Video Books

Growing up in Iowa in the 70s, we didn't have the grindhouses movie theaters of NY nor did we have the drive-ins of the South. Being a b-movie fan at that time meant combing the TV Guide every week to find oddball movies, although if the title was not eye catching (e.g.-The Devil's Rain, Blue Sunshine), it might be missed. This book came out when I was 15, and although horror movie encyclopedias had been published in the past, this was the first really comprehensive tome on what is generally described now as "exploitation movies," "cult movies," or more recently, "grindhouse movies."

The term the author coined, "Psychotronic," became inclusive of not just horror movies, but also biker, blaxploitation, juvenile delinquency, drug, scare, softcore, and any other type of offbeat movie the author happened to fancy.

It was published at the very cusp of the VHS boom, when not only were video shops sprouting up all over the place, but electronic shops, supermarkets, and even convenience stores had huge video rental operations. Michael Weldon's movie guide gave an entire generation of b-movie buffs who did not live in NYC a glimpse into what was out there. This book became a bible to us given that it was first time in our lives that these movies were available to us thanks to the proliferation of VHS rental tapes.

The book is now 25 years out of date and younger audiences might not find it quite so useful (it doesn't list The Evil Dead-that's how old it is!), but on the plus side, there are many listings for movies from the early 80s and before that have disappeared, so it's difficult to write it off as irrelevant even now.

Absolutely indespensible guide to cult, sci-fi, horror and every other offbeat film genre written by people that understand subculture. Never ceases to amaze with the rare titles the Psychotronic folk somehow managed to track down and review years before we mere mortals knew these films existed. I refer to my copy at least once a week which should indicate how valuable a resource book this is to me.

I am the first to confess that not everyone spends their time wondering if they might like to watch Untamed Women tonight, or have an Ed Wood film festival, but I am one of them. Call me crazy (ahem!), but I like really bad old movies, especially the ones that try to scare/pander you. Perhaps I yearn for the time when showing a bit of cleavage was considered racy. So I nose around the discount rack looking for such gems as Mermaids of Tiburon or The Earth Dies Screaming. I come across a copy of Demonoid. Should I buy it or not? Comes the rescue the Psychotronic guide which safely guides me through these murky dark waters. It and its companion Video guide are essential for those who share my idea of fun, with reviews of 6000 screen gems, such as Curse at Cactus Creek and Robot Monster.

Perhaps my only objection is that the guide makes no pretense at being authoritative. For example, When a Stranger Calls is reivewed (favorably), but its sequel, When a Stranger Calls back, does not appear at all (and is arguably the better movie). There is also a smattering of "legitimate" film, such as Pursuit of the Graf Spee, and Polyester. No matter, all the films reviewed are, at the least, quirky, and there is a pretty good chance, at any rate, that the film you seek is reviewed. If not, you will have great fun just looking for it.

My only grief is that the concordance is limited to an index. After all, what more important thing could there be than a filmography of Barbara Steele, the geratest actress that ever lived?

These things aside, I recommend this without hesitation. There are other books listing gore/sleeze/exploitation films, but you will find none better.

This tome makes one yearn for the good old days, long gone, of the drive-in movie of the 60's and 70's now replaced by video bins. B movie makers of those days- their names are legion - made an honest attempt to entertain their audiences with meagre resources and often more meagre talent(unlike exploitation film makers of today, whose direct to video releases are lazy and witless). Weldon chronicles this glorious time in a very generous compendium, chocked full of wonderful black and white stills and capsule reviews of the inane and the obscure, thw wild and the wonderful, the unbelievable and the unforgettable. A feast for the fan of offbeat cinema.

The Psychotronic Encyclopedia of Film consists of plot summaries of the kind of movies that come on at 3 am. No not porn - get your mind out of that gutter. Weldon chronicles 50's movies with huge mutant animals from the old nuclear test site, vampires, werewolves and anything with killer androids.

Each movie has a plot summary and many have publicity stills or small news articles about the film culled from Weldons home collection. The introduction includes a section on the psychotronic film zine which Weldon ran. The zine included a listing of which weird movies were on that week and included plot summaries of said movies. What I found entertaining about this section was Weldons description of the difficulties getting his girlfriend to xerox the copies on the office copy machine when no one was looking. This book grew out of that zine.

When it was published in the early 80's this book would have been a great idea for any fans of bad movies. It is still a good source for info about bad movies up through the 70's. (I checked it out of the library and kept it for a semester during which I investigated such classics as Doctor Goldboots and the Go-go Girls and found that it was pretty thorough in the bad movies department.) As Weldon points out it was very difficult to find information about the kinds of films covered here at the time when this was published. However with the internet and sites like badmovies.org and the ever handy Internet Movie Database it is possible to get the information elsewhere.

If you have an internet connection then don't bother with The Psychotronic Encyclodedia. If you like bad movies and don't have internet access then this is a very useful reference for plot summaries and information on bad movies made prior to around 1980 and would be worth buying.

I really think they are stretching to come up with more "Essential" books for Star Wars, but nonetheless, this is still a good book full of all the information you knew, know, wanted and didn't want to know about the lovable robotic droids of the Star Wars movies and books. Star Wars fans won't be disappointed, however there is not much here for the non-Star Wars fan, as they probably won't even know what their reading about (or if they did, they wouldn't care). I recommend this to all Star Wars fans.

In the immortal words of Darth Vader..."Impressive. Most impressive." I found this book to be not only an excellent resource but also a great read. It touches on every major detail of the droids that it mentions...which is quite a bit. You can read about anything from C-3P0's internal computer to the technical details of the medical droid. I recommend this book to anyone who wants to scratch the surface of Star Wars and dig a little deeper.

I have all of the Essential Guides and have been pleased with all of them to one degree or another. The Essential Guide to Droids, however, is one of the better ones. The author and artists have done their homework in researching the novels, but for all their work-there are some really silly designs in here, usually written into novels or whatever, because the author thought it would be cute, but only comes across as annoying or dumb (the C2-R4 comes to mind). Other designs have not been well thought out-the M38 Explorer droid is too tall, it seems logical that if you want an automated robot for planetary surveys, then something with a lower center of gravity would be a much better design. I would recommend that everyone ignore the fact that Anakin made C-3PO and keep his manufacturer as Cybot Galactica, since that is a little more believable. As always The Essential Guide to Droids would make an ideal addition to the Star Wars role playing table as well, and it has a good spread of robots from domestic, industrial to combat and medical droids. A solid effort with great art work and well written.

This is where I go to get information on Droids. You never seem to get really good description of the droids so this is where reccomend that you go and if you can't find out what you need to know the I would reccomend th Star Wars Encyclopedia.

The Essential Guide to Droids is better than the rest of the EG series thus far. It has good pictures and relatively informative schematic drawings of each of the droids, with better art than has been seen yet in a Guide. It also has the obligatory listing and brief description of all the major droid manufacturors in known. Another helpful feature is that it lists the droids according to their function, rather than in the standard alphabetical order, a la EG to Weapons. But the author goes beyond simply describing each droid and its function. He created background lore about the droids, and their developers. He doesn't make each droid individual, but rather trases entire product lines, for example, he goes from the R1 to the end of the R- series, creating the whole product line development, etc... What he doesn't do is spend the entire allotted text space for each droid simply relating the adventures it has had. This is a very helpful, informative, and readable SW book, and I'm glad I bought it.

I have only lived in the US since 2001, and SNL rapidly became my favourite show. Hence I bought this book to have a peek behind the scenes of the Manhattan studio where it all takes place, and I was not disappointed. Some of the people in it I didn't recognise as they were before my time, but I recognised many faces. Even if I hadn't, it is great to see all the backstage shots. Particularly memorable are photos of a writer hunched over a laptop, with Norm McDonald smiling over his shoulder, and Chris Farley sitting at the head of the table in a crowded writers room. There are also lots of other great shots of people building sets, working on costumes, doing all the pre-show stills for the commercial break etc - all of this exactly what I was interested in.

What jumps off the page for me is the camraderie that obviously exists between everyone on the show - obviously there are rivalries and creative tensions, but you can tell there is a group mentality that connects everyone in the photos. There are some treasured memories in here for the lucky few that were there at the time.

This is the next best thing to actually being involved with the show yourself, and as such, I recommend it wholeheartedly. A flood of images! Lovely stuff to have on your coffee table or beside your bed.

A great book, really good if you only started watching SNL in the last few yaers and would like to know about the earlier years.

I'm sorry to say that this book was published a year too early. It went to press after the 1993-94 season which was SNL's 19th. Were the authors and publishers so anxious to get it out? I guess they were. Anyway,this book tells about the amazing history of Saturday Night Live. Every overall cast member,director,writer,producer and everyone else involved. We'll never forget October 11,1975,the day of its premiere. The premiere episode began with the late John Belushi and the late writer Michael O'Donoughue in a sketch called "The Wolverines". O'Donoughue played a psychiatrist and Belushi was the patient. At the end of that sketch and before the pre-taped opening montage played,Chevy Chase came out yelling "LIVE FROM NEW YORK,IT'S SATURDAY NIGHT!",which is said at the beginning of every show,even to this day. Chase didn't stay very long on the show. Before the end of 1976,Chase,the first Weekend Update anchorman,went to Hollywood. Jane Curtin,another original cast member succeeded Chase on Weekend Update. Shortly after Chase's departure,in came Bill Murray from Chicago. After 1978-79,Belushi and Dan Aykroyd left SNL to go Hollywood and concentrate on their Blues Brothers act,initiated on SNL. They filmed THE BLUES BROTHERS in '79,a year after Belushi's first starring film ANIMAL HOUSE. In 1979-80,Harry Shearer joined remaining original members Curtin,Garrett Morris,Laraine Newman and Gilda Radner. After that season,all five were gone. The 1980-81 season began unusually late due to the actors' strike and Presidential debate between Jimmy Carter and Ronald Reagan(the SNL studio was used for the debate). That season brought an entirely new cast,one of them being Joe Piscopo who stayed thru 1983-84. Eddie Murphy,then age 19,joined the show and departed with Piscopo. Another member was Gilbert Gottfried who was then not-so-famous. Jean Doumanian succeeded original producer Lorne Michaels,who had left with the remainder of the original cast. Gottfried was let go after 1980-81. In 1981-82,Piscopo and Murphy had new castmates,some of them Canadians. Robin Duke and Tim Kazurinsky are Canadian like original member Dan Aykroyd. Later(1984-85) came Billy Crystal who almost became an original member,and James Belushi,John's brother. Also joining in 1984-85 was Martin Short,who'd go Hollywood himself later. The following season,things finally settled down in studio 8H. Lorne Michaels returned,triumphantly(Doumanian was fired after 1980-81 and succeeded by Dick Ebersol) to serve as producer like he did for SNL's first 5 seasons. The new cast members were Nora Dunn,Dana Carvey,Kevin Nealon,Victoria Jackson and Dennis Miller who'd become the next Weekend Update anchorman. Mike Myers joined in 1989. Myers and Carvey became Wayne Campbell and Garth Algar,two hard-rocking and babe-loving buddies on the sketch Wayne's World,later inspiring two films. Chris Farley and David Spade later came and also went Hollywood. Another big SNL star is Adam Sandler,another film star. Sandler previously worked for NBC,guest-starring on a few episodes of The Cosby Show. Every show had a guest host and musical guest(some shows had more than one of each). We will never forget the Coneheads,Emily Litella,the Festrunk Brothers,Ed Grimley and Wayne's World(sorry if I forgot anything). We also won't forget John Belushi,who died in 1982 of a drug overdose and Gilda Radner who died at 42 of ovarian cancer. Farley fatally overdosed on drugs in 1997. O'Donoughue succumbed to lung cancer in '94. Oh, by the way,Bill's brother Brian Doyle Murray was an SNL member from 1981 to '84. This book should have been updated in 2000 for the show's 25th anniversary. After nearly 29 years on the air,Saturday Night Live continues to pull in tens of viewers from 11:30 PM to 1 AM,EST.

Since its television debut in 1995 few will argue the fact that Saturday Night Live was a cultural, comedic, and TV phenomenon.

Here in one volume is a collection of the sketches, characters, performers and phrases that first appeared on the show that kept many of us up late.

It's also a visual reminder of some of the great comedians who were first showcased there and the once shocking catch phrases that became a part of our collective vocabulary.

This book is an awesome book! you can learn about every castmember in the show up until 94'. You can learn about all the hosts, all the years, all the musical guests, all the backstage info, all the famous songs(including Adam Sandler's Songs), and much much more. Not only will it let you know your facts, but you will enjoy it! Trust me, buy it!!!!!!

I have collected and used books on sound system engineering for many years and this book has quickly become my favorite. Mine has been borrowed by other engineers so often that I have purchased a second copy. Don and Gene are among the most experienced in the field. They have also both tried to share thier knowledge with others throughout thier careers. This combination of knowledge and desire to share it has produced a book that explains complex ideas in a way that leaves the reader with few questions. It is clear and concise, and is supported by a great number of charts and diagrams. I can't imagine a better way to capture thier knowledge and share it with others. A great number of professionals are going to benefit from this book, and I expect it will be the industry standard for many years to come.

One of the better books in my collection, and I have many on acoustics and audio from the highly technical to hands-on.

I owned 1st version before and the 3rd revision is a more complete version and gives more information on digital processing aspect.

Sound System Engineering, 3rd Edition contains a wealth of information on the design, implementation and testing of sound reinforcement systems. Don Davis' section on audio and acoustic measurements is a must read for anyone serious about performing such tasks. The concepts he discusses about signal delay/synchronization and room acoustics will help the reader to understand what is at the very basis of these topics.

Similarly, Eugene Patronis' section on loudspeakers and arrays is not to be missed. It will have you going back again and again to find that piece of information you need about horns, direct radiators, crossovers and arrays. His presentation of signal processing starts with basic sampling and progresses through system theory and digital audio.

Two of the latter chapters on equalization and "putting it all together" are true gems. They yield practical information that you'll be using the next time you're faced with the issues covered.

Sound System Engineering, 3rd Edition takes all of the knowledge contained in the 2nd edition and augments it with up-to-date interface methods and advances in the field of audio and acoustics since its last publication. This text is equally suited for both the novice and the veteran audio practitioner. It is written in such a manner that each time you read a portion of it, something new will come to light.


Charlie Hughes
President
Excelsior Audio Design & Services

Congratulations to Don Davis and Eugene Patronis, Jr. for writing the most informative book on sound system engineering ever. The book contains all of the elements of theory, design and practical installation. The book is an excellent reference for the sound system engineer.

Sound System Engineering, Third Edition is the most complete technical book on sound system engineering I have ever read. It is a concentrated capsule of knowledge that gives the theory as well as instructions of how to implement the theory. Don has recorded for us how to do the installation process. Dr. Patronis has given us the physics back of the theory and he added the mathematics so one can reporduce the results. There are places that Doc uses the "It is intuitively obvious..." leap of knowledge that some might have trouble working through but it can be done.

Thank you for such a great work

Don Eger, Owner, Don Eger & Associates

This book wasn't at all what I thought it would be, but I loved it. I finished it within a day.

Don't buy this book if you are expecting someone to tell you the steps involved in making an RPG. There are many better books for that. S&C doesn't tell you how to make a game. It tells you how to THINK when making a game. It also goes quite in-depth about what it's like to be in the role of a game designer.

So the two scenarios in which this book would be most useful are:

1. You have a game already designed in your head and just want to make it more fun or more professional.

2. You are considering whether you want to become a game designer as a career.

If you fit one of these two, buy this book right away. If not, it might still be worth a look. It's interesting, well-written, and you may just learn a thing or two.

First and foremost I have to say this book is very well written and easy to read. The only real mistakes I noticed were with release dates on some of the games in a timeline.

The concepts covered in this book will help not only individuals trying their hand at designing RPGs, but other games as well. The information is also presented in an interesting and entertaining way to keep the reader doing just that, reading.

Having recently entered the video game industry, I would recommend this book to anyone seeking to get a start in the industy or anyone just curious about game design in general.

I really don't know where to begin in thoroughly recommending this book. If you have any interest in designing RPG games (or any game at all, for that matter) this is the best book for your bank. Neal Hallford lays it all right out in front. From story design to gameplay mechanics to writing your pitch documents, this book will show you the most important stages of game development. More importantly, this book is down to earth and easily digestible. The chapters and subsections were written in a very clear and concise manner. I've seen other game design books that failed to educate or even entertain.

Neal Hallford writes this book not only from the point of view of a veteran game designer (Betrayal at Krondor, Dungeon Siege, and others), but also from the point of view of a GAMER. It is from that point of view that really makes this title stand out. You can tell how much he enjoys his work, and his excitement for the focus medium (RPGs) is infectious as you read. He really helps you to craft a world in your own mind (and helps you think `outside of the box' as you design). Each chapter is complete with a handful of exercises to help the budding game designer expand the way in which they think about games

This title is also rife with interesting tidbits and trivia about past games and game development. Neal Hallford never forgets that, even though this is a billion-dollars-a-year industry, we make GAMES. Even though the process should be taken seriously, you should work very hard at both doing it well, and having fun while you do it. The process itself is, in fact, one of the strongest aspects of this title. Neal takes you through every step of the process including writing your design document (the game designer's bible, as it were). He points out critical features, and common oversights. Again, he does all of this in a way that is very easy to understand.

Finally, the appendix to this title is a treasure trove itself. Included in the back of the book are interviews with some of the top game developers in the business. And while many other books have included `fluff' interviews with game designers, this book actually focuses on the critical topic: game design. You learn about how different game designers work, how they approach certain problems, and where they get their inspiration. In addition to these interviews, you can also find sample design documents, descriptions of levels, and charts for gameplay mechanics.

I don't recommend this book. I demand that you buy it. If you have even a passing interest in game design, this book was written for you. Professionals should own it. This is even a great resource for mod authors who are looking for help in creating their own worlds within other game titles. You won't be sorry.

Neal and Jana Hallford, Swords and Circuitry (Prima, 2001)

A word to prospective buyers: Swords and Circuitry is not a book about coding games. If that's what you're looking for, Prima has a number of other titles you can go to. This one's about designing games, and there's nary a line of code to be found.

Okay, now that that's out of the way, this book does have a lot to offer both for those who plan to specialize in game design and those who are running (or trying to run) one-man shops. The Hallfords offer a good deal of advice regarding the whole process of game design, from defining what it is (and having others interviewed by Neal Hallford do so as well) to details of design documents, proposals, etc. The benefits for the aspiring game designer are obvious; to the one-man shop, reading this may help clarify some things that will help when programming time comes, or shed a different light on things that may not have been thought of in quite that way. Definitely worth checking out, but know what you're getting. *** ½

This book provides a clear outlook of how to design an RPG though I wish there was a reference book to go with it. It even could be used as a text book for a class. It does everything it says. Includes other designers perspectives to broaden your perspective on design including designers from Might & Magic, Neverwinter, Star-Trek, and a few others.

Since this is "The Wizard of Oz: The Official 50th Anniversary Pictorial History" of the beloved 1939 film, it is not surprising that John Fricke, Jay Scarfone, and William Stillman have put together the book that tops the "must have" list for fans of the film (after, of course, L. Frank Baum's original novel, which just had its centennial edition come out in 1903. After an introduction by Jack Haley, Jr., the volume's prologue, "The Marvelous Land of Oz," begins with the story of how Baum came up with the name for Oz and looks at the history of his stories prior to the movie. Also included in this prologue are stills from some of the vaudeville and silent movie versions (the 1925 film had Oliver Hardy as the Tin Woodman), the original book covers for the 42 Oz stories, and Technicolor test shots of the movie cast, which includes Judy Garland wearing a blond wig as Dorothy. By the time you finish this prologue you will know that this book is going to be everything that you would want as the table of contents indicates:

Part One - The Oz Diary: Creating a Classic: (1) Acquisition and Casting contrasts the signing of the cast with W.W. Denslow's first pictures of the characters; (2) Scripts, Songs, and Staff focuses on early drafts of the scripts and ideas for song more so than what actually ended up in the movie; (3) Wardrobe and Markup details the evolution of the look of each character with corresponding photographs; (4) The Thorpe "Era" is about Richard Thorpe's short tenure as the film's director, when Gale Sondergaard is the Wicked Witch and Dorothy is a blond; (5) There'll Be Some Changes Made is short but sweet and is about the changes George Cukor made as a stop gap under Victor Fleming was signed to direct the film; (6) "The Wizard" Comes to Life is a lengthy chapter covering the making of the film with its various legendary stories; and (7) Post-Production and Previews, which details what was cut (including "Over the Rainbow" at one point), when and why.

Part Two - The Oz Diary Continued: Promotion and Reception: (8) The Oz Campaign contains everything from Judy Garland telling Frank Morgan "Anybody can be a wizard at Jelly-Making" for a newspaper ad for Certo (never heard of it either)to a two-page full-color spread in "Life" and a special "Wizard of Oz" ad for the Sunday comics; (9) Hollywood Party is about the movie's gala premier; (10) "Capitol" Times in Manhattan is about the show at Loew's Capitol Theater In New York City that showed the movie along with a life performances by Garland and Mickey Rooney. This chapter also shows some of the first product tie-ins for the movie; and (11) From Coast to Coast is a brief look at promotion of the film across the nation and includes what might be the first editorial cartoon that used the Oz characters to comment on a real situation (Hitler is the Wicked Witch of the West and Mussolini is a winged monkey, while Dorothy is European civilization, the Scarecrow is Poland, the Lion is Britain, and the Tin Woodman is France).

Part Three - Raves and Accolades looks at (12) The Reviews, which includes a look at foreign books and domestic record versions; and (13) The Twelfth Annual Academy Awards, where the film won Best Song for "Over the Rainbow," Best Original Score for Herbert Stothart's underscoring and adaptation of the Arlen/Harburg songs, and Garland for best performance of a juvenile during the past year.

Part Four - Oz and Ends, includes brief looks at (14) Original Ozzy Merchandising; (15) Oz Abroad; and (16) Theatrical Reissue.

Part Five - Television Perennial covers how most of us first saw the movie, including (17) Guest Hosts on CBS (I always liked Dick Van Dyke); and (18) NBC Interlude/CBS Comeback.

Part Six - The Legend is another set of brief chapters on (19) Reunions and Reminiscences; (20) Merchandising; and (21) Icon, which ends the book on a perfect grade note with editorial cartoons on the death of Garland in 1959, Jack Haley in 1979, Margaret Hamilton in 1985, and Ray Bolger in 1987.

This volume includes more than 400 illustrations, half in color and many never before published, including over seventy makeup and costume portraits, behind-the-scenes and production photos, and not only stills but script pages from the musical numbers and segments that were filmed but cut from the release print (including "The Jitterbug," Bolger's extended solo dance to "If I Only Had a Brain," and the "triumphal return" sequence). The photographs of all the movie posters, toys, and other items associated with "The Wizard of Oz" can be found throughout the book instead of being collected all at the end of the book corresponding with when the movie came out. The last three parts could essentially be individual chapters to avoid the sense that you are racing through the end of the volume, but that is a minor complaint all things considered.

If you only buy 1 Oz book for your collection, make it this one! In Oz circles, this book is known as "The Green Book" and it is a virtual encyclopedia of Oz information. The research and work that went into the writing of this book is truly astounding!

The rare photographs will amaze you (including Judy Garland in her blond wig and Buddy Ebsen as the Tin Man).

This book is full of little-known trivia. After reading this book, you can wow your friends with your new-found Oz knowledge!

There have been a few books that have given us all a look into the making of MGM's movie version of "The Wizard Of Oz!"? But The John Fricke,Jay Scarfone manuscript surpasses all of the other books.Because it's filled with wonderful photos and info that takes us beyound the making of the film and gives us a look into the continuing popularity of the Oz characters.Using rare photos,extensive research and interviews from the people.Who were involved with the project.Messers Scarfone And Fricke.Show us the early stages of the making of the film.From the many drafts of the script..to the problems with the changes in cast,storylines,music,mishaps with props and special effects.To the promotions of the film on radio(NBC Radio's "MaxwellHouse Coffeetime")and at stage shows to the many other interpretations of the story that appeared on tv,in the movies,on radio, in the theater and at parades and theme parks.The book even gives some more biographical info about the cast and crew and some more insight into the man.Who created this legendary tale:Mr.Lyman Frank Baum.For the fans of this classic story.Who want to know the full extent of it's geniss? This is the one book to have.Kevin S.Butler.

There have been a few books that have given us all a look into the making of MGM's movie version of "The Wizard Of Oz!"? But The Jay Scarfone,John Fricke manuscript surpasses all of the other books.Because it's filled with wonderful photos and info that takes us beyound the making of the film and gives us a look into the continuing popularity of the Oz characters.Using rare photos,extensive research and interviews from the people.Who were involved with the project.Messers Scarfone And Fricke.Show us the early stages of the making of the film.From the many drafts of the script..to the problems with the changes in cast,storylines,music,mishaps with props and special effects.To the promotions of the film on radio(NBC Radio's "MaxwellHouse Coffeetime")and at stage shows to the many other interpretations of the story that appeared on tv,in the movies,on radio, in the theater and at parades and theme parks.The book even gives some more biographical info about the cast and crew and some more insight into the man.Who created this legendary tale:Mr.Lyman Frank Baum.For the fans of this classic story.Who want to know the full extent of it's geniss? This is the one book to have.Kevin S.Butler.

There are many, many books out there about the making of everyone's favorite film, "The Wizard of Oz". There aren't any I've seen that I wouldn't recommend, but if you are looking for pictures, pictures, and more pictures, this beautiful coffee table size book is a great place to start. Pictures, both in color and black and white, of every aspect of the making of the movie fill this attractive volume from cover to cover, and the text, by Oz authority John Fricke is all-encompassing. Although released for the 50th Anniversary of the film's 1939 release, it is still relevant 13 years later, and a great book for the collector or casual researcher. It has yet to be topped.

I've been developping applications and amateur games for a few years using C++... I bought this book along with the Director Bible... And guess what? I made a shoot'em up game in a couple of days - with the help of my brother (graphic designer - thanks for your beautiful sprites, dud! ;) )... Director + Lingo are the best way for quick games... and this book just show me how!!!
Thanks!

Gary has done the Lingo community an amazing service. With code and logic examples that illustrate nearly every variety of game you can create to be played on a computer, this book is an incredible resource.

The examples in this book made it possible to deliver a game-rich CD project with an incredibly tight timeline.

Thanks Gary!

I have a programming background and am learning Director to make professional CD products. Gary has taught me how to do this with his Using Director 8.5 book and this Advanced Lingo for Games book. He writes very well, doesn't treat you like an idiot, and is very practical. Well done Gary and I recommend this book to all people who really want to make interactive games using Director.

I am a Lingo programmer for 4 years and this book helped me advance to the next level in Lingo Programming. Using this book helped me to understand writing my own 'behaviors' and took my understanding of 'lists' to a higher level. I owe alot of my success to this book.

Rich
Multimedia Programmer
Motorola

I've been writing Lingo for some time now, and I probably own upwards of 15 books on the subject. Of all of those books, the two that I find the most helpful every step of the way are undoubtedly Gary's most recent 2 books (this one and "Director 8.5 Special Edition"). Lots of Lingo authors know Director inside and out, but what sets Gary's books on the subject apart is his colorful writing style and an uncanny ability to break down ultra-complex scripts into palatable bite-sized chunks that even a newbie will understand. Highly recommended!

The book has an excellent selection of art from the Noir period. I love every single page better than the last!

"The Art of Noir" is a big, beautiful book of 338 posters and lobby cards for crime films 1940-1960, plus a handful of later films. All the film noir greats are here, from A-list films to Poverty Row, though not every film represented is strictly "noir". "The Art of Noir" is 14 1/4" x 10 1/8" -too big even for oversized book shelves- but the results are stunning: Hundreds of full-page posters in bold, eye-popping color, along with a handful of 2-page spreads and some 2-to-a-page layouts. I could not overstate how great these posters look, and author Eddie Muller has made them more fascinating with informative captions and short essays. Each poster is captioned with the film's title, year, and studio, the size of the original poster, a brief analysis of the poster's style, and a little about the film.

The posters are divided into six chapters, each with an introduction by Muller. Chapter 1 introduces us to the distinctive styles of different Hollywood studios. Chapter 2 takes us on a tour of film noir poster art around the world, with examples and explanations of how artists abroad altered or redesigned the posters for their markets. Chapter 3 focuses on thematic and iconographic elements in the posters. The icons are guns, racy women, and automobiles. The themes include bad cops, private eyes, and femmes fatales, among others. Chapter 4 showcases posters that feature the prominent stars of film noir, 9 actors and 9 actresses, with an introductory essay for each. The art of Chapter 6 is organized by writer -not only the famed Hammett, Chandler, and Cain, but also prominent noir screenwriters. Chapter 6 features the films of prominent noir directors and cinematographer John Alton.

American and international posters are featured throughout the book. I had not seen foreign film noir posters before, and scrutinizing the posters and comparing the styles turned out to be a source of nearly endless fascination. Foreign artists departed from the bold color and lurid poses of American posters but created art from their own culture's perspective that is no less striking. "The Art of Noir" will absorb fans of film noir or poster art for hours. I am reviewing the hardback edition of the book, so I cannot comment on the reproduction quality in the paperback edition. But the color and sharpness in the hardback are excellent, on slick, white paper. This is Eddie Muller's best book yet.

This book is a must for all film lovers. It contains the most complete collection of film noir posters anywhere. And since the book is "cofee-table" size, the posters are big enough that you can appreciate even the smallest details. The text is also very interesting, giving a short but insightful review of each film. Get this book now!!!!

A feast for the eyes! Gorgeous NOIR poster repros and interesting factoids highlight this weighty tome. Fans will swoon, and the casual viewer will have his/her interest tweaked. As a NOIR poster/lobby card collector, this book is an essential library addition, because I need to occasionally check out pictures of posters I'll sadly never be able to afford(!)

Film noir is a fascinating field with a deserved faithful and ever widening audience. Eddie Muller scored impressively with "Dark City Dames," a study of the women of film noir with intimate portraits of such notables as Jane Greer, Marie Windsor and Ann Savage.

Muller returns to a familiar theme here and achieves mightily in two respects, with glossy pictures which practically jump off the page at you, giving one a feel for time and place, as well as being a part of the scene, along with a text providing valuable information on the memorable films being showcased.

San Franciscan Muller is one of the genuine authorities of the genre. He has a real feel for the world of darkness beset by flashing neon lights, smoke-filled bars, detectives in trench coats, and dangerous women.

This book is splendid, it's a must have in the series of "The Art of..." !!!!

Ignore the image of the cover I posted above. You're not going to get the same cover. You're going to get something better. The hardcover book came with a protective cardboard cover box with two holes cut into it. Peeking out of the two holes are Boog and Elliot, of course.

When you pull the book out of it's cover box, you'll notice that there's something different about this book and other art books. There are a lot of goodies packed within the pages. There were post cards, posters, mini booklets and even stickers!

Inside the book, there were tons of original sketches, beat boards and film stills. The captions and write ups were really nice to read. The content was so vibrant and full of life. The book actually feels like a scrapbook. I've several photos taken on Parka Blogs

Pixar may want to review their delivery of any future art books now that Sony is delivering books like Open Season, chocked with goodies. This book is so packed full of art you would think the film was traditional. I enjoyed Open Season and wondered why since I cant stand most CG films except for Pixar's (excluding Cars). I know why now I see all the pre-production that went into it...for me Im a colour and environment lover and I was so happy to see Sony included colour scripts and beat boards! I really think this one is a great investment! The presentation is a real treat, I am looking forward to the Aardman art of books now that they are partners with Sony...keep it up.

Great artbook. really relly great!!! with lot of little details, postcards and beautiful sketches, backgrounds and3D modellings, etc and a really beaituful and perfect edition, with a "2nd cover" (I don't know how it's called in english)

I have seen the movie and wanted to walk out on it within the fist five minutes. NOT because the animation was bad, or the art direction awful, simply because the pacing and the main character's voices were just getting in the way of the experience I look for in a movie, any movie : The escape.

When I picked up the book, I was almost shocked to see that the exact oposite was happening. I found myself flipping through the pages, being brought in to this magnificent world inspired by the older Disney designers, and really enjoyed the book.
I would recommend it as a standalone Art Book, rather than a complement to the movie. In fact, you might like the movie better if you just go through the book.

This is a beautiful and very informative book; I was very pleased with it. I really enjoyed all the behind-the-scenes pictures and the addition of the script is an added bonus.

If you're a Spider-Fan, you need this one. You will not be disappointed.

I think this book has excellent descriptive as well as graphic content which will help me with my coursework.

A comprehensive look at the making of the SPIDER-MAN legend, from comic-book to film. It's an excellent and interesting story to tell, although Behind The Mask didn't deliver in the graphics department. There just aren't enough illustrations, but there is enough to give the reader a feel of being on the set in the midst of the movie-making magic!

Mark Cotta Vaz is the best "Making Of" author in the world and Behind the Mask of Spider-Man: The Secrets of the Movie has everything a discerning film fan could ask for. Without the material entering the annoying world of overkill, this pleasing and informative book breezes along with its fascinating insights into how Spider-Man went from comic to silver screen. With enough inside info and graphic content to satisfy the most info-hungry geek, this is extremely satisfying and also is possibly one of the best film books ever written. It's that simple. Vaz has so many impressive book-writing credits under his belt already, but this is surely his best work. Containing info on the cast and crew, this never fails to interest and Vaz thankfully differs from other authors with a pre-determined un-pretentious standpoint. The early chapters focus on abandoned ideas about a team up of the Green Goblin and Doc Ock, and numerous costume changes for the first movie, where every little detail is spread out in a well-plotted format. Candid interviews with comic and film boys wraps up a nice package that keeps a very special place on my bookshelf. Highly Recommended.

BEHIND THE MASK OF SPIDER-MAN by: Mark Cotta Vaz is one of the best "making of" movie books I have ever read. Fair warning though, this book is so thorough that if you have not already seen Spider-Man then DO NOT READ THIS BOOK! Upon viewing some of the great color photos and reading the indepth information, you'll be completely robbed of any true movie surprises.

With that said...

In 205 pages, Vaz manages to provide tons of background on the characters, history, and production stages of Spider-Man. You'll find everything from pictures of original comic page art to step-by-step photos on the various concept sketches of both Spider-Man and the Green Goblin (Goblin in particuar is all over the place in the various designs). Vaz clearly did his homework as there are numerous interviews and sound bytes from everyone from Stan Lee to Sam Raimi to Willem Dafoe to producers, stunt people, and FX coordinators.

Rarely do "Behind the Scenes" books read as fast and as enjoyable as this one. Now granted, I am a HUGE Spider-Man fan, but I believe that anyone who enjoyed the movie will find lots of insight to be gained from this informative and entertaining book.