Television Books

Excellent pictures, interesting information. This is a must have for Disney fans of the Haunted Mansion! It even covers Disney's other haunted mansions around the world, and the Haunted Mansion movie. Everything you ever wanted to know!

THis book was great! A ton of information on the ride! I couldnt put it down! It was great.

This book is a must read for ALL ages and ANYONE interested in Disney theme park attractions around the globe. Any Disney fan knows that the Imagineers are very particular about what is revealed to the general public in terms of how they make their Disney 'magic' and I was pleasantly surprised (being an avid Disney fan myself) by the research that went into the making of this book and the amount of knowledge shared with the reader - it DOES in fact reveal some secrets of the mansion and never before seen history of the making of the attraction. (It confirms and dispels some rumors about the attraction once and for all too!) A pattern of discussion is followed throughout the book as you are verbally walked through the mansion's corridors and rooms. Surrell consistently covers the Haunted Mansion in a logical order (Disneyland, Walt Disney World, Tokyo Disneyland and Disneyland Paris) in every chapter. He takes the subject matter full circle by including information about how the attraction was translated to the big screen, and gives the reader insight to how decisions were made pertaining to set design, costume design, and casting for the movie of the same name. If you want an intelligent, thorough and enjoyable read about a classic Disney attraction, and especially an insight to the magic that is Imagineering, this is a MUST READ!

Lots o' great info on both the Ride @ the Disney Theme Parks + the Movie [which I loath - sorry but the Haunted Mansion wasn't meant to be made into a 2 hour episode of the Fresh Prince of Bellaire, mmmkay ?] + the Haunted Mansion Holiday ....

Future editions should drop all reference to the Movie, then spend more time on the Haunted Mansion Holiday [Nightmare Before Christmas Holiday makeover] + recent "changes" that occured in 2006 [I'd make it a 5 star if they did that] ....

If you don't want to read the book, please buy it for the artwork
[best priced Disney Merchandise vs. what you will pay @ the Theme Parks] ....

~(^)~

You buy this book thinking it's a great "behind-the-scenes" resource, but it's not. Yes, there is some background information, but the book skips confusingly from park to park, and offers very little technical information on the special effects. The photos are all standard Disney promotional stuff...this book tells you what Disney wants you to know, and nothing else.

Go to doombuggies.com for a much better treatment of this classic ride.

This book is a treasure. I have used it many times to check the lyrics of a song. Dylan is a favorite poet of mine.

The book is beautifully produced, but badly out of date (getting more so with each new album) and suffers from a certain lack of attention to the lyrics as the man sings them. Even so, ya gotta have it.

This book is a must for anyone who loves Bob Dylans lyrics. If a course were taught on Bob, this would be the textbook, and any fans will gets endless hours of enjoyment out of it.

I love this book. Dylan's output covering a 23-year span is right there in front of you. Whether you read the lyrics as they are or read while listening, any Dylan fan will soak up this wonderful book.

Interestingly enough, I have loaned this book to people who can't stand Dylan, but appreciate him as a writer. Their appreciation for the man and his talent always increases as a result. Sometimes this leads them to buy the discs, and they're forever hooked.

As much as I love the book, it is badly in need of an new edition covering Dylan's work since 1985, which includes at least 12 discs worth of work. But taken as it is, this book is priceless. Buy it.

A friend and I were out shopping a few weeks ago and we both picked up Bob Dylan's "No Direction Home: The Soundtrack" CD, which is the 7th volume in Dylan's archival Bootleg Series, and also the soundtrack for Martin Scorsese's excellent PBS documentary of the same title. The album is outstanding and now that my shopping pal's birthday is coming up, Halloween actually, I decided that Dylan's "Lyrics, 1962-1985" would be a near perfect gift. She is a major Dylan fan, as am I, and we have been for almost forty years. Time flies!

One of the deciding factors for making this purchase is that the hardcover volume edition makes an excellent, elegant presentation. The cover is laminated and each poem is printed singly on large, cream-stock pages with colored headers. Arranged by album, the book is a compilation of all of Dylan's writings and drawings, ('62 - '85), some wonderful pen sketches ranging in topic from roadside scenes to the romantic, plus 120 new compositions and an Index of song titles. "Lyrics, 1962-1985" is an extraordinary celebration of the artist's/composer's work.

"Highway 61 Revisited," "Blonde on Blonde," Tangled Up In Blue," "Masters of War," "Don't Think Twice, It's Alright," "With God On Our Side," "It Ain't Me Babe," "My Back Pages," "Subterranean Homesick Blues," "Stuck Inside of Mobile With the Memphis Blues Again," "You're Gonna Make Me Lonesome When You Go," "Tonight I'll Be Staying Here With You," "This Wheel's On Fire," "Shelter From The Storm," etc., and hundreds of others - they're all here! Dylan's liner notes and stream-of-consciousness short prose pieces really enhance the text.

Bob Dylan is a songwriter, musician and poet - an artistic genius and innovator whose tremendous body of work has had a major impact on over 40 years of American music, from the oldest anonymous folk ballads through blues and country into rock-and-roll. He expanded popular music by including politics, social commentary and philosophy into its vocabulary. He told more folks what was happening than the politicians and news reporters combined...and the counterculture loved him! We still do! While exploring and creating musical styles, Dylan did remain true to his roots in traditional American song.

I am so sorry that the book is out of print. Fortunately, I was able to purchase it, "New," from an Amazon marketplace seller at a very reasonable price. Highly recommended!
JANA

I have been wanting this book since it came out a year or so ago. It did NOT disappoint. There is so much in this book that doesn't come from the show. I remember writing a thesis on this show in college, stating that the website actually becomes a supplement to the show and by doing this, it actually pulls the viewer into the show, breaking the fourth wall. This book does that times two. Are the Sopranos based on actual people? Is it truth or fiction? By the time you get done reading this, you won't care. This is a must read.

A stellar examination of the past, present, and portents of "The Sopranos"! Wow! From the die-hard Soprano fans to all those interested schlumps, this book is the must-read needed on their bookself. An entertaining, voyeuristic, and compassionate look at the Sopranos' lives that mix reality and myth into a remarkable anthology of today's most famous mobster family. The show earned its Emmys and then some; the book compliments the show with its photos and commentary on what will become the most talked about series for years to come. In my opinion, there are only a handful of shows that truly deserve such an in-depth perspective as this one does- and this one hits the mark! Two enthusiastic thumbs up and a congratulations going toward the talented and witty writer, Allen Rucker, the only one who made this fantastic book possible for all Soprano aficionados to thoroughly enjoy. Rucker brings an unique standpoint to the Sopranos' family and lifestyle that I never knew existed. I hope he writes the next updated version! If not, "I have friends, you know!"

I loved this book. I poured over it so many times that I have just about worn it out. It has been like a Bible of sorts to me. Very interesting. Anyone who is a true Sopranoholic like I am will love this book. I just wish they would make an updated version of it. I am going to be so sorry to see the season end and just thinking about the series ending is too much for me to comprehend.

Think of this book as one big Soprano History/Dictionary/Vocabulary book and that is what you can expect. Worth every cent.

Great book to have if you are a die hard Soprano fan like myself. Gives you great insights on the Soprano family tree and it also gives Soprano fans a guide on things that you might have missed out on. Overall, a excellent book! Don't keep this book too far away when you're watching the show because it comes in handy

I'm a big Opera fan, and my grandmother bought me this book because she thought it was about great Italian singers. You can imagine my disappointment when I realized this book was about the characters from a TV show focusing on the Mafia. I don't have a TV, so I'd never seen the "Sopranos" show. Reading about something I had no knowledge of, or interest in, seemed dumb at first, but I had the book so I thought "What the heck! I'll read it". Once I started, I couldn't put it down. It is a very entertaining read, and I would recommend it to anyone, even people with no TVs like me, who enjoy a fun book. Highly Recommended! (Note: I have since seen the show at a friend's house, and frankly I must say I liked the book better than the progam.)

Sonnenschein effectively covers the theory behind shaping the soundtrack, and gives great examples of the ideas in action. I loved the candid quotes from masters like Ben Burtt, Gary Rydstrom, Walter Murch, Dane Davis, and others. I started noting down all of the films he mentions as examples of good sound design, until I noticed Sonnenschein was one step ahead and had already noted them all in the back. Only 4 stars 'cause I personally wanted more technique and a little less theory.

This eloquently written book describes the rhyme and reason behind all the sounds - music, effects, and dialogue - that are blended together to create the sophisticated soundtracks we're accustomed to. Sonnenschein, a director, musician, and award-winning sound designer, combines practical wisdom with sound theory and exercises to inspire and educate both new and experienced sound professionals. The book will appeal to non-professionals and other filmmakers as well because it's fun, entertaining, and enlightening. The author clearly loves and knows the world of sound and it's a joy to be brought into this world.

This was an interesting book, and it really gave me some new perspectives on sound design. Sonnenschein focuses on the organization and mindset of sound design, rather than the technicalities. I especially liked the excerpts from top sound designers such as Dane Davis (The Matrix, Drugstore Cowboy), Gary Rydstrom (Backdraft, Saving Private Ryan), and Ben Burtt (Star Wars, Indiana Jones).

My only knock on the book is that Sonnenschein was repetitive at times. The book would be about 30 pages shorter if he didn't repeat points that were made in previous chapters. Never the less, it was an interesting read, and I still think it is a great resource.

I am very glad, that I found this book. It helps me think about making sound design in a very deep point of view.
I love it!!!
Thank you David Sonnenschein:-)

Jan Sleska
student of sound engineering

"Sound Design" by David Sonnenschein is a very rewarding and fascinating read. Full of knowledge and practical examples as well as exercises to develop the reader's own awareness for sound. It's became one of my all time favorite books.
I highly recommend it to anyone interested in sound... be it for film or radio.... or music...

The book is AWESOME.It's a must have 4 all BtVS fans.It is from Xander's point of view and has his thoughts and feelings about what's going on. It's divided into chapters/sections-here is how it goes starting after the Acknowledgments: Tonight,Part1;Teacher's Pet(6 chapters); Tonight,Part2;Inca Mummy Girl(7 chapters); Tonight,Part3;Bewitched,Bothered,And Bewildered (7 chapters);Tonight,Part4.There are also great pictures in the center of the book.I hope I haved helped you out!

Just like on the TV show Xander delivers scarcasm and humor that only he can do. He tells 3 tales of his strange supernatural romance (Teachers Pet, Inca Mummy Girl, and Bewitched Bothered and Bewildered)and proves that Buffy isn't the only one with a twisted life. I liked reading about Xander becasue he's pretty much the typical male, except a whole lot wittier, and the occasional vampire slaying. I reccomend this to any Buffy the Vampire Slayer and/or Xander fan!

Only recently have I become a buffy fan (but boy, when I fall I fall hard) This was the first buffy book I read, but it was definately worth it! Especially the last story Bewitched Bothered and Bewildered made me laugh so much I have the stiches to prove it. This book made me stop thinking Xander was boring. Definately a must to read for any buffy fan!

In order to understand the entire buffy novels,one needs to understand Xander.This book details probably the most intimate things anyone will be able to get with the character.From his feelings for his best friend Willow to chrush unfulfilled Buffy,dating and romance in Sunnydale is truly humerous.....for Xander it's the most harzardous thing to do. Full of laughs and deep thought,to understand buffy,you need to understand why she does'nt just crumple from the pressure of slaying. Because Xander will always be there...laughing at the world.

This book is a novelization of three episodes of Buffy the Vampire Slayer. The first Teacher's Pet is a homage to the big bug movies of the late fifties. Inca Mummy Girl revives the curse of the mummy and Bewitched, Bothered & Bewildered explores the magic of love. In each story Xander falls in love with dire consequences. His heart is pure and his intentions good but the results are both frightening and humorous. I recommend this to all Xander fans. It could be a dating manual for the new century.

This is a wonderful book for any true Lonesome Dove fan.

The pics are beautifully done. They definitely have that look of an old-time western pic. I have to admit I have not yet read the forward by Larry McMurtry - I just wanted to dive right into the pics 1st.

Of course I'm glad I was able to get it from Amazon for $29.70 because there's no way I would have paid the $45 cover price for it.

I purchased this book for my husband and was pleasantly surprised to find that it was a gift for me as well. I knew he would enjoy it since he has watched "Lonesome Dove" many times, one time was when this book was actually being shipped. Not only were the photographs wonderful, I enjoyed the Introduction and Afterword.

First rate collection of photographs from the filming of Lonesome Dove, probably the greatest of the modern western movies. The Sepia tone photos capture the time and essence of both the novel and the miniseries. Opening the book takes one not just to the set of the miniseries, but to the 1870s and the western expansion.

Hard to believe that it has been 20 years since the mini-series "Lonesome Dove" debuted on television. I remember sitting transfixed with my entire family before the TV screen for each night's new episode. I felt then, and still feel, that it was, if not the best western ever filmed, somewhere near the top. And what I loved so much about it, besides the authenticity of the costumes and sets, was that it stuck so closely to the novel, which I had read three years earlier. My admiration for that book was so great, I had stood in line for over an hour to have my copy signed when Larry McMurtry paid a visit to Corpus Christi.

In commemoration of this approaching anniversary, Bill Wittliff, who wrote the "Lonesome Dove" screenplay, has collected 112 sepia-toned photographs that he took during the filming of the mini-series. The opening photographs in the book are of Robert Duval standing on his mark, with camera equipment and reflectors poised, doing a costume check, except that Duval is already in character, his posture so clearly that of Gus McCrae. The next photo is of Tommy Lee Jones, likewise his costume check, and he, too, has already become the intense Woodrow Call.

"These are not just pictures from `Lonesome Dove,'" Harrigan writes in his Introduction, "they are documentary images of something that seems to have really happened." The passing of the mythical West perhaps, or a photographic journey through a hot and dusty bit of Texas History.

The book is well-made with high-quality glossy paper and an excellent binding. Several of the panoramic shots inside span across two pages, with some looking almost like Charles Russell paintings: a stolen horse stampede, cowboys riding herd, Indians on the prod. Others go beyond sheer moviemaking magic, like the ones with the great black thunderstorm roiling in the background.

"A Book of Photographs from Lonesome Dove" is not a book of movie stills or publicity shots. It isn't advertising for the novel or for the mini-series. Instead it is Wittliff's remarkable private photographic record showcasing the characters and the story, and if the faces weren't so familiar, the scenes would seem almost to have been pulled out of some photo history of a 19th-century cattle drive.

Hard to believe that it has been 20 years since the mini-series "Lonesome Dove" debuted on television. I remember sitting transfixed with my entire family before the TV screen for each night's new episode. I felt then, and still feel, that it was, if not the best western ever filmed, somewhere near the top. And what I loved so much about it, besides the authenticity of the costumes and sets, was that it stuck so closely to the novel, which I had read three years earlier. My admiration for that book was so great, I had stood in line for over an hour to have my copy signed when Larry McMurtry paid a visit to my city.

In commemoration of this anniversary, Bill Wittliff, who wrote the "Lonesome Dove" screenplay, has collected 112 sepia-toned photographs that he took during the filming of the mini-series. The opening photographs in the book are of Robert Duval standing on his mark, with camera equipment and reflectors poised, doing a costume check, except that Duval is already in character, his posture so clearly that of Gus McCrae. The next photo is of Tommy Lee Jones, likewise his costume check, and he, too, has already become the intense Woodrow Call.

"These are not just pictures from `Lonesome Dove,'" Harrigan writes in his Introduction, "they are documentary images of something that seems to have really happened." The passing of the mythical West perhaps, or a photographic journey through a hot and dusty bit of Texas History.

The book is well-made with high-quality glossy paper and an excellent binding. Several of the panoramic shots inside span across two pages, with some looking almost like Charles Russell paintings: a stolen horse stampede, cowboys riding herd, Indians on the prod. Others go beyond sheer moviemaking magic, like the ones with the great black thunderstorm roiling in the background.

"A Book of Photographs from Lonesome Dove" is not a book of movie stills or publicity shots. It isn't advertising for the novel or for the mini-series. Instead it is Wittliff's remarkable private photographic record showcasing the characters and the story, and if the faces weren't so familiar, the scenes would seem almost to have been pulled out of some photo history of a 19th-century cattle drive.

This book was given as a gift to a Carson fan. It was very well received and we felt we had given the perfect gift.

For those of us who grew up with Johnny Carson it's hard to believe that it has been fifteen years since Johnny last came out from behind "The Tonight Show" curtain and even harder to accept the fact that he is no longer with us. But we're in luck in one way....this wonderful book, compiled by Stephen Cox, brings Johnny back to life in the most comprehensive and nostalgic way. It's a walk down Memory Lane and it is nothing short of wonderful.

From the inception of "The Tonight Show" and its early years before Johnny, Cox takes us through every segment of the thirty-year run we all enjoyed. There are comedians, of course, memorable moments, the monologue and my favorite...Joan Embery and her wildlife companions from the San Diego Zoo. Who of my generation can forget the wedding of Tiny Tim and "Miss Vicki" or the Ed Ames tomahawk throw? (the latter being a perennial favorite of the Carson annual retrospectives)

What is such an added bonus to the book are the dozens of photos that grace its pages. "Here's Johnny!" is a terrific look back at a man who made the nation laugh for three decades and who will always be remembered as the best at what he did. Thank you, Johnny!

If you want to know about Johnny Carson and the things that went on behind the scenes at the Tonight Show, you need to get this book!!! It was great and the photos were wonderful.

Excellent read. For any fan of Johnny Carson and the glory days of the Tonight Show, this is the book for you. It makes you feel like you're actually watching the show again. Enjoyed it thoroughly!

Johnny Carson was the late night entertainer of my youth and there will never be anyone to compare - although Conan is great in his own right(that will be another review sometime). This book really takes you back. While I do not know all the "for-sure details"(and some things could be slightly off in this book since I don't keep track of that so much), there is enough substance here to take you right back to watching Johnny in your parents' living room! Like the "Clapper Caper" with Jack Webb. LOVED IT!

Enjoyed reading about the life of Clayton Moore, The Lone Ranger. Since receiving it I am now in my 3rd reading of it. It seems everytime I find someting new and interesting.

I wish he was alive so I could personally talk with him about his adventure doing The Lone Ranger. May his spirit always remain in the hearts of all Americans...

You can find out more information about Clayton Moore and The Lone Ranger fan club at www.lonerangerfanclub.com/jr

This man, Clayton Moore WAS the Lone Ranger. I can say no more.

Taylor Trade Publishing presents "I WAS THAT MASKED MAN" (Paperback) - by Clayton Moore and Frank Thompson --- Clayton Moore was an American actor best known for playing the fictional western character The Lone Ranger --- Moore was a circus acrobat as a boy, then later enjoyed a successful career as a John Robert Powers model. Moving to Hollywood in the late 1930s, he began working as a stunt man and bit player between modeling jobs --- He was an occasional player in B-Westerns and Republic Studio cliffhangers, ultimately starring in more such films than serial hero Buster Crabbe --- His big break came in 1949, when George Trendle spotted him in "Ghost of Zorro" --- As producer of the radio show and creator of "The Lone Ranger" character along with writer Fran Striker, Trendle was about to launch the masked man in the new medium of television --- Moore was cast on sight.

In keeping with the nature of the Ranger character, Moore chose to protect the Ranger's identity at all times and is perhaps the only actor whose full face is largely unknown to the public. It was never shown in the TV series, although occasionally he would don a disguise and affect an accent, revealing the upper half of his face in the process. However, there is no shortage of photos of Moore unmasked, including many in his autobiography. His many fans, however, could easily recognize him by his distinctive voice --- (From Wikipedia, the free encyclopedia)

TABLE OF CONTENTS: (Title and Page Numbers)
Foreword by Leonard Maltin - ix
Preface by Frank Thompson - xi
Introduction by Frank Thompson - 1
1. Birth of a Ranger - 13
2. A Cowboy Actor in the Big Apple- 35
3. Hollywood - 43
4. Republic Pictures - 61
5. In the Army Now - 71
6. King of the B's - 79
7. Hi Yo Silver, Awayy! - 111
8. Back to the Big Screen - 131
9. Jay Silverheels - 143
10.The Lone Ranger Rides Again! - 151
11.England and a New Daughter - 185
12.Adventures on Television - 195
13.You Don't Pull the Mask Off the Ol' Lone Ranger - 203
14.The Adventures of Clayton Moore - 221
15.Who is That Masked Man? - 231
appendix - 243
Index - 257

BIOS:
1. Clayton Moore
Date of Birth: 14 September 1914 - Chicago, Illinois
Date of Death: 28 December 1999 - Los Angeles, California

Moore often was quoted as saying he had "fallen in love with the Lone Ranger character" and strove in his personal life to take The Lone Ranger Creed to heart. This, coupled with his public fight to retain the right to wear the mask, ultimately elevated him in the public's eyes to an American folk icon --- In this regard, he was much like another cowboy star, William Boyd, who nurtured the Hopalong Cassidy character --- Moore was so identified with the masked man that he is the only person on the Hollywood Walk of Fame, as of 2006, to have his character's name along with his on the star, which reads, "Clayton Moore -- The Lone Ranger" --- He was inducted into the Stuntman's Hall of Fame in 1982 and in 1990 was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

THE LONE RANGER CREED - I Believe that to have a friend, a man must be one --- That all men are created equal and that everyone has within himself the power to make this a better world -- That God put the firewood there but that every man must gather and light it himself in being prepared physically, mentally and morally to fight when necessary for that which is right --- That a man should make the most of what equipment he has --- That `This government of the people, by the people and for the people' shall live always --- That men should live by the rule of what is best for the greatest number --- That sooner or later .. somewhere .. somehow .. we must settle with the world and make payment for what we have taken --- That all things change but truth, and that truth alone, lives on forever --- In my Creator, my country, my fellow man.

Check out a new book from Empire Publishing - "GENE AUTRY WESTERNS" (Hardcover) - by author Boyd Magers, like no other book on Gene Autry --- all of Gene's Mascot, Republic and Columbia westerns included, as well as his half-hour TV Episodes --- each segment contains the release date on each film ... major production credits ... complete cast (including character played) ... all songs included, songwriter and who performed them in the film ... running time of each film ... dates of the filming ... bios on the cast and major players (Smiley, Pat Buttram, Cass County Boys, Herbert J. Yates, directors, leading ladies, songwriters and various heavies, etc.) ... locations that were used ... budgets and negative cost ... stunt people involved ... analysis and synopsis on each film ... notes and comments (including film and cast background info, salaries paid, working titles, etc) ... comments from Gene and many other cast members on each film ... theater exhibitors comments at the time of the films release ...this tribute was written from the heart and it shows.

Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc) and Bob Nareau (author of "The Real Bob Steele") as they have rekindled my interest once again for B-Westerns and Serials --- More than just a tribute to the role Clayton Moore made famous, this book is Moore's personal memoir, told with condor and sincerity -- the engaging story of the life he strove to live according to the ideals he represented to millions of Americans, please stand up and take a bow --- all my heroes have been cowboys!

Total Pages: 280 ~ Taylor Trade Publishing ~ (4/25/1998)

I was a bigger fan of the Lone Ranger on radio than TV, but only because I was away in school most of the years it was on the tube and missed a great deal. That is something I am trying to make up as I collect DVDs and is why I bought this book. I have also known personally two who worked with Clayton Moore in the past, serial queen Kay Aldridge and former rodeo star Beverly McDermott. Everything they said about this man is echoed in the book. A very honest upright straight shooter. I am also impressed by his arguments as to why a star should set an example. So different in Hollyweird today. We need actors and actresses today who have the high moral standards this man has shown. May God bless him always, here and in Heaven.

An in depth history of Clayton Moore. A very informative perpective of a bye-gone age in Hollywood. I really enjoyed this book. A must read for Lone Ranger and TV western fans.

I have never heard a piece of music by composer Jan Swafford, but if he composes as well as he writes, his music should be stimulating indeed. Some reviewers have called this book hard to put down, a page-turner. I found it so. Part of its interest lies in Brahms himself; any book that purports to shed even a bit of light on so enigmatic a figure would cause one to turn pages in hopes of illumination. But I can imagine, too, a very dull book about Brahms. Well, there are few dull pages among the 600+ in Swafford's biography. As is now de rigueur in good modern historical writing, Swafford creates a judicious blend of primary-source material and commentary thereon, along with a rich store of anecdotes told in his own fine, writerly voice.

Musical analysis is treated in such a way that the amateur musician, and even the musically challenged, will not be put off. In all cases, Swafford demonstrates well one of his chief theses--that Brahms was the most Janus-like of the great nineteenth century composers. He looked back all the way to Renaissance masters, assimilating their contrapuntal styles in ways beyond anything that Beethoven, Mendelssohn, or Schumann had done before him. Yet he so thoroughly anticipated the ambiguity of tonality and rhythm in twentieth-century music that Schoenberg could, long after Brahms's death, speak of "Brahms the Progressive."

But there is much more than musical analysis in this book. There is a thorough investigation of the many dualities in Brahms's nature: Brahms the generous, Brahms the curmudgeonly; Brahms the respecter of (intellectual and artistic) women, Brahms the misogynist; Brahms the romantic, Brahms the classicist; Brahms the sentimentalist, Brahms the cynic; Brahms the self-effacing, Brahms the monumentally egotistical. Swafford presents them all in their staggering incompatibility. And while Swafford himself admits that no one can ever quite hope to reconcile all these manifestations or indeed fill in the gaps in a life that the composer himself hoped to keep mostly a closed book, he comes close to making this great study in contrasts that was Brahms into a flesh-and-blood individual whose most mystifying acts seem almost comprehensible because we have seen him in action in similar contexts. By an exhaustive examination of the primary literature and shrewd speculation based thereon, Swafford builds a picture that convinces. He can't make us always like Brahms or even sympathize with him, but we come to understand him better through Swafford's portrait than we ever thought we could. That is some accomplishment.

Beyond this are the passages in which Swafford speaks of musical and indeed cultural history after Brahms. The epilogue to this book, in which the author traces Brahms's paradoxical legacy through the great century of change since his death, should be mandatory reading for all students of culture in the West.

Are there flaws? Yes. Some parts of the book show haste while others show careful crafting. In a work this large, that is to be expected. And Swafford overuses the word "magisterial." This may describe Brahms to a tee, but so, I hope, do a few other adjectives. Small gripes? Small indeed, given the wealth of insight and reading pleasure that Swafford provides here. I'm ready for his biography of Ives!

Mr.Swafford did excellent jobs in dissecting and analyzing major symphonic works without sounding pedantic and dry. However, I wish he had invested more ink on the other major orchestral works such as Piano Concerto no.2 and the Violin Concerto, two of my favorites, like he did Piano Concerto no.1 and the symphonies and variations, etc. On the late concertos he merely described the circumstances surrounding their creation and barely touched on structural analysis.

Other than that, the book is very detailed and enjoyable to read. It sheds a lot of light on the human side of the composer and his friends, and thus makes these historical figures come back to life. At several instances I was so touched by Swafford's writing that I almost shed tears. Reading this book has been an emotional journey for me, and I rank it as my favorite book on music and musicians. Very touching! I love it!

I wonder how Brahms would have compensated for the defeat to his friend's wife - Clara Schumann. Although lively attention to details was a notable characteristic of the German woman lover, pianist and composer, her indifference to the sentiments of her husband - the German composer Robert Schumann - was so shallow as to miscalculate Robert's perturbation with her lover's apathy.
How could Brahms, having degenerated to low stage, get over the perfidy of such relationship with the woman who was fourteen years his senior (and who also raised seven children)? Such polyandrous practice was not customary in Germany and both lovers must have become impetuous when they, again, met with indecision of purpose.
Was it bigamy? Or sheer adultery? Did it really matter to Brahms who, at least, cared for Clara's husband and his friend's illness? Was Clara prematurely getting old marking her life by irrational thoughts? Or was it the agnostic Brahms believing in nothing?
Brahms gave us medley of music; conscious of the shadow of the dead Robert, Ein Deutsches Requiem {1867/8} is one that represented heavenly masterpiece as if to seek pardon in humble supplications like the sinner who renounces lifelong bad habits when in extremity of pain.

What a wonderful biography. Brahms' dealings with Clara Schumann, Joachim, and other friends is studied in fascinating detail through meetings and letters -- an intimate portrait of personal relations, desires and fears, quiet joys and resentments, etc., all as absorbing as a Henry James novel.

Meanwhile, Brahms' incomparable music is a life of its own, and we are treated to the master's views of it, as well as those of contemporaries and the author. The author's assessments seem to me almost unerringly valid. (Take, for example, his lofty praise of Gesang der Parzen, an underheard choral masterwork, or his concession that the Double Concerto, a concert standard, is on a less than inspired level.)

Add to this the author's occasional shift of focus to the Austro-German culture in which Brahms lived, in retrospect an even more remarkable time and place, where music was valued to a rare degree, and where ideas and events -- artistic, philosophical, political -- were poised to take momentous turns. Fascinating, even haunting, stuff, and all the more appropriate for discussion as these were issues about which Brahms had much concern in his later years.

This is a great story about a great composer. The book tells his life story, and highlights many of his great works. Within this biography, the book also mentions the interactions, disagreements and perspectives of the different composers of the late 19th century - Liszt, Wagner, Schumann, Bruckner, Mahler and of course Brahms. From that perspective, it is not only a biographry of Brahms but in some ways a history of classical music in that period. In my opinion, Brahms was the best composer of the group, and this book highlights why he was. It focuses on many of his great compositions, even providing the major musical notes for key parts of a composition. For example, in what is arguably his best work, the 4th symphony, this book spends four pages on the last movement of this symphony, a very powerful cantata and chaconne that Brahms brought to the symphony. This form, according to the book, derives from the Baroque period and Bach has a great similar work with the violin. Brahms took it a step further and using the whole capabilities of the symphony orchestra, weaves this concept into a very powerful piece of music. Since reading these four pages, I've developed a greater interest in this movement and in the 4th symphony in total. It is a beautiful powerful work and this book provides a beautiful perspective of this work. The same is true for all of the book. It has given me a better perspective of Brahms and classical music. For this reason, I highly recommend this book.

buy it used. good read for the beach. then see her movies.

I enjoyed Lauren Bacall's autobiography better than any autobiography I've ever read. Her style of writing is so personal, it's just a pleasure to read. It's written with heart, it's witty, poignant, and so honest. You'll also learn about the original "Rat Pack", and other celebrities. I can't say enough about this book!

I read this book 20 years ago when it first came out and I couldn't put it down. The love story between her and Bogey was sweet, but tragic. His death was so detailed in this book that when my own father was dying I couldn't help but relate back to her description of Bogey's final hours. It made me sob for her. The mention of Hollywood in the 50's and all of the corrupt politicians trying to blackball performers is deplorable. I believe Ms. Bacall is our current Kate Hepburn - a no BS kind of Hollywood woman that is still well-respected and greatly admired.

I have never considered myself a Lauren Bacall fan but having recently rewatched To Have And Have Not, her film debut, I became intrigued about her and Bogart so I picked up this book after reading such positive reviews here at Amazon.

Well, was I surprised. First this is a very well written autobiography that demonstrates a keen intelligence and a reflectiveness on the past that is truly admirable. It is also incredibly honest and not just a recitation of a Hollywood star's accomplishments.

From Bacall's youth in New York where she tried desperately to find a place in the theater to her ultimate return to the stage as a star after spending years in California as Mrs. Bogart and raising a family, every stage of her life is well examined.

Bogart emerges as a truly good guy, not perfect but clearly they were a great match despite the obvious age difference.

Some of the episodes in her life with Bogart have the added quality of capturing a period in Hollywood and the film industry that is long gone. Bacall isn't and doesn't need to be a name dropper but so many famous characters pop in and out of her story that it is a virtual who's who of 1940's Hollywood.

What I initally picked up as a casual read turned into something much deeper. Lauren Bacall , who I knew little about before reading this is a woman who I came to really like as a result of this book.

Well written and well worth checking out for filmfans, fans of Bogart or anyone interested in acting and theater and the celebrity life of the 40's and 50's.

Lauren Bacall's 1984 autobiography details her humble beginnings, how modeling led to acting, and her marriages and love affairs. She met Bogie on the set of her first movie when she was 19 and he was 43 and married. They fell in love at first sight and had a good marriage until his death. Her next husband was Jason Robards, Jr.; his drinking made for trouble from the start. The ups and downs of her movie and Broadway careers and her love of politics (and politicians) round out the book.

The woman who emerges from the pages is pretty much what I expected - strong, independent, and passionate - but also quite self-centered and spoiled. She's had a charmed life and makes no excuses for her shortcomings.

The book is full of famous tinseltown names and fabulous jet-set locations. She writes as if she were talking, often using ungrammatical half-sentences which slowed me down sometimes, but that is a minor quibble. I heartily recommend it to her fans.