Video Editing Books

I was looking to get a quick run on how Adobe Premiere Pro 2 works as I was familiar with other video packages. Not only was this manual easy to use in showing how to utilize many of the features of Adobe Premiere but it gave you ideas on how to set your workspace to maximize your editing efficiency.
I found I was able to skip to some chapters I wanted to learn more about first and ignore others that had characteristics similar to other programs I had used.

This is a good start to using the powerful features of this program. Now all I need is another book to help with the advanced image and sound editing for those videos that look grainy or have sound drops.

Got the program? Need help to use it? This is probably the best reference. I rated it 4 stars because not all of the material is in the lesson. You will have to copy resource material to your computer.

Anyone would easily think that Adobe premiere pro would be such a hard thing to learn how to do. Thanks to Jeff Schell, that problem is over. With easy excercises, this book is the essential tool to help you understand how to use the problem much better. It teaches you the basic tools, guides, and shortcuts that can help you create your own masterpiece (whatever that may be). The book also includes the disc that helps you step by step to create a simple video. I highly recommend this book for those who definitly want to learn Premiere Pro. It's Good Stuff

A book that I can read and understand without breaking into a sweat.
It solved one of my big problems inside five minutes.
You will not regret buying this book.

I would rate myself at the intermediate level when it comes to editing. I was fairly new to Premiere Pro 2 (was using 6.5 before) when I purchased the book. There were some things I knew already that the book described but I didn't know a lot of the shortcuts. It also taught me a great deal about using all of the Audio features, so that was a huge bonus for me. All in all, I thought the book was great. It was easy to work through and follow. It also allows you to skip around throughout chapters easily.

When PeachPit sent me this book to review I was already excited about it since Shake is something I've taken much interest in the last couple months. I'd already begun to amass all kinds of training resources on the topic and had even set out a schedule for which to execute the consumption of said resources. So receiving this book was much on point for me.

At the time of this review I had already worked my way through the Shake documentation (the first stop on my agenda) so I went into this with a rudimentary understanding of the application. I was pleased to discover that the writer of this book had taken that into consideration (and without even having to ask me!). They even state in the opening chapter that the book is not meant to replace the [free] documentation that comes with every Shake install but is aimed at enhancing what's already there. I found this to be accurate to some degree. After all, the basics must still be covered for those who were too [lazy/unaware/apathetic] towards the Shake documentation but for the most part every chapter enhanced its documentation counter-part rather nicely.

The second top notable feature of this book, in my opinion, is that you are supposedly adequately ready to take (and presumably pass) the Apple Pro Certification exam on Shake after completing the book. I say supposedly because I myself have not taken the exam and cannot speak on my preparedness. However, as some may know, the PeachPit book on Shake is the curriculum used in Apple Pro Training classes all over these great United States. This is also stated early in the book.

Other notable features of the book include a chapter relevant keyboard shortcuts matrix at the end of every chapter, high quality examples (some being clips from commercials you've seen on TV) for you, the student, to dig your fingers into in the labs, and pro level tips peppered throughout the book such as "always be sure auto-keyframe is enabled before rotoscoping (no one wants to roto for an hour only to find their work lost due to an oversight)" or "instead of color-matching in RGB, color-match each individual channel separately. it is much easier this way". The tips may seem basic but we all forget the basics sometimes so its great that they include this aspect of real-world protocols in a training book.

I thoroughly enjoyed the book. This is notable because I went into it with high expectations, which is usually a situation ripe with potential for disappointment. It was a fun and easy read and clearly written by a seasoned professional (the Pro Training way). I felt like he was my mentor sometimes the way he addressed certain issues "they don't teach you in school" (mentioned earlier in this review). I do recommend, if you buy the book, to download the errata available from PeachPit's website. It will clear up some minor confusion from the few typos that appear in chapters 2 and 13.

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About the reviewer: Ezra Peace is a narrative filmmaker based in New York. His credits include several feature length independent films and many independent short films as well as marketing and promotional work done in Miami and New York.

If you are Final Cut Pro editor as I am, and want to take a next level of your creations? Then get this book with the application software. Not only teach you for solid ground compositing also take you to the pro level.

This is a great way to learn Shake because it guides you step by step. The thing is that you need to know theorical concepts about compositing or have enough experience in another compositing software so you fully understand what he says, because sometimes the terms are not explained, just the way to do it, so if you don't know a lot about this I suggest you to first learn a little about how compositing works.

It is perfect for anybody wanting to learn shake. I bought the book with zero experiance and now i not only understand the program but I can relate nearly every "real" job to certain lessons in the book.

Marco, as always, has created another great Shake book. But as many of you know, Apple has recently stopped support of Shake. But thankfully they also reduced the price to nearly nothing making this powerful software available to everyone. But what do you do if you need support as a user? Check out [...]

I was familiar with editing, but had never used Avid software before. When I installed Avid Express Pro software on my home computer I immediately started a new project. I thought that since I knew editing I would easily figure out the Avid software. Wrong. I muddled through it and finished the project, but it took longer than forever, and I seriously simplified the project because I couldn't figure out many of the functions. This book does a great job of explaining the Avid interface in easy to understand language. The book also included a CD-ROM with practice projects.

There are a lot of reference books out there but this is one that you can tell has been written not by a sales person but by a user of Avid who knows what to say and how to say it in a language that is easy to understand and with examples that can be followed simply.

When I purchased my Avid Express DV software I had zero video editing experience. I knew the software was fairly complex, had a lot of capabilities, and the learning curve would be steep, so I also purchased the Avid turorial DVDs. However, with no editing background, after viewing these DVDs I just wasn't "getting it."

Kauffmann's book was perfect for me. It starts with the fundamentals (video formats, hooking up the hardware and turning the system on, etc.) and goes on from there to cover everything though fine tuning audio and doing color correction.

By reading the book (mostly) though once then using it as a "cookbook" while editing, in just a few days I was up and running and capturing, editing, and fine tuning my videos. Admittedly, Kauffmann does not go into great depth in some areas (which he acknowledges) but for someone who's just getting started this is an excellent book and will get you well on the road. I would highly recommend it to anyone just getting started and trying to learn Avid.

While this book is an excellent guide to what you can do with Avid, it also takes the time to explain in an understandable way editing techniques. The new chapters on HD and 24p filmaking are excellent! It gives a good base to understand these new additions to the independent movie making world. The only knock I would give it is it's lack of explanation on effects editing and the marquee title tool is completely ignored.

Avid Editing has been a useful tool for me both as a student and as a professional. As a film student, I first picked up Sam Kauffmann's second edition in a production class. Most of us had never touched an Avid before, and yet by the end of the semester, using Kauffmann's text as a go-to guide, my classmates and I were producing dynamic and adeptly edited pieces. Not only does the book provide simple exercises for the reader to try, it also includes a DVD with actual footage to work with. Avid Editing is carefully organized for the beginning editor, but I also use it as a reference now that I am out of college, working as an assistant editor. This new third edition not only expounds upon all the steps, shortcuts and settings covered in the previous editions, but also dedicates entire chapters to editing with 24p and HD footage, making this book invaluable to editors entering the professional world. I strongly recommend this guide for anyone who seeks to teach, learn, or refresh his or her memory.

After several trips to car shows with my husband, I had lots of beautiful photos sitting in iPhoto ready to print. I thought a DVD would be more useful and enjoyable for him, and tried to make a DVD project - NOT! Having already used The Missing Manual books, I promptly went out and bought this one. Great choice, as it filled in the blanks and gave me lots of ideas also. I am a photographer, not a tech person, and am pretty clueless when it comes to creating projects on the computer.

This series suits me perfectly and the book is highly recommended - with the aid of the book I sat down and promptly made a beautiful DVD, with lots of lovely effects, great music, and best of all it was easy. My husband was very happy with his DVD and watches it often.

The manual is clear, concise, easy to read and enjoyable. Unlike so many texts, it is not dry or overly technical. Anyone can make a great DVD easily with this reference. Next project - a video. Ready.....

This is the book you really want if you use iMovie at all!

I had recently started using a Mac at work, and suddenly I was put in a position to work with video on the Mac. Mr. Pogue's other books had been very helpful to me as I began to learn my way around the Mac, so I thought I would pick up this one to help me with my video work. I was very glad that I did. You see, iMovie HD has tools that help your movie look professional, but the iMovie HD help files are very tedious to go through. There is a great deal of referencing, cross-referencing, and nothing is smoothly laid out. This book is another story, as it is very well laid out with clear instructions and illustrations. It is very long, but since these applications are powerful, it would be expected that any clear explanation of them is going to require some space.
What is particularly good about this book is that the author doesn't assume you are a professional video author, and he spends part one of the book helping you learn how to shoot videos and shares tricks that will make you good at it. Part 2 is dedicated to iMovie, and shares not just how to use the application, but the little extras that will make your video special - transitions, effects, titles, captions, and even how to work with sound in your movie. Part 3, on finding your audience, was another unexpected treat. There the author shows you how to move between iMovie and Quicktime, and how to post your movie to your phone and to the web. Part 4 of the book is on iDVD. I particularly liked the chapter on iDVD secrets, where the author shows how you can use AppleScript to customize iDVD itself.
It's hard to believe that a year ago I didn't even know how to use a Mac, and now I am quite the fan, especially when it comes to multimedia applications. I notice Amazon does not show the table of contents, so I do that here:
Part 1: CAPTURING DV FOOTAGE
1. The DV Camcorder
2. Turning Home Video into Pro Video
3. Special Event Filming
Part 2: EDITING IN IMOVIE
4. Camcorder Meets Mac
5. Building the Movie
6. Transitions and Effects
7. Titles, Captions, and Credits
8. Narration, Music, and Sound
9. Still Pictures and QuickTime Movies
10. Professional Editing Techniques
Part 3: FINDING YOUR AUDIENCE
11. Back to the Camcorder
12. From iMovie to QuickTime
13. Movies on the Web - And on the Phone
14. QuickTime Player
Part 4: iDVD5
15. From iMovie to iDVD
16. iDVD Projects by Hand
17. Designing iDVD Themes
18. iDVD Secrets
Part 5: Appendixes
A. iMovie HD: Menu by Menu
B. Troubleshooting
C. Master Keyboard Shortcut List

Very informative AND entertaining! If you feel you are even the least bit interested in breaking into digital film making this book is fantastic. I have been using iMovie for several years now and have a camcorder. However, I thought this book might help me kick things up a notch. It certainly will. I have only gotten through the first fifty pages, but I've already learned enough justify this purchase.

When I first received this rather intimidating 450+ page book I thought I would use it mainly for reference. Well, that was before I started reading it. Now I find it hard put down. It is very well written and arranged by areas of interest.

This book is great for everyone, from beginner to expert. It will undoubtedly prove to be a very valuable reference book in the future, but for now it's a great read.

If you're a heavy user of iMovieHD and iDVD, this book is a must. Most questions that users have about both software can be found in this manual (though he doesn't read like a boring manual). Pogue not only provides all the how-tos for learning the software, he also helps you troubleshoot problems that will crop in movie and DVD productions. There's hardly no aspect of either software that I didn't find covered in this book.

Simply put, read this book and you will definitely be able to produce excellent movies.
The book can be read from start to finish or just dip in to where the specific information is. The book is written so both ways work.The clear instructions enable even a novice to be proud - even amazed at what they can do.
Two days after reading this book I put a mini movie on the internet! If I can, you can!

As an owner of the author's Pinnacle Studio 8 book, I waited to buy what I anticipated to be his Pinnacle Studio 9 Plus book. But wait no more. A supplemental chapter covering the 9 Plus features - PIP, Pan and Zoom, and Chroma Key, is avaiable at http://www.doceo.com/studio9.html under "Click here to download free chapter on new features of Studio Plus", and now I have the equivalent of the Studio Plus 9 book.
I agree with the other reviewer's comments and no point in repeating them here, except to say that for me the best parts about the author's presentations are the illustrative examples.

Pinnacle's Studio 9 is a love it or hate it package. At $99 (retail price) it is very inexpensive for what you get. The problem, people report, has been getting it to work on their system -- I also hear that the newest release of the package is much, much better. It also seems to work better with Intel Pentium CPU's than with AMD and it also likes memory, say a gigabyte.

But as for the book, this is one of the Visual Quickstart Guides. They're great. They use a format of having two columns on each page with the outside column being text and the inside being pictures. Each page is devoted to some small task and handles that task completely. You can start at the front of the book and go all the way through and you'll get a pretty good tutorial on the software. Or you can use the index to skip around and quickly get to the particular detail you are looking for.

Jan Ozer is an excellent writer. He starts out with the statement "you have the manual for the software" and then goes on from there. This is not a manual of how to, this is a what and why kind of book that explains what it is that you are trying to do and then goes on to tell you how to do it. The manual tells you how to do a J-Cut and an L-Cut. This book tells you what they are.

I've read numerous technical books on many subjects and have never sailed through the software as smoothly as with this book.
If you're looking for a tutorial that can whiz you through the subject matter with ease and accuracy this is it! No matter where you wish to refer back to, you can do it without reading the whole chapter (as with other tutorials). Quickstart is the name however I feel it should be named Quick referrence.
Best investment I've made in a while. I'm making movies that are in awe at my office. I've been told they have been made professionally.

This is probably one of the most informative books on video editing that you can buy. The author is an expert in the field and has the ability to not just tell you how to do something, but make you understand what is going on and thereby enabling an intuitive feel for using the program. His "Studio 8 for Windows" carried me from the depths of ignorance to a level of competence that allows me to knock out complicated projects in record time; this new Studio 9 version will do the same for you plus. This book will enable the beginner to successfully edit productions with minimum heartache....but READ before you start clicking madly away.

All around, yet another hit from the Missing Manual series!

I'm well versed in most things computer, so computer books often either are way under my interest level or are very technical in nature. This is a great mix of advanced techniques taught in a quick and understandable way.

I'm actually using iLife '06, but haven't hit any major roadbumps between the content in the book and the '06 apps.

Great stuff - now I'm drooling over the iPhoto specific book - I want to dig even deeper into that app now that I understand the basics!

iLife '05 is the fifth Missing Manual I've purchased. I find them helpful, informative, and fun to read. The chapter layout is logical and fluid, the index is thorough, and the entire manual is chock full of color (!) illustrations.

The first few chapters will walk the beginner through iTunes and the iTunes Music store. There is even a chapter on managing your iPod.

Next is iPhoto, Apple's image browser-librarian-editor. Like Apple's software, there is more than first meets the eye in these pages.

Section three covers iMovie, from working with your camcorder through producing something worth burning to DVD...leading seamlessly to

Section four, exploring iDVD. Both general concepts and insider-like tips abound.

Section five covers GarageBand. All the above sections are much more accessable and thorough than Apple's Help system. This Missing Manual closes with more than 50 pages of troubleshooting tips for the 5 software titles, and an excellent index.

The whole book is a pleasure to read, browse, or just to hold in the hand (though it's heavy--nothing skimpy about it). I find myself reading some sections completely and diving in for a just a few pages in others. A must have if you own iLife '05--whhich can be had for a song now that iLife '06 is out.

David Pogue's iLife 05: The Missing Manual covers all the major features and functions of iLife: iTunes, iPhoto 5, Garage Band 2 and more. These are all key cornerstones of the Mac's popularity and here are revealed by a weekly computer columnist for the New York Times who is himself a Macintosh author. From producing polished music recordings with no prior experience to using information panels, effects panes, film rolls and other features of iLife 05, you simply can't be without this book if you own the program. The full color screen examples packed throughout make it hard to mess up.

Do you need to harness cutting-edge technology for your own creative expression and entertainment? If you do, you're in luck! Author David Pogue, has done an outstanding job of writing a book that doesn't require you to be a professional working for a media conglomerate to read it.

Pogue, begins by discussing how to use iTunes 4 for managing, playing, buying and sharing digital music. Then, he discusses how to use the iPhoto 5 program for downloading photos from your digital camera, and organizing, sharing, and printing them. The author continues by describing how to use the iMoves HD program for editing footage from a digital camcorder, adding effects, sound, and credits, and then presenting the result. Next, he details how to use GarageBand 2 for composing and recording terrific-sounding songs of your own. Then, the author provides an overview of how to use the iDVD 5 program for burning DVDs containing the movies, music, and photos from iTunes, iPhotos, iMoves, and GarageBand. Finally, he explains how to troubleshoot the preceding programs.

This most excellent book packages iDVD 5, iTunes, iPhotos, iMoves, and GarageBand come in a single package called iLife '05. In other words, if you've mastered all of the preceding information, you have all of the technical background you need to enjoy iLife '05: The Missing Manual.

This is a good book for understanding all of the applications included in iLife 05. Note, however, that iLife 06 has been released with a host of new features, and thus depending on whether or not you intend to upgrade, this book may have a limited lifespan of usefulness at this point in time. As of iLife '06, iLife consists of six components: iTunes, iPhoto, iMovie, iDVD, GarageBand, and iWeb. However, if you intend to stick with iLife 05 for awhile, you couldn't ask for a better guide. Basically, what the author has done is condense his Mac missing manual series of books- iMovie&DVD, iPhoto, iTunes&iPod, and GarageBand - into one volume. I have some of the missing manuals for the individual applications, and I compared the individual books with the applicable sections in this book, and they seem to be equitable in quality. The only thing you are really missing is some of Pogue's insight into using the applications - for example, some pointers on film-making in the case of the iMovie&iDVD book versus this book. There also seem to be more advanced user and customization information in the individual "Missing Manual" books versus this book, so perhaps power-users would be better off buying the individual missing manuals on the applications. I notice that Amazon does not show the table of contents, so I do that here for the purpose of completeness:
PART 1: iTunes
1. Getting Music into iTunes
2. Getting Music out of iTunes
3. Managing Your Music
4. The iTunes Music Store
5. The iPod Connection
PART 2: iPhoto
6. Camera Meets Mac
7. The Digital Shoebox
8. Editing Your Shots
9. The iPhoto Slideshow
10. Prints and Books
11. Photos Online - and Your Network
12. iPhoto File Management
PART 3: iMovie
13. Camcorder Meets Mac
14. Building the Movie
15. Transitions and Effects
16. Titles, Captions, and Credits
17. Narration, Music, and Sound
18. Still Pictures and Quicktime Movies
19. Finding Your Audience
PART 4: iDVD
20. From iMovie to iDVD
21. iDVD Projects By Hand
22. Advanced iDVD
PART 5: GarageBand
23. Setting Up the Garage
24. Loops
25. Regions
26. Software Instruments (MIDI)
27. Recording and Editing Live Audio
28. Effects, Guitar Amps, and Instrument Models
29. Mixing and Publishing
PART 6: Troubleshooting
30. Troubleshooting iTunes
31. Troubleshooting iPhoto
32. Troubleshooting iMovie
33. Troubleshooting iDVD
34. Troubleshooting GarageBand

I've always felt this book had an unfortunate title and may have done much better without the "Screenwriter" addendum. The fact is that the advice and exercises that Seger gives is germane to all writers - the novelist, short story writer, as well as the screenwriter.

The "Creativity Workbook" aspect is a true title, however. This is a wonderful book for those of you who feel you're suffering from writer's block. The only solution, of course, is to just write. Even if you're writing "I don't know what to write...this is awful...I have no idea what to write..." still do it. Eventually you'll have a break through. Seger hides this simple fact into her ingenious exercises, giving you situation after to situation to write about, all the while developing characters and plot ideas.

Her focus is to truly help you develop as a writer, not merely beef up your script with cheap, dime-a-dozen plot methods. In that aspect, this book is rather unique and very successful. One of the better writing books available.

Linda Seger offers a number of ways to re-start the creative process; if only one of them works for you, the book is worth it.

Just reading through the exercises in this book was enough to get me through a serious case of writer's block. She includes an entire chapter on tapping into your religious/spiritual side to flesh out characters and deepen plot, but don't worry: If that won't work for you, she suggests skipping ahead -- there are plenty more idea-provoking suggestions to come.

It's a resource to turn to again and again, whenever a dead end looms.

This book combines craft and creativity and provides writers with the knowledge necessary to write at the highest artistic level. The exercises within can be reused time and again and push a writer to think outside the box.

Not a paint-by-numbers approach, instead this author guides you into unlocking and strengthening your own, original voice.

What are you waiting for? This is a great resource!

I've found so much inspiration in Making a Good Writer Great. Seger's words have helped me break through that brick wall. She is truly a light to see by. I can call myself a screenwriter once again.

I love and collect books on creativity and problem solving. One of my favorites is Dr. Linda Seger's, Making a Good Writer Great: A Creative Workbook for Screenwriters. The title, unfortunately, is too narrow for its own good. It should be: Unleashing Your Creative Genius: Screenwriting as a Metaphor for World Peace...or something just as ostentatious. I'm serious. First, using Linda's techniques just replace all forms of the term "writer" for whatever job you're in: "engineer," "teacher," "mother," "assembler," "unemployed," or "politician." (On second thought, strike that last example.) Second, insert YOURSELF as the protagonist of YOUR PERSONAL story. Third, pick the problem you're having difficulty solving. And finally, using Linda's techniques and exercises creatively think your way to a solution just as you would the fictional character in a story. The problems that face all of us--writer, repressed child, or okay, even world leader--can be solved by using Linda's 12-step program. Here they are in my own words. 1. Discover your mission (or goal). 2. Articulate your values. 3. List the obstacles. 4. Plot turning points around the obstacles. 5. Stick to your passions. 6. Master your powers of observation. 7. Attach meaning to your experiences. 8. Accept your flaws as reasons to persevere. 9. Leverage the opposing forces. 10. Purpose to change the world. 11. Ask God for supernatural inspiration. And 12. Use feedback to ever improve. Linda's book is a winning tool for everyone...including writers.

Linda's writing was very helpful in the writing of my own book on screenwriting published by Michael Wiese Productions: THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success.

What if you have already read another editing book? Read this and then go back and read your other book. The author has a lifetime of experience in Hollywood and explains how Hollywood movies are edited, at least until the 1970's (most still use these methods). The methods described are the standards that form the basic language of the craft. Another plus is that the work is very concise and a good read into the history of film.

This is not only a really awesome book to help improve
your editing skill, but also one of the nicest overall books I've
ever read. Worth while buying.

One of the most important books in my life. I read and re-read this book in preparation for editing my FIRST film ever. Reviewers say my film possesses a "master level" edit. This book is why. Buy it. Read it. Re-read it.

My message to all young grasshopper: Read. And now read some more. Read and you become master phlegm-en-zepher.

this is an excellent book on this very delicate craft. I also liked "the eye is quicker" but this was very informative and a better read. there is no substitute for actually editing and what works is hard to descibe in words but this book demonstrates some very subtles points and Mr. Dmytyk is a film maker. If your just starting read the eye is quicker but if you have some experience and want to go to the next level, this is a good one.

This is one of the classic texts on the principles and practices of modern film editing. While it was written nearly thirty years ago and refers occasionally to the techniques of linear editing on actual film, its summary of the rules of good editing remains as relevant today as ever, even for filmmakers who will only ever edit video on their computers. Editing is where the film is brought to life and Dmytryk outlines in a very clear and engaging way the basic considerations that allow that to take place. The author was not only a major filmmaker but a master teacher, and it shows in both the precision and clarity of his explanations.

What makes the guide as fresh today as when it appeared is that it is primarily not about technical considerations but about how an editor has to think in order to construct seamless and engaging scenes that are true to the overall story of a film. At the same time this thinking is given a practical application. The focus is on why rather than how, but it goes much further in explaining the basics of what to do when editing and how to put together a scene than many other books out there.

Dmytryk makes a distinction between a cutter and an editor, and cutting is merely competence with the equipment of film editing, whether it is a moviola or Final Cut Pro. Editing is always thinking, and is as creative in its approach to the film as shot as directing is creative in its approach to the film as written. Subtle variations in editing can change completely the tone or mood of a film. Dmytryk illustrates his points with several examples from major films he directed or edited (e.g. The Caine Mutiny, Murder, My Sweet and many more). Dmytryk is a master of his craft and is generous in his description of what it takes to pursue this mastery. This little book is an indispensible part of any filmmaker or film lover's library.

I love this book. It's a robust mix of exercises and software how-to, unique among all the FCP books I've read. I'm very glad to have it in my library.

I wrote this to Wolsky, might as well share it with the world:
Hi, guys. I met you at the fcpug last Weds and bought a (signed!) copy of your book. I haven't started to do the tutorial yet but I can't put the book down. It's so clear and easy to understand, and I'm already implementing the stuff I've picked up just from reading, "Now, did he say.... option X? Oh, wow, it works." It's the best book I've seen and I tend to look at everything in hopes that where one person confuses me another will set me straight. Anyway, this is a fan letter. And the writing is extraordinarily fine, literate and grammatical. Thank you.

The author is candid in his discussion about editing with Final Cut Pro. The most valuable information to me was his numerious comparisons between FCP and other editing software. For example, he points out those areas where other programs might be stronger in certain areas than FCP and specifies those programs. I read the book cover to cover and continually refer back to it as a guide and inspiratoin when editing.

Reading many, if not most, software instruction books, is akin to being clubbed by a thousand hammers...overload, overload. They are constructed as reference books, but one has to fight through tons on incidental material to figure out how to use the program.

Tom Wolsky's Final Cut Pro 2 book is, instead, a precise tool, which gets you cutting in no time. Wolsky's credits list him as an editor and a teacher, and his book make it clear he is outstanding in both regards.

At first glance you might think that this book is the same as the other FCP click-step books for the manual-adverse. You'd be wrong. Tom has crafted an excellent instructional work that richly supplements, rather than reiterates, Apple's enormous, exhaustive FCP 2 manual. Certainly he has featured many pages of clear dance-step instruction throughout the book. But, more noteworthy, Tom also incorporates a great deal of contextual insight into why certain features might be useful to the reader and draws upon his professional experience to give readers insights into the professional post-production process.

This book quickly became the mainstay of my FCP editing library. The only feature that would improve upon it is a spiral binding enabling it to lie flat while open!

This book served as a guide to go from not knowing anything about iMovie to being able to create a large slideshow project. I ordered another guide first and couldn't get off square one. This guide allowed me from starting at no knowledge to understanding well enough to get my job done. The iMovie icon sat on my desktop for years before this book opened it's utility. A small and worthwhile investment to get the most out of this software. It has even given me the bug to get a camcorder and move from photography to videography.

I love this book. Its so easy to read and informative that it'll suit any age! Its an easy way to get the know-how on Imovie and Idvd and also helps seasoned ammatures (like myself) brush up on the commands and answers any questions you might have.

As digital video cameras spawn in the hands of you, me, parents and tourists like cockroaches in my kitchen we find ourselves needing the kind of technical and aesthetic help not really seen since the advent of `desktop publishing'. Once again a `Missing Manual' has come to my help. `iMovie 3 & iDVD: The Missing Manual' is an excellent book.

I previously reviewed iPhoto2: The Missing Manual and said "The target audience for this book would probably be a little less technical than myself, however when I find myself in a field I don't understand well I don't mind a little stuff for the absolute newbie" -- and once again this is true. iMovie 3 & iDVD: The Missing Manual finds me in an area where I am technically inferior. Once again I truly appreciated this book and its style.

The book is broken up into four sections, one devoted to video cameras and shooting a movie, a large one on editing in iMovie 3, and smaller sections on exporting out of iMovie 3 and on using iDVD. At the end are two useful appendices: the first is a menu-by-menu look at iMovie 3, and the second is an iMovie 3 troubleshooting guide. The latter is often needed and always useful -- iMovie 3 still has more than one bug.

The first section gives a great deal of incredibly useful information about video cameras and how to use them, including hints on various types of shooting such as sporting events, interviews and weddings. The technical information on cameras is perfect if you have yet to buy a camera, including a guide to which features are essential and which unnecessary as you can do the same thing (only better) in iMovie 3. When it goes on to the `how to shoot' section, you get pretty much the same advice you'll get anywhere, but since we didn't really read all of from the last book on video we read (and forgot half the bits we did read) it's nice to have it there again.

The second section does a good job of explaining the details of iMovie 3, even down to some of its shortcomings and bugs. I also appreciated the way it spent as much time on improving the quality of the finished film as it did telling me how to use the various parts of the software. It follows a logical sequence through the movie-making process, giving good details on how iMovie does the job, how to get the best result and what sort of things to avoid -- particularly useful for things like transitions and effects when less is best.

The third section, titled "Finding Your Audience," is a bit more of a problem. It really has nothing to do with finding an audience and a lot more to do with QuickTime. The section first spends ten pages telling us how to get our edited film back onto the camcorder or onto a VCR, then it spends a lot of time dealing with exporting to QuickTime, including posting movies to the web and some info on using the QuickTime player, including some "tricks" with QuickTime Player Pro.

The attention to the finished product in the second section carries through to the fourth section on iDVD, though the writing here is not quite as good. It is incredibly informative, however. I learned a great deal about putting together all sorts of iDVD projects, including ways of customizing almost every aspect of the finished product.

O'Reilly have the usual marketing stuff on their website while Pogue Press have the handy little Missing CD section with links to all the free and shareware software mentioned in the book. Neither has a sample chapter or the table of contents.

One of the drawbacks of getting free software is that we don't get good free documentation. One of the benefits of free software is that we can choose which `documentation' to buy. Some people might prefer the style of the `Dummies' books, others the style of Peachpit's Visual Quickstart Guide. I've had a look at all three and like the balance of depth and explanation that Pogue has in his `Missing Manual' series. I once again find myself recommending a `Missing Manual' to everyone. While catering to the beginner, this book goes deep enough that all but the most long-term user of these two pieces of software will find something to learn in this volume.

Yup. This book really made using iMovie for the first time a walk in the park.
Wiht absolutely no prior experience in this sort of stuff (the closest I've come is Photoshop Elements), I was able to, on the first try, make a music video of my son's first christmas.
I was then able to convert an old videotape from the late 70's into a gleaming, groovy DVD.
The book is well laid out, easy to navigate and above all, usable.
It's a five-star manual, no doubt about it.

I bought this book as an afterthought when I started using I-Movie. At first, like most of us, I thought--hey, I can use I-movie intuitively without a manual...but after my Imovie 3.0 crashed and corrupted the movie I'd been working on for 100+ hours, I was eternally grateful to have it nearby. This manual is wonderfully organized, very easy-to-understand, and answers virtually every question you could have about I-Movie and I-DVD. It walks you through everything from how to shoot footage that is eye-appealing...to editing it to a work-of-art in I-movie...to converting it to a Quicktime video and/or burning it to DVD. It is honestly one of the best manuals I've ever used for anything---clear, concise, yet comprehensive. Thanksfully, you don't need to read the whole book in order to "get started" with I-movie; rather, it's a great tool to pick up on an "as needed" basis while you're editing. This book is definitely worth the small investment. It truly is "the missing manual" for I-movie. O'Reilley has done it again...great job!