Creativity Books


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Creativity Books sorted by Average customer review: high to low .

Creativity
The Zen of Creative Painting: An Elegant Design for Revealing Your Muse (Practical Art Books)
Published in Paperback by Watson-Guptill (1998-10-01)
Author: Jeanne Carbonetti
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A great book for artists to loosen up rigid frames
Helpful Votes: 0 out of 0 total.
Review Date: 2008-01-18
Jeanne Carbonetti has produced awonderful book to unleash one's creativity--whether you understand Zen or not---It is not easy to get into Zen, but the illustrations help us to learn something at a deeper level--not just intellectual or academic.I like the play of light and color---in a sense that is what art is all about ---to convey your feelings or even passing moods...Books like these go beyond the 'right brain-left brain' theories that have filled the academic discussion on art training....May be ,one should work out his/her own Zen approach--this book can only point the way---not to imitate but to emulate Jeanne.

Blow Away!!!!
Helpful Votes: 1 out of 2 total.
Review Date: 2007-05-22
I have recently started doing watercolor paintings since I retired and was lent this book by my teacher. I had to buy it as soon as I opened it. The paintings are absolutely splendid. I think that they are what watercolors should be. And the text sets a mind frame that will enhance any budding artist down the path to great work.

Strong art - weaker philosophy
Helpful Votes: 11 out of 12 total.
Review Date: 2004-09-16
I like Carbonetti's art and this book is full of it. For that reason it is worth buying. She also succeeds in showing the mental aspects of creative art. However, her seeing of Zen is not so successful. She also wrote books like "The Tao of Watercolor" and "The Yoga of Drawing". I would prefer if she simply explained her own position without packaging it into so many commercialy attractive titles.

A great way to Watercolor painting Ideas
Helpful Votes: 4 out of 5 total.
Review Date: 2006-08-21
A must to read to start your own ideas on Watercolor painting, using the Zen method.

elegantdesign.co.nz Book Review
Helpful Votes: 9 out of 15 total.
Review Date: 2004-02-29
The book was very logical yet had many creative aspects. I would recommend it for a mid-range painter.

Creativity
The Artful Universe: The Cosmic Source of Human Creativity
Published in Paperback by Back Bay Books (1996-09-01)
Author: John D. Barrow
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Average review score:

The Cosmic Anthropological Principle
Helpful Votes: 10 out of 10 total.
Review Date: 2000-09-16
Barrow, of course, is with Frank Tipler the author of The Anthropic Cosmological Principle, which argues that the fundamental constants and initial conditions of the cosmos had to be more or less exactly as they are or life - thus our conscious, self-aware human life - could not have happened.

In The Artful Universe, Barrow explores in great and fascinating detail just exactly how the fine structure of the cosmos bears fruit in the structure of the human body, and in particular the structure of our ideas, preferences, values, aesthetic reactions, ways of thinking; our minds. The primary thrust of this wide-ranging survey is that animal minds and bodies subjected to natural selection are in big trouble if they embody propositions about the world, and therefore about the appropriate way to behave, that are in any important way essentially wrong. He argues that just as the structure of the eye constitutes evidence one way or the other for the correspondence to reality of our ideas about light, so the structure of, e.g., our mathematical faculties constitutes evidence for the mathematical structure of reality.

Barrow is terrifyingly erudite, and a clear, graceful writer. He manages to convey boatloads of highly technical concepts from numerous fields in crystalline arguments accessible to anyone with a basic scientific education. You will learn a ton from this book. You'll work for it - Barrow never condescends - but you will be well rewarded.

Science and Art Do Meet
Helpful Votes: 4 out of 4 total.
Review Date: 2005-05-17
"Kristor" review "The Cosmic Anthropological Principle" is thoroughly apt, and I've noticed that the book is being supplanted by an "expanded" version, although the description of the expanded version seems identical to this book.

The thesis of this book is quite simple: Science has found that we humans are wired so that certain things in the universe are necessarily that way and could not be otherwise. Because of this "hard wiring" as one commentator observes, the strict methodology of science has just recently began to branch out of its "models" of uniformity and embraced diversity. Meanwhile, the diversity of human creativity, especially as it applies to the arts, has avoided at all costs any semblance of having a "model" by which to judge the universal appeals of so much diversity. It's time that the creative arts started taking a look for "models" into serious view as it evaluates themselves. I think this is a reasonable and defensible thesis against solipsism.

The argument is not an either/or dysjunction, but an and/both conjunction. Science has discovered a number of theories which serve to explain the universe as we know it. It strives to find the common ground on which to evaluate the world as we have come to know it. Conversely, the creative arts and the humanities have avoided, to the extreme, any effort for artists to "conform" to similar models found in nature and described by science. Barrow thinks it is time to reverse this odd peculiarity.

After all, when we evaluate painting or music, for example, we see that certain patterns emerge which give each endeavor a backbone for acceptance or rejection. The archetonics of harmonic cords and pictoral perspectivism require that certain creative arts fulfill these a priori demands, otherwise we regard such works as "distorted" or even worse "contorted." This result is not arbitrary, but developed over years of knowing that representational art must be "three dimensional," not two, and that in music a chord is composed of certain harmonic notes that please the natural disposition of the ear both aesthetically and physiologically.

Barrow illustrates these patterns of proportionality, perspectivism, chordal harmonies, etc., in light that they shed on the acceptability or rejection of certain "given" patterns innate in life. His thesis that the creative arts ought at least entertain the association of these innate given patterns in their evaluation as "works of art," just as science has decreed that the universe itself operates on the principles of certain immutable laws. I found his argument persausive, as one who is endeared more towards the artistic endeavors more than to the scientific ones. Thus, not all that passes itself off a "art" ought to be evaluated on the basis of its diversity, but also on the basis of its conformity to certain aesthetic criteria that are found in nature itself. Thus, many of those artistic endeavors that are meant to shock the observer by their discordance and lack of proportionality are incongruent with certain immutable aesthetic judgments based on nature's inherent designs. Ergo, the creative arts may have a certain degree of freedom to create outside the boundaries of our natural dispositions, but for the most part they must play within certain rules enough of the time in order to constitute pleasing versus unpleasant art. How much of a jump there is between "good" versus "bad" art from these immutable rules is at least partially determined by objective criteria. The question becomes, How much?

As one who is a "conservative" aesthete, I find Barrow's argument more than persuasive. I'm not sure just how conformable a work of art must be to the innate rules of nature before it passes from acceptable to unacceptable. But now that I know there are indeed such naturally innate rules, I am much better able to evaluate, as well as articulate, the creative arts on a more expansive, yet nonetheless "natural" criteria. Barrow's book is an engaging and worthwhile polemic.

Evolutionary Psychology, Art, and Science
Helpful Votes: 4 out of 7 total.
Review Date: 2001-02-13
This is a good book for a beginner, e.g., an undergraduate student in philosophy, psychology, or art. It can provide some solid basic understanding of the issues involved in interpreting and reproducing the world(s) around us. The book's thesis is that we are hard-wired by the process of evolution to interpret the world a certain way and that same process limits the kinds of art and science we are able to create. Those already familiar with this thesis will find little that is new in this book. Also, I was a bit disappointed that the book contained only black and white illustrations, it would seem that the subject matter chosen cries out for some color. The topics covered in the book are diverse and hang together loosely, which can be a challenge to a reader accustomed to a more focused and sustained discussion.

No mind was ever a tabula rasa
Helpful Votes: 6 out of 7 total.
Review Date: 2005-07-09
John Barrow illuminates in this book the relationship between the sciences and the arts with a new perspective on our emergence in the Universe by means of natural selection.
As the philosopher Victor Zuckerkandl says (quoted in this book): 'Art does not aim at beauty. It uses beauty (or ugliness) to arrive ultimately at knowledge, at truth.' (as science)

Many natural adaptations have given rise to curious by-products, some of which have played a role in determining our aesthetic sense.
Although sometimes very tentative, this rich book sheds an insightful light on more or less hidden links, like
- the connection between the heavenly bodies and the pattern of life on earth (28 days)

- the importance of symmetry: living beings are symmetrical, which is rare for inanimate objects. Also, our evaluation of physical beauty focuses on symmetry.

- size as a key to survival, with the adage 'small is best'. 'The Almighty had an inordinate fondness of beetles.'

- the origin of painting: a natural outgrowth of the fallibility of human memory and the need to communicate. Also, the reason why we like savannah landscapes and not computer paintings because they seem unnatural.

- the Chomsky (innate patterns) / Piaget (blank slate) controversy on the origin of language

- the origin of literature: the craving for social cohesion and well-being met by oral history and stories in which the hearers appear in a leading role. More, 'The pen is mightier than the sword.'

- the origin of dance: a need for frenzied activity or heightened sensibilities in preparation for war, in celebration of fertility or birth or in mourning death. The rhythmic gyrations of primitive dance bind people together.

- the origin of music (the purest form of art): animal mating calls.
John Barrow explains clearly the relationship between music and mathematics as well as theories on mathematics (Platonism, intuitionism, inventionism, formalism) and music (absolutism and referentialism).

This book is an excellent exploration of a vast and very interesting human domain. Not to be missed.

An interesting if wordy detail of the "human connection"
Helpful Votes: 8 out of 11 total.
Review Date: 1998-12-08
The first half of the book was interesting and kept my interest enough to read every word and scrutinze every example. However, by midway, the author's points became labored and needlessly exhaustive.

I guess it took me about half the book to find out what his general points were going to be. To me the book made connections between the nature of the universe and all things (particularly humans) in it.

I really wanted to closely scrutinize the chapters on sound (I am a musician and scientist). Unfortunately, by that last third of the book, I was too fatigued by the writing style. I ended up reading a few paragraphs in each section and skimming the rest, knowing (or making a logical guess) about the rest of the material. The author's basic points had already been made.

Furthermore, I felt unsatisfied by the author's overall treatment of art (particularly music). I was hoping for something more "insightful." It seems somehow self evident that particular sights and sounds are "appealing" to us given our physiology, evolution and their relationship to the nature of the universe itself. These arguments seem like tautologies; We like what we like because we are who we are. In the end, this isn't very interesting. On the other hand I could plead guilty to expecting too much.

There is more to art and music than meets the direct senses. When you try to explain what is "more" about music, you lose the meaning. Maybe the lesson is to just play the music and let it speak for itself. If the author was trying to make this point (indirectly) it is now very well taken. It's better to explain the beauty of music with selections of Joco Pastorius...

Finally, I thought the book was in places too human centric. Clearly books are intended to be read by humans. But I thought some of the author's points of view bordered on saying human animals were somehow more "important" than others. The universe doesn't make conscious choices to anoint one animal over another. Those evaluations are (too often, unfortunately,) made by us, not nature. Free will does exist.

Given these points, I do think the book was worth reading and might even be suitable for a seminar. I took about 4 days to read the book, but maybe should have taken more time. Anyway, at best, I think this book is worth 3 stars; Not bad, not great, but worth reading and discussing with others.

Creativity
The Business Side of Creativity: The Complete Guide to Running a Small Graphic Design or Communications Business, Third Updated Edition
Published in Paperback by W. W. Norton (2006-09-18)
Author: Cameron S. Foote
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Average review score:

Buy it, together with with "How to be a graphic artist without loosing your soul"
Helpful Votes: 0 out of 0 total.
Review Date: 2008-07-10
I just received this book a couple of days ago and it has been the best book I bought rescently. I have only read the first three chapters and I don't seem to be able to drive my eyes off of it. It is clear, organized, straight to the point and well illustrated (good examples). Buy it, together with with "How to be a graphic artist without loosing your soul" by Adrian Shaughnessy and, if you apply the knowledge that these two acquired and dare to share with us, there's no way you should fail in your intent to build your own business in the creative field.

If you are a newby in design bussines or still studying, do yourself a favor, read this book before attemting anything else and you will be better directed in even the task of deciding if you really are going to be a graphic designer for the apropriate reasons or if you should really do something else. If you have been into this for some time already, you will still learn many things that you are still doing wrong and so on...

Listen, go and buy it... Period!

Cam Foote's Business Side of Creativity is essential for designers
Helpful Votes: 1 out of 1 total.
Review Date: 2008-05-17
Cameron Foote's books and monthly newsletters are truly must-have resources for graphic designers, from the lone freelance to a busy studio. I teach design, and this book is one of about three that I have recommended to every class.

Great Book
Helpful Votes: 1 out of 1 total.
Review Date: 2008-03-24
A fantastic book full of valuable insights. Most of these "how to run your business" books are drab and full of what amounts to blah blah blah. I have found this book to be revolutionary in the way that I organize my business strategies, developing a more proactive mind set, and restructuring the entire operation of running a creative studio. Amongst the hundreds of design books on my shelf, this is the one that is currently helping me the most. The tone is not pretentious, nor laymen. Designers are demanding individuals, and as a professional designer, this is necessary reading.

Great Resource
Helpful Votes: 1 out of 1 total.
Review Date: 2007-11-02
Very helpful, concise and confidence building resource for information on how to run a small design firm.

Excellent book if re-directed to the right audience
Helpful Votes: 2 out of 2 total.
Review Date: 2008-08-04
The sub-title of this book is "The Complete Guide to RUNNING a Small Graphic Design or Communications Business" and as such I have given it a 2-star rating. If it was re-titled "The Complete Guide to STARTING a Small Graphic Design or Communications Business" then I would probably give it a 5-star rating for readers based in the USA and a 4-star for those elsewhere.

If you are in position where you are considering starting up your own business or going it alone as a freelancer then this book contains a lot of valuable information and good advice and I would highly recommend reading it before you go any further.

Those outside the USA should be aware that some sections of the book will not be relevant (for example those focusing on company registration procedures and tax issues) as they are based on US law and regulations -but there is still a lot of other good advice.

I would estimate that around 3/4ths of the book focuses on pre start-up and start-up issues so, if like me, you are currently running your own business then much of the content is already redundant and, while the remaining content is informative, this does limit the overall usefullness of the book.

Creativity
Coloring Outside the Line(TM) : Business Thoughts on Creativity, Sales, and Marketing
Published in Hardcover by The Business Conference Press (2001-05)
Author: Jeff Tobe
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Average review score:

actionmarketingguy
Helpful Votes: 0 out of 0 total.
Review Date: 2005-11-20
Don't waste your money on this book. The other reviewers must have been the author's friends and relatives! You get real marketing ideas from the Guerilla Marketing books, marketing books by Rick Crandall, Dan McComas etc. This book is just fluff...no ideas...just bad promotion for the author.

A Book that Teaches by Example
Helpful Votes: 1 out of 2 total.
Review Date: 2002-01-26
However valuable how-to books may be, most of us haven't time for them. Many of the books geared to the business world are fat, ugly, and bone-dry.

Jeff Tobe has taken his book on creativity, marketing and sales quite a few steps beyond that. He has been thinking , creating, and "Coloring Outside the Lines." He presents basic approach to business within a slim, memorable volume.

The author polishes up a dull subject with images from the sports world and from children's games. He supplies an intriguing diagnosis of stale business practices he calls BPIP (Business Professionals Innovation Deficiency) with all its symptoms. These include Past-a-Plegia, Internal Myopia, and Psycho-Sclerosis, all of which make anthrax seem innocuous. You will want to learn about these because they are diseases anyone can contract.

The book itself is a tribute to Tobe's own philosophies. The cover looks more like an Easter egg than a business book, the typeface is positively enchanting (and readable) and his advice is anecdotal, not built with dry-old, tired-old businessese. His message is to achieve success by thinking differently; this book illustrates this very premise. Tobe takes a risk and it works.

Carolyn Howard-Johnson, author of "This is the Place"

The best business book for the new millenium
Helpful Votes: 1 out of 1 total.
Review Date: 2001-07-31
I read approximately 20 business books per year and I have never read a treatise that combines marketing, sales and creativity in such a complete and succinct way. The content is solid, commonsense advice to skyrocket your product or service to the front of the pack. Kudos to Jeff Tobe for finally sharing his wisdom with the business world in print form. It's long overdue!!!

Creative Reconstruction
Helpful Votes: 2 out of 2 total.
Review Date: 2002-01-02
The basic metaphor is obvious. Less obvious is the profound importance of understanding (a) why there are "lines", (b) how they got there, and (c) who decided where to place them. Of even greater importance is understanding how to take initiatives in those areas in which creative thinking is not only appropriate but essential. New product development, for example, or positioning which differentiates an organization from its competition. (Other areas obviously require "coloring" only inside the "lines." There are some highly creative accountants who now receive their mail at a federal penitentiary.) I am all in favor of "thinking outside the box" even as I remain convinced that, at least most of the time, answers to questions or solutions to problems can only be effective when implemented inside a "box" of some kind. Only breakthrough thinking (e.g. mass production of automobiles, development of the Internet) creates entirely new "boxes" which then replace the old ones. Subsequent innovations then reconfigure the "lines" until other new "boxes" become dominant. Of course, Jeff Tobe understands all this as he shares his thoughts on creativity, marketing, and sales. He has a great deal of value to share.

His is a much more personal book than those written on the same general subject by others such as Claxton, de Bono, Levesque, Michalko, and von Oech. It covers less material. That's OK. This book would be much easier to re-read on a regular basis (which I highly recommend) for those involved in marketing and sales who need to reactivate their creative "juices" from time to time. Of course, it would also be of substantial value to just about anyone else. To school and college students, for example, or to those who have only recently begun a career, or especially to those who have (voluntarily or involuntarily) reached a crisis point in their career.

One of the book's greatest benefits is derived from Tobe`s own "coloring" outside various "lines" throughout his own life and career. Perhaps he agrees with my own opinion that most human limits are self-imposed. That is to say, on many occasions we feel constrained by "lines" we ourselves have drawn. (Long ago, Henry Ford said something to the effect "Whether you think you can or think you can't, you're right.") Tobe wrote this book primarily (but not exclusively) for marketing and sales executives. As indicated previously, I recommend it to anyone who now feels constrained by real or imagined "chains." Tobe offers new "crayons" with which to "color" and strong encouragement to re-think assumptions about creativity. Two chapter titles suggest how: "If It Is [italics] Broke, Don't Fix It...Yet" and "To Err Is Right...or at Least Necessary."

Once you have read this book, you will be much better prepared to read other books written by the aforementioned Claxton, de Bono, Levesque, Michalko, and von Oech. More to the point, you will be much better prepared to increase and enhance your ability to think creatively whenever that may be necessary...which is to say, all of the time.

Delightful Change of Pace
Helpful Votes: 5 out of 5 total.
Review Date: 2002-06-20
When you're raised with the oft-repeated admonition to stay inside the lines when you're coloring, the message sticks. When you're an adult, coloring outside the lines, out of the box thinking, and challenging the status quo can be really difficult. The old tapes come on and hold you within established boundaries. Creativity is a useless exercise: it's outside the limits. And that's our problem. We're all so bound by limits, we can't find new solutions. We're stuck with the old solutions, even though the problems, the playing field, and the rules have changed. And the tape plays on.

It is said that if you tie an elephant to a stake with a thin rope when it's young, the elephant learns that it is secured to that stake. The learned behavior "sticks," enabling handlers to secure huge, powerful elephants to stakes with thin ropes. The elephant doesn't believe it can break free. Humans are not so different.

Then Jeff Tobe comes along and shatters all those imaginary boundaries. A salesman and professional speaker, he specializes in stimulating creativity and innovation in business organizations. As demonstrated by his stories in this book Tobe helps companies break through "innovation deficiency," characterized by Internal Myopia and the Ostrich Syndrome. He argues that business leaders-and everyone else in the environment-must change the way they perceive, think, and behave to succeed in today's competitive world.

You get an immediate sense that this book is going to be a bit different when you open the cover. There is no traditional Times New Roman type between these covers. The typeface--throughout the entire book--looks like something from a primary school primer on the fine art of printed word penmanship. The message is clear: this book is going to be different and fun. And it is, but it's serious, too.

"Coloring Outside the Lines" is organized into three sections: Creativity, Marketing, and Sales. Each section has 6-9 chapters that stimulate the thinking and illustrate how things can be done differently. The lessons are valuable-some are fresh and some are the old saws that we've all learned for years. Each lesson is presented in the context of a story that you might hear on a fun walk through a meadow with the author. The chapters are filled with personal stories and experiences with titles like "Are Your Bagels Hot?" to "Step into My Office." These narratives are enjoyable (yup, chuckles in this book), comfortable and reasonable, yet highly instructive. The book is deceivingly simple in appearance; the educational aspect sort of sneaks up on you.

This easy-to-read volume will be thought-provoking and stimulating for salespeople, marketers, and other executives and managers who welcome inspiration (or permission) to do things just a little bit differently. If the thinking and behavior or different, (surprise!) the outcomes are different.

Creativity
The Creative Priority
Published in Audio Cassette by HarperAudio (1998-02-01)
Author:
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Average review score:

The Value of Design
Helpful Votes: 1 out of 2 total.
Review Date: 2006-03-14
Looking at several of the reviews already posted, the real value of this book is being missed. To see this book as being about automotive design misses the point altogether. This is a book to celebrate the largely untapped potential of focusing on design 'outside' of a particular market. The fact that the charter of the group specifically had to allow for the design of things 'other' than cars/vehicles, was to keep the problem-solving perspectives of the designers 'fresh' and 'exercised'.

Design is a fundamental principle that applies to the most critical aspects of the success of ANY business: optimizing relationships (the lifeblood of an enterprise's existence). The touchpoints at which any individual interacts with a business (whether customer, employee, supplier...) can all be optimized with thoughtful design considerations (it's not just about products).

Read Hirshberg and look 'beyond' the immediate problem. The principles are fundamental. Hirshberg does a great job of illustrating the principles within the context of his own experiences.

highly recommended
Helpful Votes: 1 out of 1 total.
Review Date: 2005-11-10
The Creative Priority is an excellent book that I recommend to absolutely everyone. The book is of particular interest to managers and executives of businesses, but it could prove useful for anyone interested in creativity in business. The book is particularly interesting to anyone interested in automotive design or industrial design in general. The book has many interesting designs and sketches throughout to help illustrate many of the design stories. Rather than simply stating and explaining techniques for fostering creativity in the workplace, Jerry uses real-life experiences as a leader of automotive innovation to illustrate the ideas behind creating a workplace organized around the principle of creativity. He claims that all the strategies must be taken together as a whole. The essence of the situation, he insists, is a necessity of recognizing creative thought as the paramount organizing principle of the business. It is recognizing the distinction between an innovative business and one that has creativity as its prime goal. Rather than simply applying techniques in an attempt to promote creative progress, creativity must be given priority. The ideas contained within the book are the result of experience and observation gained by Jerry over his nearly twenty year career in the business of creativity. The book progresses in an almost story-like fashion, narrating the account of Jerry

Review Part One - the first 6 chapters
Helpful Votes: 2 out of 3 total.
Review Date: 2006-03-04

The main take home messages from the first six chapters of `The Creative Priority' can be summarized as:

Creative Abrasion

In most cultures conflict is associated with negative emotions, which are usually considered counterproductive. Harmony and teamwork is very important supposedly for an organization to function effectively. However, when everyone thinks and acts alike no innovation can occur. All great thinkers, creative geniuses challenged the status quo. This is basically the root cause in every large company for the inability to innovate or to be creative, because the culture in most large companies is to conform rather than to stick out. That creativity goes along with a fair amount of conflict or friction is not a new idea. Most teams consisting of representatives from different functional areas will go through the phase of "storming" during the formation of the team. During this phase the team experiences a lot of conflict between the team members and will learn to deal with conflict in a constructive way - leading to creative abrasion.
It should be made clear that you shouldn't just dive into conflict head on, as it fosters creativity. Conflict for conflict sake does not assist in creative abrasion; it will lead to real abrasion, and probably more. Creative abrasion is difficult to implement as it needs to be nurtured, meaning that this would only work in a certain "culture", which has accepted a certain amount of conflict as "normal" and productive. Besides the right "culture" you need also to hire divergent pairs.


Hiring in Divergent Pairs

In order to create an environment for "creative abrasion" you cannot, must not, hire the same people - all mirror images of yourself. Again, in such a situation they would probably all think and act alike, therefore avoiding creative abrasion. However, you need to be careful in just hiring "difficult" people for the sake of it. The individual expertise of the pair has to match the job or project, in order to get to a synergetic relationship. My comparison of the divergent pair and creative abrasion would be Felix and Oscar in "The Odd Couple", who drove each other crazy, but not enough to split up.

As a chemist, Watson and Crick, the discoverer of the DNA Double Helix, come to my mind as an example of a divergent pair - a physicist leaving physics for chemistry and biology (Crick), and a former ornithologist changing towards research on viruses (Watson). From their different perspectives divergent pairs will have a better chance to solve any kind of complex problem.




Embracing the Dragon

Another integral part of the previous two points - Creative Abrasion and Hiring in Divergent Pairs - is the metaphor of embracing the dragon. The dragon is used as a symbol for a foreign or even threatening concept, standpoint, and even a hostile counterpart. By embracing the dragon you will assume the position of the "dragon" to see the situation from his side. However, there is a distinct difference between the two concepts of creative abrasion and embracing the dragon. Creative abrasion addresses the interaction between separate parties to form a new idea by combining their different viewpoints. However, embracing the dragon is focusing on the ability of a person to adopt a different or even threatening viewpoint to gain better insights into a particular problem. Or in other words, the ability to hold two divergent opinions in one's head. The connection between these two concepts is that they both threaten the status quo.


Creative Questions before Creative Answers

This concept addresses the issue of first defining the problem correctly, which requires that you might have to question previously formed believes and known standpoints - another form of the status quo. The main problem is to not define the problem with the already preconceived answer in mind. In my job at Abbott, I have experienced too many times that we defined the problem with a too narrow of a focus, which then lead subsequently that we did not identify the root cause of the problem. We would not fix the problem by the first time, but would apply "band aids" to the issue and had to come back later to give another try. My two sons, five and seven, taught me the concept of questioning so called "known" items, by asking me repeatedly what, how, and why on subjects, which are so clear to adults. However, I have a hard time explaining it to my kids.


Stepping Back from the Canvas

Stepping back from the canvas is another name for the fact that you are too close to the problem during the problem solving session. It is necessary to build in steps during the process where you deliberately do not focus on work. Sometimes this will led to insights into the problem, because you had not thought every second about your problem, but led the mind wander off. Specially, when you get stuck in your work, it is helpful to take some time off (step back from the canvas).


Failure, Cheating, and Play

Celebrate failures as a team instead of generating a culture where failure is not allowed. This quickly leads to risk adverse behavior, which is counterproductive in a creative environment. Learn from the mistakes, however.

Cheating has usually a negative connotation in most cultures. However, it is important to work together and build on each other's ideas, as it is done routinely in brainstorming. Again, the culture in the organization is very important. You do not want to create an environment where people have their ideas "stolen" from them.

Last not least, play around with your ideas. That way you may become more "creative" .


My biggest concern is the fact that Jerry Hirschberg had a "white canvas" or blank sheet of paper in front of him when he started to assemble his new design studio for Nissan. The concept listed above are very useful, but they may not work, when you have to turn around a major company.

Unleashing Creativity
Helpful Votes: 6 out of 6 total.
Review Date: 2005-12-17

This is a very good book. In it Jerry Hirshberg shares his experiences as founder and president of Nissan Design International. In so doing he characterizes the leadership, organization, and group dynamics that foster breakthrough innovation. Here is a sampling of the kind of thinking he unpacks...

* Bureaucratic "structure" with its need for predictability, linear logic, conformance to accepted norms, and the dictates of the most recent "long range" vision statement, is a nearly perfect idea killing machine.

* The atmosphere that follows out of the creative priority, while challenging and stimulating, also becomes supportive and humane, since a workplace safe for ideas is a workplace safe for people.

* Creative expression is a bipolar event; it requires both a sender and a receiver.

* There is a vital connection between abrasiveness and original thinking.

* Creativity and destructiveness are at the same time polar opposites and closely related cousins.

* The very idea of a "balanced person" as some kind of ideal is somehow troubling.

* New truths are often in plain sight, but are rendered invisible or menacing by an associated language, or a stubborn set of assumptions.

* Nothing can so effectively move work forward at times as not working.

* Work tends to be a convergent activity, focusing on the task at hand. Play is a divergent activity. It opens out and is not easy to contain.

* Creative people can't be boxed up in an ivory tower. They need direct contact with real world information to develop new ideas.

* In the quest for creative thinking, research should never be left to someone else, as nothing stimulates the imagination as the impact of direct experience.

* Imaginative thinking cannot be constrained by preconception or prior intentions. Creativity does not play by the rules; it plays with the rules.

I would recommend this book for both leaders and members of creative groups as well those with whom they interact.

A great sampling of design, business, and creativity
Helpful Votes: 6 out of 8 total.
Review Date: 2000-06-08
This is a great book for designers and auto enthusiasts. It's really a quick read with good writing and editing. Hirshberg really talks about the nuances of design and the management of creativity in a saturated product market. There is a nice balance of design decision details and macro level organizational management described through the book. Hirshberg's mini-stories from one project to the people responsible for the ideas really get you thinking about all car designs. He touches on a range of production and concept cars - everything from the Nissan Pathfinder, Pulsar NX, Infiniti J30 and a few which never made to our asphalt ecosystem. There are also humorous multi-cultural experiences with his Japanese counterparts - which are great lessons for those uninitiated to other ethnicities and particular business etiquette. The best of all are the hand sketches of the Infiniti J30, Gobi concept vehicle, boat designs and other early development stages. I wish there were more pictures for us right-brainers. A big part of his later chapters deal with how to create an environment that is naturally stimulating for creativity -and some of his methods are not in the studio.

If you can remember car lines and wonder why a Nissan and Infiniti grill (or any car for that matter) looks the way it does - this book is for you. FYI - you can probably get essentially the same book in hardback at a used place for the paperback.

Creativity
Digging Deep: Unearthing Your Creative Roots Through Gardening
Published in Hardcover by Grand Central Publishing (2004-04-02)
Author: Fran Sorin
List price: $22.95
New price: $2.77
Used price: $0.01
Collectible price: $22.95

Average review score:

Digging Deep
Helpful Votes: 1 out of 1 total.
Review Date: 2006-08-03
This was a gift for my daughter-in-law. She told me that she really liked the book and would recommend it to anyone.

A wonderful book!
Helpful Votes: 2 out of 2 total.
Review Date: 2006-05-02
This delightful book came to me at exactly the right time. The month
of March in Wisconsin is one of the toughest months for anyone who
loves gardening. Reading a pretty gardening book that focuses on
the gardener was exactly what I needed to make it through until the
first signs of spring began to arrive.

The author has divided this book up into stages of imagining,
envisioning, planning, planting, tending, enjoying, and completing
your garden. Each stage was an affirmation for me of why I connect
with nature and have dirt under my fingernails all summer long.

Step by step, you are shown how to find the creativity within and trust your instincts as you allow yourself to dream your garden into being. While there is plenty of practical how-to information, most of the insights in this book lead you toward building the self-confidence to allow yourself to listen, experiment and bring your vision into full bloom.

This book will remain along side my other favorite gardening books to
be read again and again, whenever I need some gardening inspiration.

Armchair Interviews says: Gardening inspiration...what a great concept.




A fascinating perspective on garden design
Helpful Votes: 2 out of 2 total.
Review Date: 2004-07-03
This book is not just another step by step garden design book. It is a fascinating look into the mental and psychological processes of garden design. Fran works to awaken and inspire the gardener to design a personal and unique garden that has meaning to its owner. The book is broken up into seven design stages. Fran says that these techniques can be used to unleash creativity and that gardening empowers us to go on to be successful in other parts of our lives. Each section has exercises to help us design our own gardens that are personally fulfilling to us.
If you are looking for a paint by number plan to quickly create a nice looking garden, this book is not for you. If you are looking for a book full of shiny pictures, you will be disappointed. However, if you are interested in jump-starting your creativity to help you plan and make a unique garden that reflects your personal style, you should have a copy of Digging Deep on your bookshelves.

Really Inspiring
Helpful Votes: 3 out of 3 total.
Review Date: 2004-04-19
Ever since I moved to New York City I felt like I just didn't have any time to do things I used to enjoy so much. And I read about this book in USAWeekend and bought it and got so inspired that I bought two fica plants before I even finished the book. It reminded me of the time I used to spend with my Irish grandma out in the garden where I grew up near Peoria, IL. It filled me with life again, and not to get too honest, since reading Fran Sorin's book I have gotten the courage to break off a relationship I should have ended a while back. And I honestly feel I am ready to start and enjoy making my new life grow!

GARDENING AS A METAPHOR FOR SELF-HELP
Helpful Votes: 5 out of 7 total.
Review Date: 2004-06-04
"I believe the ultimate goal is not to be creative, but to learn how to live creatively."

Sorin was successful at her last job, but it wasn't satisfying. When the time came to create a garden at her new home, Sorin went to special lengths for her garden and it eventually lead her to a new career in garden design. The lessons learned during her career change are what _Digging Deep_ is all about.

Sorin's book is set up in six sections.

"Six stages of "creative unfolding within the context of your garden: Imagining, Envisioning, Planning, Planting, Tending, Enjoying, and Completing."

In the stages are mini chapters of creative lessons. Sorin gives examples by way of her experiences with her clients. She tells of her clients' excitement in discovering a creative approach to life, in the hopes that it will inspire the reader. At the end of the chapters, she gives readers things to do. They aren't demanding and some may even become nice habits.

_Digging Deep_ is an inspiring self-help book that uses gardening as a metaphor. The book is well written and Sorin's advice is rational and clear. Highly Recommended.

Creativity
Dream Gates
Published in Audio Download by audible.com ()
Author: Robert Moss
List price: $18.95
New price: $9.95

Average review score:

So NOT a "book on tape"!
Helpful Votes: 10 out of 10 total.
Review Date: 2003-11-17
This audio set is a course in adventure! Yes, it is complimented by Mr Moss' book of the same title, but it is not some airy thing that you pop in the tape deck for distraction on those long road trips! This is a guide for the Roads to be found in Shamanic journeys. Mr Moss' narration sets the perfect tone for the excursion, and his years of experience teaching workshops on the subject shine through. To complement these tapes, he also has a new series of videos, from Psyche Productions in Milford CT, which deepen the journey even further. The possibilities are limitless!!!

Useful and Fun but Not Mandatory
Helpful Votes: 2 out of 2 total.
Review Date: 2006-05-17
I liked this tape series. Robert Moss is no stuffy pedant and keeps the listener informed and entertained with his engaging personal style. The information presented is valid and useful but I wish they would make a CD version so you can go back to whatever bits you're most interested in more quickly.

After going through six tapes with no table of contents it's difficult to remember where everything is, so I recommend taking notes unless you're planning to go through the whole thing more than once.

If you already have the book by the same name, it's not really necessary to have these tapes unless you just want to listen to them in the car. There is more information in the book and it's easier to review. You'll want a good shamanic drumming tape or CD to use with the techniques he teaches, and there are many of those available so you shouldn't get these tapes just for the brief drumming segment they offer.

If, like me, you bought the tapes first then you're still ok because they are a very good introduction and may well inspire you to get one or more of his other works to continue your journey, as I did. So it's up to the individual and there's really no wrong way to go about it. Just use your intuition, which is really what it's all about, isn't it? :)

Great listening! Informative, creative, energizing.
Helpful Votes: 6 out of 6 total.
Review Date: 2003-11-03
These tapes can stand alone or are complimentary to Robert Moss' books, Conscious Dreaming, Dream Gates and Dreaming True. (I have them all.) There is content included on the tapes that is not in the books. Best of all is that the tapes can be used for one's own growth by doing the exercises with the guidance of the voice of Robert Moss. The breadth of knowledge that is shared and the richness of story is sure to stimulate the imagination of the listener. As a workshop leader and teacher, I like to listen to how others teach, so I find it helpful to listen to tapes when I'm on a road trip in order to expand my repertoire. This set is among my favorites!

Buy the book!
Helpful Votes: 6 out of 14 total.
Review Date: 2003-10-08
Unless you are too lazy or to busy to read, you don't really need to buy this expensive set of audio cassettes: the topics covered can all be found in "Conscious Dreaming" by the same author. Even the anecdotes are the same!
Regarding the techniques covered in these talks, one wonders whether Robert Moss is talking only for people who are innately psychic and highly gifted spiritually, since he gives very few details about how exactly to apply them. One is told to do this and that and that's it! "Arouse yourself sexually and then shift your consciousness", is the kind of fuzzy advice you will find under Robert Moss's pen. Needless to say, things aren't that simple!
The pace of the talks is very quick and Robert Moss's voice is not quite soothing, so don't imagine that you will somehow fall into a trance by listening to the tapes.
There is some drumming and relaxation exercices but they are too short to be effective.
Just buy the books knowing that they are just as sketchy as regards the techniques and remember: you are the greatest authority on your own dreams!!!

Dream Gates: A Journey into Active Dreaming (Six tapes)
Helpful Votes: 8 out of 8 total.
Review Date: 2003-12-18
There is an immediacy to these audio tapes that conveys Robert Moss's natural abilities as a teacher and dream bringer. It is a pleasure to hear his voice tell stories and impart information on how to remember our dreams and use them for the benefit of ourselves and our society. I bought sets for friends interested in their dreams who do not speak English as a first language and who might have difficulty reading Robert Moss 's books (which I highly recommend). Any person with a visual difficulty would appreciate the audio cassettes. For those who like to learn from Robert Moss how to navigate in their dreamscapes and discover help and healing through Active Dreaming techniques, these tapes are a marvellous aid. They encourage and enlighten the dreamer within us all. Also on the market now is a video series with Robert Moss, which is very engaging and informative.

Creativity
Drinking Lightning: Art, Creativity and Transformation
Published in Hardcover by Fine Art Publishing (2000-09)
Author: Philip Rubinov-Jacobson
List price: $65.00
New price: $7.95
Used price: $29.95

Average review score:

Artist Narcissism
Helpful Votes: 1 out of 5 total.
Review Date: 2006-04-24
Typical self-aggrandizing narcissistic artist. Not well written! Philip should stick to painting or take some writing classes. What's with listing the book as "by Ken Wilber"? Philip Rubinov Jacobson wrote this book. Come on, no one lists the foreword and preface authors on the cover unless they are trying to surf on someone else's fame. I have lost all respect for Ken Wilber and Philip Rubinov Jacobson.

A Feast
Helpful Votes: 2 out of 2 total.
Review Date: 2007-07-19
A Feast. A beautiful woven mosaic slowly emerges from the words imprinted in this book. Within this magic of written words the reader
becomes faithful with Jacobson's life experiences, profound in depth
knowledge and insights. As the words play in and out with these forms
of life, pain, suffering, joy and ecstasy are also encountered.
These qualities are celebrated in juxtaposition with the author's wit,
playfulness and serious nesting of the book.

The book is absorbing in its rich details, complications, puzzles, and insights that allows one's inner flow of life to connect with the author in an authentic dialogue.

Great ideas and insights are revealed in what seems like a beautiful
and easy manner, as there is an overflow or spontaneity that is exceptional. Jacobson, as a talented writer and creative, spiritual artist, in sharing his mosaic of words with others is rare indeed. It was his desire to unite these gifts in a book that is truly transformational. Certain aspects or attributes of the author's are evident in his description of Van Gogh. Extreme giving is also present in Van Gogh's emphasis on love and how it is connected to creativity. He had a passion for Universal love. He could find expression, for this intense love only in his painting, "Life at all Costs," rings out clearly. Although Philip has his own unique path, he also connects with the thought of "Life at all Costs." His relationships allow him to express this love, but he also must use the medium of writing and creative, spiritual art in order to give freely and passionately to others.

It is a Feast, a real Feast, that fills the spirit with soul food
and reflects the wonderful movie "Babette's Feast." Babette gave both food to the soul and to the physical body and was, therefore, also a real soul giving artist like Van Gogh and Jacobson.

Professor Patricia Herron
Patricia is an artist and writer who also teaches Philosophy and Religious Studies at Chemeketa C College, Salem, Oregon patriciaherron@juno.com

The healing power of art
Helpful Votes: 2 out of 2 total.
Review Date: 2007-06-04
In the first half of the book the author reports from his life as an artist and spiritual searcher, in the second half he developes the way of art as the royal road to awareness:
In the process of painting it may happen, that one forgets the ego, dives deep into the creative flow: then it is not "me" who paints, but "it paints". There may be other ways to reach this state of mind but for the one who achieved control on the technique art may serve best, because it creates a picture: it materializes directly. The picture may contain more than the artist was conscious of during painting, and which may be seen by some viewers or by the artist himself later, thus providing insights and increasing consciousness for both of them.
Creation and perception of art is described convincingly as a powerful way of healing in the basic meaning of becoming whole.

For me, reading this book became a creative process by itself, where own ideas continually emerged like sprouts from the words I read. This was possible since the book is not dogmatic at all, the text is open for the reader's own thoughts and imaginations. All what is told is based on personal experiences, ranging from ecstatic states of mind during a year in an Indian ashram to a life threatening health crisis. Wisdom from spiritual traditions and other philosophers is integrated after critical selection and proof and in an application oriented way.

Basically the book gives an introduction to (mainly Buddhist based) wisdom as perceived and adapted via art by a hard working Western white man with a strong will to get the maximum out of his life. That provides credibility and applicability of things he tells to the reader, even when they are beyond his/her personal level of experience. It is no escapist space-talk but it is centered "here and now" in the middle of all human struggle for light, between will and surrender, sceptics and naive openness, transpersonal mystic and everyday business. And all is connected with a good sense of humour.

It also should be mentioned that this book is beautiful: large size (7"x10" or 18x26cm), 41 excellent quality color reproductions from contemporary visionary paintings and 53 b/w figures, some more paintings, some photos from the author.

I am sure that many readers, at least those who already got in touch with the healing potential of art will greatly profit from reading this book.

I love this book!
Helpful Votes: 3 out of 3 total.
Review Date: 2006-04-25
When I read this book I carried it with me everywhere I went, because I wanted to read more every chance I got. Amazon has listed this book as written by Ken Wilber and Philip Jacobson even though it is written by Philip and only a foreword is written by Ken. I am not sure how that can be remedied. However, I have studied the works of Ken Wilber and disagree with his take on art. Philip's theories and personal stories are wonderful. I work with children as an art therapist and this book gave me so much insight into the life of a boy who lost hs father at a very tender age and how art saved him time and time again. I was touched and I highly recommend this book.

An astonishing mind, a heart of fire!
Helpful Votes: 6 out of 11 total.
Review Date: 2001-11-03
GENIUS, that says it all!

Creativity
The Five Faces of Genius
Published in Hardcover by Viking Adult (2001-03-19)
Author: Annette Moser-Wellman
List price: $24.95
New price: $6.80
Used price: $0.88

Average review score:

Breath of Fresh Air in a Very Tired Workplace
Helpful Votes: 10 out of 11 total.
Review Date: 2001-04-08

This book will be helpful to every knowledge worker--the title should not scare off the 99% of the population that does not qualify for "genius" status.

Certainly there will be those looking for some magical way to lift themselves from obscurity, or lethargy, or oppression, that that think they are unappreciated geniuses and are simply looking for the window-dressing they need to be recognized. This book is not for them.

What this book does, in a very nice way that reminds one of Drucker's belief that the best work is work as a "calling"--work as a beloved endeavor that brings out the best we have to offer--or of the 7 Habits book that emphasizes the urgency of protecting those activities that are important but not urgent (things like family time, exercise, and freedom from the telephone--or now, email)--is "review the bidding" on five different workstyles, and how to make them better.

In a nutshell, this book is what results when Myers-Briggs and 7 Habits have children, and the children grow up to be artists. It is a good read, and at a minimum it will help *anybody* bring more reflection and more peace back into their daily work routine.

Timeless wisdom
Helpful Votes: 2 out of 3 total.
Review Date: 2001-08-14
In the business world, we are often stuck in a set way of creating solutions. This book teaches you look at that process. Through example, the author shows how visualizing success, pondering what is missing in an equation, adding two things together to make something better, stumbling accross something new and looking back to the past for solutions for the future can all lead to genius. This is a very rough account of how Annette Moser-Wellman spins a complicated web about real life wizards that have changed not only the business landscape but the way we view the world. She looks at the strategies men like Ray Kroc, Walt Disney and Alfred Nobel employed and the tools they used to achieve where no one else had acheived. It is also a guide for how to act and view the business world every day. I read it and started seeing my own creative process differently. Can you ask anything more from a book?

My New Communication Bible
Helpful Votes: 3 out of 3 total.
Review Date: 2001-08-03
Few times in my life have I picked up a book that was so insightful, so readable and so true that I have recommended it to almost everyone I have come into contact with. It has changed my whole outlook on understanding how to take my ideas and develop them simply by looking at them from a variety of facets and by asking the right questions.

This book has also helped me cope with people I once perceived as difficult to get through to. I have since been able to 'read' my coworkers in such a way that every exchange ends positively, not at a cross-roads like before.

Great for business, indispensable for life.

Become A Genius
Helpful Votes: 5 out of 7 total.
Review Date: 2001-04-08
This book, The Five Faces of Genius, is destined to make a difference, and become a "profitable experience" for anyone who reads it. It stimulates the imagination, which leads to ideas and concepts, which guide us to policies and programs, which generate strategies and tactics, which result in new products and services. The next thing you know, you have profits.

Listen to the writer, Robinson Davies (p.23) describing his inspirational moments: "An idea for a novel seizes me and will not let me go. What often appears in my head is a picture which somehow must be considered." Now, that happens to all of us. But, we need to learn how to act on those inspirational moments. This book teaches us how. Goethe's quote (p.193) is timely and has encouraged many of us to take action. It is at the heart of great leadership and magnificent results: "If you can imagine it, begin it. Boldness has genius, magic, and power in it." We should especially heed this advice during the current economic slump. It looks like the company, Agilent, did. The HP spinoff and maker of test and measurement equipment recently declared it would do something different to save money. It will cut the salaries of all 48,000 employees by 10% to avoid layoffs. This is an imaginative way to deal with economic hard times. It's also the "HP Way" - respect the individual. How to achieve this type of creative and positive response is all explained in the book. Finally, a third example that "exploded off the page" as I read the book are the Exercises found in each chapter. When you complete them you should submit them to your employer. They might become "the fuel that lights a fire" under your business.

This stuff works! Just read about the companies and people who have improved their lot. The author has identified 204 specific examples of individuals and organizations to make her point as to "the Skills needed to Master Ideas at Work." Heck, that's probably more than the number you would learn about at a good, four year college. And, this 208 page book can be read in a few hours.

In the Bible, Philippians 4:8, St. Paul urges us to think about "Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable - if anything is excellent or praiseworthy - think about such things." This book induces me to do just that. It seduces my senses. The author, Annette Moser-Wellman, knows what she is talking about. Can you define and dominate a market niche with your product or service? Read this book to find out how.

The author has imagined, noticed detail, connected domains, celebrated weakness, and simplified throughout her life. With this book she has brought the reader into "the company of the creative." Take advantage of her counsel. Discover the "seer, observer, alchemist, and sage" that lies within you. If you don't at least glance through this book, you're "a fool."

For "one shinning moment" then, be "a deer caught in the headlights of a passing car." Pause, in your life, read this book, and let the creative juices flow. Solve some problems in new, exciting, and imaginative ways. Then write the author, and thank her for encouraging you to be creative, improving the quality of your life, and increasing the productivity and profitability of your enterprise. Who knows, maybe someday you'll create a new "soft-chip technology" that eliminates cancer. This book is a wonderful, stimulating read. Enjoy it.

A Gem of A Management Tool
Helpful Votes: 5 out of 7 total.
Review Date: 2001-04-03
Yes, we know we need a great team to compete successfully, but that's easier said than done! We need a way to determine the members' strengths and weaknesses as they apply to analyzing problems and formulating new ideas. The Five Faces of Genius provides a quick assessment of individual thinking types with full explanations of each(good aspects, as well as pitfalls in processing). Each member can learn about himself, the other team players, and what to do with this new information as it applies to the group. What I found most refreshing was the concept that while it is nice to understand one's own way of thinking and creating, it is quite possible, even necessary,to try to personally develop new ways to formulate ideas.Also,knowledge about fellow workers' untapped abilities might just foster encouragement by staff of each other. Managers would do well to use this tool to understand the staff they supervise and allow each member to then do what he does best for the good of the whole! This is a gem.

Creativity
How You Do Anything Is How You Do Everything: A Workbook
Published in Paperback by Keep It Simple Books (1988-06)
Authors: Cheri Huber and June Shiver
List price: $10.00
New price: $4.94
Used price: $0.99

Average review score:

Great Self-Help Journal
Helpful Votes: 0 out of 0 total.
Review Date: 2008-06-22
This journal is a fantastic journal for self-reflection. I have learned a great deal about myself from utilizing this book. I have used Sark's and I liked it, however, I feel that this book gives more guidance and directions. I was looking for something to help me get on track spiritual as I had left my religion. This doesn't focus on religion, it helps an individual focus on knowing or getting to know themselves.

Get to know yourself
Helpful Votes: 3 out of 3 total.
Review Date: 2004-06-07
I picked up this book by chance years ago and really appreciate all its taught me about myself.
It is useful and insightful. It asks important questions to get you thinking. It is engaging because it comes in a creative format with blank space for you to write, draw, paint or paste.
I felt it well worth my money.

Good book but one to hate
Helpful Votes: 4 out of 9 total.
Review Date: 2007-08-28
This book is nothing but exercises - draw a picture of.... write down how you feel about.... I am sure that this book is a useful one, but quite frankly the odds of me finishing this book are zero. I would prefer to jump out of a plane than seriously complete this tedious book!

This is a great resource for counselors!
Helpful Votes: 5 out of 5 total.
Review Date: 2005-01-26
I have been a high school counselor, and am now a college counselor, and I have found this book to be a great resource to draw from when trying to help students with self-acceptance/discovery. The exercises are very thought-provoking and revealing. For anyone willing to take the time to work through them, the reward is a much greater understanding of self, and an improved self-concept.

Excellent Resource for anyone, I recommend it to my clients regularly
Helpful Votes: 7 out of 8 total.
Review Date: 2007-03-07
This book is a great resource for re-discovery the self and exploring your conditioning. It is loaded with practical exercises that really will help you to make your life better. It can be used as a resource along with counseling or it can stand alone. It is largely based on modern cognitive therapeutic methods that have proven effective and does not push a particular religious orientation although Cheri Huber is a Buddhist and founded a monastery. She is also a woman who has helped many people including herself and certainly has the credibility to put out good material. Very highly recommended for pre-teens, teens and adults. Her other books are very good as well and she has a Self Acceptance audio course that would be a wonderful accompaniment to this book. If you are not working with a counselor, I would recommend getting both to reinforce the ideas and help you to put them into practice. Change is possible, but it isn't always easy!


Books-Under-Review-->Computers-->Artificial Intelligence-->Creativity-->83
Related Subjects: Hofstadter, Douglas R.
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