Video Editing Books

Just one read of Peter Miller's book, "Author! Screenwriter!" will broaden your horizen of writing possibilities. Don't just think screenplay, but consider formating that same story idea into a novel as well. And when you consider the odds, 100,000 to 200,000 books published per year, as compared to only some 1,000 stories produced for all of the Network Television, Motion Picture, Cable and DVD industries, Mr. Miller argues an interesting point. With over 30 years experience managing and producing writers, he gives insights into the industry that few others have even touched upon.

Definitely worth any writer's time and money. But regardless of one's writing goals, this book gives that big push every writer needs to encourage perfection and perseverance.

If you're serious about realizing your potential as a writer, this is the book you buy. Having successfully managed hundreds of books, Peter Miller truly is "The Literary Lion", and Author! Screenwriter! has left a huge impact on me as a professional writer.

Need an inside guide on how to write the perfect proposal or understand the delicacies of contracts? He's got you covered. Or maybe you really would like to take a look at some sample inquiries, be inspired by some success stories, have a better understanding of the do's and don'ts in a profession where millions of writers compete for the interest of professionals in the industry. Trust me, if you read this book it will never be far from your hands. Buy Author! Screenwriter! and you'll go back again and again to Mr. Miller's wellspring of experience and insight.

If you're like me, you want to be armed with the truth as a writer, and Peter Miller delivers. Read it, cloak your talent in its wisdom, and move forward. You'll agree that it's more than a book.

It may well be the key to your future.

The book is a must-have for a writer's bookshelf. But a companion DVD is also available with practical and pointed interviews that is well-worth seeking out.

Peter Miller's Author!Screenwriter! is direct and to the point, so I shall be also. This beautifully organized exposition provided me with more insight into the Book and Film industry than I have found in any other source. I could write much more, applauding the great chapters on the mysteries of film deals and the most helpful examples of project proposals in many genres -- but the bottom line is simple Author!Screenwriter! is definitive, the most helpful book on the subject.

I purchased Peter Miller's book at the recommendation of a colleague who knew I was in the process of writing a book proposal. Peter's book and DVD provide the reader/viewer with such clarity and direction. Peter provides wisdom and insights for the experienced and the novice writer in how to maneuver their way through the challenges, obstacles, politics and subtelties of the publishing industry. By the time you are finished reading his book and viewing his DVD you have a very clear picture of what lies ahead - no rose colored glasses, advice for the dedicated writer; you are clearer than you ever imagined you could be about what lies ahead. Buy this book if you are serious about our writing career.

Sure the program comes with a PDF manual but having a printed reference can make learning so much easier. This is not a book on technique, it's a book on features, functionality and workflow. I primarily use Final Cut Express, thankfully most of the tutorials contained in the book are applicable. There's nothing terribly exciting about the book itself, the information is presented in a no-nonsense fashion. If your looking for anecdotal storytelling, humor and opinion you'd do well to consider another title. I keep it handy at all times, it's saved me a lot of time and frustration...well worth the money.

I like Lynda's personal publications best but anything bearing her title "H.O.T." is worth having. Very practical and useful. Norman Borge

When looking for a book on FCP, I just read the various reviews. Even though some others looked quite interesting, I chose this one and am glad I did. I wanted a specific type of instruction because I have some expert-level chops and ignorance at the same time. I'm new to video but am a professional recording engineer by trade. I'm fully conversant on the Mac and non-linear audio programs so I needed a book that got both completely simple (for video concepts new to me) and also provided some depth at the same time.

The type of instruction in this book is having the user execute step-by-step, starting at the most basic level but progressing into more complex stuff fairly quick.

I forget the wording but there's some Chinese proverb........something like
You tell me, I hear
You show me, I see
I do, I learn

That's me and this book suits my learning style nicely. I'm sure there are other books as good but I doubt that any are better, hard to see how you could go wrong with this one.

I consider myself to be a "seasoned user" of Final Cut Pro. I have been editing with FCP since the original release of version 1.0 and have worked on numerous documentaries, features, commercials and episodic television.

I learned about this book from the Apple website. This is the official textbook used for Apple Pro Certification (FCP Level One). So I decided that I would "forget" everything I already knew and begin with Lesson 1. I'm very happy I adopted that attitude because there are so many neat little tips that I picked up in the first few lessons. Now I wonder how I ever survived without them. Those tips have already saved me a lot of time. I have only completed one-third of the lessons thus far and I can already see an improvement in my productivity.

Every chapter of the book is a "hands-on" lesson. The files and media for each lesson are provided on a DVD-ROM (included). You will first copy those files to your hard drive and then open each lesson file and then follow the step-by-step instructions in the book.

I'm looking forward to getting my Level One certification with the help of this book, and I can't wait to continue onto the Advanced Level certification with the second book.

Please note this is essentially the same book as the the "Final Cut Pro HD" book. The DVD is the same and so are the exercises. I had a chance to compare both and noticed only only one minor detailed (a detail is now circled on a screen shot) and, of course, there could be some that I missed. Even so, the back cover of the HD book acknowledges...

"This book was previously published under the title "Apple Pro Training Series: Final Cut Pro 4. If you previously purchased this book, there is no need to purchase this revision: All the project files and exercises in the previous edition can be used with Final Cut Pro HD."

Bottom-Line: Newbie or Pro? It doesn't matter! This is a GREAT book to own if you use FCP.

Until I purchased this book, I had owned FCP4 for six months. I had learned my way around the software well enough. I felt comfortable, but not necessarily proficient. In order to improve my editing time, I went ahead and ordered this book, also with the intent of getting my Apple certification, as this is the same text used in their classes. Normally, I am the type that I will skip sections that discuss things that I'm certain I know, but I went ahead and followed every step in the book.
What a difference! Each chapter takes approximately 30-45 minutes to complete, using video clips on the included DVD. After 3 days and 10 chapters, I was hardling touching my trackball. Not only had I learned quite a few shortcuts, but the book helped me understand the editing process itself a little better. I feel that this text is very well laid out, easy to understand, and can be done relatively quickly with a sharp learning curve. I highly recommend this to anyone new to Final Cut Pro. With a little time and effort, you'll be flying around the video editing, the soundtrack design and the Live Type titling package. And, after you have completed this book, go ahead and buy Apple Pro Training Series: Advanced Editing and Finishing Techniques in Final Cut Pro 4, you will not be disappointed.

I own several screenwriting books and consider this one to be in the top 3 (McKee and Vogler being the other 2). The reason is because this is one of the few screenwriting books with information coming straight from successful screenwriters. This is key, because through their insights you can better understand how they work, think, and live. And this ultimately affects your writing positively because a lot of the uncertainties during the writing process are discussed. It won't teach you about structure etc, but it contains information that to me was equally vital: how to think as a successful screenwriter.

In real estate they discuss the three "L's" Location, location, location. This is the three "W's" Write, Write and Write more. I highly recommend this book for anyone who wants to write a screen play.

I always find it frustrating when I go to Amazon and look at the reviews that are posted and find that they are at least 2 to 3 years old. So I decided to at least make a more up-to-date review.

First and foremost, this book is NOT a `How to Write a great Script' book. This book is about screenwriters and their knowledgeable insight on the practice we all know as Screenwriting. These established screenwriters ( Akiva Goldman: A Beautiful Mind, A Time to Kill, and the up coming The Da Vinci Code Steven E. de Souza: Die Hard, 48 Hours.) reference their past experience on what works, what does not work, and what habits you need to establish to have a successful career in the shark infested waters of Hollywood. Not sure how many hours you need to write day in day out? Thinking that you are the only one with a spouse and kids, fearing that you will not have enough time to write? Arrived at Hollywood lost with no plan of action on how to get your script read? Worried that you born yesterday and began sending inquiry letters to agents and producers? Fear of rejection (it is inevitable) from everyone? All these topics are discussed and more in this book.

This book is required reading for all serious screenwriters. I also suggest Breakfast with sharks by Michael Lent, The Art of Dramatic writing by Lajos Egri, Story by Robert Mckee, Making a good script Great by Linda Seger, and The Writer Got Screwed by Brooke A. Wharton.

This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.

I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.

This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.

Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.

This book and media, After Effects Apprentice, was a great introduction to Adobe After Effects CS3. The tutorials were well thought out and taught solid AE skills.

Highly recommended!

I received this product pretty quickly and it was in very good condition!
Seller, keep up you good service! you got a 5 star from me!

Clear, methodical approach to training on this difficult application. I highly recommend the book! And--there's some video gems on the DVD too!

A hands on approach to learning Adobe After Effects software. An excellent choice for anyone who wants to jump right into After Effects and for those of us who learn the best by examples and using the software right away.

I wanted to be a step ahead of the rest before I entered into my first class dealing with after effects. This book did it in record time! I even finished the second book in the series before our first project. I learned the ins and outs and beyond, and I didn't know how to do anything with AE before hand. I HIGHLY recommend this book as well as it's counter-part!!!

I bought three books to teach myself how to produce DVDs. The Erica Sadun book is for advanced users and was not helpful to me. The Bob LeVitus "Little iDVD Book" is probably one of the most poorly organized and edited books I've ever come across on any subject.

Pogue's "Missing Manual", on the other hand, is comprehensive, clear and well-organized. I've produced about half a dozen DVDs since reading (and re-reading) Pogue's book and it clearly made a huge difference in what I was able to construct using iDVD.

In my opinion, this is the only book you need to read to learn how to produce movies using iDVD.

Beyond teaching readers to work with iDVD, Pogue also offers loads of helpful suggestions about editing in general. This book is outstanding.

I love this book! I was ready to give up trying to use iMovie because of a small glitch that was incurring. After browsing thru the book the very first time I opened it, I came across the trouble I was having with iMovie. Mr. Pogue directed me to the correct settings and I am now having a great time editing my DV movies.

I would highly recommend this book to anyone attempting to use iMovie. There is so much more to this program than Apple addresses in the help file. Mr. Pogue's writing is concise but not out of reach for the average Mac user.

I have many books by Mr. Pogue and I would recommend any of them if you are stumped and need a well explained how-to-manuel.

Can it get any simpler !! ha ha ha ha ha
I found this book to be extremely informative and easy to understand (especially since i am yet to purchace a mac and digital video cammera ).. I will have no hesitation now to go out and purchase a Mac and a Digital cammera .. and feel confident making my first feature film or "Home Movie " LOL

It's OK. It has about the same amount of material as the "iMovie 2 for Macintosh Visual Quickstart Guide" - The missing manual is fatter because it contains additional stories and things that a reader might find amusing, but that are not particular relevant to the topic. The section on movie making basics is very good. For an expanded view see "The Five C's of Cinematography". I thought I would find more information in this book since it is fatter than in the VQG, but it ended up that they are about even in content.

First I have to give props to David Pogue and his Missing Manual series. As a bookseller and computer geek I've long favored the Dummies books as the best entry-level source for third-party information on software. However, O'Reilly made a smart move when they turned their attention on that market and grabbed Dummies standby Pogue to headline the new series. The Missing Manuals (and their mutant-dogcow mascot) are a credit to O'Reilly and a must-have... assuming, that is, that they cover the program you need. The series is still too small, but I'm sure it won't stay that way.

Now, to the book itself. If you need to do something with iMovie, it's in there. That pretty much covers what I need to say in this review, but it doesn't cover everything the book has to offer. Remember back in the 80s when the Mac made desktop publishing a reality, only to unleash a torrent of wretchedly amateurish graphic design? Well, Pogue spends much of the first couple of chapters attempting to prevent that from happening. This book starts off with a very basic primer on video production and how to use your equipment -- assumed to be a typical consumer-grade MiniDV camcorder, but it covers other options as well, particularly video bridges and the like.

The meat of the book discusses iMovie 2's capabilities, including discussions of its weaknesses and how to work around them. Effects, titles, and transitions are discussed in detail, including some useful information on crossfades (never fade straight to black -- instead, you want a black stillframe). Conversion to other formats is also an issue, and a significant part of the book discusses postproduction using QuickTime Pro. Directions are given for converting your work for DVD or VCD as well.

The issue I have with the book is largely its focus on iMovie in MacOS Classic, and the bugs that are present in that version that might not be in the OS X version. Screenshots all come from 9.x, with the only Aqua material being the interface of iMovie itself. I don't mark down for this since the program operates more or less the same, but an inexperienced user may have trouble. (I might note as well that the book works just as well for iMovie 3, which has a superficially different interface but handles more or less identically.)

So, yeah. If you're doing video production on iMovie, this is the book to get, hands down.

If I had this book as a reference when I first started out as a newbie assistant editor I would have made less mistakes along the way.

Recently, I found this book when I started teaching an introduction to digital editing at the college level. Now I literally stand in front of the class with the book in my hands and say: "Learn what Chandler is teaching you in this book and you'll be on your way to getting and keeping a job as an assistant film editor. It is so full of practical advice and solid information on what to do and when and how to do it.

Because of the availability of lower cost editing applications today, many young people become quite technically savvy with the software even before they leave high school. But they have no knowledge of, or experience of working with projects shot on film. Nor are they aware of the aesthetics of the art of editing.

Chandler's book makes the reader aware of how much work has to be done before even one scene should be cut. Then she gives some great advice on what to consider when editing in general, and when dealing with various types of projects. It is a must read for anyone who needs more knowledge before they step into the digital cutting room.

I am never going to make a movie -I just love watching them, talking about them and understanding them. This book gave me enormous insight into how movies are made, not just edited. All the parts of a film come together in the editing process and Ms. Chandler explains how all those parts come into being as well as how they are edited together to make a film.
It is well written and precise, as a technical book should be, but it is also lucid and frequently funny.
Other than a couple pages of detailed film planning material at the end of each chapter everything in this book will be of great interest to any film buff

A comprehensive, updated, description of how to post, edit and finish a film including both creative and mechanical processes. Clearly written, many tables, charts, and illustrations. Covers film, digital, and web preparaton workflows. Fabulous book. High recommenation. But this leans on the technical and workflow side, not the creative. A wonderful review of the ENTIRE process. Necessary text for all film students.

If you buy the book, you have to be prepared to read much useless information.
The interesting part of the book (10 to 15 pages) focuses on practical editing problems.
The rest of the book contains endless lists of unnecessary information on video/film editing.
From 360 pages of the book only 10-20 really count.
Other books like "on editing" by Edward Dmytryk or " the technique of film editing" by Karel Reisz contain full, real, deep, dense information on the subject.
And for the amateur/enthusiast/prosumer film/video maker (like me) there is one book that really arms us for the battle in that difficult field.
A book with myriads of most valuable information.
A book that it's a pity only few knowledgeable people have mentioned it.
The "Five C's of cinematography" by Joseph Mascelli.
That book every day teaches me. And that author is a big teacher, someone who loves and really wants to communicate his knowledge with fond to learning people.

This book is a reminder that there's more to editing than meets the eye.

Chandler methodically details editing practice and thoery in an easy to understand way. There's so much here for the interested hobbyist to the aspiring editor.

An indespensible resource.

Truly an excellent guide to the romantic comedy genre and how to write within it. Perfect for an intermediate writer who wants to branch out into this kind of screenwriting; could even be useful for short stories and novels, because the ideas translate well. Very well written, entertaining, never boring, and always enlightening. Loved it and consider it a must-have in my screenwriting/writing library.

I recommend this book for all writers - not just screenwriters. He has a way of making it so clear all the clever ways not to fall into the usual traps of a typical scene.

Whether you are writing a book or a movie the information he presents how to establish relationships between characters is tremendous. It's also a fun read.

I refer to it often when building characters, relationships, and their world.

This IS the book for anyone interested in writing a romantic comedy. Simple and easy to follow with great examples from films we love. It's all about the chemistry. If you want to write an emotional picture...this is the book for you. Writing the Romantic Comedy is your ticket to writing a romcom that sells!

I've been working on my text for a while and struggling with
it. Once I start reading the book I knew I was in right hands because page after page I immediately start finding out answers for my questions. I gained time and saved much of my energy for writing the better. Definitely value of my money.
ILKSEN BAS f/36

As a writer, this book woke up my muse and honed my funnybone. A completely easy-to-read how-to-write book ... what a bonus! The book is perfect for writers in other genres and anyone looking to write humour and comedy.

Not soemthing I would read cover to cover, but the individual "Hacks" that I have read are pretty good. I have lots of books along this line and this is one of the bet. I put it up there with Stu's "DV Rebels Guide" which is also incredible. If you like the Rebel guide, you will probably like this as well. Lots of good stuff. Enjoy!

Great book with great content I recommend it to anyone who want to take there film making a step forward and is to busy or lazy to download the information from the internet becaue it is all there. Spread around of course but you will find every piece of information even most of the pictures used in this book so. If you have time and dedication you can save yourself the money by looking it up on the internet.

This book covers many aspects of video. Labeling tapes, making excel spreadsheets for saving information, time code on tapes, how to achieve certain effects, lighting, and green screen effects just name a few. The book is general to most all video software and is a very usefull tool I'm glad I purchased. Don't let the term "HACKS' fool you it 's only refering to tips or tricks.

I found the book to be very practical and have the
kind of "nuts-and-bolts" pointers that I like. You
don't have to read it cover to cover (I didn't) but
can pick it up and go to the points that interest you
or where you are currently in need of help. It refers
to various "commerical products" that the author has
used to get the job done. I found this helpful. With so
many competing products to chose from it's nice to
hear, "If you get product X you'll be able to do Z,"
rather than buying and hoping (or not buying and
wondering). Kuddos to the author.

I learned so much from this book. In fact, I've already implemented several of the ideas and have had great results. If you're semi-professional (video has been added to your responsibilities but you have no experience with this medium) BUY THIS BOOK.

Who would have thought of parchment paper and clothes pins to diffuse light and create a softer, more natural light over the subject? That's just one of the great tips I've already started using.

I've bought several digital video books while trying to learn this medium, and this has been by far the most useful.

This book provides an excellent step by step approach to the rewrite process. No matter how good your script is, this will improve it or confirm that it is as good as you think it is.

I began studying screenwriting by taking Robert McKee's Story course back in '04. While it was a good introduction to the craft generally (maybe "academically" is a better word), Paul Chitlik's course in the UCLA extension program really got me started on the road to becoming a professional. Paul goes straight to the heart of the process from the very first session of class, and holds a true line to the end. I was fortunate to be a runner up in the UCLA Screenwriting Contest in 2007 with a story I wrote for his course, and did well in a few other contests, including Nicholl. Had I turned in the draft I've written recently using "Rewrite," I think I would have had a better shot at winning. If you want to be a screenwriter, and have a good story in you, Paul can help you get it on those hundred odd blank pages, and make it great in later drafts. Take his course. He's the guy.

The title of this book is "Rewrite" but save yourself a lot of work and read this book BEFORE you start your next script.

Paul Chitlik is an amazing instructor at UCLA (under his tutelage, my second screenplay ever went on to win the prestigious UCLA Professional Screenwriting Contest) and he has distilled his teachings into this concise yet comprehensive book.

This book is a "must have" for any screenwriter. I have a feeling that I'll be rereading it every time I finish a rough draft.

As a screenwriter and a professional editor and writing coach, I highly recommend this book. It has already helped me personally in a quick turnaround re-write I needed to do. The book provides clear guidance while not prescribing formulaic cliches. The examples are excellent and the information invaluable. Chiltlik strikes a balanced tone of the work required in rewriting and the humor required in getting oneself to do the work. A true gem of a book.

At the paltry price of a paperback, Paul Chitlik's REWRITE guides you, step-by-step, to revise your screenplay with the attention of an experienced script doctor. The book's tone is amiably authoritative -- the author has many years' experience teaching MFA workshops in screenwriting. Here are samples of the "To Do" items, chapter-by-chapter.

1. Clarifying Story and Structure for Impact. "To Do: Briefly outline your story in terms of seven points" (p 11): Ordinary Life; Inciting Incident; End of Act One; Midpoint or Turning Point; The Low Point; The Final Challenge; The Return to (the Now-Changed-Forever) Normal Life. Next "To Do" is to write a beatsheet or list of the scenes in your screenplay. The appendix presents an excellent example of a 67-item beatsheet with subheadings corresponding to the seven points.

2. The Powerful Protagonist. "Write your premise now. Do not tell the story, only the idea of the truth you want to prove." Does your protagonist help prove your premise? If not, adjust his profile. Ten more "To Do" items include the protagonist's apparent goal, what the goal changes to at the midpoint, and the personality flaw.

3. The Worthy Antagonist. "Write one line saying what your antagonist wants" (p 43).

4. Ensuring Dynamic Scenes. "Go through your beatsheet and examine each scene for conflict. Write what, exactly, is the conflict of each scene under your description of the scene. If there is no conflict, there is no scene. Sometimes you'll need to group several beats to make a whole scene, so not every beat will have conflict" (p 47).

5. Making Descriptions Leap Off the Page. "Go through the descriptive paragraphs in your screenplay and see if you can take out all the adverbs and as many adjectives and nouns as possible. Shorten your sentences. Shorten your paragraphs" (p 61). "To Do. Find a scene that is heavy in dialogue and try to express it completely in action and description" (p 62).

6. Life Support for Your Protagonist. "Go through your story an identify the supporting characters who are most important. Beef up their screen presence by giving them a quirk of some sort. Make them stand out. Have the quirk relate to their personality or function regarding your protagonist or your antagonist" (p 67).

7. Paring It Down. "Choose a ten-page excerpt from your script that you think is pretty tight already. Now cut a page from it. Use any tricks you can think of, but get it down to nine pages" (p 72). Chitlik presents an example from his own screenwriting: an 11-page excerpt pared down to 9 pages.

8. Where Am I? The "To Do" item asks you to complete the suggested Script Status Report on your rewrite.

9. The Right Look. The "To Do" items include standard formatting, correcting grammatical errors, and culling out camera directions.

10. Finishing: The "To Do" item is to go back and rewrite. How many rewrites? "A professional writer might revise a script 30 times.... In fact, a script isn't done until the final cut is made, an it goes into wide release. Even then some writers would like to do more" (p 111).

An eminent script doctor in paperback, Chitlik's REWRITE merits five shining stars.

-- C J Singh

I was looking to get a quick run on how Adobe Premiere Pro 2 works as I was familiar with other video packages. Not only was this manual easy to use in showing how to utilize many of the features of Adobe Premiere but it gave you ideas on how to set your workspace to maximize your editing efficiency.
I found I was able to skip to some chapters I wanted to learn more about first and ignore others that had characteristics similar to other programs I had used.

This is a good start to using the powerful features of this program. Now all I need is another book to help with the advanced image and sound editing for those videos that look grainy or have sound drops.

Got the program? Need help to use it? This is probably the best reference. I rated it 4 stars because not all of the material is in the lesson. You will have to copy resource material to your computer.

Anyone would easily think that Adobe premiere pro would be such a hard thing to learn how to do. Thanks to Jeff Schell, that problem is over. With easy excercises, this book is the essential tool to help you understand how to use the problem much better. It teaches you the basic tools, guides, and shortcuts that can help you create your own masterpiece (whatever that may be). The book also includes the disc that helps you step by step to create a simple video. I highly recommend this book for those who definitly want to learn Premiere Pro. It's Good Stuff

A book that I can read and understand without breaking into a sweat.
It solved one of my big problems inside five minutes.
You will not regret buying this book.

I would rate myself at the intermediate level when it comes to editing. I was fairly new to Premiere Pro 2 (was using 6.5 before) when I purchased the book. There were some things I knew already that the book described but I didn't know a lot of the shortcuts. It also taught me a great deal about using all of the Audio features, so that was a huge bonus for me. All in all, I thought the book was great. It was easy to work through and follow. It also allows you to skip around throughout chapters easily.