Television Books

I heard ABC WILL cancel ONE LIFE TO LIVE as of JULY 16. The press of daytime soap operas is not telling viewers and put the information about it in the Magazines. Write to ABC DAYTIME in New York please!

The other 2 reviews were right about ABC daytime canceling ONE LIFE TO LIVE in July 16,1999!,to make room for a new soap opera, PACIFIC CITY.Please right to ABC DAYTIME about this, they aren't going to tell the public 'til OLTL is cancelled. Don't let this happen, like what happened to NBC SOAP ANOTHER WORLD. Write to ABC DAYTIME about this, why?

I HAVE BEEN A BIG FAN OF OLTL FOR 25 YEARS. THIS BOOK IS EVERYTHING I COULD WANT IN COVERING MY FAVORITE SOAP OPERA. THE INTERVIEWS, PHOTOS, RESEARCH DONE MR. WARNER IS OUTSTANDING. IT BROUGHT BACK SOME GREAT MEMORIES FROM THE PAST 25 YEARS. ALL FANS OF ONE LIFE TO LIVE AND SOAPS SHOULD OWN THIS GREAT PIECE OF WORK. A WONDERFUL BOOK DEDICATED TO A WONDERFUL SHOW THAT FILLED MANY OF MY AFTERNOONS. A MUST READ.

This book is a wonderful historical memoir of one of the most daring and well-written shows on daytime.

Not only does it chronicle the show's rich history, it includes wonderfully bright and vivid color photos of many of the most-loved actors/actresses/characters that have been on the show.

I highly recommend this book to all fans of OLTL!

This book has all that any fan of 'One Life To Live' would want. You can relive the storylines through all of the recaps. The book features listings of every character to ever appear on the show, along with many pictures of past and present greats from the show. It is definitely a nostalgic trip down memory lane.
The book did a wonderful job of cramming 30 years into something that is totally enjoyable. I really can't think of anything that was missed.

Michael Troyan has a gift for biography. I hope he can collaborate with Turner Classic Movies to produce a video on the life of Greer Garson.
This book makes me wish I could have known Greer Garson. She loved and respected her mother, she loved her husband, she loved children and orphans and the disabled and disadvantaged. She loved her dogs, ranching in New Mexico, history, and she loved Texas...makes me love her even though I never met her. Good job, Mr. Troyan.

Modern actors and actresses don't seem to have the charisma, style and elegance of yesteryear's stars. Maybe that's because most of today's actors are really nothing but pitiful celebrities striving to be what once was, when Hollywood was golden.

I long for yesterday when it comes to film stars: Betty Davis, Myrna Loy, Katherine Hepburn Ginger Rogers, and so many more. Oh, yes, and that includes Greer Garson. The beautiful and talented woman we thought was born in Ireland in 1908, was really born in London in 1904.

Author Michael Troyan delves into Greer Garson's life, as much as anyone could, given that she was an extremely private woman. He carries you through her intense desire to succeed as an actress, her `discovery' and career struggles to resist being typecast, all the way through her marriages, and to her death on April 5, 1996 at Dallas Presbyterian Hospital with Van Cliburn at her bedside.

I'd always thought of Ms. Garson as a brilliant actress who could get any part she wanted. I had no idea of her struggles with Metro-Goldwyn-Mayer. One of my favorite films is the record-breaking "Mrs. Miniver." I get chills thinking about her Academy Award-winning performance.

And while it felt a bit like voyeurism looking in on her life, I'm glad I visited it through Troyan's eyes. It was a satisfying trip. And the author did a marvelous job showing us a small part of the woman who was Greer Garson.

For a compelling look at one of the best actresses to ever grace the stage, big or small screen, read A Rose for Mrs. Miniver: The Life of Greer Garson.

Armchair Interviews says: This is a wonderful slice of our American film history.

All too often, celebrity biographies are depressing catalogs of scandal and hedonistic, self-destructive behavior. Not this biography. When you finish it, you are sad, but it's because Greer Garson is no longer with us and you will never have the opportunity to meet her.
This fascinating biography is full of vignettes that reveal the character and personality of this woman who overcame chronic illness and many other obstacles to become one of Hollywood's most respected actresses. Examples of her warmth, sincerity, and decentness abound. As her beloved husband of more than thirty years to whom she is devoted lies near death in a Dallas hospital, she stands by his bedside with an old friend and recites from memory her favorite Psalm. Asked to read the Bible at a church service on Easter she realizes she has forgotten her glasses. She composes herself and ad libs for the congregation a beautiful and memorable message of her own.
She contributes millions to fund libraries, build theaters, establish scholarships, and support medical facilities. At the College of Santa Fe to which she has donated millions, she can be found on occasion pulling weeds and tending favorite rose bushes. She was so admired and respected in Texas where she had a home that she was formally asked to run for the U.S. Congress.
One hopes that Mr. Troyan or some other writer will gather Greer Garson's letters and publish them and that the A&E Network will finally remember her in an installment of "Biography." In the meantime, Garson fans should buy this book. It will inspire you and enrich your life and your appreciation of this beloved actress will only deepen. A richly detailed, superbly written biography of a truly lovely human being!

This book on Greer Garson I highly recommend. It's very balances and tells of the good and bad times in her life about her career andher fmaily. Though i must admit I wished it had mentioned more about her interests and personal life off screem. But overall it's really well written and interesting book about alovely screen actress. Greer Garson really had class
and a wnderful grace about her in all of her films

An excellent read if you're into details. For me, the details got a little overwhelming, but I so much wanted to learn more about this actress that I admire greatly. Sadly, as the author himself stated, it was difficult to write a biography because Greer Garson was a very private person and did not give many interviews or express many personal opinions in public. However, he richly details her movies, her public service, and others' opinions of her (and a good name is more desirable than great riches; to be esteemed is better than silver or gold). I have always enjoyed watching her many films and am tracking down as many of them as I can on DVD so this made for a fine addition to my collection of her work. I enthusiastically recommend this book to anyone who enjoys reading and loves any of her many films.

Tarkovsky's 'Sculpting in Time' offers a fascinating glimpse into this master's theoretical and poetic approach to his craft. Reading it alongside with 'Time Within Time', his diaries collected, the text casts a new light upon the work and mind of this artist of truth and sacrifice - A true must for art lovers worldwide.

I was introduced to Tarkovsky's work about 20 years ago during my time in film school, and The Sacrifice was the movie that turned me on to his outstanding cinematic legacy. The more I saw, the more I wanted to learn about the artist. Then I came upon Sculpting In Time; a cinematic memoir which has forever changed my life, and my artistic visions.

This book is nothing short of inspirational. I highly recommend it even if you are not familiar with Tarkovsky's work. Each chapter is loving written, eloquently detailed and profoundly insightful on topics such as the importance of sound, story and visual aesthetics in filmmaking. Tarkovsky's ability to, quite literally, sculpt cinematic moments in time in each of his films is nothing short of genius.

Thames & Hudson have triumphed with what collectors might regard as a limited edition, artist's book.This isn't the place to start chipping into Tarkovsky. It is more the devotee's piece - a touchstone which alludes to the magnificent ediface of his films: all which return the viewer to their world with a deeper, more spacious vision, an expanded present moment. In 'Rubelov','Solaris', 'Stalker', and,'Sacrifice', to name my favourites, he re-invented the epic with sustained inquiries into our transience without heady verbalism or vanity. To grapple with his own thinking about his achievements and how he positioned himself as an artist, one should seek out,'Sculpting In Time,'penned towards the end of his relatively short life. Recently, French documentary-maker, Chris Marker('Sunless') compiled a stunning homage to this Russian cinematic master. Bits of Tarkovsky's aforementioned book, and excerpts from his diaries appear with the reproduced polaroid snaps(the present book's theme)which fall into two geographic zones, Italy & Russia and are bookended with short tributes by two Italian friends. Every effort has been made in layout to convey the darkened atmosphere in which the illuminated materiality of these world's float to the viewer's eye. And in images barely larger than matchboxes this scale has some of the hallucinatory power of his movies. The layout & medium insist on episodic, fragmentary framing. Tarkovsky's films privilege the same exquisite framing with a sensual appetite for textures above narratives that makes us feel newly arrived at a primary experiencing of the world. These polaroids could have served as his flexing towards film projects: even their outtakes.

Sculpting in the time represents one of the most expressive eloquents statements of one of the supreme masters in the cinema art as Andrei Tarkovsky was .
All long this book you will read several aspects of the man , the thinker , the poet and above all the unvaluable reflections about the art in general and his craft in particular .
Tarkovsky makes an account about all his filmography ; making a detailed and exhaustive explanation about every film .
You will understand in all his wideness conceptual some concepts derivated about the role of the cinema in the actual world . The influence of ancient directors , his opinions about the role of the artist in the world , and some mesmerizing photos from his films as Ivan' s childhood , the Mirror , Nostalghia or Andrei Rubliov . There are some poems from his father Arseni Tarkovsky who were part of films such The mirror in the Spanish Civil War and the poem from the poet from Nosthalgia for instance .
It's a must for you to acquire this book . For me it was a delightful surprise to get this text in New York in 1995 .
Fundamental artistic legacy from this russian ( 04-04-32 / 12-29-6 ) master: in memoriam!

"Sculpting in Time" is truly an amazing work of art in its own right. Certainly filmmakers have written books about their artistic styles in the past. Philosophers have written elaborately on the subject of aesthetics as a whole in the past as well. And yet "Sculpting in Time" offers those with aesthetic interests something truly unique.

It should be forewarned that Tarkovsky, like Ingmar Bergman, was heavily interested in aesthetic philosophy. In fact Tarkovsky's ideas regarding art borderline the metaphysical (as this book is often used in higher level philosophy classes), and yet - through the tone in which the book is written - "Sculpting in Time" manages to appeal to the average Tarkovsky or cinema studies fan in such a way that no other aesthetics book has managed.

Tarkovsky's self-written "Sculpting in Time" is an amazing supplement which describes the brilliant filmmaker's use of filmic techniques but also goes a step further by explaining (at great length), why the filmmaker believes those techniques are significant. The value of his tried efforts to create a meaningful work of art directly relate to Tarkovsky's view of art as a whole.

Tarkovsky's views of art are complex and yet are reiterated for the reader so simply they stand out in "Sculpting in Time" like a gem. For instance the underlying theme in Tarkovsky's writing is the idea of an "absolute truth" of art which can be derived a given piece of art. Without giving too much away, Tarkovsky's beliefs, as expressed in his chapter "Imprinted in Time" mostly, is simply that art done for the right reasons - containing some form of objective truth within it - serves to link us (subjective beings), with an "absolute." From that blooms Tarkovsky's entire creative aspect fans of his films know and love him for.

I have to recommend this book to anyone interested in aesthetics, cinema studies, or Tarkovsky. I think this is a nice supplement to have when watching Tarkovsky films as well, so it might just serve to spark the interest in a philosophy buff to check out a few Tarkovsky films! Enjoy!

Stephen King did a good thing by writing this book.The charcters and cast
are wonderful, This is one of my all time favorite, what goes on behind the walls of a prision.

After reading 85 novels, I finally read a Stephen King story. My friend who encouraged me to start reading had been after me to read him for awhile. I am really glad that I did. He is a great story teller and kept me in the story even when I wasn't reading it. As I have said before, a good writer is someone who can paint a vivid picture in the reader's mind's eye. This is done here in painting a picture of life in Shawshank Prison, Maine. This a great story of one man's strength to survive against all odds; we can all learn from this. It certainly should be told to all those who would think of breaking the law.

"Stand by me" - this is the most important sentence in the novel The Body written by Stephen King. The novel is about the natural and deep sense of friendship. Four boys are keen on experience an adventure, they take a long way to see a dead body in the forests of Maine. Alone on the way of excitement and fear, they are between childhood and adulthood. The story is easy to read and also to understand.

Reta hayworth and the Shawshank Redemption, was a great short story by stephen king. I enjoyed reading this book and even watching the movie. I was suprised how much the book grabed my attention and how I didn't ever put it down.

I recently watched both "The Shawshank Redemption" (with Tim Robbins and Morgan Freeman) and "Stand By Me" (with River Phoenix, Jerry O'Connell, Wil Wheaton and Corey Feldman) and this prompted me to dig out my old copy of Different Seasons. Most people are surprised when they learn that those movies were based on novellas by horror master, Stephen King, but he shows that he's not just into scaring the heck out of you.

The story cycle bases one novella per season, and each follows characters on a journey, whether it's one of hope, descent into corruption, coming of age, or life through offspring.

"Rita Hayworth and the Shawshank Redemption" takes place over decades, as a prison inmate retains his spirit and soul, while breathing life into a dark institution, and whose patient nature finally leads him to freedom. The story is told in first person from the point of view of old Red, the guy who can get you things, about Andy Dufresne, a young banker jailed for the murder of his wife and her lover.

One of Kingýs great strengths is creating a believable voice for his characters, and as you read this tale, it is like Red is talking to you. Other King strengths are providing back story and creating a world in which these characters live, one with a past, present and future, and it makes them three dimensional. One of Kingýs flaws is going off on tangents and digressions a bit too often, but he always comes back to the story.

ýThe Bodyý (basis for ýStand By Meý) is a coming of age story about four small town boys on the cusp of entering Junior High School. On the Friday before Labor Day, they set off to find the body of a missing boy. One of the four boys, Vern Tessio, overheard his brother talking to a friend about the dead body.

The characters fall into several categories: Gordon LaChance, who narrates the story as an adult, is the dreamer/writer whose older brother died earlier that year. Chris Chambers is athletic, tough but smart. wise beyond his years and the white sheep in a family of black sheep. Teddy Duchamp is the psycho wiseguy who wears thick glasses and hearing aids as the result of his war veteran father putting his head to a stove. Vern Tessio is the least intelligent, but plays a key symbolic part as the one tells the others about the body and also is the first to spot it.

Along their journey, the boys encounter adventures, such as Milo Pressman the junkyard operator and his dog, Chopper. There is a run across a high trestle as a train bears down on them, a swim in a culvert full of leeches, and a night in the dark woods with screaming wild animals. When they eventually reach the boys, they have a run in with a group of teenage hoods from their town. A major difference from the movie, is that this story details the aftermath of the confrontation after the boys return to town.

King does a nice balancing act with his adult narrative and pre-adolescent dialogue, making each voice unique and fleshing out each boyýs character to make them multi-dimensional. All four experience growth, but Gordon and Chris take this growth with them as they get older. Donýt let people drag you down. Thereýs a lot more to this story than just kids looking for a dead body.
My bumps here are again that King goes off on tangents and digressions, some to fill in background and history for the characters, but sometimes really straying far from the course. At one point he takes nearly a page to say that someone is dead, where ýThe kid was dead. The kid wasnýt sick, the kid wasnýt sleeping.ý Would probably have sufficed.

I wonýt go into a lot of detail about the other two stories. ýApt Pupilý is about a boy who discovers a Nazi war criminal living in his town, and blackmails the old man into telling him stories about the war in exchange for not blowing the whistle on him. The stories the boy hears slowly lead him into senseless acts of violence. In ýThe Breathing Womaný a ýdisgraced woman is determined to triumph over death.ý

These four stories combine to make an interesting cycle, and demonstrate that Stephen King has writing talents that stretch beyond his horror work.

Based on the same-titled movie released in 2001, Mel Odom's novelization of the Angelina Jolie flick is top-notch, enveloping every quality that made the archaeologist one of the most popular icons of the video game franchise.
Lara Croft observes the first third of a complete planet alignment - an event that happens once every five thousand years - through the high-tech telescope at her home, Croft Manor. Little did she know, only hours later, she would become an integral part in protecting the alignment's omnipotent power from ill-intended hands.

Through her deceased father's gift of a planetary clock, she travels from one exotic location to another to locate the pieces of the power's medium, a triangle emblazoned with the All-Seeing Eye, the Masonic symbol of omniscience. But an internal desire to see her father again brings her motives to locate the triangle halves into question. If she finds the pieces, will she use the power it contains for herself? Or will she snatch the godly control away from her foes and bury its abilities for another five thousand years?

Odom's literary portrayal is accurate and engrossing, detailing the emotional impact of each event and discovery, someting that may be lacked in the film version. Rather than drooling over Angelina Jolie, Raider fans can envision the described settings and locales in the book with relative ease, with every exotic touch in place. There are only very slight changes in the book, such as Croft enemy (or perhaps not) Alex West's naked romp from the shower to the bedroom in response to mysteriously lurking shadows (provided by Croft, of course); that differs from the movie's ending locale of the dining room and its strategically placed dining table.

But the story proceeds with the same heart-pounding action and romantic passion that's found in the box-office seller. Though short, it makes the reader feel as though they are in Croft's military-booted shoes, even as much as the video games do.

- T.C. Robson

This book is great. It is just like the movie, only with a little more dialouge. There are even parts before Lara's dad died telling how he tried to stop the evil. The deleted scenes only able to watch on the DVD are in this book, and I thought that was great! The action level seems a little less than the movie. The book seems to just speed by the action and to the point. I didn't really like that factor. If you liked the movie, read the novel, it is GREAT!

Very good in fact. It adds alot to the movie. More fleshed out characters and such. It's only 6 bucks, so what do you have to ose? Another plus is the 8 pages of pictures featuring the amazingly beautiful Angelina Jolie.

This book was just.. WOW!! It was way better then the movie, b/c the movie can only put a certain amount of scenes, but the book you get it all! i loved all the stuff between lara and alex, if you are a lara/alex fan this book is definatly for you!!

Long ago a meteor fell onto Earth with a magical, metallic form within it. Witnessing its power, it was forged into the (thought of) holy form of a triangle and a temple was formed to protect it. A city grew around the temple, The People of the Light were there. During an invasion, the nine planets aligned and the power of the Triangle was shown. Realizing no mortal should possess such power, the High Priest ordered it cut into two smaller triangles. One stayed at the temple. The other was hidden at the end of the Earth. However, the Craftsman who cut the Triangle in half secretly made a highly advanced device. It could serve as a guide to find the hidden piece, and preserve the Triangle's powers for future generations. It was a magic clock.

Lady Lara Croft was much like her father had been. Beginning with a clock he had hidden for her to find someday and tales he had told her as a child, she must set out to save the world. The Illuminati, a secret group of powerful people, were out to find the two triangle pieces before the planets aligned (which happened only once every 5,000 years). At her side was Mr. Hillary, her butler, and Bryce, her technician. Two tombs must be entered and survived or the world would belong to Manfred Powell.

***** I made that brief as possible, but left out much to do it. Even though the movie, as of now, has not been released, I can already tell that the book gives much more insight to Lara and the adventure in which she finds herself. However, many scenes have the potential to be much more vivid and exciting on the big screens! I found it to be a wonderful book! I plan to be in the theater, with a huge group of friends, on its first night out! *****

Reviewed by Detra Fitch of Huntress Reviews.

If you are in a group of hardcore U2 fans, and you say, "the U2 bible" or "the Pimm book", they will all know which book you mean. For collectors, bootleggers, and general fans, this is THE book. While Pimm has sadly passed away, well known U2 insider Caroline Von B. has taken over and kept this tradition alive. This is the U2 book that the U2 crew take on the road. Need I say more?

This is the ultimate compendium for the true U2 fan. Not only does it document every single show they've ever played but it gives a lot of background and behind the scenes info on the albums. When I found out this updated version of the book was coming out I got excited and now that I've received it I was not disappointed!

This is the updated version. The first book that came out covered U2 from their earliest stages up through to the beginnings of the Popmart tour. This one carries us through the Popmart tour right through to the end of the Elevation tour. Pretty much every U2 show ever played is covered to some extent, whether it's just with a setlist or a lengthy review. Each tour has a page or so dedicated to an overview and then each show is detailed to some extent. If you're just a fan of the band you'll get a kick out of many of the shows details (the pizza order/delivery from 1992 being fantastic). If you're a collector of shows this book is to U2 fans what Deadbase or those Tapers Compendium books are to Grateful Dead fans. It's either a lot of fun to read or a rich source of information. Just a blast.

On a side note most of the book is written by Pimm Jal de la Parra. I'm not sure if it says it anywhere but apparently he had passed away during the creation of this updated version. A few people had gotten together to finish it off for him. They most certainly did him proud.

Hands-down the best book for collectors, fans, completists and trivia buffs. Compiled from thousands of sources by devoted but objective fans, this book is a good read, reference book and very interesting look inside each tour. As a long time collector, I have always heard that if a setlist exists in this book, there is a recording of that show, somewhere in the world.

This book is hard to put down! Every U2 gig is detailed from setlists to attendance. Lots of photographs, some that have never been seen before. I love it!

Au unforgettable journey through the century written by one of the most open-minded and talented jazz journalist of our time! A MUST and HIGHLY RECOMMENDED READING!!!

The main reason I read this book is because I have become a Billie Holiday fan in the last 2 years and up till now not a true lover of jazz. This book caught my attention when I did a search for books on Billie. There was about 6 to 7 pages on her but I never imagined how long this book would be! Not a bad thing though. I know it took me a long time to read as it is SO detailed and thorough. It was truly an education for me and I have a much greater apprecation for jazz! Gary Giddens is an exceptional author and is obviously a veteran writer and really knows his stuff! A truly well written book. Highly recommended for lovers of jazz and those of us who are just beginning to have a love for it!

The source of Coltrane's 'Impressions' was (Morton) Gould's "Pavanne" and not Ravel's "Pavane Pour Une Infante Defunte" Giddins, however, confuses them on page 484. (After all, what's a pavane among friends?)

As someone who has spent a career reviewing documents and spreadsheets, I have a simple philosophy: if there is one error, I assume that there are others. This cost Gary a star.

Gary Giddins was only a name to me until Ken Burns's JAZZ series aired on PBS in early 2001. While I appreciated all the commentators in that remarkable series, it was the observations of Giddins that I began to eagerly anticipate night after night. He made me SEE music that I knew and loved but whose structure and complexity I had often been unable to grasp. Despite some jazz appreciation classes in college and haphazard collecting of old jazz records over the years, I had not gotten much past the "I know what I like" phase. His passion for music I was less familiar with led me on some rewarding treasure hunts.

I bought "Visions of Jazz" shortly after the conclusion of the Burns miniseries. I devoured it. I have turned to it time and again in the intervening years. Many critics overanalyze their subjects to the point where they suck the life out of the very thing they're attempting to illuminate. Giddins does not have that problem. His prose sings and swings with the elan of his beloved Sarah Vaughan.

Giddins's re-examination of the music of Ellington and Armstrong may seem at first blush to be superfluous; you may think you know all there is to know on that subject. But he proves that even the most accessible jazz figures and their music evolve from and operate within a such a complex idiom that periodic re-evaluation is necessary, and, if approached with respect for both the subject and the reader -- which Giddins has above all else -- it is most welcome indeed.

There are chapters in "Visions of Jazz" about musicians with whom I was completely unfamiliar. But I took a chance and read them, and wound up buying some Matthew Shipp recordings. It's that kind of book. You can take out as much as you put in.

As much as I appreciate Giddins's bone-deep love of jazz, his scholarship and wry humor, I also respect him for his fearlessness in making a case for, say, the inscrutable Cecil Taylor. But I am probably a big fan of someone who leaves Gary Giddins cold, and that's OK. The jazz tent is big enough for us all.

Why not 5 stars? The only "perfect" thing in jazz is Ellington's "Just a-Sittin' and a-Rockin."

To the previous reviewer: Mr Giddens was RIGHT. Coltrane's Impressions was based on BOTH pieces of music.

Very comprehensive. Lots of photos, very good history. It did come out a while ago so doesn't have anything about Entwistle's death. But it's a great history of the Who!

The definitive book to have on The Who. Loaded & re-loaded with amazing photographs & anecdotes from a friend of the band who isn't afraid to point out the bad in addition to the good.

I bought this book on its original release back in the 1980's; the updated section to review the years 1983-96 is most welcome. Hopefully, Richard Barnes will release yet another edition that takes into account the years 1997 to the present.

If you're a Who junkie, this book is a must. If you're a new fan, this volume is a fantastic primer into the history of the greatest band there ever was.

This book is an excellent resource for all fans of the classic rock band, The Who. Telling the band's story from their earliest days, the reader will find plenty of detail, interviews, and wonderful photographs to enhance this "amazing journey". The author takes a relatively unbiased stance, leaving out personal opinion in favor of simply stating "the facts".

If you are a fan of The Who, this is certainly a book that deserves a place in your library.

This book is really a great overview of the WHO's career. Starting out when the band started to meet as teenagers and spannig all the way to a few years after Keith's death, this book covers every single recording the WHO did.

Aside from just following the WHO through their career, this book is also jam-packed with those crazy Keith Moon anecdotes and interesting picures.

I really enjoyed this book, and enjoyed seein what one of my favorite bands was really like. I would definately recommend it to anyone who loves the WHO.

As a HUGE Who fan, I first picked up "Maximum R&B" in the late 80's, and recently dug into the updated version.

Richard Barnes was an old art school friend of Pete Townshend's, and remained close to him and the band over the decades. His history of the Who is detailed, mixed with intimiate remembrances, especially of the early days of the band.

Barnes for the most part tells the story with a straight-forward, unbiased eye. He details the tulmultuous relationship between the band members, especially Townshend and Roger Daltrey, and draws on numerous interviews and press articles (the press materials are classic--some very early pix of a very young Detours lineup are among the entertaining bits).

Barnes also examines the Mod movement of the 60's, which was so critical to exposing the Who (for a while the High Numbers) to a hardcore audience.

For Who fans like myself, you may find some minor errors, and Barnes doesn't go too deep into some of the band member's personal lives, except where he seems to have an in. Among these would be Townshend's fascination with Meher Baba, his later drug and alcohol problems, and his later struggles with trying to deal with the Who while establishing himself as a solo artist.

In any case, a fantastic document of the history of one of rock's greatest and most talented bands.

Excellent content for 24 fans, from Season 1 to Season 5, with plenty of professional pictures of very high artistic quality, to get insights into the show cast, crew and into some of the most challenging scenes.
You have a look at off screen actors relaxing and having fun while waiting for the next shot or discussing about it or trying to focus on their lines.
Finally you feel the strength of that "24 family" Kiefer Sutherland writes about in his nice foreword of the book.
Also excellent quality of the editorial format.

Get this book. Especially at the price, you can not go wrong. If you are a fan , get this book. If you've never seen 24 before, watch it , and then get this book.

I have become an avid "24" fan and really loved this book. I highly recommend it to any fan of "24".

Loved the book--lots of color pictures and lots of great behind-the-scenes info. I would highly recommend this book to any "24" watchers.

Loved the book - came with a CD which I haven't seen yet. Unfortunatly I read it all in one day - but it is great to get a glimpse of how they put together this amazing show and a sneak peak at all the interesting people that make it work so well.

Having read most of the other books about Audrey Hepburn, a woman whom I respect and admired since my youth, I chose this particular one by Mr.Paris as the most engaging (besides the book by Sean Ferrer which I thought was essential). I could never tire of anything A.H., with that being said it was important to me that I had a sense of how she lived. This book was hard to put down and wasn't full of colorful writing like some of the other so-called biographies done on her. For me, it brought me closer to this person as if she were someone I knew personally and combined with her son's book provided me with an insight into the world that was Audrey. She was and still remains a huge inspiration for me, and this book should be read by every young 'actor' out there today. Kudos to Mr.Paris!

Audrey Hepburn (1929-1993) was born in Brussels the daughter of a Dutch woman and an English father. She was raised in Arnhem Holland suffering through the Nazi occupation. Audrey was a thin, sensitive child who excelled at ballet.
As a young woman she migrated to London appearing in British films until she was exploded into fame with her first US film
Roman Holiday (for which she won as Oscar as Best Actress)
Hepburn appeared in such films as "Charade"; "My Fair Lady"
(her singing voice being dubbed by Marni Nixon"; "Two for the
Road"; "Breakfast at Tiffanys"; "Sabrina: "Robin and Marion" :
"Wait Until Dark" and several other films.
Her gamin pixish face and figure was a revelation in the 50s era of Monroe, Ava Gardner; Sophia Loren and other well endowed film goddesses.
Audrey had a long but troubled marriage with stolid Mel Ferrer and had other husbands and a few affairs along the way most notably with film star Albert Finney.
She worked with such noted directors as Willie Wyler, George
Cukor and Stanley Donet. She lived in Switzerland in an isolated
village where she raised children and loved animals.
There is little dirt to plow in these pages1 Audrey was an
adorable and kind person! Her work with starving children on behalf of the UN is heartwarming.
Barry Paris (previous biographer of Louise Brooks and Greta
Garbo) does a fine job in this well documented biography.
The most exciting chapter deals with life in Holland during
the horrible Nazi occupation,
This is a good biography of the film star.

A book so well researched and written that it flows like a meandering river. The prose is wonderful. Very difficult to stop reading the book until the reading is completed.

May Audrey Hepburn be in the Kingdom of God as I surely want to meet her and talk with her.

What is the true test of a biographer's skill? Creating a riviting, insightful book about a subject who had no scandal in her life and who seems to have be beloved by everyone. Material that, in lesser hands, could have been saccherine or written with the usual "movie star bio" template is instead moving, wise, very informative, and beautifully written. Check out Mr. Paris' other biographies of Garbo and especially Louise Brooks for more great writing.

A biographer shouldn't lower your opinion of the person they're writing about (as if you could ever
have a low opinion of Audrey Hepburn!) and Barry Paris certainly does a brilliant job of depicting
Audrey's life from age 15 until her death (age 64). The author blends his words so you don't loose
interest even once. The book has lots of quotes, from and about Audrey, and several pictures of
her throughout her life. There isn't a down side to this book, except for a few subjects where the author
should have elaborated on a bit more than he did. You can clearly see that Audrey was a truly
wonderful person, a real lady. After you read about what a hard childhood she had, in the middle
of WW2 and the miscarriages she suffered and basically being deprived of love from her parents,
it is amazing that she was still such a beautiful person, a beautiful soul. She traveled to countries to
help dying people and did things that few other people would do...she seems to have been an
angel, and certainly was to several people. This is a book that you don't need to read before buying, it's wonderful.