Video Books

This is a wonderful book for the starting artist as it will show some incite on the life of an full/freelance employed artist. I state artist as the term animator seems to narrow the field of what and who this book really points at. Read the book make your own option.

As an Animator going to SVA in NY, David Levy was my professor. He recommended us to get the book for class. It totally gives you all the great advice and inside look in the animation/film industry, like how he would normally talk to us in class about it, but the book definitely adds more in detail. He is an awesome teacher, great in his field of work and a great author. If it weren't for him and this book, I wouldn't be so confident and in the know on getting a job in my field. Very inspiring and not at all a boring read. There's also advice from other working professionals in the industry in the book.

Just finished this book a few days ago, read at a leisurely yet studious pace. Wow! There are so many insightful observations presented in an anecdotal and conversational nature, as opposed to a thesis type structure. This will help me immensely as I segue career-wise into the animation field. Great illustrations throughout too. The author is that rare combination, a gentleman and a scholar. Your Career In Animation will cause you to have many imaginary lightbulbs (ideas) floating over your head in rapid succession. My only complaint is that this book does not come with a highlighter marker. All kidding aside...a great read. Highly reccomended!!!

Don't let the simplicity of the title fool you. For once it is just what it says. Not only written by an animation insider but a very knowledgeable one. I am an Art School Student, and while animation isn't my major, it is my goal and this book helps in getting one's head screwed on the right way so that regardless of major, you can have some goals in art school and beyond.
I love that he pulls no punches as to how difficult careers in animation and commercial art can be, but there are also strategies to make it all happen.
I picked it up by accident, but had to get it after flipping through it.

Definitely get it. There is no fluff here.

interesting and informational, I love it

This is a good group of interviews and conversations done with Al Pacino. It isn't a biography, although it has bigraphical information. What it does is give the reader a small glimpse of a man who normally stays well hidden. If you like Al Pacino it is a good read, and gives insight into the behind the curtain reasons for some of his "quirks". The Kindle editon is formatted without problems. The only complaint is the pictures are small, but that is a kindle limitation. The words carry the book. So this isn't an issue for me. I have looked for the print edition and it was out a few days, sold out in book stores, and I haven't seen it since. It may be available on Amazon, I was checking when I found this edition. And didn't continue to look, the pictures aren't that important to me - I know what Pacino looks like.

Mr. Grobel's relationship with Al Pacino grows throughout this book. The book consists of numerous interviews by the author as well as magazine articles. Pacino talks about his many successful films, actors he admires, the Godfather III disaster, and his obsession with Richard III. This was a great read and allowed me to see inside the mind of one of my favorite actors.

Lawrence Grobel is a master interviewer and get some original and surprising answers of Al Pacino. There is no flattery for the celebrity here and if there's some is only in small doses. Pacino reveals himself as a down to earth guy who cares
a lot about his craft and about doing his job well(no more,no less) and shows an amazing sense of humour at times.This is the portrait of a true artist who loves his art.
Lawrence Grobel many times insist in questions that Mr. Pacino does not want to answer and many times out of insistence get an answer from the actor.
I truly find this book entertaining ,didactic and intelligent.

This is a great book for several reasons:

1. Pacino gives insight on many of his movies, discussing why he feels they were hit or miss.

2. Pacino talks about off-the-camera stuff, such as his childhood, his struggles in trying to become an accomplished actor and much more.

3. Pacino elaborates on his true passion and where he returns when his career is in a slump.

The introduction is very strong and interesting because it summarizes his career work. If you like Al Pacino, you gotta have this book.

Excellent book in interview form which delves deep into the fascinating and complex psyche of one of the most accomplished and gifted actors in cinema history. Reknown journalist and writer Lawrence Grobel goes to where no other interviewer/reporter has gone before:deep into the mind and thought process of legendary film and stage actor extraordinaire Al Pacino. This fantastic and thorough book explains in great depth the complex and brilliant acting career of Al Pacino. If you love Pacino's work like I do you will love this book. Highly recommended and entertaining. Al is widely known not only for his remarkable work on film and in the theater but for his passion for his craft. He is passionate about acting and is a very serious actor but who would of thought that this dark and intense actor would have a sense of humor. Some of the answers that he gives to Lawrence Grobel are actually quite funny. He can be serious when he needs to be and quite amusing when he feels the need. Get this book and you will not be disappointed. He discusses in great detail his entire career from his humble beginnings when he was a homeless struggling actor to his defining status as an icon of American cinema.

I found the history of the drive-in very interesting in this publication. It would make a great gift for any friend or family member interested in this type of history.

Although the drive-in theater didn't start in Hawaii, it may be that the outdoor movie did.
In "The American Drive-in Movie Theatre," Texas drive-in buffs Don and Susan Sanders have a photograph of a sizable crowd watching films projected against the outside wall of a building next to Sacred Hearts Convent School in Honolulu in 1906 -- about a year after the silent movie came to America.
It took a surprisingly long time to marry the outdoor movie and the automobile. In 1933, Richard Hollingshead Jr., the "father of the drive-in theater," opened the Camden Drive-In in New Jersey.
Although cars and movies seem as natural a combination as milk and cookies, it wasn't so easy for the pioneers. The Sanderses say the studios never liked "ozoners" and refused to make first-run, or even good second-run, films available.
And getting sound to the customers was a problem that took years to solve. When the problem eventually was put in the hands of a professional engineer, at RCA in 1941, a workable solution was simple.
But drive-in entrepreneurs were not engineers, nor were they the kind of people who turned to engineers for help.
They tinkered. The results were weird and wonderful -- and likely to annoy the neighbors. One solution was a giant speaker that broadcast the sound over the lot, and much farther.
Cold nights cut into business, too, but every problem was an opportunity to the drive-in operator: In Anchorage, the Billiken Drive-In offered 18-hour, seven-feature admissions in the wintertime.
The 1945-55 decade was the peak for drive-ins. The nation had more than 5,000 of them, though they never caught on much overseas.
From 1955 on, the Sanderses say, television and other changes started to suck the family trade away, leaving the field to teen-agers and Samuel Z. Arkoff's American International Pictures for another half decade or so.
Since then, drive-ins have steadily declined. There are about 500 left, mostly in rural areas. They require too much land to be affordable in cities.
Some individual theaters are doing well, and drive-in societies seek to preserve and protect them.
The Sanderses have traveled to more than 40 states to interview drive-in people and take pictures, and they have ransacked archives for illustrations.
They came up with enough material not only for this charming bit of nostalgia, but for another volume, "Drive-In Movie Memories."

The best book of its kind, bar none. Photos are excellent, and it is obvious that the authors really know and love their subject. Anyone who has ever spent an evening at the drive-in would love the memories this book evokes. Anyone who never had the opportunity to participate in the golden age of drive-in movies can experience it vicariously through The American Drive-In Movie Theatre. I've given several copies as gifts -- Everyone loves a Drive-In !

Being a huge fan of drive-ins, I really looked forward to reading this book. The only criticism I have is the sequence of the actual chapter text of the book, and the information inserts that the author has throughout. It is very "chopped" up. Reading the chapter, then turning the page to find there is information pertaining to something else on the next page. The chapter text starts a couple of pages later in some cases, breaking up the continuity. Other than this, it makes for a very interesting read for those who enjoy nostalgia and want to be transported back to a more simpler and fun time.

Don and Susan Sanders have captured the essence of the drive-in movie theatre and packed all of the magic into a really great book. I flipped hamburgers at the now defunct Belknap Drive-in when I was in high school and turning the pages of this time-machine brought back many memories. Forget about multiplex cinemas and theater complexes at the mall. The American Drive-In movie theatre lives!

I can't believe I've reached my 50th review.And it is happily on a topic near and dear to my heart.....Buster Keaton.
Buster was not as appreciated as he might have been in his 1920s heydays.And when his downfall at the hands of MGM came in the early 30s,as far as the public was concerned he was just considered just another fatality
like so many of his peers that occured in the late 20s and early 30s with the conversion to sound.He was soon forgotten.
But it didn't keep Buster down the least bit.He eventually battled back from depression and acute alcoholism.He was rarely out of work for very long and whether behind or in front of the camera he continued on like a trouper for the rest of his days.
The man lived and breathed comedy and never lost his ability in the development and creation of gags.And of course his masterful directing abilities and knowledge of the camera were unquestionable.
Buster fortunately lived long enough to see a steady resurgence in his popularity and homages from many in the film industry.And his public persona also reached new heights as new generations rediscovered his older films and/or relished his appearances in newer films and on TV.
This book then is a fitting tribute to a legend and one of the GREAT(and I don't use this word lightly) purveyors of screen comedy in the 20th century.
It is first and foremost a pictorial tribute.It is absollutely filled with wonderful photographs,some I have seen but others I have not.
It even has a photo montage of a Buster how-to on creating his trademark pork pie hat.
All this is nicely rounded out with text from the author and most especially his late widow Eleanor.
All in all I recommend this book highly to those who are just discovering this great screen comedy genius.There's no better way to acclimate yourself to his life and career.And to those like myself who have known and adored this mans' work for years,this book should be an essential piece in the Buster Keaton section of your library.

I've always been a little disappointed that Buster Keaton gets overshadowed by stars like Chaplin, mainly because he was more than just a silent comedian. In many ways, he was a daredevil of his time, always doing his own stunts and risking his life on several occasions. In today's Hollywood, what star would've dared let a whole house fall on him and miss by mere inches as Buster does in Steamboat Bill Jr.?? Not even Jackie Chan would've tried that one!

With that in mind, Buster Keaton Remembered is superb at illustrating a lot of the stunts and tricks he used in making his best movies, not to mention the man himself, with some glorious candid and studio photography.

The only real disappointment I found with this book is the text's general lack of depth. Sure, the classic shorts and features are all here. But his later work (post-1940) is generally glossed over. Many intriguing elements are also introduced like the death of one of his gag writers, his unreleased film "Ten Girls Ago", his family becoming part of Buster's films, etc. But in most cases, these are only mentioned in passing and get little analysis or explanation.

But then, Buster Keaton Remembered isn't really meant to be a biography - this is more of a coffee table book. So if you're looking for a stunning pictorial of his life, this is the one to pick up. If you're looking for more detailed insights into the man and his movies, it's time to head for the library.

I recently attended the Ninth annual Buster Keaton Festival in Iola .KS. It was my seventh visit. I met Margaret his Granddaughter and she autographed this book. The book is beautifally done in the vailed quality of the golden movie age. The pictures and story line are truly of love for this man from his wife and "grandaughter". James Karen also was present and received the "Buster". Stone face will be remembered as a common man with photos of him smiling. This is special because he was also a proud grandfather to his granddaughter. For a final tribute visit, Find a grave.com GOD BLESS BUSTER

the photos are worth the price of admission, many i had not seen before as a long time fan of keaton. the text is clear, and not horribly sentimental, which i was afraid to find as the book was co-written by his last wife.

gorgeous. really well done.

I thoroughly enjoyed this book. Being a fan of Buster, I've read numerous bios, ranging from mediocre to all out hatchet jobs. Students of the "Great Stone Face" will learn a lot, I certainly did. The photographs alone are worth the price of the book, epsecially the "stills" from THE GENERAL, STEAMBOAT BILL JR. and ONE WEEK. Keaton always seems to take the proverbial "back-seat" to Chaplin, but Buster was the better comic, by FAR!!! And, as an added bonus, you can see how Buster and Eleanor made the "pork-pie hats" worn in so many of Keaton's films.

This book is jam packed with great information! As the parent of child actors, I wanted to get the scoop on what casting directors are thinking. On auditions, parents wait in the reception area while their kids meet with casting directors in a separate area. Most of the time, the parents do not meet the casting director at all. So I never really get to see how the process works.

By reading "Casting Qs", I got all of my questions answered, without having to nag my kids for info! The best part is that even after reading the book from cover to cover, I can go back use the book as a reference if my kids have a meeting with one of the CDs interviewed. I think that this book is a MUST READ for any parent of a child actor, seasoned, or just starting out. I wish that I had read it even sooner!

With all the research that has been done for me in this book I've been saved a lifetime. I've just started utilizing some of the words of wisdom gathered and have a new perspective and energy on the industry because of it.

Bonnie Gillespie's "Casting Qs: A Collection of Casting Director Interviews" is the most important book to have on hand if you are an aspiring actor in the entertainment industry. This book has been referred to numerously by myself and my daughter, a child actor. Bonnie's format is non evasive yet to the point - a perfect blend of insight for a new person to this business or a seasoned professional. This book should be in the hands of everyone with a true passion for "making it". Each Casting Director that is featured offers an enormous amount of hits and misses to their daily grind. Anyone wishing to embark on this business would be a fool to ignore the straightforward words from these top casting directors....I give it two thumbs up...but if you ask our whole family (immediate and who have read it) WE give it 10 thumbs up!!!

Bonnie Gillespie's book "Casting Qs" is a totally invaluable resource if you're an actor in LA. Every actor needs a leg up and every casting director is different - how great to have a resource that allows you to differentiate yourself while appealing to the Casting Director's own sensibilities! I go to this book every time I read for a new casting director, and also for ideas on how to gain access to casting directors I don't know yet. It's not what you know, it's who you know - so why not learn how to know the people you need to know? This book helps you do that. One casting director says flat out to send in your headshot with Casting Qs on the outside of the envelope, he'll know you know a little bit about him and he'll take a look at you. I took him up on the offer, and he's serious! But you'll have to buy the book to find out who.

The most fascinating book on auditioning that I've ever read. Nearly 100 casting directors share their thoughts on what they like, hate, and everything else that falls inbetween. The most incredible aspect of it all is how often the casting directors say the same things.

I learned things in this book I wouldn't (and couldn't) have possibly learned without it.

This book is outstanding. Excellent real world examples. Takes readers from top to bottom through the industry. Really geared toward the whole independent/amature film community and how to achieve professional results working within the industry. I highly recommend this book cover to cover.

Being a skeptic, I tested Mark's capsule exercises on a script I was preparing for the IFP Spotlight Award. The results were unnerving - I discovered buried treasure I didn't know I had within my story and eliminated an entire subplot that didn't service the STORY. Mark demystifies the concept of marketing, asking simple, direct questions. By asking "why would anyone want to see your film?" Mark goes past just marketing and addresses the issues that draw people to filmmaking in the first place. When I put the book down, I had a clear vision of the kind of filmmaker I want to be - and a great set of tools to get there.

In the course of making a film, we found this book to be very helpful. It organizes info about the business side of the filmmaking process.

A lot of people throw the title "guru" around, but Bosko's the real deal. As a filmmaker, if you've ever wondered how to: get press coverage, create a media kit, find an attractive title; identify your movie's hooks, locate distributors, exploit the power of the web, get audiences and distribution and actually sell your movie or video...then GET THIS BOOK! Bosko "tells all" in an easy-to-read style that gets the creative juices flowing. No filmmaker should go anywhere near a camera without reading the hard-core, straight-up instruction and advice in this book.

This book is so great! I got a copy after reading a review and it lived up to every claim. The techniques in the book's "Self-Distribution" section showed me how to set up regional sales for a film that otherwise has not made any money up until this point! I can now proudly say that my DVD is available in 17 video stores in Pennslyvania and New York thanks to the tips in this book! Get Bosko's book if you want to sell your film - it is that simple.

Ron Penton, Data Structures for Game Programmers (Premier, 2003)

I don't normally get all googly-moogly over programming books. In fact, I just took a quick look back at my reading log since 1999, and a select few have gotten four stars, but nothing above that. But I picked up Penton's nine-hundred-page tome on Thursday and I finished it on Sunday. Nine hundred pages in four days. I've only been keeping track of page counts over the past year, but the books I've read that have come closest, page-wise, have been Robin Hobb's lovely novels, three of which I read earlier this year hovered around eight hundred pages. I read the shortest of them in eight days. And I love Robin Hobb.

Data Structures for Game Programmers is a wonderful book in no small part because Ron Penton was still an undergrad while writing it. Which is, of course, also the book's main problem, because someone like me who last saw ivy-covered halls well over a decade ago is likely to be sick with envy that some little greenhorn has already found his way into the world of professional computer-book publishing (and by "professional" here I don't mean "published by recognizable press," I mean "the kid's already published three books in three years, and they're ALL monstrous tomes, when does he have time to program?"). But let's face it, you expect something different when you read a book by a young writer, be it the hot new novelist or the new kid on the programming block. And Penton delivers it; Data Structures for Game Programmers is, if you're a programmer, the most readable computer book you've ever come across. Penton seems to have a healthy disrespect for textbooks, which he alludes to a few times in the course of the book, and it shows in his writing; he wants to write something that will teach you more than a textbook by being more accessible. And in this goal, he succeeds. Brilliantly. I learned more about C templates from reading this book than I have in any other three books devoted to nothing but templates, and here they're just referred to a few times in passing. How is this possible? Because Penton explains things in language far easier to understand than that of most programming books; simply put, he hasn't yet been so overwhelmed by jargon that he can't see when he's written something the layperson might not be able to understand, which is a common ailment among programming authors.

Also, there's been some minor grumbling from some critics about the book's insistence on reinventing the wheel. Of course it does. That's how you learn to program-- you bang away at it, doing something that's already been done, until you figure out why it's done that way. There may be five or six people on the planet who can read it in a textbook and immediately figure out why it's the case (and, one assumes, they are the same people as those critics), but the rest of us are much happier seeing it this way.

If any computer book publishers happen to be reading this, you, especially, should be reading Data Structures for Game Programmers. See what it's like. Try to get the rest of your authors to emulate it. You'll have much happier customers that way.

This is one of the handful of books I've read since getting a library card again (a total, in fact, of four since 2003) that, after returning it to the library, went back on my Amazon wish list, because I want a copy for myself.

i wanted a book to brush up on some data structures since i've been out of programming for a few months. plus, most of my learning of these has been self taught and from the internet where there is limited (good) writings on more complex subjects such as programming. so i wanted to have a fresh perspective. not only does the book contain very useful details in many areas and to the point information (gets to the first data structure by page 14!) but the author somehow makes this stuff fun to read.

the author doesn't go hugely in to depth in some areas but that's pretty much what i wanted since i am already familiar with how to use most of the stuff. very good book and i'd highly recommend it. hope this author continues with more books!

This book actually teaches Data Structures!! Data Structures are the essence of programming. Ron manages to present all the basic Data Structures and the most famous algorithms in a clean and gentle way.

Many many thanks to Ron Penton for his help! Ron Penton really knows how to write a book! His way of writing shows that he knows the subject perfectly and presents it in a way that anyone understands what he is talking about. No matter how hard the topic is! By the way, Ron Penton has a great sense of humour!

If I could I would give one more star for the GREAT job he did with the CD. Although I intended initially to learn Data Structures, I also learned SDL. Perfect combination for someone who wants to start writing games!

A pre-requisite for any book on Data Stuctures is that the person should be comfortable with the syntax and semantics of programming in a high level language such as C++ or Java. Hence this book assumes that you are comfortable with C++ and OOP. There is no such thing as Data Structures for Absolute Beginners. So discard the review with 2 stars. Overall this is an excellent and interesting book on Data Structures.

Bottom line is this, you can find the information presented in DS4GP in any other good book on data structures but what sets this book apart is the presentation, organization, practical content and the writing style of the author.

It's definetly not for beginners or for a person looking for a very detailed book on data structures that covers AVL trees and red-black trees. But for the other 99% its a must buy.

i wanted a book to brush up on some data structures since i've been out of programming for a few months. plus, most of my learning of these has been self taught and from the internet where there is limited (good) writings on more complex subjects such as programming. so i wanted to have a fresh perspective. not only does the book contain very useful details in many areas and to the point information (gets to the first data structure by page 14!) but the author somehow makes this stuff fun to read.
the author doesn't go hugely in to depth in some areas but that's pretty much what i wanted since i am already familiar with how to use most of the stuff. very good book and i'd highly recommend it. hope this author continues with more books!

I love these Official Guides for the X-Files. They tell the entire episode in just enough detail if you may have missed something or have not paid enough attention. They also have the "Backstory" so you could find out information you ay never have even heard of. They have quotes from the fabulous stars. I just wish they would have had more from and about the stars. Bt other than that they are fabulous. I have my rating as 5 stars but because of this I would pick four and a half if I could. They tell everything you need to know and more about the greatest show to ever air!

I love this book,I especially like the behind the scenes stuff, it's great.I recommend this book to anyone who is the biggest fan in the world to the show like me.It has a great picture of David Duchovny in front of the mirror (very cute). I have almost all of season 6 on tape so it was very interesting to read the behind the scenes stuff and see how they made the episode.I have all of season 7 on tape so I can't wait for the next book to come out.I am running out of blank tapes!

I admit to being a X-Files addict, and so this was necessary to try to understand the show. It, and its previous 1 through 4, have made my interest in the X-files grow as I finally got clues and tremendous answers in reviews and stories from many missed episodes. A lot of work obviously went into these books, and I wait eagerly for volume 6.

The End and The Beginning is just another great book in a great collection. It is one of the most descriptive guides yet, with great color photos and a play by play look at each episode from season 6. If you are a true X-phile, this book is a necessity. This is a great look at the series while Scully and Mulder were still on the same planet, so to speak.

This is definitely a must-have for any X-Phile, especially if you missed an important episode of Season 6. It contains a detailed summary of every episode in a mini novel-like form, with commentary about that episode. It's also great to have if you desperately want to view a Season 6 episode, but you didn't tape it. In this book, you can READ the episode. I know it's not the same as watching it, but it's something. And for all you 'Shippers like me out there, you can re-live all the greatest 'Shipper moments, like in the episode "Triangle."--the famous kiss, and Mulder's famous "I love you" line to Scully. And let's not forget the part in "The Unnatural" where Mulder teaches her how to play baseball, or in "Dreamland" where Mulder dances in front of the mirror while in the body of Morris Fletcher.

The book also contains colorful photos commemorating every unforgetful moment of the season. Now I can't wait for the next volume. I'm one of the unfortunate people who missed the Season 7 finale, where Mulder gets abducted and Scully announces to Skinner that she's pregnant . . .

Exquisitely illustrated, beautiful layout and easy to read, this book provides insight into the making of these groundbreaking computer games. Richard Kadrey has created this volume clearly showing his love and appreciation of the Myst game. This book should be included in the library of every design college, as it shows the development, mapping and design process of the creation of Myst.

The book has an introduction by Rand and Robyn Miller and is divided into four parts: Inception, Preparation, Construction and Completion. Included is even a lexicon of the D'ni grammar.

Well worth the wait and the price!

Despite having read all the five star articles, about how wonderful this books is. I was still utterly blown away by it when i received mine. The book cost me about 85$ with shipping, but I live in DK so in addition I had to pay extra tax totaling a cost of over 100$, despite that this book is still well worth it. note however if you live outside the US. you might want to check shipping options since this book is very large (about 35cm in height)and it will cost a great deal to ship, thus you might get it via regular mail (witch takes forever). For anyone interested in CG, computer game history, Myst, D'ni, or Multimedia, This book is an absolute must!

"From Myst to Riven" is a positively amazing book that follows the arduous journey of the Cyantists from creating two of the greatest games ever made. All the way through Inception, Preparation, Construction and Completion, Kadrey takes such an in-depth look at the inner workings of Cyan that you feel as if you helped them along in making it. Breathtaking visuals and intriguing narrative make this a book that's a must-have for any hardcore fan.

Most computer games don't much for me. I'm not into shoot-'em-ups, and I learned back in the days of the original ADVENTURE and ZORK that I wasn't that great at puzzle-solving. Oh the other hand, I've been playing MYST and RIVEN regularly for years, even though I haven't solved that many of the puzzles. I'm what this author calls a "tourist," a player who just likes to wander about the Ages of these games and gawk at the exquisite artwork and music, and marvel at the fantastic realism the design team has managed to put into their worlds. This book brings all that out in some detail, describing how Rand and Robyn Miller came up with the basic ideas, how Richard Vander Wende turned all their plans on their heads and made the game the masterpiece that it is, how even the sounds you hear are apt to be clues (I never knew that!), and -- above all -- how none of the team let themselves be hurried in their quest for something as close to perfection as they could manage. Like Tolkien, they even invented a detailed language for the D'ni. Amazing stuff.

This gigantic book features stunning full page renders of key scenes from Riven, as well as various high resolution screencaptures. It also takes you through the entire process of making Riven, from the completion of Myst to the completion of Riven. It shows you how the story was developed (and additional bits to the story), how the stunning photo-realistic graphics were acheived, how the sound was done, how the design and visual look came about. In the background, it tracks Cyan's rise from a small company in a garage into one of the most profitable independent game designers in the world. Being a fan of the whole Myst universe and of computer technology in general, I absolutely love this book. I have it on my coffee table. While I have other things to attend to, my guests can flip through it until I have time to sit down. The process that went into making Riven was enormous and complex, and I salute Mr. Kadrey for getting down into words.

Though I could have lived without some of the articles, mostly this is a great guide book to movies. I laughed while I read it, and I liked the movie picks a lot.

At first glance, this is a book you think you might want to pass up, but it's the perfect guide! These four girls have very different tastes, but each of them have a lot to offer. With little side-bars, and essays, this book is as fun as they come! They have made some very good recommendations for me. If it weren't for these four, I wouldn't be able to expand my horizons. But they're the type who make you open your mind. I mean, I hadn't even heard of 'Gas, Food, Lodging' before this book and let me tell you, it's a good movie! So get this book and see what these girls have to say. You might find a gem of a movie that you enjoy just as much as they say you will.

This can be read as a reference guide OR for just plain pure pleasure--for me the latter...these woman have a great, unigue voice.

I first became familiar with the Girls on Film through their Website. Amazingly, I almost always agree with their movie critiques. That's why I knew I wouldn't be disappointed with this guide. It's more of the same conversational tone and is filled with a lot of movies I know, but also a fair ammount I haven't seen (yet). I'm looking forward to making my way to the video store. The Girls are friends who make you feel welcome- a great movie guide with multiple gen-x style blurbs which are very amusing!

Though far from an all-encompassing movie guide, it is still well-worth the price of admission. I didn't always agree with the choices they made (I mean, Andrea, come on! "My Fellow Americans"???). But I enjoyed every page of the book and found it to be among the wittiest I've read this year. My one complaint? It was too short. I wished there were more!