable rules is at least partially determined by objective criteria. The question becomes, How much?
As one who is a "conservative" aesthete, I find Barrow's argument more than persuasive. I'm not sure just how conformable a work of art must be to the innate rules of nature before it passes from acceptable to unacceptable. But now that I know there are indeed such naturally innate rules, I am much better able to evaluate, as well as articulate, the creative arts on a more expansive, yet nonetheless "natural" criteria. Barrow's book is an engaging and worthwhile polemic.
Evolutionary Psychology, Art, and ScienceReview Date: 2001-02-13
No mind was ever a tabula rasaReview Date: 2005-07-09
As the philosopher Victor Zuckerkandl says (quoted in this book): 'Art does not aim at beauty. It uses beauty (or ugliness) to arrive ultimately at knowledge, at truth.' (as science)
Many natural adaptations have given rise to curious by-products, some of which have played a role in determining our aesthetic sense.
Although sometimes very tentative, this rich book sheds an insightful light on more or less hidden links, like
- the connection between the heavenly bodies and the pattern of life on earth (28 days)
- the importance of symmetry: living beings are symmetrical, which is rare for inanimate objects. Also, our evaluation of physical beauty focuses on symmetry.
- size as a key to survival, with the adage 'small is best'. 'The Almighty had an inordinate fondness of beetles.'
- the origin of painting: a natural outgrowth of the fallibility of human memory and the need to communicate. Also, the reason why we like savannah landscapes and not computer paintings because they seem unnatural.
- the Chomsky (innate patterns) / Piaget (blank slate) controversy on the origin of language
- the origin of literature: the craving for social cohesion and well-being met by oral history and stories in which the hearers appear in a leading role. More, 'The pen is mightier than the sword.'
- the origin of dance: a need for frenzied activity or heightened sensibilities in preparation for war, in celebration of fertility or birth or in mourning death. The rhythmic gyrations of primitive dance bind people together.
- the origin of music (the purest form of art): animal mating calls.
John Barrow explains clearly the relationship between music and mathematics as well as theories on mathematics (Platonism, intuitionism, inventionism, formalism) and music (absolutism and referentialism).
This book is an excellent exploration of a vast and very interesting human domain. Not to be missed.
An interesting if wordy detail of the "human connection"Review Date: 1998-12-08
I guess it took me about half the book to find out what his general points were going to be. To me the book made connections between the nature of the universe and all things (particularly humans) in it.
I really wanted to closely scrutinize the chapters on sound (I am a musician and scientist). Unfortunately, by that last third of the book, I was too fatigued by the writing style. I ended up reading a few paragraphs in each section and skimming the rest, knowing (or making a logical guess) about the rest of the material. The author's basic points had already been made.
Furthermore, I felt unsatisfied by the author's overall treatment of art (particularly music). I was hoping for something more "insightful." It seems somehow self evident that particular sights and sounds are "appealing" to us given our physiology, evolution and their relationship to the nature of the universe itself. These arguments seem like tautologies; We like what we like because we are who we are. In the end, this isn't very interesting. On the other hand I could plead guilty to expecting too much.
There is more to art and music than meets the direct senses. When you try to explain what is "more" about music, you lose the meaning. Maybe the lesson is to just play the music and let it speak for itself. If the author was trying to make this point (indirectly) it is now very well taken. It's better to explain the beauty of music with selections of Joco Pastorius...
Finally, I thought the book was in places too human centric. Clearly books are intended to be read by humans. But I thought some of the author's points of view bordered on saying human animals were somehow more "important" than others. The universe doesn't make conscious choices to anoint one animal over another. Those evaluations are (too often, unfortunately,) made by us, not nature. Free will does exist.
Given these points, I do think the book was worth reading and might even be suitable for a seminar. I took about 4 days to read the book, but maybe should have taken more time. Anyway, at best, I think this book is worth 3 stars; Not bad, not great, but worth reading and discussing with others.

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Buy it, together with with "How to be a graphic artist without loosing your soul"Review Date: 2008-07-10
If you are a newby in design bussines or still studying, do yourself a favor, read this book before attemting anything else and you will be better directed in even the task of deciding if you really are going to be a graphic designer for the apropriate reasons or if you should really do something else. If you have been into this for some time already, you will still learn many things that you are still doing wrong and so on...
Listen, go and buy it... Period!
Cam Foote's Business Side of Creativity is essential for designersReview Date: 2008-05-17
Great BookReview Date: 2008-03-24
Great ResourceReview Date: 2007-11-02
Excellent book if re-directed to the right audienceReview Date: 2008-08-04
If you are in position where you are considering starting up your own business or going it alone as a freelancer then this book contains a lot of valuable information and good advice and I would highly recommend reading it before you go any further.
Those outside the USA should be aware that some sections of the book will not be relevant (for example those focusing on company registration procedures and tax issues) as they are based on US law and regulations -but there is still a lot of other good advice.
I would estimate that around 3/4ths of the book focuses on pre start-up and start-up issues so, if like me, you are currently running your own business then much of the content is already redundant and, while the remaining content is informative, this does limit the overall usefullness of the book.

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actionmarketingguyReview Date: 2005-11-20
A Book that Teaches by ExampleReview Date: 2002-01-26
Jeff Tobe has taken his book on creativity, marketing and sales quite a few steps beyond that. He has been thinking , creating, and "Coloring Outside the Lines." He presents basic approach to business within a slim, memorable volume.
The author polishes up a dull subject with images from the sports world and from children's games. He supplies an intriguing diagnosis of stale business practices he calls BPIP (Business Professionals Innovation Deficiency) with all its symptoms. These include Past-a-Plegia, Internal Myopia, and Psycho-Sclerosis, all of which make anthrax seem innocuous. You will want to learn about these because they are diseases anyone can contract.
The book itself is a tribute to Tobe's own philosophies. The cover looks more like an Easter egg than a business book, the typeface is positively enchanting (and readable) and his advice is anecdotal, not built with dry-old, tired-old businessese. His message is to achieve success by thinking differently; this book illustrates this very premise. Tobe takes a risk and it works.
Carolyn Howard-Johnson, author of "This is the Place"
The best business book for the new milleniumReview Date: 2001-07-31
Creative ReconstructionReview Date: 2002-01-02
His is a much more personal book than those written on the same general subject by others such as Claxton, de Bono, Levesque, Michalko, and von Oech. It covers less material. That's OK. This book would be much easier to re-read on a regular basis (which I highly recommend) for those involved in marketing and sales who need to reactivate their creative "juices" from time to time. Of course, it would also be of substantial value to just about anyone else. To school and college students, for example, or to those who have only recently begun a career, or especially to those who have (voluntarily or involuntarily) reached a crisis point in their career.
One of the book's greatest benefits is derived from Tobe`s own "coloring" outside various "lines" throughout his own life and career. Perhaps he agrees with my own opinion that most human limits are self-imposed. That is to say, on many occasions we feel constrained by "lines" we ourselves have drawn. (Long ago, Henry Ford said something to the effect "Whether you think you can or think you can't, you're right.") Tobe wrote this book primarily (but not exclusively) for marketing and sales executives. As indicated previously, I recommend it to anyone who now feels constrained by real or imagined "chains." Tobe offers new "crayons" with which to "color" and strong encouragement to re-think assumptions about creativity. Two chapter titles suggest how: "If It Is [italics] Broke, Don't Fix It...Yet" and "To Err Is Right...or at Least Necessary."
Once you have read this book, you will be much better prepared to read other books written by the aforementioned Claxton, de Bono, Levesque, Michalko, and von Oech. More to the point, you will be much better prepared to increase and enhance your ability to think creatively whenever that may be necessary...which is to say, all of the time.
Delightful Change of PaceReview Date: 2002-06-20
It is said that if you tie an elephant to a stake with a thin rope when it's young, the elephant learns that it is secured to that stake. The learned behavior "sticks," enabling handlers to secure huge, powerful elephants to stakes with thin ropes. The elephant doesn't believe it can break free. Humans are not so different.
Then Jeff Tobe comes along and shatters all those imaginary boundaries. A salesman and professional speaker, he specializes in stimulating creativity and innovation in business organizations. As demonstrated by his stories in this book Tobe helps companies break through "innovation deficiency," characterized by Internal Myopia and the Ostrich Syndrome. He argues that business leaders-and everyone else in the environment-must change the way they perceive, think, and behave to succeed in today's competitive world.
You get an immediate sense that this book is going to be a bit different when you open the cover. There is no traditional Times New Roman type between these covers. The typeface--throughout the entire book--looks like something from a primary school primer on the fine art of printed word penmanship. The message is clear: this book is going to be different and fun. And it is, but it's serious, too.
"Coloring Outside the Lines" is organized into three sections: Creativity, Marketing, and Sales. Each section has 6-9 chapters that stimulate the thinking and illustrate how things can be done differently. The lessons are valuable-some are fresh and some are the old saws that we've all learned for years. Each lesson is presented in the context of a story that you might hear on a fun walk through a meadow with the author. The chapters are filled with personal stories and experiences with titles like "Are Your Bagels Hot?" to "Step into My Office." These narratives are enjoyable (yup, chuckles in this book), comfortable and reasonable, yet highly instructive. The book is deceivingly simple in appearance; the educational aspect sort of sneaks up on you.
This easy-to-read volume will be thought-provoking and stimulating for salespeople, marketers, and other executives and managers who welcome inspiration (or permission) to do things just a little bit differently. If the thinking and behavior or different, (surprise!) the outcomes are different.

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The Value of DesignReview Date: 2006-03-14
Design is a fundamental principle that applies to the most critical aspects of the success of ANY business: optimizing relationships (the lifeblood of an enterprise's existence). The touchpoints at which any individual interacts with a business (whether customer, employee, supplier...) can all be optimized with thoughtful design considerations (it's not just about products).
Read Hirshberg and look 'beyond' the immediate problem. The principles are fundamental. Hirshberg does a great job of illustrating the principles within the context of his own experiences.
highly recommendedReview Date: 2005-11-10
Review Part One - the first 6 chaptersReview Date: 2006-03-04
The main take home messages from the first six chapters of `The Creative Priority' can be summarized as:
Creative Abrasion
In most cultures conflict is associated with negative emotions, which are usually considered counterproductive. Harmony and teamwork is very important supposedly for an organization to function effectively. However, when everyone thinks and acts alike no innovation can occur. All great thinkers, creative geniuses challenged the status quo. This is basically the root cause in every large company for the inability to innovate or to be creative, because the culture in most large companies is to conform rather than to stick out. That creativity goes along with a fair amount of conflict or friction is not a new idea. Most teams consisting of representatives from different functional areas will go through the phase of "storming" during the formation of the team. During this phase the team experiences a lot of conflict between the team members and will learn to deal with conflict in a constructive way - leading to creative abrasion.
It should be made clear that you shouldn't just dive into conflict head on, as it fosters creativity. Conflict for conflict sake does not assist in creative abrasion; it will lead to real abrasion, and probably more. Creative abrasion is difficult to implement as it needs to be nurtured, meaning that this would only work in a certain "culture", which has accepted a certain amount of conflict as "normal" and productive. Besides the right "culture" you need also to hire divergent pairs.
Hiring in Divergent Pairs
In order to create an environment for "creative abrasion" you cannot, must not, hire the same people - all mirror images of yourself. Again, in such a situation they would probably all think and act alike, therefore avoiding creative abrasion. However, you need to be careful in just hiring "difficult" people for the sake of it. The individual expertise of the pair has to match the job or project, in order to get to a synergetic relationship. My comparison of the divergent pair and creative abrasion would be Felix and Oscar in "The Odd Couple", who drove each other crazy, but not enough to split up.
As a chemist, Watson and Crick, the discoverer of the DNA Double Helix, come to my mind as an example of a divergent pair - a physicist leaving physics for chemistry and biology (Crick), and a former ornithologist changing towards research on viruses (Watson). From their different perspectives divergent pairs will have a better chance to solve any kind of complex problem.
Embracing the Dragon
Another integral part of the previous two points - Creative Abrasion and Hiring in Divergent Pairs - is the metaphor of embracing the dragon. The dragon is used as a symbol for a foreign or even threatening concept, standpoint, and even a hostile counterpart. By embracing the dragon you will assume the position of the "dragon" to see the situation from his side. However, there is a distinct difference between the two concepts of creative abrasion and embracing the dragon. Creative abrasion addresses the interaction between separate parties to form a new idea by combining their different viewpoints. However, embracing the dragon is focusing on the ability of a person to adopt a different or even threatening viewpoint to gain better insights into a particular problem. Or in other words, the ability to hold two divergent opinions in one's head. The connection between these two concepts is that they both threaten the status quo.
Creative Questions before Creative Answers
This concept addresses the issue of first defining the problem correctly, which requires that you might have to question previously formed believes and known standpoints - another form of the status quo. The main problem is to not define the problem with the already preconceived answer in mind. In my job at Abbott, I have experienced too many times that we defined the problem with a too narrow of a focus, which then lead subsequently that we did not identify the root cause of the problem. We would not fix the problem by the first time, but would apply "band aids" to the issue and had to come back later to give another try. My two sons, five and seven, taught me the concept of questioning so called "known" items, by asking me repeatedly what, how, and why on subjects, which are so clear to adults. However, I have a hard time explaining it to my kids.
Stepping Back from the Canvas
Stepping back from the canvas is another name for the fact that you are too close to the problem during the problem solving session. It is necessary to build in steps during the process where you deliberately do not focus on work. Sometimes this will led to insights into the problem, because you had not thought every second about your problem, but led the mind wander off. Specially, when you get stuck in your work, it is helpful to take some time off (step back from the canvas).
Failure, Cheating, and Play
Celebrate failures as a team instead of generating a culture where failure is not allowed. This quickly leads to risk adverse behavior, which is counterproductive in a creative environment. Learn from the mistakes, however.
Cheating has usually a negative connotation in most cultures. However, it is important to work together and build on each other's ideas, as it is done routinely in brainstorming. Again, the culture in the organization is very important. You do not want to create an environment where people have their ideas "stolen" from them.
Last not least, play around with your ideas. That way you may become more "creative" .
My biggest concern is the fact that Jerry Hirschberg had a "white canvas" or blank sheet of paper in front of him when he started to assemble his new design studio for Nissan. The concept listed above are very useful, but they may not work, when you have to turn around a major company.
Unleashing CreativityReview Date: 2005-12-17
This is a very good book. In it Jerry Hirshberg shares his experiences as founder and president of Nissan Design International. In so doing he characterizes the leadership, organization, and group dynamics that foster breakthrough innovation. Here is a sampling of the kind of thinking he unpacks...
* Bureaucratic "structure" with its need for predictability, linear logic, conformance to accepted norms, and the dictates of the most recent "long range" vision statement, is a nearly perfect idea killing machine.
* The atmosphere that follows out of the creative priority, while challenging and stimulating, also becomes supportive and humane, since a workplace safe for ideas is a workplace safe for people.
* Creative expression is a bipolar event; it requires both a sender and a receiver.
* There is a vital connection between abrasiveness and original thinking.
* Creativity and destructiveness are at the same time polar opposites and closely related cousins.
* The very idea of a "balanced person" as some kind of ideal is somehow troubling.
* New truths are often in plain sight, but are rendered invisible or menacing by an associated language, or a stubborn set of assumptions.
* Nothing can so effectively move work forward at times as not working.
* Work tends to be a convergent activity, focusing on the task at hand. Play is a divergent activity. It opens out and is not easy to contain.
* Creative people can't be boxed up in an ivory tower. They need direct contact with real world information to develop new ideas.
* In the quest for creative thinking, research should never be left to someone else, as nothing stimulates the imagination as the impact of direct experience.
* Imaginative thinking cannot be constrained by preconception or prior intentions. Creativity does not play by the rules; it plays with the rules.
I would recommend this book for both leaders and members of creative groups as well those with whom they interact.
A great sampling of design, business, and creativityReview Date: 2000-06-08
If you can remember car lines and wonder why a Nissan and Infiniti grill (or any car for that matter) looks the way it does - this book is for you. FYI - you can probably get essentially the same book in hardback at a used place for the paperback.

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Digging DeepReview Date: 2006-08-03
A wonderful book!Review Date: 2006-05-02
of March in Wisconsin is one of the toughest months for anyone who
loves gardening. Reading a pretty gardening book that focuses on
the gardener was exactly what I needed to make it through until the
first signs of spring began to arrive.
The author has divided this book up into stages of imagining,
envisioning, planning, planting, tending, enjoying, and completing
your garden. Each stage was an affirmation for me of why I connect
with nature and have dirt under my fingernails all summer long.
Step by step, you are shown how to find the creativity within and trust your instincts as you allow yourself to dream your garden into being. While there is plenty of practical how-to information, most of the insights in this book lead you toward building the self-confidence to allow yourself to listen, experiment and bring your vision into full bloom.
This book will remain along side my other favorite gardening books to
be read again and again, whenever I need some gardening inspiration.
Armchair Interviews says: Gardening inspiration...what a great concept.
A fascinating perspective on garden designReview Date: 2004-07-03
If you are looking for a paint by number plan to quickly create a nice looking garden, this book is not for you. If you are looking for a book full of shiny pictures, you will be disappointed. However, if you are interested in jump-starting your creativity to help you plan and make a unique garden that reflects your personal style, you should have a copy of Digging Deep on your bookshelves.
Really InspiringReview Date: 2004-04-19
GARDENING AS A METAPHOR FOR SELF-HELPReview Date: 2004-06-04
Sorin was successful at her last job, but it wasn't satisfying. When the time came to create a garden at her new home, Sorin went to special lengths for her garden and it eventually lead her to a new career in garden design. The lessons learned during her career change are what _Digging Deep_ is all about.
Sorin's book is set up in six sections.
"Six stages of "creative unfolding within the context of your garden: Imagining, Envisioning, Planning, Planting, Tending, Enjoying, and Completing."
In the stages are mini chapters of creative lessons. Sorin gives examples by way of her experiences with her clients. She tells of her clients' excitement in discovering a creative approach to life, in the hopes that it will inspire the reader. At the end of the chapters, she gives readers things to do. They aren't demanding and some may even become nice habits.
_Digging Deep_ is an inspiring self-help book that uses gardening as a metaphor. The book is well written and Sorin's advice is rational and clear. Highly Recommended.

So NOT a "book on tape"!Review Date: 2003-11-17
Useful and Fun but Not MandatoryReview Date: 2006-05-17
After going through six tapes with no table of contents it's difficult to remember where everything is, so I recommend taking notes unless you're planning to go through the whole thing more than once.
If you already have the book by the same name, it's not really necessary to have these tapes unless you just want to listen to them in the car. There is more information in the book and it's easier to review. You'll want a good shamanic drumming tape or CD to use with the techniques he teaches, and there are many of those available so you shouldn't get these tapes just for the brief drumming segment they offer.
If, like me, you bought the tapes first then you're still ok because they are a very good introduction and may well inspire you to get one or more of his other works to continue your journey, as I did. So it's up to the individual and there's really no wrong way to go about it. Just use your intuition, which is really what it's all about, isn't it? :)
Great listening! Informative, creative, energizing.Review Date: 2003-11-03
Buy the book!Review Date: 2003-10-08
Regarding the techniques covered in these talks, one wonders whether Robert Moss is talking only for people who are innately psychic and highly gifted spiritually, since he gives very few details about how exactly to apply them. One is told to do this and that and that's it! "Arouse yourself sexually and then shift your consciousness", is the kind of fuzzy advice you will find under Robert Moss's pen. Needless to say, things aren't that simple!
The pace of the talks is very quick and Robert Moss's voice is not quite soothing, so don't imagine that you will somehow fall into a trance by listening to the tapes.
There is some drumming and relaxation exercices but they are too short to be effective.
Just buy the books knowing that they are just as sketchy as regards the techniques and remember: you are the greatest authority on your own dreams!!!
Dream Gates: A Journey into Active Dreaming (Six tapes)Review Date: 2003-12-18
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Artist NarcissismReview Date: 2006-04-24
A FeastReview Date: 2007-07-19
becomes faithful with Jacobson's life experiences, profound in depth
knowledge and insights. As the words play in and out with these forms
of life, pain, suffering, joy and ecstasy are also encountered.
These qualities are celebrated in juxtaposition with the author's wit,
playfulness and serious nesting of the book.
The book is absorbing in its rich details, complications, puzzles, and insights that allows one's inner flow of life to connect with the author in an authentic dialogue.
Great ideas and insights are revealed in what seems like a beautiful
and easy manner, as there is an overflow or spontaneity that is exceptional. Jacobson, as a talented writer and creative, spiritual artist, in sharing his mosaic of words with others is rare indeed. It was his desire to unite these gifts in a book that is truly transformational. Certain aspects or attributes of the author's are evident in his description of Van Gogh. Extreme giving is also present in Van Gogh's emphasis on love and how it is connected to creativity. He had a passion for Universal love. He could find expression, for this intense love only in his painting, "Life at all Costs," rings out clearly. Although Philip has his own unique path, he also connects with the thought of "Life at all Costs." His relationships allow him to express this love, but he also must use the medium of writing and creative, spiritual art in order to give freely and passionately to others.
It is a Feast, a real Feast, that fills the spirit with soul food
and reflects the wonderful movie "Babette's Feast." Babette gave both food to the soul and to the physical body and was, therefore, also a real soul giving artist like Van Gogh and Jacobson.
Professor Patricia Herron
Patricia is an artist and writer who also teaches Philosophy and Religious Studies at Chemeketa C College, Salem, Oregon patriciaherron@juno.com
The healing power of artReview Date: 2007-06-04
In the process of painting it may happen, that one forgets the ego, dives deep into the creative flow: then it is not "me" who paints, but "it paints". There may be other ways to reach this state of mind but for the one who achieved control on the technique art may serve best, because it creates a picture: it materializes directly. The picture may contain more than the artist was conscious of during painting, and which may be seen by some viewers or by the artist himself later, thus providing insights and increasing consciousness for both of them.
Creation and perception of art is described convincingly as a powerful way of healing in the basic meaning of becoming whole.
For me, reading this book became a creative process by itself, where own ideas continually emerged like sprouts from the words I read. This was possible since the book is not dogmatic at all, the text is open for the reader's own thoughts and imaginations. All what is told is based on personal experiences, ranging from ecstatic states of mind during a year in an Indian ashram to a life threatening health crisis. Wisdom from spiritual traditions and other philosophers is integrated after critical selection and proof and in an application oriented way.
Basically the book gives an introduction to (mainly Buddhist based) wisdom as perceived and adapted via art by a hard working Western white man with a strong will to get the maximum out of his life. That provides credibility and applicability of things he tells to the reader, even when they are beyond his/her personal level of experience. It is no escapist space-talk but it is centered "here and now" in the middle of all human struggle for light, between will and surrender, sceptics and naive openness, transpersonal mystic and everyday business. And all is connected with a good sense of humour.
It also should be mentioned that this book is beautiful: large size (7"x10" or 18x26cm), 41 excellent quality color reproductions from contemporary visionary paintings and 53 b/w figures, some more paintings, some photos from the author.
I am sure that many readers, at least those who already got in touch with the healing potential of art will greatly profit from reading this book.
I love this book!Review Date: 2006-04-25
An astonishing mind, a heart of fire!Review Date: 2001-11-03

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Breath of Fresh Air in a Very Tired WorkplaceReview Date: 2001-04-08
This book will be helpful to every knowledge worker--the title should not scare off the 99% of the population that does not qualify for "genius" status.
Certainly there will be those looking for some magical way to lift themselves from obscurity, or lethargy, or oppression, that that think they are unappreciated geniuses and are simply looking for the window-dressing they need to be recognized. This book is not for them.
What this book does, in a very nice way that reminds one of Drucker's belief that the best work is work as a "calling"--work as a beloved endeavor that brings out the best we have to offer--or of the 7 Habits book that emphasizes the urgency of protecting those activities that are important but not urgent (things like family time, exercise, and freedom from the telephone--or now, email)--is "review the bidding" on five different workstyles, and how to make them better.
In a nutshell, this book is what results when Myers-Briggs and 7 Habits have children, and the children grow up to be artists. It is a good read, and at a minimum it will help *anybody* bring more reflection and more peace back into their daily work routine.
Timeless wisdomReview Date: 2001-08-14
My New Communication BibleReview Date: 2001-08-03
This book has also helped me cope with people I once perceived as difficult to get through to. I have since been able to 'read' my coworkers in such a way that every exchange ends positively, not at a cross-roads like before.
Great for business, indispensable for life.
Become A GeniusReview Date: 2001-04-08
Listen to the writer, Robinson Davies (p.23) describing his inspirational moments: "An idea for a novel seizes me and will not let me go. What often appears in my head is a picture which somehow must be considered." Now, that happens to all of us. But, we need to learn how to act on those inspirational moments. This book teaches us how. Goethe's quote (p.193) is timely and has encouraged many of us to take action. It is at the heart of great leadership and magnificent results: "If you can imagine it, begin it. Boldness has genius, magic, and power in it." We should especially heed this advice during the current economic slump. It looks like the company, Agilent, did. The HP spinoff and maker of test and measurement equipment recently declared it would do something different to save money. It will cut the salaries of all 48,000 employees by 10% to avoid layoffs. This is an imaginative way to deal with economic hard times. It's also the "HP Way" - respect the individual. How to achieve this type of creative and positive response is all explained in the book. Finally, a third example that "exploded off the page" as I read the book are the Exercises found in each chapter. When you complete them you should submit them to your employer. They might become "the fuel that lights a fire" under your business.
This stuff works! Just read about the companies and people who have improved their lot. The author has identified 204 specific examples of individuals and organizations to make her point as to "the Skills needed to Master Ideas at Work." Heck, that's probably more than the number you would learn about at a good, four year college. And, this 208 page book can be read in a few hours.
In the Bible, Philippians 4:8, St. Paul urges us to think about "Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable - if anything is excellent or praiseworthy - think about such things." This book induces me to do just that. It seduces my senses. The author, Annette Moser-Wellman, knows what she is talking about. Can you define and dominate a market niche with your product or service? Read this book to find out how.
The author has imagined, noticed detail, connected domains, celebrated weakness, and simplified throughout her life. With this book she has brought the reader into "the company of the creative." Take advantage of her counsel. Discover the "seer, observer, alchemist, and sage" that lies within you. If you don't at least glance through this book, you're "a fool."
For "one shinning moment" then, be "a deer caught in the headlights of a passing car." Pause, in your life, read this book, and let the creative juices flow. Solve some problems in new, exciting, and imaginative ways. Then write the author, and thank her for encouraging you to be creative, improving the quality of your life, and increasing the productivity and profitability of your enterprise. Who knows, maybe someday you'll create a new "soft-chip technology" that eliminates cancer. This book is a wonderful, stimulating read. Enjoy it.
A Gem of A Management ToolReview Date: 2001-04-03

Used price: $0.99

Great Self-Help JournalReview Date: 2008-06-22
Get to know yourselfReview Date: 2004-06-07
It is useful and insightful. It asks important questions to get you thinking. It is engaging because it comes in a creative format with blank space for you to write, draw, paint or paste.
I felt it well worth my money.
Good book but one to hateReview Date: 2007-08-28
This is a great resource for counselors!Review Date: 2005-01-26
Excellent Resource for anyone, I recommend it to my clients regularlyReview Date: 2007-03-07
Related Subjects: Hofstadter, Douglas R.
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