Television Books

A valuable book for those interested in getting the most out of Camtasia 4. The author culls from his extensive Camtasia experience as he walks the reader through various exercises, expertly weaving in tips and tricks along the way. While the book could do with a heavy copyedit (experienced writers will cringe at the author's frequent use of unnecessary words), the book's substance is well worth the cover price.

Outstanding book.

The book was far more than expected. Delivery was prompt. Good Service.

Thank you.

I just received this book after ordering it here on Amazon (super fast shipping, by the way) and I was immediately impressed with just how comprehensive the entire manual is, how easy the instructions within are implemented, and the way in which everything is explained so even an idiot such as myself can follow along without stumbling. This is the book which SHOULD HAVE come with the Camtasia Studio v4 software when I purchased it just a few months ago.

Of course, TechSmith has just released v5, but I've not seen enough reason to upgrade this time around (I previously owned v3). I highly recommend that you purchase this book.

I would also recommend purchasing Bill Myers' DVD video training on Camtasia which you can find here on Amazon or at his website www(dot)bmyers(dot)com.

Daryl Wilson
Founder, Aladdin Studios

I have literally shelves full of computer books.
This is one of very few I've actually read cover-to-cover.

But the book is structured so that for the most part you can read any one chapter without missing out on information that depends on a previous chapter.

I've even wound up taking some of his hardware advice. Otherwise, I never would have thought to purchase a preamp with as dorky a name as "Audio Buddy"...LOL...

If you're using Camtasia Studio to produce instructional or sales videos - or considering using it - this is the book you need.

I fall into the newbie category and had to come up to speed very quickly, using Camtasia Studio 4 to record and produce several video podcasts of PowerPoint presentations for my company. I bought several books and read "how-to's" on the internet, but this book turned out to be my savior. If you buy only one book, this one should be the one.

Britt Lamond played in the first episodes of Disney's Zorro. He was Capitan Monastario. The book wonderfully chronicles those first 13 episodes. Mr. Lamond makes a fantastic presentation of what went on behind the scenes. I have always thought the sword fights were the best I'd ever seen and after reading the book I realize why. Guy and Britt were well trained in sword fighting before Zorro ever came along. If you love Guy Williams as Zorro you will love this book. Thank you "Capitan Monastario"!

Britt Lomond has treated us to a rare, behind-the-scenes look at one of the most beloved TV series of all time (and still playing throughout the world today). "Chasing After Zorro" is a first-hand account of his experiences on-and-off the set, as well as the circumstances leading up the series' inception. It is written with the kind of insight, humor and love that only one of the actors who helped kick-off the series could offer. It is an endearing glimpse into a different (and long-gone) time in Hollywood and Disney.

With his long career in front and behind the camera - Mr. Lomond worked in production for years after acting - he presents a well-rounded view of the workings and politics that existed during those first 13 epissodes. He also sheds light on the friendships he had with the other people involved in the series, from Guy, Henry and Gene to the writers and directors, and even to Walt Disney himself. From the very first page with his dedication to his family, you know that you are in for a genuine and touching journey into the heart of those first Zorro episodes.

I highly recommend this one-of-a-kind book for any Zorro fans out there.

For those of us who remember the Zorro television series (the Walt Disney one, which is the only one for true Zorro fans), this book is a treasure. Britt Lomond gives us an interesting and informative tour of the first 13 episodes of the Zorro TV show, the ones in which he played the villian, Capitan Monastario. As many others have noted, he set the standard for villians in the series, and even though the succeeding bad guys (and gals) were exceptionally villianous in their own right, Capitan Monastario, as defined and played by Mr. Lomond, was never equaled and certainly never beaten.

The behind-the-scenes stories Mr. Lomond tells are fascinating, and he has uniformly kind words to say of his co-actors and the production personnel who did such a wonderful job of making the show so successful that it is still popular almost 50 years later.

That success was made possible by the contributions of artists like Mr. Lomond. He details each of the 13 episodes in which he appeared in the 13 chapters of his book, a fine way to present his material. In particular, he often notes the changes he himself made in the script. He would memorize the script, but then, where he thought his character would have said something different or would have said the same thing but in a different way, he would make the changes during the filming. Almost always, his changes were approved by the director. What this illustrates more than anything else is Mr. Lomond's professionalism. What he was doing was his very best to present his character as he thought the character actually was, or would have been had he been a real person. He was not satisfied with merely speaking his lines as written in the script; rather, he brought to the role an experience as an actor that was unique. Mr. Lomond even imagined the life of his character prior to the time depicted in the programs, in order to best know how his character would be motivated in various situations, and thus know how his character would act, react, and speak. By doing so, he depicted the personality of his character consistently in the best way.

Thus, he would study the script in the context of his own idea of what kind of man his character was, and he made changes which did not aggrandize his own role, but made the programs better because of his insistence on his character's acting and speaking the way he should. That kind of professionalism is, I think, rare in any line of work, including acting.

Mr. Lomond has nothing but praise for the others who worked so hard on the series, including unstinting praise for Guy Williams, Henry Calvin, Gene Sheldon, Than Wyenn, Tony Russo, and the other actors. The humorous stories he tells, such as tricks the actors played on one another, are fabulous, and he tells one story of a trip on the ocean in Guy Williams's sailboat that turned into a disaster and could very nearly have killed all on the boat. He has particular praise for Walt Disney himself as well as the directors, the production designer and art decorator, and others who made the programs look so good.

Mr. Lomond is a multi-talented artist, having acted in many stage, movie, and television roles, and also having worked in many different jobs behind the cameras. Look him up on [...] and you will see just how many different jobs he has done. Thus, he knows the filmaker's craft inside and out, and that makes his comments on the actors and production staff on the Zorro TV series that much more meaningful. He knows whereof he speaks, and he has done many of the jobs of the people about whom he writes in this book.

The substance of Mr. Lomond's writing is entertaining and full of information. The only criticism I have of the book is that he was not well served by the editors and proofreaders of his book; there are a great many typographical and other errors, not the fault of the author. The book is nonetheless deserving of 5 stars because of Mr. Lomond's writing.

If you are a Disney Zorro television series fan, this book is a must for you. If you are not, buy it and read it anyway; it will give you insights into the making of television programs that you would never know otherwise; and it will make you a Zorro fan if you are not one already.

What a pleasure it was to read this book. I enjoyed it immensely. Mr. Lomond had the right touch in writing about his experiences on the Zorro set. I especially enjoyed all the behind the camera material. It is very poignant to have read this book, shortly before Mr. Lomand died.

Britt Lomond gives us a lovely glimpse into the world of the Zorro phenomenon as it played out via Disney's magic in the late 1950's and early 60's. He treats us to a behind the scenes look at how the duels between Monastario and Zorro were choreographed... and how he still bears the Mark of Zorro to this very day from the sword tip of Guy Williams. Also revealed, perhaps inadvertently, is the wonderful nature of this man... who with gentlemanly grace accepted the role of Monastario rather than the coveted role of El Zorro... all for the good of the show and not his own ego. A recommended read...

This volume assuredly would be a welcome addition to the libary of anyone who loves Charles Dickens and/or the history of film. The style of writing is quite engaging, yet it does not descend into sentimentality or nostalgia.

The opening chapters, which provide a relatively brief yet surprisingly insightful treatment of Dickens' Christmas writings and social conscience, are a concise picture of the setting in which Dickens brought his classic to life. For those unfamiliar with the period, I would find this to be an essential background, lest A Christmas Carol be reduced to a fairy tale, as it is in certain film treatments. Those who are acquainted with these matters undoubtedly would find the quotations from Dickens' more obscure Christmas writings, and references to such other Christmas scenes as those in The Pickwick Papers, to form a comprehensive image of the combination of commentary and imagination in these works, and underlying themes which influenced a Christmas Carol itself.

The treatment of film adaptations, including the earliest silents, is extremely well researched and comprehensive. Even the biggest fan of "Scrooge pictures" would find some in this collection which were unknown. The classic films (for example, Alastair Sims' version) are analysed with an insightfulness that would increase anyone's understanding and enjoyment of their content.

As a Dickens lover, and also as one who is a "Christmas nut" (for whom the insights in this volume were a welcome and lovely nutcracker), I would highly recommend this book on all counts.

Dickens dose a great job introducing this book. He has very high vocabulary and his words are sometimes very confusing. However, that should not cloud over the book because it is a great read. In my opinion it is a must read. I think if any Christmas hater reads this book they will love it. It certainly was interesting.

Fred Guida has presented an incredibly well researched and beautifully written book that blends the literary history of this story along with the history of its various screen presentations. Thank you for this unique presentation.

I've been a fan of the 1953 version of a the Carol for as long as I remember. It was family tradition every Christmas eve to watch it. I've looked at as many possible versions and have yet to find it's match. This book is an amazing resource of all the various interpretations of the Dicken's classic has gone through from early lantern projected pictures, through the silent era, talking films, television, and animated specials. The early version were fascinating and I found it a special bonus that the author made note of various television shows which featured a special Christmas episode inspired by A Christmas Carol. Who could ever forget the "Six Million Dollar Man" Christmas special using the ideas from the novel. This brought back a lot of great television special memories. I was even able to track down two hard to find T.V. animated specials shown in the early 1970's but not seen since. (I found them on Amazon). All in all a great read, especially for fans. I did not agree with all of the criticisms, and the text is a rather dry read, maybe a little too academic. But still great stuff!!

Everyone has a favorite film or television version of Dickens beloved "A Christmas Carol." But few of us have any idea how very many adaptations there have been. Mr. Guida's wonderful book examines first the written "Carol," then goes on to detail some of the hundreds of adaptations and variations, from the early stage versions and magic lantern slides to modern made-for-television Carols. Mr. Guida discusses the major Carols with wit and humor as well as rare discernment: his love for his subject is evident. Minor Carols and variations are also covered, albeit more briefly. If you cannot find your favorite version in the text, you are sure to find it in the superb and very thorough filmography. The filmography is worth browsing in and of itself; did you know that there have been Western, country-western, rock-and-roll, and even science-fiction variations on "A Christmas Carol"? Or that actors as disparate as Cicely Tyson, Basil Rathbone, and Mr. Magoo have played Scrooge? If you love "A Christmas Carol" or simply dote on film trivia, I promise you will enjoy this book.

This book is intended to be a gift for my grand daughter, Clara Elisabeth Schumann. But first I am reading it myself. What a woman!

Author Nancy Reich's scholarship is impeccable, her research, comprehensive, and her passion for accuracy, uncompromising.

This is a completely thorough and compelling biography which reads as smoothly as an easy novel. It is powerful and sensitive; objective and personal. Dr. Reich's depth as a scholar and skill as a writer provide us with a rarely-, possibly never-seen view of this extraordinary woman, Clara Wieck Schumann.

Clara's life was fraught with pain, sorrow, frustration, and self-doubt, and how her genius managed to prevail is nothing short of remarkable. I took pause many times while reading to catch my emotional breath.

Dr. Reich also shares with us her enormous insight into the personalities of ill and troubled husband, Robert, dear friend and confidant, Johannes Brahms, and domineering father, Friedrich Wieck, making sense and coherence of the disjointed facts many of us know regarding these three very important men in, not only her life, but in the life of Nineteenth Century European music.

Clara Schumann was a truly astonishing figure - both as an artist (prolific composer, formidable virtuosa - some say Liszt's equal or superior), and as a woman (dedicated wife, mother, daughter, loyal friend). This book takes a major step toward giving a just measure of recognition to this awesome woman. It contains wonderful photos, sketches, pastels, and paintings - some, particularly of Clara alone, are especially moving. Her expressions tell nearly as complete a story as the text.

Though replete with musical discussion and analysis, one need not be a scholar or musician to comprehend and be totally struck by Nancy Reich's telling of Clara's story. If you care anything about wives, mothers, daughters, friends, or music, this book is a MUST READ.

I discovered this marvelous book on the Clara Schumann Society website of Dr. David Kenneth Smith, Geneva College. I recommend doing a GOOGLE on "Clara '96" (the name of the site celebrating the anniversary of her death in 1996). You will get an abundance of hits, all of which are very worthwhile.

This revised edition of Clara Schumann's biography by Nancy Reich is a gem. Not only is the scholarship impeccable and thorough, but the talented writing engages and fascinates the reader at every turn.

Features of this wonderful new edition include the use of new medical reports that have come to light regarding Robert Schumann's illness; reference to recently discovered letters and diaries that further elucidate Clara's friendships with people like Emilie List, Frederic Chopin, and the Mendelssohns; and the expansion of the Catalogue of Works.

The revised Catalogue alone makes this new edition compulsory for anyone-lay or professional-interested in Clara Schumann and her prodigious work and impact. The Catalogue records every known piece by Clara Schumann, reviews of her compositions, her own performances of her works, the location of autograph copies, and much more.

The 1985 edition of Dr. Reich's outstandingly researched biography clearly had a major impact on Schumann studies. It was followed by a continuing, worldwide outpouring of performances and recordings of Clara Schumann's works, articles about Clara, and studies of her music.

The biography is based on original research in German archives and first-hand consultation of letters, music autographs, diaries, and other primary sources. To this meticulous scholarship, Dr. Reich adds intelligent, compassionate analysis of Clara Schumann's life and music, the influences that shaped her, her inspirational marriage to Robert Schumann, and Clara's breathtaking, at times unbelievable strength and ongoing artistry amidst the sometimes horrific adversities in her life.

Rarely is such a magnificent feat of scholarship accompanied by such gripping and graceful writing.

This book is a must for anyone who professes interest in Schumann studies, nineteenth century music, and gender studies, or who wants to experience a true story of passionate, devoted love and the mutual pursuit of art that Clara and Robert Schumann inspired in each other.

Nancy B. Reich certainly did her homework while writing the revised edition of Clara Schumann: The Artist and the Woman. Her resources include translations from primary texts in her native German, as well as other primary sources from the important friends in her life. She updated the 1985 version of the book in 2001 to include "a variety of significant documents-letters, medical reports, and music-that were in private hands and unavailable when [she] was working on the first edition". These texts include Robert Schumann's medical log, and Clara's correspondence with her husband's music publishers, the List family, and texts written by her granddaughter Julie. I felt this book was well laid out, and was able to include many thoughts and emotions from the people involved in Clara's life. By including information from the diaries and discerning when the passage was Wieck's writing or Clara's helped make clear whose feelings were really being expressed.
One thing I found was that Reich draws many of her own conclusions based on the information presented. Due to the difficulty of not having Clara's uninfluenced, uncorrected thoughts from the first twenty years of her life, it is difficult to actually know her true mind. Wieck's influence on her caused many of these primary documents to be soiled with his own opinions. They do, however, provide an interesting look at her motivations behind many of her decisions. He never spared his thought, and so, there is not as much need for speculation of his beliefs. Reich also does not ponder what her conclusions mean, she simply presents the facts, her opinions based on them, and allows the reader to agree or form their own ideas.
Her inclusion of a timeline of Clara's life in the beginning of the book is rather helpful. It allows the reader to follow her life and to find specific events within the book. Also, the division of chapters makes it easy to home in on specific parts of her life and to find the information easily. The second half of the book reemphasizes the themes in her life by forming separate sections with each grouping. These show her relationships with others and discuss the positions she held throughout her life. The second section might lose the reader's interest somewhat because of the recounting of many facts. She presents the information in greater depth, but she does so in a way that common themes are grouped together instead of emphasizing where they occurred in her life.
Overall, it was a very enjoyable read. It was very informative, and easy to follow. The writing flowed easily and the beginning held my attention. Reich wrote a book successful of influencing my emotions and teaching me more than I had ever known about Clara Schumann. This was a very effective story of the woman and artist's life, and I would recommend it as a great account.

Reich's beautifully written, thoroughly researched and objective book is certainly the best biography on Clara Weick Schumann in English. It is also one of the finest biographies I have read of any subject by any author.

From her childhood as a piano virtuoso through her 50 year performing career, Schumann was an international star of the concert stage, a composer and champion of the composers close to her, a woman who astounded and compelled those who knew her, a legend in her own time.

She was, as we know, beset by personnal tragedies of the most anguishing kind, beginning with her complex relationship with her taskmaster father, who taught her, drove her mercilessly, and made her a star at the age of 12, then refused to allow her to marry the love of her life,

She defied him at a dear price and married Robert Schumann anyway. The book explores at length her life as a beloved, then shunned daughter; as a lover, wife, mother, composer and performer.

She suffered terribly Robert Schumann's early and probably syphilis-induced insanity and death, the deaths of most of her seven children at a young age, and extreme financial straits in which she found herself most of her life.

Reich takes us step by step through all of the contingencies of her professional life: her lifelong celebration of Schumann's work; the 'Young Werther' relationship with her beloved Johannes Brahms, whose career she promoted tirelessly; her complex personality and deep involvement in her career and their effect on her maternal relationship with each of her children.

Throughout, Reich draws a richly variegated picture of the world of classical music in Europe from the early 19th century onward -- its characters, creations, rivalries, performances, highs and lows. Schumann interacted with many of the centuries' finest composers and performers: Chopin, Joachim, Liszt, Schumann (of course), Brahms...the list goes on.

Reich presents the incredible strength and courage for which Schumann is well-known, but does not flinch at exploring her more problematic qualities, for which friends, family, children and Schumann herself, paid a price.

Clara's deep understanding of the music of Robert Schumann and others, and its profound physical and emotional effects on its her play throughout. Here is Clara Schuman, de-mythologized, de-romanticized, and still amazing.

Intriguing, richly embued with testimony from original sources, a pleasure to read, Reich does not just tell the tale. She performs a symphony.

In my opinion, Bob and Ray's stuff from the 1950's is by far their best. Then they were young, fresh - and often improvisatory! Classic Bob and Ray Volume 1 includes four episodes of "Matt Neffer, Boy Spotwelder", which has to be the most surreal, dream-like, (and utterly pointless) series ever conceived. There are also episodes of "One Fella's Family", another of B & R's great pieces. The bits with "Arthur Sturdley"
(a take-off on radio personality Arthur Godfrey) are priceless!

B & R's capacity for voices and characterization is amazing.
This little-known comedy duo will bring you endless laughter, joy, and emotional health. Long live Bob and Ray!

Note: I know that "Family" was a parody of the popular soap opera "On Man's Family" and of the show "Vic and Sade". But what was "Matt Neffer" based on, if anything? I'd be interested to know.

In my opinion, Bob and Ray's stuff from the 1950's is by far their best. Then they were young, fresh - and often improvisatory! Classic Bob and Ray Volume 1 includes four episodes of "Matt Neffer, Boy Spotwelder", which has to be the most surreal, dream-like, (and utterly pointless) series ever conceived. There are also episodes of "One Fella's Family", another of B & R's great pieces. The bits with "Arthur Sturdley"
(a take-off on radio personality Arthur Godfrey) are priceless!

B & R's capacity for voices and characterization is amazing.
This little-known comedy duo will bring you endless laughter, joy, and emotional health. Long live Bob and Ray!

Note: I know that "Family" was a parody of the popular soap opera "On Man's Family" and of the show "Vic and Sade". But what was "Matt Neffer" based on, if anything? I'd be interested to know.

Bob and Ray: Tippy the Wonder Dog; Mary Backstayge, Noble Wife; Mr. Science; and Prodidgy Street are just a few of my personal favorites. These wonders of comedy fill my heart with wonder and delight as Mary opens a fast-food toast restaurant or Gustav Groundhog sells merchendise. Bob and Ray surely were ahead of their times with witty, sharp stories that make you wonder... do dogs REALLY make ginger-ale soup?

In my opinion, Bob and Ray's stuff from the 1950's is by far their best. Then they were young, fresh - and often improvisatory! CLASSIC BOB AND RAY VOLUME 1 includes four episodes of "Matt Neffer, Boy Spotwelder", which has to be the most surreal, dream-like, (and utterly pointless) series ever conceived. There are also episodes of "One Fella's Family", another of B & R's great pieces. The bits with "Arthur Sturdley"
(a take-off on radio personality Arthur Godfrey) are priceless! So are the episodes of "Insomniac Theatre" and the reports from Wally Ballou and Artie Schermerhorn. B & R's capacity for voices and comic characterization is amazing. This little-known comedic duo will bring you endless laughter, joy, and emotional health. Long live Bob and Ray! And don't forget to buy THE BEST OF BOB AND RAY and BOB AND RAY, THE LOST EPISODES as well!

Note: I know that "One Fella's Family" was a parody of the popular soap opera "On Man's Family" and of the show "Vic and Sade". But what was "Matt Neffer" based on, if anything? I'd be interested to know.

Bob and Ray: Tippy the Wonder Dog; Mary Backstayge, Noble Wife; Mr. Science; and Prodidgy Street are just a few of my personal favorites. These wonders of comedy fill my heart with wonder and delight as Mary opens a fast-food toast restaurant or Gustav Groundhog sells merchendise. Bob anr Ray surely were ahead of their times with witty, sharp stories that make you wonder... do dogs REALLY make ginger-ale soup?

...and yes, someone needs to undertake a follow-up volume for the new episodes. However, this would be an intimidating task because Dawidziak has writen such a tremendous volume.

This is a fine book - I've read it cover-to-cover. It's all you need if you are interested in the fumbling, bumbling ways of this great detective.

I hope that Mark Dawidziak revises it someday to include the newer additions to the Columbo saga.

This is a great book rich with detail and exclusive interviews. I've read - and reread - the book a number of times.

This fine book shows just the sort of attention to detail the great detective would appreciate. It is a work of love, and is a good read for any fan of Columbo. The only problem is that the book is a little out of date now - well over a dozen episodes have screened since the last one listed. A new edition is in order. Please, please, give us the REST of the story!

I refer to the book many times when I watch Columbo episodes I've taped over the years. I think it's a great book, but like others, I think it should either be updated, or a sequel book, possibly titled "The Columbo Phile - Just One More Thing" that just covers the newer cases and updates the statistics (such as how many times William Shatner has been a murderer on Columbo, which used to be 1 and now is 2). Maybe they could use color photos in it, too.

Companions of the Blest was my favorite book this year. The characters were believable and likeable. It's a very interesting story and one I didn't want to end.

An absolute joy to read. The author has done an excellent job of intricately weaving important Texas historical events and characters into the evolution of his fictitious family in modern Hill Country society. I highly recommend it.

Jim Boyd has captured the essence of the people that live on the land in the Texas Hill Country better than any other. His descriptions of this wild, and still untamed part of Texas, put me right out there in the that magical country right along with the characters in the story. I had trouble putting the book down because I longed so much for Mac Taylor and Rene to ride off in the sunset together - unfortunately this was not to be. A really great read. In the past I have been blessed to know many Mac Taylors, my own father was indeed one of them. The author is most correct on this point: the Mac Taylors of the world are disappearing from my own personal view, and I doubt seriously that I'll see many more like them in this lifetime.

Companions of the Blest captures the essence of Texas culture. Reading the book is every bit as good as attending a concert by Willie -- or Ray Price.

The culture portrayed in the book endures in spite of increasing urbanization. Hopefully, the spirit of Mac Taylor and Juanita Navarro will remain a part of who we are and what we stand for.

I greatly enjoyed the book, and I'm buying copies for friends.

An absolute joy to read. The author has done an excellent job of intricately weaving important Texas historical events and characters into the evolution of his fictitious family in modern Hill Country society. I highly recommend it.

I borrowed The Complete Beatles Chronicle from the library hoping to get more info on the making of the White Album (my favorite). But, because of how well the book is written, I wound up starting from page one.

This book is interesting because it doesn't miss the big picture. At the beginning of each year is a concise chronicle of what happen that year and its significance. One needn't get bogged down in the details. Just read the first few pages of each chapter for a good overview.

But, if you read the whole account, you'll discover the true genius of the four lads from Liverpool and how they somehow managed to create high-quality songs in between appearances on TV shows, sitting in on radio broadcasts, making movies, going on far-flung concert tours and dealing with mobs of desperate Beatlemaniacs.

Some of this data must be conjecture (even though it's not presented as such). For example, unless it was revealed in an interview, how would the author know that Billy Preston was brought into the Get Back sessions in order to break the tension within the group.

Still, it's an easy read filled with facts. I must now buy this book. So should you.

[DW]

Since publishers and editions change from time to time, I am not certain that I am reviewing the exact book. This book will be interesting mainly to those who were teenagers during the 1960s. These persons will recall the first time they heard each of the Beatles' albums, or they will recall the event of buying these albums. For example, I first heard Sgt.Pepper at the Fillmore Auditorium in San Francisco. The album was played before the performers went on stage -- that was Cream on their first American tour, along with Gary Burton Quartet and the Flaming Groovies (a last minute replacement for the Electric Flag). Anyway, the book takes the form of a diary detailing when and under what circumstances many of the songs were composed, recorded, and performed. The book contains 360 pages of small print, and almost every page has a 1/4 page photograph, though some are 1/8 page or 1/2 page, in size. The latter part of the book contains color photos. The reproductions of the photos are better than one might expect -- nice contrast and sharp focus. We learn that the original name of the Beatles was the Quarry Men, where this name came from Quarry Bank High School for Boys (page 12). We learn that the Quarry Men (John, Paul, George, and John Lowe (drums)) made their first recording in 1958 (page 13). We learn that Ringo was the drummer for a band called "Al Caldwell's Texans" even before he (Ringo) jointed "Rory Storm and the Hurricanes." (page 16) We learn that the first appearance of the lineup of John, Paul, George, and Ringo took place on August 18, 1962, and this was at Hulme Hall, where the occasion was the Horticultural Society's annual dance (page 75). We learn that the Beatles' first U.S. performances were in February 1964. An interesting fact is that Charles Finley, then owner of the Kansas City Athletics baseball team, paid $150,000 out of his own pocket to persuade the Beatles to play in Kansas City, and that the manager of the hotel in Kansas City cut up the Beatles' bed linen into 3-inch squares, and sold them for $10 each (page 139). We learn that the trumpet players on Strawberry Fields Forever were Tony Fisher, Greg Bowen, Derek Watkins, and Stanley Roderick (page 234) and that Dave Mason played the B-flat piccolo trumpet on Penny Lane (page 240). We learn that Maxwell's Silver Hammer took 27 takes, that She Came In Through the Bathroom Window took 39 takes, and that Here Comes the Sun had 13 takes (pages 324-327). Again, the reading is fairly dry and fun facts are encountered only on occasion. There is essentially no information on the Beatles' social lives. But for those who were teenagers during the 60s, the book is likely to be a page turner.

The best book about the Beatles, with "The Complete Beatles Recording Sessions", of same author.

This is the kind of book that you would read cover to cover. But if you were a fussy fan you would want this book in your collection for reference.

Mark Lewisohn set a new standard for primary source research in rock music. This vastly informative book combines, in slightly truncated form, his brilliant day-by-day books "The Beatles Recording Sessions" and "The Beatles Live." Also included are film and radio appearances. Along the way are many suitable and wonderful photographs. Great for browsing or for obsessive fans to devour start to finish.

The best book about David Bowie, in a non-bio way.
The meat of the book are its song by song chapter, and album by album chapter.
The song by song covers every Bowie song, taking about its form and whats its about.
The album by album chapter covers each album in great detail.
The book also has chapters about Bowie's art, acting, videos, ect. In all it has nearly everything you'll need to know about David Bowie's career.

If you are a Bowie fan, this is must reading. Pegg is extremely accurate, and his accounts of the songs Bowie has written and the stories about how the songs were recorded are fascinating. He does a great job tying Bowie's lyrics and music to places and times in Bowie's life, creating a full picture of all that was happening. The accounts of Bowie's tours and albums are accurate and excellent reading, very concise without being wordy or over the top. To get the complete picture of Bowie the entertainer buy this book. I have been a huge fan of Bowie since 1984 and this is the best book ever done on him.

The Complete David Bowie is definitely the best account of David's work, presenting in the first part of the book each and every song he has ever written or sung and continues with his albums, singles, movies and live appearances.

Don't get me wrong, Nicolas Pegg has done a great and painstaking job and the book is a great source if you're going to write a thesis on Bowie(!), but I wouldn't call it fun reading, mostly because of its structure, which is similar to that of a dictionary or encyclopedia! However, there are many interesting facts and quotes that will draw your attention, and you get to hear the explanation of many of his songs from David! -e.g. I didn't know what the theme of Heathen (The Rays) was and why it brought tears to his eyes in one of his concerts...

I think it's a very good and detailed piece of work, as long as you know what you're getting!

As a collector of Bowie's music, I found this book invaluable. It filled in some gaps in my understanding of the great ones music and cleverly clarifies the evolution process from one Bowie phase to the next.
The book makes reference to many rare and unreleased songs which is vital to a serious collector.
It is written plainly and factually with no hint of worship.
If you are only concerned with Bowie's music then this is the book for you. Essential.

The Complete David Bowie is definitely the best account of Davidýs work, presenting in the first part of the book each and every song he has ever written or sung and continuing with his albums, singles, movies and live appearances.

Donýt get me wrong, Nicolas Pegg has done a great and painstaking job and the book is a great source if youýre going to write a thesis on Bowie(!), but I wouldnýt call it fun reading, mostly because of its structure, which is similar to that of a dictionary or encyclopedia! However, there are many interesting facts and quotes that will draw your attention, and you get to hear the explanation of many of his songs from David! ýe.g. I didnýt know what the theme of Heathen (The Rays) was and why it brought tears to his eyes in one of his concertsý

I think itýs a very good and detailed piece of work, as long as you know what youýre getting!

This is a great reference book for all of Dusty's recordings. It includes the Where and When of each song she ever recorded.

Paul Howe's excellent book (now in 2nd ed.) is now available for preorder through The Dusty Springfield Bulletin and also through amazon UK. US fans are waiting for amazon to offer it here. PLEASE !!
[...]
Let's Talk Dusty!

Here's what we Dusty fans waited many years for. Several more compilation CD's and a couple more DVD's have been released in the U.S., U.K., Australia and the rest of the world since this comprehensive overview of Dusty's career was published in 2001, so the book is only complete up to that point. No matter, because these pages cover all of the known, individual studio recordings she made, including several alternate versions, album session outtakes and single mixes that have turned up over the years on various collections. There are many live television and radio recordings floating around out there, many of which have yet to see CD or DVD release, but this book is as complete a volume as we could have reasonably hoped for. And the pictures! There are many photos here I had never seen before, making this book even more of a special treat. The casual listener who is only familiar with Springfield for the four or five songs that get endlessly recycled on the radio could probably not care less about this book, but for us rabid fans, this is indispensable. Highly recommended, and nothing in here to disrespect the woman whose real legacy is a catalog of great music, NOT a string of sleazy tabloid stories. Avoid DANCING WITH THE DEMONS, a badly written "biography" which I won't even dignify with a negative review.

Dusty Springfield was a legend in the music industry. She was tough and a perfectionist without apologies. This book is about her music legacy and not about her personal problems with addiction or her sexual orientation. There's more to her person than who or what she sleeps with. Dusty was one of a kind. She died too soon at 59 just when she got awarded the O.B.E. (Officer of the Order of the British Empire) on her deathed and died two weeks before her induction into the Rock and Roll Hall of Fame in Cleveland, Ohio. Sadly, there is one honor that I think she should receive and that is the Star on the Hollywood Walk of Fame for recording. If I only had $25,000 dollars to spare, I would do it for Dusty.

There is another book out there on the market that claims to be an authorised biography on her life. If reading a distorted and sensational account of her life is what you want, 'The complete Dusty Springfield' isn't for you. What it is, is a track by track annotation of every recording Britains greatest ever female vocalist recorded. Paul Howes (publisher of the Dusty Springfield Bulletin magazine) has done a fantastic job in detailing every song released (and even some unreleased) from a to z. To achieve what Dusty did in the male dominated music
business of the 60's puts the likes of Madonna in the shade! For anyone with more than a passing interest in how Dusty
achieved so many enduring recordings, time and time again, then
this book, choc full of photographs, is for you. She really
was a one off.