Video Books

After several trips to car shows with my husband, I had lots of beautiful photos sitting in iPhoto ready to print. I thought a DVD would be more useful and enjoyable for him, and tried to make a DVD project - NOT! Having already used The Missing Manual books, I promptly went out and bought this one. Great choice, as it filled in the blanks and gave me lots of ideas also. I am a photographer, not a tech person, and am pretty clueless when it comes to creating projects on the computer.

This series suits me perfectly and the book is highly recommended - with the aid of the book I sat down and promptly made a beautiful DVD, with lots of lovely effects, great music, and best of all it was easy. My husband was very happy with his DVD and watches it often.

The manual is clear, concise, easy to read and enjoyable. Unlike so many texts, it is not dry or overly technical. Anyone can make a great DVD easily with this reference. Next project - a video. Ready.....

This is the book you really want if you use iMovie at all!

I had recently started using a Mac at work, and suddenly I was put in a position to work with video on the Mac. Mr. Pogue's other books had been very helpful to me as I began to learn my way around the Mac, so I thought I would pick up this one to help me with my video work. I was very glad that I did. You see, iMovie HD has tools that help your movie look professional, but the iMovie HD help files are very tedious to go through. There is a great deal of referencing, cross-referencing, and nothing is smoothly laid out. This book is another story, as it is very well laid out with clear instructions and illustrations. It is very long, but since these applications are powerful, it would be expected that any clear explanation of them is going to require some space.
What is particularly good about this book is that the author doesn't assume you are a professional video author, and he spends part one of the book helping you learn how to shoot videos and shares tricks that will make you good at it. Part 2 is dedicated to iMovie, and shares not just how to use the application, but the little extras that will make your video special - transitions, effects, titles, captions, and even how to work with sound in your movie. Part 3, on finding your audience, was another unexpected treat. There the author shows you how to move between iMovie and Quicktime, and how to post your movie to your phone and to the web. Part 4 of the book is on iDVD. I particularly liked the chapter on iDVD secrets, where the author shows how you can use AppleScript to customize iDVD itself.
It's hard to believe that a year ago I didn't even know how to use a Mac, and now I am quite the fan, especially when it comes to multimedia applications. I notice Amazon does not show the table of contents, so I do that here:
Part 1: CAPTURING DV FOOTAGE
1. The DV Camcorder
2. Turning Home Video into Pro Video
3. Special Event Filming
Part 2: EDITING IN IMOVIE
4. Camcorder Meets Mac
5. Building the Movie
6. Transitions and Effects
7. Titles, Captions, and Credits
8. Narration, Music, and Sound
9. Still Pictures and QuickTime Movies
10. Professional Editing Techniques
Part 3: FINDING YOUR AUDIENCE
11. Back to the Camcorder
12. From iMovie to QuickTime
13. Movies on the Web - And on the Phone
14. QuickTime Player
Part 4: iDVD5
15. From iMovie to iDVD
16. iDVD Projects by Hand
17. Designing iDVD Themes
18. iDVD Secrets
Part 5: Appendixes
A. iMovie HD: Menu by Menu
B. Troubleshooting
C. Master Keyboard Shortcut List

Very informative AND entertaining! If you feel you are even the least bit interested in breaking into digital film making this book is fantastic. I have been using iMovie for several years now and have a camcorder. However, I thought this book might help me kick things up a notch. It certainly will. I have only gotten through the first fifty pages, but I've already learned enough justify this purchase.

When I first received this rather intimidating 450+ page book I thought I would use it mainly for reference. Well, that was before I started reading it. Now I find it hard put down. It is very well written and arranged by areas of interest.

This book is great for everyone, from beginner to expert. It will undoubtedly prove to be a very valuable reference book in the future, but for now it's a great read.

If you're a heavy user of iMovieHD and iDVD, this book is a must. Most questions that users have about both software can be found in this manual (though he doesn't read like a boring manual). Pogue not only provides all the how-tos for learning the software, he also helps you troubleshoot problems that will crop in movie and DVD productions. There's hardly no aspect of either software that I didn't find covered in this book.

I enjoyed the book and feel it to be a good companion to another volume by a different author entitled "The Complete James Bond Movie Encyclopedia."

It is full of information with plenty of accompanying pictures, and is divided up by subjects (i.e. Bond Villians, Bond Women, Weapons, Equipment etc.). For myself, since that is also part of the Bond world, I wish it had had a section on Bond bloopers (deliberate or otherwise) which occur in the films.

I did notice that occasionally the pictures did not match the captions listed for them (in "The Movies" chapter especially) in that a photograph would be shown, but the caption did not relate to the designated picture.

Also, in the sidebar section of that chapter where different persons connected with the production side of the movies would be listed along with their professional biographies, sometimes the print was hard to read bacause of the background color it was placed on.

Overall, I would recommend this book.

This book is better than I expected. I thought it would just cover the movie Bond. I was pleasantly surprised to find that is compares things in the movies to the books. Plus it goes into the charecters and devices showing the real to imagined. A great book for any Bond fan.

Got this excellent book for Xmas. It takes a very interesting approach to clasifying the actors, characters, gadgets, etc of all the Bond films including Casino Royale. What it adds to other books of this type is the behind the scenes info unique to each film, some tidbits I knew of, and much I did not. Great photos, superior quality publication. Definitely a must for the serious fan of Bond.

If I may wax nostalgic for a moment, I can still recall the very first James Bond movie that I sever saw...actually the first three Bond movies...it was sometime in the late 60's or early 70's and my mom took me and my brothers to the drive-in theater to see a triple feature of Goldfinger, Dr. No, and From Russia with Love...in that order. I know I never made it past the credits of From Russia with Love but man...I loved those first two films! I had never seen anything like Bond before with his cool gadgets and those nasty villains like Odd Job and that began a lifelong passion for James Bond. With Christmas approaching, I cannot think of a better gift for the Bond fan on your list than the James Bond Encyclopedia from DK Books.

I've read a lot of books from DK on popular films and while they are always very well done, they sometimes can be a bit light on material. No so with this book. This book contains over 300 pages filled with information that will test even the most knowledgeable of Bond fans. It is bountifully illustrated with over 2000 photographs and images and traces the Bond history right up to the most recent film, Casino Royale.

As the title suggests it is an encyclopedia but rather than just list its hundreds of entries in alphabetical order it lists them alphabetically by subject. The subjects include: The Bond Style, The Role of Bond, Bond Villains, Bond Women, Supporting Cast, Vehicles, Weapons & Equipment, and the Movies. A comprehensive index finishes things off.

The role of Bond covers the six actors who have portrayed Bond with two pages of biographical information on each actor and a list of the Bond films they starred in. Next up is the section on Bond Villains. This section covers Bond villains from the criminal masterminds Blofeld, Hugo Drax, and Goldfinger; crime lords like Frank Sanchez; muscled thugs Jaws, Odd Job, Mr. Kil, and Tee Hee; and dangerous females May Day, Elekta King, and Bambi & Thumper. The encyclopedia gives the film(s) they appeared in, their current status, characteristics, the actor who portrayed them, and a synopsis of their roles in the films.

No book on Bond would be complete without looking at the dozens of Bond Women played by some of the most beautiful actresses in the world: Terri Hatcher, Ursula Andress, Lana Wood, Eva Green, and Halle Berry. The section on supporting cast members covers all the other major and minor characters in the Bond films from Q to Miss Moneypenny. Each Aston Martin that Bond drove is featured in the section on vehicles along with some of the more extraordinary vehicles like the Bath-O-Sub from Diamonds are Forever and the Dragon Tank from Dr. No. And of course all of Bonds secret weapons and gadgets are detailed in the Weapons section.

The last fifty pages or so of the book covers each bond film in chronological order with a listing of cast and crew credits but rather than provide a synopsis of films you've probably seen numerous times the book instead provides anecdotes on the making of the films with all manner of interesting production notes.

This is a book that is perfect for the die-hard or casual James Bond fan.

I consider myself well versed in the world of 007. However, reading this book made me realize how much there is out there that I was was unaware of, The authors have shown a greta eye for detail and completeness. And with a nice sense of humor they have added some new facts that I never knew existed.

A pleasure to read.

I first decided to watch A&E's Horatio Hornblower because I had caught a glimpse of Ioan Gruffudd, and thought he was very handsome. But, as I watched, I got caught up in the movie, and thoroughly enjoyed the whole series. Then, when I learned there was a behind-the-scenes book availiable, I knew I had to have it. I tried all the local bookstores (and some not so local, too) with no luck. Then I tried Amazon, and I finally got my book. It is a great book, with loads of candid pictures and still frames from the filming of the series. I enjoyed learning how all the battle scenes were filmed, about the use of scale models, and all the hard work put into the filming of Horatio Hornblower. I would definately reccommend this book to anyone who liked the series. It is a wonderful, informative, and captivating look at the behind-the-scenes action of the best miniseries I have ever seen, Horatio Hornblower.

To all,

Mr. Gruffudd's performance in this movie was absolutely spectacular. I don't think that it is possible to give an amount of stars on this movie. All the actors were great, including stand out acting by Robert Lidnsey and Jamie Bamber. I think this is defintely a book everyone should read, and a movie for all to enjoy.

I'm Out,

Val

Whoever found Ioan Gruffudd for the role of Hornblower should be rewarded 10 times over and then some. This book is chock full of fantatic pictures and great insite into the making of this exciting series. I laugh out loud at some of the humor laced throughout this book. The pictures are worth owning this book for on their own, is a must own for any fan of Hornblowaaahhhhh!

If you are a Hornblower fan you must have this book! First, the photographs are amazing including captures from the hit A & M mini series to back stage candids, technical details and beautiful portraits of the stars. Second, the written commentary if fantastic. The writer goes into details of the complexities of filming in a foreign place, supplying food, costumes, transportation and everything else. It also talks about the Grand Turk, the ship they filmed the mini series on. It was interesting to read about how the crew from the film had to work with the crew that actually operated the ship, the movie sailing cast and the makeup and wardrobe people, all on what seems to be a pretty small ship. This book is very well done, and really should be owned by any true Horatio Hornblower fan.

I love this book. Aside from the tons of great pictures of the cast, it gives a lot of background on all the characters - including the boat that they used to for filming.

There are brief synopsis' on all the movies as well as a brief rundown of the characters we meet in each movie.

Wonderful interviews, beautiful pictures, and indepth characterization from the actor's perspective.

This is a great book for any Hornblower fan!

I didn't know if I would like it when I first bought it, but as soon as I started reading I fell in love with it. I was great, it tells you all the details about the movie, how each scene was shot and the special effects. It also concentrates on every character, not just on Mulder and Scully. I think it is great. If you are a true X Files fan, you have to have it.

The book was good for what it was. It goes into great depth of how hard it is to make a movie. I thought the book got boring at times. I would recommend this book to the true x-files fan or just anyone who wants to see how a movie is made.

The book was good for what it was. It goes into great depth of how hard it is to make a movie. I thought the book got boring at times. I would recommend this book to the true x-files fan or just anyone who wants to see how a movie is made.

This book was written for everyone....from newbies to real X-files addicts. It takes you to the whole process. A definitive must-read. You'll enjoy it!

It contains great pictures and sometimes exhaustive details about the making of this feature film. From the concept of the movie to post production work, you get an inside look at all of the planning and hard work involved in getting this film into theaters. If you are interested in the steps involved in movie-making and the X-files in general then this book is for you. It gave me a better appreciation for the movie.

McDonagh assembles a fun collection of succinct, celluloid-savvy chapters covering an impressive range of cinematic subgenres, from silents made in the sound era ("Hush!") to killer Clauses ("Bad Santas"), along with insightful filmmaker sketches (e.g., John Frankenheimer, Abel Ferrara). With a style at once erudite and breezy, McDonagh's book supplies fun for hardcore cinephiles and useful recommendations for casual viewers.

If you love movies, or have friends who love movies- this is one of the most fun, informative, and entertaining books you could own or give as a gift. What a blast.

I love this book and use it as a point of reference all of the time. I read a page or two at random and it sparks an interest in a film that I have never seen or have not seen in a long time. Then I get the DVD and view it with a new set of glasses -- a fresh perspective. Some of the anecdotes have me laughing out loud. If you Love movies (like I do) then you'll love MOVIE LUST.

I have long been a fan of McDonagh's snappily written and imformative column "Flick Chick" and this newest addition to her published work doesn't disappoint.

Book Lust is divided into cleverly titled sections that reflect the intelligence and humor that I've enjoyed in her reviews on the [...] site. The groupings of films are unusual and thought-provoking. My particular favorites are: Back to the Beach, Bad Santas, Everything is Beautiful at the Ballet, On the Road (a wonderful list of road movies I can GUARANTEE you've never seen listed together before), Science Fiction Double Feature, Subway Series, that 70s Picture Show, and the Zombie Stomp. And the occasional personal comments truly spoke to me (like watching King Kong on Thanksgiving-what was up with that?-and I'm dying to know what was the reaction she mentioned to the spider creature in John Carpenter's The Thing when the author first saw the film).

All in all this is a smart, funny and interesting book for anyone who truly enjoys movies. I am looking forward to purchasing More Movie Lust, or perhaps it should be entitled Movie Lust: The Sequel.

Some people who feel they already know a lot about movies may automatically turn up their noses at a book of "Recommended Viewing for Every Mood, Moment, and Reason," but they should do a double take where MOVIE LUST is concerned. This is a very smart, very savvy book, written without pretension or a narrow focus -- and I say that as someone who knows a lot about movies. It covers everyone from Jean Vigo to Ron Jeremy, and always with the same intelligence. Maitland McDonagh's way with words serves to stimulate the appetite to finally track down long postponed classics, to blaze new trails of viewing, and to revisit old favorites. If your DVD collection is even half the size of mine, you probably have trouble deciding what to pull off the shelf for an evening's viewing. If that sounds like a problem you've had before, I recommend spending ten minutes or so browsing through MOVIE LUST before tackling your monolithic wall of viewing options. It's so much fun to peruse, in fact, you might find yourself spending the night reading instead. I give this book 5 stars because I feel it fulfills its purpose admirably.

I bought this book for the library where I am a reference libarian as soon as I saw it, and it is worth every cent of the purchase price.

Now I have the title on my wish list, and I have hinted strongly to certain offspring that this book would certainly make a wonderful Mother's Day present!

I purchased this book for my Sister-in-law, who is a film historian. She absolutely loved it. The artwork is fantastic....almost worth buying two copies so that you can remove and frame some pages.

This is a beautifully illustrated book if you are at all interested in old movie posters and the people who created some of them.

I was very interested in this book since my cousin, Jane Powell was one of he authors. I have to say I was very impressed and actually surprised about beautiful the book turned out. Anyone with an interest in movies will find the art of the posters interesting.

This book is a must-have for movie buffs, but I was bowled over by the beauty of the art. From the spectacular Batiste Madelena cover of Rudolph Valentino through dozens of creative renditions of original old-time movie posters, to the back cover depictions of Gloria Swanson, Norma Shearer, Walter Huston and Boris Karloff, the artistry of these unsung craftsmen is dazzling. "Now Playing" is now prominently displayed on the coffee table in our living room.

British film historian Christopher Frayling comes through with another book about the great, polarizing Italian director Sergio Leone.

This book is medium on actual reading material but heavy on pictures- big, colorful, beautiful reproductions of film posters from the last 40 years. It only covers Leone's five Spaghetti Westerns (or Italian Westerns) that he directed, extensively. It briefly mentions the one he produced. Any true fan of Leone's Man with No Name trilogy will love this book.

If you are a big Sergio Leone fan, please read Frayling's masterful biography of him, "Something to Do with Death," available on Amazon.

Now, the nerd aspect: You may not want to pay for this book unless you actually understand movies. Frayling knows enough to interview people like the Director of Photography, but most Americans don't even know what that means. If you can name Leone's famous Production Designer, this is definitely the book for you.

Also, it is a joy to hear what went into "Once Upon a Time in the West," the finest Italian Western ever made and Leone's only true masterpiece.

Really good purchase for S.Leone estimators.Interesting pages about behind the scene and some funny screenshots from the set.

Highly recommended for fans. DVD owners will recognise Frayling as the man who provides some history & comments on the DVDs. The book contains interviews with actors, crews and later directors who were influenced by Leone. Also lots of posters (those days they were artwork) from different countries, production sketches & photos.

Note that this book concentrates on Leone's spaghetti westerns with only brief mentions of his other movies so it is not an autobiography. FYI, his first few movies were sword and sandals stuff.

In general, this is like the bonus materials of the DVDs but in a gorgeously printed format.

A great book for anyone who loves Sergio Leone, the true master of the spaghetti western and his great characters. I liked learning about my favorite The Man With No Name and Clint Eastwood the actor who portrayed him. Plus the other great characters he created like Tuco, Eli Wallach, and Colonel Morterimer, Lee Van Cleef.
It was very interesting to see how he put his heart and soul into his movies, and how a man from Italy gave us the most realistic view of America's most remarkable time, the old west.

This book is like an encyclopedia of Leone's Italian westerns. The detail on each film is exceptionable, and Frayling writes in a style that always keeps your interest. The research that went into this book must have taken years. Thanks for filling us in with all the behind the scenes material. Excellent job!

Simply put, read this book and you will definitely be able to produce excellent movies.
The book can be read from start to finish or just dip in to where the specific information is. The book is written so both ways work.The clear instructions enable even a novice to be proud - even amazed at what they can do.
Two days after reading this book I put a mini movie on the internet! If I can, you can!

As an owner of the author's Pinnacle Studio 8 book, I waited to buy what I anticipated to be his Pinnacle Studio 9 Plus book. But wait no more. A supplemental chapter covering the 9 Plus features - PIP, Pan and Zoom, and Chroma Key, is avaiable at http://www.doceo.com/studio9.html under "Click here to download free chapter on new features of Studio Plus", and now I have the equivalent of the Studio Plus 9 book.
I agree with the other reviewer's comments and no point in repeating them here, except to say that for me the best parts about the author's presentations are the illustrative examples.

Pinnacle's Studio 9 is a love it or hate it package. At $99 (retail price) it is very inexpensive for what you get. The problem, people report, has been getting it to work on their system -- I also hear that the newest release of the package is much, much better. It also seems to work better with Intel Pentium CPU's than with AMD and it also likes memory, say a gigabyte.

But as for the book, this is one of the Visual Quickstart Guides. They're great. They use a format of having two columns on each page with the outside column being text and the inside being pictures. Each page is devoted to some small task and handles that task completely. You can start at the front of the book and go all the way through and you'll get a pretty good tutorial on the software. Or you can use the index to skip around and quickly get to the particular detail you are looking for.

Jan Ozer is an excellent writer. He starts out with the statement "you have the manual for the software" and then goes on from there. This is not a manual of how to, this is a what and why kind of book that explains what it is that you are trying to do and then goes on to tell you how to do it. The manual tells you how to do a J-Cut and an L-Cut. This book tells you what they are.

I've read numerous technical books on many subjects and have never sailed through the software as smoothly as with this book.
If you're looking for a tutorial that can whiz you through the subject matter with ease and accuracy this is it! No matter where you wish to refer back to, you can do it without reading the whole chapter (as with other tutorials). Quickstart is the name however I feel it should be named Quick referrence.
Best investment I've made in a while. I'm making movies that are in awe at my office. I've been told they have been made professionally.

This is probably one of the most informative books on video editing that you can buy. The author is an expert in the field and has the ability to not just tell you how to do something, but make you understand what is going on and thereby enabling an intuitive feel for using the program. His "Studio 8 for Windows" carried me from the depths of ignorance to a level of competence that allows me to knock out complicated projects in record time; this new Studio 9 version will do the same for you plus. This book will enable the beginner to successfully edit productions with minimum heartache....but READ before you start clicking madly away.

Author Jason Tomaric has written, directed and distributed several minor independent features which is a laudable feat. Yet, Tomaric has surprisingly little to say about the filmmaking process. Sure, there's a lot of information here, but nothing you couldn't get anywhere else. Even the skimpy material on his own productions generally amounts to one thought--"Need something for free? Just ask!" What makes similar books like the Complete Guide to Low-Budget filmmaking (Josh Becker) or Make Your Own Damn Movie! (Lloyd Kaufman) interesting is the authors' willingness to share their personal views and stories of their triumphs and failures. Other books like The DV Rebel's Guide (Stu Maschwitz) and Digital Filmmaking (Mike Figgis) are authored by highly-regarded professionals who describe how low-budget technology potentially subverts mainstream filmmaking processes. Tomaric, on the other hand, has very little that he wants to express opting instead for a "wide as an ocean but shallow as a water basin" approach. The result is a paint-by-numbers text that reads less like a book and more like a reasonably executed career move.

I was so frustrated with the lack of practical filmmaking instruction that I took two years out of my life to write and illustrate "The Shut Up and Shoot Documentary Guide", so I speak from the heart when I say that Jason Tomaric's "Power Filmmaking Kit" is a rare wonder of practicality, conciseness, and valuable filmmaking wisdom.

There are two ways you learn the things in a solid practical film book like this:

1) the hard way- by doing it and learning from your mistakes (fine if you've got the time and the money) or

2) by being smart enough to study and learn from a book like this how to stretch your time and money and get better results.

After fifteen years in this business, I still found plenty of valuable tidbits, forms, and practical wisdom in Jason's book and the jam-packed DVD lessons to make it more than worth the cover price. I only wish I had access to a book like this back in my film school days.

Yet another big shot in the DV Revolution. Well done, Jason.

I am currently a successful stunt woman in the entertainment business and have worked on many big budget films. I bought Jason's book because it laid out step by step everything I needed to do to start and finish my own film. I have found all the behind the camera details very helpful and they have saved me a lot of time in pre-production. His specific layout of what needs to happen when has been a life saver. Being a stunt performer and always in front of the camera has taught me some, but this book has filled in ALL of the blanks.

For the independent filmmaker, this book is essential to you library. Jason has done an excellent job of breaking down the process of movie-making in a logical, and easy to follow format. This book would be beneficial for both the novice and for the more experienced filmmaker. For the beginner, it is a fantastic overview of the whole process, from development to distribution, and shows you how you can make a film without breaking the bank. For the more experienced, you will want to read this book and keep it close by as a reference tool. With the sections thoroughly and easily laid out you can review key information as you are planning your next project.

Jason has done a nice job of blending the technical information with the creative. If you are looking to make films, you need to have a understanding of the entire process, even those areas that are outside your area of expertise. This book will give you that.

Regardless of your level or interest, I recommend this book. It will be beneficial for anyone looking to make films or for those who are just looking to understand how films are made.

I am very impressed with this book. It goes into so much detail, yet
it's still really easy to understand and is very well organized. It's
the best book I've ever read on how to make your own movie. Also, the
materials on the DVD are worth the cost of the book by themselves.
Tutorials that cover directing, cinematography pre-production, editing
all tie in the chapters. The forms are well designed and perfect for
any filmmaker. I said it once and I'll say it again, if you're going
to make a movie, you should definitely have The Power Filmmaking Kit.

I have been taking recommendations from Berardinelli's website for a few years. This book is a compilation of his favorites from about the last 10 years, and are arranged by genre (Action/Adventure, Animated, Comedy, Drama, etc.). An appendix uncovers some 'easter eggs' (want to see Gollum's MTV speech from the DVD?), and another reviews directors' cuts. Berardinelli includes only 'recommended', 'highly recommended', and 'must see' movies.

Berardinelli exudes both open-mindedness and conviction in his reviews. He sees through audience manipulation and recognizes artistic vision. He's not syndicated, and has only his fans to please. I get the distinct feeling that he writes reviews to create a more demanding movie viewing audience. If my feeling is right, I hope he succeeds.

You'll have to visit Berardinelli's website (www.reelviews.net) to experience the other half of his vocabulary: the colorful invective he uses to trash truly bad films. A great example: "I have written this review as a public service to those who stop by my video column. I sacrificed my time so others don't have to. Feel free to ignore this warning..".

James Berardinelli's Reelviews website has been my go-to source for movie reviews since I stumbled upon it a few years back. I admire his candor and insightful analysis of films and the film world. Just like a previous reviewer said, since discovering James I have not wasted money seeing a dud film in the theater).

Best of all, you can always trust James to tell the truth. If the movie is schlock, he lets you know; if the movie is decent, he'll tell you who might be most attracted to seeing the film in theaters (often times by providing a list of similar films like a "if you liked these, try this" recommendation); and if the movie is great, James sounds the horn. And I must admit, while I look forward to seeing four and five star films, I look forward to reading the one and zero star reviews (there's just something deeply gratifying and entertaining about a reviewer ripping some piece of schlock to the tiny bits it deserves...call it my guilty pleasure).

So if you want a "Reel" honest review, James is your man. Pick up the book, check out the website (I recommend spending some time running through "ReelThoughts" for a few great ideas about what is going on in the entertainment industry, what could/should be going on, and so forth), have yourself a ball. I only hope Mr. Berardinelli can find the time to put together a DVD guide as well for those of us - and he knows were out there, growing in number - who prefer the comfort of home to the current theater experience.

You da man, James. Keep it up!

This book provides heavily edited versions of James Berardinelli's website movie reviews. Unfortunately, instead of skimping on plot descriptions, he skimps on analysis, which is his strong suit.

My first exposure to Berardinelli was the first version of this movie guide. And I didn't think much of it. Some time later, I was discussing Berardinelli with a friend, who advised me to check out his complete reviews posted on his website. After reading the complete reviews, with all of the analysis intact, I finally became a believer. But despite all of this, I now own both versions of his movie guide, which I find useful for quick-reference purposes. (Note: If this movie guide contained Berardinelli's complete, unedited movie reviews, I would bump my rating up to four stars.)

Note to ALL film critics: In the future, try to restrict your movie plot summaries to just one or two paragraphs, and then get on to what you were truly put on this planet for, i.e., providing analysis and criticism.

(Note: this review assumes that you are not terribly familiar with James Berardinelli. If you are, skip to the last two paragraphs.)

Growing up in a Dallas suburb, there was nothing much to do but to get a ride over to the local multiplex and catch the latest flicks. Early on in my preteen years, of course, almost anything would catch my interest (save for something like Jane Eyre), but after awhile it became apparent that my time would be better spent going to movies that were actually decent. So, this led me to peel open and dog-ear the "Guide" section of the Dallas Morning News, always skimming the review snippets before deciding to which movie I would beg my mother to take me. However, while this system proved adequate early on, it became apparent that I was still spending time watching alot of terrible movies, movies that had been given such wonderful critical catch phrases as "Two Thumbs (Way) Up!" (which I'm sure must be trademarked or something similar by now) or "Four Stars! One of the best movies of our time!" Which, of course, led me to a gradual disillusionment and the growing belief that all critics were cash-mongerers being paid off to write catchphrases to be used in advertisements.

I still think that about many critics. But eventually, I discovered rottentomatoes.com and it proved to be a good, brute force way of finding quality movies to spend a hard-earned 8 bucks. I came to notice, however, that one reviewer in particular kept standing out for well thought out, well-read (and well-seen) reviews, many of which corresponded to my tastes and interests. It was in this way I came to find James Berardinelli. His name was a bit of a pain to remember at first, but it soon became synonymous to me with pure, intellectual and quality reviews.

Very few critics, I feel, are able to properly enunciate precisely why they feel a movie is good or bad. I've read many a four star review of Pulp Fiction, for example, that was filled with vague assessments and ephemereal praise; namely, that the critic had realized they had just seen something wonderful, but couldn't quite express why. And sometimes this enunciation can be done in overkill; however intelligent a review from the New York Times or the Chicago Tribune may be, sometimes they seem a bit *too* intelligent, a critic trying too hard to maintain an image or trying to be Faulkner when Hemingway would suffice.

It is, however, this precise skill of putting down in words that certain "je ne sais quoi" many of us may feel when watching the latest masterpiece that makes Berardinelli brilliant. It is his irreverant attitude to the worst of movies, and his superbly insightful and analytical approach to even the most untouchably brilliant of movies and his refusal to reduce his thoughts to a catchphrase that makes every read an enjoyable one. I never read reviews in my free time for fun before, but now I pour over Berardinelli pages as if looking over a great literary tome. And in fact, his reviews may be; each review opens a dialogue with the reader, explaining everything what one wants to and needs to know. One has a question, and Berardinelli has anticipated it and answered it. If anything, I wish his reviews were longer.

However, it's simply more than just Berardinelli agreeing with my tastes. In fact, I found I disagree with him on quite a bit of movies, but unlike many other critics, a point of divergence is not an irreconcilable-"oh-he's-just-one-of-the-crazies-who-liked-star-wars-episode-one" moment but rather a way to see an alternative opinion presented intelligently and analytically. If anything, if you're used to just reading reviews from your local newspaper, Berardinelli will elevate your level of discourse with movies and will broaden the way you think about the art of filmmaking.

That being said, why do you need to buy the book when all his reviews are archived for free on his website? If you've a soft-spot for reviews and movies, this is a good addition to your library, beating out the more mainstream works such as "Videohound's Golden Movie Retriever year XXXX" (which I never read for fun). Even then, a collection such as this belongs in the category of art criticism, not movie reviews, and for that reason a hard copy will always be welcomed as a permanent reference for the thoughts and analyses of one of the most important critics of our time. If that's not your thing, having a hard copy of the reviews means that you can always quickly look up a review without having to worry about booting up a computer or remembering how to spell "Berardinelli." If anything else, this makes sure that you vote with your dollar and support a critic who deserves greater exposure.

(I realize the overly-glowing tone of this review, but if you've read Berardinelli, you'd understand.)

I've been an avid reader of James' website for the last year of so. I have come to value his reviews over almost everyone elses. He never fails to expose a bad movie and tell exactly why in an intelligent, and sometimes humorous way. I've often been prompted to see a movie that I otherwise would have probably overlooked. James, if you read this, ignore that jerk who gave your book a one star. Everyone is entitled to their opinion, but writing scathing reviews that are based on questionable informatio is unecessary. I look forward to reading more of your reviews and your next book. Take care!