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Our family enjoyed this book--we got lots of ideas for movie nights, and we also got a kick out of reading the author's entries on movies we've already seen with our kids. It also kick-starts your memory for movies that Burr didn't write about--we were surprised that John Wayne's "True Grit" didn't make the cut for tween girls, and that the Julie Andrews' "Cinderella" wasn't mentioned in little girl musicals. Altogether, this is an engaging and fun book that I would also recommend for adults who are looking to educate themselves about classic cinema.

Un des livres sur le cinéma qui m'a le plus enthousiasmé. Une écriture très divertissante et des réflexions sur les films et leurs artisants qui captent notre intérêt au point de ne plus pouvoir arrêter notre lecture.

I can't say enough good things about this book. It has ended the difficult search for movies that please both the kids and the adults. It has inspired my family to get at least one pre-70s movie every week to watch together. It's been an education. Through this book, we've found a few movies that we all unequivocally adore, and others that we enjoy but have sparked some important deeper conversations. His ideas on why older movies are good for our children are very thoughtful.

My daughters are nearly the same age as his daughters were when he wrote the book (9 & 11), so the book is particularly on target for us. I love how Burr describes his daughters' and their friends' reactions to old movies. I am surprised by how much negativity about older movies he says has received from some of his children's friends and their parents, because my children and their friends have always been completely receptive to older and black & white movies. But we don't move in mainstream circles (we are secular homeschoolers), so I will take his word for it.

If you enjoy watching movies with your children, you need to own this book.

Excellent Book--I have given it to all of my grown up children. Just reading through it is a trip down memory lane.

I came across this book in my local library, and after reading it, am going to purchase a copy for myself, and perhaps give it out as gifts for friends that have young children. This is an amazing movie resource. Ty Burr writes in such a familiar, easy-to-read style, and despite his motives [trying to get us to expand our young ones' movie viewing experiences through old movies/classics], never once comes across as condescending or snobbish.

The fact is that children these days are really being fed a steady, and not so healthy diet of the same type of movies that have spawned sequels, mass merchandising, and dare I say movies that don't really promote great role models [I have had enough of those tween movies with young Hollywood starlets in them]. Ty Burr provides great tips and ideas on overcoming this problems by suggesting old movies, or rather classics that will appeal to the toddler set[Meet Me in St Louis], the tween set[The African Queen], and also teenagers[Metropolis]. There are also old movies he doesn't recommend you watch with your children. The best part of the book is the comprehensive list of old movie titles in the different categories such as comedy, drama, musicals, action, adventure & westerns, horror, sci fi and fantasy, & foreign movies.

All in all, I'd highly recommend this book to readers who are interested in expanding the movie viewing experiences of the young children in their lives, and even for one's own viewing pleasure [there were titles in here that I had never come across and plan to check out!].

First a disclosure - I am not a screenwriter. I am an avid reader. So the fact this book didn't thrill me may mean nothing. If you're in pursuit of this dream you may have the background to assess the advice proffered.

From purely a readers point of view I think the book could flow better. I have a keen interest in most things Hollywood, and those chapters dealing with Hollywood as town were intriguing. Save The Cat! The Last Book on Screenwriting You'll Ever Need

I read this book expecting to find a lot of Hollywood gossip. Instead, it was a down to earth 'how to' guide for becoming a star-screenwriter.

Some of the suggestions are very specific to the industry. For example, how to decide when to move to Hollywood or how to get across the San Fernando valley for an interview when you don't own a car. Most of the advice is fairly general, though. Ben Franklin would approve.

The text is fast paced and entertaining. It doesn't quite read like a novel, but you will start watching for the author's name to appear on your local cinema.

Wow! Full of sound advice from experience. Michael Lent is clearly someone who pays attention to the whole process. The best part is he shares it with the rest of us! This book is fun to read from start to finish. Lent constantly encourages the reader (screenwriter) to adopt an attitude of, what I would call, "strategic humility" in their business dealings. How rare!!! This stuff helps in life too! I've never written a feature length screenplay, but I still found this book efficacious in learning the ins and outs of this goofy industry. And I know goofy - www.chrismundell.com

I'm on my third reading of Michael Lent's "Breakfast with Sharks" (2-7-05), and I highly this book to any screenwriter making serious go of trying to sell his/her work.

Micheal Lent doesn't make things up. His book is filled with real life "lived" experiences.

This book is a godsend if you've a written a screenplay and have started your foray into the next scary step-selling!! "Breakfast with Sharks" will help you disciminate information and buzzwords used at screenwrinting seminars and help decode the Hollywood Creative Directory.

My favorite section in the entire book is "Studio Notes: What They Are and How to Handle Them".

Overall a great book, insprationaly it ranks right up there with Karl Iglesias' "The 101 Habits of Hightly Successful Screenwriters".

- Review given by Eric C.Henrikson Febuary 7, 2005

As a beginning screenwriter I know the competition is fierce especially for those like me without film school, living outside of Hollywood. That's why I bought Breakfast with Sharks. There isn't a screenwriting resource out there like it. Sure, I've bought a few screenwriting books but most of them say the same things, how to write a screenplay and a query letter. This book delves into the business of screenwriting, if you don't have a father in the business you will need to learn the business and Breakfast with Sharks is a way to do it. I found the book also enjoyable to read with personal stories of Hollywood misfortune and finally success. Breakfast with Sharks rises above the competition with a unique purpose and helps you to write above the competition with what many others forget to bring to Hollywood, a plan and a unique voice.

This was a very good read, masterfully told and researched. This is the only book that tells the COMPLETE history of indie movies. Highly recommended.

This book blew me away. I love the way it covers the whole spectrum of indie film, not just "art" but "exploitation" as well. The story of how these films came to be against great odds makes for great reading. I learned something knew on every page. Highly recommended for fans of non-Hollywood films.

This was a great read. Very well-written. It covered more than any other film book. I especially liked the exploitation stuff and how it mixed with art films: the yin and yang of indie cinema.

This is the best book ever written on independent film. I wish I could give it move than 5 stars, because Celluloid Mavericks is a pure pleasure to read: witty, informative and always extremely entertaining. No other book comes close to its breadth and detail, especially in regards to the previously uncharted territory between 1896 and 1960. This is my all-time favorite film book, well deserving of its many raves reviews.

from the New York Press 3-29-2000 - copyright Matt Zoller Seitz

Merritt's book covers a century's worth of off-center cinema, including 1890s nickelodeons, 1940s chitlin-circuit black films, Sam Fuller's genre-busting work in the 50s and 60s, blaxploitation and hardcore porn in the 70s and the Sundance wave of the 80s and 90s. The central idea of free spirits bucking the system unifies waht might have been a too-broad historical text, and Merritt's tart wit enlivens the fact-packed narrative. His prose isn't merely amusing; it's lovingly polished, a real pleasure to read. He's honest enough to admit that most 70s blaxploitation films were garbabe, "rarely as much fun as their posters or soundtracks." He coins a wonderful new phrase to describe the hillbilly flicks that flooded rural drive-ins around the same time: "Whitezploitation." He describes Tom Laughlin's "Billy Jack" as a movie about pacifists who "come to worship a man of violence," and declares, "the real hoot is seeing the messiah take off his boots and kick the grins off rednecks."

This isn't one of those fuzzy, ruminative books where the author writes whatever strikes his fancy and crams it into a bulging thematic suitcase after the fact. The preface carefully defines "independent" to mean any movie "financed and produced completely autonomous of all studios," and "semi-indie" as a movie that received studio funding at some point. The definitions cast certain well-known American films in a fresh light. I didn't know, for example, that the Oscar-winning "One Flew Over the Cuckoo's Nest" didn't get a dime's worth of funding from any studio.

Chapter to chapter and page for page, "Celluloid Mavericks" is an indespensable book, as entertaining as it is informed.

This book, unlike other books about Taiji and weapon forms, describes the sword form from the application point of view. How has the Jian developed to become what it is per today, who used it and what techniques are used in combat? He describes clearly the differences between the Yang family style and the public sword form. What I find remarkable are the differences between the public form described in the book and the public form described by (for example) Chen Wei-Ming. This book is worthwhile studying for those who want to have more background in Taiji sword.

I bought this book, read it and was utterly amazed that someone with the knowledge and skill level finally wrote a reference guide for those of us who haven't been able to go that extra mile because of lack of the information available. I really recommend this book for someone who is learning Taiji sword (from a teacher of course), because it will be of big help to you when you need to refer back to it.

The book is about the Yang Family Taiji Sword Tradition. Two different styles are presented: one which most of us are familiar with that was down from Yang Chengfu's lineage and taught to Mr. Rodell by Master T.T. Liang; the second one came from Master Wang Yen-nian of the Yang Jianhou (Yang Chengfu's Father) tradition. Those that are familiar with the history of Yang Taiji will understand that there is a difference between father and son's technique.

The book begins with the Author's Introduction and then History, Sword Ettiquette (which I found particularly interesting), Jian (sword) Anatomy, how to hold the sword and perform the secret sword fingers, basic stance and sword cuts. Then both forms and their applications(!) are shown using real antique weapons from the Ancient China. There is also some interesting stuff in the Appendices.

I hope you buy this book it will be of great benefit to your training.

You can not learn a martial art by reading a book. That said, this book is a wonderful companion to a class.

Without a doubt, Scott Rodell has written one of the most accessible and comprehensive books on swordsmanship (Chinese or otherwise) I have read. The book welcomes the novice reader and makes him feel comfortable with the subject, while the seasoned martial artist immediately understands the author's intended message, without feeling lectured to. Scott speaks the language common to traditional martial artists with quiet elegance and confidence.

Andrew Winston

This is an outstanding contribution to the field of publications dealing with Chinese martial arts. Not only is it a meticulously-written and well-illustrated guide to sword technique, this remarkable book also supports the topic with information which "flesh out" the art's social and historical context. It explains not only the "what", but also the "who", "why" and "when". In this way, it is not only an invaluable guide to serious students of taijiquan and its sword techniques, but will also appeal to those readers who are interested in the role that martial arts played in late imperial China. The author's experience as an instructor and his dedication to scholarship ensure that the information in this book is accurate and well-reasoned, with none of the unsubstantiated and fanciful lore which has been the bane of martial arts writing for years.

It's a toss-up as to which of Mick LaSalle's great pre-Code books (his previous is COMPLICATED WOMEN) is superior. COMPLICATED WOMEN is a work of advocacy, in a sense -- he wants to rescue the women of pre-Code from obscurity and critical neglect, and he does so ably. This book is more cool-headed amd critical. It's also funnier. It feels more grounded in the real politics and culture of the early 1930s. The research goes deeper. The book is longer. I think they're both essential reading, demonstrating a passion for film and an understanding of history that's impressive, rare and indispensable.

The Golden Age of movies is sometimes taken as the glorious silent era. However, it can be argued that the films made right after the advent of sound provided more realism and more to think about than movies before or since. In a vital and entertaining study, _Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man_ (Thomas Dunne), Mick LaSalle lovingly analyzes the films and movie heroes from around 1929 until 1934 when censorship took over. Those interested in the history of film, and in learning more about giants like Cagney and Gable, as well as about important but forgotten former stars like Richard Barthelmess and Warren William, will find this book irresistible. After 1934, it was a long while before American films were made without a censor able to clip scenes, and LaSalle demonstrates that the pre-censorship (or "pre-Code") era was a time for realism as well as idealism in the movies.

LaSalle demonstrates that silent films were really productions of the Victorian era; men were expected to have sobriety and character. World War I, Prohibition, and the Great Depression changed all that. There was a deluge of pre-Code gangster movies, and every major actor played a gangster, even Spencer Tracy and Boris Karloff. The gangster movies, and the war movies, provided a new look at how a person might live in the world and live with himself; there was a good deal of introspection within the characters displayed on screen that would vanish when the Code came into force. Along with serious evaluation of such moral matters, pre-Code movies were full of pacifism. Repeatedly the young idealistic heroes go into battle only to be shocked at the destruction they themselves have wrought. These movies exalted individuality and distrust of governments that led citizens into pointless wars. Pre-Code films emphasized the heroism of getting wise and taking care of oneself, not the heroism of battles and bugles. There is a good brief history of Code censorship here, showing the role of the Catholic Legion of Decency and its regrettable effects. Not only did the Code enforcers impose wholesomeness on future movies, they insisted that when the pre-Code films were re-released they be re-cut into more acceptable form. Sadly, sometimes the censored version of a pre-Code film is all that remains. It was not until the ratings system came in 1968 that the Code was dismantled.

Partly LaSalle's book is a warning, and one especially pointed now that certain forces within the government find censorship in various forms appealing. LaSalle has enormous admiration for the films described here, but says, "Even vitality such as this can be squelched if a close-minded faction is obsessed, pernicious, and willing to organize." He has seen a lot more of these pre-Code pictures than his readers have, but anyone who enjoys the movies will be eager to take a look at these films after reading this book. Pre-Code films showed war brutality, governmental corruption, and harnessing courage to subvert the system. LaSalle writes, "These may be healthy things for individuals to know, but they aren't what governments like to see pumped into the public consciousness."

I wish I could have given this book 5 stars, but Mr. LaSalle had made a minor mistake. In the book's first chapter, he made the mistake of comparing most of the major actors of this era - especially Clark Gable - to the recent film star, Tom Cruise. In some attempt to put Cruise at a disadvantage, he described the actor as being "amiable" and youthful in compare to Gable. One, Cruis is more than an "amiable" actor. He has made a career of portraying some rather ambiguous and/or dark characters during the past twenty-five years. And two, he stopped being youthful a long time ago. I think that Mr. LaSalle may have been blinded by Cruise's famous smile and failed to give a more accurate portrayal of the actor's career.

Mick LaSalle has done a fine job in recording the accomplishments of actresses before the pre code "censorship" era (1929-1934 or thereabouts!) . If you are at all interested
in films of the thirties this is a MUST! And if you are just interested in films in general this will surely be "of interest". And if you are a Norma Shearer fan it is a MUST!

I guess it's too early to have a favorite book of the year, but I can say with certainty that, had I completed it in 2002, Dangerous Men would qualify as one of my top two or three -- and probably the best non-fiction book I've read: So smart, so authoritative and, as some other readers have pointed out, so funny -- funny, even as you're learning something fascinating on every page.
It is hardly the usual sort of film book. Rather it's a brilliant investigation into the nature of manhood in the twentieth century, using these films as markers along the way. At the same time, it is a movie book in the sense that you come away dying to see the movies. I'm going to be using the list that the book provides to help make my video choices in the coming months.
What a wonderful Christmas gift. I already ordered Complicated Women, because now I can't get enough of the subject. You'll probably feel the same way, too. By all means, this is a book to get.

It's Friday night, you're tired after a long work week, and you're wandering the aisles at Blockbuster looking for a good family film. No need to go through the brain damage of reading millions of obscure DVD sleeves when you have Michael Booth's fine book, which recommends some little-noticed but still-great films appropriate for the schoolkids in your house. Screenit.com is OK if you have a specific idea for a rentable movie, but Booth's book is much better when you need recommendations (and for the fun writing, too).

This book is both helpful and enjoyable to read. The commentary addresses its audience with insight and intelligence. Best Family Films has been really helpful - particularly with concerns on the wide range of whether PG-13 movies are more of a PG or an R rating. This book has taken away parental angst.

Booth has a great feel for which movies work for which audience/age group. His recommendations have been 100% when selecting movies for our family.

Michael Booth is the thinking person's alternative to that other Michael (Medved) who professes an interest in family films. Booth's reviews are informative, helpful, witty, and a real pleasure to read. Highly recommended!

This guide's succinct reviews are really useful. Every review is on one page, with an entertaining tidbit, age-appropriateness and run-time on the facing page. I found several of my all-time favorites, but what's better is that I found a few gems that weren't on my list yet.

I don't normally write reviews, however in this case I felt compelled to do so. If you're looking into the topic of family films, let me save you some time. Get this book. As others have noted, Mr. Booth's reviews are entertaining, informative and spot on. His selections include films off the beaten path. Good stuff!

I've only read about half of this book for my History of American Film class this semester at Century College,and I must say that the books Bruce writes are just as cool,calm,and collected as he is in person!Anyone who would like to get a better understanding about film in general should think of this book as an overview;it's full of interesting vocabulary terms,tidbits about some of the best films ever created,and just the way the material is presented:slow-paced with humor to keep your mind involved in the material.If you want to learn how to accomplish more at the movie theater or in your living room than sitting and watching,get this book;soon you'll be thinking about films the way the director intended!

For people who want to go beyond Hollywood and explore the real world of film, this is a great starting place. Here is a book that covers the whole gamut of film study. Concise and precise, this book is eclectic and bold. It is hard to put down. If you are at all interested in film, or if you are tired of the Hollywood offerings, then this is the book to begin with. It includes all the essentials, but in a compact form. I loved reading the author's way of writing and opinions. Not just facts, but passion is displayed in this amazing book. I look at films differently now. I appreciate them more, and feel much more comfortable talking about them because of this book. A great introduction to the cinema from an academic point of view, as well as offering a wealth of recommended films that are very up-to-date and historically important.

This is exactly the book you need if you are at all interested in films. It covers everything, is short, easy to read, well-written, and fascinating. A wonderful introduction including lots of film titles, opinions, vocabulary, history, art, and genres. There is information on film history, techniques, and artistic evaluations. Also, the appendix includes a list of great films organized by date, by foreign and American films. A marvelous book about films and art.

Being a movie buff,I love the fact that this book helps you to be a critical viewer as well as a fan.Written for experts & the lay person alike, you find concise definitions & explanations of all movie terminology & nomenclature.It literally teaches you how to be a film critic and familiarizes you with the technical aspects as well.A highly recommended read.

Being someone who ordinarily uses movies purely for escapism & entertainment value,I was a little skeptical as to the notion of film as art.However, after reading Mr. Hinrich's book,I am forced to rethink my sensibilities on the subject.Because now,I am able to enjoy films on multiple levels, and appreciate the way he was able to cater to the layperson and the expert alike.This book (if comprehended properly) literally teaches you how to critique movies & films from both the film student and casual viewers standpoint.Mixing both professorial as well as easily understandable terminology & nomenclature,Film & Art hits the mark accurately.If Gene Siskel were still with us, I'm sure he'd give it a well deserved thumbs up.

Didi Conn's book is OK for fans of the movie "Grease". Most interesting is her behind-the-scenes info on everything from famous scenes from the movie(like the "Greased Lightning" musical segment) to the premiere of the film. Some of her interviews with the stars are insightful and some of the photos are OK. But Conn should have perhaps hired a ghost writer as her style is a bit weak. Also, it would be nice if there were more color photos in here as well. True Grease fans will appreciate this book.

If you love the movie Grease this is a book you have to have. It is full of behind the scenes information about the cast,play,and movie. It also is full of candid pictures from cast members. It also tells about the casting and production,and is an overall wonderful book!

This book is all a Grease fan needs except the video.Full of rare B&W and color pictures.Bio's+interviews with the cast.General info and lots more.I recommand that book to not only Grease fans but also Olivia,Didi,Stockard,Jeff and John fans.

There's not a lot of new information in this book, unless it's about what the stars are doing now. There are lots of cool photos, although they're in black & white which is pretty disappointing. There are maybe a page or two towards the end, which are colour photos, but the black & white photos don't seem too clear for some reason.

There's not much reading to do either, and it took much about an hour to read right the way through. Didi Conn (Frenchy) was the perfect person to write a book about Grease. Whether she's babbling on about how drop dead gorgeous John Travolta, or that the actors were only a "little bit older" than the characters they were playing, she does it in such a bubbly way that you smile right the way through.

This is a terrific book, and well worth hunting it out on Ebay, or buying it used from Amazon. Mine was brand new, and managed to entertain me for a morning. But you have to be a serious fan of Grease. There is not a lot of new information, but the pictures are well worth it.

This book is full of rare information that the average Grease fan would love to know! The photos and facts are very interesting and fun to look at and learn. I would recomend this book to anyone that loves Grease, Olivia,Stockard,John,Jeff... It is truely the best asortment of information,and pictures I have ever read and or seen of the movie Grease!

what are the ideal set of properties that effective market segmentation should possess. Why this element are necessary in global marketing process.

This update edition offers the best insight into various aspects of the Asian financial crisis and how Asian companies are developing their competitive strategy. Truly a great insight on how strategic trajectory differs from country to country. HP

Kotabe/Helsen team has really set the standard for the international marketing textbook market. I have read three other similar textbooks, but there is no other book measuring up to this one. They offer an excellent analysis of market converging and diverging forces adding to the complexities of global marketing and how to cope with them. Although I am not an academic, this book provides great conceptual foundations so useful for me to use in preparing my own presentations to the executive board at my company. They have plenty of excellent, well thought-out real-life examples, and those examples are so well built in along with conceptual frameworks that I come away with a lot of useful, and more importantly, usable knowledge.

I am a doctoral student and have taught international marketing at a state university for a couple of years so far. Among several books I examined, Kotabe&Helsen book stands out in the crowd. It is a joy seeing my students actually enjoy reading the book and learn from it. This book is full of useful insights and timely examples. It is a must reading if you want to be a true professional in the international marketing area. Great!

I teach Global marketing and I think this textbook is the best. It is not full of anecdotal stories about global marketer's failures or successes but very analytical with straightforward methods students can try out. The cases are excellent and support the theorical lectures very good. From my experience with the research literature it is state of the art.

I'll admit I picked this because of the title, GOING NOWHERE FASTER. Aren't there times when we all feel that way?

Stan Smith has more problems than you can shake a stick at. One problem is his name - "Stan." Who names their kid Stan? But then his parents aren't exactly your normal, run-of-the-mill parents. They are another one of his problems. His dad is a crazy inventor and his mother is an over 6-foot-tall Amazon vegan who attempts to run an organic food market.

Another sore spot in Stan's life is Prarash, his mother's smelly yoga and meditation partner, who practically lives with them. There's also Chopper, the family dog who produces more "gas" than the oil fields of Kuwait. The only normal one in the family is Stan's little sister, Olivia. She's the one bright spot in his existence.

Stan should be thinking about college, but instead is working a dead-end job at Happy Video. It at least gives him the chance to watch endless videos in an attempt to prepare for what he hopes is a future in writing movie scripts. In the meantime, he is stuck riding his ten-speed, helping out in the family business, and hoping for a chance to date the girl of his dreams, Ellen.

As if Stan doesn't have enough problems, he believes he has a stalker. The victim of high school taunting and bullying, he was threatened by Ellen's ex, Chad Chilton. Now the evidence is mounting and points to Chad as the probable driver of the speeding car that almost ran Stan off the road one dark night, as well as the twisted mind that left a mutilated Barbie doll on Stan's steps. These acts of terror, plus slashed bike tires and vandalism at the Happy Video store, are sending waves of fear through the frustrated Stan.

Sean Beaudoin uses witty dialogue and hilarious descriptions to grab readers and get them cheering for poor Stan. The first person style helps readers understand Stan's above-average intelligence and his passion for movies and scriptwriting. This is definitely one I found difficult to put down once I started reading.

Reviewed by: Sally Kruger, aka "Readingjunky"

Going Nowhere Faster
by, Sean Beaudoin

Little, Brown
2007, 300pp
ISBN 0-316-01415

Going Nowhere Faster, by Sean Beaudoin is an excellent book. Its theme is about growing up and finding out who you are. The main character's, Stan, best friend is the most popular kid in his grade. Stan falls in love with a girl who will kiss anyone, any where. She just happens to kiss Stan's best friend, while she is on a date with Stan. These are only a few of the many problems that Stan run's into, while on the journey of growing up.

This is a funny, yet touching book. After you get to know the characters, they are easier to understand, but, despite that, there are still unexpected twists. I think this is a great book, and I highly recommend it.

*ANB*

Going Nowhere Faster
by, Sean Beaudon

Little,Brown
2007, 300p
ISBN 0-316-01415

Going Nowhere Faster, by Sean Beaudon is an excellent book. Its theme is about growing up and finding out who you are. The main character's, Stan, best friend is the most popular kid in his grade. Stan falls in love with a girl who will kiss anyone, any where. She just happens to kiss Stan's best friend, while she is on a date with Stan. These are only a few of the many problems that Stan run's into, while on the journey of growing up.

This is a funny, yet touching book. After you get to know the characters, they are easier to understand, but, despite that, there are still unexpected twists. I think this is a great book, and I highly recommend it.


A.N.B.

stan smith makes weird lists, has a weird house, a weird mom and a weird dad. it's no wonder stan himself is weird. i look up to stan's mom and wish i could be her with all of her convictions.
the characters in this book are well written from the main to the peripheral and you can't help but love them.
the mystery element in this book is shockingly funny. it makes fun of stereotypes while being a stereotype. i laughed out loud and i'll be recommending it to everyone.

1) Stan is hilarious and truly going nowhere faster than anyone I know.
2) Stan's precise descriptions of Ellen make her oh so edible.
3) It's amazing how in touch Beaudoin is with his adolescence.
4) Does there really need to be a 4 when the next step is buying this book?