Video Books

this book, which i bought, is a very great book for all Mr. Bean Fans. I collect all Mr. Bean videos, various books from and about him. This book is a very great bonus to the bean cinema-film, especially the chapter of the outtakes from the film, is very recommended and neccesarry for all real Mr. Bean fans.

I like the book because I am a huge Mr Bean fan!! I love the movie and the videos and the book was an extra bonus! And I really like it.

Rowan Atkinson's Mr. Bean is one of the most engaging characters to come along. His bumbling, innocent, ignorant goodness is hard to resist. This book chronicles the process of bringing Mr. Bean from the telly to the movie screen. It includes: film stills, dialogue and blocking from the film, a forward by director Mel Smith, and behind the scenes tidbits. A must have for Bean-a-philes and anyone who wants to delve into the wacky and wild world of Mr. Bean.

I use this script to teach screen writing. It is a small size and easy for students to carry.

It was very painful for me too keep reading this document until the very end. Someone who I love with all my soul apprised the moral value of the end movie and I had to see it for myself. The fact of the matter is this is a true story. Here we have a man who has a dream and who is so persistent to see it realized that he fails to see the many great blessings God has brought to him. You see, God is more persistent. Whether Nash realizes it or not no one is excluded from imperfection and it still doesn't matter because God loves us all the same and he gave us that capability as well. The great lesson I see is love yourself and those around you and you'll want to see tomorrow. Oh, and, don't forget to count your blessings.

I tend to admire the work that goes into forging a screen adaptation from a book. In this case Goldsman has created a truly compelling script which, as we all know, won the academy award. Worth reading? (in addition to seeing the movie?) Yes. Because you will see so much more. The movie is the product; this is the raw material that gets worked. You'll gather what was specified and what was originated by the actors, how much the scenes were designed and envisioned beyond just the words. In a way it is thrilling to read a screenplay, enabling you to go behind the polished fantasy of film, back to ideas and possibilities.Another discovery is the screenplay's direct or economical way of conveying such complex emotions as those of Nash and Alicia in very few words, and with these words the actors generate their own filmic magic. It is a treat to have the script in hand like this.

Beowulf: The Script Book
Very Interesting, providing background and extras as well as the story.

Who will save the Danish warriors from the monster Grendel? Find out at the movies or read the script version co-authored by Gaiman, the world's leading fantasy writer.

this book - script is amazing, interesting, insightful. I would recommend this to anyone young and old. I can't wait to see the movie. I was very pleased that the description on amazon.com was so correct on the product. thank you, dechelle

I cannot believe that for around $10, you get an absolutely beautiful, high-quality hardcover with amazing photos and well-written, critically insightful text. It's just a steal. Great to pick up and locate a film you've just watched for additional details. I just did it for Robert Altman's "Nashville."

Little to tell, you have to buy it. the book contains not only excellent reviews of films by critics, but also subject analysis, data concerning film creators, history of cinema and certainly has picked to review many of the great films of the decade.

Excellent photos, movies and information. Very nice. I loved this Taschen's collection.

I truly like the behind-the-scenes and I wonder if this authorhas had special liaisons with the star. I was shocked to see how handsome and sexy the author is too in the back of the book and that he's in every book with Ken Ryker or Ty Fox or Ryan Idol. He truly knows them all. He is lucky to visit them and has appeared in some videos himself, but I think only two of them has his with his predigious prod showing. I like reading anything this guy writes ...seems like he really enjoys the world of porn.

This book is awesome! It has cool pictures and awesome behind the scenes gossip about who was doing who, when where and how! Totally awesome by itself, but it also helps to give information about the various films

This is one book you should have before you go out there and rent any gay adult video. It will save you a lot of wasted time watching dull, boring videos. It's a good book to have for reference before you buy or rent any gay adult video. Mickey Skee knows his videos, and probably should after going to 50 adult video shoots every year. What a job! I always await his new listings every year because it makes it so easy to find the best videos, especially when there is so many out there to choose from.

Each video is summarized, and Mickey tells us why he thinks it's one of the best, and gives us some behind the scenes information you won't find anywhere else. If you enjoy Gay Adult Videos this book is a must. I look forward each year to his new edition, and I'm never disappointed.

If you need to laugh, and who doesn't(?) get these tapes! They are too funny to describe here - just trust me on this. You'll feel better in the morning if you take two of these before bed!

This stuff is hilarious! I don't know how they do it. John Pinette at the buffet and his hottest day of the year in the amusement and water park are some of the funniest things I've ever heard, and each tape is somehow better than the previous one, Brian Regan, Pablo Francisco, Richard Jeni - just thinking of them makes me want to listen again. I laughed so hard I cried. I needed that. Don't miss this set. Beg, borrow, (well, don't steal), but get them.

I was making an all night drive down I-40 and I was sleepy when I started. I stopped at a truckstop in Little Rock and found these, or who knows, maybe God led me to them cause they kept me wide awake all night long. You'll never buy this many of your own chuckles, peels of laughter, and gallons of giggles for this little money - EVER - again in your whole life. That makes this tape set the best deal on the net.

I'm buying a new set for myself and several sets for christmas gifts. But let me warn you, don't ever give out a tape from your own set because no one ever returns them!

This is a terrific table top book, that actualy provides very interesting , in-depth reviews of each biker film, providign lots of unkown triva, and numerous photos. A great purchase!

Award-wining writers who ar especially known for their insightful movie commentaries, John Wooley and Michael H. Price present The Big Book Of Biker Flicks, an erudite scrutiny of 40 of the best motorcycle movies of all time. Black-and-white and a handful of color photographs illustrate the discussions of biker movies such as "Angels Die Hard!", "Werewolves on Wheels", "Rebel Rousers". The reflections not only discuss plot and themes, but also the conditions behind the movies' creation, the models of bikes portrayed, the level and useage of violence in such films, and more. A fascinating tour of how Hollywood has glamorized and demonized motorcycles and the people who ride them, The Big Book of Biker Flicks is a welcome addition to personal and academic Cinematic History reference collections and supplemental reading lists.

I picked this book up at the local library and I must get my own copy. Tons of pictures and movie posters and sufficient commentary information, including background information. A lot of research was expended to obtain many interesting inside tidbits and on the film-making process. Best of all, there are many sexy pictures of the actresses of these films. In fact, I believe there are more pictures of the women than the men. That's a plus for me.

The author makes no attempt to trash any of the films. For example, for the film She-Devils on Wheels, the author writes, "among those who love low-budget and exploitation films ...". I am old enough to have seen the films of the 60's-70's-80's, low budget films that are barely made anymore. Thanks to Blockbuster (or Lackluster) that stopped stocking these films to concentrate on just the hits. And high ticket prices hurt as well. But, what you saw on the screen was more real than the special effects laden, blue screen, whimpy men & women, boring stuff we now get geared for the 13 year old. I was never a big fan of biker flicks, but now we have 40 cult films because nothing has come on line in the past 30 years to make these films obsolete. Afterall, what studio is going to put a $5 million actor on a motorcycle?

Back to the book, the 40 films are listed by release date. An alphabetical cross-reference of film titles is missing, my only nitpick.

May is American Studies Prof. at U. of MN,& wrote: "Screening Out-the-Past" He dislikes Bob Hope-Bing Crosby's.."mindless' Road pictures,also Ronald Reagan,(head, Screen Actors Guild)for stifling emerging "left-wing",independent producers,& all those who were not 100% anti-communist. Hopefully, he'll prove his points by updating with coverage of post 60's Hollywood....

This book is a well researched account of Hollywood during the Depression, World War II and at the beginning of the Cold War. It is a must for everyone interested in the history of Hollywood.

"The Big Tomorrow" depicts Hollywood as a 'populist and progressive world that offered a vision of an egalitarian and humanitarian world in film' before the 1950s. The author demonstrates this on the example of actor Will Rogers, a Cherokee Indian, director Frank Capra, and others. May shows that not only film content had changed but the theatres as well. The central themes were gangsters, fallen women and ribald comics while the language and dialects of the folk were used. The theatres underwent a change from lavish, sumptuous ones, where seating was divided between the high-paying and low-paying, to democratic movie houses. The author uses several photographs to illustrate the changes. Inside Hollywood actors, directors etc. formed unions that supported New Deal reforms. The second part of the book explains why World War II and the Cold War reshaped politics and moviemaking in Hollywood. May discusses censorship and the role of CIA agents in Hollywood. Films presented a 'new' woman now. Female characters focused ultimately on a home life that preserved traditional gender roles, symbolized in the rise of 'patriotic domesticity' while during the Depression female characters of 'empowered women' fulfilled themselves. May also points out the change in the portrayal of African Americans and Asians. The rise of anti-communism and its effects are dealt with. Those who wouldn't or couldn't prove their belonging to the communists were suspended. However, they found a new market for a dark 'film noir' that challenged the consensus and set the stage for a youthful counterculture in the 1950s and 1960s.

This is one of those books that is difficult to over praise. Over and over while reading this book, May helped me gain new insight into aspects of Hollywood cinema from the thirties, forties, and fifties, and continually suggested to me new areas of research to undertake. In the long run, I believe that his book is going to have a profound effect on the way that I view movies from those decades.

Before I move on to the considerable praise I want to heap on this book, let me dwell briefly on a couple of negatives. I think this book has a much broader appeal than the author might believe. The book takes an essentially popular subject, and couches it in an overly academic style. As someone with a strong graduate school background (albeit in philosopher rather than cultural studies), I managed to always make sense of his argument, but sometimes only with difficulty. There was also a too-heavy reliance on statistical data for my taste. Clearly he feels that the data gives greater force to and to a degree validates many of his arguments. But I feel that it also caused the book to drag at points.

But overall, this book is a stunner. The thesis of the book is a complex one, and any attempt to state it briefly will distort it to a degree. I will try to minimize my distortion. May begins by arguing that there was a radical shift in social and political outlook in Hollywood in the 1940s. The effort in Hollywood to eliminate political dissent and to promulgate a monolithic vision of America is well known. May argues that this was a break with the legacy of the thirties, in which the Hollywood talking film had developed as a mode of expressing an egalitarian, anticapitalist, and multicultural affirmation of the New Deal. Thirties films were highly critical of big business, with representatives of big business frequently appearing as villains in films. As America entered WW II, however, and began to unify in order to oppose first Hitler and Japan and then the Red Menace, movies reflected a different order, which was nonegalitarian, pro-big business (with big business disappearing as a villain in films), and nondissenting.

May attempts to tell this story in several ways. His brilliant first chapter dwells at length on the movie career of Will Rogers, who articulated a vision of America that varied greatly from the Anglo-Saxon dream that looked to Europe for models of success and social ordering. As May quotes on several occasions, in response to the New England social elite, Rogers, who identified with his Cherokee heritage, wrote, "My ancestors didn't come over on the Mayflower--they met the boat." The second chapter of the book continues this to display many example of multicultural republicanism that permeated 1930s filmmaking. He then proceeds, in perhaps my favorite chapter in the book, to demonstrate how this egalitarian vision of America profoundly influenced American movie theater design. Rejecting the theater palaces that dominated 1920s theater design and which represented an affirmation of the social layering of the European model--with different prices of admission for various areas and separate entrances--American designers moved to a conception where all viewers paid a uniform price and seating was not restricted, with all viewers entering through the same entrance.

The second half of the book deals with the undermining of the egalitarianism of the thirties by a new vision of Americanism in the forties. The first of two chapters devoted to this displays this by articulating the vision of a white consumer culture, where individuals look for freedom in a private realm emphasizing family and material comfort. The second chapter deals with the politics in Hollywood to help eliminate all those who dissented from this vision or who had a political history that did not conform to this vision. These were painful chapters to read, with the ruthless suppression of political dissent. May deals in some degree with the history of the Screen Actors Guild (SAG), which in the 1930s strongly affirmed the ideals of the New Deal and egalitarian ideals. In particular, the career of the first appointed president of the SAG (in the 1930s, the president of the SAG was elected by the membership), Ronald Reagan (i.e., he was not elected by the membership at all) is dealt with at length. May ends his book with a discussion of film noir and its attempt to express dissent from the accepted and sanctioned cultural norm.

Anyone interested in cultural studies, the political climate and culture of the US in the thirties and forties, or the history of Hollywood should read this book. Easily one of the more compelling books I have read on film in the past two or three years.

One thing about Professor Moore: the man rides motorcycles and has more energy than a 6-year old. He's not the average UCLA professor.

Thus, you should be aware that the book reflects it's writer's personality. The book is not only informative, but a pretty fun read as well. Friends from other law schools tell me how dry and dull their entertainment law texts are - a fact which absolutely boggles my mind. The Biz is concisely written, and filled with lively examples

Mr. Moore teaches at UCLA, and his course is extraordinarily well attended. His book is considered a must-have for lawyers working in Entertainment, and although the focus is law, I think it would be a handy reference for anyone new to the creative side of Entertainment, especially those seeking to protect themselves and their interests when making deals and such.

I was afraid when I picked up _The Biz_ that it was going to be a dry read-- legal aspects of any business are not known for being a scintillating read. However, I am happy to report that it was not only a quick and interesting read, it was a genuinely funny one. Moore had me laughing out loud on several occasions.

Even granted that this is not a book you read for the humor, it is refreshing to see a reference book so well written. My only quarrel was that I would have liked to see a bibliography included with the book in case I wanted to go in depth into any of the areas covered.

One of XBOX's best only behind Halo and Max Payne in my opinion

One of XBOX's best only behind Halo and Max Payne in my opinion

Another awesome Prima strategy guide! This book provides a nearly flawless walkthrough for the entire game and, although most of it was pretty simple to figure out, the guide came in great use for those really tricky sections of the game. Also the guide provides info on every item, so you won't miss anything in the game. A must companion for the Playstation 2 game!