Television Books

This is a coffee-table book, gloriously illustrated and full of the familiar faces--living and dead, heroes and villains. If you want a more technical book--akin to the Star Trek: Star Fleet Technical Manual--the get 24: The Counter Terrorist Unit Handbook.

I have wrought my simple plan
If I give one hour of joy
To the boy who's half a man,
Or the man who's half a boy.The Lost World (Dover Thrift Editions)

This is a great collectors item for any fan of the show. First, the book is written as if it is a non-fictional guide to CTU. There are lots of details about all major characters and info about characters who didn't last or live long. This guide features everything from long recaps of all 6 days to detailed information about weapons and vehicles used. There were many times when I would stop and say "I forgot that happened on that day" or "I forgot that girl from Rosanne was in this". Michael Goldman gives us a well written and informative companion to the show that reminds us of why we got hooked in the first place. Well worth the purchase.

terrific companion to the show - answers alot of questions and gives many interesting tidbits as well as pictures!

"24: THE ULTIMATE GUIDE" es un excelnete libro que te guia sin mayor esfuerzo, a traves de las laberinticas tramas de las primeras seis temporadas de la ultrafamosa serie "24". Lleno de datos interesantes y resumenes bien redactados, acompañados de muchisimas fotos y diagramas a full color, encontraras aqui los momentos claves de cada "dia", ademas de los profiles de los perosnajes principales; la infame galeria de villanos y "topos"; los caidos en accion de CTU; las armas, tácticas y locaciones usados en la serie. Imprescindible para todos los fans de la serie, pero un serio peligro para los no iniciados, pues este libro es un gran y maravilloso SPOLIER para ellos. Bravo!!

I have the season companion guide "24: The Ultimate Guide" by Michael Goldman, $24.99 US, Hardcover, coffee table size (12" x 10"), which covers all 6 Days/Seasons.

I wanted to take this opportunity to say to all 24 fans considering this book: I love it!

I leave it on my living room table, and people check it out and it always makes them interested and starts conversations that branch into all sorts of things.

The quality of the pages and pictures is outstanding. The visual appeal of the book could not be better - there are high quality glossy photos that are just amazing. There are inset synopses called a "Fact File" for the major characters, Day/Season synopses of course, and the volume includes a plethora of inset character faces, sets, and scenes large and small.

The book relates some details that cannot be derived or inferred from the DVDs, such as details of field gear and other technologies, history trivia, and of course the Fact Files on many of the characters.

There is a brief enthusiastic "Welcome" to the book from Joel Surnow on page 6.

This book is a very appealing and satisfying presentation of the whole 24 experience, and well worth the money paid. I would recommend it just for the pictures, even if there was no text!

Writing about race, specifically about the black race, in American entertainment is a dicey business--at best.

Then, not unlike a latter-day Alexis de Tocqueville or even Gunnar Myrdal, along comes Melvin Patrick Ely. Mr. Ely has written a well researched, passionately dispassionate analysis of the origins of the entertainment industry's racial miasma.

He takes us back to minstrelsy; on to the advent of radio before networks; then into the networks' formative years when an iconic show ruled the ether: "Amos'n'Andy". He informs us that even in 1930 blacks vigorously, if ineffectually, protested the show.

Mr. Ely has deconstructed more than a few of the racial myths that even today swirl around the "Amos 'n' Andy" radio program. He has eloquently put into context the television episodes and the NAACP's reaction to them.

He is objective and he is clear. Be forewarned, however, that this is not a coffee table book. It is written at 2nd to 3rd year undergraduate level, ie the book is not unlike a history text book, and all that that implies.

But it is, above all, lucid. And highly recommended.

History, well-researched and engagingly written, is as fascinating as the greatest fiction, if not more so. Melvin Ely combines a professor's concern for factualness with thorough, ground-breaking research and a novelist's way with narrative into an unfailingly entertaining work that is also of great and lasting academic, social and cultural importance. Ely has delivered a fascinating show business yarn with absorbing insight into human nature, sometimes noble, often naive, and occasionally downright repugnant. While not afraid to add an edge of attitude or a clear point of view when he chooses, the author still eschews easy answers and the predictable pedantics and prejudice of an ideologue of any political persuasion. With subtle surety, and never a trace of condescension, Ely ultimately shows us ourselves--good, bad and ugly--in an absorbing saga of American life and culture.

At a basic level, this book is a detailed, well-researched history of America's longest running (1929-1960 on both radio and television) comedy show. Ely does a fine job of describing the factors that led to the show's great popularity and the successful efforts of its creators, Freeman Gosden and Charles Correll, to maintain that popularity.

At a more sophisticated level, however, the book provides an intimate view of one of the great political events of this century, the American Civil Rights movement. Because Amos `N Andy was the only nationally popular series prior to 1960 featuring black characters, and because its creators and principal actors were both white, the show repeatedly drew both praise and criticism from the press and various organizations seeking to promote their own political agendas.

Ely describes in detail how Gosden and Correll went to great lengths to keep the show from being viewed as racist, yet in the long run they failed. As he points out,! that failure may have caused the major networks to shy away from shows featuring black performers and delay their introduction into television for another 20 years.

Having listened to Amos `N Andy on the radio as a child and subsequently watched it on TV, I was, like many other white Americans, was dumbfounded when the NAACP decided to attack it for being racist. For me at least, Gosden and Correll succeeded in their objective of establishing their characters as human types, not racial types. Sapphire was the spitting image of my best friend's mother, and Algonquin J. Calhoun came to typify every crooked lawyer (Is that redundant?) I later had the misfortune to meet.

Unfortunately, Ely touches only peripherally on the black sitcoms of the 80s and 90s (e.g., "The Jeffersons" and "In Living Color") which I (and many other Americans) personally found to be racist.

Despite dealing with a highly emotional topic, Ely has produced a lucid, objective and thought-provoking work! . His shortcomings consist of his failure to take into consideration the effects of the other great events of the period (the Great Depression, World War II, etc.) and his seeming assumption that all Americans cared about the Civil Rights movement. In fact, I think that more people (both black and white) cared more about putting food on the table and raising their families well.

There are few phrases in the English language as divisive as "Amos 'n' Andy." It is frequently a euphamism for humor at its most racist and simplistic. Yet could a program based on little more than a handful of stereotypes be able to thrive on radio for more than 30 years? This book answers that question by putting "Amos 'n' Andy" into perspective, through the evolution of the program, its roots in the minstrel shows, and its context within its own time. Freeman Gosden and Charles Correll, the white creators of the program, are portrayed quite fairly in this book, and their motives are also presented in a fair way. Their goal was not to offend, though inevitably they did, but rather to entertain. This book shows how the core characters were portrayed in their own circle, the mythical Mystic Knights of the Sea lodge, and how they were portrayed beyond that inner circle, as the characters would intermingle with other blacks, and also whites. Also worth reading is the efforts by the Pittsburgh Courier and a few other black newspapers to boycott the show as early as 1931. More interesting, is how those attempts stalled, only to regain momentum 20 years later, with the advent of the television version. The phenomenon of "Amos 'n' Andy" is more complex than it would seem, as it tells us more about American society and racial relations than perhaps any othe program ever. This book is not just about "Amos 'n' Andy," but rather about ourselves. And for that, it should be a must-read. I was able to finish this book in two days it was so engrossing.

As the title indicates Ely's work is frankly a work of social history, not a performance biography, and is less interested in exploring "Amos 'n' Andy's" significant impact on the broadcasting medium than in viewing it as window into mid-20th Century American racial attitudes. Analysis of the program's content focuses on that perspective to the exclusion of all others, and detailed examination of the original scripts is confined primarily to the first two years of "Amos 'n' Andy."

Ely therefore fails to discuss in any detail the evolution of the characters and their relationships beyond 1929 -- and this is perhaps the book's greatest flaw, given that the characterizations and the dramatic sophistication of the program evolved substantially between 1929 and the mid-1930s It's unfortunate that Ely shortchanges this period of the program's history, as it in fact coincided with the peak of the program's popularity, and in my view an understanding of the evolution of the characters during the 1929-35 period is essential to an understanding of the series' appeal. (I have, in fact, read all of the scripts for the first decade of the series as part of my own research into "Amos 'n' Andy's" history.)

While Ely occasionally draws conclusions regarding the program's content that are contradicted by a detailed reading of the original 1930s scripts, and sometimes tends to over-interpret in his examination of public reaction to the program, in general his account is balanced and thoughtful, and his research into the African-American response to "Amos 'n' Andy" presents the definitive study of this aspect of the series.

Ely also deserves much praise for avoiding the self-indulgent deconstructionist jargon which tends to dominate current academic studies of popular culture -- his book is a rare example of an academic work which is both scholarly and extremely well-written. I'm very pleased to see the book is back in print.

The intricate, well researched tale of Angel Sanctuary has always been a shojo favorite. The detailed art, disturbing concepts, religous imagery, and tragic love that circle the storyline are all exceptional and this book only makes it more amazing. At the beginning of the manga, we see two "evils" retrieve the crystalized body of the beautiful organic angel Alexiel so they can return her soul to it before the battle between heaven and hell. It seems that in the past, manly ALexiel rebelled against Adam Kaddamon, God's ultimate creation. Because of the rebellion, she was crystalized and is supposed to be reincarmated over and over until her new body untaps her powers and destroys themself. THis si the story of her current incarnate, the mixed up and ignored teenager Setsuna Mudo, whom only wants to live his life as an almost normal teenager. Kaori Yuki's spintinglingly gorgeous artwork from both Angel Sanctuary and Count cain (as well as some others) is truly wonderful, and she may be the most skilled creatr I have come across. There is also an interview with her in the back of the book, and a calendar she created based on Lewis Carroll's Alice and Wonderland. If you are hesitating, stop it. This book should be treasured by all true manga fans.

Once this book came out I was iching to get my hands on it. When I saw it on the shelf at Waldenbooks, I grabed it, barely flipped through it, and bought it. It was damn well worth the money.

I always have and will be a fan of Angel Sanctuary as well as Kaori Yuki's gorgeous art. For any fan of AS, this book is an essential!
The material of the book is good quality, and the pictures are astounding. The great thing about this book is the style of art varies; it's not just dark gothic art or happy pictures, but a combination of both. Plus, it's got an interesting chart in the middle of the book that gives detailed information on the legions of heaven and the 7 layers to heaven and hell (I think they're 7).
Another plus is an interview with Kaori Yuki in the back of the book talking about Angel Sanctuary, her British influences, and an Alice in Wonderland calendar she created.
I really don't think anyone needs to hesitate on buying Angel Cage. Obviously, if you're reading this review, I suggest you buy the book from this here amazon.com [...]. For the price compared to the amazing quality, this is the best deal!

Finally, America is starting to wise up and realize the value of translating artbooks-- common in Japan -- so that we can enjoy the lush color and technique that is usually edited to a blurry black and white copy when it makes its way stateside.

Kaori Yuki is no less than a genius, and her work truly shines when you see the depth of her artwork.


Angels and devils; not all beautiful, not all ugly, but all seriously intriguing and entertaining. This is a must see!!

The Art of Angel Sanctuary: Angel Cage is a simply dazzling collection of art from the Manga series created by Yuki Kaori. As a relatively new reader of Manga over just the past year or so I've long admired many of the artists but always lamented the fact that the books I read are in black & white unlike the color comics we've all become used to. Thankfully VIZ has addressed this with this wonderful collection of art from Angel Sanctuary.

Angel Sanctuary is an acclaimed and hugely popular Manga created by Yuki Kaori in Hana to Yume, a bi-weekly shoujo manga magazine published by Hakusensha and now being published in America by VIZ Media. Based somewhat loosely on the biblical New Testament, it deals with Evil striking one of the corridors of heaven and taking back the body of the fallen angel Alexiel in preparation for the coming battle between Heaven and Hell. Alexiel's body has been sealed in a crystal for her rebelling against God. As Punishment for her defiance, Her soul is reincarnated as a human being over and over in a never ending loop where she dies violently, always at a young age. As the story begins Alexiel has been reincarnated as a teenager named, Setsuna Mudou who is the Messiah prophesied to save humanity in the Black Book of Revelation.

This beautifully illustrated hardcover book shows off Kaori's amazing talent as a digest sized, black & white book simply cannot do. Filled with the characters from the story, Kaori's stunning use of color makes these full page, and two-page illustrations suitable for framing (but don't tear up your book!) The illustrations run the gamut from dark gothic, to deeply sad, to wryly humorous as Kaori is able to evoke all of these emotions through her wonderfully expressive art. In addition to the art, there is a reference section in the middle detailing all the main characters of Angel Santuary, broken down by both Heaven and Hell. Also included are cutaway diagrams of the upper and lower planes and the hierarchy of angels.

Finally, there is a lengthy interview with Kaori where she discusses her work as well as her influences. Kaori reveals her love for Lewis Carroll's original Alice in Wonderland story, particularly Carroll's rather moody art, which is far different than what is displayed in the animated versions of his tale. Included is the calendar that she created based on Alice in Wonderland. Kaori also reveals her thoughts on ghosts and things spiritual and makes for a nice accompaniment to the art. It's a gorgeous book that includes a gold-lettered front cover. Simply a must have for fans of Angel Sanctuary or any fan of Manga art.

Reviewed by Tim Janson

If you are a fan of Angel Sanctuary or Kaori Yuki, then this artbook is a must-have. If you've read any of her manga, then you already know what an amazing artist Kaori Yuki is, but these pictures look even better because they are in full-color! These stunning, intricately detailed pictures show many of the different characters in Angel Sanctuary, sometimes amidst poignant imagery and symbolism, sometimes posing with other characters, and sometimes just by themselves, but even then their facial expressions are so real that no other details are needed. Like the series, the mood of the artbook ranges from happy and laid-back to dark and depressing to creepy and mysterious. But having such varied themes doesn't make the book seem disjointed, it actually makes it seem more complete.

Of course this book would be worth buying for the beautiful artwork alone, but it also includes a really helpful reference guide for the Angel Sanctuary series, including brief descriptions of nearly 40 important characters and where they rank in the hierarchy of heaven or hell, and explanations of different places and events from the manga. Considering how complex the series is, I think it's great to have such an easily accessible guide sitting next to my bed when I'm reading, in case I need to refresh my memory. The artbook also contains an extensive interview with Kaori Yuki (in English, don't worry) that's both interesting and informative.

The gorgeous art and all the cool extras that come with it are more than worth this book's price. Even if you aren't a fan of Kaori Yuki or her work, after looking through Angel Cage, you probably will be.

This book is fabulous. It gives you the inside track on how Casting Directors think and demystifies the audition process. This book has forever changed how I view auditioning. Mr. Decina gives a very practical audition technique that helps the actor show Casting Directors that they have potential. Mr. Decina is a great teacher and writer. He's excellent. I took his audition class over the weekend and I was surprised at what a great teacher he was. If you're serious about breaking into soaps, this book and this guy are not to be missed. Thanks, Rob! I'd love to be a recurring background or under-5 actress on your show. JulietteFairley@gmail.com

Well I recentley attended a class of Rob's and I have to say his book and style of teaching and breaking down a lesson is quite intruiging. He takes any different "Method" of Acting and simplifies it into a simple universal "how to book the job" way. He has backround in theatre and directing. He fully understands the craft of acting and as an actor I respect that completely. I don't write a review unless the book I read is either amazing or horrible. This book is "simply" amazing and a CRUCIAL tool for ANY actor trying to break into film or television.

P.S. Thanks again Rob!!! I hope to be working with you in the future. (I have made some choices ;-) )

Informative, realistic but encouraging, compact, straight to the point, entertaining & funny, bluntly honest. It would not be possible to compress more information and valuable advice for actors - who are dedicated to actually make a living as actors - in a short 200 pages.
A must-read, you'll love it. Thank You, Mr. Decina.

There are an overwhelming number of books out there about acting, auditioning, the business, etc. It is hard to know what to read, and what to trust.

Trust this book. Rob Decina has written from his experience as a casting director, and you can tell it also comes from his experience as a compassionate person. He understands the nerves that can plague actors, the way it really feels to be sitting in the waiting room before an audition, the confusion over seemingly small decisions (such as whether to sit or stand during the audition) that can cause us to stumble.

He has also seen thousands and thousands of auditions in his career. He knows what works and what doesn't, and most importantly he has taken the time to figure out why the choices that work do, and why the choices that don't work don't.

The book outlines a specific audition technique that is designed to work with your other acting training - not against it the way some techniques can when they jumble you up and get in the way of the natural choices you might make. The book also answers crucial questions like: Do I sit or stand during my audition? Do I bring my personal belongings in with me or leave them in the waiting area? Do I use props? Should I memorize or hold my script? Etc. Working actors can tell you, these logistical issues can really trip you up. It is a relief to have clear answers with thoughtful explanations to address each one.

Plus I'm a total convert to the technique in this book because I booked a job at my second audition after starting to use it. Maybe that's the biggest recommendation of all!

This book gives an excellent inside look at the world of a casting director of daytime tv. Decina gives valuable advice about the process of the interview, cold read, first audition, callback, and the screen test. He lets you know how each step of booking the job changes and how the actor needs to adapt at each stage.

He tells you the numbers you are up against to book the job. Decina tells the actor to "free yourself by removing expectations" of booking the job. He also gives insight on how to excel in the audition room with his step-by-step auditioning technique.

This book gives great advice for actors of all levels. Decina gives advice beyond the audition process, by helping actors set realistic goals for their career. He talks about how to map a career. I think this book has given me an edge. It has allowed me to feel more in control and confident in the audition room. I know what to expect now. I think this is a great read for anyone that is trying to start a career in tv or film.

Hunchback of Notre Dame is one of my favorite Disney classics. This book is a must-have for Disney fans and those who loved the film. The pages have rarely seen actual artwork and production stills(pictures of scenes form the movie) and stunning artwork of medeavile Paris. From page to page there are artwork of the characters from the film and details on who animated them and you'll see concept art of the characters, backgrounds and actual storyboards. Some pages fold-out to reveal storyboards from certain scenes.

If you loved the Hunchback of Notre Dame or is a Disney fan, then I would recommend this book to you. You would definitly read this book again and again. The artwork is so stunningly gorgeous that you just can't look at it without your jaw dropping.

This book can be compared to others such as "The Art of The Lion King" or "Prince of Egypt: New Vision in Animation," which are both great to own. Even if you're not a fan of the movie, this book still overflows with beautiful artwork: concept sketches, background paintings (which are my personal favorite), production stills, and many other treats. It also talks a bit about the making of the film, including the animation department's trip to Paris.
Of course, this book is a must-have for Disney fans, but for those interested in animation in general, this is definetely worth getting.

im actually 14 but still lol x
This film is yes for kids but has a whole different story under the main one , its about what makes a monster and what makes a man. That yes one may look like a man but inside hes the monster where as quasi is a true man inside.

The focus of this book was certainly ART, as it provides stunning pictures of Mideval Paris from historical archive that Disney artists meticulously researched before finalizing the background scenery. We also get a glimpse of the profiling of the psychology of each character, and their interaction that drives the story. However, at this price, I wish that they had CD-ROM version that catered to the sophisticated fans of animation art who are very interested in all of the gory technical details.

Like Rebello's previous "Art of" books (Lion King and Pocahontas), this one is a joy to look at, but it's missing one thing. I wish it had more about the characters' voices. Often the actor or actress who voices a character influences the visual development of that character. The animator may model the character after the actor, or he or she may take one particular gesture from the actor and incorporate it into the character (like Belle - she kept brushing that lock of hair away from her face because her voice, Paige O'Hara, did the same thing). So including some information about the voices behind the characters would provide even more insight for those of us clamoring to know about how an animated film is made. But even with this one flaw, the book is gorgeous, especially the production stills of the interior of Notre Dame. And the concept art is great - sometimes it's wildly different from what actually shows up on screen, so you get a look at the evolution process. Oh - don't skip the index. The illustrations of how animators let off steam are hysterical! My favorite - "Quasi and Harriet". So, if you're a fan of Disney animation, get this!

THE BOOK DESIGN AND CLASSY JACKET ALONE ARE WORTH THE MONEY. LOVED THE MOVIE. THE ONLY PROBLEM THAT I HAVE IS THAT THEY DON'T PUT ENOUGH COHERENT STORYBOARDS INTO THE CONTENT. ALSO, THE NIGHTCRAWLER'S MOCK-UP CIRCUS POSTER DON'T REALLY GIVE ANY ADDITIONAL VALUE OVER THE BOOK'S GENERAL CONTENT.

My first impression was WOW! This book captures the essence of the movie. It's great to see the story boards it just makes you remember every scene of this excellent movie. It's obvious all the crew involved in X2 cared a lot about details and art and this book crowns it. The addition of the movie script is great, i think we fans love to read the original script to see what scenes didnt make it to the final and wonder what they looked like (if they add them in the DVD it would be fantastic). The quality of this book is absolutely great. Beautiful pictures in every page you turn. A must to every X2 fan.

Being new to the world of the X-men, this book has everything to offer for the die hard fan. The Beautiful black hardcover (not to mention its wonderful slipcover with the entire cast on front) is amazing! The book is filled with illistrations, costume drawings, stroyboards, idea drawings of the proposed danger room, characther bios, and the best part...the complete movie script of X2! Well worth buying. I would suggest any fan to buy to add to his/her collection.

An astounding companion to the film, this book should be on every X-fan's wish list, and probably on that of anyone interested in how a real two-hour block of entertainment is made. There is real heart in this film--it stands out from most summer blockbusters as a simple, non-preachy statement on tolerance, gorgeously wrapped up in the craftsmanship of thousands of film artists, performers, computer graphic artists, and editors. It's a work of art, a rollicking ride, and this book is a terrific tide-me-over for anyone yearning to own the film on DVD in the future.

If you are looking for concept art, production stills and behind the scenes photography, this is the book.

The book goes in chronological order, for the most part, and shows the concept drawings and paintings, the storyboard sketches (and text), and places them next to finished photography of the sets and characters, which gives you a great idea of how the concepts are turned into reality.

It takes you into character development for all of the major characters, with concept art to final film stills. The characters covered are: Nightcrawler (with a great full page poster of "the amazing nightcrawler"), Charles Xavier, Wolverine, Jean Grey, Cyclops, Rogue, Storm, Pyro, Magneto, Mystique, Mutant 143, and Lady Deathstrike. Most characters have only 2 pages each, but Nightcrawler, Mystique, Wolverine, Mutant 143, and Lady Deathstrike have multiple pages which show sketches and final photography.

The locations/sets covered in the book are: the White House, X-Mansion, Cerebro, Plastic Prison, X-Jet, Alkali Lake, and Stryker's Base.

This book is 100% filled with great content: drawings, photos, and storyboards, along with a section on the special effects. I wish it were twice as big, but everything in the book is awesome.

Have you ever wondered why "White Christmas", one of the best selling songs of all time was written by a Jewish man? "Easter Parade" was also written by the same man. He came to be known as the king of ragtime because of his first published song, "Alexander's Ragtime Band". Musically the songs could not have been different which makes Irving Berlin's career so impressive.
This book not only talks about Berlin's seemingly unending catalogue but also talks about the man. His contemporaries included George M. Cohan, Florence Zeigfield and George Gershwin. Berlin was not only the most prolific of all time but was a true gentleman. Even though he was never accepted by his father-in-law, he ended up supporting him in his final days.
At the end of this book I was more in love with his music and completely impressed with the man. This is a important look at a true American treasure.

I enjoyed Bergreen's book about Irving Berlin as I did his book on Al Capone. To think that all these great songs came from one man simply boggles the mind.

This book is so much fun, filed with intelligent analysis of what made the genius Berlin tick, why he was a genius, how he fit and didn't fit into his time and culture, etc. Berlin emerges both larger and clearer than his public image, a charming, busy, character. I am off, immediately, to get Bergreen's life of Capone. I understand he also wrote a biography of James Agee, but I don't see it on Amazon's data base. Does anyone know if that is still available anywhere

LAURENCE BERGREEN has done a terrific job in all departments. When you finish the book, you have a good idea of who IRVING BERLIN was, and what a life he had from singing waiter to AMERICAN's first great composer with JEROME KERN. Anyone interested in the story of AMERICAN music should read that book.

This is a terrific show-biz bio that focuses on Berlin's career and tells enough about his personal life to satisfy those of us who remember how complex he was. There are many details of his projects on Broadway and in Hollywood, his publishing company, his early career as a singing waiter, and his tormented retirement. Anyone who likes the kind of anecdotes Moss Hart recounts in "Act One," anyone who is interested in the process of putting on shows and developing movies, will be fascinated by this. The book overflows with the larger-than-life personalities you expect from show business, and there are choice revelations (to me, at least), like his first encounter with George Gershwin, who as a very young man wanted to be Berlin's musical secretary but was rejected for being too talented (i.e., threatening).

The psychology (or psychosis?) of Berlin's genius is presented in a straightforward, non-babbling way. His complexity comes through in his ambivalence towards colleagues, with examples of generosity (an anecdote about the young Burton Lane), avuncularity (Harold Arlen), and rivalry (Richard Rodgers), all contrasted with the almost comical hostility he showed towards some "civilians," especially the scholarly types ("f***ing longhairs") who wanted to dissect him late in his career. His most famous paradox -- the fact that without being able to read music or play an instrument well or even sing decently, he was able to create works of matchless intricacy and depth -- is discussed thoroughly, although it will forever remain mysterious.

There are two dimensions I would like to have seen more fully explored. First, his relations with his original family are almost non-existent after his childhood. While this must be a reflection of reality, I was left curious about what went on between him and his sisters, nephews, and nieces. It's obvious that a major part of his assimilation was to reject all vestiges of his childhood, but it would have been nice to have more detail about encounters with those inconvenient relations. One of the few stories Bergreen includes -- about a sister dying of cancer -- is so painful that maybe he couldn't bring himself to pile on more.

Another aspect that could have been more developed was Berlin's technique. Although no one will ever be able to explain exactly why he's the greatest American songwriter, I would have liked more analysis about how he was able to achieve his unique combination of simplicity and sophistication. There is a total absence of musical examples, which might have two reasons: that publishers of musical bios tell their authors to leave notation out the same way authors of popular science books are prohibited from using equations, or that Berlin's estate forbids the quoting of even the smallest snippets of his songs. Or maybe the author isn't as much of a "longhair" as he seems to be from the precision and insight of his observations.

But even though I would have enjoyed reading more of the above, the book is totally splendid as is. The best compliment I can think of is that it does justice to one of the great artists of the 20th century.

Mr. Hamner writes about his family and their love of animals in a way that is entertaining and heartwarming. It is hard to imagine that the setting for this book is the great urban sprawl of Los Angeles. Mr. Hamners way with words is also a big plus. I hope that you look it up in your bookstore or library, as I believe you will enjoy reading "The Avocodo Drive Zoo."

As an animal lover I could relate to many of his pets. It is a book that would be enjoyed my many age groups.

I am an animal lover and will probably give this book to my mother for Mothers Day. Mr. Hamner really knows how to tell a story.

With this book, Earl Hamner proves that he can write as entertainingly about his adult life as he has written in the past about his childhood. Hamner's life in Hollywood is a "howl" and I do mean "howl." Read it and you'll see!

Everyone who admires and loves Earl Hamner, will love this book. It is a real good insight to his life after he leaves the Mountain for New York City and then on to Hollywood California. Being an animal lover myself, I just love his stories about the different living animals that where in their lives. It starts with his meeting Jane and it is their love of animals from there on in. How they both taught their children the same love. Also He made the family of both seem so real I felt I knew them. The humor was quite effective and I found myself laughing out loud. Quite different from his other books. I know any fans of Earl Hamner will just adore this book. I am sure everyone will want to pass it on and after reading it, they will want to search him out and have there own copy signed by Earl. You can find him in Schuyler Virginia at the Museum for "The Waltons' Series" check the web site www.the-waltons.com Most Sincerely and with Love Dorothy Phillips

I love to play hit songs on the piano, and I love the BackStreet Boys. This book is giving me the notes to their hits, and it's very easy to play. You can sing along while you play the piano too. I'm sure you'll love it !

I learned to play piano,(although all my music acreitablity still goes out the window)souly just to play their gr-8 songs,etc...that book showed me how.All my friends just love singing with it!And the layout is very well done. It rocks! KEEP THE BACKSTREET PRIDE ALIVE! YEAH!

I play the piano and I think this book is really cool. It has the music notes and the lyrics on it. I love it. I play the music almost everyday 'coz Backstreet Boys are my favorit band.

And a few days ago, I saw a copy of the BSB music book. I bought it (of course) for $20 or so and my next voice lesson, I had brought it. My teacher likes the music and lyrics so now I bet he's practicing. I had let him borrow it (and it's PAINFUL.) and before that, I would study and practice singing and following the right key and pitches. It sounds great on the piano and lets me know all the lyrics. I love practicing BSB music, and I bet you would too! :)

This is the best. i never liked taking piano lessons but now since i got this book i love it. I LOVE BSB!!

This is a legit, professional product. If you're purchasing this for either leisure or for study, you'll definitely be getting your money's worth. There's nothing wrong with those screenplays that they sell for a movie that is chock full of glossy, full-color photographs, but those publications change the layout of the script, which is another aspect of scriptwriting a student of that particular art needs to learn. The screenplay for "Batman Begins" has the complete script, a full storyboard collection, and interviews with the director and screenwriter of the film. Black and white. No frills. Professional. I highly recommend this product. You'll love it!

I've always found it fascinating on how they make movies nowadays. I've taken film classes, but it wanted to see the scripts that they use. This is the complete screenplay to the movie " Batman Begins." You not only can read the linings, but you can see how they decided to put together these scenes through the storyboards. This is an excellent item for any movie buff, or any butting filmmaker. It will give you an idea on how to start writing a screenplay, and you can go behind the scenes in see how they put together this blockbuster.

Batman begins is a awesome movie. Sweet special effects, very,very,very,very good actors, great storyline, some good princibles....ect. Don't even worry about rent'n it first, because if you like action, suspense, sweet special effects, and all that comes with a action movie, you might as well buy the dang thing!!! And you won't regret it!!! HIGHLY recommend this movie.

Being a huge Batman fan, I waited in anticipation for this movie to be released. I wasn't disappointed. After seeing it, David Goyer and Christopher Nolan have really "got" the whole idea of the myth that is the Batman.
They have stayed true to the Batman history, and have delivered what many believe to be the "ultimate comic book movie".
While probably not for the kids, this version of Batman is definately what this Bat-fan has been waiting for - tough, dark and intimidating.
This screenplay seems to reveal the original script that Goyer/Nolan pitched to Warner Bros. I say "seems to" because there are a few notable changes from the film version as released. I can only assume that Warner Bros changed certain areas to ensure that the film recevied a PG13+ rating in the US, while here in Australia it received a M15+.
Without giving too much away, the script as presented in this book has a darker edge to certain scenes, and in my opinion, is exactly how the movie should have been done.
I rate this as 5 stars based on the way Goyer and Nolan have finally portrayed the Batman as he was meant to be.
I only hope that Warner Bros can secure both Nolan and Goyer for the sequel.

This is actually a "proper" book, not a money grab replete with pictures and a few snatches of dialougue here and there.

It is the *full* screen play and shooting script, with story boards.

The book also contains interviews with Christopher Nolan and David Goyer who give insight into what they wanted to achieve and how they see the character. I found it interesting how they both mention that the first four films was not how they saw Batman. And they wanted to show a Batman more reminiscent to the character who actually shows up in the comic book. They also wanted to keep the film grounded in reality and hearken back to the grand epic films by directors such as David Lean and John Houston. Which they more than achieved. It is clear that both men took the film seriously and wanted to make a film that audiences would enjoy. Much to my pleasure.


This is a great book for those who loved Batman Begins. Or those who are interested in script writing.