Video Books

I was pleased to have this book be in prime condition when it arrived. The price was excellent. The order came in a timely fashion.

The Art of books by Pixar are wonderful. For the artist these books give a great background into how the art brought the story alive.

I highly recommend these books, especially for those who love Pixar.

If you enjoy learning the behind the scenes process that goes into many of the animated and computer animated films of today, you will love this book.

It shows step by step the drawings and thoughts that went into each character in Radiator Springs and also the creation of all the backdrops. From the smallest signs and orange cones to the racetrack and beyond, you can see how it all evolved.

It's nicely bound with a great jacket cover. Definitely a nice coffee table book your guests will enjoy leafing through or the perfect addition to the library of any art and animation lover.

I purchased this art of book recently and found it one of the best art of books I now own. The illustrations are very helpful to my concept art assignments. Great reading

I have to say, I love this series of books. Seeing the concept drawings for the movie is wonderful and how they got there inspiration for what eventually became the charming and funny movie CARS.

Pixar's most recent animation is fully revealed in this wonderful art book. All the research, ideas, and concepts are printed gorgeously in this book. You see how the ideas are captured on paper to guide the production teams to make one of the best animation in years. Conceptual ideas of characters from the beginning to the final rendered CGI model on screen are all there. The landscape is captured in with colorful pastel paintings. Even all the details from neon signs to the Southwest vegetation are drawn out for you to see. Everything in the book is traditional artwork techniques from pastels, blue pencil, to gray scale markers. Only a few pages have any 3D images for you to see, but in an age where everything is computerized... its really nice to see that old fashioned techniques being used.

Its a quality book I highly recommend for the Pixar fan, 3D animation enthusiast, and art students.

this book is fantastic. in a very beautiful and big format, it's complete with all the bondgirls in a great description. very good if you are a bond fan or at least a woman lover!

Overall the book is ok, however for a coffee table sized book (It's rather tall, which makes it awkward to store in a bookcase - well mine anyway) there's not enough photos, and a bit too much text. Almost all of the photos I'd seen before, so while most people new to the Bond world might be impressed, there's not enough unique content to make the book a must have. Actually come to think of it most of the text does seem like filler, too generic to be interesting. A book this size shouldn't be a novel, it should be mostly photos. With only one or two photos per actress there definitely needs to be a lot more photos.

great pictures and an in depth look at each girl and her relationship to the movie

Perhaps my expectations were too high, but when I had read other reviews I hoped for the best. This is not the best. So, what one is the best? It is the one yet to be published. yet I will admitt that this one is the best out there that I have seen. A book on Bond women should have a lot more pictures, and more inside stories would help as well; yes, more photos, that would do the trick.

If you are a James Bond lover...you will ENJOY this book!!! Great book!!!

While it's size may seem like overkill, this book packs a punch! Once you open it you'll see that it is definitely worth the money you'll pay for it. The photographs are really great and they give you a really cool behind the scenes look at the sets of the entire Star Wars Saga. Many of these pictures have never been published, so that alone is a very neat feature! And this book is more than just a pretty picture as it has some really well written and informative bits that I had very little understanding of before I read it. I now have a better grasp of set building and computer animation and special effects. I recommend this to any Star Wars Fan!

WOW - photos I've never seen anywhere else! What a fun non-read this is!!!! For sure a book to talk about and keep on a coffee table! Small, packed and colorful!

This book offers a very nice mixture of inside views to the making of the original Star Wars movies as the new series Episode I to III. Each day (or double page) is showing one aspect of this amazing series with lots of pictures and information waiting for you.

Only downside in my opinion is that it is a bit too much focused on the new Episodes even though there is tons of information about the original movies too.

On the other hand you have a CD with 360-degree-views of some sets and some rare pictures on your PC!

All together this might be the perfect gift for a Star Wars fan like me ;-) 5 Stars!

This book is not the same old thing. It features pictures I'd not see anywhere else. Its a very heavy, very thick book full of great behind the scenes stuff. Worth every penny. I just wish John Knoll would make an equivelant book for Pirates of the Caribbean.

This book is really cool for most Star Wars lovers. It shows you how they filmed the movie. You can see who played the Wampa. I think the coolest part is Mustafar because you can see the lava river bank. You can also see on one page all the Astromech droids. You can also see alot of cool other stuff.
You should buy this book if you're a Star Wars fan!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Elia Kazan was arguably one of the most influential people that theatre has ever produced. He had an amazing life through his art, and outside of it.

Here, at the age of 77, past the point of modesty, conceit and pride, he tells his remarkable story of learning his craft, harnessing his incredible God-given talent, and channelling his drive into success.

We learn about his trysts and liasons with other icons, his marriages, his faults and missteps.

He owns up to many things that have not made him proud, including naming names during the deplorable McCarthy communist witch hunts of the 1950's.

He talks openly of his failures as a parent and a husband, his infidelity, and his loss of faith.

He also recounts his many astounding successes in film and theatre, including the many great actors and actresses he worked with.

His honest self-assessment is a breath of resh air.

This is one of the greatest autobiographies I have ever read.

This is the best show-biz biography I have ever read. Poor, Greek immigrant, Kazan fought his way up the entertainment ladder to direct my favorite movie (On The Waterfront) and my favorite play (Death of A Salesman). Along the way to these achievements he was an original member of the Group Theater; he relates his experiences there including an in-depth retelling of his relationship with Lee Strasburg. He met prectically everyone in the business from an aspiring Marylin Monroe, Marlon Brando, James Dean, Arthur Miller and what seems thousands of others in the theater and movie world. His antecdotes are fresh and revealing, even those that may be common knowledge. Of particular note are the chapters devoted to the making of Streetcar Named Desire and On the Waterfront. His work with Brando, who was seldom better than when he worked with Kazan, is discussed. Along with his great movies and plays, Kazan tells his side of the House On Unamerican Affairs controversy that swirled about him until his death. While the book is massive at 864 pages, it is over too soon. It is a rare, literate portrait of the man Kazan, who changed American movies and theater forever-- and for the better.

One of the most honest, compelling, brilliant, wise, stunning books I've ever read. Kazan's life was awe-inspring, and to have it retold with such lucidness and unflattering candour is a gift for the ages. Not only was he one of the greatest theatre directors and film directors of the 20th Century, he writes like a blessed demon. This was a spellbinding, page-turning read. Immersed in its pages, I learnt so much about life, America, directing, theatre/cinema history, and myself. I also learnt more than I've ever known about how men think (wish I'd read this years ago).

It's such a pity Kazan's life has become simplistically defined by one act, and his artistry overshadowed - ironic, too, considering he made films with a deep, compassionate, liberal humanity. You can look at his life through through the prism of that one act, or read this for a much richer, fuller, deeper understanding of Kazan - the good, the bad, the ugly. And the genius.

This book made me want to live my life more fully, view myself less vainly, and create my work more honestly. Can't ask for more than that.

I was truly surprised by this book when I read it some years ago. I was surprised by how engrossing and powerful it was , all the way through. This man lived a tremendously interesting life, rich in great creative challenges and triumphs, rich in meetings and experience with remarkable people, rich in sexual adventures and complex human relationships. The story of how the child of Greek immigrants came to become the director of two of the classics of the American Theatre "Death of a Salesman" and a 'Streetcar Named Desire" and of two of the great American movies, "On the Waterfront" and " East of Eden" is told with remarkable frankness and perceptiveness.
Kazan does not come across in this work as a saint, but rather as a truly strong person who took what he wanted from life, even if this meant hurting others. His personal and inner torments however too make up an interesting part of this story.
One more point. His writing follows the rule of Henry James and is always interesting. This is a work whose richness in anecdote and event are so great that it fits into the 'couldn't put it down' category.

With a former Supreme Court Justice warning the USA today (March 10, 2006) about starting down the road toward a dictatorship, it seemes fitting to re-visit the House Un-American Activities Committee (HUAC) in the 1950s when the right-wing was trying to scare our citizens into giving the government supreme power, just as neocons are trying now.

Elia Kazan defends his decision to name names during the Hollywood Hearings of the 1950s, saying that his ideas toward the Communist Party had changed and he thought the higher ups (maybe from Russia) were dictating policies to the American communists in the movie business.

Maybe so, but he also admits the Hearings already had all the communists' names and admits they were only showing their power to control people here in Hollywood,using intimidation to instigate the blacklist. In real life, the USA government was the bully, not the old, tired communists of the 1930s.

If so, then why did he ever think the movie he directed, "On The Waterfront," was a good analogy for what he faced? The USA government caused the black list and precipated suicides and family break-ups in their Hollywood investigation.

It was the mob who caused the deaths and intimidation in "On The Waterfront." Is Kazan saying that Congress behaved like the mob? Or that the mob behaved like Congress?

Granted, Kazan was a great director, brilliant at times. But to him the bottom line was the bottom line, and to keep his position as an all-star director, he had to name names. While he tries to seem noble, the reader can see his 'reel' motivation was money and his career. So what if he named names! He was working.

Today, we see the right wing using similar tactics in the Bush administration: questioning people's patriotism, using smears and mud-slinging against opponents, trying to get people fired if they disagree with neocon policies, keeping a blacklist of university professors who oppose them, and most recently, equating the AARP group of loving gays instead of our troops.

After reading Kazan's book, I did gain a firm insight into right-wing politics, and these politicians use juxtaposition of images to label their opponents. Right-wingers still don't care if they distort the record. To them, winning is everything.

I noticed that no African American entertainers or producers were interviewed for this book. Maybe Michele doesn't know any black folks - hmmm. HOWEVER, I do recommend this book for anyone interested in an entertainment career. It gives an important slant on how to find work in the industry. It approaches the subject from both a metaphysical and practical viewpoint. The interviews from people working in the field were insightful and valuable. I would have given the book a 5 if there had been more diversity. I believe the experiences of successful "minority" entertainers would have given the book greater value.

I've spent countless hours and money pursuing my acting career before I running into this book at http://www.SuccessInActing.com I've overlooked many of the facts written about which could have saved me frustration, wasted effort, and money if I would have read this book first.

Michele Blood has written a magnificent book with all the ingridients to inspire you, educate you and put you on the right track to manifest the life of your dreams. Highly recomended!

I learned these techniques from Rock last year and have attended his amazing seminars where industry insiders speak frankly about how the BUSINESS of acting operates. I have been in this industry longer than some of the other seminar attendees have been alive, and I have never heard anyone speak these eye-opening truths before. What a gift for any actor! Michele Blood is a beautiful little whirlwind of enthusiasm, bubbling over with love for the world. Both of these people are inspiring, uplifting and genuinely interested in helping people succeed. Among an industry famous for its charlatans, they prove that at the heart of Hollywood are beautiful people. If you can't attend their seminars - or even if you can - this book is a must-have. Oh, and I want to mention that in the last two weeks I have scheduled 5 auditions and one callback, and I am currently cast in four films which are in various degrees of development. God bless you, Rock and Michele.

I'm a metaphysical fiction and screenplay writer with a daughter who graduated from The American Academy of Dramatic Arts some years ago. How I wish this book had been available to her. The succinct, straightforward and highly useful advice in this book wasn't available then nor is it available elsewhere now. It approaches success in Hollywood, or in any business or life endeavor at all, from the two most important fundamental aspects - the outside and the inside - workable, useable business advice by Rock Riddle, and practical, amazing techniques for continually keeping your spirit and personal action pointed in the right direction by Michele Blood. What a terrific team! This book is a complete package, underscored by meaningful interviews with successful individuals who have intuitively put these principles into practice in their lives. The compilation of information in this book is truly astounding and shouldn't be missed by anyone.

The Frommers are terrific interviewees and their book is a history and an entertainment resource about the Catskills - what else would we expect from oral historians of their rank.

GREAT INSIGHT INTO WHAT THE CATSKILLS WERE ALL ABOUT

WONDERFUL COLLECTION OF REMINISCENCES

wonderful oral history - - -covers a lot of territory

While working at the Nevele Country Club, one of the many legendary Catskill resorts covered in this magnificent document, I briefly met Myrna and Harvey Frommer while doing their research. They probably don't remember me, I was too young at the time to offer the kind of history they were looking for, but the pair's enthusiasm and obvious love for the area's resorts and their unique (now long gone) familial atmosphere was readily apparent. When I finally got to read this book, it provided me with a sense of pride for being a part of its history. There's even an ancient picture of my father playing sax in the old Art Kahn Orchestra! But aside from personal connections, this book stands as a definitive oral history of an era. The people interviewed are true insiders, some of them legends in their own right among Catskill lore. And while the book provides some deep sociological perspective concerning its ethnic background, the authors know how to balance this with charming, amazing and often sidesplitting anecdotes. If you ever spent a weekend at Grossinger's, The Concord, The Nevele or one of the dozens of small bungalow colonies, this book will wash you in warm memories. And if you didn't have the chance, it will make you wish you did.

Dazzling and intense works. Good overview of his output. Although this is not the Collected Poetry of Heaney it does contain almost all his best poems up to 1996, as well as his Nobel Prize acceptance lecture (a gem) and an excerpt from his play Cure a Troy. Essential poetry volume.

I needed the book for a class... I went in to reading it like it was going to be garbage... But it actually was a little bit interesting...

strong poems, there is a sadness and a resignation of fog that permeates these poems. this is a melancholy man, one for whom the all-pervading glue of inaction and paralysis bounds him to a bleak world, soiled and grey and drab. this is a weary poet, too nauseated with reality's bruised soldiers, slovenly rudeness, the uncouth glutton, the debauched fiend. i enjoy him, immerse myself in his dust-gloom, his inability to soar into elation and falcon-freedom.

author of Lorelei Pursued and Wrestles with God

After currently studying the quality of Seamus Heaney's poems, i am quite sure that this book will not dissapoint you. The quality of Heaney's poems are somewhat outstanding, they are a shock, as you dont normally read poems of this sort, and once you read one, you have to read the others. One of my personal favourites is Mid-Term Break.

Written by Kirk Aged 14

If you have not read Seamus Heaney, then you are not in touch with what the English language is in its heart. Heaney's simple, unstrained word usage, coupled with a deep knowledge of the rich Anglo-Saxon which is our cornerstone, evokes a strength which comes not so much from what we see and know as from something which is rooted deeply in our psyches as Anglo-Europeans (or at least those living in and a part of such cultures). Heaney also brings to light the beauty of the ordinary, primarily by weighting it with the yoke of history and the various passions of his fellow man.

I bought this collection because I enjoyed others of his works (especially The Spirit Level and Seeing Things), which I uncovered at the library, too much to go long without his poetry. And this collection turns out to have all of my favorites from those volumes, as well as the best and most skilled of the poems of his earlier volumes. Do I recommend it? I wouldn't have prominently displayed the fact that I was reading it in numerous public places if I didn't, now would I?

Michael Troyan has a gift for biography. I hope he can collaborate with Turner Classic Movies to produce a video on the life of Greer Garson.
This book makes me wish I could have known Greer Garson. She loved and respected her mother, she loved her husband, she loved children and orphans and the disabled and disadvantaged. She loved her dogs, ranching in New Mexico, history, and she loved Texas...makes me love her even though I never met her. Good job, Mr. Troyan.

Modern actors and actresses don't seem to have the charisma, style and elegance of yesteryear's stars. Maybe that's because most of today's actors are really nothing but pitiful celebrities striving to be what once was, when Hollywood was golden.

I long for yesterday when it comes to film stars: Betty Davis, Myrna Loy, Katherine Hepburn Ginger Rogers, and so many more. Oh, yes, and that includes Greer Garson. The beautiful and talented woman we thought was born in Ireland in 1908, was really born in London in 1904.

Author Michael Troyan delves into Greer Garson's life, as much as anyone could, given that she was an extremely private woman. He carries you through her intense desire to succeed as an actress, her `discovery' and career struggles to resist being typecast, all the way through her marriages, and to her death on April 5, 1996 at Dallas Presbyterian Hospital with Van Cliburn at her bedside.

I'd always thought of Ms. Garson as a brilliant actress who could get any part she wanted. I had no idea of her struggles with Metro-Goldwyn-Mayer. One of my favorite films is the record-breaking "Mrs. Miniver." I get chills thinking about her Academy Award-winning performance.

And while it felt a bit like voyeurism looking in on her life, I'm glad I visited it through Troyan's eyes. It was a satisfying trip. And the author did a marvelous job showing us a small part of the woman who was Greer Garson.

For a compelling look at one of the best actresses to ever grace the stage, big or small screen, read A Rose for Mrs. Miniver: The Life of Greer Garson.

Armchair Interviews says: This is a wonderful slice of our American film history.

All too often, celebrity biographies are depressing catalogs of scandal and hedonistic, self-destructive behavior. Not this biography. When you finish it, you are sad, but it's because Greer Garson is no longer with us and you will never have the opportunity to meet her.
This fascinating biography is full of vignettes that reveal the character and personality of this woman who overcame chronic illness and many other obstacles to become one of Hollywood's most respected actresses. Examples of her warmth, sincerity, and decentness abound. As her beloved husband of more than thirty years to whom she is devoted lies near death in a Dallas hospital, she stands by his bedside with an old friend and recites from memory her favorite Psalm. Asked to read the Bible at a church service on Easter she realizes she has forgotten her glasses. She composes herself and ad libs for the congregation a beautiful and memorable message of her own.
She contributes millions to fund libraries, build theaters, establish scholarships, and support medical facilities. At the College of Santa Fe to which she has donated millions, she can be found on occasion pulling weeds and tending favorite rose bushes. She was so admired and respected in Texas where she had a home that she was formally asked to run for the U.S. Congress.
One hopes that Mr. Troyan or some other writer will gather Greer Garson's letters and publish them and that the A&E Network will finally remember her in an installment of "Biography." In the meantime, Garson fans should buy this book. It will inspire you and enrich your life and your appreciation of this beloved actress will only deepen. A richly detailed, superbly written biography of a truly lovely human being!

This book on Greer Garson I highly recommend. It's very balances and tells of the good and bad times in her life about her career andher fmaily. Though i must admit I wished it had mentioned more about her interests and personal life off screem. But overall it's really well written and interesting book about alovely screen actress. Greer Garson really had class
and a wnderful grace about her in all of her films

An excellent read if you're into details. For me, the details got a little overwhelming, but I so much wanted to learn more about this actress that I admire greatly. Sadly, as the author himself stated, it was difficult to write a biography because Greer Garson was a very private person and did not give many interviews or express many personal opinions in public. However, he richly details her movies, her public service, and others' opinions of her (and a good name is more desirable than great riches; to be esteemed is better than silver or gold). I have always enjoyed watching her many films and am tracking down as many of them as I can on DVD so this made for a fine addition to my collection of her work. I enthusiastically recommend this book to anyone who enjoys reading and loves any of her many films.

Tarkovsky's 'Sculpting in Time' offers a fascinating glimpse into this master's theoretical and poetic approach to his craft. Reading it alongside with 'Time Within Time', his diaries collected, the text casts a new light upon the work and mind of this artist of truth and sacrifice - A true must for art lovers worldwide.

I was introduced to Tarkovsky's work about 20 years ago during my time in film school, and The Sacrifice was the movie that turned me on to his outstanding cinematic legacy. The more I saw, the more I wanted to learn about the artist. Then I came upon Sculpting In Time; a cinematic memoir which has forever changed my life, and my artistic visions.

This book is nothing short of inspirational. I highly recommend it even if you are not familiar with Tarkovsky's work. Each chapter is loving written, eloquently detailed and profoundly insightful on topics such as the importance of sound, story and visual aesthetics in filmmaking. Tarkovsky's ability to, quite literally, sculpt cinematic moments in time in each of his films is nothing short of genius.

Thames & Hudson have triumphed with what collectors might regard as a limited edition, artist's book.This isn't the place to start chipping into Tarkovsky. It is more the devotee's piece - a touchstone which alludes to the magnificent ediface of his films: all which return the viewer to their world with a deeper, more spacious vision, an expanded present moment. In 'Rubelov','Solaris', 'Stalker', and,'Sacrifice', to name my favourites, he re-invented the epic with sustained inquiries into our transience without heady verbalism or vanity. To grapple with his own thinking about his achievements and how he positioned himself as an artist, one should seek out,'Sculpting In Time,'penned towards the end of his relatively short life. Recently, French documentary-maker, Chris Marker('Sunless') compiled a stunning homage to this Russian cinematic master. Bits of Tarkovsky's aforementioned book, and excerpts from his diaries appear with the reproduced polaroid snaps(the present book's theme)which fall into two geographic zones, Italy & Russia and are bookended with short tributes by two Italian friends. Every effort has been made in layout to convey the darkened atmosphere in which the illuminated materiality of these world's float to the viewer's eye. And in images barely larger than matchboxes this scale has some of the hallucinatory power of his movies. The layout & medium insist on episodic, fragmentary framing. Tarkovsky's films privilege the same exquisite framing with a sensual appetite for textures above narratives that makes us feel newly arrived at a primary experiencing of the world. These polaroids could have served as his flexing towards film projects: even their outtakes.

Sculpting in the time represents one of the most expressive eloquents statements of one of the supreme masters in the cinema art as Andrei Tarkovsky was .
All long this book you will read several aspects of the man , the thinker , the poet and above all the unvaluable reflections about the art in general and his craft in particular .
Tarkovsky makes an account about all his filmography ; making a detailed and exhaustive explanation about every film .
You will understand in all his wideness conceptual some concepts derivated about the role of the cinema in the actual world . The influence of ancient directors , his opinions about the role of the artist in the world , and some mesmerizing photos from his films as Ivan' s childhood , the Mirror , Nostalghia or Andrei Rubliov . There are some poems from his father Arseni Tarkovsky who were part of films such The mirror in the Spanish Civil War and the poem from the poet from Nosthalgia for instance .
It's a must for you to acquire this book . For me it was a delightful surprise to get this text in New York in 1995 .
Fundamental artistic legacy from this russian ( 04-04-32 / 12-29-6 ) master: in memoriam!

"Sculpting in Time" is truly an amazing work of art in its own right. Certainly filmmakers have written books about their artistic styles in the past. Philosophers have written elaborately on the subject of aesthetics as a whole in the past as well. And yet "Sculpting in Time" offers those with aesthetic interests something truly unique.

It should be forewarned that Tarkovsky, like Ingmar Bergman, was heavily interested in aesthetic philosophy. In fact Tarkovsky's ideas regarding art borderline the metaphysical (as this book is often used in higher level philosophy classes), and yet - through the tone in which the book is written - "Sculpting in Time" manages to appeal to the average Tarkovsky or cinema studies fan in such a way that no other aesthetics book has managed.

Tarkovsky's self-written "Sculpting in Time" is an amazing supplement which describes the brilliant filmmaker's use of filmic techniques but also goes a step further by explaining (at great length), why the filmmaker believes those techniques are significant. The value of his tried efforts to create a meaningful work of art directly relate to Tarkovsky's view of art as a whole.

Tarkovsky's views of art are complex and yet are reiterated for the reader so simply they stand out in "Sculpting in Time" like a gem. For instance the underlying theme in Tarkovsky's writing is the idea of an "absolute truth" of art which can be derived a given piece of art. Without giving too much away, Tarkovsky's beliefs, as expressed in his chapter "Imprinted in Time" mostly, is simply that art done for the right reasons - containing some form of objective truth within it - serves to link us (subjective beings), with an "absolute." From that blooms Tarkovsky's entire creative aspect fans of his films know and love him for.

I have to recommend this book to anyone interested in aesthetics, cinema studies, or Tarkovsky. I think this is a nice supplement to have when watching Tarkovsky films as well, so it might just serve to spark the interest in a philosophy buff to check out a few Tarkovsky films! Enjoy!

It was something else to watch and it was another thing to see how the masterpiece was made. The book goes over the characters, how the actors made the role, the music, sets, costumes and has part of the original script. Plus, it gives great insight on Tim Burton and other artists' decisions into developing the scenes, climax, music, and characters.

The thing that makes this book is the pictures. It's hysterical to see a laughing Sweeney sharing a joke with Tim Burton. Plus, you get to see interesting behind the scene shots and the original set and costume designs. I'm very glad I bought this book and I still look at it even though it has been almost half a year since the movie came out. Five stars!

This is the greatest book ever. That is if you liked the movie of SWEENEY TODD! This is a great book for any movie buff. Especially if you like to know how movies are made. Definately worth buying

I have had no problem with the CD it self, and the music is wonderful. It's like reliving the movie every time you listen to it. Every time you listen to the music you find more reason to love the movie.

This soundtrack was amazing! I don't think it is possible for any producer to have done a better job. It has all the songs that are in the movie, and each one is played exactly how it was in the movie as well. My favorite part is how there is some dialogue between the verses and lyrics of the songs. It really is like a quick summary of the movie.
I absolutely love it!

What a great conversation piece to have set out on your coffee table. Very well put together and very interesting. Again, if you are a Johnny Depp or Tim Burton fan it is a must have.