Video Books

This series [TV-Series 1965-1968] is formulated on the old serial cliff-hangers. The stages are cardboard and Styrofoam. The props look like anything lying around in the ware house. From the dialog you would not realize that the actors can and are acting. As the programs progress the stories get weirder to holds your attention. There are also several notable guests including Robbie the Robot that always outsmarts "The Robot" (Bob May) The Robot's voice is Dick Tufeld.

We all know the basic story of a saboteur Dr. Zachary Smith (Jonathan Harris) is too smart for his own good and his sabotage backfires from the start throwing the spaceship into who knows where with him trapped inside. What is worse is he never learns from episode to episode. Prof. John Robinson (Guy Williams) is the good guy father that is always giving one hope of being found or getting back. Maureen Robinson (June Lockhart) is the stereotypical motherly type and is caught occasionally stopping John from beating Zackary's brains out. We have mischievous kids always wandering off to discover the new trouble. And a watered down love interest between daughter Judy (Marta Kristen) and Major Don West (Mark Goddard).

How will they survive?
What strange creature or disaster will befall them this week?

Some one may have modified the media somewhat. "Oh, the pain, the pain." However we buy what we can.

Panasonic DMR-EZ47V Up-Converting 1080p DVD-Recorder/VCR Combo with Built In Tuner

[Note: it appears that reviews written for one episode are shown in all of the episodes, not just the one they were written for.]

Episode 2 shows the launch of the Jupiter 2 and provides the background for how and why Dr. Smith was aboard. It was very interesting to compare this episode with episode 1, which covers the launch and a crash on a planet, but no Dr. Smith, and no robot! Different theme music, too.

My rating is not based on the artistic/acting/story/special effects merits of the episode. If you want to see the origins of many pop-culture references, this is a must-see. You'll have to go to other episodes to hear "Danger, Will Robinson!", though.

Dr.Smith was afraid of his own shadow but the boy would always find a way to show the good doctor,there is nothing to be a afraid of...well until the Robot starts frailing his arms and spinning around going.."DANGER..DANGER Will Robinson DANGER!!!"

This is a classic show and a wonderful "download" collection.

Granted...the story is ludicrous and the acting is just slightly above an elementary school play, but God, I love this show! I love this particular episode the best of all the others in the series because the Space Family Robinson actually makes it back to Earth! Only problem is that it's decades before they ever launched and Earthlings are paranoid about things like flying saucers and robots who shoot lightning out of their claws. Jonathan Harris is his usual hysterical self in the guise of Dr. Zachary Smith (Oh the pain, the pain!) and Bill Mumy manages to save all of the adults once more as Will Robinson.

This is another show that I'd love to see some network ressurect like Star Trek and Battlestar Galactica...this time treating the story seriously and making the audience keenly aware of the many dangers humans might face if they were truly lost in the vastness of space without any help other than their own wits and the supplies at hand. If any network big-wigs are reading this...I AM available to work on such a project if you're so inclined!

Dr Smith and the Robot go hog wild, switching personalities and swapping insults. This is a great episode.

I'm not new to the Mac, but am new to iMovie and was struggling with some basics. I recently purchased Missing Manual and am glad that I did. Well written, complete and easy to read. My iMovie editing productivity has skyrocketed and would strongly recommend this book

I bought this book because I wanted to use I-movie to help me put together a short film in short order. It is quite simply the best computer book I have ever purchased. It is a very straightforward, lucid, step by step explanation of how to get the most out of this program specifically, and digital video in general. It seemed like every time a question or would pop up he would have a special box on the next page explaining how to solve it. Mr. Pogue appears to have thought of everything and then some. He presents a number of excellent "work-arounds" for the limitations of I-Movie and lays them out in step by step fashion. Using this book is like having an I-Movie Guru sitting next to you, helping you along. If you use I-Movie, you need this book.

I have used the iMovie application since March 2000 to create over a hundred hours of edited footage for my video production company. Before reading "iMovie: The Missing Manual, I concluded that I had learned all their was to know about this program. I previously considered it a limited program that was most effective when production time was critical and expectations were relaxed. However, I was astonished to learn of techniques and shortcuts that greatly expanded my knowledge of iMovie and radically refined my approach in it's use. The concise layout and effective index of this manual has kept it within arm's length whenever I launch iMovie. Few computer manuals are "page turners", but if you use iMovie the information that is contained in "iMovie: The Missing Manual" will surely excite and inspire you. The software that is made available is alone worth the purchase price of this excellent manual.

This book answers every question I have had since I started using iMovie in January. It is not only very complete and extremely easy to follow, it also includes some unexpected surprises such as a very comprehensive explanation of film basics such as lighting, camera angles and sound. Before reading the book, I thought that iMovie was a great program but had some severe limitations - that was not the case after reading the book. Any limitations I had come across were covered in the book and Pogue provided excellent and simple workarounds for most difficulties I have had. I would highly recommend this book as a starting point to any person- skilled or novice - interested in creating video productions for personal or public use.

David Pogue's long-awaited iMovie manual is a terrific intro to digital movie making using the incredibly popular and now FREE iMovie for Mac.

Now there's no excuse for not making that little movie that's been rattling around in your head. Pogue's guide is logically laid out with numerous easy to understand graphics that take you step by baby step through painless editing of your video footage.

This is the finest of the iMovie guides and equal to Pogue's best past efforts. He's a master of technical explanations and has a deservedly large and devoutly grateful following.

If you are considering buying an iMac or have ever thought about making a simple movie, this stimulating book would be an smart, inexspensive first step -- even before forking over a dime on any software, hardware or a DV cam.

The digital revolution has begun and this is the manual that is entry level. The initiation rites happen when you first plug in that firewire, batch capture and string some selected scenes in a new creative order.

For someone with a strong visual sense and some basic story skills and with careful pre-planning and this manual, it is possible for a first time filmmaker to make a high quality mini masterpiece. Or better yet, a product to enter in one of the red hot film competitions like the Palm Springs Short Film Festival.

Pogue even promises a (free?) download or revision for the inevitable iMovie version 2.

This book covers all bases and FAQ's regarding iMovie and iMac configurations.

Now stop reading this review, buy Pogue's book and commit to making that life-altering little film that's still screening in your head. Isn't that why you're reading this? Now you can be empowered to create that film that comes out of nowhere and charms the world (to say nothing of making millions). Step aside BLAIR WITCH. I know what you're thinking!

Every man, woman and now child can be a studio unto him and her self. No middleman. Peasants, raise your no longer missing manuals. Share the vision.

In other words, I am saying David Pogue's iMOVIE THE MISSING MANUAL is highly recommended.

And, hey, don't be ashamed if all you want to do is edit some vacation video or the kid's recital or some hanky panky with the spouse. But the potential for something far more creative is definitely available to anyone now. My guess is THAT is the drawing power of iMAC, iMOVIE and the terrific MISSING MANUAL.

A suggestion for future editions: include a simple appendix of film language and story structure basics. Maybe a CD-ROM for an on screen guide that includes filmmaking and digital film internet links.

And then, Mr Pogue, a clear guide to Final Cut Pro.

Quiet on the set. Action!

How is it that Dorothy B. Hughes's great suspense novels of the 1940s have fallen into oblivion? This is clearly a situation for a nervy publisher like Godine or Dalkey Archive to rectify, as the more conventional ones, like Vintage, remain clueless. And here's a good place to begin. Written in 1947, In a Lonely Place was one of the first American novels to broach the subject of a serial killer--it was instantly followed by a host of imitators in the late '40s and early '50s. (Other than the Belloc-Lowndes The Lodger, a 1912 UK novel, the theme had been long neglected.) Hughes's approach is psychological stream-of-consciousness; she traces the cat and mouse game of the sociopathic Dix Steele who, reuniting with an old war buddy turned cop, comes along for the chase to find the murderer. If you know the great Nicholas Ray film with Bogart, don't expect much resemblance--Ray took only the title and the names of most of the characters. Though like the movie, the novel is a brilliantly claustrophobic look at LA in the postwar years. The violence is offstage, the pathology on. Hughes's ability to penetrate a man's mind is remarkable and never less than credible. She wrote only a handful of books (The Fallen Sparrow, Ride the Pink Horse, and The Davidian Report are her other benchmark novels) but they deserve a closer look--they are compulsively readable, prophetic, and apparently timeless.

"In a Lonely Place" is a neglected classic of American crime fiction. Harder than hard-boiled, it follows the actions of a vicious serial killer in post-war Los Angeles. The antihero, Dixon Steele, maintains the appearance of an average guy while periodically venting his anger and hatred of women by raping and strangling random girls that he picks up. Through the course of the book, he plays a cat-and-mouse game with his old army buddy, now a detective, who has been assigned to solve the case.

Published in 1947, "In a Lonely Place" is different from much of today's standard serial killer fare. Unlike books such as "Hannibal" or "Red Dragon," all the violence occurs offstage, during gaps in the narration. But that doesn't make it any less scary--in fact, it ups the creepiness quotient considerably. Hughes tells her story from the point of view of the "perp" himself, with all the events filtered through Steele's eyes and thoughts. Normal in the book is what's normal to the killer whose solitary, predatory nature places him "in a lonely place" outside of the rest of humanity. His anger, his misogyny, his hatred of those richer than he, and his sense of entitlement justify his actions in his own mind. By keeping the gore offstage, the author maintains the focus on the killer's twisted mind, which is where the true horror lies.

"In a Lonely Place" was made into a movie in 1950 starring Humphrey Bogart (who else?) and Gloria Grahame. The film kept some of the elements of the book, but switched the focus to domestic violence. Dark as the film is (and it's a masterpiece of film noir), the book is even darker. If you're looking for a play-by-play novelization of the movie, this isn't it. But if you're looking for a character study of a killer's mind, then turn on the night light and dig in.

An effectively creepy and believable portrait of a rage-driven serial killer.

Quite unlike the famous (and excellent) movie based on the book, both in plot and in mood.

Great mystery tale told from the point of view of a bad guy. Although somewhat forgotten today, Hughes was a superstar writer in her time. Her novels had been adapted into movies for Robert Montgomery and Humphery Bogart. Compelling fiction with strongly drawn characters. Highly recommended.

I wish to associate myself with the excellent review and comments of the esteemed reviewer from New York. A very fine book, timeless in its readability and thematic approach and yet fascinating in its description of a post-WWII City of Angels. A great enough read for me to want to track down more of Ms. Hughes' works and learn more about her life. If you are into noir, at some point you need to read this book to complete your perspective.

This book shows how I.L.M. made most of their films. It goes into full detail about special effects for their films

Thomas Smith was general manager of Industrial Light and Magic a year before he came to write this impressive book. The book is centred around the film special effects creations of ILM between 1975 and 1985. This includes the then "Star Wars" trilogy, two Indiana Jones movies and other lesser known projects. For the Star Wars fan theres plenty to learn about one of your favourite movies. This book is lavishly illustrated with full colour photos including triple page or gatefold images. The focus though is on how the effects are done and who did them at ILM. From the art work in developing concepts of storylines, through modelling, creature creation, the actual filming methods and matte image creation to the finishing touches of animation and optical compositing this book gives a gradual demonstration of the work of a special effects company. For someone with no knowledge what so ever of special effects this is a good introduction and to those involved it must be fascinating as well. As Thomas Smith points out, while film fans still love the movies from this era (1975-85), movie goers constantly seek new visions on screen. The digital era has brought movies like Toy Story etc but these were just figments of imagination at the writing of this book so its worth noting Thomas Smith's far-sightedness in the final chapter on digitized movies. The format of the book is to take each department of the special effects process and show what it does and where its part comes in the crafting of a movie. In each chapter there are short biographies of the leading people in each area of effects, this is a nice touch as it can serve as guide for those interested in getting involved. Its worth noting, many of those profiled have a long interest in their specialty going back to their youth and through the various twists and turns of working in an industry knew of other members of the ILM company before actually joining this now esteemed organisation. Thomas Smith by no means is setting out to sell ILM's considerable expertise though he tells the story of a company making dreams into reality, itself moving from an idea to a serious business proposition. (As a final note another book on movies of this period Paul Sammons "Future Noir: The Making of Blade Runner" contains insightful descriptions about the crafting of a movie not least its special effects.)

No one would ever have guessed that when Industrial Light & Magic opened its doors in Maren County that day way back in 1975 that they would produce the standard by which other special effects and other effects houses would be judged. ILM has formed the cornerstone of LucasFilm Ltd. a company that has spawned more spin-offs such as THX Sound, Skywalker Sound, all held neatly under the Lucas Digitial banner. Back in the days of Star Wars it was mostly using what was already known, and inventing everything else. ILM has been at the forefront ever since, from the early days of motion control cameras controlled by Apple computers the latest CG marvel like Galaxy Quest, Phantom Menace or Mission to Mars.

The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.

It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.

I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.

Pér tutti quelli che vogliono sapere come fanno i film, per tutti quelli che amano Star Wars con tutti i suoi segreti, direi che questo è il libro che fà propio al caso vostro.Scritto in un inglese molto facile è un libro che può veramente appassionare

Years ago I longed for this book, as it sat on the shelf in the local book store(it was not cheap). I received it with much gratitude on my birthday. Now as a teenager I found a reinterest in this book, and was overjoyed when the next book "into the digital realm" came out. For anyone who is captured by the magic of special effects, this is for you.

This is the best lego mindstorms book ever printed it is in-depth in the theory behind the robots.

This is the book of the greatest, most complex Lego pieces to date, and I highly recommend it to anyone thoroughly engrossed in the area of Lego programming. It is an invaluable resource with amazing graphics, and very creative new inventions which serve as a wonderful catalyst for my own ideas. Great guide.

This book has gathered together "Masterpieces" from some of the the world's greatest LEGO creators. Builders from the US, Canada, Italy, Netherlands, and Japan have brought you their passions, the theories behind each masterpiece, and detailed building and programming techniques. "LEGO Mindstorms Masterpieces" is truly at the zenith of all related books and I believe it will become a true masterpiece both in name and in reality.

This book began in July of 2002. And, while the the creation, writing and editing was extremely difficult, the authors fought mightily to accomplish our goal: to build LEGO robots both suitable for Master Builders and worthy of this book's title! Amazing PneumADDic II and Synchropillar by Kevin as a computer processor specialist and creator of LPub and LSynth. Splendid Stair-Climber by Doug who is a well known creator of several Omni Drive Vehicles. And, two awesome works - Learning Brick Sorter and The LEGO Turing Machine that were invented by the famous Ferrari brothers - they are co-authors of the best selling "Building Robots with LEGO Mindstorms" and have been called the "DaVincis of LEGO". Biped robot expert Miguel created complex SSCT faithfully based on the real robot that was active for life search and explore in WTC, New York. Lastly, a robotic arm driven by 10 motors and feedback system - CyberArm IV that I have created as a series in four years. All of these are the real robots that are backed by real robotics - only the materials are LEGO! We are very pleased that we could explore a new frontier in LEGO Mindstorms, and be able to offer it in book form.

As the one of pioneers of LEGO robots, I have had my experience of the results in the MIT Media Lab fortunately in the middle of the 80s, and the result of my writing of over half year keeping is included in bundle CD-ROM as a over 50 pages bonus chapter. I have tried to write about a lot of topics to explain the world of robots and LEGO Mindstorms - history of LEGO robot or their philosophy of the LEGO Group, precious list and description of early LEGO educational sets for control learning, personal robot boom in the 80s, from a more than 300-year-old Japanese automata (the Karakuri) to the latest state-of-the-art robotics. I believe that my discussion and description about the way of thinking and creation - included building, programming, CAD and even about Art - are useful in particular.

We hope that this book will never lose its value and that it will become loved by people of all generations.

From Tokyo
Hideaki Yabuki
Media Activist

Included are complete building instructions for some truly amazing robots/machines. You'll need LOTS of Lego to build them though. Even if you haven't you'll be inspired by the authors imagination and ingenuity. The writing is good, and the descriptions/instructions detailed and clear.
The best reason though for buying the book is the included CD which contains no less than ten other Mindstorms books in PDF format,including the most excellent 'Building Robots with Lego Mindstorms'. I had expected to find software and sample programs, but their absence is more than made up for by the books.

After building many of the robots presented in Lego Mindstorms Masterpieces published by Syngress, I feel I am now qualified to give a fair personal assessment of this book. I have purchased many Lego Mindstorms books and each one has great ideas and a lot to offer. All books have shortcomings and room for improvement. How good a book is depends on how well it address the readers needs. My needs center on my use of Lego Mindstorms to teach mechanical engineering, logic, programming and robotics to my 13-year-old daughter. Lego Mindstorms Masterpieces is the newest addition to our Lego toolbox. There are so many positive things to say about this publication I'll place the very few items I would have preferred done differently at the end of this review.

A few key benefits this book offers to anyone involved with Lego Mindstorms are complete, well illustrated assembly instructions, detailed commentary by the authors with additional tips to aid in the construction, explanations of where the inspirations for the creation came from with historical references, web site listings for additional information and a e-book CD-ROM with program files. Many of the authors have active web sites of their own and are available to generously help people stuck during construction.

Lego Masterpieces not only expand the reader's knowledge of Lego Mindstorms applications, but engineering and robots in general. The concepts presented can be applied anywhere the logic, computers, or machines are designed and built. The book shows that the construction of a machine must go hand in hand with the programming to best fit an application. Giulio Ferrari explores basic Artificial Intelligence and the foundations of modern computers with the Turing Machine. Another chapter presents the mechanics and theory of creating logic cells amazingly through the use of pneumatics and then combining them into the synchronous PneumADDic II calculating machine by Kevin Clague. And again by Kevin, the building of an asynchronous artificial muscle using Autonomous Pneumatic Circuits in the Synchropillar without RCX programmed control. An all terrain wheeled vehicle by Doug Carlson uses his Tri-Star drive design called the Stair Climber and will crawl over and out of almost anything. A spy robot by Miguel Aguilio called The Shape-Shifting Camera Tank utilizes Vision Command's camera, can increase or decrease it's height and you may control it with it's own Lego parts constructed joystick. The Learning Brick Sorter by Mario Ferrari, which combines a robotic arm with an automated task, blends the machine with excellent basic AI programming, which can learn new tasks. And finally, the most advance Lego robotic arm I've ever seen is in the chapter on CyberArm IV by Hideaki Yabuki. Not only does this arm have five Degrees of Freedom and 180-degree rotation, but you can also build the optional Power Glove to operate the robotic arm from your own hand movements!

The few complaints I have of this book are that the Bill Of Materials on some of the chapters are printed so small and illegible that I couldn't read them with a magnifying glass! Adding a page and printing the illustrations larger and clearer would have better represented the quality of the overall material. The other complaint is found in most books. Someone should proof read it before publication. Spell checkers don't think!

My final message about this book is BUY IT and start collecting the parts you'll need. It expands the frontiers of Lego Mindstorms and you'll need all the parts you can get your hands on!

This is far and away the best book available on Lightwave rigging. Gorden is the only author to thoroughly address the relationship between weight maps, bones and the polygonal structure of the model and how they must be combined to create a working 3D character. I consider this book absolutely essential for anyone looking to do any kind of character animation in Lightwave.

I'm a Lightwave user for about 3 years now, I did a lot of 3D stuff but never any boned character animation. Just had trouble getting trough the process of rigging ( like every other beginning 3D artist ).

I bought the Volume 1 and 2 en really took the time of reading it word by word. Underlining the most important things so i'll be able to use these books as a quick reference guide. Sometimes I just forget things and then I like to quickly return to my books for help ;-)

I know that a lot of you prefer some training DVD's above reading because it takes some time to get trough these books... But believe me, they are worth it. They get you trough the basics and then take you up to the next level. The CD that comes with this book also helps a great deal. You can go and analyse the settings of the examples.

I recommend this book to anyone who's thinking about character animation, even if you haven't got any knowledge of rigging. You have got to get this book...

This book has proved invaluable resource for dealing with Ligthwave's rigging. Filled with great tips and examples, this book shows you clearly how to build efficient rigs.

This is an excellent book for detailed instruction on using Lightwave for character rigging and texturing.

Until I read this book Rigging was always a challenge and something I avoided. This book clearly explains not only the buttons to click but the basic concepts needed for anyone that wants to rig. Then when you have mastered the basics he walks you thru complex, power, but easy to setup rigging setups.

As an Instructor I recommend this book not only to my students but also to high end studios. Jonny has written the "Rigging Bible" in my honest opinion.

I hope we see more from this talented artist!

I got this book at a local Linux talk given by the author about a week ago. This book really opens my eyes to see how much resource there is for multimedia on the Linux platform. It's a must-have if you are serious about multimedia, even if you are not a heavy Linux user. As you see, a software dies on Windows PC when the software company (or Microsoft) stops supporting it (or the software company goes under), because you only have the binary code. But the Linux software lives on because you can always pick up the source code from the open source (that is if it's an open source project, of course. Fortunately, most of the Linux software are). Bottom line: this book does what it says ! I am very happy with it !

Kyle Rankin's Linux Multimedia Hacks: Tips & Tools For Taming Images, Audio, And Video covers a program which typically disappoints multimedia fans with what seems like shortcomings in playing DVDs or MP3 files. Overcome these seeming detriments with a book which tells how to tweak and build Linux multimedia entertainment systems. Both newcomers and advanced users of Linux learn how to edit images, audio and video, manage music, burn DVDs and VCDs, and much more. Linux Multimedia Hacks isn't just one developer's knowledge base: it reflects contributions from many Linux experts - even the software creators themselves.

I've spent the last few days going over this book and experimenting with the different hacks on my Fedora Core 4 workstation. I use Fedora Core 4 almost 100% of the time at home, and I've felt the need to manipulate and use multimedia objects for a long time now, but didn't have the practical knowledge at my fingertips to do so. For example, how do I take a screenshot? This book answers this and other questions.

Now I understand how to use ImageMagick, take screenshots, and work with mplayer. I've implemented some hacks with gratifying results and experimented with bits and pieces of other hacks. For example I installed mplayer and the software bits needed to import video from a camcorder with a Firewire (1394) port. Mplayer is now running smoothly, and I'm waiting for a convenient camcorder to come my way so I can plug it into my 1394 port and let it rip. These hacks really seem to work, and they are quickly implemented. The authors of the various hacks give brief explanations that help build multimedia skills. Each hack is written with great clarity.

This book will gently introduce you to the power of scripting in Linux. Simple 1- or 2-line scripts pepper the book, and by using them you can quickly get the effects you want without having to spend long periods of time learning how to do the same thing on a GUI interface. Now, I can dump all 300+ photos from my 1 Gb flash card into a new folder and then use a script to resize them to a size small enough for a web page and for sharing with other folks. Try doing that to hundreds of photos on a GUI interface! With the suggested scripts, you can let the computer do the work, not you, and you can congratulate yourself on your smarts. Each script is carefully explained in plain language. I especially like Rankin's discussion of how to set up a digital camera and download all the photos from it automagically.

Today the Linux desktop is every more GUI-friendly. It is very easy to use; some of my friends have used it without realizing they were on Linux. I can see thumbnails of all my imported photos on Gnome -- it just works. I can expand the thumbnails into new windows with the actual photo. I can plug a compact flash card into my card reader and Gnome will recognize that, too, and offer to download the photos in the card. I can and often do edit photos with the Gimp and email them to my relatives. This books discusses all these things except possibly the emailing bit.

I began to realize that my hard drive is way too small for all the media I hope to work with. I recently ordered a 400 Gb drive to solve this problem.

This book shows you how to work with your media at no cost to you. It rolls up a lot of useful knowledge right at your fingertips. I can't think of another source of well-thought out media hacks either on the internet or in the documentation that comes with your Linux distribution. Every person wanting to work with media on Linux ought to have this book. Rankin and the other hack contributors have done a superb job.

Do you want to master the entertainment possibilities of Linux? If you do, then this book is for you! Author Kyle Rankin, has done an outstanding job of writing a book that takes the best of Linux's multimedia tools and shows you step by step how to use these tools to do cool things you would not have thought possible with images, audio, and video.

Rankin, begins by defining hacks that are specifically for images. Then, the author describes hacks for all things video. Next, the author shows you how to get the most out of video tools under Linux, which are some of the best in the industry. The author then gives you tips for accessing and creating your own web broadcasts. Finally, he shows you hacks to help you tweak your web browser under Linux so it can get the most out of the multimedia Web.

For the most part, this most excellent book allows you to look for hacks based on the multimedia type. More importantly, with this book, you'll be able to move quickly beyond anything you previously thought was possible, without spending a small fortune on commercial software.

Most versions of Linux have minimal multimedia abilities without the installation of additional software. Of course there is a lot of Linux software out there that can be used to change your Linux installation into a powerful multimedia computer with amazing capabilities. And, since it is Linux, it can be done at minimal or no cost for the software. Author Kyle Rankin details how to install and configure these products in this book. To keep the information organized he breaks it up into chapters on Images, Audio, Video, Broadcast Media, and Web. Working through the hacks you soon discover everything from how to rip a CD, convert file types, and edit a sound file to how to build a MythTV system where you can record television, watch videos, listen to music, and play arcade games from one system. There's even a tip for automatically removing commercials from digitally recorded television shows. When you are trying to figure out how to get your Linux system to do something special in the area of multimedia this is the first book you will want to turn to for answers. Linux Multimedia Hacks is highly recommended.

This is the first of the three books in the series The Lord of the Rings. In the beginning, a hobbit called Bilbo Baggins celebrates 111th birthday. He then disappears to go live with the Elves in a place called Rivendell, and leaves everything to his nephew, Frodo Baggins, including a mysterious and magical ring that he found long time ago. Frodo is advised by Gandalf to go to Rivendell, and to take the ring, and to never wear it. Gandalf fears that it might be the Ring of Power (the ring that belongs to the evil lord Sauron), so he goes to Rivendell where a council is met. Frodo agrees to take the ring to Mount Doom with the help of others this group form the Fellowship. As they go, they meet various encounters, and in the end of the book, Sauron's army fights the group and steals some of the Hobbits.
I chose to read this book because I heard it was very popular. Also, I heard that the book was a fantasy book tied in with magic, battles, and a great quest. I liked reading it and I knew what was happening because I read the book The Hobbit. Then I decided to read the prologue. I also liked to read the book because it was full of adventure and danger.
My favorite part was when Gandalf faced off the monster in the shadow of the mines of Moria. It started when the Fellowship began to make their way to Isengard. Gandalf decided to lead the group into a climb through the mountains. They noticed a large group of crows flying their way. Figuring that it was some of Sauron's spies, they tried to go through the ice caps of other mountains. Then Saruman the wizard tried to stop them. So they had no choice but to go through the mines of Moria where a monster lives. This is a fire-demon monster that lives. Gandalf tried to fight the monster but Gandalf and the monster fell and the Fellowship thought Gandalf died.

Lord of the Rings:
The Fellowship of the Ring
By J.R.R. Tolkien

The Lord of the Rings The Fellowship of the Ring is an action packed magical thriller. It keeps you on edge with every flip of the page.
The book begins with the old Bilbo Baggins planning for his one hundredth and eleventh birthday. Half the Shire's been invited! It looks as though it'll be a night to remember. When Bilbo vanishes during his birthday speech, he leaves the crowd in awe. Seeing as how he is now leaving, for another adventure, and shan't be returning, he leaves his precious Bag End and all his possessions behind. His heir and second cousin one-removed, Frodo Baggins now has to carry the responsibility of taking the One Ring to Mordor to be destroyed.
To get to Mordor, Frodo must leave his beloved Shire and travel through Old forests, empty plains, and rocky mountains. He soon reaches Rivendale, with the help of a strange Rider, Aragorn, and an elf named Arwin. From there, Frodo and his three faithful companions, Merry, Pippin, and Sam become part of the Fellowship of the Ring.
To find out more, read the book!

I found this book to be delightful at all hours of the day for all ages! I highly recommend it if you're looking for a great adventure with out even leaving your couch!

Finally, a book I actually like, in and out! Tolkien amazes me with his ability to imagine the diverse characters and places in The Lord of the Rings. This book portrays leadership, and the long enduring of good in an evil world. I am very pleased with the detail that Tolkien puts into the novel so that the reader can understand completely each situation. Tolkien writes the book so that the readers feel as if it could be real. It's an outstanding novel that teaches us that we need to bear our burdens and stick together so that good can prevail in a world of such turmoil.
Tolkien has made me think a lot more about my characteristics and whether or not I would be able to bear the ring. Would I be able to withstandthe temptation of putting on the ring? Or using it's power for my own good? It's an outstanding concept. This book leaves you in anticipation for the next. The suspense of what is going to happen next is nerve-racking.
Overall, I just enjoyed the material, and I feel that Tolkein is a very experienced writer. He knows how to captivate readers, and enthral their minds into the book.

This is a must have if you purchase the game. Now this is NOT the best game in the world. It is not advised to even purchase this game, it is slow... You'd be safer to go with the two towers. But if you do buy this game (probably for the same reason I did..which was it is LOTR and I just have to own it) this is the ideal companion for you. The beginning of the game is very very hard. It takes awhile to get around the Ringwraith riders, and when you finally do you go into another part of town where unless y ou know what you are doing you wont be able to find your way out. So dont expect the game to be simple, it isn't much fun, in fact it is quite aggrivating. But if you do buy the game you have to buy this so you actually know what you are doing, and not wandering around like a fool in the woods...as I was until I read some of this ;)

I haven't played many games of this type, but I'm a huge Tolkien fan so I decided to try the game. I have to be honest-I couldn't even get out of the Shire ( the first level) until I bought this guide! I ended up using it religiously along the way, because there were many sections where I wouldn't have had any idea what I was supposed to do otherwise. For instance, there's a section in Moria where, without the guide, I would *never* have figured out where I was supposed to go, even though I religiously explore every nook and cranny when playing these types of games.

Once I bought the guide, it took me about a week to finish the game. Since then, I've decided to play it again, without referring to the guide, to see if I can make it all the way through by memory.

The book is very comprehensive, and avoids using terms that the casual gamer wouldn't understand-it doesn't talk over your head, and it's very straight forward and easy to understand. The screen shots are helpful, so that you can see what sections of the game they're referring to.

As a little added perk, this book, while showing you all of the ins and outs, still leaves a couple of tiny goodies out-not essential ones, just a couple little perks, so it still pays to explore as much as possible to see if you can find them. To me, that added to the fun, and I didn't feel like the book was doing *all* of the work for me. For instance, the book doesn't mention that, if you can find Gollum, you can get a little treat from him!

I highly recommend this game guide; in fact, I'm off to the bookstore today to pick up Prima's game guide to another LOTR game!

This book s spectacular. The photography is outstanding. The scene outline that was scetched out gave an interesting insight as to how the scene was going to be shot. Couldn't get enough of Madonna and Antonio. Madonna was the perfect person for the role of Ava Peron the could almost be twins. Liked the opening by Madonna was very poiniently done.

This book is spectacular the photography is outstanding. The book gives you more than just photo's it gives you a couple of interesting insights as to how some of the scenes were created. Right down to including sketches of the scene in wich the song 'You Must Love Me' takes place intrieging. Would definetley recomend this book to any one interested in the movie; or if you like Madonna or Antonio. This book gives you your moneys worth and then some.

This book s spectacular. The photography is outstanding. The scene outline that was scetched out gave an interesting insight as to how the scene was going to be shot. Couldn't get enough of Madonna and Antonio. Madonna was the perfect person for the role of Ava Peron the could almost be twins. Liked the opening by Madonna was very poiniently done.

This book was awesome. It had wonderful photography, and a very good and understandable explanation of the movie. I could no put it down. I think that he pictures, though, made the book. Both Antonio, and Madonna looked great!

I loved the movie Evita, starring Antonio Banderas and Madonna. I read this book and couldn't believe it. It told me all I ever wanted to know about the movie, and more.

The virtual world known as Second Life has attracted over a million active users, and offers users an opportunity to 'build' new personal worlds. THE MAKING OF SECOND LIFE is not another programming book about how it was made - it's a behind-the-scenes story of why and covers the story of its evolution. From how it developed from a simple user-controlled philosophy unusually versatile in activities to its economic and social success, THE MAKING OF SECOND LIFE is an eye-opening view of the program's ongoing evolutionary process, and will appeal to both computer-specific libraries and general-interest collections.

I've been a fan of New World Notes for years, and I've been in Second Life for quite a while as well. I'm reviewing this book before I've even finished it (RL can be harsh when it comes to making time to read!) but only because I'm so excited that it's out there!

This is a masterfully-crafted insider's look at the almost organic growth of what will almost inevitably be seen as a milepost in the evolution of communication, and most of all I appreciate the tone of candid observation that runs through it. Au's insights are personal--not constructed to impress (either Linden Lab or any other audience), just to describe, in entertaining and amusing ways. I love the way he carefully lays out his thesis that Second Life has succeeded, is succeeding, often in spite of all the efforts of Linden Lab, the San Francisco company that created it.

If you can read this book and not download and run Second Life on your computer, you might be a tree stump, not a human being...

Even as a passive SL'er, this was a very enjoyable read!!!

One great difference from the million other SL books/articles/blogs out there is the great insight Au provides in to the origin's and evolution of the SL universe as we now know it. A fun and fascinating look back at the BIG BANG if you will.

I too will be taking a deeper look at SL!!!(Sorry Honey,kids)

I have been a resident of Second Life for over a year and a half now, and it is interesting to see what went on before I came in-world, but the best part of this book is the description of how other residents view SL, how and why they react as they do in SL, and where we are going in SL. I highly recommend this book to anyone interested not just in SL, but in any virtual world.

Au's book is inspiring! Admittedly, I have always been curious, yet skeptical about Second Life. I have never taken the time to really explore the virtual world -sure, I have logged in a few times, but I have never really "lived" in SL. After getting a glimpse behind the scenes at SL, I am completely in awe of what can be accomplished in SL. I am left with more questions than answers...and as Martha would say, that is a good thing! My avatar is now ready to explore SL for the second time - I now have ideas about places I want to visit and businesses I would like to create!