Video Books

This book is really awesome!!!!! Its a great guide for It Girls. I am a teenager and I love old movies and this book was a great guide for me! The book has 100 classic must see movies. The book is divide into sections for example, some are called Pure Romance, Marriage, the look, get the kleenex, getting the guy, royalty, weddings, and musicals to name a few! This is a great book to take w/ you to the video store. All the movies have a little description. I really love this book!! I really hope Meredith Alexander comes out with another book because this is a really good book! It would be awesome if she made a volume 2!

LOVED IT! GOT IT AS A GIFT. BEST BOOK OF IT'S KIND OUT THERE. BOUGHT THREE FOR MY FRIENDS. MEREDITH ALEXANDER IS A GENIUS. I HOPE SHE COMES OUT WITH A GUIDE TO GETTING THE IT MEN OUT THERE.

Make this your winter of content by curling up on the couch with the It Girl's Guide to Video, and then pressing the power button on your VCR. Meredith Alexander has done us all a huge favour by "screening" the movies that define glam. No more need to hesitate over what to rent at the video store. The must-see films are all there in this must-have book. The It Girl's Guide to Video is not only a great resource, it's a great read.

BUT SERIOUSLY, HOW DID WE MANAGE AT THE VIDEO STORE WITHOUT THIS REFERENCE GUIDE? THIS BOOK IS VERY WELL DONE AND THE AUTHOR HAS AN ASTOUNDING KNOWLEDGE OF THE BEST MOVIES OF OUR TIME. IT MAKES THE PURRRRFECT COFFEE TABLE BOOK, THE COVER IS HOT PINK SO WE KNOW THAT IT WILL "WORK" IN ANY IT GIRL'S LIVING ROOM!

A wonderful guide to the classics that every It Girl needs to see. Take the book with you to the video rental store and start at page 1. The book includes great stills from the films, and fun descriptions of each. I love it. Just grab your box of kleenex and popcorn and you're set. Would love to see a second volume!

I AM STUCK IN THE TUNNEL AND I CAN'T GET THE THREE FIRES TO MEET. AND ALSO I CAN'T GET THE TWO ANIMALS TO MOVE AWAY FROM THE DOOR.

Hi! I'm in the budah temple, and i can't find the book to give to the green budah. I reallllllyyy need help i'm begging. LOL Thanks

Where is the knife in the aztec world ? please. brwnsele40@hotmail.com

I have looked everywhere for this book and I have not seen it anywhere. can you please tell me where and how I can buy it?

No review I would like to know where to find this book

Superb book.

No really, this may very well be the book I have enjoyed the most, ever (though principally these kind of judgements are bollocks and nothing more, of course).

If you have the slightest acquaintance with psychoanalysis (the Lacanian field, preferably), the book should be read with Zizek's "The Fright of Real Tears". Here Zizek has some really perceptive discussions on Kieslowski the filmmaker and on charachters in the Colour Trilogy - without too many forced obscene jokes, I might add.

He wanted his audience to be interested in his films....and so we are. He wanted to stir people to something...he does. He wanted to inspire us...and that he did. Fans of Krzysztof Kieslowski, film buffs and aspiring filmmakers alike will get as much out of his story told in "Kieslowski on Kieslowski" as through his cinematic works of art.

Although not a very long career, due to his untimely death, it certainly was an illustrious one. And how fortunate we are to have had the filmmaker who brought us the beautiful and moving films "The Double Life of Veronique", the "Three Colours Trilogy" and the unbelievably intuitive "Decalogue", tell us in his own words his views on life and what he was thinking during the filming of these works.

The book, wonderfully edited by Danusia Stok, takes in Kieslowski's early years as a child, his film school years, his early short films and finally the feature films. Kieslowski is open and frank about his life and his work. He didn't see himself as a genius at all(we fans may tend to disagree on that point),quite the contrary he tends to point out what he feels were mistakes and his shortcomings. He talks of working in Poland, having to skirt around the political upheaval around him, films he made that were never shown to the public, and his quest for trying to make the stories as authentic as possible.

He discusses each and every film. He gives much of the credit to the cast and crew and although he touches on what the films meant to him,he usually speaks more of the technical aspects of each than the analytical.He talks of what was going on in the world, his life and his mind during the making of each film. The feature films are given more time and one whole chapter is devoted soley to "Three Colours"(these films were still in the editing stages at the time this book was written).

Included are many still photos of working on the sets, and personel pictures with his family, the actors and his collaborators. There is a section devoted to notes on many of the names and events, and also a complete filmography with a brief summary and list of credits for each film.

"You make films to give people something, to transport them somewhere else and it doesn't matter if you transport them to a world of intuition or a world of the intellect"....Krzysztof Kieslowski

Kieslowski lets us know in this book that we don't have to analyze each scene...just enjoy it for what it is. This book is a must read for fans and filmmakers alike!...So...enjoy...Laurie

Kieslowski is one of my favorite film directors, maybe because I can identify with so much of what he shows in his films... So I was very happy to read "Kieslowski on Kieslowski" and learn about his years in the Film School and the events and memories connected with the making of many of the movies. The autobiography, edited by the director's friend, Danusia Stok, is very good and a must-have for his fans, but it is an autocreation, not a katharsis! It cannot be forgotten that Kieslowski was an artist also in his life so this book is not just a collection of facts.

The book also contains sharp comments and a very good background on the situation in Poland and how difficult it was to push one's own vision. The collection of photos is a valuable addition as well.

In his own words, Krzysztof Kieslowski tells you about the agony and the ecstacy of the independent filmmaking process.

The late Polish filmmaker is up to the challenge, delivering his characteristic frankness nestled within the pages of this short retrospective work, narrated in his own words, and magnificently edited (translated, too?) by Danusia Stok.

The book is tailor-made for "idie" filmmaking buffs, and supplies a glimpse into the enticingly magical personality which was Kieslowski's. Eschewing a typical rote autobiographical style, Kieslowski divulges key details about himself via the device of his extensive filmography -- revealing things about his thinking process and the high value he places upon delicate human emotionality through a step-by-step examination of his long filmography.

Spanning his early years as a prominent documentary filmmaker during the stifling years of Polish Communism and state censorship -- especially during the imposition of Marshal Law in Poland during 1980-1 when Kieslowski couldn't work for half a year -- and ending with his magnificent trilogy "Barwy" (Three Colours: Blue, White, Red), we're subjected to a feast of Kieslowski-isms regarding his thoughts pertaining to such diverse notions as:

** casting for acting talent.
** Kieslowski's penchant for making his ENTIRE crew a part of the idea-generating process for his films.
** the nature of artistic filmmaking in Europe compared to commerical filmmaking in the US.
** the demands of time on a filmmaker's personal life.
** the differing range of skills between Western and Polish filmmaking crews.

A right pity Krzysztof Kieslowski is no longer with us to share to a burgeoning generation of up-and-coming filmmakers what might very well some none-too-optimistic viewpoints on the state of today's "international" filmmaking.

The book is written in Kieslowski's typical unassuming style -- par for the course from the Polish master. The late director doesn't bowl you over with how much he knows about film history, or about the complicated craft of filmmaking. Kieslowski doesn't tell you that he's better than you or me. Rather, through a detailed accounting of his past achievements, Kieslowski's emphasis is always upon that which is most human: the wellspring of all his works, and the central reason why filmmakers must indeed make films, in his esteemed opinion.

Still, I found the book ended suddenly.

Not shockingly so, just that the work might have gone on for much longer than its seemingly scant 227 pages. There's so much to know about this magnificent paragon of the film community, and if anything, it will be a primer for further reading on the man, the legend, and his favourite subject: films.

Five-stars.

-- ADM in Prague

Reading the book was like watching another wonderful Kieslowski film. His casual authentic narrative throughout the book gives it a touch of a documentary almost.

I appreciated every page of his life story, as he tells it so that his personal story as a director - from his childhood through filmschool, his first films right to the Three Colours trilogy - is combined with the situation in Poland, with the Communist times, the censorship, the hopes and the fights with the system, the fears, the communication with the public through hidden messages, and the victories when succeeding to outsmart the censors.

All wrapped up in one, sprinkled with wit and natural story-telling style, the book is all you ever wanted to know about Kieslowski and the background of his life and filmmaking.

In the interviews throughout the book, he not only talks about the films, he also explains why he had to do them the way he did - both, the story and the style - about his personal beliefs, about his life and work in the Communist Poland (in which I could see similarities with the former Czechoslovakia, where I was born, as well), and about how it shaped his views.

Real reading pleasure, educational and entertaining, this book is one of the best I have read lately! And, I believe it gives another dimension in understanding of his films as well.

'Laurel and Hardy: The Magic Behind the Movies' is a great resource on the career of 'the boys'. The making of each film is covered in detail and there is quite a bit of biographical information sprinkled throughout. This was one of those books that I found hard to put down once I got started. Kudos to the author for providing a very informative and entertaining book!

Randy Skretvedt produced a highly entertaining and thought provoking work with the release of this work on two of the cinema's greatest comedy legends,Laurel and Hardy.
Most volumes up until this point had approached their careers in similar styles by focusing first on their backgrounds,early entries into showbusiness,their early careers,then into their most popular times and from there into their declining years.All filled with andecdotes either from friends,colleagues or the comedians themselves.
This book though giving a brief overview of the Boys careers examines each of their films starting with their silent shorts right through to their last film.What makes it different is that Randy examines each film from more of a production angle than any other book before has done.He explains in many cases how and why a particular film came into being and compares the original idea or storyline/script with the end product.It's a fascinating departure from the usual and gives a more detailed and informative look into the men behind the comedy,up front and behind the scenes.
I highly recommend this book to all students of film but especially to all fans of Laurel and Hardy.This is one book along with all of John McCabes' books,William K.Eversons' "Laurel and Hardy",Glenn Mitchells' "The Laurel and Hardy Encyclopedia" and Wes Gehrings' "Laurel and Hardy-A Bio-Bibliography" that should form the basis of your collection on the Boys.

Almost to good to be true. If you want to know anything or everything about Laurel & Hardy and all their movies and films, you can find it here in this wonderfully written book.

For years.Many film history books have tried to give some insight into the creation,development and the successful appeal of Laurel & Hardy's film work.With the exception of Leonard Maltin's"Movie Comedy Teams"and"The Great Movie Comedians!".No book seemed to show the readers how these classic comedies came about.Until now.Film historian,radio interviewer and musical entertainer:Randy Skrevedt's book"Laurel & Hardy:The Magic Behind The Movies!"finally gives us all a chance to see how these two great performers created and presented their cinematic clowning on screen and onstage.With the use of extensive research,interviews with the boys colleages,family members,friends and with staffers from The Hal Roach,MGM,Fox Studios and With Mr.Hal Roach Himself.The book shows us the creation of the team's films from their first effort:"Lucky Dog"to their earliest films at Roach to their glory days at:"The Lot Of Fun!".The book also tells us the true story of what finally lead to the duo's departure from Roach and the unsuccessful efforts to give the boys creative freedom at MGM & Fox.Where they made alot of forgetable films.And additionial info.L&H were slated to make ten features at Fox.Not six as many film history books have stated over the years.There is also some insight into the boys stage performances overseas in Music halls and cabrets during the late 1940's and into the early to mid 1950's.And a large collections of Photos from private collections.Plus in the updated second paperback edition.Info about the recently discovered spanish verison of"Chickens Come Home".Which features some never before seen footage(The newly found footage has little or bearing on the film's storyline.But it's interesting to read about it).These features plus some insight into the boys lives(Which does not get ugly)makes this a fun and informative manuscript and one that's long overdue.Bravo Randy! Kevin S.Butler.

To me, the Laurel and Hardy (L&H) team was easily the best comedy team of the first half of the 20th century. I realize others may have other favorites (Three Stooges, Our Gang, W.C. Fields (another of my personal favorites), Abbott and Costello (not one of my favorites), Marx Brothers, etc.) But the L&H team was beyond these other comedy teams. Randy Skretvet did these men proud with this book that traces them from the very beginning to their eventual demise. If one appreciates L&H and the comedy of the early 1900s they should appreciate this book.

I've always felt this book had an unfortunate title and may have done much better without the "Screenwriter" addendum. The fact is that the advice and exercises that Seger gives is germane to all writers - the novelist, short story writer, as well as the screenwriter.

The "Creativity Workbook" aspect is a true title, however. This is a wonderful book for those of you who feel you're suffering from writer's block. The only solution, of course, is to just write. Even if you're writing "I don't know what to write...this is awful...I have no idea what to write..." still do it. Eventually you'll have a break through. Seger hides this simple fact into her ingenious exercises, giving you situation after to situation to write about, all the while developing characters and plot ideas.

Her focus is to truly help you develop as a writer, not merely beef up your script with cheap, dime-a-dozen plot methods. In that aspect, this book is rather unique and very successful. One of the better writing books available.

Linda Seger offers a number of ways to re-start the creative process; if only one of them works for you, the book is worth it.

Just reading through the exercises in this book was enough to get me through a serious case of writer's block. She includes an entire chapter on tapping into your religious/spiritual side to flesh out characters and deepen plot, but don't worry: If that won't work for you, she suggests skipping ahead -- there are plenty more idea-provoking suggestions to come.

It's a resource to turn to again and again, whenever a dead end looms.

This book combines craft and creativity and provides writers with the knowledge necessary to write at the highest artistic level. The exercises within can be reused time and again and push a writer to think outside the box.

Not a paint-by-numbers approach, instead this author guides you into unlocking and strengthening your own, original voice.

What are you waiting for? This is a great resource!

I've found so much inspiration in Making a Good Writer Great. Seger's words have helped me break through that brick wall. She is truly a light to see by. I can call myself a screenwriter once again.

I love and collect books on creativity and problem solving. One of my favorites is Dr. Linda Seger's, Making a Good Writer Great: A Creative Workbook for Screenwriters. The title, unfortunately, is too narrow for its own good. It should be: Unleashing Your Creative Genius: Screenwriting as a Metaphor for World Peace...or something just as ostentatious. I'm serious. First, using Linda's techniques just replace all forms of the term "writer" for whatever job you're in: "engineer," "teacher," "mother," "assembler," "unemployed," or "politician." (On second thought, strike that last example.) Second, insert YOURSELF as the protagonist of YOUR PERSONAL story. Third, pick the problem you're having difficulty solving. And finally, using Linda's techniques and exercises creatively think your way to a solution just as you would the fictional character in a story. The problems that face all of us--writer, repressed child, or okay, even world leader--can be solved by using Linda's 12-step program. Here they are in my own words. 1. Discover your mission (or goal). 2. Articulate your values. 3. List the obstacles. 4. Plot turning points around the obstacles. 5. Stick to your passions. 6. Master your powers of observation. 7. Attach meaning to your experiences. 8. Accept your flaws as reasons to persevere. 9. Leverage the opposing forces. 10. Purpose to change the world. 11. Ask God for supernatural inspiration. And 12. Use feedback to ever improve. Linda's book is a winning tool for everyone...including writers.

Linda's writing was very helpful in the writing of my own book on screenwriting published by Michael Wiese Productions: THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success.

I have not read the book yet but I have a question about one of their movies that I hope someone can answer. I cannot remember
the movie this skit was in but it was the skit where Groucho, Harpo and Chico are sharing basically a tiny room on board a ship. First the cleaning ladies come in to clean, then the steward delivers food, then the mechanics come in to adjust a pipe valve and finally the room is packed head to toe with all
of these people and they all pop out of the cabin door and spill out onto the ships floor. It is hilarious! Please, someone, which movie is this scene from. It's making me crazy that I can't recall the movie title. HELP!!!

The answer to your question is A Night At the Opera and is considered one of their most famous scenes.

Wonderful book full of trivia for even the most expert Marx fanatic. Revised edition is well worth the investment for info such as the butchering of "Night at the Opera"...which is the film with the stateroom scene asked about previously.

This is the most detailed book on the Marx Brothers I've ever seen.I highly recommend it.Every single movie they ever made,together and alone,is so fully detailed.Plus every actor and actress the brothers ever worked with(including the legendary Margeret Dumont of course)is also fully reviewed.

This book is a must for any Marx fan!

Actually, I think I saw the sink somewhere in the book too! ;)

It's everything you could possibly want to know about the Marxes. I like the A to Z format, it's very easy to navigate your way through the book. I use it all the time for reference. A well-researched, well-written book. Get this one.

It was delightful to read and look at. Since I also enjoy reading movie scripts- it's even better to SEE what's going on in the movie at that time. Plus, there's a load of deleted scenes, and fantastic movie pictures as well. This is a MUST for all MirrorMask fans.

Writer Neil Gaiman has crafted dozens of dark fantasy books and graphic novels over the years; the only thing to expect from him is stuff that is a bit twisted and bizarre. In a good way, that is.

But in 2001, he embarked on a different kind of creative journey: Penning "Mirrormask," a Carroll-ian fantasy movie, directed by book illustrator (and Gaiman collaborator) Dave McKean. While the movie isn't yet out, the screenplay is a lavish affair with concept art, photos and background information.

Helena is a bored young girl in the circus, wanting a taste of real life. But then real life strikes: During a performance, her mother falls seriously ill and is hospitalized. Unhappy and directionless, Helena falls into another world -- a bizarre place full of masked people, griffins, orbiting giants and malevolent shadows.

She is soon told by the Prime Minister that an evil princess (who resembles her) has stolen a magical charm, sending the Queen of that city into a coma -- and her city into chaos. With the comically mercenary Valentine at her side, Helena finds herself sent on a dangerous quest to find the charm -- the mysterious Mirrormask.

Half of "Mirrormask"'s appeal is the eerie presentation, along with an archetypical heroine and opposing light/dark kingdoms. And it's a credit to both McKean and Gaiman that their screenplay is a good read on its own, letting eager fans know what to expect when the film finally sees the light of day.

What sets "Mirrormask: The Illustrated Film Script" apart from most screenplays? The fact that Gaiman and McKean included storyboard pictures with the dialogue. It's not easy to visualize what's happening in a movie just by reading the script, and so the storyboard images let the readers follow the dialogue more easily.

And of course: the photographs -- weird ones, usually patched together with surreal CGI, computer animation and wild makeup. Valentine's masklike face in particular is odd, but strangely convincing. There are even some behind-the-scenes photographs, including bluescreen shots and faux-aged pictures of anti-Helena.

To add to the wealth of information, the correspondence between McKean and Gaiman about this film, abbreviations and grammatical errors intact. "Fantasy stories rely on cliche too much, fairy stories about fairies I think are pointless, fairy stories about the people who need to believe in fairies I think are fascinating," McKean writes in one letter.

"Mirrormask" seems to be what one would expect from a Gaiman creation: Weird, strange, and surreal, yet also funny and touching. And for anyone anticipating the film, "Mirrormask: the Illustrated Script" is a must-have.

First of all, i must say that i'm a big fan of fantasy, horror, and sci-fi book's, film's and graphic novel's.
As a painter, short stories writer, and graphic novella's author i may say that the Mirrormask is a great ''drive trough'' the world of magic, fantasy, and imagination of today's acclaimed writer Neil Gaiman, and my favorite painter, photographer, and one of a kind artist Dave McKean.
I'll make this short.
All of you that are interested in a way of making a good scenario, and a great storyboard, you SHOULD have this amazing book!
It helped me to see and to realise how to think, and how to make my own ideas come true!
Dave McKean is one of my favorite artists, and trust me, you'll like this book!
Also, i want to recommend you his earlier work, such as Violent Cases, Black Orchid, and Batman - Arkham Asylum.
So much about this now, and be well my friends!
Greetings from wounded city of magic: Sarajevo!

This is a great book, not similar to illustrated graphic novel of McKean or a text book from Gaiman but this book has entire script and storyboards of the film. What a great share what a great book idea thanks. Very useful source for both cinema and design students or professionals beyond to get taste for makin of this magic film.

...in black...

If I had to sum up MirrorMask in one sentence, I would describe it as 'an allegory about Individuation'. This was Jung's term for the process by which we integrate or align the personal with the universal consciousness and ultimately become whole.

If Neil's script seems lacking in emotional fluidity at times, it is probably a deliberate mechanism to convey the varying degrees of emotional shutdown that people experience when transitioning between developmental states.

Just as with Alice In Wonderland, Snow White, Peter Pan and The Wizard Of Oz, the story involves a young female's transition to womanhood and all of the pantheon of archetypal combatants that invokes.

While Dorothy needed the mechanism of the ruby slippers (the moonblood of the Sacred Feminine) to get back 'Home' and restore order - the sacrificed Feminine - it is the magic of the MirrorMask itself that enables the healing of spiritual wounds (identity/alienation) in Neil and Dave's visually striking masterpiece.

The bottom line? Oz is Kansas.

Lord knows when I'll get to see the film, but having read this stunning 'guide', I can't wait, damn it. Ten stars.

There's a light, over at the Gaiman place...

Mortal Kombat 4 is probably the most defining fighting games ever made, so the strategy guide will be right up there with it. This book will pretty much give you all you need to master this unbeliveable game. So if you like MORTAL KOMBAT thiis book is for you.

this guide is awsome you must buy i

i havnt bought this book yet but i have looked at it in stores,and its the best one ie'v seen.this book gives good pictures and cool cheat codes.

Mortal Kombat 4 is probably the most defining fighting games ever made, so the strategy guide will be right up there with it.

This book is the best because it shows you every move and fatality you every wanting to see. But with this book you can do the moves and fatalities.

I used to read Ray Richmond's columns every day in the Los Angeles "Daily News" and now see him writing a television column in that show business necessity "Daily Variety"-- so I was not disappointed to find the same sort of insightful reportage and great sense of humor displayed in his new book: My Greatest Day in Show Business: Screen Legends Share Their Fondest Memories. Hey, I confess to wanting to know about these celebrities, and Richmond is a fellow who's been around them for a long time, and knows his business, and it shows in this book. A satisfying read.

"Entertaining, Candid, Sincere,and Unique" is how I describe this book. The stories in "My Greatest Day in Showbusiness" are remarkable. The "information" one reads in gossip columns (or books sold for shock value) doesn't even come close to giving a glimpse of who famous people really are. This did. Here we have integrity and entertaining reading at once. Refreshing.

Great stories about the famous! Fun reading! It's great to know genuine truth about who we "invite into our living-rooms" instead of superficial publicity hype. We hope Ray Richmond introduces us around Hollywood again, soon. Well written!

"My Greatest Day in Show Business" gave me a feeling of really understanding the seventy-five stars that were interviewed. Their frank answers made them "knowable" and "real". Also, this book gave me an understanding of the kind of work, thought and care they pour into their careers. I've never really understood Hollywood before, but now I'm really starting to appreciate the show-biz work environment. I was inspired, delighted, taken aback, touched, and moved, as these celebrities revealed personal thoughts, opinions and stories. The stars have come down to Earth. I'll never look at them the same, again. A very good book!

I was at a seriously stuffy dinner party last week, and most of us did not know one another. It seemed no one could break the ice. Someone mentioned Jerry Springer for some reason, and after "normal opinions" were voiced, I related some of the highlights of his interview that are in this book. What a conversation we had because of what I'd read! Everyone ended up talking (sometimes over one another) and we forgot we were strangers. I just had to say thank you. I'm very glad I had read this book. It was most enlightening to be audience to legends we know by face and name, baring their souls about who they really are, and what has shaped them

I don't have much to add to the excellent reviews already made of this book, but it's been 4 years since this edition came out; we desperately need a new one as in a few weeks we will have seen every movie in this tremendous book. There are so many bad movies out there and this book (and netflix) has helped us to miss most of them.

What a great book! It's wonderful to have on hand for reference and would make a really welcome gift for someone (with "like interests") at Christmas or any other gift giving opportunity. In addition, it's just plain fun to read. Movies I have never heard of, and/or wish I'd seem are there by the dozens. Anyone with a "mail" subscription to a movie outlet would be very happy to get it. I'm getting a couple more for "gifting".

I'm not sure I consider myself a film buff. Friends often ask me to recommend a film or DVD, claiming I see "everything" which is hardly the case. Some even call me a film buff but I believe I've never earned the title. Friends of mine who can name any actor/actress/director in films well known and obscure, as well as release dates, studios, and quote Pauline Kael the way some people quote scripture or Shakespeare are in my estimation film buffs. I'm only a dabbler in comparison. Yet when I purchased NEVER COMING TO A THEATER NEAR YOU, I realized how many wonderful films I have seen and became even more appreciative that I live in a major metropolitan area that still has a few good small theatres and a theatre that shows great independent films.

NEVER COMING TO A THEATER NEAR YOU will be enjoyed by anyone who is an enthusiast for film and anyone who wants to watch great films that were critically acclaimed and loved by audiences, albeit smaller audiences than the blockbusters. Most are easily available on DVD/video. The book is a collection of film reviews by Kenneth Turan, a critic for both NPR and THE LOS ANGELES TIMES. Turan does not use the book to lambaste the state of Hollywood or criticize the quality of the most popular films released today. Instead, he gives readers the opportunity to read reviews of films that are of good quality but may have been overlooked when they were released.

Most of the films included are contemporary independent and foreign films. Turan focuses on these films rather than the better known releases believing that reviews of these films, including reviews penned by Turan himself, are readily available. Most of the films he reviews in the book were released during his tenure as a critic though he does include a section on classics that were panned by critics but in time were deemed brilliant. He also includes some writings about miscellaneous film topics such as Yiddish films, films released by Hollywood before the code, and Chinese martial arts films (I haven't acquired a taste fro these as of yet).

This is a book I wished had been penned about ten years earlier, when I began building my video and now DVD collection. It will be a great guide for anyone interested in film or who is beginning to develop an interest in film or for anyone who loves a good story and enjoys being pleasantly surprised when discovering a worthy film in a video store.

This is a book that highlights movies that we, as a society, desperately need. They cover a wide range of emotions, topics, times and places and yet they all have one thing in common - they make us think. I could have added a few myself (Memento, Contact, Facing Southwest, etc) but the listed movies are enought to keep even the most avid fan busy.

Divided into four parts.types - English language, Foreign language, documentaries and Classics, each is interesting not only in its own right but how it relates to the culture from which it sprung. Thus, VERTIGO, originally panned and dismissed, has emerged in the running as one of the greatest movies of all time. Some of the descriptions are artistic statements in themselves - I am thinking of the almost poetic notes on Glenn Gould's 32 Variations or the Decalogue's Polish origins & interpretation. The author is quite catholic in his tastes, eschewing well-worn political or religious labels. THis is a good book, an important one and deserves a wider audience.

I live sort of in the sticks--nothing plays at the local theaters except the big blockbusters. So this books serves as a great resource to all the movies I missed: independent films, foreign films, and (my personal favorite) documentaries. After reading this book, I now have many more movies to add to my Netflix queue. I have already seen quite a few of the films Turan reviews in this book, and I enjoyed them all, so I feel I can trust the other reviews in this book.

The "retorespectives" section at the end of the book is also valuable, and will serve as a good introduction for me to several genres and oevres.

I do have one complaint about the book, in that it is already a couple of years out of date. I hope Turan comes out with an updated edition soon.