Training Books
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Fitness Professional EndorsementReview Date: 2006-12-01
Pure Snowy DynamiteReview Date: 2006-11-30
Ready to Ski!Review Date: 2006-11-30
On the mark, cogent and super practicalReview Date: 2006-12-08
Dr. Herby Bell
Capitola, CA
Terrific hands-on manual for ski/snowboard conditioningReview Date: 2006-12-01

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Front Kick: Force Impact! Review Date: 2008-08-07
Shawn is quoted as saying "In an unarmed self-defense encounter, your kicking skills or lack thereof, can be the deciding factor between victory and defeat. In today's society, kicking is not only used more frequently, but it also ranks as perhaps the most versatile and underrated weapon that you have in your arsenal." I agree with him.
I found "Front Kick" (volume 6 of 10 in the series) to be so highly detail oriented that it overcame any presupposition of dryness and boredom to which I initially attributed to it. In short, I was "hooked." Laid out in terms that the novice can easily follow and the practicing martial artist can incorporate into his or her regimen, Shawn starts out with the historical background of the Front Kick and then introduces the reader to the physical and physiological body movements and mechanics associated with the kick.
Providing tips on conditioning and training, Shawn demonstrates foot movement by foot movement the Front Kick's basic principles and then introduces the primary Back Leg Front Kick to his audience and follows with eleven variations; (some of which I have never even heard of!).
Shawn demonstrates the principles of each kick with clear photographs that leave nothing to the imagination. Fortifying the text with chapters on "Warm Up and Stretching," "Training and Practice Methods," "Trouble Shooting Guide," and "Kicking Applications," to name a few, Shawn provides the reader with more than a full understanding of what could and mistakenly be known as a "simple kick."
Totally complete at 224 pages, and chocked with all sorts of valuable information from the "nuts and bolts" of technique description and demonstration to body dynamics, this is without a doubt the "gold standard" by which any examplar of martial arts kicking should be judged by.
This book can stand alone or be incorporated within the series. I rate it at five stars without hesitation or reservation. Well done!
Excellent Resource to Master the Front KickReview Date: 2008-08-31
In order for this book to stand on its own, Kovachich includes chapters on basic anatomy, warm up and stretching, strength, speed, and power that are similar to the other books in the series. If you have those, there is not much difference in those chapters in this book. However, for each book to stand on its own, I understand why Kovachich included these topics in each volume and am glad he did so. Additionally, these chapters on these topics are no where near complete. I have entire books that address this topics, as do most martial artists and self-defense practitioners. But what these chapters do is give you a small amount of practical advice that is relevant to Kovacich's kicking instruction, and hopefully encourage the reader to study more on these topics through different resources, because they are important areas to study and practice.
The chapters on the front kick and its variations is where this book shines. Nowhere else will you find such detail, illustrate by numerous pictures, showing you how to correctly execute the front kick. This kicks Kovacich teaches and illustrates in this volume include: Back Leg Front Kick, Step-Back Front Kick, Switch Front Kick, Cross-Over Front Kick, Hop/Slide Forward Front Kick, Hop/Slide Backward Front Kick, Front Leg Front Kick, Back-Spin Front Kick, Spin-Back Front Kick, Off-Setting Front Kick, Double Jump Front Kick, and the Cross-Over Front Kick (with the left leg).
How many martial art books have you read where they show a handful of pictures and a paragraph or two of text to describe the front kick? It seems that most books only contain such descriptions. In "Front Kick," Kovacich devotes pages 37 through 65 to the basic execution of the back leg front kick. This includes 18 full page photographs illustrating the kick and one page of review photographs as the end of the chapter. The text includes description of fighting stance, raising the knee, coil, midway to impact, impact, recoil, lowering the knee, and returning to fighting position. Also interspersed among the written text are diagrams of foot placement to ensure you step and pivot correctly. I have never seen as much written on the front kick.
The chapters on the kick variations contain smaller photographs and are a bit redundant regarding the parts of the kicks that are the same, but I am glad for that when I grab the book to only review one particular kick. I would not want to be referred to a different chapter to see the similar aspects. And that brings me to a point about using this book. It is not a book to read through cover to cover like a novel. In fact, to do so would be a bit dry. I recommend reading through the entire book quickly to see what is there. Then go back and study the chapters on the primary kick to get it down and then each of the variations as you are practicing them. Also be sure to take note of the "notes." Kovacich provides a lot of useful tips in these little notes.
As with the other books in this series, there is a short trouble shooting guide and a short chapter on front kick applications, but the real gold here is the detailed description on the front kick's execution. This is an excellent addition to any martial artist's library and a book that should be studied if you want to take your kicking to a higher level, a level of kicking excellence.
Reviewed by Alain Burrese, author of Hard-Won Wisdom From the School of Hard Knocks and the dvds: Hapkido Hoshinsul, Streetfighting Essentials, Hapkido Cane, the Lock On Joint Locking Essentials series and articles including a regular column on negotiation for The Montana Lawyer. Alain Also wrote a series of articles called Lessons From The Apprentice.
Front Kick ExcellenceReview Date: 2008-07-03
In addition, the book contains a wealth of supplemental information on strength, speed and power generating exercises to enhance the technique. There is also a section on stretching as well as the application of the technique.
This book is ideal for any martial artist who wishes to perfect their front kicking ability. The beginner will find a wealth of information to assist in developing proper mechanics while the advanced practitioner will glean some vital knowledge from an accomplished teacher.
Be sure to check out the other books in this series. You are sure to find one that addresses the specific kick that you need work on.
Aaron Hoopes
author of Zen Yoga: A Path to Enlightenment through Breathing, Movement and Meditation
Get Your Highlighter Ready!Review Date: 2008-04-29
I found that I especially liked the "notes" which are found throughout the book. Shawn's notes are filled with useful and interesting information. Both the kicking applications and the trouble shooting guide were also excellent. I find it refreshing for a martial arts author to be willing to show photos of himself making mistakes in order to point out what you should not do, instead of just showing you how your kick should look. I personally find this teaching technique very helpful.
Obviously Shawn Kovacich knows what he is talking about when it comes to the art of kicking. I highly recommend this book to any martial artist, beginner or experienced, who is interested in improving his or her kicking skills. This book is technically complete and well written, and is a great addition to any martial arts library. My copy is now highlighted, pointing out tips and information that I want to go back and quickly reference. If you are looking for a great book to improve your front kick, this is it!
Dr. Bohdi Sanders, author of Warrior Wisdom: Ageless Wisdom for the Modern Warrior
The front kick features in this martial arts series of booksReview Date: 2007-06-17
If you are a novice martial artist, a kick-box exercise video nut, or someone who wants to advance their knowledge of martial art kicks, this book looks as if it would be very helpful.
The series of books is organized by type of kick: back, wheel, axe, crescent, reverse crescent, front, hook, hatchet, roundhouse, side kick. Ten books in all.
The volumes are absolutely loaded with pictures of not only kick technique but also of helpful strength-with-weight exercises, especially gym exercises with machines like the hack squat and leg press sled and of course the all-important lunge. So you get not only a discussion of how-to, but of what exercises can improve overall performance by gaining muscle strength. There are pictures with overlays of angles and axes, giving you an idea of proper form, though there is no substitute for a sensei giving you real-time feedback, of course. So these books are a good adjunct to martial arts class in the dojo; something to read and then take to practice and work on with real-time help.
There is a section on sparring--right and wrong. There is a suggested reading list in the back. A very complete series.
The only thing these volumes suffer from is slightly dark and low contrast black and white photograph reproduction due to pictures being on paper stock and not glazed plate stock, in order to keep costs reasonable for publishing. And the cover photo is wonderful but the graphic design (showing the title being shattered by the someone doing the title kick) was a GREAT concept but you can't read the title on the front cover (because it's being kicked to bits!) This is annoying; you have to read the spine to see which kick the book is about. If this bugs you, it's easily fixed: get some stickers or a Sharpie and mark the front cover with something like SIDE KICK VOL 10 or whatever works for you.
Author Kovacich is a black belt in both Karate and Tae Kwon Do (which of course is one of the martial arts for which the kick is the premier technique.)

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The Ultimate Interviewer's HandbookReview Date: 2001-03-31
Proceduralizes Interview TechniquesReview Date: 2000-06-26
I used the book to augment my own "self-grown" interview process recently and with tremendous success.
This book is a "must have" arrow in every manager's quiver; young or old, new or mature. Whether you have "home-grown" an interview technique, had HR force one upon you, or are looking to develop a strategy, this book will help.
The Hiring Process - Will make or break your businessReview Date: 2002-06-01
"You win by building an exceptional work force"Review Date: 2001-04-25
In this context, throughout the book, he presents his 7-Step interview model that can be summarized by one seven-letter word- 'PROCEED.' He argues that "It is an acronym where each letter represents one step of the process. 'PROCEED' is your blueprint to interviewing success. You'll be amazed at the results you achieve when you follow this process, step-by-step"(p.42).
Step 1: Prepare
* Identify existing superior performers
* Create a job description for the position
* Identify the competencies or skills needed to do the job
* Draft interview questions
Step 2: Review
* Review questions for legality and fairness
Step 3: Organize
* Select your interview team and your method of interviewing
* Assign roles to your team and divide the questions
Step 4: Conduct
* Gather data from the job candidate
Step 5: Evaluate
* Determine the match between the candidate and the job
Step 6: Exchange
* Share data in a discussion meeting
Step 7: Decide
* Make the final decision
Finally, he writes that "Even though the material I have included in this book is based on years of research and practical experience, it can always be improved. I encourage you to experiment with the methods and discover what works best for you...The cardinal rule is to 'stay legal' and 'play fair.' The 'best' thing you can do is put someone in a job where their competencies closely match the requirements. The 'worst' thing you can do is the opposite"(p.221).
Highly recommended.
Costly mistake!Review Date: 2002-06-29
This book has thought me the importance of looking at working habits and past actions when hiring people. Maybe you can teach a old dog to sit - but who has the time and money for that!
If you are hiring - buy this book and do it right!

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How to Climb 5.12, 2nd (How To Climb Series)Review Date: 2007-08-23
Very Good, but...Review Date: 2007-08-16
Great book - but if you're on a budget - decide between this and the other Horst bookReview Date: 2007-08-02
The book "Training for Climbing" is an equally excellent reference - it contains much the same information as this book, only in more detail, with sections on anatomy, physiology etc. If you want to dispense with those discussions, buy this book. But I'd say buy one or the other, and save your extra money for another reference.
From physiology to phenomenal climbingReview Date: 2005-07-06
Explaining the basics of medical knowledge the author lucidly shows how to apply this to climbing.
The book is rife with plenty of exercises and routines to keep even the most experienced climber busy.
By applying the principles in this book and training consistently you should see your climbing level jump by at least 4 grades within a few months ( eg - 5.10a - 5.11a ).
Be sure to mix your routines and not overtrain.
This is definitely not a book for beginner rock climbers.
Can't Slow DownReview Date: 2002-02-21

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Now I know how they train dolphin to jump...Review Date: 2004-12-07
For the trainer, the dolphin enthusiast, or both!Review Date: 2002-08-09
Most Fun and Information BookReview Date: 2002-02-14
Fun to read again and againReview Date: 2001-12-06
Great book-a must have!Review Date: 2002-06-12

Used price: $0.01

Crucial resource for developing proper skating techniqueReview Date: 2008-06-24
The best bookReview Date: 2008-04-27
great bookReview Date: 2006-03-09
Great book for the beginner hockey skater!Review Date: 2006-11-10
Even on things my instructor does not go over because it's for more advanced than i am currently, this book helps you understand how to at least attempt to do it, and usually it works if you do what the book says..
I would definitely recommend this book to anyone who is just start to play ice hockey.. it has helped me out a lot!
Just what I was looking for!Review Date: 2005-02-21
This book is priceless!!!!!

Used price: $11.01

Great bookReview Date: 2008-05-02
Marathon MethodReview Date: 2008-05-29
Easy to followReview Date: 2008-04-05
Marathon TrainingReview Date: 2008-03-03
Good Info, Good ReadReview Date: 2007-10-25
I sat down with this book, expecting it to be like a text book- tons of information to be learned and studied. I had my highlighter in hand and paper on the desk to take notes. MARATHON METHOD is so much more than that! Tom shares his knowlege of exercise combined with nutrition in a very clever manner. His expertise of the sport paired with a great sense of humor made this a pleasure to read. I stayed up late to finish it because it was that good!
I have a good base to start training for the Paris Marathon!

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Well-organized but very elementaryReview Date: 2008-08-01
Higly RecommendedReview Date: 2008-05-04
Covering just about anything one can do with the programReview Date: 2008-07-11
product of well ordered mindsReview Date: 2008-04-20
The book provides comprehensive details on how to set up the environment for developing and deploying web-apps, with the installation of Netbeans, MySQL, libraries etc covered in the appendices. The set up is generally a difficult part of learning a new computer concept and this book explains this very well.
The material, the downloaded code, and exercises are well integrated and provide for a comprehensive learning experience. I was able to successfully complete the vast majority of exercises readily.
I have ordered the Murach Java book as I found the JSP and Servlets book very useful.
COMPARED TO HEAD FIRST
***********************
I am a big fan of the Head First series, a series which has taught me everything I know about Java, XHTML, CSS, Design Patterns Ajax, OO Design etc. I love it. But as a novice, I found Head First Servlets and JSP: Passing the Sun Certified Web Component Developer Exam (SCWCD) difficult to get into. Mainly because the HF book is directed towards accreditation, and contains some curved balls to prepare for the exam that distracted me from learning.
Instead, I did the Murach book from cover to cover, and skim read the HF book (partially because I am in love with that bossy HF girl!). The HF series is more fun and engaging, but for JSP and Servlets I found the Murach approach worked best for me. While the Murach book is as as well written and presented as can be expected of a more traditional text book, it is not as interactive as the HF series. I therefore found completing the exercises in the Murach book important for engaging with the content.
Murach does a better job than HF on the MySQL and IDE side of things. HF probably covers the nuances of the Servlets more comprehensively.
I recommend both, depending on what you need.
This the one for getting into Servlets & JSPReview Date: 2008-04-09
So do not hesitate to buy this book, this is the only one you need.
"Working hands are better than praying lips"
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excellent acting resourceReview Date: 2008-04-25
Its perfectReview Date: 2007-10-04
Also an easy read.
Acting that makes sense...Review Date: 2005-12-14
I too was skeptical in the beginning, but after studying this technique (with Eric, but mostly with Anthony Vincent Bova in NYC, Eric's protégé), and after seeing the difference from "acting" and what this Work creates, there's no way I'd ever go back to the "acting" form.
Eric Morris teaches the actor how to react honestly and in the moment, including everything that's going on inside and out-the other actor, the props, the imagined objects that one might be working for-that impels you to "do" whatever the character is required to "do", but out of a real reaction, not just because you're doing it.
I've studied Adler, Strasberg, Meisner, and with Robert Lewis. I've hashed through the process of verbs, actions, objectives, obstacles, and onward; and they're all good and dandy for figuring out what's going on in a script, what the characters are doing and why; but other than that, these techniques never helped me figure out HOW to make it real to ME... How to get to a place where I'm actually functioning from a real, organic, truthful state ... How to get to the point where I am "doing" all the script tells me to do, fulfilling the "actions," out of an honest REACTION to what's going on.... Not just "playing" as if I am; how, in essence, creating the realities of the character....
No matter where you go, all the great teachers (and actors) say the same thing, "Acting is reacting." Even the most used and cherished word in the actor's language, LISTENING, is about focusing outside of yourself and REACTING to what is there. This Work trains the actor to create the stimuli that will fulfill the demands of the piece, specifically, wholly, and with Truth.
For the most part, plays and movies are imagined circumstances, and we as actors, have to create stimuli to react from, so we're not just faking, or indicating our performance. I'd rather watch two people have a relationship on film or on stage, than two actors reciting words, no matter how well they "act" it. If they don't believe it, I won't. This System trains you to create those stimuli and REACT to them honestly, fully and truthfully.
A crucial part of Eric's System is based on Instrumental Work, which is the process of identifying blocks and fears and tensions to expression and, one-by-one, through the use of hundreds of exercises, eliminating them. It's really about self-awareness-learning about yourself and how you function, so you can "get out of your way" and function truthfully on stage or film and get to where you need to get to in a scene. I think this is the aim of every method, but I feel that this System is the only one to address the issues of the actor on a personal level. If I'm tense and depressed (in real life; me the actor), I'm not going to be able to REACT truthfully in a scene where the character has just won the lottery and is jumping with joy. If I push for the emotion, I'll be faking and will "act" that I'm joyful. If this is enough for you, then Eric's work is definitely not your thing. But if you're looking for creating reality and REACTING with truth, nothing surpasses this Work.
I know that Meryl Streep, Brando, Ed Norton, Johnny Depp, Jack Nicholson, Al Pacino, Robert DeNiro, and a handful of other amazing actors don't fake it, don't just indicate the realities of the character and the circumstances. They create them. Be it imagined stimuli they are creating, or through the available stimulus around them, they open themselves up and REACT truthfully to everything -the other actors, the set, the space, the props, the object or person via Sense Memory, etc. I KNOW they do this for a fact! They've talked about it for years.
Eric helps you get to the place that they do-where you can function truthfully, where your instrument is accessible and available, where you are open and are willing to go where the character needs to go, emotionally, psychologically, and physically.
My advice is read Eric's books. If they pique any interest in you, if they strike a cord, study with Eric or Anthony, or at least contact them for further information about the system. I think you'll be quite surprised and utterly amazed at the tools this Work can provide you as an actor.
No Acting PleaseReview Date: 2007-06-03
Proceed with extreme cautionReview Date: 2003-07-24
That said I reject Eric Morris' approach to acting on a personal and professional level.
As every actor knows (or at least should know), his/her job is "to do nothing more than to be believable while telling the best possible story that serves the script" (Bruce Morris). Or as Stanislavski defines acting: "Acting is living truthfully under imaginary circumstances". The root of an actor's technique must always be action. Again with Stanislavski: "while on stage, an actor must always be enacting something". Action verbs are the basis of all acting/storytelling craft. An audience does not pay precious money to watch an actor have an emotional moment, but rather to have the moment themselves.
All the great acting teachers, building upon the work of Stanislavski, have stressed the importance of finding and playing an action as opposed to an emotion. Robert Lewis, Sanford Meisner, Stella Adler, Uta Hagen, Michael Checkov and even Lee Strassberg (although he ventured too far into the emotional realm) all taught students to find the appropriate action and embrace that reality as the basis for their storytelling craft. Emotions are the by product of a person engaging in an action and either failing or succeeding in the quest to fulfill that action.
Eric Morris' approach, centers on "Being" exercises. He asks his students to simply get up in front of a group of people and simply "Be". As related in this book, he proceeds to grill them about their day and call them on the carpet for any false emotion as he dredges for some emotional moment. Morris' approach, at least to this reader, comes off as simply another example of acting teacher "power tripping" as well as pseudo-therapy hidden in the guise of acting. This approach simply leads to the teacher holding such power over his/her students as they become obsessed with pleasing the teacher as opposed to truly pleasing the audience.
This approach leads to emotionally crippling an actor. Actor's become obsessed with evaluating their acting on the basis of whether or not they "felt" the scene. If an actor finds they cannot reach the emotion, they immediately fill themselves with a great sense of guilt and personal disgust at their inability to produce an emotion. Acting should ultimately be a freeing experience as well as a fun and celebratory bit of life. Many acting teachers and actors, bowing under the weight of thousands of years of social stigma feel that they must deny the "fun" factor of acting and make it a painful and serious affair.
As any director or acting teacher can attest, when one simply asks an actor to "be" on stage, one will watch an actor squirm, blink and fold inside him/her self. Put an actor on stage and ask him/her to push a giant stone up a mountain, one will watch a fantastic story filled with all the emotional truth an audience could ever hope to find.
The key to acting is not "being" it is in fact "doing". Apparently Morris has a workbook that combines the two concepts. I will certainly read that as well- again the justification for the high rating. I am still learning my craft and I pray I will always continue to do so.
NO ACTING PLEASE is certainly worth reading and worth trying though so that one can form their own opinion. After trying Morris' approach, this review is simply my opinion. Proceed with caution.

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Exactly what I expectedReview Date: 2008-05-09
The BEST dog trick book everReview Date: 2007-09-15
TricksReview Date: 2007-08-28
Great Starter Trick bookReview Date: 2008-01-12
Great BookReview Date: 2007-06-07
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The descriptions and pictures are easy to follow making this a very practical self-help guide. You can have lots of desire to improve but if you don't have the strength and stability behind it you will never reach your full potential.