Video Books

In real estate they discuss the three "L's" Location, location, location. This is the three "W's" Write, Write and Write more. I highly recommend this book for anyone who wants to write a screen play.

I always find it frustrating when I go to Amazon and look at the reviews that are posted and find that they are at least 2 to 3 years old. So I decided to at least make a more up-to-date review.

First and foremost, this book is NOT a `How to Write a great Script' book. This book is about screenwriters and their knowledgeable insight on the practice we all know as Screenwriting. These established screenwriters ( Akiva Goldman: A Beautiful Mind, A Time to Kill, and the up coming The Da Vinci Code Steven E. de Souza: Die Hard, 48 Hours.) reference their past experience on what works, what does not work, and what habits you need to establish to have a successful career in the shark infested waters of Hollywood. Not sure how many hours you need to write day in day out? Thinking that you are the only one with a spouse and kids, fearing that you will not have enough time to write? Arrived at Hollywood lost with no plan of action on how to get your script read? Worried that you born yesterday and began sending inquiry letters to agents and producers? Fear of rejection (it is inevitable) from everyone? All these topics are discussed and more in this book.

This book is required reading for all serious screenwriters. I also suggest Breakfast with sharks by Michael Lent, The Art of Dramatic writing by Lajos Egri, Story by Robert Mckee, Making a good script Great by Linda Seger, and The Writer Got Screwed by Brooke A. Wharton.

This is one of thost books that you absolutely must read if you are an aspiring screenwriter. It's a goldmine of quality information to help you go from being a decent or lousy writer to a great one. Fourteen of Hollywood's most successful screenwriters share their secrets and tips to writing and selling your scripts to Hollywood. It's like getting private lessons from the pro's. Don't pass this book up, it will make a big difference in your writing career.

This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.

I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.

This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.

Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.

In the short-run, it's like Shadowrun only without anything in the way of mysticism or magic. It's all metal or nothing in this game.

Plenty here have praised the games mechanics, so I won't dive into that... ditto the excellent storyline (I haven't actually GMed a CP game in almost 10 years, and haven't played in five, yet I'll still flip through the rulebook every so often just to read about the local color and stories provided)

If the game has a downfall it is only in that the story lineage is a little dated by modern standards (although strangely prophetic). As 2020 is fast approaching us (being 12 years away as of this writing) much of what was theorized as being "part of the future" has actually come to pass: The internet (ok, not QUITE as they have invisioned it, but can it be far off?), cellphones, corperations wielding vast political power, even modern stem-cell research is a harbinger to the body limb-regrowth capabilities tauted in the game, ditto with cyberlimbs/prosthetics.

The game itself is still very much worth playing. Only now instead of a "dark future", the game has instead become more of a "grim alternate reality"... or alternately, you could just move the game's story ahead 20-30 years and adjust accordingly :)

I highly reccomend it. If I could find another regular crew to play with locally, I'd be all over it!

Out of the whole cyberpunk movement and craze, it would seem that a role playing game was a natural. This had an interesting setting and information, and was appropriately brutal. This would lead to characters having the life expectancy of at least a little more than a paranoia clone, so you had to do something about that if you wanted to feature violence in your games.

I was stationed in Vilseck Germany with the 2nd of the 63rd Armor when I friend told me about Cyber Punk. It was almost a year before we found someone with the books, and immediatly set up a game. It was a game that I have never forgoten. It sits in my mind like the begining of Secret of Mana, forever a defining factor in my oppinions.

This game does tend to drag with its role to hit/role to dodge rules, but it is more believable then any other game I have seen or played. The setting for Cyber Punk is OURT world, with OUR history. It is science fiction. We can look at our own lives, make few changes to the timeline, and see that it IS possible. In reality, these things would never happen, but in the game, it is easier for us to adapt to this new world because it is so close to our own. Realy, what has changed? The world has met a sort of anarchy, like in Mad Max. The government is now run by Corporations. Bionics are common enough that you see people with mettle limbs on a regular basis. This world is more real then any other I have seen, and this makes more believable. Since it is more believable it becomes easier to enter your charactor and enjoy the game.

If I had to rate all the games I have played, I would put this on tope, even with its long combat and ineffectiveness with machine guns.

CP 2020 is by far the best pencil and paper RPG, this is all you need to get started. Playing CyberPunk will open your eyes to the world and the direction it is heading in and also opens your creativity and imagination. Everything from the weapons, the armor and the stat system whips AD&D. Anyone who doesn't like the whole fantasy ideals and/or combat system of AD&D needs to give CP a serious look-see.

If you like CP:2020 check out the CyberSphere MOO, well coded and reasonably closely based on CP.

Telnet on over to:

cs.vv.com:6969
or
cs.vv.com:7777

I've ben GMing for something like fifteen years and this is the system I always return to. If I want to run someting of my own, this is the system I base it on.

Slim-line, fast, flexible, simple, expansive, effective. All words that describe Talsorian's game mechanics - it simply does not get any better.

As for the universe - this is a REAL world of darkness. No bright dawn, no happy ever after. Only your wits and tech, style and edge. No right or wrong, only power and death, a world of grey areas that seems only just around the corner.

If you are a gamer and you don't have this - get it now.

If you aren't a gamer but love the Dark Future setting, it's worth it.

Magnificent.

If you are a dedicated hands-on woodworker, or simply of the armchair variety, this beautifully written and lavishly illustrated book on handplanes should be on your short list. I recenly met the author, Mr. Garrett Hack, at a woodworking conference in Williamsburg, Virginia. He speaks to a live audience in much the same way that he writes; with great organization, clarity, and enough anecdotal sidebars to really make the discussion lively. After reading the book through, cover to cover, I ordered my first handplane... a Lie-Nielsen No. 4 iron bench plane... and am now rereading the book to learn how to tune this beautiful tool, sharpen it, and commence making those paper-thin, elegant shavings..

I inherited a standard Stanley bench plane from my Dad. After I tried to sharpen it, I had know idea why it was chattering and gouging the wood I was trying to plane. From reading this book I got it properly sharpened and tuned. Now it works great. Also, I found out that I had placed the iron on backwards, and that I really did not need to buy a honing guide or expensive stones to sharpen the iron well enough to do the job.

Some years ago a purchased the book this author wrote on Handtools and have read it about ten times. In that book the author made mention of this book he wrote on handplanes but I was not all that interested. Then in the last few years I have purchased a number of handplanes and began using them and realizing what wonderful and almost sensual tools they are. It was then I ordered the author's book of Handplanes and realized why he wrote an enire book on this subject. I can only say if you have an interest in handplanes of any kind, or age, or conditon this is the book to have. It covers everything you would want to know, including how to tune, reconditon, buy, sharpen, use, and identify about any handplane made. The photos are sumptuous. I cannot say how much I appreciete this book. I just keep reading it over and over and putting the information to work in my shop.

I've been using hand planes for basic tasks for years but never got the performance I felt they were capable of. This book has given me the information I needed to really tune all my planes. It is a pleasure to run a plane down a board and get a perfect shaving thin enough to see through!

I'm now using planes for things other than fitting a drawer or easing an edge. And my shop is often a quieter place because of it!

Wow everybody loved this book!!?? I guess it depends on what you are looking for. I want to build my own planes. This book is not useful for that. The only illustrations, which are sparse, are pictures of planes. So if you love tools and want to read about planes this is probably as great as everybody says, but if you actually want to build a plane this book will not be any help. I did find the discussion of Stanley and other old planes very useful though when going to the flea markets to look for old hand tools. Thats why I gave it a 4. If you want to build a plane I would give it a 2.

Excellent pictures, interesting information. This is a must have for Disney fans of the Haunted Mansion! It even covers Disney's other haunted mansions around the world, and the Haunted Mansion movie. Everything you ever wanted to know!

THis book was great! A ton of information on the ride! I couldnt put it down! It was great.

This book is a must read for ALL ages and ANYONE interested in Disney theme park attractions around the globe. Any Disney fan knows that the Imagineers are very particular about what is revealed to the general public in terms of how they make their Disney 'magic' and I was pleasantly surprised (being an avid Disney fan myself) by the research that went into the making of this book and the amount of knowledge shared with the reader - it DOES in fact reveal some secrets of the mansion and never before seen history of the making of the attraction. (It confirms and dispels some rumors about the attraction once and for all too!) A pattern of discussion is followed throughout the book as you are verbally walked through the mansion's corridors and rooms. Surrell consistently covers the Haunted Mansion in a logical order (Disneyland, Walt Disney World, Tokyo Disneyland and Disneyland Paris) in every chapter. He takes the subject matter full circle by including information about how the attraction was translated to the big screen, and gives the reader insight to how decisions were made pertaining to set design, costume design, and casting for the movie of the same name. If you want an intelligent, thorough and enjoyable read about a classic Disney attraction, and especially an insight to the magic that is Imagineering, this is a MUST READ!

Lots o' great info on both the Ride @ the Disney Theme Parks + the Movie [which I loath - sorry but the Haunted Mansion wasn't meant to be made into a 2 hour episode of the Fresh Prince of Bellaire, mmmkay ?] + the Haunted Mansion Holiday ....

Future editions should drop all reference to the Movie, then spend more time on the Haunted Mansion Holiday [Nightmare Before Christmas Holiday makeover] + recent "changes" that occured in 2006 [I'd make it a 5 star if they did that] ....

If you don't want to read the book, please buy it for the artwork
[best priced Disney Merchandise vs. what you will pay @ the Theme Parks] ....

~(^)~

You buy this book thinking it's a great "behind-the-scenes" resource, but it's not. Yes, there is some background information, but the book skips confusingly from park to park, and offers very little technical information on the special effects. The photos are all standard Disney promotional stuff...this book tells you what Disney wants you to know, and nothing else.

Go to doombuggies.com for a much better treatment of this classic ride.

This is the story that got it all started. If you haven't read this book then you are in for a treat, and before you finish this book make sure you have chances, lady boss, dangerous kiss on hand because you are going to need to know what happen next. I assure you.

Readers, please get all of Jackie Collins books, they are sensational. Get the book (Chances) first, then continue on to Lucky. The books will knock your socks off. All of Ms. Collins books are rated 5 stars as far as I'm concerned. Good reading material. You will like all of them.

Jackie Collins' Lucky, is a novel about power, love, lust, sex and crime. Daughter of a powerful man, Lucky Santangelo, an erotic and wild beauty, plans on continuing the family tradition with honor. Hungry for power, success and pleasure Lucky sets out seeking for her desires. Before she knows it, Lucky embarks herself on an adventure full of glory, passion, trouble, sex, vengeance and suspense. From Vegas to New York after her father's unexpected and undesirable wedding. Pregnant by the world's richest man, Dimitri Stanislopoulos, a passionate lover, Lucky lives her life between her East Hampton home in New York and her son's father's private Greek Islands. Off on business in Atlantic City, Lucky hits the road with power, money, glory and love. Her glory is cut short, when her dangerous past catches her back leading her to court.

This novel is extraordinary. This novel kept me reading, I couldn't take my eyes or mind off the book. Jackie Collins gets deep into descriptions making you feel the characters emotions and desires. As you read on and learn more about each one, you feel that you know these people. You can just imagine each scenario in your head, and feel that you are part of the scene but that no one can see you.

In an earlier review, I said Collins wrote trashy reads; I regret that now. "Trash" is sexist as it often only refers to light fiction written by women and there's LOTS of pop fiction by men that is hardly prize-worthy. I also think calling her work "trashy" was a way for me to act as though I was above it and just reading it ironically. The truth is, Collins is great at what she does and that's writing compelling, "can't put them down" novels that can make you turn off the phone so you won't be disturbed.

"Lucky" is Collins at her best. Don't worry if you haven't read "Chances": Collins summarizes the previous book in the opening chapters. Also, don't be turned off because there is a Mob element if that's not your thing because the Mob barely figures into this tale. What we get instead is a sprawling, multi-character tale full of coincidences, surprising developments (at least once a book, Collins springs something on me that I didn't see coming) and the usual doses of sex and money.

"Lucky" is an insanely fun read. Despite the fact that it was published in 1985, the novel is as enjoyable as ever and is my highest recommendation for a fun summer read of 2007.

What more can I say? All of the money in the world could not get me to pry my fingers off of this book. In Collins' sophomore release of the Santangelo saga we get reaquainted with the awe-inspiring, business savy and headstrong Lucky Santangelo, daughter of the notorious Gino "The Ram" Santagelo -- former mob boss.

Not one iota of what Collins' writes in this book comes off as being unrealistic, boring or repeptitive. Writing a book like this takes pure, unadulturated talent!! How she manages to come up with new and exciting characters, keep us thouroughly updated on old ones, intertwine all of their storylines FLAWLESSLY and leave her fans begging for more is harder to comprehend then learning Chinese Arithmatic in Latin!

Lucky comes back geared and ready for a whole new peril. I don't know if there is much I can say about this book without giving too much away... It's just all so JUICY and addictive! I will say that we are introduced to some new characters -- Lennie Golden being the main one. As well as reuniniting with some characters some of us may have thought wouldn't come back -- Olympia and Dimirti Stanislopolous ... These three characters will influenece Lucky's life in a MAJOR way... You will just have to read to find out. This is yet another 10 star read from Ms. Collins.

This Movie Is Great It Has The MG-42 Bullets Going Right Through The Water On The Beach.The Blood,Gore,Gun Realism Is Great.It Also Is A Heart Touching Movie.The Action Is Great,The Guns,The Cool Guys,And The Nazis....

This Movie Is Great It Has The MG-42 Bullets Going Right Through The Water On The Beach.The Blood,Gore,Gun Realism Is Great.It Also Is A Heart Touching Movie.The Action Is Great,The Guns,The Cool Guys,And The Nazis.If You Like SPR(Saving Private Ryan)Than Play The Game MoH:AA(Medal Of Honor:Allied Assault)For PC It Has The Same Weapons And The Same Missions Like The Real WWII.Good Luck

I think Spielberg's a genius. There, I've said it. He takes simple men, surely John Miller, Captain, 2nd Ranger Battalion is just that, a simple man, and paints a canvas of such detail of Armageddon, putting these simple men all over the painting. Hell. The end of the world. Good versus evil. Call it what you may. "I'm a history teacher," he says in the movie in one extraordinarily tense scene. "I teach history in a small high school in Pennsylvania. . . .when I'm done here I don't know if I can go back to it."

I'm reminded of another 'simple man' that came from Pennsylvania in novel lore. Lieutenant Harry Brubaker, the lawyer who flies F-9 Panther Jets in Michner's brief story about the carnage in Korea, 'Bridges at To Ko Ri.'

But the point is Spielberg tells us that they were all simple men and we don't believe him at first. We keep looking for Arnie Schwarznegger or Chuck Norris or The Rock. But they are and were normal guys, guys from Brooklyn New York and Brooklyn Michigan. Guys from towns you never heard of in Iowa, where Jimmy Ryan and his brothers came from. Just guys in the greatest carnage the world ever knew. And Spielberg shows us what they did. They changed the world.

The five Sullivan brothers all went down with their ship in the middle of the war and after that the powers that be would not commit one brother in a theater of combat where another brother was also serving in harm's way. So here, one of Jimmy Ryan's brothers is killed in the Pacific and one brother is killed in Anzio Beach. And Sean Ryan is killed in the landing at Omaha Beach. And Captain John Miller and a squad of men he picks are asked to find him to send him home.

A wonderful book to compliment a movie that should be preserved forever about an ubelievable body of men and women. "Was I a good man," asks James Ryan 50 years later? My Dad asked me the same question a few years ago. Five stars is not enough. Larry Scantlebury.

I think this story is a very good story it really shows how the war really whent. my favrit character in this story was mellish well i'v seen the movie and i think he is the cutest i also like capazo he was really cool i think uhpum was a bit of a wimp but apart from that i think it was really cool.If i was to give this movie/book a raiting out of 100 i would give it 100 becaust it is so good.

Saving Private Ryan and The Triumph and the Glory have sparked an interest in me about WWII. The novel isn't quite as good as the movie but anyway this book is a great behind the scenes look at the making of a terrific movie.

Back in college, a devoted group of soap watchers gathered in the student center every day to keep up with life in Salem. None of us knew each other outside that TV room, but for one hour a day, five days a week, we were united in our running commentary of crazy plots, acting that ranged from barely there to over the top, fashion don'ts, and Alice's donuts. Anyone stumbling in might have thought we hated the show, but no demand of college could keep us away from it.

Screening Party reminds me of that, only better, because Hensley's (based on life?) movie viewers are friends. Their lives become little subplots to the movies they watch and comment on. It all makes for a greatly entertaining read. I've read it cover to cover once, and I keep it handy to dip into when I want a quick read during lunch or something. I can always count on it to make me laugh.

This book is GREAT. I had this book purchased for me in July 2003. I was out for drinks with my brother and his partner ( who bought it for me) and they casually asked had I read it yet...I lied and said "yeah of course. Good book." They looked at each other, then back at me and said simply. "Liar"

This provoked me to get the book out of the pile next to the bed labeled "mean to read" and skim through it. By page 2 I was in tears. Mr. hensley made me crack up REALLY LOL. Like before LOL existed, this is what I did..so much so that my husband asked me to READ TO HIM what was making me crack up to this extent. (Shoot me now. He NEVER has done that before) Well, we continued to laugh till well into the am. hours.

I highly recommend this book. Hillarious and the BEST if you are one of those who like to sit and "bag" on things. Bravo Mr Hensley! Great book!

Jodi Wallace

Dennis Hensley and his gaggle of five chums crack wise to earn your giggles in what is one of the more original and better written movie books I've read. Decidedly not a traditional film review or guide, Screening Party seamlessly integrates hilarious commentary from Hensley's peanut gallery with poignant, often surprisingly touching storytelling about the lives of those in said peanut gallery. The contemporary campfests you might expect are covered (e.g., Basic Instinct, The Bodyguard, Glitter, & Flashdance), but also included are some unexpected gems (e.g., The Sound of Music and Taxi Driver). While the banter is always funny but not always totally original, this is actually the point: you will find yourself laughing out loud at times, reliving the magic of Sharon Stone's infamous legs uncrossing scene and your reaction to it the first time you saw it. The gang's commentary is as witty as you wish yours had been, and, thanks to Hensley, retold faithfully and skillfully.

If you are looking for a collection of serious film reviews, then look elsewhere. If you are looking for a great way to spend an evening or a lazy afternoon (because you will not be able to put down this book), then make some baked goods a la one Partygoer and join the Party.

great fun. if you're not rolling on the floor with laughter when you read this your first name is ebenezer. several friends get together and critique movies. no one is spared when they carve up such cinematic masterpieces as st. elmo's fire, the bodyguard, glitter, basic instinct, pretty woman [ I don't understand julia roberts popularity, eric got the talent gene, imo ], my favorite is the chapter on the movie cruising.

Screening Party is a witty, saucy book that will get you laughing. Obviously, Hensley has distilled the most brilliant and effervescent remarks from his real-life screening parties for this story. These funny characters do more than just crack Sedarisque lines about movies; you see the changes in their lives as the story progresses.

This is a calculated mix of movie commentary and storyline, though more oriented for those who want the cultural analysis rather than the story. It's an especially vivid snapshot of mid-70s to early 80s pop culture. Even movies you thought were great get roasted via the sass-spatula from these wacky grillers.

Sonnenschein effectively covers the theory behind shaping the soundtrack, and gives great examples of the ideas in action. I loved the candid quotes from masters like Ben Burtt, Gary Rydstrom, Walter Murch, Dane Davis, and others. I started noting down all of the films he mentions as examples of good sound design, until I noticed Sonnenschein was one step ahead and had already noted them all in the back. Only 4 stars 'cause I personally wanted more technique and a little less theory.

This eloquently written book describes the rhyme and reason behind all the sounds - music, effects, and dialogue - that are blended together to create the sophisticated soundtracks we're accustomed to. Sonnenschein, a director, musician, and award-winning sound designer, combines practical wisdom with sound theory and exercises to inspire and educate both new and experienced sound professionals. The book will appeal to non-professionals and other filmmakers as well because it's fun, entertaining, and enlightening. The author clearly loves and knows the world of sound and it's a joy to be brought into this world.

This was an interesting book, and it really gave me some new perspectives on sound design. Sonnenschein focuses on the organization and mindset of sound design, rather than the technicalities. I especially liked the excerpts from top sound designers such as Dane Davis (The Matrix, Drugstore Cowboy), Gary Rydstrom (Backdraft, Saving Private Ryan), and Ben Burtt (Star Wars, Indiana Jones).

My only knock on the book is that Sonnenschein was repetitive at times. The book would be about 30 pages shorter if he didn't repeat points that were made in previous chapters. Never the less, it was an interesting read, and I still think it is a great resource.

I am very glad, that I found this book. It helps me think about making sound design in a very deep point of view.
I love it!!!
Thank you David Sonnenschein:-)

Jan Sleska
student of sound engineering

"Sound Design" by David Sonnenschein is a very rewarding and fascinating read. Full of knowledge and practical examples as well as exercises to develop the reader's own awareness for sound. It's became one of my all time favorite books.
I highly recommend it to anyone interested in sound... be it for film or radio.... or music...

I bought three books to teach myself how to produce DVDs. The Erica Sadun book is for advanced users and was not helpful to me. The Bob LeVitus "Little iDVD Book" is probably one of the most poorly organized and edited books I've ever come across on any subject.

Pogue's "Missing Manual", on the other hand, is comprehensive, clear and well-organized. I've produced about half a dozen DVDs since reading (and re-reading) Pogue's book and it clearly made a huge difference in what I was able to construct using iDVD.

In my opinion, this is the only book you need to read to learn how to produce movies using iDVD.

Beyond teaching readers to work with iDVD, Pogue also offers loads of helpful suggestions about editing in general. This book is outstanding.

I love this book! I was ready to give up trying to use iMovie because of a small glitch that was incurring. After browsing thru the book the very first time I opened it, I came across the trouble I was having with iMovie. Mr. Pogue directed me to the correct settings and I am now having a great time editing my DV movies.

I would highly recommend this book to anyone attempting to use iMovie. There is so much more to this program than Apple addresses in the help file. Mr. Pogue's writing is concise but not out of reach for the average Mac user.

I have many books by Mr. Pogue and I would recommend any of them if you are stumped and need a well explained how-to-manuel.

Can it get any simpler !! ha ha ha ha ha
I found this book to be extremely informative and easy to understand (especially since i am yet to purchace a mac and digital video cammera ).. I will have no hesitation now to go out and purchase a Mac and a Digital cammera .. and feel confident making my first feature film or "Home Movie " LOL

It's OK. It has about the same amount of material as the "iMovie 2 for Macintosh Visual Quickstart Guide" - The missing manual is fatter because it contains additional stories and things that a reader might find amusing, but that are not particular relevant to the topic. The section on movie making basics is very good. For an expanded view see "The Five C's of Cinematography". I thought I would find more information in this book since it is fatter than in the VQG, but it ended up that they are about even in content.

First I have to give props to David Pogue and his Missing Manual series. As a bookseller and computer geek I've long favored the Dummies books as the best entry-level source for third-party information on software. However, O'Reilly made a smart move when they turned their attention on that market and grabbed Dummies standby Pogue to headline the new series. The Missing Manuals (and their mutant-dogcow mascot) are a credit to O'Reilly and a must-have... assuming, that is, that they cover the program you need. The series is still too small, but I'm sure it won't stay that way.

Now, to the book itself. If you need to do something with iMovie, it's in there. That pretty much covers what I need to say in this review, but it doesn't cover everything the book has to offer. Remember back in the 80s when the Mac made desktop publishing a reality, only to unleash a torrent of wretchedly amateurish graphic design? Well, Pogue spends much of the first couple of chapters attempting to prevent that from happening. This book starts off with a very basic primer on video production and how to use your equipment -- assumed to be a typical consumer-grade MiniDV camcorder, but it covers other options as well, particularly video bridges and the like.

The meat of the book discusses iMovie 2's capabilities, including discussions of its weaknesses and how to work around them. Effects, titles, and transitions are discussed in detail, including some useful information on crossfades (never fade straight to black -- instead, you want a black stillframe). Conversion to other formats is also an issue, and a significant part of the book discusses postproduction using QuickTime Pro. Directions are given for converting your work for DVD or VCD as well.

The issue I have with the book is largely its focus on iMovie in MacOS Classic, and the bugs that are present in that version that might not be in the OS X version. Screenshots all come from 9.x, with the only Aqua material being the interface of iMovie itself. I don't mark down for this since the program operates more or less the same, but an inexperienced user may have trouble. (I might note as well that the book works just as well for iMovie 3, which has a superficially different interface but handles more or less identically.)

So, yeah. If you're doing video production on iMovie, this is the book to get, hands down.

Enjoyed reading about the life of Clayton Moore, The Lone Ranger. Since receiving it I am now in my 3rd reading of it. It seems everytime I find someting new and interesting.

I wish he was alive so I could personally talk with him about his adventure doing The Lone Ranger. May his spirit always remain in the hearts of all Americans...

You can find out more information about Clayton Moore and The Lone Ranger fan club at www.lonerangerfanclub.com/jr

This man, Clayton Moore WAS the Lone Ranger. I can say no more.

Taylor Trade Publishing presents "I WAS THAT MASKED MAN" (Paperback) - by Clayton Moore and Frank Thompson --- Clayton Moore was an American actor best known for playing the fictional western character The Lone Ranger --- Moore was a circus acrobat as a boy, then later enjoyed a successful career as a John Robert Powers model. Moving to Hollywood in the late 1930s, he began working as a stunt man and bit player between modeling jobs --- He was an occasional player in B-Westerns and Republic Studio cliffhangers, ultimately starring in more such films than serial hero Buster Crabbe --- His big break came in 1949, when George Trendle spotted him in "Ghost of Zorro" --- As producer of the radio show and creator of "The Lone Ranger" character along with writer Fran Striker, Trendle was about to launch the masked man in the new medium of television --- Moore was cast on sight.

In keeping with the nature of the Ranger character, Moore chose to protect the Ranger's identity at all times and is perhaps the only actor whose full face is largely unknown to the public. It was never shown in the TV series, although occasionally he would don a disguise and affect an accent, revealing the upper half of his face in the process. However, there is no shortage of photos of Moore unmasked, including many in his autobiography. His many fans, however, could easily recognize him by his distinctive voice --- (From Wikipedia, the free encyclopedia)

TABLE OF CONTENTS: (Title and Page Numbers)
Foreword by Leonard Maltin - ix
Preface by Frank Thompson - xi
Introduction by Frank Thompson - 1
1. Birth of a Ranger - 13
2. A Cowboy Actor in the Big Apple- 35
3. Hollywood - 43
4. Republic Pictures - 61
5. In the Army Now - 71
6. King of the B's - 79
7. Hi Yo Silver, Awayy! - 111
8. Back to the Big Screen - 131
9. Jay Silverheels - 143
10.The Lone Ranger Rides Again! - 151
11.England and a New Daughter - 185
12.Adventures on Television - 195
13.You Don't Pull the Mask Off the Ol' Lone Ranger - 203
14.The Adventures of Clayton Moore - 221
15.Who is That Masked Man? - 231
appendix - 243
Index - 257

BIOS:
1. Clayton Moore
Date of Birth: 14 September 1914 - Chicago, Illinois
Date of Death: 28 December 1999 - Los Angeles, California

Moore often was quoted as saying he had "fallen in love with the Lone Ranger character" and strove in his personal life to take The Lone Ranger Creed to heart. This, coupled with his public fight to retain the right to wear the mask, ultimately elevated him in the public's eyes to an American folk icon --- In this regard, he was much like another cowboy star, William Boyd, who nurtured the Hopalong Cassidy character --- Moore was so identified with the masked man that he is the only person on the Hollywood Walk of Fame, as of 2006, to have his character's name along with his on the star, which reads, "Clayton Moore -- The Lone Ranger" --- He was inducted into the Stuntman's Hall of Fame in 1982 and in 1990 was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

THE LONE RANGER CREED - I Believe that to have a friend, a man must be one --- That all men are created equal and that everyone has within himself the power to make this a better world -- That God put the firewood there but that every man must gather and light it himself in being prepared physically, mentally and morally to fight when necessary for that which is right --- That a man should make the most of what equipment he has --- That `This government of the people, by the people and for the people' shall live always --- That men should live by the rule of what is best for the greatest number --- That sooner or later .. somewhere .. somehow .. we must settle with the world and make payment for what we have taken --- That all things change but truth, and that truth alone, lives on forever --- In my Creator, my country, my fellow man.

Check out a new book from Empire Publishing - "GENE AUTRY WESTERNS" (Hardcover) - by author Boyd Magers, like no other book on Gene Autry --- all of Gene's Mascot, Republic and Columbia westerns included, as well as his half-hour TV Episodes --- each segment contains the release date on each film ... major production credits ... complete cast (including character played) ... all songs included, songwriter and who performed them in the film ... running time of each film ... dates of the filming ... bios on the cast and major players (Smiley, Pat Buttram, Cass County Boys, Herbert J. Yates, directors, leading ladies, songwriters and various heavies, etc.) ... locations that were used ... budgets and negative cost ... stunt people involved ... analysis and synopsis on each film ... notes and comments (including film and cast background info, salaries paid, working titles, etc) ... comments from Gene and many other cast members on each film ... theater exhibitors comments at the time of the films release ...this tribute was written from the heart and it shows.

Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc) and Bob Nareau (author of "The Real Bob Steele") as they have rekindled my interest once again for B-Westerns and Serials --- More than just a tribute to the role Clayton Moore made famous, this book is Moore's personal memoir, told with condor and sincerity -- the engaging story of the life he strove to live according to the ideals he represented to millions of Americans, please stand up and take a bow --- all my heroes have been cowboys!

Total Pages: 280 ~ Taylor Trade Publishing ~ (4/25/1998)

I was a bigger fan of the Lone Ranger on radio than TV, but only because I was away in school most of the years it was on the tube and missed a great deal. That is something I am trying to make up as I collect DVDs and is why I bought this book. I have also known personally two who worked with Clayton Moore in the past, serial queen Kay Aldridge and former rodeo star Beverly McDermott. Everything they said about this man is echoed in the book. A very honest upright straight shooter. I am also impressed by his arguments as to why a star should set an example. So different in Hollyweird today. We need actors and actresses today who have the high moral standards this man has shown. May God bless him always, here and in Heaven.

An in depth history of Clayton Moore. A very informative perpective of a bye-gone age in Hollywood. I really enjoyed this book. A must read for Lone Ranger and TV western fans.