Horror Books

I read this book when I was younger and I loved it, but then I lost it. I got it on amazon for a decent price, and read it again. It was a pretty quick read, but it is scarier when you are younger.

I read this book a few years back, and the only word I can use to describe it is, AMAZING!!!! This may be one of R.L. Stines best pieces of literary work yet. I started reading the first book at nine o'clock pm, and figured I would just finish the rest the next day, and then the second book the day after that, and so on and so forth. No, I stayed up the whole night reading all three books I was that captivated by it. I highly recommend this book, it's also a fun book to read to your siblings.

I loved this book from 6 years ago i havent read it since but i know what its about. The Fier family and the Goode family have it in for each other and the mysterious murders don't even start there.. there are deep dark secrets from hundreds of years before that slowly become unraveled and also become regreted. This is the best Fear Street novel i've ever read and i dont mind reding it over & over.I just can't believe how so many spirits can take over an entire family's lives!!!!!The book is really creepy, & you can sometimes feel like you're there wanting to tell a person to do the right thing.I read it so long ago, & I remember faint details & names but i do recall the strong intensity of the book that didn't let me put it down for days until i finished. I was only eleven but i'm seventen now, and i really have to buy this book again!!!!!!!

i read this book a long time ago and i still love it!!! i would recommend this book to anyone, even if its not your reading level. its so entertaining and you almost feel sorry for both families.

I read this book when I was 13 and became totally enchanted by it. I lost the book, and ended up buying used for $20.00, but when I read it again, I was able to understand and totally wrap myself into it, and read faster than I did before. 19 years old and reading these books, cheap little thrills. I wouldn't reccomend this book to anyone younger than 13 because of the strong violence that occurs. Other than that, if you love the dark-side..read it.

What a great find! Definately acceptable for your pre-teen to teen daughters! I read the book before passing it on and read it in just a day and a half!

Kudos to Serena Robar on her first book

Colby Blanchard's life changes in a blink of an eye. On the way home from a high school football game, Colby is attacked becomes something that she never thought possible - a vampire. Or rather, a Half-Blood. But because she's not a pure blood vampire, the others in the Undead community are out for some blood - her blood! It's Colby's chance to kick butt and get the guy.

This novel is phenomenal and I devoured it in a matter of hours. Laugh out loud funny and deliciously addicting.

Colby Blanchard seems your normal American teen: a cheerleader, Daddy's girl: but she's also a vampire. When she has to defend her eternal life in front of a Vampire Council which doesn't care for half-vampires, trouble results - not to mention her romance for Thomas, a hottie Vampire Investigator. Humor and irony abound in a very different kind of vampire story teens will relish.

Colby Blanched is the typical sixteen year old, interested in boys, clothing and staying head cheerleader. Her normal life comes to a screeching halt when she is attacked by a man and left in a ravine. When she wakes up, she returns home to learn she has been missing for forty-eight hours. When she smells blood on her mother's hand, she starts drinking it until she is full. Tests by her aunt prove she is a vampire as she has no pulse or heartbeat.

The Vampire Tribunal comes over to serve her with a summons because she is not a vampire but a half-breed Undead because she is too many generations removed to be a full Vampire. Undead have different abilities then vampires and the tribunal looks at them as abominations that must be destroyed. She has to appear before them and make a case that she should not be destroyed but she doesn't have a clue how she is going to manage it.

Aimed at the young adult market BRACED 2 BITE will also be thoroughly enjoyed by adults who like chick lit serio-comic vampire novels. Since her incisors were removed when Colby wore braces her father makes her a mechanical contraption to take their place and some of the funniest bites in the book take place around them. The heroine is strong willed and willing to fight against the injustice of the Vampire Council in their deadly dealings with the undead. Readers will be happy to know that this is just the beginning of a charming, beguiling and totally entertaining new series.

Harriet Klausner

As soon as I began reading BRACED2BITE by new author Serena Robar, I was immediately reminded of another one of my favorite vampire series--the Undead series by MaryJanice Davidson. Both authors have a smart-mouthed heroine, an annoying yet total hottie vampire hero, and a set of circumstances that makes you throw everything you ever thought was true about vampires right out the window. And believe me when I say that this comparison is not a bad thing! Ms. Robar has managed to pen a fun, exciting vampire story that will have you reading long into the night--and the comparison to MJD is nothing but outright flattery.

Sixteen-year old Colby Blanchard is the typical blond-haired, blue-eyed cheerleader. She's also very intelligent, has plans to get hunky Aidan Reynolds to ask her to the Homecoming dance, and, while she's at it, will finalize plans for her upcoming seventeenth birthday party. What Colby didn't plan on, or enter into her BlackBerry, was getting knocked out by the Eastside Attacker on the way home from a football game. Where, she might add, Aidan the slimeball went off with Allison to an after-game party.

When Colby comes to and returns home, she's very surprised to learn she's been missing for nearly forty-eight hours. Even more surprising, though, is drinking her mother's blood and healing her wound when she cuts herself with a knife. Oddly enough, although frightened, it's not until her Great-Aunt Chloe points out the puncture wounds on her neck that Colby realizes something weirder than a nighttime attack has happened to her. Colby is now a vampire, with the pale, pasty skin, yellowish eyes, and thirst for blood to prove it.

Her family seems to take the change in their daughter relatively in stride--Aunt Chloe even had to stake a few vampires years ago during the War when she was a nurse. Her father rushes to help in the only way he knows how (he's an orthodontist) and makes her a hideous headgear apparatus so she can feed, since her canine teeth were removed years ago. So not only is she a freak vampire, she's a mutant freak vampire.

To add insult to injury, two vampires come a-calling, informing Colby that she's been summoned to make an appearance to the Tribunal for, and get this, being Undead without a license. The fact that Thomas, the cute, helpful vampire, wants to help her make her case before the Tribunal is one thing. The fact that he's asked to be her Executioner if the Tribunal rejects her plea for a license is quite another.

BRACED2BITE is a fun, hilarious read. All of the characters are well-rounded, and the fast-paced dialogue makes the book a delight to read. If you like vampire stories with a dash of romance and a whole bunch of humor, this is definitely the book for you. And thankfully, the next book in the series, Fangs 4 Freaks, is already scheduled for release in November 2006.

House of Dark Shadows is the first in the Dreamhouse Kings - a new series for young adults from Christian publisher Thomas Nelson. Young Alexander, Xander for short, and his family - the Kings, move from Pasadena to the small town of Pinedale when their father Edward accepts the position of principal at the Pinedale high school. The King family moves into an unsettling house with a dark history; a shadowed past that has made it a focal point for speculation and rumour amongst the townspeople of Pinedale.

It soon becomes apparent to the Kings that their move into the house has thrown them into a world where nothing is as it seems. Brothers Xander and David soon discover mysterious portals on a hidden third floor that seem to lead into the past. Unfortunately most of these portals lead into life-threatening scenarios - once entered into they require some effort to escape from.

The story moves at a brisk pace and readers soon find themselves contemplating the nature of the mysterious house and trying to unravel its mysteries. The chapters are short - 40 chapters to 283 pages of story, keeping the level of suspense high and the reader moving from one scene to the next. The entire story takes place in a very short time period, approximately one week. Once Liparulo has his hooks in the reader, he blazes through the story, bringing the action on at an unrelenting pace.

Aimed at teenagers, the writing style is easy to read and highly accessible. Though written for a young audience, adults who appreciate a suspenseful and unusual tale will also enjoy this series. An age appropriate discussion guide is also included to guide readers into further examination of the events and speculation about the mysteries of the house. While intense events are taking place all around them, the King family remains realistic. Sibling rivalry, teenage angst, self-absorption and day-to-day family squabbles are all presented realistically and woven into the dramatic storyline. Young readers are certain to empathize with these everyday occurrences and struggles that are intertwined with the highly unusual events the King family experiences.

Liparulo is well known for his work in the genre of thrillers, with several adult titles already published. While House of Dark Shadows is eerie and unsettling I didn't have any nightmares after reading it, and I'm not exceptionally brave. Most readers should be able to read this title without undue distress or horror depending upon their age and comfort levels.

While published by a Christian publisher and marketed to a Christian audience this title does not contain a strong faith message. Interviews with the author have indicated that when the series is viewed in its entirety readers will be able to see the message that Liparulo has written into the books, but that it will be subtle. The King family does include references such as to God, church, and creation, building a Christian worldview into the backdrop of the storyline. However, the plot does not focus on the characters' relationships with God, but rather the unusual events and struggles they encounter, as well as their changing family dynamics. Those without a Christian background will enjoy this work as much as Christian readers will.

With this first title the mystery has only begun. The cliffhanger ending leaves readers with a long list of questions and a minuscule list of answers. Thankfully readers can dive into the second book in the series, Watcher in the Woods, which has already been published. Unfortunately the third title, Gatekeepers, will not be available until January 2009.

I loved this book. I stumbled onto Ted Dekker a few months ago, and when I heard that Ted Dekker is working with Robert Liparulo, I had to read it.
And what a great story. A lot of suspense, and I couldn't put the book down.

Definitely a Recommend for every body to read.

Buy this book!

If you are a thriller reader, and are at all hesitant to pick up Bob's latest because it's in a young adult category, then trust me, it delivers for us adults! This review won't tell you about the story, all the other reviews do that. I want to focus on how the book reads.

I read almost every thriller writer in the genre, and Bob offers a unique world where violence, horror, suspense, mystery, and action are reduced to the most basic elements, then spun into a believable world - and all that without the industry's typical gratuitous languange, sex or overly descriptive violence. I would have my children read any of his books, but this series I'm holding on to for my nieces, nephews, and grandchildren. In House of Dark Shadows, Bob has delivered true supsense that caused me to read it in one afternoon (during the US Open no less). The opening scene will tell you this is no ordinary haunted house. While utilizing some familiar suspense tones (secret rooms, noises in the night, appearance of unknown forces), he does a great job blending them into a fast paced story that feels like it will come to conclusion. Then, it twists! That's primarily why I'll read the next book, but more importantly, I've become attached to this family, and want to know where they go next, and what historical setting they might experience.

As a reader, I've been allowed in this book to glimpse the family relationship and each of their unique personalities while at the same time using my own imagination to paint a picture of their history, and current importance to their world.

I hope this book sees the publishing success it deserves. By the way, It's design shows well on the bookshelf too. I look forward to the series continuing.

I didn't read this personally, but my 16 year old son read them in record time! The first book makes you want to read the second one immediately! The main drawback to this is the third book won't be out until January 2009. My son said he wants to read the third book when it comes out, but he will still continue to live without reading it immediately :) He really enjoyed both books and he doesn't think they're too scary, but when I read them, I may disagree!

I emailed Robert Liparulo and he responded to me personally. He seems like a very nice person and according to my son, an excellent author. I'm looking forward to reading his books!

Liparulo established himself as a major presence in the thriller market with "Comes a Horseman," followed by two other fine-tuned suspense novels. I had no doubt he could create the same chills for a younger audience, particularly since he draws from his own experience as a father.

I was not disappointed. "House of Dark Shadows" reads like a mix between a very tame Stephen King and a very mature Choose-Your-Own-Adventure book (you have to be much older than 16 to remember those!). When the King family--no relation to Stephen--relocates to a creepy old house in the woods, they have no idea what they are in for. Xander and Dave, the two brothers, take center stage as they stumble upon secrets and mysterious doorways in their new home. From unexplained footprints, to gladiators, to the jungle, Liparulo takes us along on a fast-paced adventure. He leaves us hanging, anxious for the next book, "Watcher in the Woods," and certain that there are plenty more escapades and dangers for the entire family to maneuver.

I haven't yet read a Liparulo book I didn't enjoy. He always gives a good story, memorable characters, and secrets lurking in every corner.

Oh, and "Gatekeepers" is book three? More good books to read!

I was sent to River Jordan by a Joshlyn Jackson website. She writes Southern-Woman/Family novels. Jordan's book is a Southern-Family novel with a Stephen King twist.
Like most of this genre the Women are the caretakers of wisdom and culture. Unlike most, men have some sense of mystery as well.
This book has none of the obvious as the Straub books and some of the King books. You are never sure what is real and what is not. This is a good thing.
You are only sure of one thing and that is the interconnectedness of lovers, family and community. That is a pretty important thing and one which Jordan communicates regardless of all else that goes on.
I know I am going to look for more of her books.

Thank you for the adventure and most importantly for the reminder that sometimes a parched soul needs only a droplet of dream to be renewed. Just like the folks of Shibboleth craved Nehemiah's stories, so it is for souls like mine. And, Messenger does the trick. It takes you to another place and TIME, but drops you off back at home - with a whole new perspective. I swear I saw a little gold dust in the sand hugging my feet just as I closed the cover. This story is as captivating as the intriguing, beautiful cover promises.

Shibbleth is not on any map; there are no GPS coordinates, but there is a guide book. In The Messenger of Magnolia Street, Author, River Jordan takes you there; she shows you where to look, then leaves to wander its streets. River Jordan writes with a southern style that reflects small town influence. Her deep faith is evident in tale of the classic battle of good and evil.

At times, this novel seems like something Stephen King might write: some horrible evil thing is about to destroy a town, and a trio of childhood friends must find a way to fight it. There are two major differences between this book and a Stephen King book, however: 1) the religious tone, and 2) the details (or lack thereof) of the story.

The Messenger of Magnolia Street is definitely religious in tone; if I had a dime for every time a character is saved by prayer or divine intervention, or prayer or divine intervention or faith is alluded to, or God pops up as a sort of supporting character, I would have enough money to go out and buy another book. A reader who enjoys Christian fiction, who enjoys reading books that feature angels and miracles, might enjoy this book much more than I did.

The other nagging feature of this book is in the lack of details. Several of the characters don't seem to have jobs, and many aspects of their lives just aren't described. Even the evil thing itself is not specifically described until the end. The story was still compelling, however, and in some ways very well-written.

I found THE MESSENGER OF MAGNOLIA STREET to be both intriguing and eerie, and a very magical story. I plan to read it again soon because there are so many nuances in the story and I want to make sure that I didn't miss anything.

It's the tale of hard times that come to a cozy little town in Alabama called Shibboleth. The changes to the town take place over a twelve-year period and seemed to have started after Nehemiah Trust left the town to work for a senator in Washington, D. C. Nehemiah was bright, kind and admired by everyone. The changes to the town were slow but a feeling of darkness, and in many people, forgetfulness, was sliding into their minds and thoughts. The town and citizens were becoming parched and dry just like the land around them.

Not everyone was completely aware of the changes, but Nehemiah's brother Billy knew some odd things were taking place. When his best friend, Trice told him they needed to get Nehemiah to come home he agreed. Trice had always had some kind of psychic insight and Billy also longed for his brother's presence. Nehemiah reluctantly returns to his hometown and the childhood friends reunite in a bond to save Shibboleth.

The characters in "Messenger" are wonderful. The story is told by an angel who calls himself the Recorder and he sometimes tells us what God has to say. For instance, Aunt Kate is a bigger than life and kind-hearted woman who owns the local diner. She offers food and good will to all that need it. At one point we are told that everyone loves Kate, and the Recorder tells us that God loves her too!

I can't wait to see what River Jordan writes next!

"Iron men, of visage grim,
Do more than meets the viewer's eye.
You've left and left and found my tomb
And now your soul will die!"

These words struck fear into the hearts of players at Origins I. With them, they knew that they had entered the most devious of all the creations to emerge from the mind of E. Gary Gygax. As player after player lost his character to Acererak's tomb, the creator of AD&D looked on, I'm sure, with an evil grin.

Tomb of Horrors was the first module ever published by TSR. It set the bar high for all that would follow. It inspired people like Grmitooth to try to invent increasingly deadly traps. It made AD&D into a game of intellect and wits, not one of hacking and slashing. It is probably the most popular adventure of all time.

So who is the upstart, Bruce R. Cordell, who thinks he can write a sequel? Does he think he can do justice to the master, the father of all adventures, the Great Gygax? Does this sequel, Return to Tomb of Horrors, do anything more than insult the greatest of all dungeon crawls? Read on, you might be surprised.

To answer the question, we must look at Gygax's original intention. Was he trying to smite players everywhere? Was he trying to make them frightened and instill a feeling of hopelessness? Was he just being mean?

No. He had fallen into a trap many of us do. He had characters, Rob Kuntz's Robilar and Ernie Gygax's Tenser, who seemed to walk through whatever challenges he put before them. He needed something that would test them to their limits. Something that would teach them humility. He needed an adventure that not even they could defeat.

Alan Lucien gave him the idea. He locked himself in his writer's room and began to invent the deadliest adventure that ever was. This time, they'd know a challenge.

So what happened? Robilar sacrifice many orc retainers to get to the last tomb. There, he dumped the treasure into a bag of holding and amscrayed. Tenser manage to defeat Acererak himself, proving to Gygax that an ingenious player can negotiate any but the most arbitrary death traps.

Then he continued to carry it in his briefcase, pulling it out whenever a player claimed to have an unbeatable character. More often than not, they remembered things they had to do and quickly left the table as the other players looked down at their dead characters in horror.

The module then debuted at Origins I. It hit the shelves in 1978. The rest is history.

So now Cordell has written a sequel. How, you might ask yourself, can this box set pretend to be a sequel deadliest 12 pages in role playing history? Does this man actually think he can pull it off?

Let me assure you, gentle reader, he not only thinks he has, but he has.

The adventure starts years after treasure hunters spent their blood and souls in Acererak's final resting place. The place is all but forgotten by most, but as of late, and evil necromantic force has been reaching out of the Vast Swamp. The party begins examining the problem and comes across a name, "The Devourer."

This name leads them to the path of a man who sought the Devourer years before, a mage named Desatysso. As the party follows the long-cold trail of this mage, they discover that there is more to the Tomb than anyone has ever suspected.

You see, Acererak wanted to build a series of tests, to lead people toward a final great reward. Unfortunately, the knowledge of the true purpose of the Tomb was lost, and only Desatysso seems to have found it.

The test consists of three parts: a Tomb, a City and a Fortress. Evidently, crawling into the tomb and smashing Acererak's skull is not enough. He must be hunted to his conclusion and stopped in his dreaded apotheosis. Otherwise, his demonic minions will just keep rebuilding his tomb and adventurers will keep spending their souls there.

This dungeon is not for the weak of heart. It suggests that players not take their beloved characters in, and I wholeheartedly agree. The PK rate is extremely high.

I set up a party of fourteen characters, giving each player at least two. They then started the adventure. However, I couldn't see how they could have any guarantee of surviving the original Tomb (which is included in the boxed set), much less get far enough for me to produce an adequate review. I therefore began sending them dreams. Dreams of people who were not them, but they recognized as each other. They were going through this strange tomb, and they knew that all this had taken place years ago. Finally, at the end, they threw themselves against the demi-lich. The Paladin, who had died and failed his resurrection survival (a convenient accident, not a plot element), appeared and got them to vow to kill this force of evil, no matter what it took, no matter how many lives.

It was then that the players realized they were dreaming of a past life. They threw their might against Acererak and were soundly destroyed.

This plot device worked well. They had already played the Tomb by the time they got to it in present day, and were therefore able to get a full compliment of characters through it. It also gave them a sense of purpose that unified them with these characters they didn't know. It was a right proper epiphany, and feel free to use it when you buy this product yourself.

Anyway, this allowed them to progress beyond this most classic of Tombs, into a place where Orcus himself once walked, the city of Moil. This place has claimed four or five characters (though their pact is keeping Acererak from devouring their souls, so they can come back again in another 50 years, should the party fail).

I'll not give away any more of the plot. Buy this product, and you'll see.

I was not convinced I should give it this good of a review, however. You see, I have always loved the Tomb, and I was afraid I was biased. I therefore gave it to a friend who has never (in my memory) liked a TSR module. He gave this his grudging approval, unable to blow any holes in its plot.

A good product. The traps are as deadly as ever, but this adventure is surrounded by intricate plots and histories. There is so much going on here that the players will never even guess it all.

This is one of the things I love about this module. It is filled with information that the players will never know. They will never fully understand the history of the necromantic academy that has sprung up around the tomb. My players have figured out that the City of Moil worshiped Orcus, but they will never figure out that it was put to sleep because it turned to the worship of a God of Morning.

Most writers try to invent complicated and awkward ways of making sure that the players discover the core of all their intricate plans. Not Bruce R. Cordell. If he had James Bond in his clutches, when Bond asked what this was all about, he'd shrug and put a bullet in his head. It's enough that the GM knows, so that he can flush out details as needed. The players will never guess most of what's happened here.

My players have made me promise to tell all when it's done.

Anyway, this adventure tests players to their furthest. Not only have my players latched onto their characters, four of them have married now (the characters, that is), so that they can snatch some joy in the midst of all this horror. It takes a powerful setting to force people to start searching for affirmations of life.

So there it is. I'm rarely impressed with adventures anymore. I'm not forgiving enough. This module needs no forgiveness. Other than an abuse of absolutes ("nothing can save the character if happens"), I can find no criticism for this product. My players have been going through it for months now, and I have rarely had so much success.

So did they survive? I can hear the question in your minds.

The question should be "Will they survive?" The party has begun spending more time on roleplaying than problem solving. They lick their wounds and clutch each other in the night, whispering reassurances. The adventure continues at a slow, methodical pace, and has become a campaign unto itself. If they survive this, I don't think that can convince them to play other characters. I mean, when you've taken someone into the darkest of all pits, you develop a bond.

Too bad they'll all be dead by the time you read this.

Return to the Tomb of Horrors is a new boxed adventure module based on the old S1: Tomb of Horrors module from tournaments and 1st edition AD&D. The scenario is intended for four to eight characters from 13th to 16th level. Like the original Tomb by Gary Gygax, Cordell's Return is an intense deathtrap challenge even for experienced veterans of the game.

Set in Greyhawk but usable in any campaign, this adventure begins with mysterious villager disappearances and swarms of undead. Your party comes to investigate and becomes entangled in a web of deadly schemes. But what does this have to do with the original Tomb of Horrors? The one that's been dared by many, plundered by few, over the years? Well, it's still in business, and still merrily eating heroes. But if the original deathtrap dungeon was a satisfying meal, this new adventure, wrapped around the original module and set 20 years later, is a murderous banquet. This is the first dungeon adventure I've ever read where I actually felt sorry for the players, and I'm including the original Tomb in that. The new story enfolds the original dungeon crawl in a deadly blanket of new traps and additional story, creating a hideous multi-stage gauntlet for anyone seeking the final mystery at the end. Yes, you get to visit the Tomb itself again, but its significance has changed and deepened.

I have to agree with the author on the use of characters for this adventure: either the group ought to be specifically rolled up for this adventure, or, if the players' regular favorites are to be run through the scenario, tone the thing down, WAAAYYY down. There are sections in this beastly tome that can kill one character per page, and, as the party penetrates the deeper mysteries, the killer trap rate escalates to one or more per room. This makes a party of four-to-eight high-level PCs seem rather puny, and suggests a horde of henchmen, hirelings, and cannon fodder, preferably walking out in front.

Can someone familiar with the original Tomb play or enjoy this? Absolutely. In fact, I'd like to see a group of players, all either DMs who have run Tomb or players who went through it successfully, go through the Return to the Tomb of Horrors. Maybe they'd live long enough to get to the second half of the adventure. Maybe.

This boxed set is stuffed with goodies. There are nine maps and seven new monsters in a full-color maps and monsters book. The maps are very clear, with one exception: Map 3 is so darkly printed that the color-coding is very difficult to make out, but I believe that because of the restricted movement in those areas there should be little impact on play. An illustrated "module" of 160 pages, with appendices of new spells and magic items, includes many "old" spells relying on several other AD&D books (some out of print) but the author urges the DM to make appropriate substitutions when necessary. There is a facsimile of the original S1: Tomb of Horrors module, which is actually used in play. DMs will want to go through this and make detailed adjustments beforehand, since it is not written to 2nd edition AD&D standards. No problem for collectors worried about the value of your original copy: this is not an exact facsimile, as the illustration booklet is bound into the middle. A new illustration book holds scenes to be shown to the players at various points in the adventure, and because since there are two scenes on each page you might want keep a sheet of plain paper folded length-wise handy for covering the second illustration. Lastly, there are handouts for the players, consisting of an eight-page "journal" (in a very difficult font) and a double-sided color card, with special instructions for photocopying and preparation.

In playing this adventure DMs may want to keep in mind their particular players' temperament and game style: are they looking for a real, undiluted challenge, or are they going to be murderously upset by the DM making their PCs into elf flambe, dwarf kabobs, and Halfling hash in one evening? If there is serious risk of you becoming a DM pretzel, you might want to edit this severely and just integrate it into your regular campaign.

Return to the Tomb of Horrors is an excellent adventure in the old module style.

--Sharon Daugherty for Skirmisher Online Gaming Magazine

I've purchased dozens of probucts from this website, but this is the first time I've felt compelled to write a review.

Return To The Tomb of Horrors is a quality product from top to bottom. The boxed set includes many maps, illustrations, the original Tomb of Horrors, an expansion to the Tomb of Horrors story (the equivalent of 3 more adventures), and more.

I have not yet run this module, but have read all the contents, and plan to implement it as soon as possible. The story is well written, EXTREMELY original, and the many traps are truly inspiring. Despite the fact this boxed set is the equivalent of 4 normal length adventures, all of the encounters are unique and often ingenious. As I read the module, I found myself often wondering what the writers would think of next.

Note to GM's: This module is possibly the most deadly I've ever read. I would only recommend it for experienced players. Even then, expect casualties.

Although it is out of print and written for 2nd edition, i can't express enough what a high quality product this is. Even if you are running a 3rd edition campaign, this boxed set is definitely worth your picking up if you can find it. The conversion to the new rules might take a little effort on the DM's behalf, but the payoff is the most exciting, deadly, and awe-inspiring campaign ever put to paper. It wraps seamlessly around Gary Gygax's original Tomb of Horrors, and you even get the chance to go back and explore it again if you did so for the first time twenty years ago. My players have no clue what the Tomb really is, and i'm still keeping them in the dark until later. Like other reviewers have said though, be warned. The module is deadly, and about halfway through and all the way to the end, it can eat up PC's like candy. But far as quality, it has some of the best writing, the best traps, the best plot, and over sixty illustrations to mesmerize your players. Definitely try to check this one out, as its going into the history books.

Come on, people. Where do you get the crazy notion that a "killer" module is good? Are you so lame that you cannot create your own killer modules? It is pretty [dang] easy. And that is what TSR does here, it creates a killer module that makes little to no sense.

Everything starts good as a plot is well formed and progresses well for a little while. It gets even better when the party arrives at the environs of the old tomb. All right, ervything pretty [dang] cool thus far. Realistic, fun, and the players better think before they act rashly.

So you are thinking why 3 stars only? Well, the problem is it all goes downhill from there. Once the players leave the old Tomb the new area is just silly. It makes no sense that something this powerful would have ANY trouble with the PC's. Plus the traps are illogical and almost impossible to detect. By this time, roleplaying is long forgotten as players just push their characters from point to point and hope to make their saving rolls.

Still, it gets 3 stars for a good effort from TSR. But there certainly are better choices out there.

Finally, I am amazed so many D&D'ers are impressed with killer modules. Big ... deal. Give me something to excite the players' imagination. That is what role playing is supposed to be about.

This book is a piece of art.Finished on the day my teacher gave it to me; she let me keep the book soon after.About dark arts and a desire to escape these arts,this book is extremly good and if you were to buy it you would not regret it.Thank you Ms.Frank!!!

When I was in fifth grade, my teacher read this to our class (early 80's). It had such an unusual storyline and setting. Krabbat must resist the evil goings-on in the mill while also trying to understand his place in it. I think I liked all the transformations and magic in this book, the theme of the battle between good and evil, his prophetic dreams and that love "won" in the end. I'm sorry to see it's out of print. It reads like a fairy tale, maybe owing to its German origins.

The Satanic Mill by Otfried Preussler is a great book to read. It is about a begger boy called Krabat who gets called to a mill in a dream. The mill is also a Black School. He met a female singer, and they both fell in love. Krabat wanted to leave the mill, but to do that the Singer (the book did not give her name) had to pick him out while he and all the other miller's men were in the form of ravens.
This book is very creepy, mysrerious, and unpredictable which, I think, is great. There are several things to focus on, so it doesn't get boring. It's very nervewracking, too. All in all, it is one of the best books I have ever read. I give it a five-star rating.

I bought this book in 1974 for 30p, purely because of the title. At the tender age of 11 I loved it. I have read it numerous times since then, the last being at the moment at the age of 40. I still can't put it down. Even though I know the story I find it enthralling, and it still keeps me on edge. I so wish they would make it into a film. Each of the 3 segments builds up to a great ending. You are really rivetted throughout. I cannot recommend it enough..it is my favourite book I have ever read. It's amazing how something costing 30p has given so much enjoyment over the years !!

I read this years ago, as a child and in Russian, and I still remember the feeling of genuine dread (and triumph) this story inspired. Even as I think of it now, I feel the hair rise on the back of my neck. The evil in the book does not chase after you--it waits for you to come to it, and invariably, you do. In that sense, the title THE SATANIC MILL is unfortunate--you expect the mill to be Satanic; in Russian translation, the book was called simply KRABAT (the main character's name), and you did not quite know what to expect.

The story begins as a young boy named Krabat, somewhere around present-day Eastern parts of Germany, falls asleep wandering, and dreams of ravens crowing. Their message is for him to go to the mill some miles away, to sign up as an apprentice. Which he does, of course, and soon learns that it is no regular mill. (Nor is it quite Satanic, actually--for it is not Satan who runs it). He may stay, or he may go; if he goes, he will learn magic from the Miller himself. Of course, he stays--and becomes one of the apprentices, who turn, at their Master's command, into black ravens. All peachy so far--until the cleverest (and the kindest) of all the apprentices dies an unnatural death--but not before having made his own coffin and dug his own grave.

In the (happy) end, of course, Krabat will have to choose between love and good and fairness--and magic. Between being a regular boy and a powerful Miller himself; but such a choice will not come to him easily--and he will have to fight for his life, and that of his love.

My favorite characters in the book were the idiot Yuro and the Great Pumphut, who gives the Miller a run for his money. The story is very creepy (or I think it would be for a 13-14 year old; I know it was for me), poignant and beautiful.

Is it "imposter" or "impostor"--that's the question that nagged me while I read The Three Imposters. Which spelling is correct, and which is the imposter/or? The lexicographers need to come down hard on this issue!

That aside, The Three Imposters is a black diamond of a little dark fantasy, told in hypnotic descriptive prose. The book is structured as a series of stories within a frame story, much like the Decameron or Canterbury Tales, only the frame story has its own plot and is the most interesting of all in The Three Imposters. The sub-stories range from the strange to the macabre, to the frankly paranormal, each entertaining in its own right, besides what it contributes to the whole. Moreover, Machen's style glitters with curious flights of thought and characterizations, wellnigh as entertaining as the story itself.

What struck me most of all about The Three Imposters is how panoramically influencial this short book is, as if it were the whole nine muses of twentieth century literature! The Maltese Falcon owes an obvious debt to the Gold Tiberius. I think that the Novel of the Dark Valley is a clear precursor to the Trial, and obviously, Lovecraft derived his entire schtick from the Adventure of the Lost Brother. Machen himself must have been influenced by Dr. Jekyll and Mr. Hyde, published about 10 years earlier, but Machen amplifies the original, rather than narrowing it.

Altogether, The Three Imposters is well worth the 150 pages or so of reading time. Dyson and Phillipps are my new literary heroes! I would recommend this Chaosium edition, which includes these several other quality Machen works and sells for nearly the same price as other editions.

First of all, a warning; do NOT read the introduction to Machen by S. T. Joshi strangely placed in the front of the book before you read the stories. The otherwise excellent introduction contains spoilers to all the stories, something I thankfully noticed at an early time. Being part of my effort to "branch out" beyond H. P. Lovecraft, I purchased all the three books by Arthur Machen that has been published by Chaosium. The tales within turned out to be excellent, and I quickly saw why HPL praised Machen so highly. Even though parts of the tales no longer appear as "shocking" as they once did, with their horror being centred on "sex and pagans", they still have a mild discomfort to offer, and the final tale of the book is, as we shall see, quite the masterpiece.

The first tale is "The Great God Pan", a very good tale, but as I've said; time has not been kind to this. A naked God in the forest don't exactly scare or shock people these days, at least not in the way that Machen intended. Although, it should be noted that I'm not the type of "conventional Christian" that Machen had in mind as his audience when he wrote it. The tale details an experiment gone "wrong", where a young girl sees and interacts with the ancient heathen god Pan. The result pops out nine months later, and several horrific incidents spawn from this. A fine tale, but a bit dated.

The second tale is much more to my taste, "The Inmost Light" (and for fans of the marvellous English musical group Current 93, I assume this is where Tibet got his title), also a taste centred around an experiment, where an occultist attempt to capture the essence of the body, "The Inmost Light", in a gem. A wonderful tale with an eerie feeling throughout.

The third tale is "The Shining Pyramid", a tale about the well-known "Little people", and one of the two best tales in the book. It unfolds somewhat like a detective novel, where two men find strange clues to uncanny activities in connection to the disappearance of a young woman in the Welsh countryside. The protagonists suspect the hands of the pre-Aryan inhabitants of Europe, and the tale is an effective weird tale, with Machen's wonderful prose really showing its best side.

The final tale, or I should say "tales", is the title story, "The Three Impostors", which is a strange creation of interlocking tales many in number. The tale is about a young man in London, a wannabe writer, who through random encounters with a few people hears several tales that all contain a few common elements; "a young man with large spectacles" and some weird and horrific incidents involving this young man. But alas all is not as it appears to be, and we are brought to several places in the search for this man, and what it all means is not revealed before the final phrases, where the real evil is revealed. This tale is among the best work I've read in the genre, and it really gives you the creeps at various parts, some of it being simply excellent.

Highly recommended!

This review is only about the title story, or rather, short novel. It is a circular story, as it ends where it begins. Characters have multiple identities and strange coincidences abound. It is a macabre joke, a foundational book of the cosmic horror a la Lovecraft and his Ctulhu mysteries. It is also a peak of the late Victorian era and much more. What makes it more than a genre story is the poetic quality of its literature. There are paragraphs that would make little perfect prose poems.

Along several months, or years, Dyson and Phillips meet different persons, who have in common the search for a shy and nervous young man with a little black moustache and big spectacles. Each one of these persons tells his or her story in inserted chilling tales, full of the imagery that would later become cliche. This is no cheap horror: it has a great sense of humor, it is not about axe-grinding nor about phantoms and exorcisms. It is pure cosmic horror, the horror of hidden forces and obscure memories of a remote past. It is a horror of strange gatherings and incognoscible conspiracies. The inserted stories are often compiled independently of their contextual frame: "The novel of the Dark Valley" is an adventure in the loneliness of the Rocky Mountains, with a pre-Kafkian touch that makes you go pale. "The novel of the Black Seal" happens in the Welsh wilderness, with a mad scientist and beings from the past. "The novel of the Iron Maiden" includes a collectionist of instruments of torture. "The novel of the White Powder" is about a substance that transforms humans into something indefinible and horrific. Finally, ""The story of the Spectacled Young Man" closes the circle and "explains" everything.

Like a good Englishman, Machen is a master of the understatement. More than showing, he insinuates to let the readers feel for themselves all the weight of the horror of the world, the mysteries that haunt us, and the strangeness of this life. Little surprise, then, that this was one of Jorge Luis Borges's favorite books, since much of his beloved subjects are here: ancient and undecipherable languages; stories lost in time; mirror games; equivocal identities; implacable gods; and somber mansions. Much recommended.

Other reviews are longer and more in-depth. This is meant as a quickie.

The title story is the heavy-hitter of this collection; it ties several shorter stories together under one title. The other stories are much shorter but have their twists and turns as well.

The language is not as dry as one might expect from stories written a century ago.

Worth four stars out of five.

As the title says, I found this collection so intriguing that I will be buying the next volume (The White People and other Tales). The only work that I had previously known by Arthur Machen was "The Great God Pan", which has shown up in so many anthologies that I am thoroughly sick of it, although it is a good read the first few times through. "The Inmost Light" was quite disturbing to me in terms of plumbing the depravity of the human soul. "The Shining Pyramid" was a good supernatural detective story, in my opinion, although the intuitive leaps made by the protagonist would have made Fox Mulder proud. This clearly inspired quite a few of Robert Howard's stories.

Clearly, the crown jewel of this collection is "The Three Imposters." The deeper I got into this novel, the more engrossed I became. It is made up of 14 short stories, each of which is part of an overarching storyline that involves the protagonist, a golden coin, a man with spectacles, and 3 people who are not who they say they are. Each successive short story drew me in further. Some of the best reading I have done in years!

I have an inexplicable attraction to the Modern Library hardbacks. Inevitably, if a Modern Library hardback version of some book that I want exists, I'll end up buying it. I really don't know why. Anyway, case and point: Edgar Allan Poe.

The benefits of this edition are evident:

a) All the short stories--yes, even the uproariously funny ones that most paperbacks leave out, as well as Poe's bizarre "hoaxes" and inexplicably contrived "articles" that don't really pass very well as stories

b) All the poems--including poetry written in childhood as well as posthumously discovered

c) ...and a couple of essays--most importantly, "The Rationale of Verse."


However, the book still lacks most of Poe's criticism and other essays. I suggest you purchase Dover's little paperback _Edgar Allan Poe: Literary Theory and Criticism_ (kind of a "Greatest Hits" collection of Poe's critical work which, in reality, spans over 1500 pages) to complete your library. There you will find the great classic "The Philosophy of Composition" accompanied by dozens of ingenius (and at times ascerbic) reviews of books you may know from elsewhere. It's an invaluable resource.


Moreover, the same Modern Library problems afflict this edition--thus, herein lies another reason I cannot explain why I must keep on buying and reading Modern Library hardbacks:

A) There is no textual or intertextual editing, nor are there any critical footnotes. Moreover, there is no critical introduction by a Poe scholar. This bytes.

B) There is no margin room. There never is in a Modern Library hardback. This gets really annoying when you're reading "The Fall of the House of Usher," and you're trying to tie together pieces of evidence (all part of Poe's perfect conceived "totality" of content) to form a of cohesive, critical interpretation of the story with about a centimeter of margin room in which to write! Your handwriting will quickly show itself illegible, and your hand mercilessly cramped.

C) Modern Library hardbacks are customarily printed on cheap (although smooth and aesthetically pleasing) paper. Thus, when you write in your book, the ink is very likely to bleed over onto the converse page. Also quite annoying.


However, however, however--I must not forget that the goal of Modern Library is not to print the best book possible, but the best _affordable_ book possible. And at $18.00, this 1000 page hardback is hard to beat.

So, if you have the money, do actually buy _the best_ edition: the Library of America edition. ISBN 0940450186. It's over 1400 pages, is printed on paper that will last forever, and is edited by a prominent Poe scholar--but it's almost $40.00!


But, more importantly for those of us on budgets: This edition is in direct competition with both the DoubleDay and Castle editions of Poe's collected stories and poems. Under no circumstances would I recommend the other two editions due to their typesettings. I know that may sound ridiculous, but a humane typesetting has a lot to do with the pleasure and utility that a book can and will proffer its reader. The print on the other two editions is inordinately overloaded (too much packed on each page) and serves to burden the eyes. For sooth, the Modern Library version is packed too--but it's a huge improvement on the other two editions.

If you've got $40, get the Library of America edition. If you've only got $20, get this one.

I've always had a liking for Edgar Allan Poe, with his tales of horror, mystery and suspense, done in the atmospheric prose of a master writer. Since I live close enough, I've even made some trips to his gravesite, a place that is always surrounded by a sense of sadness.

Poe was a tormented genius who died young, under mysterious circumstances, and at the time of his death he wasn't deservingly popular. Certainly his work was not cute romances for the masses -- he explored the darkness of the human heart, love, satire, and the earliest whodunnit stories. And "Complete Stories and Poems of Edgar Allan Poe" brings together all of his poetry and writings in one book.

Poe's fiction writings include short stories and novellas, which tend to be rather weird -- a treasure-hunt and a golden insect, a ship caught in a whirlpool, a hypnotized man talks about the universe, and stories of despair, madness, and occasionally beauty. There is also his trilogy of Monsieur C. Auguste Dupin stories, which were the first to feature a brilliant detective solving an impossible crime.

Most people know about "The Raven" (which even has the Baltimore Ravens named after it) but Poe actually wrote a lot of poetry, most of which readers never heard of. Sometimes dark, or whimsical, or even both. "By a route obscure and lonely/Haunted by ill angels only/Where an Eidolon, named NIGHT/On a black throne reigns upright..."

And, of course, the horror. This is what Poe is best known for, including such well-known stories as "The Fall Of The House Of Usher." But there are also lesser-known gems -- tales of a plague invading a party, being buried alive, a portrait that siphoned the life out of its subject, and a nightly visit to an Italian crypt leading to madness.

Don't read "Complete Stories and Poems" all at once. It's too intense. It's better to soak it in a little at a time, so that you can get a better feel for the different kinds of writing that Poe did, and how he excelled at pretty much everything he put down on paper. Most great writers can't boast of that much.

Poe's writing is what makes even his least story or poem come alive -- he brought a gothic, misty vibrancy to his stories, and could make his quiet dialogue seem utterly chilling (" "I have no name in the regions which I inhabit. I was mortal, but am fiend..."). It's not hard to see why he was an influence on authors such as Fyodor Dostoevsky, Oscar Wilde, Arthur Conan Doyle and Franz Kafka.

"Complete Stories and Poems of Edgar Allan Poe" is a must-have for anyone with an appreciation for great literature and beautiful, dark writing.

Poe is one of the world's finest writers and this collection of stories is what he's all about. This book contains the best of his tales, with many others for you to explore on your own. It has his poems and short stores. Its contents is very close to being unabridged except, for it missing a few poems and stories that aren't very good anyway.

Poe's tales contain all the excitement of a novel, in around 10 pages. I recommend this collection because it offers hours of enjoyment. The only thing you might need is a large vocabulary because he tends to have an advanced word choice. Get this book and have fun!

'Horror,' as it is broadly understood, is defined by two essential elements: the active presence of decay, some 'abnormal' manifestation of nature, or a combination of both.

One hundred and fifty-seven years after his early death, Edgar Allan Poe (1809-1849), who made horror the dominant theme of his creative work, remains the American master of the weird tale. Poe's work has had enormous worldwide influence: French poet Charles Baudelaire was an early champion and translator, Poe's 'William Wilson' (1839) haunts the pages of Oscar Wilde's The Picture of Dorian Gray (1890), and several stories look presciently ahead to work of Sigmund Freud and Carl Jung.

The Collected Tales and Poems of Edgar Allen Poe (1992), which also includes humorous pieces ('The Devil in the Belfry' is a hilarious tribute to the father of American literature, Washington Irving), detective fiction (Irving's 1838 story-cycle 'The Money-Diggers' stirs fluidly beneath 'The Gold Bug'), and early examples of what would come to be known as science fiction, brings together most of the author's important work.

Two general narrator (or protagonist/character) types emerge. The first is meticulously rational, calm, and 'objective'--like Dupin, the amateur sleuth who coolly solves the mystery of 'The Murders in the Rue Morgue.' The second, best represented by Roderick Usher in 'The Fall of the House of Usher,' is psychically haunted, deeply subjective, acutely sensitive in every pore, and barely able to repress the hysteria--at best--simmering just beneath the surface of his consciousness.

Both general types are isolated and obsessive in their own way--the first perhaps imagines he has found salvation by holding the world at a kind of hard cerebral remove, while the second surrenders his will in increments and sinks obliquely into emotional, spiritual, psychic, and physical fragmentation. The second type (found in 'The Fall of the House of Usher,' 'Berenice,' 'The Black Cat,' 'The Pit and the Pendulum,' and 'William Wilson,' among others) dominates and defines Poe's work.

Poe occasionally offers readers a combination of both types, as in 'The Imp of the Perverse,' in which the narrator, after a lengthy, meditative, and 'objective' discourse on the self-destructive aspects of human nature, briefly tells his own story: compelled to commit a pointless murder, he then finds himself equally compelled to publicly confess it.

Fatalism and perdition are key characteristics of the author's work: death may await everyone, but, in Poe, death impatiently reaches forward into men's lives, sickening, exhausting, and corrupting them, thus hastening fragile humanity's end. Poe's protagonists are once healthy, now dire, everymen surrounded on every side by hostile, malevolent, and destructive forces which dominate every plateau, division, and category of existence that man has methodically--and rather naively--mapped out. Human instinct proves to be 'red in tooth and claw'; the senses betray; the mind collapses; the borders and boundaries of civilization are violently breached; the natural world reveals a harsh, predatory, and incomprehensible face; physical laws prove unreliable; loving relationships sicken and fester; all agents of stability prove false and slip away.

Most of Poe's work suggests that there is no escape for anyone (--"dead to the World, to Heaven, and to Hope!"), and, as several of the tales underscore, including 'The Fall of the House of Usher' and 'Ms. Found in a Bottle,' even the cessation of life may bring no solace for some. However, reprieves are possible: the narrator barbarically tortured by the Spanish Inquisition is freed by the arriving French army at the conclusion of 'The Pit and the Pendulum,' the sailor who experiences 'A Descent Into the Maelstrom' survives to tell of his ordeal, and the vengeful dwarves in 'Hop Frog' apparently escape at that story's conclusion.

Remarkably, because of the skill with which he illustrates his view of man's utter lack of genuine choice or ability for self-determination, Poe manages to make most of his characters likeably human, despite their illnesses, eccentricities, and perversions. Though the tales team with toxic bloodlines, incestuous relationships, premature burials, rioting lunatics, marauding plagues, 'tormenting' doppelgangers, parasitic spirits of the dead, animated corpses, "ghoul-haunted woodlands," and a fair variety of additional supernatural tableaus, Poe remains is a remarkably rational, balanced, and economic storyteller, since the ultimate horror lies not in the external threat, but in the narrator's realization that what he is experiencing is the genuine nature of life itself.

Poe's tales suggest that, if all of mankind lives within a perpetually collapsing, cannibalizing universe, the most one can hope for is that, in the present, it is collapsing on someone else.

Poe is one of the best horror writers ever to have lived. I have read all of his works. Some of his best stories are The Fall of the House of Usher, The Masque of Red Death, The Black Cat, The Cask of Amontaiado, The Pit and the Pendelum, and The Tell-Tale Heart. His great poems include-The Raven and The Bells. Poe is a fantastic author, and his creepy tales of the dark side of life should be read over and over.

This is a very black, dark book. This is not a book for kids, nor is it a book for people who haven't read anything by Ellison previously. Harlan Ellison is one of those rare writers that can finish a story so powerfully, that you'll feel like you've been literally stabbed in the heart. Like many of Ellison's short story collections, he deals with a specific theme. In this book, he writes short stories about gods, in all their myriad shapes and forms. Gods of machines, pain, rocks, speed, revenge, among others. Of the 19 stories in this collection, let me tell you what I consider to be the best. THE WHIMPER OF WHIPPED DOGS: Ellison's award-winning retelling of the Kitty Genovese incident. Never heard of Kitty Genovese? Don't worry, after reading this chilling tale, you'll make sure you remember. BASILISK: A traitor to his country comes home and finds that he is not welcome. A little confusing at first, but you'll soon get the hang of it. PRETTY MAGGIE MONEYEYES: Don't let the strange title deceive you. This is Ellison in TOP form. Ever wondered what gods reside at the casinos and what they have in mind. It's not PRETTY, I can assure you. ERNEST AND THE MACHINE GOD: An easy-to-visualize story about a girl in a car-accident and her meetings at a gas station. ADRIFT OFF THE ISLETS OF LANGERHANS . . . : Another award-winning story about a man trying to find the geographical location of his soul. THE DEATHBIRD: Still another award-winner. This one is Ellison's retelling of Genesis. This story has a very innovative structure to it. You'll see what I mean, when you buy this book.

While I typically associate Harlan Ellison with Science Fiction, I'm somewhat hesitant to call all of these stories SciFi... they are more like Twilight Zone episodes. They are 19 short stories that involve individuals getting caught up in all sorts of fantastic situations. While there is a general underlying theme of the stories involving "Gods", I found that the main uniting feature was the fantastic nature of the stories.

Some sample reviews from the collection:

ALONG THE SCENIC ROUTE(1969)***** - Ellison published this tale of "Road Rage" way back in the late 60's. It is definately a classic, and one of the more SciFi-esque stories from this collection. Richard K. Morgan recently tried to do a modern "Road Rage" novel, MARKET FORCES(2005)***, which takes ideas from ALONG THE SCENIC ROUTE, but ultimately falls flat.

O YE OF LITTLE FAITH(1968)**** - A young man of no faith in any god, is accompanying his mid-30's girlfriend back from a quick Tijuana abortion, in this pre-Roe vs. Wade world (Roe vs. Wade was decided in late 1973), and finds himself transported to a world populated by gods nobody believes in any longer.

PRETTY MAGGIE MONEYEYES(1967)*** - A sad story of two people's fateful encounter via a Slot Machine in a Las Vegas Casino. One is a pretty poor girl, who turns to prostitution to claw her way from the ghetto to Beverly Hills; the other is a long-time Vegas loser, who is down to his last dollar, and who's luck is about to change, but is it for the better?

CORPSE(1972)**** - A Latin American Studies professor from Columbia University, a man of some faith in Christianity, begins to see the emergence of a new type of god - the Automobile God, but ultimately fails to realize the inevitability and make the transition to the new faith.

SHATTERED LIKE A GLASS GOBLIN(1969)***** - A Marine, recently back from Vietnam, enters and becomes consumed by the varied pesonalities and drugs in a 60's "Party House"... reminds me of an old house my recently graduated high school buddies rented in San Diego, CA in the 70's (and which was slated to be razed along with the adjacent drive-in theater, to make way for a new shopping center). Like O YE OF LITTLE FAITH, this story is notable for the snapshot it gives of a Beatle's White Album-era America. Indeed, having just said that, I just realized that the title of this story SHATTERED LIKE A GLASS GOBLIN(1969), seems to be a play on the title of the Beatle's White Album song LOOKING THROUGH A GLASS ONION(1968).

This book has recently been republished by the SFBC in December 2005, as part of the third set of books in the SFBC 50th Anniversary Collection.

Harlan presents some stellar stories here about what modern gods might be like in what one would call a pessimistic, cynical outlook. He moves through such milieus as sci-fi, high fantasy and even urban fantasy through this book.

The best stories are very hard-hitting and emotionally affecting. These include The Whimper of Whipped Dogs, a retelling of the Kitty Genovese episode about the alleged god of New York City, The Basilisk, where the most terrifying aspect of the story is how a small town treats a returning POW and Pretty Maggie Moneyeyes where a manipulative woman continues to manipulate even after death. There are some other good stories, such as the road rage tale, though not as emotionally hard-hitting.

The problems in several of the stories stem from an abundance of cleverness. Rather than letting the story take the forefront, Harlan chooses to favor style over substance in an attempt to showcase his virtuoisity in the various methods of writing. This lessened some of his stories for me. He is most successful doing this in the titular tale, The Deathbird, but it was still distracting even there.

A very good collection though, despite the flaws. It is unapologetic and uncomprimising demanding you take the stories on their own terms.

For those fans of Ellison, you will not be disappointed, for those of you not familiar with Ellison, this one will have you hitting the used book stores in a vain hope of finding more fodder for your mind. (Don't bother looking, I already hit every book store myself.) Reading this book is like seeing Mohammed Ali box or Stevie Ray Vaughn play the guitar, you get the feeling of seeing the best at his best. Every story in this collection is a gem, some more than others. "The Whimpering of Whipped Dogs" is a classic in and of itself. "The Deathbird" is the most amazing story ever created by a fantasy writer and I say this with no hyperbole. Go out and get this book . . . NOW! It will change the way you view the world and yourself. Other books make this promise, Deathbird Stories is the only book I've ever read that actually delivers.

I read this book because, in the acknowledgements his wonderful novel "American Gods," neil gaiman said this book burned itself into the back of brain when he was still young enough for something like that to happen.

Well, how can you resist an endorsement like that? So, I raced up to the nearest library that had this book (an hour or so away, I'll have you know) and checked it out. And befoul these modern gods if it didn't blow my mind. At least, parts of it did.

Most of the stories - "the Whimper of Whipped Dogs," "Shattered Like a Glass Goblin," "Basilisk," and "Ernest and the Machine God," just to name a few - are really brilliant. They will twist your mind around like only certain versions of certain myths can. They will smack your conciousness around until you think there really are gods in the engine of your car and that traitors really are the high priests of Aries. They will, as Niel Gaiman says, burn themselves into the back of your brain.

Others, however, are not so brilliant. A few simply repeated ideas put forth in other, better stories. Some were simply not as interesting as the others, and some were both uninteresting and sordid. But please note that "some" could and should be read as "one, two at the outside." The majority are amazing.

On the whole, however, this is a wonderful book. I am shocked and dismayed to find that it it unavailable. I think anybody who is into mythology should read this book, just for some of the ideas expressed in it. So should anyone who read "American Gods" and thought it was cool, too. They should have a good time pointing to certain stories and saying, "Neil Gaiman lifted that, that and that." I recommend this book highly. Even with the few faulty tales herein, it is definately worth the time.

I have been collecting all of Poppy Z. Brite's work for a few years now. She is a great artist, and this book was wonderful.

This collection of short stories is an excellent introduction to this author's many talents. There's no sameness here. The stories are well crafted and tight. She has an uncanny ability to shift gears seamlessly keeping your interest and absorbtion factor high. She knows how to tell a story with style. Buy it. You won't regret it at all.

well short stories that is. This is a truly fine little book. The writing is lean and precise and fits well with her new series of books. This was my first encounter with her alter ego Doc Brite and I found him to be a wonderful character. It was also good to see Rickey and G-man and the additional Stubbs family story was excellant.

Here's hoping that Ms. Brite will give us many more of these shorts to enjoy.

I bought this collection because I am a Rickey and G-Man completist, and I was anxious to read "Bayou De La Mere" and "A Season In Heck." Of course both stories turned out to be excellent little windows into other aspects of the ever-growing Liquor milieu (particularly "A Season In Heck," which is a little more tangental as it deals with the travails of a young inexperienced Liquor cook), but fortunately this book also introduced me to Doc Brite, Brite's maverick foodie medical examiner alter-ego. With all these stories, Brite (the author) manages both to write great food porn and give lively insight into the intricate workings of New Orleans society and culture. Brite is, simply, a terrific writer.

In her first new collection in a couple of years, Poppy Z. Brites "The Devil you Know" focuses many of its stories in and around her beloved New Orleans and often travels in the restaurant world (her husband is a chef). Less gothic than her previous works, one might even consider "The Devil You Know" somewhat whimsical in certain spots. She certainly is prone to using humor and irony more so than in the past. But don't think that Brite has lost her edge. While she continues to explore new avenues she can still hit you right between the head although she does so with a skillful, subtle hand in this collection of 13 stories.

Several of the tales feature Poppy's alter ego, Coroner Dr. Brite such as the black humor tale "Marisol" about a restaurant critic who writes an unflattering review of a restaurant and then promptly disappears as the chef introduces his newest dish. The "Ocean" brazenly shows the high cost of fame in a story about a dysfunctional, drug addicted rock band, being fed upon by their fans.

"System Freeze" seems a bit out of place with the other stories in the book, being as much a Sci-fi story as anything else. After a fatal fall from a mountain during a climb, a woman finds she's been given a second chance at life by the mysterious Agent Fine, as long as she completes the new AI program that she is working on. The story is supposed to be a Matrix-esque type tale and is short but effective

"Burn Baby Burn" will have people thinking of Stephen King's "Firestarter" with its tragic tale of pyrokinetic Liz Sherman (of Hellboy fame) and the destruction she causes to friends and family...not to mention her entire neighborhood when her powers go out of control. Liz finds her only place of comfort and safety is at the governments Bureau of Paranormal Research---with the other freaks.

My favorite story was "Lantern Marsh" as it evoked the feelings of youth when our own little worlds and suburbs were filled with mystery and enchantment. We firmly believed that the big old house down on the corner was home to a mad scientist. Set again in the Deep South, three young friends frequent a local swamp where odd lights are seen to float and dance about. Noel especially us drawn to the area over and over, even after he's warned to stay out by the man who owns part of the land it rests on. Years later, Noel returns home from college to find that Mr. Prudhomme now owns all of the land and plans to fill in the swamp for development. Noel knows he'll have to do something drastic to save the swamp, and whatever it is that lives there.

This diverse collection of short tales shows Poppy's development and comfort with various forms and settings as well as her enormous skill as a storyteller. A must have for her fans and a great place to start for new Brite readers!

Reviewed by Tim Janson