Television Books

I, Tina; Don't Block the Blessings by Patti LaBelle, Bobby Womack, Pryor Convictions (Richard Pryor), Super Freak (Rick James) and The Etta James Story have been some of the most TELLING books that I have EVER had the pleasure of reading.

I personally prefer when an artist joins with their OWN writer and composes their OWN story, instead of waiting for someone else to do it, only to wind up in court desperately trying to refute the ill-refuted claims gathered by 2nd, 3rd and 4th-hand witnesses to something they heard told to their 3rd cousin twice removed.

I agree with Etta, your only TRUE judge in this ball of confusion is God, so why should you apologize to anyone else? Why not put it out there for everyone to finally snicker, whisper and gossip about, and then ultimately get over?

This book is only a grave reminder to everyone who has always looked to "Holly-WEIRD'S" version of a "hero", that perhaps it would be best to look a little closer to home.

Celebrities are only humans, too. Try looking up to the everyday, ordinary people that you see delivering your mail daily, pulling over drunk drivers, extinguishing fires, teaching your children, preaching to your families and saving your loved ones~~instead of people who can never vote (because they're felons), don't own property or their own vehicles, and are barely able to do a better job than YOU at child-rearing!

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

Etta James. Powerful vocals and supremem attitude. This blues/jazz diva can only have a story that's as dramatic as her musical repetoire.

The biogrpahy is an easy read but full of emotional impact from her youth to her dificult struggle with her weight while climbing up the ladder to success. Family members bob and weave in and out of her life while she struggles to keep her head above the waters of black society.

Read about her survival and the road she took to make it there. Again, it is an easy read but the themes she brings up from her life are tough to handle. A true inspirational story, the life of Etta James will help any reader to appreciate her will to succeed and encourage all of us to strive to be our best.

If you're going to see Etta, read this book first. It will put some perspective on where this Diva has come from and help you understand some of her stage comments. To make your experience finer, read it while listening to "Her Best-the Chess 50th Anniversary Collection" and her newest CD "Roll On".

It's an honest and fresh read, very revealing and very scary as to how she survived racism, drug addiction and recovery. It also gives alot of insight on the R&B world players in the 50's, 60's and 70's.

I'd recommend it as a supplemental text in feminist/african-american/sociology college courses. It may be too controversial for high school courses but it would certainly get students talking. It's also a great summer read.

The Red Balloon is a wonderful story with an adorable little boy as the star character. I bought both the book and the DVD to give as a present to younger children (4 yrs old). I think they will enjoy if only for the visuals. The film is produced in French language but there is so little dialogue that not understanding the script doesn't affect the enjoyment of watching the film. Overall, it is a fun story with a good feel to it. There were only a couple of situations in the story that I thought might be a little sensitive or a bit scary to younger kids .. one being a group of boys chasing the little boy trying to take the balloon away from him. The other a very quick scene where a school headmaster is upset with the chaos going on and he puts the little boy in a room and locks the door. These are minor to the overall upbeat feel of the story but parents may want to review first to consider their own fast forward editing or explanations. In my case, the quality of the DVD was not great. It's an old film so perhaps the age is showing a bit in the reproductions.

Great story....grew up watching the short film and checking this same book out from our local library. Now that I'm a mom, I have introduced this video and book to my kids, and they're infatuated with everything about it. Great, well-made books with lively photos and storyline that holds little ones' attentions.

this book was written some decades ago but the excellence of the writing and the very skilful, thoughtful & sensitive photography which integrates very successfully with the story, are such that I believe this book will be deservedly popular with very many generations of children in the future. I believe that it is a masterpiece of children's literature and I strongly recommend it as a gift to be given by any parent - or grandparent.

I must have checked this book out a hundred times when I was in Elementary school as it was such a favorite. What a joy it was to find it still in print and telling it's charming story to future generations. This is a classic, and a book that I would recommend to all children and adults that want to hold a piece of their treasured childhood memories. This story was told in film on the International Children's Film Festival, hosted by Kookla, Fran and Olie, and further helps to bring this story to life.
Treat yourself and your children to the story of a boy and his friend, the red balloon.

The photographs, the text and presentation are remarkable. A piece that makes a good complement of the movie.

Wonderful! Very insightful and informative. A great addition to anyone's bookshelf. I highly recommend it.

This is an excellent book to aid in the understanding of Shawshank Redemption, whether studying english or mass media.
I found the book to contain additional details on story boards and amended scenes, which indicate the way the script writer, Frank Darabont, adapted the story to film.
Thoroughly enjoyed the script, especially as I can read it in places I can't view the film, i.e. work.

As a rule, don't buy shooting scripts if you want to write a screenplay. Shooting scripts are finished products.

That said, screenwriters can learn from this exploration of the classic movie (yes, folks, it is a classic, it's been shown a billion times on TNT), by reading the deleted scenes (my personal favorite is one about the publicity of Warden Norton's prison-to-work scheme, in which Heywood, played in the movie by William Sadler, gets his best and sharpest lines for someone who's supposed to be the dunce of the movie), the storyboards, the explanations of which scenes were kept, etc.

And for people who just love the movie, it's a must-own.

This is a truly fantastic piece of work!!! If you really enjoyed the movie, and is fascinated by the art of filmaking, this book is for you. More than just the script of the film, the analysis by Frank Darabont takes to a totally different level and perspective. It actually makes you think like a Director. Other than this, just being in the production yourself... This is a true making-of The Shawshank Redemption, that is totally worth the price.

As Frank Darabont says in the introduction of the book, who else would buy the screenplay unless they really want to know more about the film? Sticking to that idea, Darabont has given the film student/buff, and those who simply love the movie, a real treat with this book. Not only does it contain the screenplay, it's the screenplay (I emphasize) AS IT WAS WRITTEN BEFORE FILMING. He's published it exactly as he wrote it when he adapted it from King's novella. I point this out because, as Darabont himself points out in the intro, so many screenplays that are thrown out by merchandise wizards are nothing but the finished movie transcribed. And really, what good is that to someone who wants a deeper knowledge of the film?
Not only does he give us the original screenplay, he gives us a scene-by-scene comparison of the screenplay vs. the finished film, and why things got changed/added/left out. This, in particular, says a lot about Darabont to me. This is a man who wants to use his work not only to be what it is (a GREAT film), but to educate as well. This book inspires. He includes storyboards, as well (including a storyboard for a deleted scene- oh, goody, goody!) and introductions by both himself and Stephen King, and a summarizing bit of advice to budding filmmakers and screenwriters. I devoured this book in short time (one night), lol, and found myself going back to the film to compare and analyze- if you don't do the same after reading it, I'll eat my foot.. okay, maybe not. But something drastic, I warrant you. If you are at all inclined to learn about filmmaking, writing, or even if you just love "The Shawshank Redemption" (which is what lead me to the book in the first place), this is a real must-have. It's worth the price alone just to read what he had to say about filming Freeman's scene walking through the field after discovering Andy's message. Trust me. By the way, fellow "Shawshank..." lovers are welcome to ...discuss it. Enjoy this book, everyone. It's a real find. And I'm SO glad I chose to buy it. The ONLY reason I give it four stars as opposed to five is because, personally, I would have liked to have seen more storyboards.

Posted by Roger Hitts on Jul 22, 2007 - 7:19:00 PM

At a time when the attention span of a celebrity-infatuated America lasts about as long as a ride on a bucking bronco, and snarkiness gets passed off as literary enlightenment, it can seem downright amazing that writers even bother crafting a loving, thoroughly researched and sweat-from-the-keyboard tome about the machinations of the Hollywood star system and the secrets behind the people who made our country swoon decades before Brad Pitt ever graced the cover of a tabloid.

Then again, there's not many Tommy Garretts in the world. A self-described chicken farmer who lives in the hinterlands of deep rural Virginia, Garrett has fashioned an incredibly successful career as a Hollywood publicist, radio and TV personality and foremost, an author, all from the relative comfort of the sticks and some 3,000 miles from Tinseltown. Yet he also returns to Los Angeles long enough to pick up new clients, find new writing material and for awards shows. It just shows to remind one that Hollywood is a state of mind - and in my mind, steering a wide berth around the day-to-day meetings at the Creative Artists Agency and hours-long lunches at the Polo Lounge keeps a romanticism toward the magic of movies alive without getting bogged down in the details.

Take Garrett's latest literary offering, So You Want to Be in Pictures - an exhaustingly researched, meticulously crafted book featuring insights and sidenotes, anecdotes and yes, dishy details on the lives of 55 Hollywood haymakers and what made them tick. The cast populating the book range from Golden Era legends such as John Wayne and Bette Davis, to the likes of Darlene Conley, an actress who didn't cross into big screen fame but maintained a rabid following among daytime soap lovers.

In many ways, Garrett may have crafted the perfect book for these times. Garrett is so obviously a student of the bygone era of Hollywood he likely could have fashioned 55 books from the ranks of thespians detailed in So You Want To Be In Pictures. Instead, the readers are given quick hits and peeks into the lives of stars from the inimitable Lena Horne to the 1950s icon and later John Waters pet Tab Hunter. Even those with the shortest attention span won't have to comb back a few pages to figure out what they had just read! But even more than sparing readers from having to learn what Ann Blyth's favorite color was, Garrett offers up something else that gives today's blogging generation something to sink their teeth into - real dish!

For example, in his own straightforward manner, Garrett offers up this about the marriage of Prince Rainier and Grace Kelly:

``What many don't know was that Rainier's first choice for a wife was the blonde bombshell, Marilyn Monroe. What man in the 1950s was not lusting after Monroe -- or that other doomed blonde sexpot, Jayne Mansfield? But between discussions with royal advisors and the Vatican, Rainier figured that Grace Kelly was his best choice. He did, however, fall madly in love with Kelly and probably didn't know that she spent many of the years of her marriage being a serial adulterer. For example, she continued an affair with David Niven until the time of her death."

In the hands of another writer, that paragraph would seem to be provocative for its own sake - but with Garrett, the reader gets the feeling he offers up the marital infidelity in the interest of full disclosure, not simply to be the schoolyard gossip. To be sure, Garrett - whose publicity firm specializes in managing the public lives of the more senior members of the Hollywood community like Clint Walker of TV's Cheyenne fame - has heard and seen more in his life than most, and is uniquely shaped to pass along the lessons he learned and the insights provided from his own, storied career.

What's more, neophyte celeb-watchers will be shocked to learn the exposes of the Hollywood scandal didn't start with Paris Hilton dancing on a tabletop in a Manhattan nightclub. By the very nature of the acting profession, Hollywood has always been a repository for some of the most colorful - and sometimes least judicious - people America has to offer. But many of the stories Garrett offers up in So You Want To Be In Pictures may have been lost to history if Garrett hadn't put in the time and effort to chronicle them.

While dish is plentiful in the book, it never seems ham-handed on Garrett's part - indeed, he throws more bouquets than spitballs at his subjects. Obviously, knowing Garrett's background in show business, he's emotionally invested in the people on which he writes, and it's evident in his turn of the phrase.

It's obvious in this day and age, Garrett could have made a killing knocking out a quickie book rehashing the recent misadventures of Lindsay Lohan. That he decided to take on a meatier subject matter - giving readers a real look inside the people who helped build the film and television industry on the backs of their labor, is certainly to Garrett's credit, even with a lower commercial potential.

After my wife read through an advance copy of So You Want To Be In Pictures, she commented to me, ``Why the heck would anyone want to be involved in that industry? Dumb luck supercedes talent, petty jealousies swallow people whole?" Certainly, the carrot of stardom and adulation looms large on the stick. Even Garrett cautions, ``after you read this book and still have yearning for stardom, you'll gain a great respect for me."

Garrett gained my respect for writing it.


Roger Hitts, two-time United Press International columnist of the year, is a veteran celebrity journalist whose by-lines appear in numerous magazines and newspapers in the U.S. and around the world.

Tommy Lightfoot Garrett- "So You Want To Be in Pictures". This book is a must for anybody who wants to be in pictures, or is just fascinated by the whole 'celebrity' culture. The knowledge and first hand account that Tommy has of the celebrities is amazing. Tommy gives very objective and honest accounts of the stars, and with such integity. One really feels like they are stepping into the celebities lives just for a moment. Tommy gives the book an even personlised feel, by displayed autographed pictures of the Stars.
This boot is particularly insightful for the 'younger' person who isn't too familiar with the 'greats' of yesteryear. The book is very easy to read, and a must for anyone interseted in Hollywood.

Esteemed Hollywood publicist and historian par excellence Tommy Garrett has crafted a brilliant and wonderfully balanced look at nearly 60 industry performers, past and present -- from the biggest superstars (Bette Davis, Bob Hope and Joan Crawford) to its slightly lesser-known, but no less talented, or accomplished, artists (Ruta Lee, Rex Reason, Simone Simon, et al). With a benevolent and even-handed approach that mirrors his own gracious and straightforward personality, Tommy relates several rare (and sometimes, heretofore unknown) tales about these people in a highly ethical and non-exploitive way that makes you feel you know both them, and him, personally. Fair and balanced journalism abounds in this project, and yet it is at all times a fun, and sometimes even boisterous, read!

The approach Tommy has taken to dispense the book's fascinating material is unique. He begins each chapter in a traditional, linear fashion -- telling these people's stories more or less in a straight-line, from their births to their deaths -- but then he backtracks and delves into earlier aspects of their lives to take an even closer look. It is a particularly incisive technique that is all Tommy's and it really holds your attention (much like the man himself)!

The book is liberally peppered with photos and the selections run the gamut from scene stills and portraits to obscure and hard-to-find candids. All are gorgeously rendered and captioned on high-quality paper stock. Wasteland Press has done a fine job with the superb material (both textual and photographic) that Tommy has given them, and their continued alliance is one that every true classic movie fan should pray for!

Despite his youth, Tommy Garrett has accomplished a great deal in the entertainment industry and will continue to reap a healthy harvest of accolades and respect. Tommy's lighthearted public persona belies a serious knowledge of all aspects of show business and it is to his credit that the formidable writing skills he displays in this book are commensurate with his talents as one of the industry's most beloved agents and publicists.

Well done, Mr. Garrett! A superb work, and here's to looking forward to many more books from a TRUE "Hollywood Insider"!!

John O'Dowd

"So You Want To Be In Pictures", by Tommy Lightfoot Garrett, is a book every classic movie buff should own! I never read a book the second time, but this is one book I will! I have the pleasure of living in the same small town he mentions in the book, and the pleasure of having him as a dear friend. In knowing him, I can tell you, that reading his book is like talking to him, and having him share his experiences with these stars. He writes like he talks, and what you come away with after you read this book, is an understanding of the lives of the stars, and an understanding of how much this author cares about what he writes! From his late night e-mails, I know the hours and hard work he put into this book and his newly released book, "The Making of Hollywood Stars". Tommy loves what he does, and it's apparent in every aspect of his books. He wanted this book to be as "timeless" as the stars themselves. Twenty, thirty years from now, this book will be just as interesting to people who love classic movies and the stars that made them, as it is today, because it's movie history. I listen to Tommy's Australian Radio Show every week. By listening, I have learned so many things about the old stars and their movies, that makes their "larger than life" images on the screen, come to life on a human level. This is a writer who really cares about the stars as people, and who really cares about the things he writes about them! You will treasure this book, as much as I treasure the Author....

Tommy Garrett did an outstanding job when he wrote this book. Unfortunately, his publishing company apparently has no one on their staff who is capable of editing anything that is written in the English language.

There are many redundancies, many misspelled words and paragraphs that seem to be transposed making it difficult to read some chapters. I'm not certain that Mr. Garrett had/has the ability to take issue with the publisher with regard to this egregious practice but I think if I were him, I would look for another publisher.

I had the pleasure of going to high school with Eddie in Pittsburgh. He could always make everyone laugh. His book is the same classic Eddie humor. I took the book with me on a long flight and found myself laughing and smiling as I reading the book. The people sitting around me must have thought I was a little crazy-so I showed them the book. It is a great easy read. His honesty about his career and personal life struggles is what makes the book. Humor helps with healing. This book is great to share with anyone that is overcoming an addiction.
Thanks Eddie for once again making me laugh and may you keep making people laugh with your wonderful humor.

This book was addictive reading about how Ed got his start in comedy and how he dealt with his drinking and insecurity to come out on top. He pulls no punches as he details his relationship with the bottle and his troubles with the opposite sex.

He tells great stories about other comedians, most notably a day he spent with the great Henny Youngman.

It takes a lot to get me to laugh aloud but this book had me chuckling several times throughout. I especially enjoyed Ed's return visit to the jewelry store.

I hope you have another book in you Ed.

Reviewed by Lorraine Robins for Reader Views (5/06)

The author's purpose in writing this book was to inform and entertain readers. Ed Driscoll hit the mark on both counts. The book is about his life, including personal details of his feelings of failure in romantic relationships. This could not have been easy for him to be so open about. Yet, he is open about these feelings. Readers can relate to this, I'm sure, whether they are single, married or divorced. Driscoll touches on the complexity of romantic relationships. However, he does so in an interesting and humorous way.

Humorous may be putting it mildly. There were parts of this book that were so funny, I was laughing out loud. I literally had to put the book down and compose myself. This is a very funny man. He writes about his career and how he became a successful comedy writer. When reading this book, there is no doubt that this is a talented and funny man. Reading this book convinced me that he is a very talented writer.

Driscoll spends much of the book comparing how successful his career is, versus how unsuccessful his love life is. You find yourself rooting for him all the way. You feel the pain of his break-up with his fianc?. You can't help but laugh at his internet dating experience. In my case, laughing hysterically.

The author sees humor in everything. This makes the book light and enjoyable to read. Although there are a few sad realities in the book, they are coupled with humor. The book even has a happy ending. I would recommend this book to anyone who likes a good memoir, romance and some laughs.

I've been lucky enough to see Ed Driscoll perform stand-up comedy and he wasn't just funny -- he was incredibly hilarious and HONEST. When I found out that he wrote a book about his experiences with addiction and recovery, I bought a copy and was delighted to find out that he is as brilliant on the page as he is in person. The greatest thing about the book is that Ed is able to take an unflinching look at himself and his struggle with alcohol, and make you enjoy the ride to the very bottom and back. His sense of humor is both the way he sees the world and the source of his salvation. Brilliant.

Never has a descent into alcoholism, a tortured psyche and a shattered heart been so hilarious. Ed Driscoll has a genuinely twisted voice, as is evident on every page of this unflichingly honest memoir. Finally, a survivor who retained his sense of humor, and an unparalled one at that. I highly recommend this book as an inspriation to those who share a similar struggle with Ed, and to those who don't drink enough but are looking to laugh their heads off.

This is without doubt the best of all Star Trek stories, both in film and in print. It touches on many grand philosophical, scientific, and technological themes: machine intelligence (both in Commander Data and in the Borg), space-time engineering (the first time humanity has done this, via the efforts of Zefram Cochrane), the first contact from an alien civilization (the arrival of the Vulcans), the confrontation with true history (meeting Cochrane and finding out just who the man really was), and the ethics of highly advanced civilizations (the contrast between the Borg and humanity). This book and the film will without a doubt inspire many a young reader to take up the practice of science, and thus it will do the best job of all. Science fiction has the habit of coming true sometimes, but it also has the fault of underestimating. The future of humanity, as exemplified by the Star Trek crew of the year 2367, is a grand one to contemplate, but the true future will be much better: a world populated by humans and machines striving to be the best they can be; a future that is never static, for stagnation to intelligent life is an abomination. We will do genetic engineering of humans, to be the best we can be; we will do space-time engineering, to travel beyond any immediate confines; we will create intelligent machines, to be our friends and allies. All of these things we will do, and much more. Humans and all other lifeforms, organic or not, will be very different in the time frame set in this novel. But they will be restless, ambitious, and always yearning for more understanding, for more insight, for more knowledge: these traits will characterize the beings of the 24th century...and beyond.

"And you people...you're all astronauts on some kind of...star trek?"

That line, uttered by Dr. Zephram Cochrane in both movie and novelization, has to be my all time favorite from the Trek film series. The most interesting difference between movie and book, as far I am concerned, is that despite James Cromwell's fine performance I found the film's Zephram Cochrane incredibly annoying. I never developed a shred of sympathy for him, because the background the film gave me - the Third World War and its chaotic aftermath - wasn't sufficient to make me understand him. I don't know, not having seen the script from which J.M. Dillard worked, whether she added "Zef" Cochrane's tragic battle with bipolar disorder (a disease that before the War had an effective treatment), or if it was among the elements that inevitably got cut as the film took shape. But I do know that for me, it made all the difference in being able to care about this character and root for him.

The book follows the film with little filler added except for background on Lily Sloane and Zephram Cochrane, which gives it a similar pace. They complement each other well.

As usual, J.M. Dillard does a fine job of remaining true to the source material, while still elaborating on it. The story is an excellent one, with plenty of action and plenty of interesting science-fiction concepts for the more thoughtful to consider. It gives us a bit more insight into the "future history" between the near-collapse of civilization and the beginning of the Federation that has been hinted at but rarely detailed in various episodes of Star Trek, in various generations of series.

The plot and characterization are both excellent and the writing is fluid and professional. The book is a pleasure to read.

This is, of course, the novelization of the highly successful Star Trek: The Next Generation film of the same name. First Contact refers not to first contact with the Borg, for, six years later, Picard still bears the mental scars of his assimilation in the form of Locutus, but to Earth's first contact with an alien civilization. It is a story that had yet to be told, although Captain Kirk and his crew had met the extraordinarily old Zefram Cochrane, inventor of the warp drive, in an episode of the original series; additionally, there had been hints that this pivotal event in human history took place some time after a terrible Third World War on Earth.

As the story begins, the Borg have attacked the Federation, with one of their massive cube ships making a bee-line for Earth herself. Picard and the new Enterprise-E starship defy Starfleet orders and rush to the battle, after which they follow a small Borg ship through a time portal which takes them back to 21st-century Earth. The Borg plan is to destroy the Phoenix, the spacecraft which Zefram Cochrane launches and, by way of its successful warp drive test, captures the attention of a Federation scout ship. If that pivotal event does not happen, the Federation we all know and love will never come to be. While half of the senior staff is planet-side trying to make sure the Phoenix launch happens on schedule, the rest of the crew find themselves battling a Borg infestation onboard the Enterprise herself. Data is captured, Picard is in danger of letting his hatred of the Borg overrule logic and reason, and we get to meet the Borg Queen. Personally, I've always felt that the introduction of the Borg Queen was a disservice to the greatest Star Trek villains of them all. The Borg Queen is a complete contradiction that introduced a level of individual vulnerability into a collective that was, up until this time, faceless and seemingly invulnerable.

This is an impressive novelization of the film, making it a worthwhile read to those of us who are already familiar with the onscreen story. In particular, it provides a great deal of insight into the erratic nature of Zefram Cochrane himself; in the movie, he came across as basically a drunk, but the novelization does a much better job of explaining his behavior. That alone makes this novel a natural and extremely beneficial corollary to the movie.

Star Trek First Contact by J.M. Dillard was an excellent book. it showed emotion, fear, dispair, and anger. IT was a well written book considering it was made after the movie. I encourage all Star Trek fans to read this book and watch the movie.

This was both informative and useful. Cynthia's use of examples are few, but powerful and relevant. I have read both this book and Michael Chase Walker's Power Screenwriting: The 12 Stages of Story Development, and if you have to choose one, buy this one.

I'd like to say more, but I'd be repeating myself. Highly recommended.

This book is practical, easy, and very encouraging. Cynthia knows you can do it, and she wants you to try. She gives really solid advice, along with some insightful anecdotes. I've read a lot of screenwriting books and I highly recommend this one. It'll get you going!

I'm writing my first screenplay and found this book to be invaluable. Worth its weight in gold.

I've read other screenplay books, watched videos and this book is the best! Not just telling you what to do but with real world suggestions. She rewrites movie endings for you so you can see how a good movie could have been a great movie. She shows you mediocre dialogue and rewrites it so it's great movie dialogue.
It's a great book for novelists too. Creating crisp believable dialogue, creating conflicted characters, pacing. It's all here.
She is direct and like a great movie, gets to the real issues fast.

Top of the line. Easy to read and pleasant-toned in layman's terms. Organized and simple. Demonstrates the usefulness of 3x5 index cards for story-plotting. Tells you how to make good characters, scenes, dialogue, plot, etc. by demonstrating good and bad examples in movies that we are very familiar with. Simplifies the Three Act Movie formula by telling you how many minutes in the movie you should be starting your act and the significance of each act.

Additionally, the book demonstrates correct formatting for a screenplay, explains screenwriting terminology, explains the "& vs and" in writing credits. Explains certain dos and dont's with your script when presenting to a agent/producer. Whitcomb also tells how she started off as a preacher's daughter who was not allowed to watch TV and ended up becoming a successful screenwriter. She's a prime example of starting from square zero and proves you don't need to know someone in hollywood in order to make it big.

For all beginners--read this book first!

Well maybe not, but it is over 450 pages of Blackadder! "This book, sir, contains every word in our beloved language." Just kidding, I just had to say that. What this book does contain is the complete scripts for all 24 episodes of the entire Blackadder series written by Richard Curtis & Ben Elton, who are both "as clever as a stick in a bucket of pig swill." and starring the "quite brilliant" comedic talents of Rowan Atkinson, Tony Robinson, Hugh Laurie, and Stephen Fry, among others. If you have not seen Blackadder, you have no idea what you're missing. However, if you have seen it and don't like it, then I hope you get an extremely itchy rash on "the soft dangly collection of objects in your trousers." There are plenty of other things besides the scripts but I'll leave it as a surprise (or you can just read one of the other reviews). Keep in mind that these are the original scripts, not word for word what you hear on the show. For the most part it is exactly the same, but every once and a while there are different words used in the book. Don't worry, it doesent take away from any humor and the only person that will notice it will be someone, like myself, who has watched Blackadder over and over. Seriously, I put Blackadder III in my DVD player before I go to sleep and sometimes the last thing I hear is "Once upon a time there was a lovely sausage called Baldrick and it lived happily ever after." Anyway the book is essential for the Blackadder fan who can't get enough of the hilarious and original writing. Here are some lines you can read continuously for the rest of your life once you buy this book:

"Population: three rather mangy cows, a dachshund named Colin, and a small hen, in its late forties."

"I took over for the original electorate after he very sadly accidentally brutally cut his head off while combing his hair."

"I am delighted to have been instrumental in keeping your bosom free of arses."

"...eternity in the company of Beelzebub and all his hellish instruments of death will be a picnic compared to five minutes with me and this pencil..."

By the way, all royalties from the sale of this book go to Comic Relief UK. So you're actually doing two good things: Donating to a worthwhile charity and owning a book "so cunning, you could stick a tail on it and call it a weasel."

"Blackadder" is one of the most brilliant television shows ever. The star, Rowan Atkinson, along with other series regulars such as Tony Robinson (as the perpetual dogsbody with a cunning plan,) Tim McInnerny, Stephen Fry, and Hugh Laurie carry this show through four distinct historical periods, with more laughs than could possibly be expected. Series one starts in the fifteenth century, with Atkinson as Prince Edmund, the illegitimate and despised son of the lunatic king, Richard IV. During this season Edmund adopted the moniker "The Black Adder" only after Baldrick advised him it was much more awe inspiring than his original choice "The Black Vegetable." (Note that while his name is spelled "Blackadder" in the scripts, when it is used as a title in season one, it is spelled "Black Adder.") This season sets the stage for Blackadder as a conniving and scheming con man, a reputation he and his Blackadder descendants live up to through the rest of the series.

Seasons two and three see a progression though history with Edmund first becoming Lord Edmund Blackadder, in the court of Elizabeth I (who is delightfully played by Miranda Richardson,) and later becoming the butler to Prince George, the Prince Regent, who is the idiot offspring of crazy King George III. These seasons provide the most laughs of the series for me, and I am particularly enthralled with the episode "Ink and Incapability" in which Baldrick burns Doctor Johnson's new dictionary. This episode is the ultimate in Blackadder humor, witty and urbane, yet full of madcap comedic moments as well, especially when Blackadder introduces new and confounding words for Dr. Johnson's considerations: "Contrafibularities, sir. It is a common word down our way....I am anaspeptic, phrasmotic, even compunctious to have caused you such pericombubulations." (Of course in true Blackadder fashion this only gets him in trouble, as Coleridge, the poet and Johnson ally threatens to thrust an Oriental disemboweling cutlass up his "ignoble behind.")

The forth season of Blackadder sees Atkinson as Captain Edmund Blackadder in the British army during the trench warfare of World War One France. This series also had a lot of laughs, with my favorite episode being "Private Plane," in which Blackadder and Baldrick join the Royal Air Force and are forced down behind enemy lines. They are subsequently interrogated and insulted by the Red Baron ("How lucky you English are to find the toilet so amusing, for us it is a mundane and functional item, for you it is the basis of an entire culture.") and sentenced to teach home economics to a convent of nuns for the duration of the war. One thing about this season (and two of the others) is that in the last episode of the season the entire cast dies, which elevates the series into a peculiar blend of black comedy and social commentary which I have still not grown fully accustomed to.

The book is a collection of scripts and has several extras germane to the time period being satirized which are also well done. I like the excerpt from "Dr. Johnson's Dictionary" provided on page 106, with definitions such as "left behind - part of the sitting apparatus of a personage," and "leek - a long, thin Welsh tomato." There are also helpful lists of the "Duties of the Prince Regent," "Duties of a Butler of a Royal Household" which includes "Commissioning moleskins (as and when necessary)," and "Duties of an Underscrogman." Baldrick, being the Underscrogman serving under Edmund is responsible for (among other things): "Removing and making good all squoles, whiffen-plugs, and blunters," "Cleaning the wulger-hole," "Quilping," "Cliving," "Groving," "Arranging the sheep droppings into neat little pyramids," "Frossiking the hounds," "Folding the glut-pile," and of course, "Making sandwiches."

This is a wonderful book, though if you are unfamiliar with the series, I recommend buying the DVD set and watching the shows first; a subsequent reading of this book will ensure many more laughs. As a side note, profits from this book go to the charity Comic Relief, a brief history of which appears in the last three pages of the book.

I recommend this book very highly for intelligent wit, and I likewise recommend the television series on DVD interphrastically.

The Blackadder series, begun in the 1980s, was a comedic masterpiece set forth by Rowan Atkinson and his comrades. From start to finish, the first series was a masterstroke of wit, irony and comedic styling that fits both the contemporary and medieval situations perfectly. The combination of slapstick and intellectual humour blended well, and the literary types will not miss the occasional credit of William Shakespeare as a collaborating writer on some episodes -- this might well be the kind of comedy Shakespeare would have produced today.

The first series was set in the pre-Tudor royal family, projecting that Richard III won at Bosworth Field, and Richard IV succeeded him, until after many adventures, the entire royal family was done in, and Henry Tudor reworte history thereafter. The first series starred Brian Blessed and Elspet Gray as the King and Queen, and Robert East as their eldest son, the Prince of Wales. Rowan Atkinson played the second son, who with companions Percy and Baldrick (Tim McInnerny and Tony Robinson) create most of the comic scenes. BlackAdder variously becomes the Archbishop of Canterbury, the betrothed of the Spanish Infanta, a witch on trial, and finally, however briefly, King of England.

The second series sees Percy and Baldrick following a descendent of Blackadder in Elizabethan times; as befits the period, the characters are more vibrant and saucy, particularly Blackadder, who still seeks his fortune as one of the Queen's suitors. Here he variously becomes the royal executioner, a sea-faring discoverer, a bankrupt noble, and finally a traitor to the crown, albeit not without a sense of humour. Miranda Richardson puts in a spectacular performance as Queen Elizabeth, with Stephen Fry and Patsy Byrne in attendance. Stephen Fry will recur throughout the series.

In the third series, Blackadder is still close to the crown, as the butler of the Prince Regent, a despised position to a despised person. Baldrick is still around, and the Prince is played by Hugh Laurie, who will recur in the final series. Done almost as a period comedy, the very titles and situations pay hommage to the day of the Scarlet Pimpernel, Dr. Johnson's dictionary, and the conflict with France. Through an interesting set of circumstances, butler and prince trade places, and the Blackadder finally becomes his intended goal, albeit in the name of someone else.

In the fourth and final series, Blackadder has fallen from a great height, and is an officer in the trenches of World War I. Baldrick is still there, and Percy and the Prince have transformed into fellow field officers, with Stephen Fry playing a bellicose general here as he did Wellington in the third series. The main device of this series is the effort by Blackadder to escape the trenches, by variously becoming an artist, a theatre producer, a chef, but to no avail finally, producing a sombre end to the dynasty.

The book is a fabulous companion piece to the series, as the BBC is known to do with television series of success. The six episodes of each of the four seasons is laid out in script-narrative form, with a generous collection of side offerings, such as the Blackadder family tree, the menu of Mrs. Miggins' pie shoppe, and other pieces of interest related to but not found in the actual series. The cast is included at the beginning of each series section. The book concludes with a partial collection of some of Blackadder's best insults.

This book was printed in aid of Comic Relief, who give a brief outline of their history of funding good causes in the last few pages.

This is a must-have for any Blackadder fan. Regretably, it does not contain the addition special features (such as the Victorian Christmas of Blackadder), but for any devotee of the series, this is a requirement.

1983 saw the airing of a hilariously funny new British television show, Blackadder. This show had four separate seasons that chronicled the lives of four members of the Blackadder family: Edmund Blackadder in 1484, son of Richard, Duke of York; Edmund Blackadder, favorite of Queen Elizabeth I; Edmund Blackadder, butler to Prince George, son of King George III; and, finally, Edmund Blackadder, Army captain during World War I. This book is a companion to that wonderful series, filling in the holes left in English history, giving all sort of useful information drawn from the Blackadder family archives, and the full scripts of each of the shows!

This is a great book, and a must-have for any fan of the Black Adder. The scripts are great to have, and the other information demonstrates the same great humor as the show. Having been created in 1998, the book does not contain any information on the Y2K special, Blackadder Back & Forth, which makes sense. What doesn't make sense is that it completely ignores the 1988 Christmas Special! But, that said, this is a nice book, one that I highly recommend to every Blackadder fan!

I stumbled upon the Black Adder comedy series one night in the 1980s while channel surfing. Something was weird, I thought--there's this sniveling coward, and this even more sniveling sycophant, and then the dogsbody who has dung all over him. Looks interesting. And as I watched, I found it extremely funny, as well. It required a knowledge of history (or Shakespeare, as you see fit), yet wasn't afraid to do the occasional fart joke. Puerile, yet intelligent. That described me at the time as well.

The successive series (Blackadder II, Blackadder the Third, and Blackadder Goes Forth) shifted over into the more intelligent realm (with the third series being the most so), although the running jokes about Baldrick (the dogsbody) being little better than the dung he came from remained. Blackadder II, set in the court of the virgin queen, starred Miranda Richardson, who was perfect in her cruelty towards the hapless Blackadder. The third series had Hugh Laurie as the Prince Regent, a befuddled German idiot who is being taken advantage of by Blackadder, the butler (think of a dark Wooster/Jeeves match, where the Jeeves character retains his aplomb but becomes extra greedy). I never got to see the fourth series on television, so my experience with it is through this book alone.

And what a great book it is. Published to benefit Comic Relief, the organization trying to aid the poor and destitute in England and Africa, it contains the scripts to each episode of the four series with faux historical documents and a running summary of the line of Blackadder. For an American, the scripts are almost a necessity to catch some of the more obscure language used in the series--especially the curses. The endpapers have color pictures of the main characters in each series, and there are some black and white stills with humorous captions included within the pages.

To say that Black Adder is my favorite TV show is true. I liked the 1970s American sitcom, SOAP, as well, but from its hilarious beginnings, it tapered off into pure silliness (as most American shows tend to do). The nice thing about the Blackadder series is the way that the British limit themselves to sets of shows, rather than endlessly milking the cash cow. Yes, I would like to see a fifth Black Adder (I've seen the Christmas Carol, which was wonderful), but only if it can be of the same quality as these. If not, let's not ruin a good thing, shall we?

I offered this book to a friend who is into film production. He seemed to be really satisfied with the book content...

Eve has done a great job of encapsulating the logistical process of making a film. One could call Eve's book a filmmaking bible. No other book says it better.

Matthew Giovannucci
Student / Rockport College, Maine

Really helpful. If you are making a film, you need this book

Now in an updated and expanded third edition, The Complete Film Production Handbook by film production expert Eve Light Honthaner is a comprehensive, resource packed instructional reference enhanced with essential the "need-to-know" ins and outs of the film business, including checklists, example schedules for pre-production and post-production, guidelines for insurance policies, talent management, immigration details applying to actors and other film industry workers crossing national borders, forms used for the Screen Actor's Guild (among others), basic production forms and deal memos, and a companion CD-ROM containing numerous useful documents in easily printable form. A "must-have" for anyone seriously considering producing a film for the first time, The Complete Film Production Handbook is a practical, accessible, and essential reference for novice filmmakers, and is highly recommended resource for even the more experienced movie producer, whether independent or studio contracted.

It is quite a great book! I learned so much, and i learned where to learn more, after reading this book i came up with new doubts, and im solving them now. If you are serious about making a movie, this is a must have, this and other more.

4.5 stars and that's about as good as it gets for 99% of literature. Book was better than the movie, and the movie was very good. Unfortunately, after seeing the movie first, albeit years ago, I couldn't divorce the movie imagery, diluting the novel's characterizations. Lesson learned: don't see the movie before reading the book. COOL HAND LUKE speaks to the past as driver of destiny, that no matter how much talent and luck, and even as master of one's own fate, past incidents and episodes can twist one onto a journey of self-destruction.

I wonder how Mr. Pearce's work had gone overlooked by the critics and scholars for so long. This is the second book I have read by him and so far I his best. If you liked the movie, read the book it is by far better.

"Cool Hand Luke" is an outstanding novel and one that any movie buff would find of interest after seeing the movie. I highly recommend this book to anyone wanting to read the story that the movie is "loosely" based upon. You will get a lot more out of the movie when you watch it again.

Cool Hand Luke is one of those books that has a lot to say but is hard to understand. Its a novel about crime and punishmnet, risk and rewards and ultimately good and evil. Cool Hand Luke has been compared to a Christ figure (which I do not see at all) and the story to Jesus' walk and journey. I'll let you figure that one out after you read the book.

With all that put aside, the book is relatively good. I found myself disliking the character of Cool Hand Luke more than finding a hero status in him. He is basically a con man, a rapist, a murderer and a thief. He prides himself on being a glutton and at one point eats 50 hard boiled eggs within an hour. The story does have the aspect of brotherhood and the importance this can play when a man's freedom is lost.

The story utlimately revolves around the search for freedom and the forces that strive to take that away. It seems to be considered a classic novel, but that may be more because of the movie starring Paul Newman than for the book. A good, fast read but don't beat yourself up if you skip over this one.

By now "Cool Hand Luke," is of course, a legend. Unfortunately, this doesn't apply to the novel, but rather, to the well known Paul Newman film (referred to in the sitcom Cheers' inaugural episode as "the sweatiest movie ever made,").

However, I digress, back to the novel. This was Donn Pearce's first novel. I initially had no interest in reading it. Rather, I came to it in a backdoor sort of way. Being a World War II buff, I heard the good reviews of Pearce's latest effort, "Nobody Comes Back," a novel about the Battle of the Bulge. I bought it and read it. It was an excellent novel and since "Cool Hand Luke," is without a doubt his most famous book, it was inevitable that I would eventually want to read it.
It took a while, but I found a copy and I read it in a few days.

"Cool Hand Luke" is an excellent novel. The story is told in the form of flashbacks. In fact, the novel's structure is very close to Ken Kesey's "One Flew Over the Cuckoo's Nest." A mute witness narrator who records the events of a naturally tempestuous and outgoing personality in a strictly structured environment (in Kesey's book, it's an insane asylum, in Pearce's, it's a chain gang prison) and the incidents that flow from it. The one difference between Kesey's book and Pearce's is that Kesey worked at a mental hospital, but Pearce (who also has a very colorful resume in addition to being a novelist) did do time on a chain gang. So there's a definite real life experience in "Cool Hand Luke."

It's a great book. First time readers might be off put by the lack of quotes, but it's a small adjustment to make. For lovers of the movie, they will be surprised at how closely the movie follows the book. Of course, there is more characterization in the novel than the movie can give (this should be no surprise since Donn Pearce himself co-authored the script).

Still, it's a wonderful novel and is a quick read.