Guides Books

I was first tuned into Jonah Blank through the Travelers' Tales of India anthology. Reading his hilarious account of discovering that a poorly functioning Delhi airport clock was in fact manually operated, I expected more of the same in this book. While there are more of these entertaining cross-cultural discoveries throughout, this overly ambitious book addresses what you'd expect from a naïve twenty-something writer, covering the broadest of all philosophical topics- with chapter titles including "Rites," "Fate," "Caste," "War," and "Love." The scary thing is that he succeeds, displaying a remarkable ability to grasp complex issues.

This work is held together with a strong narrative thread. Beginning each chapter by retelling a passage from the Ramayana, he then applies this theme to modern Indian culture, and compares this with life in America. Despite a reflexive defensiveness of American culture and government, he portrays a deeply nuanced understanding of the complexities of Indian traditions as they clash with modernity. For example, he dispels any notion that Hindu fatalism is the same thing as passivity. Unlike Christianity, you can't just pray for salvation in Hinduism; you have to earn it and change yourself to adapt to an unchanging world. In a later chapter, he credits Hinduism's adaptability to the well-educated elite's acceptance of metaphorical (rather than literal) interpretation of the Vedas, and credits Sikhism's sustainability to its openness that the Gods of all religions are really different manifestations of the same entity.

In his chapter on love, he respects the value of an arranged marriage in offering stability in a hard peasant life, acknowledges the potential rewards of society's increasing acceptance of the risk of marriage for love, but listens to an individual who swears the happiest people he knows are the ones who arranged marriage through a matchmaker.

Traveling to India is a life-changing experience in itself. This book is one of the most articulate reflections I've seen on what that experience can be like.

This book is a riveting read.
It touches upon a myriad of social, economic, political, emotional and ultimately human themes from the Ramayan epic and juxtapositions them with the present day Indian psyche.
The substance is informative and interesting without falling into the trap of being academic or verbose.
The author's style is succinct, witty and appropriately poignant.
Being a non-resident Indian, I was pleased to read such a well written and objective analysis of such a behemoth of a country.
This is a very vast, tricky and interconnected subject matter to tackle.
Jonah Blank does it with aplomb.
I would recommend that anyone wanting to know about India read this book.

I love India and have been there many times but this book taught me a lot I don't know. The book has an original format which was risky but works. You really get both caught up in the story and then feel like you've visiting the countries he's talking about.

As travel writing, it doesn't get better than this. So refreshing to not be talked down to and he avoids the horrible snobbishness often encountered in the gendre.

I just wanted to savor each page. It's not a book you flip through. I was sorry when I finished it. I just wish I could give it six stars.

I guess this book has been out for some time, but I had not known about it until I stumbled upon it at the bookstore and I am very glad I did. The book is written in a style that is unlike other travel books I have seen or read about India in that it reflects on one of the treasured literary epics in Hindu/Indian culture and mythology--the Ramayana. Each chapter focuses on a single aspect that is explained through the characters in the Ramayana, (caste, kings, swamis, fate...etc..), and each chapter begins with a summarized "Jonah Blank" version of the epic of Rama, Sita, and Hanuman. What I have enjoyed so much about this book is that the point of view that Blank brings is that of a twentysomething who is seeing India from the eyes of a young person who at times is both humorous and skeptical, yet idealistic and hopeful. You can truly tell that Blank, although a young person at the time of the writing, truly has passion and depth of vision about the complexities of India and you yourself get caught up in the majesty and the mysticism of India through his journy and the journey of Rama and Sita.

This is a wonderful book about the travel experiences of a young Harvard scholar in South Asia and how they evoked or resonated with certain episodes of the Ramayana. In one way or another the Ramayana has had an immense influence on South Asian civilization (as well on that of S.E. Asia) so it was interesting to see how Blank brought together, and exposed as timeless, so many of the epic's themes. This is a excellent introduction to India. Highly recommended.

I always used to think: "Why do other people stare at those paintings? Why is painting X considered more special than painting Y". This is the book which completely opened me up to paintings and gave me a solid footed approach towards looking at them. I now know what paintings were drawn in what generation, what the masters of those generation did and why those paintings are so great. The book dwells in the minutiae as well as the overall painting. I totally love this book. I study one painting a day - it makes my day!

This was a great book to just leave around the house, pick up whenever and learn a factoid or two about great works of art. The details given here are varied, from both historical and artistic perspectives. And the selection of art chosen was good as well.

This is an excellent book that can be used to teach art history, art appreciation or an introduction to art. The photos of the artwork are excellent and there are a vast array of subjects covered.

This is a fine book for the novice who wants a quick review of what the paintings are about, some of the symbols that the masters have suppied for the deeper meanings, and a little about the masters themselves.

This is a great book to use as a self-study course for art appreciation, to improve your knowledge of great artists or to study for a game show appearance. Each artist is represented by one painting which is then described (techniques, subject matter, history) in detail. For example you will learn all about Rembrant's Balshazzar's Feast. The story behind the painting, the meaning of "handwriting on the wall", the hebrew expression that is written, the people present in the painting (Rembrant's wife), you also get a short bit about each artist's life. I read the book cover to cover and learned so much. I have made it a goal to see as many of the painting as I can in each museum. Other members of my family have also enjoyed reading pages of the book. I first read this book as a library copy, but bought it to read, reread and share. I strongly recommend this as a book to someone who is into self improvement, or wants to learn about art for an appearance on Jeopardy!

Suesan's book had every argument I used to use against working out and her sense of humor drove me straight to her class. When I miss a class I get depressed!! I am almost 40 and am recovering my 20 year old body!! Totally recommend the book -- but, once read, prepare to get in shape!!

Suesan's workout simply works! Her book and tape provide a clear, practical guide to her program, which I have found to be the most effective and beneficial. My improved level of fitness, health and overall well-being are a direct result of using the Tone-Up method developed by Suesan as she describes it in her book.Her exercices help me with my strength, balance, and coordination and shape my body in a most satisfying way. She is one of the best kept secrets of Santa Barbara, but not for long, that's for sure.I highly recommend her book.

I was a semi-cripple when I started reading her book and listening to (and working with) the tape that accompanies the book. I am not 100%, but I know I'm getting there!

Suesan Pawlitski's book, "Be your best body",is simply the best routine anybody can follow any where you are. I am an avid work out addict and found Suesan's work out to be effective and "core " strengthening as well as allowing me to be more flexible, even without the benefits of Yoga. I'm fortunate to live in Santa Barbara and am able to take her classes three times a week along with my other work outs, and even though I have considered myself to be in great shape, her classes are still a tough work out. You too can follow her classes by simply following along with her book, the routines are all in there and are the absolute best. They are clear and concise and so easy to follow. The benefits are unbeleivable!

The author has an incredible ability to teach and motivate. I highly recommend this book for anyone that thinks it's too difficult to achieve a great looking body... it's awesome!

The Bedford Handbook
I was satisfied with my order, and was delivered as it said

i ordered it and got it in a very good condition and in time. customer service is awesome. my blessings. keep up the good work.

this book is good for when you're writing essays and you can't remember a certain format or something and you can flip through the book real quick for examples of essays, outlines and thesis statements, although I wish i had the cd version of it so i can always have it with me instead of toting around the book. they could have made the format of the book better.

for instance i remember seeing a book called "A Writers reference" both are MLA format and one came from my community college and just the way its put together is better over all than this one.

The Bedford Handbook is an excellent guide for anyone enrolled in a college English course. The book gives details on correct grammar usage, as well as descriptions of different essay styles. The book is very helpful to me with my English class.

Diana Hacker has an English comp book for any possible usage, she grinds them out every few years. My college requires me to use this book as a handbook. That is unfortunate.

Of course, this book provides a basic explanation of English composition, grammar, documentation, and document design and critical reading. However, the attempt in this case is to present something that is lighter than Rules for Writers, a full scale manual that is sufficient to use as the only text for a college composition course or as a full writers reference, and her Writers Reference, which is a good handy handbook that is inadequate as a full course book, but is great as a rule book to be used by students taking a course using another text.

Usuing this book, I have had to create supplements from web material for issues that I expect to be covered fully in a college handbook such as the requirements of formal writing.

To be sure there are interesting illustrations and graphics and like her other books, the text is intimately linked with the enormous online network that Hacker and her publishers have created. It is not an awful book to use, but I would prefer Rules for Writers, Jane E. Aaron's Litte Brown Handbook, or Writer's reference.

As a beginner to kumihimo, I felt this book covered all the basics needed to learn the braiding process. Once you follow the step by step photo images and diagrams, it was easy to pick up the steps. Although I used the pearl cotton threads for my first project, it is not necessary to keep using the suggested threads as they can be costly. I used cotton blend yarn, nylon cord, and even hemp as my cords and found great results, depending on your project needs.

I am a new Kumihimo enthusiast and was looking for something to help me. I love the photos and very easy to follow directions and diagrams! Would definately recommend to those who are interested in this very addictive craft!

Was a little too much for a beginner. But gave me lots of good ideas that I will try when I become more experienced in Kumihimo. Beautiful pictures in the book. Great as a reference text, but do not use if you are trying to learn.

This was the first book I purchased on this subject. I have to admit it was not easy getting started, but the book became my "bible". I am now creating leads for show dogs using this skill. They are selling very well and I can hardly keep up with my orders. I strongly recommend this book for anyone wishing to gain a good background in working with Kumihimo.

I'm very pleased with this book. It has all the braiding patterns I'll need for a good while, and the instructions are easy to follow and the illustrations are clear. This is not a book about the history and all that; it's just patterns, which is what I was after.

Yes, the coordinates are badly outdated. But anybody can get updated coordinates for any of the many thousands of astronomical objects described in this encyclopedia of observing. What's totally irreplaceable are the descriptions and star lore associated with all the objects.

What Burnham has compiled here is nothing short of miraculous. I know of no serious amateur astronomers who doesn't hold these three volumes dear to their heart. If you are a serious amateur and you don't own them, you are missing out. If you are a beginner, the introduction to Volume 1 is alone worth the purchase.

No, they are not pretty, and the typesetting is straight out of the Jurassic, but once one realizes just how much information is here, one realizes that there are no substitutes.

One word review: "Essential"

If I were to take a guess at the number of times I needed to consult a reference like this, I'd probably be way off - on the low side. And if I were to estimate the number of times this 3-volume set could have pulled me out of the proverbial jam, you'd probably think I was exaggerating.

There is enough information in these three handbooks to keep the average amateur astronomer busy and occupied for years. Case in point: I was recently interested in generating a list of double and multiple stars compiled by constellation. No big deal, right? Open one of the Burnham's Handbooks, and go to any constellation. For example, in Cygnus alone, there are nine pages of double and multiple stars! You say you want data? There's enough data here to lock up a water-cooled calculator. I love it!

There's only one thing I have an issue with: The pages are all done with type that's reminiscent of NCR mimeograph flyers back in the 50's. Computer generated type would have made the perfect finishing touch to an already marvelous work. I know, picky-picky.

Each volume is affordable enough to justify the purchase of the whole set. In fact, it's rather silly that they're not sold as a set in the first place. Kind of like buying an encyclopedia a piece at a time - also reminiscent of the 50's. Though each volume is alike in its presentation of information and data, they all differ in subtle ways, which even Burnham notes at the beginning of each. I find this to be neither a device nor a flaw, but interesting to note that the author took the time to explain it.

If you happen to be interested in copious amounts of data, and an abundance of information about all the objects in all the constellations, then get thee to this 3-volume set. And even if you rarely refer to it after placing it on your bookshelf, you've done a great service to your library by putting the rest of your collection in good company.

Robert Burnham, Jr., spent twenty years at Lowell Observatory participating in a proper motion survey. During his tenure, he wrote this mammoth 3-volume work covering nearly every object visible in 2- to 12-inch telescopes. Each chapter, covering one constellation (both northern and southern hemispheres), begins with a detailed list of all stellar objects (double stars, variable stars, and deep sky objects). Then, he delves, sometimes rather deeply, into the more significant objects of that constellation, bringing together history, philosophy, and science to describe each one. His chapter on Sagittarius, for example, includes a 25-page section on the dense portion of the Milky Way blending current 1970s science with wonderful passages from Greek and Eastern philosophies, Native American legends, and the history of science. His prose for each chapter reflects the content he covers: lyrical prose when describing the "personal" aspects of observing objects, and readable, accessible language to delineate the science behind what we know about objects in the heavens. Moreover, each chapter has photographs of many of the stars and nebulae with telescopes and cameras ranging from a 5-inch astrograph to the 200-inch Hale telescope of Palomar Observatory.

Yes, the book is thirty years old and a little out-of-date. And, the typewritten font looks homely. But that's part of its charm. Burnham initially self-published this very personal book from his kitchen table. Literally. (Astronomy magazine published a very interesting "self-interview" by Burnham in March, 1982 which provides some background on his struggles to get it published.) From a small-press run of looseleaf copies in binders, it became somewhat of a cult classic among amateurs because nothing as detailed like this had been published before. (True, T.W. Webb's "Celestial Objects for Common Telescopes" was available, but it was last published in 1917.)

I know of no other book that combines personal, reflective commentary on "mundane" objects like the Big Dipper (officially, the Ursa Major Moving Cluster), and clear, concise descriptions of variable stars, Hertzsprung-Russell diagrams, and finder charts for objects like 3C273, the brightest quasar visible to amateur-sized scopes. (Trust me: spend the 30-minutes or so tracking this last one down at a star party and you'll have a line of folks waiting to look at a faint star-like object, the light of which left 3C273 long before the earth was even formed.)

One side note: if you're interested in the rather tragic life of Burnham, search for "Sky Writer", an article by Tony Ortega, published in the Phoenix, AZ "New Times" newspaper for September 25-October 1, 1997. All readers of Celestial Handbook owe Ortega a nod for the herculean task of piecing together Burnham's life.

There isn't too much this book has left out when it comes to information about stars, galaxies, clusters, nebula etc... These 3 volumes are more like an enclyclopedia set. Any star or other celestial object you want to know more about will probably be here. In fact it would take you more than a lifetime to study and find all of the different wonders of the galaxy and universe that are listed in these volumes. I never realized just how many galaxies had been documented along with variables, eclipsing binaries, star clusters, double stars etc... If you see a star in the heavens that has a certain luster or location or interests you in some way just look it up in this guide and you will find out all kinds of things about it that other books don't delve into.

Robert Burnham (NOT the former Editor of Sky and Telescope, BTW) from the 50's to the late 60's spent many years working for an observatory on the tedious project of "blink comparing" countless photographic plates. In his spare time, he made and recorded observations of thousands of the most interesting objects in the deep sky. In addition he compiled a library of observations from other great observers, as well as star lore, scientific data, and personal refleciton. The result is a hodge-podge, somewhat out of date, collection that nonethless facinates.

Thousands of objects are cataloged by constellation, and hundreds are described in detail. When arriving at an object that seems to be the most familliar of its class (M13 for globular clusters, Sirius B for white dwarfs etc,.) Burham provides an essay on that class of objects (state of the art for its time, usually the 1970s)- often including very useful cross-references to other objects in that class.

Most useful to the observer are the countless orbital charts of double stars.

These books are an addictive way to pass the time. Most of the essays on featured objects are a few pages long, and can be read in the short "in between" moments that life is filled with. For two years I had one or more volumes of this series of three books in my bathroom, so as to pass the time a bit more productively learning about the sky. Needless to say, some of my bathroom trips grew a bit lengthy as I found myself plowing through Burnham's collection of personal observations, scientific data, and historical tales.

Brief Description of Book
This book lives up to its name and is a great gift for someone you may know who is just getting hooked on buying vintage costume jewelry. It would make a great companion gift to a fabulous vintage piece. This book Collecting 101 is a bit basic for absolute beginners only.
The core thesis of the book is G-U-I-D-E an acronym that stands for:
* Is the piece in Good condition?
* Do U Like it?
* Is it a good investment?
* Is the piece designer signed and is it well designed?
* Are there extras that make it more interesting?
These questions are posed to help the buyer select good pieces at whatever price point they are starting to collect at. The author explains her GUIDE concept quite concisely and uses it throughout the book.

The author suggests four designers that beginners should collect Trifari, Coro, Kramer and Weiss. She recounts a little history about each of the companies, shows photos of their marks and recommends pieces to purchase. For example she suggests Trifari from the 50's and 60's because it is plentiful, available in excellent condition and not too expensive. The author uses a lot of photos to illustrate these sections

The next portion of the book is arranged the alphabetically and cameos 130 designers. Each profile contains a little company history, marks, signature look of a designer and recommendations of pieces to buy.

In the next chapter there is a section called "Marked by Style" on identifying unmarked jewelry. A little more than a beginner skill in my opinion but an interesting section to ponder nonetheless. She focuses 75% of her energy on Juliana, the remaining 25% on Eisenberg, Dorothy Bauer, Hattie Carnegie, Goldette, Haskell, Hollycraft, Sarah Coventry, Schauer, Schreiner and Weiss.

The remaining chapters cover:
* Upgrading your collection
* Repairing and Cleaning
* Cataloging a Collection
* Storing and Insuring a Collection

Over all the advice is quite sound, the G-U-I-D-E principle should be followed it will really help anyone avoid unfocused buying.

Quantity of Illustrations:
There are more than 750 total illustrations in Collecting Costume Jewelry 101. There are color photographs, original advertisements in color and black and white. The photos are clear and focused.


Quality of Illustrations:

Comments: The items selected are not riveting I think that they are pedestrian. Maybe that is because this book is pitched at beginners. However I feel that the selections should be inspirational and exciting. This is why the top shelf pieces in a book such as "A Tribute to America" are always fun to look at. I felt the items pictured were what the author could get permission to use. Which leads me to the inclusion of Christmas tree jewelry! There are too many Christmas trees in this book. And I like Christmas tree jewelry.

I have one very pointed example that illustrates my low score on the illustrations. The author devoted 3 pages to Miriam Haskell. In my opinion these are not good representative pieces, they are what was available to include. There is one pair of beaded earrings, a necklace with gold chain and a wood pendant that looks like it was made in shop class to me, several strings of beads, a pearl necklace that is not photographed close enough to generate any excitement and a pair of gilded earrings. I may sound harsh here but the wow factor of buying Miriam Haskell is not expressed in these photos. Feel free to disagree!

As a final note on the illustrations, I am reviewing the first edition of this book. According to the publisher Collector Books a second edition should be available soon. They promise 200 new photos and updates on the price guidelines that are included in the first edition.



Quantity of Information
Range of Information offered:
For the most part this is a good concise book to check for information. If you are looking for in depth information on a particular designer you should probably look at a more specialized book. For example there are entire books on Haskell, KJL, D &E, to name only a few designers.

Is the information thorough?
The information provided seems to be thorough and remember this is a book for beginners.

Values Listed (Prices) Yes
Are they helpful or realistic? The prices are being updated for a new edition
The prices are based on what one might hope to get in an e-bay auction.
Comments: Based on the prices sometimes I want to be buying and other times I want to be on the selling end of the transaction.


User Friendly:
Is the book easy to read and follow? yes
Is there a table of contents and index? yes
Is information easy to find? yes


Is this book a must have? Only for your friends who are just beginning to collect costume jewelry. I think Costume Jewelry 202 is a vastly superior book and I would recommend that (again).

Overall comments
If I had this book many years ago I would have avoided buying stuff I just didn't need. I would have made wiser purchases and would have a better collection today.

I actually bought her 2nd book (202) before buying this one (101) and while I treasure my 202 guide much more than this first one (because I'm not a beginner) - I think it is a fabulous book to have for those starting out. With a lot of fake WEISS and other great designers' jewelry being reproduced and sold as the real thing today (especially on eBay), it's a good guide to have that shows a fair amount and variation of these favorite popular designers' pieces. This will help the beginner collector possibly know a fake when they see it. Not all that shines and sparkles means it is the real thing or that it's collectible. I believe both her books should be bought together but the 202 Guide is definitely the very best there is (because it shows so many patents). I particularly like the fact that both of these books are done in sturdy paperback because if they were hardbound, they would be so heavy given how big they are. Lots and lots of colorful pictures! Well done!!

Found this book to be very helpful at my jewelry shows. Has lots of pictures and information on vintage jewelry and numerous designers. Does not go into great detail, but gives enough good information to be helpful. Because the information is listed in alpha order, my customers find it helpful when looking up specific designers or styles. This book is great for beginners and old collectors alike.

This book along with the "202" book by the same author are "must have"s for costume jewelry collectors, buyers and sellers. I can't rate them highly enough.

I learned many of the basics overtime and searching the internet. It is great to have so much information in one book. The photos are excellent and I would recommend this to anyone starting a collection. Great do's and don'ts.

This book is the most wonderful Encyclopedia about Barbie dolls. It has so many dolls listed with descriptions, prices and pics of the dolls in their boxes. Many pink boxes, OOAK Mattel dolls and collectibles. Pictures are nice, they are from the doll in box, and there are closes on some dolls.

If you need information on Pink Boxes, this book is the best!!! There are a new version 'cos this is not updated, the dolls showed ends on 1999. There are no 2000 dolls or 2001. But there are a second edition, so search for the new edition!

I have looked at many many books trying to find one that would help me to easily identify Barbie. Well folks, this is it! The pictures are wonderful, brightly colored and large enough to see detail. This is a "Must Have" book if you are a collector. (or if you buy used dolls to make up an OOAK) Well worth the money spent. I highly recommend!

I just received the COLLECTOR'S ENCYCLOPEDIA of BARBIE by JMichael Augustyniak. I thought I knew a lot about the value of eachdoll, I sell them and buy them regularly right here on amazon.com auctions. However, I opened the pages of this book and it is fantastic and a must for any serious collector. All the photos are in color, by date, series, it is all in this book. You will be amazed that some Barbies are valued in high 5 figures! I'm so glad I have this reference. Everyone who is interested in Barbie should! END

Maravilloso libro ! , poseo la 1ra y 2da Edicion, y son fabulosos, fotos hermosas y claras, muy bien las descripciones de cada muñeca...,Gracias Micael Augustiniak ! desde San Luis ,Argentina RITA REVUELTO

This book was very informative regarding dolls and values. I wish it would have had more of the "Special Edition" models and values though. Lots of pictures that are a good size for viewing and easy to see.

This book is put together very well, the index pages in the back make it easy to locate the dolls that you are looking for. I am a beginner and this book was very helpful for me to put a value on the dolls that I already have.

Well written, and chock full of excellent information on the making of Combat!, the stars (especially Vic Morrow, who WAS Sgt. Sanders), the story lines, directors, ground-breaking filming techniques, etc. For anyone who understands how far ahead of its time this program was when it aired, this book is a must.

This is everything you could want as a fan of the show. The author does a great job of giving us a reasonable amount of insight to move us from season to season. This blended nicely with the information about each episode.

I wish there had been a bit more room to expand the information about each episode, but, then again, I'd like to have had a bit more information about the participants lives outside of "Combat!". But I do understand the limitations publishers impose.

I would have preferred the author not to attempt to give each episode a rating (0-4 bayonets), or a least put this in an appendix. Critics can give ratings, but fans just really shouldn't try to tell another fan he's wrong (and charge them for it)!

There's nothing like an avid fan to author a great book to an already epic tv show. Jo's affection really lends itself nicely to the anecdotes given by the former cast members.
Also, if you're ever in the LA area, you can still visit Franklin Canyon where a lot of episodes were filmed. There's a road near the corner of Cold Water Canyon Dr. and Mulholland Dr. that takes you right there (can't remember the exact name,sorry). Anyway, the same trees and water still exist that were in the episodes (this is also the same place where the opening of The Andy Grifith Show was filmed, where Opie skips a rock across the water while the theme is playing). It's now a recreation area and is a nice place to hike and stow down a few beers...

This is a great book for all those fans of the "COMBAT!" TV show, produced in the 1960's. I highly recommend it if you have invested in the "COMBAT!" DVD's or if you just want to understand why this series was, and indeed still is, so popular. Ms. Davidsmeyer even included her hand written autograph in my copy!--A wonderful and unexpected surprise!!! Indeed, this entire book is "A wonderful and unexpected surprise! You'll enjoy it without a single doubt!

This publication is a must have for the discriminating fan of Combat! As the title states, it is a true "Viewer's Companion to the WWII TV Series". Author Jo Davidsmeyer provides an indepth and detailed look at what I consider one of THE best television series ever! A perfect addendum to Combat!, the complete series.

I'm just getting seriously interested in composition and music for films and I literally knew nothing about the process. This book was an excellent overall primer, was written very plainly and clearly and I walked away feeling like I understood the entire process of film scoring, all the steps involved, people involved, how royalties worked, how to get started, etc. I also really enjoyed the last section which contained many good interviews with seasoned composers. I would definitely recommend this book, especially if you are just getting started.

This is simply a wonderful book, essential for a composer interested in film sountrack world.

This book arrived at my house yesterday, and I have since nearly completed it. I really can't put it down. This book is a real gem, with interviews of the real pros whose work you have certainly already heard. This book really gives you an extensive background of music in movies and a formidable description of what kind of work it REALLY takes to take on such a monumental task. For someone who is interested in film scoring, it shows you just about everything and everyone you will encounter. The interviews towards the back of the book are total gems. This book was a shot-in-the-dark buy, but a real gem. If you write music and you don't own this... you get the idea.

It`s all Berklee here !!!

Written by the great Richard Davis it`s an invaluable book that reveals the film scoring process.

It's just perfect for people who wants to begin a composer career. Very practical to read.

And if you're pro this will ilustrate you how to do it better, and have some important considerations

I've come to recognize that any of the Berklee Press books will be excellent, but this book exceeded my expectation in nearly every way. Even though this is a textbook, it reads easily, and just as important, it is inexpensive. I was expecting a much smaller book for the price, and was surprised by the amount of material covered.

The only negative thing I could say about this book was that I had kind of expected more musical examples and tricks, for example that a whole tone scale is commonly used for dream sequences. There really isn't that kind of material covered in this book at all.

What is covered is the various legal and practical aspects of making film music as a profession, and it is covered very well.

I definitely recommend this book for anyone considering a career in film music, or even to someone who is interested in film music.

Finally, a bit of trivia from the book: Where much of the classical community derides John Williams' Star Wars score as being a rip-off of Holst's Planets, it turns out that Williams actually had to convince Lucas to use original material, in the style of the planets suite, instead of Holst's Planets itself which was the temp track.