History Books

Since I named my son Graham after Bill, I thought perhaps I should know a little bit more about his life. I now now know alot more!

It is written in a narative style which makes it very easy to read. The stories are told by the people who were there, some happy, some sad ,some very funny.

If you are interested in the life of this man or even the history of modern day Rock and Roll Concert Production, how it started and evolved, I highly recomend this book.

This book is a little weird (to me) in concept but it works out really well in the end. The book goes from Bill's early days in Nazi Germany all the way to his death with no major stone left unturned. Lots of great stories with very little in the way of punches being pulled. I mean Bill really tells you what he is thinking. Very uncensored. Covers the drugs and the behind scenes stuff with no BS involved. Shows the guy for who he was, warts and all and lets him and the people he is talking about retort one another which I thought was weird in a good way. This book is of great interest to anyone who has probably gotten to this point in reading reviews. If you are interested in this type of subject then this book is a must.

It's a good insight into the rock scene back in the 60's and 70's. A must read for anyone who likes classic rock.

i didn't realize how much bill graham did behind the scenes.
montery pop ,woodstock, altamont,ect............

This book is structured so that as Bill Graham comments on different times of his life, he allows the persons hes speaking of to comment in the next paragraph. This makes for some very interesting reading. Grham discusses his time in Korea and killing the enemy. This experience allows him to have an abundant amount of courage when it comes to dealing with band managers in the future. Bill discusses Crosby, Stills, Nash and Young, Zeppelin, the Stones, J Geils Band, Santana, the Who and all the tense dealings with each of these personalities. This book could have benefitted from better pictures of the bands. Thats my only critical comment.

In his lifetime, Raymond Brown was considered one of the foremost biblical scholars. His scholarship certainly changed Catholic biblical studies and many believe he is responsible for making the academic world at large take notice of what scholars writing from a Catholic perspective have to offer the study of scripture. His comprehensive THE BIRTH OF THE MESSIAH is one of his monumental works that demonstrates his expertise and adds something Catholic that can be used in a "catholic" (universal) sense.

When Brown first published this book in the mid 1970's, he was attempting to do something for a beloved portion of scripture that was often ignored. For the most part, serious scholarship on the infancy narratives of Matthew and Luke was almost nil. Traditional scholars avoided it fearing that scholarship could debunk the stories themselves. Less traditional scholars saw the stories as legend that had little or no relevance for serious scholars. Brown rejected both points of view and chose to see the stories form a different point of view. Brown studies the Annunciation, the Magi, the Shepherds, the Flight to Egypt, the Child Jesus in the Temple, and the other narratives that make up these imaginative chapters of scripture and views them not as fanciful tales or legends, but the Gospel in miniature. The stories included in Luke and Matthew are essential to the Gospel story and essential for understanding the story itself. Since the time of this volume's publication, this has become one of the common interpretations of the Infancy narratives.

The book is not without controversy. One example would be Brown's treatment of Mary, the Mother of Jesus. While Brown in many ways exalts the role of Mary as a disciple, it is not a pious reflection on Mary which has caused some readers to claim Brown disputes the Virgin birth. I'm not sure this is true, especially given some of Brown's other writings and talks widely available, if not in publication certainly in libraries. This is why the reader needs to keep in mind what Brown is attempting to do in this volume: present relevant scholarship on the infancy narratives.

I have grown to love the book for a number of reasons. There is so much material in it, I am always discovering something new. This is important for anyone who has to preach on these texts. Not only can a new angle or understanding be found in this volume, it also helps the reader find personal insights for reflection and prayer, which during the time when these texts are preached can be so important. Brown's volume shows that the Birth of Christ was not just a historical event but one that has meaning today and in all ages.

Fr. Brown taks an honest hard look at the infancy narrative of Matthew and Luke. It is a struggle to find the truth in these narrative amid all the mythic lore and revisionist speculations. He digs deep down into the mountain of rubble that has accumulated, bringing out the sparkling truth that is contained within. He brings them out into the light of the day, where all speculation and myth are shown for what they are.

The historical valure of the infancy narratives are shredded to pieces during the course of this examination. Yet my faith is strengthened not undermined by this work. Why is this? Well, Fr. Brown uncovers the real motivation behind the Evangelists who composed these narratives. The primary motivation is theological.

The infancy narratives are perhaps the richest vien of theology in the New Testament. So much is hidden away in the nooks and crannies of the remainder of the Gospels, so much that only comes to light with a close examination of the infancy narratives. Once the myths are tossed aside, the glory of God begins to shine ever more clearly.

I recommend this book to anyone who wishes to understand the Gospel without sacrificing intellect for the sake of belief.

I was reluctant when this tome about the infancy narratives had been recommended, and after the first chapter discovered this was no ordinary book. There are myriads of commentaries, but none like this! This book elaborates at length on the short gospel narratives of the birth of Jesus, and how the NT authors had woven OT material into those narratives. It elaborates on the role of the Blessed Virgin Mary: not as some wench who did as God told her, but as the first disciple of Christ to say Yes to the call of God; not merely a mother to Christ, but the Mother of the people of God by her fiat. For those who already believe, and even for those who don't, it elaborates why the incarnation is such an awesome historial event, not only in human history, but in salvation history.

Fr. Brown writes with erudition, and, while his audience is scholarly, even novices can read these gems with considerable ease. I initially intended to read the book straight through, but the density and intensity of the material suggested that a more devotional, gradual read would be more beneficial. I admit this is hard to do, because once embarked, these insights propel one to read as much as one can as fast as one can. However you decide to read it, I cannot think of a better introduction, as well as advanced scholarship, that will not leave one unchanged.

How should Christians contend with alleged contradictions, inconsistencies and historical inaccuracies in the New Testament? Perhaps many have not confronted the difficulties, while assuming that ultimately a satisfactory answer will emerge that justifies confidence in the Greek scriptures. The late Raymond E. Brown was not content to leave it to future scholarship to provide the answers. Only two gospels, Matthew and Luke, discuss the birth and infancy of Jesus. But scholars have raised questions that challenge the credibility of these narratives. Why do the genealogies not match? Why do the other New Testament writers not mention the virgin birth? What prophets said that the Messiah would be called a Nazarene? Why does Luke imply the family returned to Nazareth shortly after the birth of Jesus, while Matthew has the family fleeing to Egypt before returning? The slaughter of the innocents in Bethlehem is not mentioned in secular history although other atrocities are recorded. Can the son of David be reckoned through the mother? These and other questions have provided ammunition for critics against the veracity of the New Testament.

Brown discusses these matters and more in detail. He provides non-conventional solutions while maintaining his Catholicism. This book should help the Christian understand the issues raised by doubters and help them reflect on what they believe and why they believe it. One does not have to agree with Brown's conclusions to appreciate the struggle with the history and theology of the narratives. Do the narratives have a common source, or are they separate traditions pre-dating the main body of each gospel? Read Brown's The Birth of the Messiah for some proposed answers. Recommended for lay Christians who have not seriously considered the challenges to their faith.

Part of the Anchor Bible Reference Library, this is an excellent book in which Raymond Brown provides an in-depth treatment of the NT infancy narratives in Matthew and Luke. The format of the book is standard for the Anchor Bible series: the author translates a segment of the Greek NT text, provides notes on his translation, and then comments on the meaning of the text. There are nine appendices on technical issues (e.g., "Birth at Bethlehem", "The Census under Quirinius"). Also, this edition contains a supplement that updates the work to 1992 (Brown died in 1998). The treatment is scholarly but readable, and, for passages in the NT that have given rise to controversy in the past, Brown tries to give a balanced exposition of the opposing views (and he usually states what his personal opinion is). There is an enormous amount of interesting material packed into this book, as Brown canvasses much of the relevant literature.

The book has the Nihil Obstat and Imprimatur declarations that the book is free of doctrinal or moral errors (from the point of view of the Roman Catholic church), but Brown's Catholicism doesn't color the book excessively. For example, he admits that it is unlikely Mary took a vow of virginity, and also that the "brothers of Jesus" were probably his brothers in the usual biological sense. More generally, Brown openly recognizes the historical improbability of certain events (such as the visit of the Magi), and doesn't strain to impose dubious harmonizations on the infancy stories or to concoct interpretations meant to uphold the literal truth of the NT. The one place where he draws a line is on the virgin conception itself; he claims that it is unscientific to reject it as impossible a priori.

The supplement makes for lively reading, since Brown describes some of the negative reviews received by the first edition of the book and engages in a bit of polemic as he re-argues his position on certain topics. However, he doesn't descend to vituperation, even when provoked.

Overall, a great book and an excellent source of references for further reading.

The stories in Cuba were amazing. I was transported to Cuba and was right there observing the island, the people, the food, the smells, the conversations, the textures, the pain, the joy, etc.

There were so many times that I had to put the book down because I could not go any further in my emotional state. I even experienced my spirit stronger than I ever have while reading a certain passage. Thank you. It would be nice to know where you are now with your spirituality. Maybe that will be the follow-up book!

The book was a smooth read. Ms. Fernandez-Barrios made me feel apart of her. Her memoir was so vivid. She connected herself to all the ancestrial roots of Cuba. She is an excellent writer. I would love to see more literature by this author.

Thank you, Flor, for sharing your story. You came through your experiences as a child with such grace and strength. Your descriptions of people and events made each come alive for me as a reader; I felt as though I was there with you at times. I gave copies of your book to all of my closest friends and my husband in the hopes that they too might take the journey through all of the stories told and emotions felt and shared.

As I read on, I felt as though it was MY OWN story! I, too came from Cuba at 15 and being the author's age went through most of the same experiences. It's about time that we put it out there for non Cuban-Americans to know. There is NOTHING fun, romantic or exotic about Cuba. Castro's is a bloody dictatorship that destroys human beings! I admire the author for her courage. She has inspired me to some day tell my own story.
Marina, Pembroke Pines, Florida

I thank God daily for the decision my parents made when sending me alone out of Cuba . Since my parents thought that they could say they were going on vacation, they had also packed to leave with me but the militia was too wise for that and held my mom's and dad's visa at the docks since they had not left everything to the government.At the precise moment they decided to send me alone (8-05-61)on the last cargo ferry that left Havana with sugar,under the care of Pedro Pan Operation. I was starting fourth grade that September of 1961 and I would have gone through the same ordeal Teresa went through. I admire Flor Teresa for the loyalty to her parents and family, for her courage of making the best of the moment and for her maturity at such young age. I believe that young as well as old will get teachings from this book. Teachingsof survival, of meeting with your goals, of distinguishing what is right from what is wrong and of giving a value to the simple things in life. As an adult Flor Teresa must be an extraordinary human being.

This is great trivia for those who already have a basic knowledge of the middle ages. It's filled with gross and gristly bits that will entertain and inform. Don't let the juvenile presentation of the book deter you. A really fun read for teens and adults alike. I'm looking forward to reading more in the series.

Who says history has to be boring and serious? Measly Middle Ages tells the history of the middle ages while completely entertaining the reader. The book itself is filled with lots of interesting information, surprising facts, and insider jokes. It's great fun!

Measly Middle Ages is part of a series of Horrible Histories which teaches history in a interesting, fun, and humorous way. All of these books have great titles like Rotten Romans, Awesome Egyptians, Groovy Greeks, and Vicious Vikings. A copy of these books should be in every local school library.

This great, enchanting, and captivating series attracted me since i was a child. Not only is this an educating experience, this also provides information in a very enjoyable way. Attractive to the most intelligent minds, and interesting to every child, this makes a great gift and also a great reader.
It will make you smile and even laugh out loud as you read book after book. My only question is, why would they ever stop priting? I ask Scholastic to continue print so all who desire a book can recieve one. Thank you.

The book really had no main characters. This book was an informational book covering the Middle ages. The book covered such great people in history as Queen Isabeau, King Richard II, and King Richard III.

The plot of the story is about the middle ages. Also about
how the people changed history and life as it was during the Middle Ages. The history that I learned was a lot different of how it is today. The story also focused on famous kings and Queens and important people who changes history forever and their improtant contributions to the Middle Ages.

The setting of the story is during the Middle Ages which is from 410A.D.-1453A.D.

The Measly Middle Ages is about the people in life that made a diffrence for the people of today. It also tells you about important events and the historic importance of individuals of during the middle ages.

One of the resons I liked this book is because I am realy into history. Another reason that I liked reading this book is because of the awsome illistrations throughout the book. I also enjoyed how the book kept my attention throghtout the story and this is why this was one of best books i have read in a long time.

I came across Terry Deary completely by accident ~ in a gift shop in Scotland, shoved amongst other more "scholarly" hardcovers. As my graduate area of study is the Middle Ages, I was intrigued and bought the book on a whim ~ and haven't stopped buying Terry Deary's books since! Are the books chock-full of historical facts guaranteed to allow someone to walk away thinking they know everything about the Middle Ages, Greece, Rome, France, or any of Deary's other topics? No, of course not. Are the books a wonderfully entertaining (and illustrated!) way of addressing what can admittedly be a bit of a dry topic? Of course! I say any books that can make someone, young or old, become interested in history should be embraced fully. And, hey, I learn something new from every book I read, which is an added bonus! Further, I think these books definitely appeal to adults who have an interest or education in history ~ much as what "The Reduced Shakespeare Company" teaches us about Shakepeare is true about Deary's treatment of history: the better you know the original, the more funny and entertaining the condensed versions are.

What can I say about Ernie Pyle? One of the most well-known correspondents in WWII, he wrote with an empathy for the common infantryman that transcended his simple, eloquent prose. "Brave Men" is a collection of the articles he wrote while covering the war in Sicily, Italy, England, and France. Exceedingly modest, Pyle always downplayed his role while extolling the infantry fighting on the front lines, his beloved "dogfaces." Pyle may not have thought that he was doing anything of importance, yet his articles served to bring the war home to an American public that was being fed a somewhat sugar coated version of the war by the government; in turn, the GI's loved Pyle as one of their own. He immortalized as many of them as he could in his articles, stating the names of the many men with whom he had contact, and often their full home address for good measure. He shared many of their hardships on the front lines, and now, more than 60 years later, his articles offer an insight into WWII for today's readers that is as poignant now as it was then. He makes the reader feel as if we know these men personally-they are our fathers, grandfathers, brothers, neighbors, friends. Impossible to put down, this book is the enduring legacy of a great man whose life ended much too soon (after surviving the European theater, he traveled to the Pacific at the request of the Navy, where a Japanese sniper took his life on the tiny island of Ie Shima, just off the coast of Okinawa); I would recommend this book to everyone I know with an interest in WWII.

I read many of these stories when I was an infantryman in the ETO during WWII. I just wanted to re-read them again to satisfy the feeling of respect I have always had for Ernie Pyle and what he did for the American soldier during that conflict. It was good to smell the smells and hear the sounds while in a safe environment.
It is an excellent 'Chronicle' that takes one back to a time of long ago.

I have read this book several years ago and was touched by his writing and empathy toward the GI's. I saw a biography about him on the tube and found out how the war torn the man apart inside. That and the burden of his wifes dive into madness and all I can say is there was a man! Rest easy Ernie you did good!

Ernie Pyle was truly the soldier's reporter. I have the original wartime copy of "Brave Men," and it's a work of genius. Pyle knows how soldiers feel, Army, Navy, Army Air Corps, from Privates to Sergeants to Lieutenants to Generals, Pyle brings their stories to life with a simple sort of clarity that nonetheless retains every ounce of power that original stories had. Many reporters told the stories of World War II, grand theaters, massive battles, staff meetings, generals, leaders, strategies. Ernie talks about privates, sergeants, lieutenants, the adrenaline highs and sheer terror of close combat or being surrounded by flak, the miseries of mud and rain and the joys of the girl at home and that package of fried chicken that some thoughtful mother sent. All the little things that make soldiers soldiers, and men as well.

Pyle was nothing less than a genius, and his death on Ie Shima resulting from a Japanese sniper's bullet was a loss to journalism. But then, I'm at Indiana University Bloomington, within spitting distance of the Ernie Pyle School of Journalism, so I guess I'm biased. =D

I'm a french reader and I discovered Ernie Pyle through an excerpt of Brave Men published in a french newspaper.
Obviously, this man was a great reporter! I was looking for Brave Men in a French edition but it seems to be impossible to find it, what a pity !.
I was very happy to find it on Amazon.com.
I think that this book is far above all the films or novels you could read on this subject. With Ernie Pyle style, you can catch the real feelings and the fears and the heroism of this men who were caught in this Maelstrom.

Tim Severin and his intrepid crew recreate Brendan and his fellow monks' voyage in the 6th century from Ireland to North America in a small ox-hide boat (curragh). The natural materials and traditional techniques that Brendan used are authentically utilized to make the Brendan voyage a successful historical re-creation and a thrilling sea adventure.

Tim Severin is a born storyteller. As far as a historical re-creation event, this voyage has some parallels to the Kon-Tiki expedition. The reason for making the Brendan voyage was to answer the question: Did Irish monks sail across the Atlantic centuries before the Vikings?

This book relates an amazing seafaring adventure. There is one scene where the sea is calm when a pod of orcas spot the Brendan (boat's name). The orca alpha bull comes full tilt at the boat, dorsal fin eight feet above the water line. The crew holds their breath as the bull whale swims under the boat, checking out this strange thing. After an eternal minute of silence, they watch the bull surface and swim back to the pod. High drama indeed.

Tim Severin and his crew are the very definition of intrepid. Severin's level of enthusiasm is amazing; it is never diminished by the cold, wet, and treacherous sailing conditions. His composure as the captain of this little boat is compelling and inspirational.

I would also suggest getting a copy of the hardbound edition, which unfortunately is out of print. The photos of this voyage tell every bit as much of this story as does the text.

Highly recommended.

Extracts: A Field Guide for Iconoclasts

I almost put the book down while reading the first half, but stuck with it, and was rewarded in the second half. I wasn't interested in hearing about the cultures of the places where the boat crew came ashore. Actually, I wasn't interested in reading about anything but the "voyage" proper. And, in this book, you'll get info about the history of some of the places they landed and other "side info". As a result, I found the first half of the book slow and boring.

Nonetheless, once they began the largest leg of the journey, and couldn't land anywhwere, the book picked up pace and held my interest. It turned out to be quite a voyage and a heck of a feat. In the end, I'm glad I read it. But, with that said, I'd have been disappointed had I paid full price for the book.

The Brendan Voyage is the true-life story of what has been called the greatest epic voyage in modern Irish history. Author Tim Severin and his friends built a boat using only techniques and materials available in the sixth-century A.D., when St. Brendan allegedly sailed to America. The vessel consisted of forty-nine ox hides stitched together and stretched over a wooden frame, yet it was a seaworthy creation capable of withstanding storms and a puncture from pack ice during its voyage from Brandon Creek in Dingle to Newfoundland. Now in a new edition, The Brendan Voyage has been translated into twenty-seven languages, and proves that St. Brendan could have indeed reached America - though whether he actually did is a conundrum left to historians. Written with narrative skill, and illustrated with a handful of black-and-white photographs The Brendan an exciting true nautical tale of courage, adventure, and accomplishment.

This is a book that unfortunately can be read very quickly.
The author sets out to prove that the journal of St.Brenden is not
as always susposed,alogorical, but a very real tale.With painstaking authenticity he seeks out old timers on the west coast of Ireland who still know how to make boats from bull hide,and sets them the task of building to spec the boat of St.Brenden.The rest is as you might imagine; a voyage to America in a 6th century leather boat.Magnificient story of courage and man against the sea.

Tim Severin has organised several voyages in part to prove that ancient peoples could travel far greater distances than previously thought. In this story he builds a traditional leather boat or 'curragh' to show that monks could have sailed from Ireland to Newfoundland around the seventh century. There is an ancient book called the 'Navagatio' (one old copy is in the British Library) which St Brendan wrote about his voyages around the Atlantic Ocean. It is thought from Brendan's descriptions that he island-hopped via the Faroe Islands, Iceland and Greenland to get to America, and Severin follows this route in a dangerous and interesting adventure taking many weeks. There is much detail on how he built the boat using only traditional methods and materials which was no mean feat in itself despite their still being used in the south-west of Ireland for fishing. The book contains colour photos of the boat's construction and of the diverse and colourful crew who sailed her. The book reminded me of the 'Kon-Tiki' book by Thor Hayerdahl. Also, the pictures are brilliant - and Tim's descriptions of the ports of call such as Iceland and the Faroes are very vivid and realistic. It's a well-written, interesting book and well worth a read.

In this mosaic of stories, Lillian comes of age and matures beyond her years, almost against her will. With an alcoholic father and a fragile, flighty mother, Lillian, with her siblings, struggles with her troubled family, and yet they all fiercely love each other, flaws and all. While this isn't a conscious feeling, it does crackle beneath the surface and colors the actions of everyone. Lillian navigates a lonely path encompassing sexuality and a yearning to be free. With a crisp voice and a vivid portrait of Acorn Lake, Minnesota, "A Brief History of the Flood" waxes almost nostalgic as it nudges the reader through these various tales that deliver a surprising portrait of a family unbalanced.

The perfect choice for a book club looking for an undiscovered gem, this is a delightful read that is lean enough to consume in one sitting, or savor over a few days. It's a coming of age story told through the eyes of young Lillian Anderson, a girl growing up in the sixties in a small town in Minnesota. Chapters are short bursts of her life: her Mother's dramatic mood swings, her Father's alcoholism, first sexual experience, first job, first crush.All told with an honest intimacy that at times feels less like a novel, and more like someone's diary entries. Her heroine at times reminded me of Astrid in "White Oleander", and if that was a book you liked you'd probably enjoy this one as well. A well written, comfortable first novel.

This book literally found me (and I must say that I am really glad it did.) I am still unsure how this slim little gift of a novel made it into my hands, but according to the Amazon.com reciept, it is a gift from the author so I figured: What the hell, I'll read this and see what I think. So, I cracked open the cover and was wonderfully entertained right up until the end.

Lillian Anderson is a strong-minded, fiery, wise-beyond-her years-girl who tells the story of her family, her perpetually run-down house and her life in rural Acorn Lake, Minnesota. Lillian begins narrating the story at the age of eight and it continues virtually seamlessly, with Lily's steady hand on the pulse of her family until the age of nineteen. Lily's mother, Marion is a neurotic, manic depressive personality who always has some wierd project in the works. Jack, Lily's Dad, is an alcoholic but no one ever talks in such negative terms. Marion seems to be able to put a positive spin on everything that's wrong, even her husband's years of substance abuse. Oldest child, Randy, (age twelve when the book begins is the dyed-in-the-wool peacekeeper of the family. Mitzy, the middle daughter, seems to see her mother for what she really is and is very bitter about it. Mitzy has no trouble saying what's on her mind and even at ten years of age is tired of ignoring the pink elephant in the living room. I am amazed that Lilian seems to be the only sane one in the family and has learned, (certainly not through example) to take care of herself. She has learned to become a mother figure for the youngest, Davey who is too young to understand the extent of the chaos in the family.

I love coming of age stories and this one was a very good one. It reminded me very much of ELLEN FOSTER by Kaye Gibbons and AMY & ISABELLE by Elizabeth Strout. The writing and the imagery and the lanuage of A BRIEF HISTORY OF THE FLOOD were very high caliber. I will be watching for more from this author.

I wasn't bothered at all by the fact that this book was originally chopped up into several short stories. The stories came together so well and the novel made such an impact that I can't imagine it in any other form. Bravo to a wondeful new writer.

I concur with the opinions expressed by the other reviewers. I casually picked this book up at the library as part of a stack of summer reading. It's such a joy to start a book with no expectations whatsoever and be so tremendously satisfied. I am a bit puzzled, however, at the author's choice of the short story format. Why write a series of short stories and then package them together chronologically this way, so that the result is an "almost" novel? Because each story is meant to stand alone, there is some repetitiousness in certain descriptions of people and places--yet we are obviously intended to read them as a whole. I'd be interested to know whether the stories were written and/or published individually, and, if so, in what order they appeared. Are you out they Ms. Harfenist? Please enlighten us!

  A Brief History of the Flood is that rare book that can't be put down, and one you'll want to read again and again.  Like pieces in a jigsaw puzzle, each chapter fits together with a satisfying click to reveal an insightful picture of an unforgettable family of unique characters. Read the excerpt and I guarantee you'll be captivated by Harfenist's voice, wit, and the wisdom that comes with understanding how we all grow up survivors of imperfect families. If you liked Mary Karr's memoir, The Liars Club, you will love this book. It may be billed as fiction, but it has the unmistakable ring of truth. Ironically, A Brief History of the Flood turns out to be a life preserver--reminding each of us how our unique childhood journeys help determine our destination in the world, and how understanding the past can buoy us in the present.

interesting biography of the life of Charles Darwin...great insights on his childhood and early experiences.

I actually first checked this book out from my university's library and liked it so much that I went ahead and bought it for my personal library. Browne explores Darwin's life in the text in an extremely compelling and easily comprehendable manner. While I don't believe Charles Darwin: Voyaging is explicit and detailed enough to negate the need for true Darwin enthusiasts to discover Darwin for themselves through reading his autobiography, collected correspondence, and great scientific works (The Origins of Species, Descent of Man etc...) I do think the text accomplishes what it was meant to do--give those curious about Darwin's life and works the basic overview they need before pursuing the topic in more depth.

Exceptional book, if in doubt, buy it. I knew it would be great after reading so many positive reviews, for some years, and was not disappointed. Unlike some overly detailed biographies, every word seems worthwhile here, from that first glorious sentence to the last. Here is the great adventure story of all time, biology-wise. All I can do is add my two cents worth to what is said elsewhere, don't miss this one.

Un libro estupendo. Erudito ,informado , ameno y riguroso.¿Que mas podemos pedirle a Janet Browne?

This is one of the best biography books that I have ever read. It is factual and beautifully written

A Charlie Brown Christmas: The Making of a Tradition is a treasure for those -- like me -- who love this Christmas classic. It is a great "behind the scenes look" that includes photos of the cast of characters whose voices are so familiar. Give it as a gift to the "Peanuts Fan" in your life.
Philip D. Halfacre
Author, Genuine Friendship

While we've been treated to many Charles Schulz documentaries and remembrances over the years, "A Charlie Brown Christmas: The Making of a Tradition" is the first book to focus on the first Peanuts' television special. The book includes in-depth interviews with producer Lee Mendelson, animator Bill Melendez, and Vince Guaraldi's children. This book is the ultimate backstage pass to the recording studio, with interviews with the original child actors who voiced the characters and sang on Guaraldi's "Christmas Time is Here." As a bonus treat, the script and original animation art round out the book.

I loved this book! It has material for every fan of the famous TV special, "A Charlie Brown Christmas". I may not be musical, but if you are, this book includes the music. I am fond of the discussions of the people involved in creating the production of the TV show and the script. I will be using the script in my classroom for Reader's Theatre. The book has a lot of material that has meaning for me personally. I was young when this special was shown on television and it was always one of my favorites. The book was not a disappointment to read and own. I am very glad I bought it.

This is the ultimate companion to the tv show. The art work is from the original show and the dialogue is a great bonus! The book is also packed with great trivia and information about the decisions "behind stage" that led to the creation of the ultimate Christmas Special.

"Charlie Brown Christmas" is the crown jewel of Christmas specials. Heavy on holiday introspection, but with the dry wit and humor you'd come to expect from Charles Schulz's creations.

"A Charlie Brown Christmas: The Making of a Tradition" just expands that experience, by outlining how the famed special came to be -- the music, the animation, the voice acting, even the advertisement to get people to watch it. It's a charming, nostalgic little book, and a good accompaniment.

"A Charlie Brown Christmas" was spun up quickly, when Coca Cola wanted a Christmas special in less than a week -- and Charles Schulz's lovable loser Charlie Brown seemed to be the ticket. But the special was made very differently from other cartoons -- 2-D animation, no laugh track, uncutesy kids, and (horrors!) a jazz soundtrack. It was doomed to fail, they said.

Well, instead it became a booming hit, and has been running every December ever since. Lee Mendelson and Bill Melendez reminisce in here about the much-loved Charles Schulz, and about Vince Guaraldi, who made the distinctive piano soundtrack, and why it's so beloved -- it dares to approach holiday ennui and commercialization, then dashes it away with Linus' description of Christmas' meaning.

As for the "making of" portion, there are storyboards, musical scores, test photos, clips of television reviews, and rare photos like Melendez and Schulz doing the football gag. Finally, there is the entire script of the special, framed by colourful stills from the cartoon.

You couldn't wring this much information from most half-hour animated specials, no matter how much fun they were. But it's a bit different with "Charlie Brown Christmas." It was so completely unusual -- and has proved to be so timeless -- that a book on the making of it, and its effect, seems completely right.

It's a very conversational, reminiscent book. It feels like sitting in a room with Melendez and Mendelson, listening to them reminisce about "Sparky." And we also get input from other people involved in the project, such as Christopher Shea (Linus), who talks about his famous "Second Chapter of Luke" speech, as well as odd bits of trivia (the little girl playing Sally had to be fed her lines).

The Christmas special is more than able to stand on its own, but "Charlie Brown Christmas: The Making of a Tradition" is a wonderful accompaniment. Full of interesting tidbits and history.

In the entire history of western philosophy, there is not one person I can praise more than Michel de Montaigne. Normally, any book over 500 pages tends to become tedious to me, and works of philosophy over that length become insufferable. The best praise I can give this book is to say that at 1200 pages, I was not the least weary of it. In fact, I wished it was longer! Montaigne is the definitive philosopher, a man driven to write out of boredom, who presents his essays as his views, never trying to categorize and name realities, but simply marvelling over everything, from literature to pets. His broad learning and wonderfully disorganized style lead the reader on a journey into the what ifs, and whys of existence. Montaigne is the epitome of a renaissance man. His views in most situations are more modern than yesterday. He speaks out for the virtues of women, carefully denounces war, subtly questions the more extraneous doctrines of Catholicism, and even denounces colonialism and promotes respect of racial and cultural differences. This is not a man one would have expected to find in the 1500s. But here he is. And his text! Often saying that his memory was weak, MOntaigne demonstrates it by going off on wild tangents for thirty pages, only to realize that he has succeeding in proving his original idea without his knowledge. His sentences and rich prose leap across the pages, and dance with ideas of the sublime and the ridiculous, ideas which he does not so much attempt to resolve as ponder upon a page. He never once falls into the philosopher's folly of stating his views as though they were fact, and is often very careful to say, "This is what I think" in one way or another. He never attempts to convince the reader, for he originally never intended his essays to have a reader. In situations where he would challenge authority, he is always careful to say, for instance, "But my own views are nothing, the church of course knows better". More than any other work of philosophy, the Essays are an adventure, leading one through the soul of a man, a man who thought so little of himself but was so great. It reads almost as a novel, and at the end, after 1200 pages of Essays, Montaigne stands before the reader as clearly as any historical or fictional figure ever has. This is the true Magnum Opus of western philosophy.

This English translation of Montaigne's Complete Essays is wonderful. Although I like it better than Donald Frame's version, I actually prefer J.M. Cohen's to either. Cohen's translation is only a selection, unfortunately. If you need the Complete Essays, go with Screech.

Screech's version, however, has a very annoying problem. As in Frame's translation, letters are used within the text to note differences between the three major editions of the Essays (A, B, C). Frame's version uses small capital letters inserted within the text; they are unobtrusive and can be ignored. Screech's version, however, uses full-sized letters within brackets with a lot of space surrounding them. They are just too darned disruptive. Why in the heck did they do this? Perhaps they intended it for academic or scholarly use. It's a shame. I hope that Penguin will issue a new edition or revision that will take care of this problem.

Use the "Look Inside" feature of this book to decide for yourself.

I cannot praise this book highly enough. It is one of those rare books that can change your life. Sure, many people say something similar about a particular book, but it is genuinely true in this instance. Montaigne is wise, humane, and very humourous. If I had to live on an island and could only take three books with me, this would be one of them. And, it would be an easy choice to make. I have read the Essays cover to cover twice already and plan to do so again many times in my life.

Here are some general points you might want to keep in mind when reading Montaigne's Essays: First, he doesn't always stick to the topic announced at the beginning of an essay. Sometimes, an essay appears to be about a particular topic but ends up being about something else entirely. Second, even when Montainge makes a half-hearted attempt at staying on topic, the journey is still the scenic route instead of a straight shot (but, this is half the fun of his Essays). Third, Montaigne's Essays are a perfect crash course on the wisdom to be found in the writings of the Latin authors. Finally, Montaigne is surprisingly skeptical and relativistic on many issues. This is obviously why his Essays are so relevant even today.

Now for a word on translations. The two primary translations that are easily available are this Penguin edition translated by Screech and the Stanford University Press edition translated by Frame. Each edition has its advantages and disadvantages, and it's a shame the editions can't be combined to create the perfect translation.

The Penguin/Screech edition includes the original and a translation of all Montaigne's foreign language quotations. The vast majority of these are in Latin; so, if you know some Latin, this is helpful. It also includes very helpful notes on obscure literary and historical issues, which provides for greater understanding. However, if you read the introduction and Screech's notes carefully, you will realize he does have an agenda. Screech plays down Montaigne's skepticism and tries to portray Montaigne as being more religious than he was.

As to the Stanford/Frame edition, its translation is much closer to the original French than Screech's. If you put the French text and Frame's translation side by side, you'll see what I mean (even if your French is pretty weak like mine). And, Frame does not play down Montaigne's skepticism - he lets Montaigne speak for himself. But, Frame's translation does have some flaws. It does not include the original for foreign language quotations. And, when Frame translates Latin poetry, he almost always makes it rhyme even when the original Latin does not rhyme. I find this jarring and not true to the original. Frame also does not include any helpful notes.

All in all, I'd like to combine Frame's translation of Montaigne's French with Screech's original and translation of all foreign language quotations. This would be the best possible version of the Essays.

This book is one of the finest products of the human mind. You will not regret the significant amount of time it will take to read these Essays. And, if you read them carefully, you'll never look at the world the same way again.

Montaigne. He has lessons for us all, I've found.

Some of the lessons are hard. He writes about everything, but most of all, he writes about himself. There is a painful clarity to his work - but that cliche term does nothing to properly explain what it is he accomplishes with his writing.

At thirty-three, Montaigne decided to retire to his home and write. He had vague ideas about writing a gentleman's book on warfare, and the first few essays reflect that. But, as he progressed, he kept going on little side journeys into his own thoughts and opinions. At first, Montaigne reigned himself in, struggling to stay true to the path he had decided for himself.

Happily for us, he failed.

He abandoned the idea of writing for gentlemen - though there are still slight evidences of this throughout the work. Instead, he decided to focus on the one thing he knew better than anybody else in the entire world - Montaigne. Who else could know more, or would bother to take as much time exploring this one man than the man himself? And why not explore his own mind - every day, he has to live and deal with the advantages and disadvantages, the habits and the thoughts, the opinions and the ironies of being Montaigne. Thus, he decided, it was worth exploring. In his view, there was nothing more important than understanding one's self. If you cannot understand yourself, how can you expect to understand anybody else?

There are moments of 'painful clarity', as I said above. Montaigne discusses (his) impotence, his imperfect marriage, the disappointments he has created in others, the times when he did not do what he should. But he also talks about how he can make himself a better person, and how, in a lot of ways, he is an admirable person. It is important to realise that Montaigne is not writing an apology for himself. He is putting himself on to paper, 'warts and all', and declaring it true. There is a point in one of the essays where he declares that he wouldn't want anyone to lie about the person he is, even if they flattered him or praised him. This is, in a nutshell, Montaigne's thinking. He is not concerned with being the greatest person ever known - he is concerned with understanding himself.

Four hundred years on, what is there to offer us, the modern reader, in Montaigne? An infinity of wisdom. Could I, in honesty, completely and unwaveringly disect myself for the consumption of both myself and others? I don't think so. I very much fear that the answer is no. And yet - why not? Is it shame? I don't think so, as I have nothing major to hide. Perhaps, then, it is simply the fear of unrealised ideas and thoughts. If I am unaware of myself, I cannot present it. Montaigne was and is aware of himself and thus manages to accurately describe the person that he is.

Montaigne's essays are invaluable not only for the man that they portray, but for the wisdom in what is spoken. Montaigne has thought about so many aspects of what it is to be a human and alive, and we can all learn from this. The topics he discusses go beyond mere 16th century issues, and deal with concepts, ideas and concerns that affect us now, and will affect us always. Absolutely essential reading.

What's not to like about Montaigne? Everytime I pick through parts of his essays [and it does not matter where one begins] I find myself in deep thought. Sometimes I feel as if Montaigne were speaking to me. I have the Donald Frame translation. Although I have read the Cohen translation too, and I do have a copy of it somewhere in this jungle I call my library. I have just recently purchased this Penguin edition, with another yet another translation. But no matter, the words and wit of Montaigne are, and will be as timeless as long as people are willing to open these pages and gather meaning from them. And I will always continue to do so.

These essays were meant to be read and re-read. And you know, I never tire of reading Michel de Montaigne. This mans works have been a part of my life for as long as I can recall. And how many times can you remember picking up the same books over and over again to reach words of wisdom? And Montaigne's humble wisdom and honest look at himself is what makes these essays so profound and enjoyable to read. Why? Because he took a long hard look deep into his own soul and wrote for himself, and to himself: And in turn, he imparted these essays to the rest of us. Which I am forever grateful to him for. If you have never read Montaigne, it's time you do. Highly recommended. Should be required reading in all schools today.