History Books

Kokoris does something unusual with this book: he captures the core of people that you probably know (at a minimum, their personalities will be familiar), and shows them in a sweet, compelling story. The boy's-eye view works to a T. The Dad is a delightful introvert, neither simple nor heroic . . . . the result is a novel that will win you over.

This book was very well written and captured my interest from the beginning. It was interesing to see how people make a decision and the ramifications just continue on through the years.

You will laugh, you will cry...but you will not put it down... A great read...can't wait for the movie Jim K.

I'm a little late getting to read this wonderful book, published in 2001, but am oh so glad I found it on the shelves.

What a delightful read, couldn't put it down. When you laugh out loud and also shed a few tears you know you found the perfect book.

Good Job, Jim KoKoris...keep 'em coming.

Penny Burke
Mt Laurel, NJ

"The Rich Part of Life" depicts the good, the bad and the ugly that befalls the Pappas family after winning the lottery for $190mm. Theo, the family patriarch hits it big playing his deceased wife's lottery numbers. Upon revealing that he is the holder of the winning ticket, Theo is bombarded by request for financial assistance from strangers, neighbors and family. Socially introverted and emotionally reclusive, Theo is faced with the challenge of managing the celebrity of his new found wealth in the midst of the resurrection of a long forgotten adversary whose demands of Theo threatens to destroy the Pappas family.

"The Rich Part of Life" is filled with genuinely likeable and detestable characters portrayed in clean, crisp language that uniquely sets them apart. The only character disappointment for this reader was the unimaginative portrayal, usage really, of the Maurice character. Although I never discounted his importance to the novel, I wanted to know more about him than was broadly revealed by the author. Ultimately, the novel is successful in its exploration of the dynamics of chance. What are the odds of winning the lotto? What wonderful or dreadful situations await us when the stars are perfectly aligned or the comets collide? What's likelihood of a middle aged recluse starting a family with a young dancer? This is an excellent debut novel that reconfirmed for me that it's not money, but people that's at the root of all evil. Enjoy!

A beautiful book written by a former Jewish Journalist of Austrian origin who travels to the middle east and stands in admiration at the lifestyle of the Muslims in the Arabian peninsula.

Although his embrace of Islam is not immediate he comes to understand the beauty of this religion and finally embraces it while in Europe. He later decides to move to live in Arabia by giving up completely his western lifestyle and past, the story focuses on many various events and I found it quiet impressive as to the amount of famous persons Mr. Asad has come accross in his journey in the middle east, some of which are: King Ibn Saud (founder of the Kingdom of Saudi Arabia), the president of the world Zionist organisation (who is later to become the first president of Israel), the Shah of Iran, the famous Lybian Mujahidin Omar Al Mukthar, the King of Jordan Abdullah and many other.

Although the book is quiet old, as it recounts of events which occur in the 1920's, it is very well written and beautifuly explains the beauty of the life in Arabia in those times, it gave me a nice image and picture of the life of the beduins, their hospitality and gratitude from life and it's simplicity but how the people live it full of happyness. I was quiet impressed as well with the many events which have occured during the travel of Mr. Asad, in his attempt to help the King Ibn Saud to understand how the rebels operated against the King in order to prevent the Kingdom from successful establishment, to his travel to Lybia to meet Omar Al Muhtkar for possible assistance on providing additional support to continue the rebellion against the Italians.

In overall, the story is quiet beautiful, gives us a nice feeling of the Arabian desert and most of all the discovery to Islam of Mr. Asad is an impressive story to read.

This book is a very enjoyable read. Asad's stories of adventure and his search for personal fulfillment provide constant historical, cultural, and religious lessons for the reader. A wonderful way to learn and understand other people and their ideas, which may or may not be different from your own.

I have always felt a longing for the desert. This is the first time I have ever read someone putting these feelings into words. Simply awsome!

I read this book a while ago and can still remember some of the most thrilling parts of the book. Even thought the book is an autobiography it almost reads like a thriller. I reccomment this book to all Muslims. MUhammad Asad is truly an example for all.

M. Asad has written a truly inspiring work with "The Road to Mecca". As a foreign journalist in the Middle East, he was in a unique position to truly experience the culture and religion of the area and express his experiences in a way in which only a journalist could. What caught my eye was what happened when he returned to Europe where he suddenly felt like an outsider who was surrounded by people simply sleepwalking through their lives. It was after this revelation that he truly grasped the draw that so many feel towards Islam awakening within himself. As a muslim convert myself, I felt that this was something that I could closely relate to. Nonetheless, I believe that M. Asad's novel was not only inspiring but also a useful, insightful resource into understanding the countries and cultures of the Middle East; something which is useful to muslims & non-muslims alike. I would highly recommend this book to all.

The Indian mutiny of 1857 sees the cantoment of Krishnapur besieged by sepoys. For three months Mr Hopkins (the collector) galvanises the British community in resisting the onslaught...
This book is superbly written and often reminds one of the style of George Elliot. It is both witty and profound and wonderfully researched and charactorized.Like the best of Elliot,Farrell uses his narrative to inform on other topics-the great cholera debate;the Great Exhibition at the Crystal Palace- and questions the basis of what culture actually lends to civilisation.
Books like this just don't get written these days.

Paul Scott wrote in his RAJ QUARTET that it was in India during the last days of the Raj that the British came to the end of themselves as they were. In this superb Booker Prize-winning novel written concurrently with the QUARTET (and which casts a similar cold eye towards the British imperial ambitions in India), J. G. Farrell shows how the Raj itself was formed and how it already carried within it in embryo the seeds of the destruction for the entire Empire. The novel takes place in a city in Northeastern India during 1857, the year of the Great Sepoy Rebellion: the British stationed in Krishnapur hear vague rumors of what they will call "The Mutiny" from faraway towns but are mostly unwilling to take them seriously. The ensuing siege they endure carries on for months as they wait for help to relieve them; though slowly forced to an absolute subsistence level--and then to even less--, they refuse to relinquish the habits of social conditioning that have made them already who they are. Social snobbery, physical modesty, gender segregation: all remain firmly ensconced even as their physical conditions start deteriorating so greatly they start dying in large numbers.

The novel's subject would seem to suggest that the novel would make for almost unbearable reading: oddly it does not, because the characters of the novel (who are almost entirely British) maintain such a droll and uncomprehending attitude towards their conditions, no matter how desperate things seem. Thus, since Farrell focalizes his narrative mostly through his thoughts, everything seems unreal throughout the entire siege and not quite so nightmarish as it might have been had he used a more distanced narrator. The work is in part a parody of old-fashioned "Mutiny novels," so you should know that the ending is very much in keeping with those kinds of novels (which proliferated throughout the Empire during the latter half of the nineteenth century); characteristically, however, Farrell puts his own intelligent spin on things, so even if the ending you had been expecting does occur it doesn't in the way you had expected. This is the second, and perhaps most famous, of the three superb works of Farrell's "Empire" trilogy which beautifully illustrates the conditions of Empire described in another nearly coeval work, Jan Morris's famous PAX BRITTANICA trilogy. It's exciting, amusing, intelligent, and greatly worth reading.

This is an excellent novel about the Sepoy Mutiny in India in 1857. The focus of the story is the siege of the British Civil Service enclave at Krishanpur (historically this was the siege of Lucknow). A group of Sepoy soldiers was given new rifle cartridges that were wrapped in greased paper, and the paper was removed by biting it off with one's teeth. The word spread was that this grease was animal grease, which was an insult to religion. The sepoys mutinied, killed their superior British officers, and started marauding across India.

Hearing about the mutiny the (tax) Collector in Krishnapur had ramparts built around the British buildings in Krishnapur. Shortly afterwards the Sepoys attacked in waver after wave for a period of several months. Surprisingly author Farrell describes the sufferings of those besieged with a good deal of humor, humor that pricks holes in the pompous beliefs and attitudes of 19th century British colonizers. We bring them progress, a superior civilization, yet they turn on us marvels the Collector. The condescension doesn't stop with the Indians. At one point the Collector speaks to the British women in the enclave, and silently thinks that in reality women are really useless creatures. It is the men of the world that shoulder the responsibility of getting things done. The padre runs around telling everyone that God is punishing them for their sinful behavior. A new school and an old school doctor constantly disagree over medical treatment. In perhaps the funniest scene of the book the old doctor contracts cholera, and instructs his aides to cover him with mustard plasters. The young doctor, who is aware that cholera victims die from dehydration, initiates a saline IV every time the old doc sinks into a coma. The IV brings him around, and he immediately pulls out the IV and insists on getting his mustard plasters, following which he soon sinks back into a coma. Back goes the IV and the doc becomes conscious again. This cycle goes on and on and becomes hysterically funny.

The British thought they were doing wonderful things for the Indians, but the harsh reality of it is they were creating harsh lives for their colonial subjects. The sepoys, for example, were paid near starvation wages. This is an important novel about the misguided philosophy behind imperialism. Perhaps there is a lesson here for us Americans. Should we really be focused on bringing our way of life to other countries?

"The Siege of Krishnapur', the second of J.G. Farrell's now classic works on the British Empire, (see also Troubles (New York Review Books Classics) and The Singapore Grip (New York Review Books Classics)) is a fictionalized account of the Siege of Lucknow during the Great Mutiny of 1857-1858 (aka the Sepoy Rebellion). The mutiny or rebellion, depending on one's point of view, was ultimately defeated by the British and led to the replacement of East India Company rule by direct British governance under the Raj.

Farrell masterfully recreates the insular British upper-class life in India - and the siege only intensifies this insularity. As the siege drags on and on, the inhabitants strive to maintain expected standards of behavior and decorum. Farrell populates his book with interesting characters who debate and dispute morality, religion, progress, and civilization.

Excellent introductions are a hallmark of the New York Review of Books Classics and the introduction to this volume by Pankaj Mishra places the book in historical and cultural context and adds significant value.

Highest Recommendation.

At the climax of this magnificent novel, the book's protagonist, Hopkins, the British civil administrator or Collector of Krishnapur, finds himself trapped in a Union Jack whose flagstaff has been shot down, knocking him to the ground. He recognizes it as the scenario of a persistent nightmare that had been troubling since his small enclave had been put under siege several months before. But it is also a symbol for the entire book.

The initial set-up here is similar to that of the author's TROUBLES: a group of British colonialists crammed together in a decaying building while the threat of native rebellion comes closer. But this is larger in scope, with a bigger cast of characters, grander themes, and a rebellion which is much more than some background disturbance. Unlike the violence in TROUBLES, which is seen at first hand only in the hallucinatory final chapters of the book, this one (the Sepoy Mutiny of 1857) takes center stage about a third of the way into the novel, leading to harrowing scenes of death, starvation, and disease. On the level of a simple war story, these events (based on the siege of Lucknow) make for a stirring story of heroism and courage -- especially where these qualities are unexpected, is in the formerly stuffy Collector who discovers hidden talents for generalship and strategy, and the young poet George Fleury, fresh out from England, who proves to have a strong practical streak and a remarkably cool head.

Also as in TROUBLES, there is a pervasive eroticism to this book, centering around three of the younger woman besieged in the Residency: the debutante Louise, chaste belle of Calcutta balls; Miriam, George's young widowed sister, tired of being assigned to stereotypical female roles, and Lucy, whom everybody knows as a "dishonored woman" although nobody is entirely clear as to the extent or agency of this dishonor. As the siege persists, the courtship conventions of colonial society are turned on their head by proximity and deprivation. There is one almost surreal scene in which Lucy, attacked by a huge cloud of otherwise harmless flying beetles, rips off her clothes and promptly faints, leaving two young men to scrape the insects off her, in the process discovering the differences between a real female body and a marble statue.

For, despite the bloodshed, Farrell's characteristic tone of comedy is present here too, but now his targets are as much institutional as personal: the hypocracies of colonialism, trivia of class and culture, and Victorian attitudes towards faith and science. As we meet the cast of characters, we find many different points of view: the Padre who believes that the rebellion is God's punishment for sin, the cynical Magistrate who is a confirmed atheist, the Opium Agent who believes only in profit, rival doctors from older and newer schools of thinking, bluff soldiers who do not think much at all but who can yet be excellent at their jobs, the aesthete Fleury whose first reaction to being under fire is to assemble phrases for an epic poem, and the Collector, who believes in progress, but attempts to strike a balance between all points of view. And to a remarkable extent, the author also manages to retain that balance. The siege is a crucible in which every kind of received attitude may be tested, and for the most part found wanting. But Farrell is never preachy or polemical; he does not make everything subservient to a single point of view, even the anti-colonial one. His great gift is to keep you thinking, even as you turn the pages with bated breath. A brilliant achievement!

As an historian, I have long been aware that slavery did not end the evils perpetrated on black people in this country, but I never realized the full extent. Although this book is at times repetitious and disjointed, it is a powerful narrative of a period in American history arguably more disturbing than ante bellum slavery. It's as though all the humane slave masters have been replaced by Simon Legrees and Bull Connors. The complicity of corporate America and the emergence of industrial slavery make the situation even more problematic. This book needs to be read by all who want to fully understand the ramifications of history on race relations in this country and should be required reading in high school and college classrooms.

Just started the book,but understand now why progress is so slow.The black americans have had the government standing on their backs since day one.If you have any evidence of African blood you need to know your limitations.

I hope Mr. Blackmon's book sells well. He has documented a piece of history of which too many of us were unaware. I pretty much agree with the other five-star reviews, so I won't echo them in mine.

Born in New York City in 1930 and raised there, as a child I accompanied my parents on annual trips to back country Georgia to visit my father's racist, redneck family. I saw first hand the discrimination and humiliation of the Jim Crow South as well as the abject poverty of the sharecropper system. I remember seeing the stripe-suited chain gangs along the roads and my parents explaining that those men were "jailbirds." However, I was totally ignorant of the conditions of slavery in the mines and of how African-Americans were "convicted" and sold.

I'm probably not qualified to judge the quality of the author's research, but the quantity was certainly impressive. Therefore, I was quite surprised that a reporter for the Wall Street Journal would mistakenly attribute (on page 111) "a more perfect union" to the Declaration of Independence. If Mr. Blackmon reads these reviews, I hope he will accept that small bit of constructive criticism in the spirit in which it was written as I truly appreciate and applaud his important work.

This is a difficult book to read, not complicated or disorientating, but psychologically unnerving. It points out how this Nation of America has not lived up to the phase "A more perfect union" or Lincoln's Gettysburg address. I don't think I could travel to the south without a sense of disgust. As a companion, I also read about Rhode Island's DeWolf family and between the two, I feel much is being missed in school about the true America.

This is a painful but necessary read. It puts meat on the skeletal knowledge we have of the Jim Crow era and illustrates just how nasty the southern half of the US was... explaining a lot about some of the current backwardness there as well.

I learned so much about all of my favorite artists in this book. This book is tastefull done (unlike Building a Mystery by Judith Fitzgerald). The author actually talked to the artist and got their perspectives on many different topics and the meanings behind their songs, which makes this book true and somewhat autobiographical. It is good to see a book also where the artists are not portrayed as glamorous. These black and white photos seem the bring the artists back down to the same level that the reader is working on. It is a really nice book and an interesting read.

Well, I am going to read the book, if I ever get a credit-card...which hopefully there's another option..( or I'll be broke before I get paid....) Anyhow, I'm sure this book is well worth reading..TO me anything by any of these great artist(s) who have inspired me in my darkest hours of frustration.. I will never give up the God given gift(s) thanks to you all!!!! (And hopefully we'll all Jam before New Year's Eve!!!!!) -C

com) from Atlanta, Georgia November 14, 1998 Dear Emma and Marc, Solo is awesome, the images and narrative are both soulful and powerful. As a practicing artist I'm attracted to the imagery in your book. The photographs have a cinematic quality to them, in particular the series of photo's of Holly Palmer. When I look at the images in your book I feel spirit and emotion of the people represented through your imagery. Examples of what I'm referring to are images of Lucinda Williams (pg 290 and 300), Sheryl Crow (pg 273), Roseanne Cash (pg 246), Jewel (pg 224), Shawn Colvin (pg 39), and Sarah (pg 18)... I like the way the narrative and art work weave together like a quilt, your images make me feel good. More on Solo later... Peace, Love, and Understanding, Freddy Ciminelli

This is the finest example of what beautiful photography and amazing storise can do for your soul. This book should be read by every woman in America at every age. The stories are personal, enlightening and truly amazing! There is so much to learn from SOLO... I return to it daily.

The night I bought this book I sat down and finished the whole thing. I bought this book because I was a huge fan of Sarah McLachlan and Shawn Colvin, Jewel and Cheryl Crow, but I learned so much more from the other singers too. Sarah's interview struck me as the most down to earth, but every interview was intriguing and I just couldn't put it down. Some of the artists I had never even listened to like Ani Difranco but then next day I borrowed a friends CD and I have to say thanks to this book my CD collection has gotten a lot larger! Thank you Emma and Mark! The only bad thing about this book is......it ended! (and Tori Amos wasn't in the book, but was mentioned by Sarah McLachlan! =)So that was fine by me!!!)

This is one of the best books I have read -certainly the best in the category of social history. Jay Stevens has researched his material meticulously and has delivered the narrative in a most enthralling manner. I found it hard to lay the book down. Whether, like me, you lived through the psychedelic experience of the sixties or you have but a passive interest, you will be amazed to learn of the full impact that the psychedelic culture has had on Western society, religion and philosophy -right through to the chemical hedonism of today.
This is truly a superb read!

I bought this on the recommendation of Dr. Stanley Krippner in a lecture on ayahuasca. It is absolutely the best book I have read on the history of the psychedelic movement during the past 100 years or so. Timothy Leary is not dead - he's only outside looking in. :-)

This should be required reading in American History. Who knew Canada had legal LSD centers? And the characters- Nin, Huxley, Kesey, Leary and Capt.Al Hubbard (??). Will we ever see their like again? Really a very sad story, and a fascinating one. Nice to see the Chief Boo Hoo, old Art Kleps in there as well. Sen. Kennedy: "Is your title really Chief Boo Hoo?" Art Kleps: "I'm afraid so, sir."

This is the definitive account of the 1960s psychedelic drug scene. Stevens does a great job of conveying the highs and lows of LSD and its proponents. His ability to relate endless facts while retaining a fast-paced narrative structure is amazing. I found this one of the most "addicting" books out there about the significance of drugs in American culture. Stevens reviews all the major personalities: Albert Hoffman, Timothy Leary, Ken Kesey and the Merry Pranksters, the Grateful Dead, Alan Watts, Jack Kerouac, Aldous Huxley, and more. If you're interested in this electric decade, the power of psychedelics to warp the mind, or any of the poet-prophets who were compelled to experiment with and sing the praises of acid then this book is sure to delight.

This was a very good book. You get lots of interesting stuff about Aldous Huxley, the famous beat writers, Owsley, Timothy Leary, Ken Kesey and the evolution of the so called counterculture as a whole.

The problems that I have with Storming Heaven is not for what was in it but what was left out. For one Stevens was WAY too easy on Timothy Leary. The author seemed almost like a school girl with a crush when he recounts his visit to Learys home for an interview for the book. He comes off more as a fan than he does an objective writer at times when he deals with Leary. Why wasn't it mentioned that it has come out that Leary was a government informant and information he gave led to the death of two members of the Weather Underground? Its also a known fact that Leary was surrounded by CIA assets and there is a lot of evidence that he was a government agent himself, and at the least he was feeding them information.

There is also a fleeting mention that wasn't elaborated on about Ken Kesey that he had LSD experiments done on him at Stanford by the guy that ended up in charge of the CIAs Mkultra mind control program. This really makes me wonder about Kesey. Its more or less accepted history that the first LSD to get out on the street level was what Kesey stole from the medicine chest at his job as a night shift janitor at a mental hospital and distributed it among his elitist friends. Kesey went from writing what was probably the best novel written during the 1960's to, while becoming a counterculture hero, never writing another thing worth reading again. Did doing too much LSD scramble his brains and ruin his creativity or was his creativity nullified by Mkultra programming? Its hard to say for sure but I have to wonder if Kesey was not under some sort of mind control or was being used by the CIA in one way or another. There are a lot of unanswered questions in my mind about Kesey.

They also fleetingly mention the Brotherhood of Eternal Love who were major LSD distributors and were known to be full of CIA people and had a close association with a Jewish man named Ron Starks who was a CIA spook that also happened to the biggest LSD dealer in the world. Starks was not even given the first mention in this book!

I mean with all these ivy league, Mkultra and CIA connections to the elites of the so called counterculture I have to seriously wonder how much of the hippy movement of the late 60's was an organic rebellion against what was (and still is) a very repressive society both socially and politically and how much of it was intentional social engineering that came from the highest levels of the power structure. Many people believe that the anti-war movement was flooded with drugs, in particular LSD, by federal agents. Its well known that the government tried to subvert and destroy the anti-war movement with the cointelpro program so why wouldn't they also use drugs to try to destroy it? While it can't be denied that LSD has enhanced many an artist, writer and musicians work can you honestly say that sitting around frying on acid all the time is going to do anything but disable political activists who in many cases were in a life and death struggle? Besides that the fact remains that many people became permanently damaged as result of doing acid.

All that said I would definitely recomend reading or of you can get it cheap, buying Storming Heaven. I could hardly put it down once I started reading it. I realize that this book was more geared toward looking into what psychelic drugs can do with the mind and its exponents history and theories on the subject than any conspiratorial maneuverings by the US government involving LSD but it just didn't go deep enough into the rabbit hole for my tastes.

In his wonderful and fascinating book Unspeakable ShaXXXspeares, Richard Burt, the leading scholar of Shakespeare and film studies, pioneers research into the manifold ways Shakespeare enters into American popular culture. Concentrating mostly on film but attending as well to television sit-coms, Burt offers penetrating insight into everything from mainstream adaptations of Shakespeare to "low" spin-offs in which Shakespeare's language almost entirely disappears. Burt explores both what film and mass media have done to Shakespeare and also what Shakespeare enables our culture to do trhough film and other electronic media. Readers intersted in this book will be happy to know that Burt has since edited a related collection entitled Shakespeare After Mass Media and has co-edited Shakespeare, the Movie II.

One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.

One of the many strengths of Burt's truly excellent book is that it not only discusses Shakespeare adaptations but uses Shakespeare, or of ShaXXXspeares, to discuss post-war American popular culture. Burt's theory of the loser as critic has ramifications for all criticism, not just Shakespeare. This is a profound, original, and engaging book.

I happened to be doing research for my thesis on Shakespeare in the university library and, while looking for other books, I was intrigued by the three XXXs in the title of Burt's book on the shelf, so I pulled it off and looked through it. What a daring work of cultural criticism! When I saw the chapters on Shakespeare porn, I marvelled both at the courage of the man to write such a book and how at the publisher who took it on. Of course, I check it out and read it. I especially was drawn to the chapter on action films and Burt's point that while the films cannibalize others, no one in the films ever eats; the characters are anorexic. The book is full of similarly wonderful insights. I am a cinephile, and very much appreciated Burt's quite hip approach to ShaXXXspeare. Now, it's back to those other, rather staid books of Shakespeare criticism, I was orginally looking for.

Whatever you think about Shakespeare, it is impossible not to agree with the points Burt makes in this book. His analysis is right on the money and you will never be able to look at Shakespearean movies or literature in the same way. A fantastic book and a must read.

A beautiful story, wonderfully written and a pleasure to read. You won't be able to put it down!

At first I wasn't sure what to expect from a "historical Christian fiction" book, but once I started reading this book, I couldn't put it down! I can't wait to pick up the next one. This book really does have it all.

I enjoyed this novel. The main character was someone you knew well after a few chapters, and I found myself rooting for her, her friends and her love interests. Her adventures were exciting enough, and her love story was affecting. Once I began to care about the characters, I could easily ignore the problems with this book. I spent several late evenings reading this.

The problems are not too terrible. The author often tells the reader details that should be revealed through the story. The prose is slightly awkward throughout. There is a lot of coincidence in the plot. Some of the coincidences are so improbable that they began to annoy me.

There is also a good deal of historical detail in the story, which I enjoyed. The action unfolds in Berlin, Vienna, and Prague- in real places which are well described. Now I feel like seeing those places for myself. I feel as if I know them intimately.

This is the first book in a series: The Zion Covenant. I will read the next book in the series, because I am hooked. I want to know what happens to everyone!

This book is a real eye opener if you are interested in WWII, but don't want to watch boring documentaries or read boring text books about it. It brings it to life. Charlotte Mason would have called this a "living book". Historically acurate history written in story format. There are 9 in the series, and all are worth the read.

Elisa Lindheim is young, beautiful, and gifted. The oldest child of retired Luftwaffe officer Theo Lindheim has grown up in Berlin, enjoying the privileges of her father's heroic World War I reputation and of his financial success as owner of Lindheim's Department Store. The shadows cast by Hitler's rise to power are darkening her life, though, in 1936. Estranged from her lifelong love and former fiance who's chosen to give her up on orders from his military superiors, Elisa lives in her Gentile mother's native Vienna and calls herself Elisa Linder. She plays in the opera house's first violin section, and - like so many other Jewish or part-Jewish Germans and Austrians - refuses to believe that things will continue to get worse. Any day now, the German military will have had enough of the mad paper hanger; and after that, life will be normal again.

Of course that's not what happens during the year that follows. As Theo Lindheim moves to get his family to safety, but fails to get himself out of Germany successfully, history in the making catches up with Elisa and forces her to make choices she never imagined anyone might have to face.

This is that rare book, a "faith based" novel that's worth any reader's attention. Well researched and well written, VIENNA PRELUDE moves along at a steady clip and then races to a suitably tense climax. The authors understand what far too many writers (especially of faith based fiction) don't "get" at all: that characters' actions must flow from who they are, not from what the book's chosen theme requires them to do. While the coincidences that keep parting and reuniting Elisa and American journalist John Murphy become strained from overuse, somewhere in the tale's second half, and a few of the characters' lines of dialog sound more like a sermon than an individual's words in conversation, the overall effect is just what it should be. The reader quickly becomes invested in knowing what will happen to Elisa and the others, and the triumph of their faith is all the more real because of the struggles that living it costs them. I expect to read more in this series, and that's the best compliment one can pay to any author.

Although I am the wife of a retired soldier who spent 24 years in the Army with two tours in Viet Nam, I still could identify with these women during their husbands' deployments to Iraq. I was especially pleased to read about Baumholder since that was where we were stationed in the 70's. This is a different war from ours, the Army has changed, women are much more independent than I was in the late 60's and early 70's when my husband went to war; however, the loneliness, worry about your spouse, counting down of days until he/she comes home, sometimes the anxieties and sheer terror that you feel...those things remain the same. This is one of my favorite books about this war and I think that it is ideal reading for any woman who watches her man leave for war. I was glad to read that the Army has Family Readiness Groups and support groups for the families. A glimpse into these women's lives was so revealing and I felt their pain. Just an excellent read, in my old Army wife opinion.

As an Army wife, having gone through one deployment, and at the end of the second one, this book made me realize that my feelings, and the things my husband and I go through, are natural. I felt as if this book described my feelings and my mistakes. It was a relief to read stories of women who have gone through what i have gone through. To those military moms who think that the wives cant feel what they feel just because we didnt give birth to the soldiers, you are wrong. We are the ones who have to hear their complaints, frustrations, and have to come up with wise words when they are down. Your love for your child is different and so is their love for you. You will always be their mom, just dont underestimate what it takes to stand by a soldier, be faithful, wise, and strong.

As a military spouse and after reading so many great reviews here and elsewhere, I felt the need to read this book. It was a little fluffy for my liking. I did relate to events and day to day life of the women. However, I felt as though a lot was missing from this book. I was left wanting to know more about the characters. I think it could have been developed a little more.

all i can say is that by reading this book the last 3 deployments my husband has gone thru and the time i have spent by myself and the kids are finally validated.
im a army wife of 8 years, and 3rd deployment survivor.
i am german where my husband was stationed at for 10 years, and deployed to iraq twice from there.
i got the book and instantly started to read, and i couldnt stop, i sat on the couch for 6 hours crying and sobbing.
and realizing what i have been thru, some of the things i have pushed aside, as my husbandactually deployed from darmstadt in january, pushing into iraq right away, i pushed aside not sleeping for 2 years, while everytime at night i started to jump up when i heared car doors slam, checking the window as my heart almost stopped.
i am one of these women, and i feel after reading this book that i am somewhat relieved.
now that my husband is deployed for the 4th time in his career, i told him as soon as he gets home he will read that book to understand what i had to deal with.
i absoloutly love this book and will keep it for my kids to read, when they grow.
i am at peace in a sence.
thank you jessica redmon

Finally, a book that got it right. I've gone through my husband's 6mo deployment in 2002 to Kosovo living by myself in Schweinfurt. Then the next deployment to Iraq in 2004 while stationed in GA. This time with the surprise of finding out I got pregnant sometime in the week before he left. There was talk about an extention for them, but thankfully, they came home 1 year to the day. We are now on our third deployment. This time Afghanistan. I'm now home with three dogs, a three year old and a new baby that was 3 mo old when he left. Each deployment has been totally different with our location and family size. I love this book because every woman's story was a bit different. In their job status, family size and coping mechanisms. All were right on! I know and knew women just like them. I read this book after borrowing it from the library on post. Now its going on my Amazon.com wishlist and will be recommending to anyone who will listen. Thank you Jessica for giving us an outlet to share with the world of what its really like.

On someone else's recommendation, I bought and first read Jacob Brownoski's The Ascent of Man when it came out, 30 years ago, although unfortunately I was never able to see the BBC series on which the book was based. Then, when we had printed words on paper and images on film, and now, when we have electronic book reviews on Amazon, the book speaks meaningfully to the reader about all of life although, obviously, there's a litle bit more to the story since it was published.

Brownowski was a mathematitian and scientist. The book is simultaneously a history of science/technology and a history of the cultural evolution of mankind. An absolutely remarkable blending of knowledge from disparate disciplines combined into a seamless, infinitely interesting, very readable story. Unlike any "history" you've ever read, more like a non-fiction novel, highly recommended to all ...

I bought this book soon after the original television program was first broadcast and it's one I re-read often -- it remains one of my favorites. Although it is a very faithful (almost word-for-word and image-for-image) presentation of the material in the series, to have the information in a book to read at one's own pace (instead of being forced to absorb information at the pace of the television production), to carefully consider what Dr. Bronowski says, and to see what (if anything) it means to the reader makes the book an almost indispensable companion to the series.

As has been pointed out in earlier reviews, the high impact of this book (and of the television series) is the passion Dr. Bronowski brings to the material, how it's clear he truly believed that it is necessary for everyone to understand how the development of society is the product of generations of people pursuing knowledge ("science"), and that this understanding is critical to the future of civilization...the scientific imagination, standing always at the edge of the unknown and unsure, versus absolutism and dogma.

Now that the television series has been attractively remastered and is now available to the general public, the book has an even greater utility. The captions on the DVDs are very poorly done, to the extent that some of the errors make significant changes in Dr. Bronowski's statements and points. It's clear that whoever prepared the captions did not refer to the shooting script OR TO THIS BOOK! In other words, the book is important to correct errors in the captions. If one needs the captions this book is a valuable resource to ensure the viewer gets the correct words and, therefore, understands what Dr. Bronowski is presenting.

Previous reviews don't do Bronowski justice. He began as a mathematician; but after being sent to Hiroshima, as part of a team studying the aftereffects of the nuclear blast, he switched to biology. He was warm and articulate. A poet himself, he was one of the few people who truly understood the English poet William Blake, although (unlike most of his writing) his essays about Blake could use some explaining themselves. He was a highly moral man and did two original things you don't see many others even attempting: He saw the "doing" of science as an act every bit as creative as composing a symphony or writing a poem -- and he explained it in that way -- and he sought a structure for rationalizing morality and ethical behavior that did not rely upon religious precepts. The Ascent of Man is a very personal work, and it says so in its subtitle. It pretty much echos word for word what Jacob Bronowski spoke extemporaneously as he was sent around the world to the places he needed to be in order to explain the ideas he needed to express as he filmed his material for public television. Ironically, I said that very badly: I meant that HE could explain very complex notions with terrific elegance and simplicity. Period. By the way, the process of making the series for TV must have taken a toll, as JB died not long after completing the necessary travels. The Ascent of Man is all excellent but has many especially moving moments. Only one example occurred when JB walked fully clothed and shod into a pond at Auschwitz in acknowledgment of family and friends and fellow countrymen whose ashes were dumped there by fascists who laid claim to a handle on absolute certainty. Read this topnotch book, then find more by him. And if you're thirsty for more, try a little Loren Eisely as well. The accomplishments of humankind as explained by thoughtful scientists can prove wonderfully exhiliarating.

If you're looking for a book that will show you how man made it from day 1 to the present, while encomapssing ALL disciplines and not science alone, you've found the right book! It's is incredible how simply and interestengly Mr. Bronowski has accomplished such a feat. You won't be able to put it down!

This is one of the first, and one of the better, history of science sorts of series. If you enjoy history and science, then its worth watching. But the program, and to a lesser extent the book, in my mind suffer from a serious flaw: namely; that the author can not seem to divorce himself from his own religious views, which intrude at a number of times in the program. How can I take someone seriously who is speaking about archeological history, while at the same time speculating about the Biblical conquest of Jericho? There is a disconnect here that leaves you wondering. One can always quibble about what major scientific advances are noteworthy, and different authors have seized upon various individuals; but we have in this series nothing out of the ordinary. Looking at "Cosmos" or "The Day the Universe Changed" is much more fulfilling, from an intellectual standpoint, but its still worth purchasing and enjoying.