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best book like EVER..Review Date: 2008-10-03
A delightful twist on the classic Cinderella tale...Review Date: 2008-09-26
At Ella's birth, a rather overzealous fairy named Lucinda blesses her with the gift obedience. From then on, she must do what she is commanded, whether she must do her chores, eat her entire birthday cake, or even kill, Ella is powerless against the will of her "gift." When her mother suddenly dies, Ella is left to be cared for by many non-caring persons: her often-absent and greedy father, her voluptuous step-mother, and horse-faced and devious step-sisters. But Ella's tenacity keeps her fighting for her own free will as she searches for a way to relinquish Lucinda's gift.
Ella's adventurous and charming nature keeps you smiling for the entirety of the book as she challenges hungry ogres, tricks her evil-stepsisters, tracks fairies, slides down castle banisters, and falls for the dashing Prince Charmont.
Levine incorporates the iconic elements of the Cinderella tale, such as glass slippers, a pumpkin coach, and the infamous ball, while breathing life into the surrounding plot and characters. It is a novel that I could read again and again, and has instantly become one of my favorites.
The novel is an ideal young adult princess/fantasy book for girls around middle school age, and is completely appropriate and innocent. It is typically around 230 pages and is a fast and uncomplicated read that can be enjoyed by youth and adults.
Levine has written many other books as well. I have read Fairest. (Ella Enchanted is still my favorite and always will be.) Both books follow a similar theme and give a similar message: the quest of a female protagonist who must accept/discover her true identity and self-worth, and is rewarded for her high character and tenacity.
Ella Enchanted is a must-have for every girl/woman.
Book vs. MovieReview Date: 2008-07-09
I was introduced to Gail Carson Levine's books by the library's young adult book club. Ella Enchanted was a modern Cinderella story. I had always loved the story of Cinderella, and when I read Ella Enchanted, I loved it. But at the same time I took wonder in loving this book. There was a part of me at sixteen that wondered why I loved this story.
The story was about Ella, a girl cursed by her fairy godmother with obedience. Any time Ella was ordered to do something, she had to do it. Ella kept this curse a secret. Eventually Ella's mother dies, and since her traveling salesman father is rarely home, Ella only has her maid to raise her. One day Ella's father gets the idea to marry into money, but, unfortunately, he picks out a wicked lady with two equally wicked daughters. When her fairy godmother shows up at the wedding, she gives the happy couple the gift of love forever, which only serves to mess up Ella's life even further. Ella's father feels that the only way for him to live a happy life is to stay away from home thereby leaving Ella utterly alone in a full house. Ella's curse eventually becomes a particularly complicated problem for her when she is ordered by her stepsisters to give up her money and other possessions. Ella decides her only way out is to find her fairy godmother.
Ella sets out to find this fairy, so she can take back the curse. Ella, in the meantime, meets up with Prince Char on her adventure, falling in love with him. But when the prince's evil uncle figures out Ella's curse, he orders Ella to kill the Prince. Ella tries to stay away, but the curse is too strong. Eventually Ella finds a way out of her spell, while at the same time saving the life of the prince and redeeming herself from being thought a murderer. The story ends happily ever after.
Why did I love the story of Ella Enchanted when I read it? My first instinct is to say that the magic in this story was exciting, and it gave me a chance to fantasize about magical places and creatures. I imagined that somehow I could have power like Ella's and was intrigued by the relationship between Prince Char and Ella.
At the time I read Ella Enchanted, I wondered, what was the connection between this modern Cinderella to the original? The first story of Cinderella I was introduced to was the Disney movie. As a young child I loved the music where the mice make Cinderella's dress, and I thought the little mice were funny, especially Gus. It was a story with the only bad characters being the stepmother, stepsisters, and one fat cat. While Cinderella's life revolved around pleasing her stepfamily, the mice struggled with the evil cat.
My young mind loved this story because of the great struggle that Cinderella has and how she triumphs at the end. I did not take into consideration all the messages that were in the story at the time. Disney's Cinderella, which came out in 1957, has many moral lessons, which correspond to the thoughts of that time.
Everyone must reach a stage where they leave the nest. In our society, it is expected that eventually children will leave home for a life of their own. When I watched Disney's Cinderella, the idea of being taken away from a bad place that was home to a fancy, rich, good place was particularly attractive to me. Home for me could not be compared to Cinderella's home. I did not have evil parents or stepsisters. I think that what I really wanted to escape from was my boring, everyday life. Everyday seemed the same with school and chores. The thought of going to a palace where I would not have to be in school, or to be told what to do, was attractive. That was what moving to a palace was to me in my very young years.
Why must the princess move away in order to get her happily ever after? It's the formula of all fairytales, but why? I believe there is something in us that innately knows that we must first break away from our maternal bonds in order to become our true selves. In both versions of Cinderella, the mother dies. Perhaps that is an easy way to separate the child from the home. If both parents are still alive, and the child is happy at home, the child may never have the desire to leave. If the child still wants to be home, how can moving away be a happily ever after? Cinderella must then have a crappy home life in order to give the audience satisfaction when she leaves the home.
In the movie, Cinderella is the perfect example of humility, kindness (shown through her animal friends), and goodness. When I was a young, I thought Cinderella was the best child a person could ask for. She was always pleasant, even though her stepmother and stepsisters were mean. Cinderella endures all the ordering around that she is given. Even when her dreams are dashed, as in the scene where the two stepsisters rip up her dress for the ball, she still never talks back to her family. Instead she runs away crying. There is an obvious lesson in the story of Cinderella teaching children to be good, even if they have an evil parent (or parents). It teaches that things will get better, no matter how horrid the situation. However, this does not take into account the many children that are being physically, sexually, and mentally abused by their parents. How could Disney give the message "just be good," as if it has something to do with how these children are treated later in life?
Cinderella is the model of good behavior, and the stepsisters are a model for bad behavior. Both the stepsisters and Cinderella want to go to the ball and meet the prince, only the stepsisters are cruel, selfish, and untalented. In the Disney version both stepsisters receive music lessons. One sister sings off key while the other plays the flute terribly. At the same time, Cinderella is outside singing beautifully while washing the floor. This is telling children that if you are good inside, it will show outside. This is why Cinderella is talented and beautiful, and why the stepsisters are ugly and awkward. Unfortunately, this movie does not allow the people watching it to get over the exterior lesson, that is to say, that the inside equals the outside. It is a much better idea to teach society to look past people's exteriors and look for the goodness inside. As a child I only thought of Cinderella as a very pretty person. Instead of wanting to be like Cinderella by her goodness, I wanted to be pretty on the outside first, and that is not the same as being well-mannered and honest.
In this Disney version of the Cinderella story, the obstacles that Cinderella has to overcome are small. The first obstacle Cinderella faces is getting to the ball. There is no action taken by Cinderella that has to do with overcoming any of the obstacles she faces. The fairy godmother whisks up a spell and, voila, a dress and carriage appear to take Cinderella to the ball. The next problem takes place when Cinderella is locked away in the attic. The prince's menservants attempt to ask all women in town to try on the glass slipper left behind from the ball. Cinderella's only chance is to try on the slipper. Two of Cinderella's pet mice sneak into the pocket of the wicked stepmother, while Cinderella cries to herself. It's not a heroic part of the movie for Cinderella. The mice rescue her. Although if Cinderella had not been nice to the mice, and let them out of the cages, then these two would not have gotten the key away. The message revealed, when Cinderella never takes action to change her situation, is that her power is in her kindness towards others.
This movie has a love interest for Cinderella, Prince Charming. The prince has a minimal part because he is more of an idea than a person. The Prince is a symbol of the good life. He has everything that Cinderella needs and wants. He is there to take Cinderella away to a life different from her own. He is the reward for which Cinderella had so patiently worked for. In a way, to be able to work toward the goal of a life filled with comforts is very much the American dream. It's something that can be attractive to anyone anywhere, to have something a little better than the way your parents had it.
When Cinderella meets the prince, they both fall in love right away and dance all night. The ball ends and he does not forget her. He searches for her with that fateful glass slipper. I always loved the particular scene in which the prince dances with Cinderella and they both sing in perfect harmony.
So this is love, Mmmmmm
So this is love
So this is what makes life divine
I'm all aglow, Mmmmmm
And now I know
The key to all heaven is mine
My heart has wings, Mmmmmm
And I can fly
I'll touch ev'ry star in the sky
So this is the miracle that I've been dreaming of
Mmmmmm
Mmmmmm
So this is love!
Now that I have reevaluated this scene, I know that what the prince and Cinderella have is not love. It's too quick. What they have in this particular scene is infatuation. I think it is important to teach this to young girls, because too many people do not know the difference between love and the "in love" feeling that comes with infatuation.
The updated version for Cinderella has better messages for today's young generation. Ella Enchanted still takes the original story line and twists it up. Like the first Cinderella, I still felt a yearning to get away from ordinary life when I read the book. This time I was older and knew more. Just because you are a queen, does not mean that life will be perfect. The idea of magical creatures in fancy places was much more intriguing, then just getting away from my boring life.
The bonds between Ella and her mom are severed, and since her father is away from home all the time, Ella has a reason to leave home. When Ella runs away from her cruel stepfamily, she alone takes action to try to change her situation. She is trying to change her life for herself instead of waiting till her fairy godmother can change her life for her. Ella too has a bad home life, but she is also given a curse to go with her bad family ties. She must do more than just run away from home. In addition, Ella must break the spell in order to achieve maximum happiness. Then the audience can become happy for her when she has the chance at a better life.
Ella is also an example of morality in this modern story. Ella wants the same things as her stepsisters. But this new story gives a reason for Ella's obedience. The author allows Ella to not want to do what she is told; she is stubborn, but is always good. She is never selfish, like her stepsisters. The movie has a quote that says, "Ella's curse made her obedient, but her heart made her kind." This story makes a difference between obedience and goodness, which Disney does not. Just doing what you are told is one thing, but being kind to others and taking action in the face of moral dilemmas is a very different thing. Also, the movie makes a point of showing Ella's loving and respectful relationship with both parents and her maid. The curse is used to show that free will is good, not as an excuse to rebel.
The movie does not used beauty as a source of inner goodness like the Disney version. Both Ella and the oldest stepsister, Hattie, are pretty. The reason that the Prince likes Ella more than Hattie is because of the two sisters' attitudes. Hattie makes it very obvious that she is a big fan of Prince Char, and even is the president of his fan club. Because of Hattie's overzealous nature, Prince Char is totally freaked out. Ella, on the other hand, is not a fan of Prince Char and is upset at the fact that he does not take more interest in the politics of the Realm. This is a much more appropriate start to the couple's relationship.
In Ella Enchanted, it is a little more obvious that the youngest stepsister, Olive, is very dumb and almost bordering on the edge of retarded. In this way this modern story almost excuses the younger stepsister from her behavior toward Ella because she was not intelligent enough to understand everything. Throughout Ella Enchanted, Olive follows her sister's lead, and does what Hattie tells her to do blindly. It almost appears that Olive is a good Cinderella opposite; doing everything she is told, and not thinking for herself. It portrays a bad example of obedience. I wondered why at the end of the film, that revenge is not taken on Olive? Perhaps it is good that one of the two stepsisters is not evil, but is the representation of extremely stupid appropriate?
When Ella has to overcome obstacles, things are slightly different. One particular example shows a similar scene to Disney's Cinderella when Cinderella is locked away in the attic. Ella is sitting in prison for attempting to kill the prince and is rescued by some friends. But this is not the pivotal part of the modern story, unlike the Disney version. The most exciting part is when Ella breaks the spell that holds her in submission. She has to do this by herself, and it is by pure willpower alone that she can do this. It's a lesson to little girls that they can do things that seem impossible. There is also the obstacle at the end of the modern tale in which Ella has to save the prince from his evil uncle. Its empowering girls with the idea that they can be the rescuer, and do not always have to be helpless, which I like.
While Cinderella's prince is the reward for her goodness, the prince in the modern tale plays a different roll. He is a person, and we learn more about his character. He is good, smart, handsome, and humble. He is the dashing figure from girls' deepest fantasies, the perfect guy. The only thing close to a flaw that the prince has is a naive love for his uncle who killed his father to become King. The prince is no longer the symbol of a reward for Ella's hard life. After breaking the spell for herself, Ella's true struggle is overcome. Therefore, saving the prince's life, and marrying him is like a nice extra bonus. The power of Ella's love for the prince breaks the spell, so the love story needs to be there in order to have something powerful enough to force Ella into a tough situation. The real reward for Ella is love, and the prince is just a symbol of the perfect man.
Ella Enchanted has developed the relationship between the prince and Ella much more, but does not seem much better at creating a long-lasting relationship. The Prince has only known Ella for two days when they fall in love. There is a song that Ella sings right before the couple's first kiss.
Can anybody find somebody to love?
Each morning I get up I die a little
Can't barely stand on my feet.
Take a look in the mirror
And I, see what you're doing to me.
I've spent all my years believing in you, but I just can't get no relief.
Won't somebody, somebody, can anybody find me, somebody to love.
This song shows that Ella is just looking for somebody to love. Ella is trying to fill the void of a dead mother, and a father who is always away on business. The prince and Ella only develop a surface relationship. I think that many young people start relationships like this one, even though they have the potential to develop into something more real. But in stories like Cinderella, the development of a relationship should be worked into the storyline.
Regrettably both versions end with marriage, and I think that it is just a little too soon. Cinderella stories give reason for this quick relationship with true love. This idea is being inflicted upon young minds as a truth rather than fiction, which might ruin their relationships later in life. If Ella had just saved the life of the prince and then not married him, the story would still be very good. Sorry to say that in Ella Enchanted, she and the prince have already said "I love you," and it is hard to separate from my mind the possibility of love without coupling it with marriage. I would not be happy to see Ella live with the prince before marriage. Maybe Prince Char should never have asked Ella to marry him. Then the story could end with a girlfriend/boyfriend relationship.
After revisiting the Disney's version of this basic story, I feel let down. The way the story works in subtle ways to keep girls in check gives me the creeps. Why does the once elating conclusion seem empty and false after reevaluating the movie? Is it the quick way the couple gets together? Or perhaps it's the cynic inside me that says, "I give it a week."
Ella Enchanted is better at giving an uplifting, empowering message to girls. It gives more romance and a deeper meaning of self-accomplishment than the old Cinderella. Yet it still inflicts some of the old values of true love. Is the story of Cinderella too old-fashioned to be able to reflect today's values? With all its history, I think that it is a story that should be kept. Maybe someday girls will figure out why it is so fascinating and repair it suitably.
A Long Time FavoriteReview Date: 2008-07-02
LOVED IT SINCE I WAS 12!Review Date: 2008-03-24
1000000% RECOMMENDED

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good bookReview Date: 2008-10-11
Very helpful after 4 years of tryingReview Date: 2008-10-05
Must readReview Date: 2008-09-16
Amazing book!!Review Date: 2008-09-15
Conceived after fertility problems using this book!!!Review Date: 2008-09-19
This is a must read for every woman, not just ones trying to get pregnant. Knowledge is power, take power over your body!! Most of us have no clue about the intricacies of how our bodies work. Health class taught us the bare basics. This book explains the beautiful symphony of our bodies, and how everything works together. It was truly amazing how little I knew. This should be a text book for health class!
After a cyst on my left ovary, I started having very long cycles - 45 days. This book explained what was happening to my body. I was able to chart my temperatures, see I wasn't ovulating, and advocate for my self with a fertility specialist. I only ovulated 4 months out of 10! I didn't have to argue how I knew, I had proof. He accepted it immediately and was willing to start running tests even though we had been trying to get pregnant for less than a year.
Most doctors require that you try for a year, no matter what. That is because most women can't prove that they know that something is wrong. I was able to show that I was experiencing a real problem.
Amazingly, a week later, I ovulated for the first time in 4 months, and we got pregnant! We didn't even need the tests or medical help. Because of this book I was able to recognize that I was ovulating, and take advantage of it at the right time.
Thank you, Toni, for the new respect I have for my self and my body, the knowledge and ability to advocate for myself, and for my beautiful baby. This book changed my life!

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Seabiscuit: An American LegendReview Date: 2008-09-05
So the the book was a must have also to learn what had happen to rest of the story(the horse/the people)
Ah, Seabiscuit we need you nowReview Date: 2008-08-18
Great Buy Review Date: 2008-07-29
Buy with confidence, I did!
Seabiscuit for President!!!Review Date: 2008-07-09
Laura Hillenbrand has captured a time in American History. She is a true storyteller who has done impeccable research. It must have been the time she spent in Gambier, Ohio at Kenyon College that inspired her to such great in depth writing.
For those of you who have not read this book or have not seen the excellent movie, you're in for an incredible treat. Trust Me!!
If I were writing fiction, this true story would not have been told. Charles Howard, Red Pollard and Tom Smith are indeed the Holy Trinity. Remember these names, after reading this book, you will never forget them.
One little horse, so much history!!! Incredible!!!!
Match This, War Admiral!Review Date: 2008-06-15
Three incredible characters intersect with this horse of unknown promise. Howard is the wealthy owner, despondent over the death of his son and unsure how to live the life of leisure; Red Pollard is a jockey not able to break into the big-time, due to his attitude, blindness, and injuries; Tom Smith is a taciturn man who belongs in the 19th century of his youth, not the modern world. Together they develop and promote Seabiscuit, a horse of incredible bloodlines, yet given up on by better trainers due to his work habits, attitude, injuries, and size.
Eventually the Biscuit wins all the stakes in the state of California and gets a shot at a match race with the great Eastern horse and Triple Crown winner, War Admiral. Both horses are descendants of the great Man'o'war, but the eastern elites dont want to give the western upstart his chance. After a few cancellations due to injuries and prickly owners, the match race goes off in Baltimore and the smaller horse brings it home.
The book is more enlighting with respect to the fuller stories of the characters, especially the relationship between the jockeys and Pollard's romance and marriage to a Boston nurse. The movie brings the times to life. Howard and Pollard were the raconteurs who made Seabiscuit the hero of the little guys during those lean years. Dont forget, tough times dont last but tough guys do.
Ms. Hillenbrand is an equally interesting story. She suffers from Chronic Fatigue Syndrome and is only able to work at a fraction of the typical writer. Here she focused her energy on this story and these times. Seabiscuit has been the story many times in film and books but Ms. Hillenbrand brings it to life for us.

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escape via rocketReview Date: 2008-10-06
By V. N. Dvornychenko (Rockville, MD) - See all my reviews
Part "Angela's Ashes" (Frank McCourt) and part "I Aim for the Stars" (Werner von Braun), this book chronicles the efforts of a teenage boy to escape the confines of his West Virginia coal-mining milieu. Fourteen-year-old Homer/Sonny Hickam (the protagonist and author) is determined not to follow in the footsteps of his coalminer father - who is already showing signs of black-lung disease, a disease which will eventually kill him.
Homer/Sonny has an older brother, of whom he is very resentful. Among his brother's "sins" are ease with the girls, success at high school football - and most of all - favor with the parents. Normally there are only two paths for escape from Coalwood: the military, or a football scholarship.
The brother, Jim, holds a strong suit in the football option. Homer, slightly built and very nearsighted, knows he has no chance at footfall - and, so it would appear, with the girls. Then a miracle happens.
The "miracle" that provides a third avenue of escape is the launching of Sputnik by the USSR. The shockwaves produced by this event change American values almost overnight. Intellectual "nerds" suddenly become fashionable. Homer hatches a plan which he hopes will eventually land a job designing rockets for Werner von Braun. The plan is to design, build and launch model rockets. Homer collects a circle of followers - mainly other "nerds" -- and together they put the plan into action.
Besides the shockwaves produced by Sputnik, another kind of fault line runs right through the Hickam household. On one side stand Homer with his mother, on the other his father and brother. A major reason for the fault line is that the mother does not wish to see her sons follow the fate of her husband. But that is not all; it appears the mother has certain misgivings about her marriage. With her artistic bent, and something of a free-spirit, she harbors feelings that perhaps -- just perhaps -- she married beneath her station. A consequence of her frustration is that she succeeds in pulling Homer/Sonny over to her side, resulting in a more-or-less permanent rift with the father. It is also interesting to speculate what other personality traits may have resulted from Homer's closeness to his mother. Homer appears to have a penchant for being attracted to girls that give him conflicting signals - somewhat in the manner of Lucy of the famous comic strip, they entice him, only to pull the ball away at the very last second. Homer is also attracted to an "older" woman (though she is only in her early twenties), his science teacher, Freida Riley.
Although Homer appears to fear and hate everything about mining, some of the most spellbinding moments are excursions into the mine. His favorite science teacher would not, however, approve of the chemistry in the book, which contains several mistakes.
I began by characterizing "Rocket Boys" as part "Angela's Ashes" and part "I Aim for the Stars". In retrospect, is little doubt that "I Aim for the Stars" constitutes the minor component. Although much of the book details the design and building of rockets, Homer's fascination with rocketry and Werner von Braun appears to be mostly motivated by this "ticket out of Coalwood." The epilogue to the book reinforces this. After some delays, Homer Hickam does indeed go to work for NASA, and enjoys a successful career. But sadly, no speculations appear in the book regarding man's role in the cosmos - the "extraterrestrial imperative" Krafft Ehricke called it - nor did any subsequent books on astrodynamics or space theory emerge.
The author produced a sequel "Coalwood Ways." Published only two years later, it covers much the same territory, but has a very different flavor. It concentrates on interpersonal relations, and is much "sweeter" in its outlook than its precursor. It gives the appearance that the author underwent some personal event between the two books which changed his outlook. A film, titled "October Sky," was made based on "Rocket Boys." It has a different flavor yet. "Rocket Boys" is a fine book, and after all is said and done, it would appear that Homer Hickam's true calling is writer.
THE EXPERIMENTS DESCRIBED IN THE BOOK ARE VERY DANGEROUS AND SHOULD NOT BE ATTEMPTED.
Charming and inspirationalReview Date: 2008-09-18
school projectReview Date: 2008-07-06
Rockets in West VirginiaReview Date: 2008-03-16
"Rocket Boys" by Homer H. Hickam, Jr. is a nonfiction account of a group of friends from Coalwood, West Virginia in the early 1960's who have a fetish for making rockets. Homer and his friends have a dream to shoot a rocket up into the clouds. This story gives the reader a message that dreams really can come true.
Rocket Boys is one of the strongest books I have ever read. The author accomplished his goals to tell people that team work is one of the most important things to know in your life. This book is recommended for people that like space and rockets and who want a hopeful book to read. Reading Rocket Boys really gets you thinking about team work and how far you can get with it.
Amazing True StoryReview Date: 2008-05-09
This book is his story and how he was successful.
I bought 24 copies of this book to inspire my advanced 6th grade Reading class. They loved the book. In our discussions they mentioned never giving up. Homer and his friends kept trying until they had success.
Thank you for sharing your life with us, Mr. Hickam.

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A Book for Everyone!Review Date: 2008-10-06
Since reading this book I have begun practicing Isha yoga and I cannot believe how much I am changing already. I owe it to this book and a few good friends for encouraging me to read, to open my mind, and to try out this new way of life. Even if you don't think Isha is for you, give this book a read-through. As an English major I can attest that it is well-written, thought provoking, and just a darn good read! :)
If a book could be life-changing, this one is a great candidate...Review Date: 2008-09-15
I have presented the book to others, who have relayed very similar feedback to me in person. If I could do things over, the only thing I would change is to make this the first Sadhguru book I read :)
'Explosive'Review Date: 2008-08-27
What a great glimpse into the other dimensions of life...Review Date: 2008-08-17
Skip the first few chaptersReview Date: 2008-08-25
She often writes her chapters like a novel(why do I have to know which way the breeze is blowing?)...she needs to skip all the niceties and just focus on her questions with Sadhguru and share his insight with us..

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In one word, great.Review Date: 2007-11-15
Not all may like the series. For those that do, I highly recommend all additional books to the original. You will not be let down, as (the late) Mr. Adams continues to entertain again and again as things move on. Just about any science fiction fan with a sense of humor will love these books.
Great collection...Review Date: 2007-08-23
So long Douglas, and thanks for the all the laughsReview Date: 2007-08-20
Imaginative, brilliant, unevenReview Date: 2007-07-28
Of course Adams is not the first writer to use science fiction to satirize the foibles of the human race and its institutions and culture (including science fiction), but he does does so with a rare combination of sophistication, style, and humor. His description of why the bypass is being built and why Arthur doesn't know about it alone starts the series off on a scathing note. In the universe of The Hitchhiker's Guide to the Galaxy (the book within a book), people sometimes survive government and corporate bureaucracy and personal greed and thoughtlessness, but more often destruction and waste seem to result.
Throughout his post-Earth adventures with Ford Prefect, the two-headed Zaphod Beeblebrox, fellow human Trillian (Tricia McMillan), and Marvin the perpetually downcast robot who takes lows to new highs, Arthur is the proverbial Everyman, whose struggles to make tea (and thus achieve some sense of ordinariness) in his new life result in near-destruction. At one point, he happily serves as "Sandwich Maker" on a pre-technological world that views this skill with awe.
Adams is perhaps strongest in his numerous asides in which he talks about The Hitchhiker's Guide to the Galaxy, the publication for which Ford Prefect researches and writes, and the Encyclopedia Galactica; the nature of improbability; the humorously and seemingly invariable and inevitable tragic histories of various planets and races; and various theories surrounding such things as time, space, and infinity, almost always with a slyly serious wink about the absurdity of it all. These digressions allow his imagination and his intellect to soar and in many cases are more interesting than the story itself. This may go back to how The Hitchhiker's Guide to the Galaxy begins--that people want to move between Points A and B very fast, and that people at Point C in between (Everyman Arthur Dent) "often wish that people would just once and for all work out where the hell they wanted to be." There seem to be no Points A and B in Arthur's new universe; there are infinite points and lines and continuums, most of them absurd in one way or another.
With the exception of Trillian, Arthur's fellow travelers are well drawn. The most amusing is, sadly, Marvin, whose programmed depression is annoying and whose perception is accurate.
There are ingenious ideas scattered throughout the six stories, including the irony of a lorry driver who hates the perpetual rain that follows him no matter where he goes because, unbeknownst to him, he is a Rain God.
The problem is that many of these ideas, like life events, crop up randomly, play themselves out, and then seem to fall flat in the end. Undoubtedly, this is part of the universe as Adams sees it; it is made up of absurdity upon absurdity, which may not have neat Point A to Point B progressions. Some of this lack of cohesion also may be the result of transforming material written for episodic radio into book form; a certain sense and continuity may have been lost as the author diverts his tale to Points E, M, and T.
The first two books, The Hitchhiker's Guide to the Galaxy and The Restaurant at the End of the Universe, are the best in the series. Life, the Universe and Everything is, almost as the title promises, too contorted and meandering. So Long, and Thanks for All the Fish, which takes place on Earth, lacks an engaging focal point, which makes it seem long and tedious at times. "Young Zaphod Plays It Safe" appears to be a throwaway story reflecting the author's views. Mostly Harmless, written at what Adams admitted was a bad time in his life, lacks the élan of the earliest books; it is more downbeat in attitude than its predecessors and borders on determined and grim. Marvin is long gone as comic relief; the weakest character, Tricia/Trillian, now moves to the forefront but without further development; and even Ford Prefect has sobered up, quite out of character. It as though Adams wanted his characters, most notably Random, to reflect his anger and depression and his universe to end without possibility of resurrection--in the same way that Arthur Conan Doyle tried to kill off Sherlock Holmes.
Underneath the satire, the humor, and the bitterness, The Ultimate Hitchhiker's Guide is imaginative and thought provoking, revealing a rare story-telling and writing gift that is brilliant both on the surface and in the depths.
Oh, the ironyReview Date: 2007-05-12

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Just what I was looking forReview Date: 2008-10-10
Excellent for 8-9 year oldsReview Date: 2008-10-09
SummaryReview Date: 2008-10-05
Juanita Weber
The Care & Keeping of You: The Body Book for Girls (American Girl Library)Review Date: 2008-09-23
Where Was This Book When I Was Growing Up?Review Date: 2008-10-07
The Body Book for Girls
Where was this book when I was growing up? What a great book for girls.
As a mother of three girls and a grandmother of four girls, I give thumbs up to The Care & Keeping of You.
I began reading this book with my nine-year-old granddaughter, Autumn. She enjoyed learning about how to brush her hair, and her teeth. She loved the illustrations and the advice. We each took a turn reading.
When it came to the chapter about her period, she said, "Please don't make me read that part, right now. I want to read the rest of the book, but I want to wait until I'm around 12 to read that part."
I told her, "Sure, we can wait. But at least you know the book is here, if you need to know about it."
She is growing up in a home with a mom and two older sisters, and her mom as already had "the talk" with her.
The chapter about developing is great. All girls don't develop at the same rate. Some are uncomfortable because they aren't developing, while others are unhappily, developing too fast. It tells the girls that they are all different and that they have many other great things about them. They should focus on their smiles, or their talents, not what others think about them. Above all, hold their heads up and keep good posture.
I think a book that answers all the questions a girl will have, growing up, is a great idea. This book also encourages the girls to talk to their mothers or an adult they can trust.
Jill Ammon Vanderwood
Through the Rug
Through The Rug: Follow That Dog (Through the Rug)
Stowaway: The San Francisco Adventures of Sara, the Pineapple Cat

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Don't believe the hypeReview Date: 2008-07-11
The chapters are so short, they feel like you're reading an outline. There is no content. There is so much filler in this book, you start to catch on by about page 50 that you're going absolutely nowhere -- page after page, chapter after chapter. She mentions some interesting ideas and concepts, but never once does she show any hint of knowledge or expertise in this subject area. Her solution to EVERYTHING is that with proper practice and techniques, you too can achieve an explosive orgasm -- but she tells you absolutely nothing about how to do anything. It's so ridiculous I was laughing out loud by chapter 10. Really, this book is a complete waste and joke.
Hot intimacy and amazing sexReview Date: 2008-07-14
Everyone wants to have a great sex life and some may even think that they know everything as I did! but this book will take your sex life to new heights.
I'm the one now that insists that we read one chapter every night, and then practice!
I am right now ordering several copies to give as a gift to my friends.
Wow. this is the perfect book for busy people Review Date: 2008-07-14
I'd give it six stars if I could.Review Date: 2008-07-15
Everyone should read this book. I have read a lot of relationships and sex books. This one, by far, is the best for me. Was almost like a total
pleasure, I am giving it as a gift for special occasions and recommending it to everyone I know.
To spice up your sex lifeReview Date: 2008-08-01
I've shared it with some friends. I'm definitely going to give a copy of this book to my friends.

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Advice that worksReview Date: 2008-09-22
I'm not a publisher, but I work with publishers and I employed two of Dan's free promotional techniques and have to say, they worked! I've gotten many new clients from doing something that took me only a few minutes and that people thanked me for doing.
In fact, one of my all-time favorite clients informed me just last week that it was because of one of those little nuggets of wisdom, she found me.
Dan Poynter's advice was by far the best promotional advice I've ever received.
I plan to read all of his books a second time in case I missed something.
I couldn't ask for more!Review Date: 2008-09-14
www.fayeknight.blogspot.com
Step One When You Self-Publish Your BookReview Date: 2008-09-04
Dan doesn't simply throw out generalities about what must be done in each phase of the project; he delves into the nitty-gritty simplifying this challenging effort for those of us tackling self-publishing for the first time. I know. I did it after I studied his book from cover to cover.
Dan also includes a plethora of resources interspersed in the text as he illustrates each step. These can be most helpful to the uninitiated who are told what they must do in so many other books, but don't know where to go to accomplish each of those steps. At the simplest level, as an illustration, Dan doesn't just state that you have to procure an ISBN, he explains what it is and why it is needed and most important of all where to find it on the Bowker web site.
There are three excellent books that I have used to brief myself on self-publishing before producing my latest book. In addition to Dan's Manual, I suggest reading Peter Bowerman's "The Well-Fed Self-Publisher" and Patricia L. Fry's excellent study of the subject.
I attribute much of the success of the award-winning "The Writer Within You" to all three of them. I strongly suggest you start your effort with the outstanding guidance Dan has provided.
Best for Authors-To-BeReview Date: 2008-09-02
Self-publishing is a great way to go with a small, first book and the organization tips, calendar, structuring chapters, ISBN #'s and copyright are perfect.
Self Publishing? You Need This BookReview Date: 2008-08-28

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This is simply the best guidebook available! Review Date: 2008-07-24
Great guide bookReview Date: 2008-07-18
The best island guideReview Date: 2008-07-03
Good recommendatonsReview Date: 2008-07-06
Best Hawaiian guidebooksReview Date: 2008-06-30
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