Video Books

Sure the program comes with a PDF manual but having a printed reference can make learning so much easier. This is not a book on technique, it's a book on features, functionality and workflow. I primarily use Final Cut Express, thankfully most of the tutorials contained in the book are applicable. There's nothing terribly exciting about the book itself, the information is presented in a no-nonsense fashion. If your looking for anecdotal storytelling, humor and opinion you'd do well to consider another title. I keep it handy at all times, it's saved me a lot of time and frustration...well worth the money.

I like Lynda's personal publications best but anything bearing her title "H.O.T." is worth having. Very practical and useful. Norman Borge

When looking for a book on FCP, I just read the various reviews. Even though some others looked quite interesting, I chose this one and am glad I did. I wanted a specific type of instruction because I have some expert-level chops and ignorance at the same time. I'm new to video but am a professional recording engineer by trade. I'm fully conversant on the Mac and non-linear audio programs so I needed a book that got both completely simple (for video concepts new to me) and also provided some depth at the same time.

The type of instruction in this book is having the user execute step-by-step, starting at the most basic level but progressing into more complex stuff fairly quick.

I forget the wording but there's some Chinese proverb........something like
You tell me, I hear
You show me, I see
I do, I learn

That's me and this book suits my learning style nicely. I'm sure there are other books as good but I doubt that any are better, hard to see how you could go wrong with this one.

I consider myself to be a "seasoned user" of Final Cut Pro. I have been editing with FCP since the original release of version 1.0 and have worked on numerous documentaries, features, commercials and episodic television.

I learned about this book from the Apple website. This is the official textbook used for Apple Pro Certification (FCP Level One). So I decided that I would "forget" everything I already knew and begin with Lesson 1. I'm very happy I adopted that attitude because there are so many neat little tips that I picked up in the first few lessons. Now I wonder how I ever survived without them. Those tips have already saved me a lot of time. I have only completed one-third of the lessons thus far and I can already see an improvement in my productivity.

Every chapter of the book is a "hands-on" lesson. The files and media for each lesson are provided on a DVD-ROM (included). You will first copy those files to your hard drive and then open each lesson file and then follow the step-by-step instructions in the book.

I'm looking forward to getting my Level One certification with the help of this book, and I can't wait to continue onto the Advanced Level certification with the second book.

Please note this is essentially the same book as the the "Final Cut Pro HD" book. The DVD is the same and so are the exercises. I had a chance to compare both and noticed only only one minor detailed (a detail is now circled on a screen shot) and, of course, there could be some that I missed. Even so, the back cover of the HD book acknowledges...

"This book was previously published under the title "Apple Pro Training Series: Final Cut Pro 4. If you previously purchased this book, there is no need to purchase this revision: All the project files and exercises in the previous edition can be used with Final Cut Pro HD."

Bottom-Line: Newbie or Pro? It doesn't matter! This is a GREAT book to own if you use FCP.

Until I purchased this book, I had owned FCP4 for six months. I had learned my way around the software well enough. I felt comfortable, but not necessarily proficient. In order to improve my editing time, I went ahead and ordered this book, also with the intent of getting my Apple certification, as this is the same text used in their classes. Normally, I am the type that I will skip sections that discuss things that I'm certain I know, but I went ahead and followed every step in the book.
What a difference! Each chapter takes approximately 30-45 minutes to complete, using video clips on the included DVD. After 3 days and 10 chapters, I was hardling touching my trackball. Not only had I learned quite a few shortcuts, but the book helped me understand the editing process itself a little better. I feel that this text is very well laid out, easy to understand, and can be done relatively quickly with a sharp learning curve. I highly recommend this to anyone new to Final Cut Pro. With a little time and effort, you'll be flying around the video editing, the soundtrack design and the Live Type titling package. And, after you have completed this book, go ahead and buy Apple Pro Training Series: Advanced Editing and Finishing Techniques in Final Cut Pro 4, you will not be disappointed.

I am a student studying animation, and I purchased this book for my character design class. I really love this book, it is quite usefull, and my two roommates reference it as well! One is an illustrator, and one is a video game designer. Useful to anyone and everyone...

This a great book for the beginning character artist. I often have a hard time drawing cartoon characters but this book always helps me out. Covers everything from personality to color, from exaggerated to semi-realistic. Highly recommend!

Nice book , a lot of ideas , examples. Very good choice for beginners. My students loved it.

This is a great book to take your drawings to the next step. I've been frustrated that my characters lacked that certain special 'something' to make them pop from regular ol' dry drawings to likable, engaging characters. This book illustrates simple examples of a line here, a curve there, to push it up a notch. I really enjoyed the suggestions, and this book has been very helpful. myspace/kris10cartoons

A great useful book! The best way to learn and draw your own appealing characters!

John August put me onto this book. He said it pretty much covered every question he gets asked about screenwriting format issues. And he's right.

Even if you've already written enough screenplays to think you have format down, I guarantee you'll find this a handy reference. It's precise, concise and easy to understand. A good book to have on your desk.

I'm a working screenwriter with two produced films under my belt and several more in development, but I still refer to this book on a constant basis. No matter what kind of formatting question I have, this book has the answer. I don't think I've been stumped yet. Case in point: Today I was writing a scene where I wanted to smash cut to some footage from a character's amateur documentary with a minimal break in the pacing. I didn't know how to do it. So on a long shot, I scanned the index of this book and found "home video" addressed on p. 22. Sure enough, Christopher had the answer for me. (You just put "Home Video" in parentheses at the end of the slug line.) So thanks Chris for getting us all of us on the same page. Now if only you could do the same thing for comic book scripts!

THANK YOU! THANK YOU! THANK YOU! I have been searching for hours for a book on FORMAT. I don't want a book on how to write screenplays because I want to write my own screenplay my own way, not someone elses. I only wanted a book on the technicalities of the physical script and this is perfect!

An excellent compilation of industry standards of formating. Altough I've been writing for many years, this book taught me things I plain didn't know. The only shortcoming - if it could be deemed that - is that writing styles seem to change with the wind and whim, and formatting sometimes is affected. But this book gives you the basics upon which to build. Definitely recommended.

I came upon this book in the library after my professor had told us to buy a hundred dollar book on scriptwriting format. I was utterly appalled because the book she gave us was far more complicated than it needed to be. This Hollywood format book clarified the essentials. If you are going cheap and reading on the internet about different scripts and try to emulate it in Movie Magic or Final Draft, first know the difference between the script formats. Get this book before you end up doing things the wrong way and have to start all over again.

This book is a necessity for any Buster Keaton fan or any fan of Hollywood history. It is well researched and absolutely fascinating.

This is a great book. I love to watch Keaton's movies with this to hand, it gives a whole new insight to the films. It is easy to read and it is interesting to see the sights of LA from the 20's. Sometimes it is sad to see that some of these locations are gone, where the building of freeways have necessitated the removal of whole city blocks. If I ever get to visit LA I know that this book will be going with me.

Years ago I purchased Civil War historian William A. Frassanito's excellent books "Gettysburg: A Journey in Time" and "Antietam: The Photographic Legacy of America's Bloodiest Day," which examine and compare historic and modern photographs of these famous battle sites. John Bengtson has done essentially the same thing for Hollywood using Keaton's films, and the result is nothing short of miraculous. Here are scenes of what used to be but are no more, resurrected with the benefit of Bengtson's keen eye, detective-like mind, and obsessive attention to detail. This is one heck of a fun book, and you'll spend many hours going over the photographs.

Amazingly, many of the scenic backdrops that Keaton used in his films still exist, and they serve today as nostalgic reminders of a relatively primitive and innocent time that has all but disappeared.

John Bengtson has done something so simple yet so essential to film history. If you live in LA the book will have a greater meaning. If not you can marvel at the almost film-archeological work Bengston has done in finding the exact places the great Buster Keaton filmed some of his best films.

This is a truly different kind of book. We get to see the locations that Buster made his films, and how they have changed through time. We also get to see how the author went about finding these places, a kind of historical research that takes a tremendous amount of time and effort.

This book is one that I automatically pick up when I'm not sure what I want to read, but want something interesting.

If there was a complaint, it would be that many of the pictures and some of the text is really too small. I have great eyesight, some of this is too hard for even me to see, and I know many people have a harder time with small text and pictures. Lay off of our eyesight, eh?


Still, a totally fascinating book. I can't get enough.

Brian Froud, the creator of the Dark Crystal, is a Genius.

This book is a small Bible.

Well written, and with images so refined it makes you wonder if it is all "human" made.

All your questions about the Dark Crystal will be answered.
The information contained in the book seems almost sacred,
as for the capacity for the human mind to understand it all,
that is yet to be proven...

This book is an amazing tome for anyone who grew up in adoration of The Dark Crystal. Brian Froud's illustrations and concepts are gorgeous and so incredibly creative. This book is delivered as a history of the World in which the film takes place. It is narrated by Aughra, "...the first and last," who witnessed thousands of years of creation and destruction. She monitors the cyclical suns, a spectator of the conjunctions that bring the wise urSkeks, and their division a thousand years later into the cruel Skeksis and the mystical urRu. Aughra alone knows the long history of the crystal and throughout the pages, describes life throughout the ages. There are so many subtleties that the book describes that I can't wait to watch the film again, knowing the significance of the shapes of rocks, the intricate details of the clothes the characters wear, and the elaborate symbolism peppered throughout. The art is gorgeous and the insights into the World of the Dark Crystal shed a new light on the film and its philosophy. Bravo!

A must have for any Dark Crystal fan. It contains detailed pictures, decriptios of the various races, and a breif overveiw of how the world works. It also contains some history on the making of the movie, and a copy of the orginal movie idea. Even if you don't like the movie, it would be hard not to appreciate level of detail that went into this imaginary world.

Overall: An excellent book, which I highly recomend.

I didn't grow up with "The Dark Crystal" like most others who bought this book. I watched it for the first time in 2007. While I found the movie charming, it didn't leave much of an impression. Still, I was fascinated with just how so powerfully so many people love this movie. The film has such a following that a sequel is on the way after 25 years. So, I bought this book to see what it was I was missing. This book is mostly written from the point of view of Aughra, one of the main characters in the film. The art is fantastic but what I adored was the mythology I found within these pages. In this book is a vivid history of the world of the Dark Crystal, complete with philosophical and religious ideas that have a strong connection to the events of the film. If you wish to understand the films themes and events better, there is no better book than this. A MUST for all fans of "The Dark Crystal"

This reedition was long awaited and now I see it's simply delightful. Detailed presentation, awesome drawing and descriptions, it speaks for itself it's been compiled and conceived with an exquisite taste. It includes some extra copies from original designs in fine paper into some kind of envelope. This book is a must for everyone who loves "The Dark Crystal" and wants to know beyond and before... I do love this book.

After graduating from film school, I had no idea how to start my career as a writer in the film industry. "The Writer Got Screwed" not only showed my how to start my career, but showed me the different kind of careers which exist for Writers in the Entertainment Industry. Most books don't explain what WRITERS working in the entertainment industry need to know: THIS BOOK DOES. If you want to work in the legal department of a studio, take classes in copyright and contracts. If you want to work as a writer in the entertainment industry, THIS IS THE BOOK FOR YOU.

Very few books explain how to start your career, the different forms of representation (agents, managers, and attorneys), how to protect your work (copyright registration vs. registering with the WGA), how to protect yourself (contracts-what do they mean?) and give lists of available resources (scholarships, WGA approved agencies, production companies, legal resouces/attorneys) for writers working within the entertainment industry--"The Writer Got Screwed" delivers on all of these areas. Whether you are working in film, television, feature animation, soap operas, or interactive, "The Writer Got Screwed" provides interviews with writers who work in these areas and valuable, RARELY FOUND, information regarding how these started their careers. This book is a terrific, must-have book for anyone who wants to write for the entertainment industry, and now is joined by a companion website at [...].

This book is one of those needles in a hay stack. It's not out there like all the other books for writers. But if you find it... you have found gold. It is written so that it is easy to understand and has tons of great information in it. A must have.

There are a lot of books out there on writing for the entertainment industry, but this was the one book that got me started. A lot of writers tend to pass around gossip and poor information, but this book set me straight from the beginning, and is now joined by Wharton's website/blog: brookewharton.com(rated in top 10 for film blogs). This is the one book that anyone writing for film or television should START WITH. I'm mystified by a previous reviewer who said that Wharton doesn't talk about the WGA (there's a whole chapter on the guild), and also that she doesn't discuss acquisitions vs. development (it's called spec sales vs. assignments in the 1st 10 pages of the chapter on writing for film). Clearly this person couldn't have read the book. If you need real answers, buy the book.

Given all the 5 star ratings, I expected better. Not that this isn't a good book, but it depends on the reader's sophistication. If you don't know anything about some of the basic legal and business aspects of the publishing biz, this book is a good start. On the other hand, if you're a detail oriented person who really wants to dig in deep into this subject, you may find the content a bit light.

This book is an indispensable companion for huge fans of the ALIEN series, especially those who, like me, think that ALIENS is the pinnacle of the franchise. But even if you're just a casual fan of the series but a major lover of science fiction, this is a great book to have.

The most amazing part of the book is the long essay on combat between capital ships in space. The essay is a very hard-science fiction oriented piece that addresses a lot of the issues with ship to ship combat that are taken for granted in works like Star Trek and Star Wars. It addresses issues like combat between two ships in orbit around a planet, cloaking against a starfield, space mine arrays, directed energy weapons, railguns, and the use of decoys in space combat.

The rest of the book is equally believable in its portrayal of futuristic warfare, and it does an excellent job of giving background information on the world of ALIEN without holding the reader's hand or revealing everything. The pictures, drawings, and schematics are nothing short of amazing.

The book delivered exactly what it was supposed to. The equipment described were mostly from the second movie, which was expected since the colonial marines only made an appearance in that one. I was expecting a few more vehicles and weapons that were not shown in the movie. The arsenal of the marines appeared to be very limited. Whatever the case, this is a good book for fans of the movies and sci-fi fans who like big weapons. The section on the aliens themselves was kind of brief, being mostly accounts from Ripley.

I loved the quotes between the sections. The ones where other Marines are "telling what they heard". You get bits and pieces and everything gets exaggerated and blamed on the Company. It's funny "because we know better." And the descriptions of the APC and dropship are great. Too bad we don't get to see them more in the movie.

Not much more I can add that others haven't other than to push the point home. This book is a technical sci-fi fan's dream come true. The level of detail and realism put into this book rivals that of the Star Trek technical books, and even surpasses them on some levels. This book is painstakingly researched and is an official and authorized explanation of the weapons, ships, tech and much more are covered in this book.

Just about everything you could want to know about the technical aspects of the Alien and Aliens universe are here. You can know exactly how a pulse rifle or a power loader works. You can see the inner workings of a dropship. You can see the full capabilities of the Sulaco. You name it, and it's there. You even get entries for military equipment that was not in the movie, but still part of the Alien universe.

Did I mention Alien? Yeah you get a ton of information on the Nostromo as well as details on the escape shuttle and equipment they used. You also get extensive details on androids as well (from both movies). They even go so far as to explain how faster than light travel works. Not only do you get all this, but you get some awesome information regarding the alien itself.

The book itself is very well made considering it's labelled as a paperback. The cover is a thicker card stock and glossy on the front while the pages are made from a quality paper as well. The book quality is like what you would find on the Star Wars technical books or better. Definitely bigger than those books.

I wish all sci-fi technical books would go into this much detail with their subject matter. This book is pretty much the standard I look for in other technical manuals. If you ever get a chance to find this one and are either a big Alien fan or just a big fan on these types of books I recommend getting it. For some of you even with the high prices (I think the original list price was around $20) you see in auctions and here you might still find this book worth it.

this book provides a great deal of information on the Colonial Marines from "Aliens". all of you potential Aliens video game modders out there must get this book. it has served as an excellent reference book for all my "Aliens versus Predator" modifications. with several illustrations, it also provides the artist with valuable "Aliens" info. even the curious Sci-Fi geek will find this book thoroughly interesting.

Im not a good guitarist but after going thru this book found that im able to follow the style and the CD was a great help. Mark H. did a good arrangement and this book serves for an intermediate guitarist.

Excellent choice to learn how to fingerpick and play songs, step by step and very well done, Mark Has many other books but I would start with this one for easing into guitar playing!!

I picked up guitar a few years ago and have been struggling finding a good book that would allow me to teach myself at my own pace and at the same time leave me feeling like I was accomplishing something. This book shows really nice melodic chord changes that will have you feeling good about your playing almost immediately!!! I recommend it for any beginner-intermediate guitarist who is looking for a book to help them FEEL and HEAR the guitar in a new light!!!

It is a good book on fingerstyle guitar. When I bought it some months ago I was able to play arpeggios and some picking patterns. The first lessons are easy to follow but the last ones are hard. You will need time to get some patterns.

I agree with some reviewers. All the studies sound very nice but not all studies sound as the "professional" ones.

However, my main complain is the lessons are written twice. I mean, the book has the complete partiture in a sheet but the previous sheets are the same partiture divided into bars. The author try to explain how to play every bar but sometimes it is just an unnecessary introduction. I'd prefer another kind of previous exercises (some lessons require them) and/or references to the main partiture. I did read before, it seems as if the author or publisher need to use more pages in the books.

Targeted to a range from beginner - intermediate players. I really love the piece arrangement on this book. Shows simple yet produce a really good sound. You will definately have a fun time playing while learning through this book. Definately recommend this book to anyone, also look around for other Mark Hanson's books.

As a screenwriter, this is the 14th book I've read on the subject, and by far the best. Derek Rydall not only prepares you externally to be a script consultant, he prepares you internally as well; forcing you to peel back the layers of your own psyche, and examine your inner obstacles to your own success.
Derek is not afraid to share his failures along with his successes, to help you avoid making the same mistakes. Each chapter starts with a few appropriate and inspirational quotes that create the setting for the chapter, and inspire the reader. What can I say? If it's not in the book, you don't need it! Five stars for this book that helps you shoot for the moon.
-- Scotland Miles
Screenwriter and Author

Read and analyse your script from cover page, FADE IN to FADE OUT. Derek Rydall packs a lot of useful information in this well thought out, well written book. This is the meat and potatoes of the biz.
Do yourself a huge favor and read this book before you submit your next script. Chapter Two shows you how the studios see the difference between an amateur wannabee and a pro. Chapter Four brings in a wealth of good advice from well known experts like Linda Seger, Michael Hauge and David Freeman. David Freeman's sample scene analysis alone might make the difference between being kicked up the ladder or kicked out the door. You need every tool you can get your hands on to make your script a contender. Make this book part of your arsenal.
Whether you want to get your scripts in the door or want to be a script consultant this could be your blue prints to success.

Can anyone who has ever been to a movie not have looked at some of them and wondered how such trash got produced? No one would start out with the intend of making a bad movie. You have to wonder how a group of people, presumably experienced and not unintelligent have produced something like that.

This book is written by a script consultant who tells what it's like to review and consult on the movie that's about to be made. While we all think that we could do this work, here's what the work involves. Here's how to get started. The best advice that I think he gives is work with someone in the business to at least establish the contacts.

This is a business like any other. You need at least the understanding of who does what. It is unlikely that very many of the readers of the book will actually become successful at script consulting, but it is still interesting reading to see what is done. It's an interesting insight into the movie production business.

There are plenty of movies on the market which feature substandard writing - so bad that even an audience member might think they can do better, let alone an aspiring screenwriter. If you're a member of the latter group, I Could've Written A Better Movie Than That! How To Make Six Figures As A Script Consultant Even If You're Not A Screenwriter is for you. It tells how to use this sense of perfection to earn cash as a script consultant, and comes from author Rydall's years of experience in the industry. Chapters show how to analyze stories in any form, write coverage, repair scripts, negotiate contracts and more. Plenty of books tell how to write the script: few, except for this, tell how to make money repairing one.

I really liked this book and I believe that there aren't any others like this one. It talks about how you can start a highly lucrative business as a script consultant and a re-writer.

The only thing that makes me hesitant is the ease (or difficulty) in establishing credibility as a consultant if one hasn't written anything worth mentioning.

Other than that, this is an incredible book and I hope that not too many people read it because it's an INCREDIBLE business idea and I want to pursue it myself.

Initially I thought this was going to be a book only about storyboarding, but as the title suggests, it "Prepares" you for the story boarding process. It was great to have all the different aspects of character and story developement all in one book.

Ms. Beiman's book is exceptional; it not only discusses storyboarding, but also the entire pre-production process, from character design to art direction to using cinematic lighting and camera angles. I'm never boarding without using tonal drawings again!

I'm going to be the Teaching Assistant for the Storyboarding class at UCLA's MFA Animation Workshop in the fall, and I'm going to tell all the newbies to GET THIS BOOK!!!

This is a truly wonderful book filled with practical, concrete knowledge about how to plan for an animated production.

In the past, I have seen a few somewhat superficial treatments of similar topics, and I was initially a little bit skeptical of this book. Suffice it to say that my expectations were vastly exceeded. Storyboarding is a central part of animated movie production, and it has finally gotten a definitive treatment in book form. This book is highly entertaining, beautifully illustrated, and really packed with information.

Many readers of my own book Introducing Character Animation with Blender are interested in creating animated movies. I highly recommend that they take a look at this inspiring and informative book to ensure that they get off to a good start.

Well written and well organized, "Prepare to Board!" is a wonderful source for learning the ins' and outs of animation boarding.

Nary a step in the process is glossed over or a stone left unturned. I'm quite impressed with the book all around, and have learned a lot about the inner workings of animation.

A definite recommendation.

Nancy Beiman's book "Prepare to Board" is a must-have for animators. If you're serious about working in the industry then this book is for you.

The quick little lessons are excellent tools for practice and improving skills. This books helps to increase creativity and really gives great advice. No other animation book has achieved what "Prepare to Board" has.

Nancy Beiman knows the ins and outs of the animation world and you can tell why she's worked on so many great projects - she's the best at what she's talking about. Nancy Beiman is a professional and this book will help you along your path to a career.

If you're not lucky enough to know her and have her as a Professor (or even if you do), then it goes without saying BUY THIS BOOK!