Guides Books

I've got to admit that the writing is so deep that sometimes I have to only read a couple of pages and then take a break. But don't let that deter you. Within 1 or 2 chapters I was feeling happier than I think I ever have. And this from a mildly chronically depressed person.

It does rely heavily on Buddhism but it IS a Buddhist writing it )). For the ultra religious, don't worry. He does not shove his beliefs down your throat. It is just his examples are from his life so that are flavored that way.

I would recommend this book to anyone interested i attaining happiness.

Happiness: A Guide to Developing Life's Most Important Skill

This is the best book I have ever read on the subject of happiness. A real treasure.
Happiness is not a mystery but a possible goal for anyone who seriously wants to become a happier and better person. If you love science, literature and culture, Matthieu Ricard is the right guru for you.
A must read for everyone who loved his book "The Monk and the Philosopher".
A book you won't ever part with for you'll want to read in it again and again.

Inge Hohndorf

This book has been written by the world's happiest person. Neuroscientists have conducted various tests on thousands of people including the author and have come to the conclusion based on scientific proof. It is therefore necessary to keep that piece of information at the back of your mind when you read the book.

Every word in the book comes out loud and clear as having been created by a truly happy and contented person.

Simply by reading the book and following some of the exercises that the author suggests, you can transform yourself from a tense and neurotic being into a joyful, stress free person.

Though the author is a Buddhist monk, this book is not about Buddhism nor does it attempt to convert one to that religion. This is a practical, down to earth method to learn to be happy.

This is just a footnote to the other reviews, especially the one that wants more of the "how" to implement the author's suggestions.
Ricard is one of the finest students of one of the finest teachers of the Tibetan tradition as is, for example, the very popular author Pema Chödrön.
Chödrön's books and "Happiness" by Ricard share the same characteristic: they make great inspirational reading BUT in the absence of a regular meditative discipline they remain only that.
There is a great abundance of excellent books (which by the way are not enough on their own), and there are even quite a lot of excellent teachers, who can guide one with regard to that regular practice.
Of course what "practice" is is something that must be investigated by you yourself. The many exercises found throughout Ricard's book, if assiduously undertaken, are material enough for a thorough familiarization with practice as I understand it.
I wish you the very best in your quest,
Richard Wrigley.

I think a lot of the other reviews clearly explain why this is a wonderful book. It definitely has added a lot of perspective to my outlook on things. I believe as Ricard explains, that tweaks to the way we think and our attitude will definitely foster happier thoughts in our minds. There are some very memorable thoughts from this book - the one I liked most was the fact that happiness can never be based on external circumstances for they are fleeting. A loss of a loved one or a job can plunge a man from happiness to despair and darkness in an instant. If like Ricard, you believe that happiness can be a permanent state of mind, it has to be on the inside and all ephemeral, external circumstances will flutter the mind like lines written on water.

But there are limitations and not-so-great things about the book which could have been improved.

- Too much quoting philosophers and famous people
Almost every chapter is filled with various philosopher's take on things like happiness, emotions etc. I was more interested in Ricard's own experience and his Gurus' opinions (which were also there at places) rather than a big collection of differing thoughts of other philosophers.

- Lack of explanation on 'how to do'
There is a clear lack of explanation of how to deal practically with the issues Ricard brings up. His theory that negative thoughts like hatred need antidotes like patience is great, but there is not much detail on how to cultivate them. Ricard says the solution is meditation, but how and what to exactly meditate on is short in content.
A recurring theme is that when say, you are very angry, look at the anger itself without attaching it to the target of the anger and meditate, and it will melt away. Look at the emotion itself without the object it is related to and it will melt away like 'snow under the sun'.
It sounds good to read but I find it tough to implement. While one is meditating, how is it possible to 'look' at something without giving it an image or a mental picture? How to 'look' at an abstract entity is mentioned nowhere in the book. Maybe it comes naturally to advanced spiritual practitioners, but for a layman like me, I need more explanation on how to do these things than just a vague paragraph and impressive metaphors.

In spite of these limitations, I found it an enlightening book to read.

I have 5 dogs and years of dog experience.... and this book still managed to point out a few things I haven't thought of.

I work with a local dog rescue organization. Many rescue dogs have had a tough life and are very fearful. Techniques from this book have been very helpful with these dogs and helped them to come a long way towards becoming great adoptable pets.

I just recently acquired a somewhat shy mini-dachshund and needed instruction on how to assist him in overcoming his apprehensions. Various sources on line recommended "Help for Your Shy Dog" by Deborah Wood. I bought it, as well as this book by Nicole Wilde. The Deborah Wood book was a complete waste of time - no details were included on how I should proceed with my dog on anything, only just what amounted to a bunch of cheerleading (e.g., "with patience even you can do it!"). This Nicole Wilde Book, however, contains all the protocols you need to follow for virtually any kind of fear a dog might have. I highly recommend it for anyone with a shy dog, or any kind of dog for that matter. After reading this book, I am now making huge progress with my dog's apprehensions, and feel well equipped to deal with any fear that may come up in the future.

If I had found this book a few months ago, I could have saved a lot of money. This book has ALL of the advice that I received from several sessions with a trainer and from a veterinary behaviorist! I learned a lot more, too.

This book has everything you need to know about a scared dog, whether the dog is aggressive or hiding under the bed. The book has great advice about recognizing a scared dog, training, leadership, toys & treats that motivate, medications, food, complementary therapies, understanding a scared dog's motivation, and exercise.

I purchased this book at a seminar. I couldn't wait to get to my room and dig in to it! I was not disappointed! As a professional dog trainer and behavior consultant, I am always looking for new and better ways to handle behavior problems. This book is full of great suggestions. I think every dog trainer should have this book as part of their reference library.

I have been asked by a local community college to prepare a course on canine behavior problems and how to correct them. This book will be one of my textbooks. The information contained in this book is clear, concise, and to the point. It is presented in a manner that makes the reader feel comfortable enough with the material to put it into practice.

I would recommend this book to anyone that owns a dog. Furthermore, it would make a great gift for that neighbor with a fearful dog. If you are a trainer, make sure this book is on your shelf; make sure the pages are well read!

This is an excellent resource for anyone who wants to understand the U.S. Constitution, but especially for high school and college graduates who know they want to go into law as a vocation. My grandson, who just graduated from high school, was really pleased that I gave it to him, since he's planning to study Constitutional Law.

I have a friend whose son is adamant that the Federal Income Tax is illegal(16th Amendment)...so I purchased this book...looked up the 16th amendment...and sure enough it is VERY LEGAL...only kooks try to avoid paying it...well I copied the pertinant pages from this book and gave them to her so that she could pass them on to her law-breaking son...If you really want to know what the LAW OF THE LAND is ...then read this book...read it multiple times and please read it to your children...so that they understand our Constitution.

With each clause of the Constitution placed in historical context and reviewed in light of recent Supreme Court precedents, this academic tome brings together the brightest young and old minds in conservative and libertarian legal thought, including Eugene Volokh, Nelson Lund, Claire Priest, and countless others. Indispensible guide to anyone interested in an original meaning view of the Constitution. Not a better guide out there for originalist scholarly thought.

Every American Citizen should read this book. Understanding the relationship between citizenship and the rules by which the people authorize governance are very well described. With the press for democracy in the world, we tend to forget that the United States is not a democracy but a republic. Likewise, compliance with the Constitution prevents the establishment of an aristocracy. With the current arrogance of elected officials, we as a people have an obligation to become better informed on the roots of our sovereign law (which comes from the people) and what should be enforced; and that enforcement comes from our knowledge of the Constitution! The Heritage Foundation has done a superb service for all Americans in preparing this guide!

Edwin Meese was head of the editorial board for this guide, which is put out by the Heritage Foundation. That might suggest to some people that there's a conservative slant to the guide, but those people would be wrong. The Heritage Guide was first brought to my attention by a very liberal aquaintance who praised it to the skies, and then by a very conservative colleague who likewise praised it highly. They both had good reasons to praise it.

The Guide takes you through the entire text of the Constitution, line by line, article by article, starting with a three-page discussion of the preamble. It's written by around 100 contributors, all of them well-regarded experts in law and political science. Their discussion of even contentious topics (e.g., Amendment II or privacy rights) is dispassionate and clear, laying out for the reader the history and the case law behind contemporary constitutional issues and avoiding value judgements. The contributors write without legal jargon and with admirable directness, making the Guide accessible (not just accessible, but even enjoyably readable) to anyone with a good highschool education. The sophistication of their discussion, though, makes it suitable also for university students at all levels and for anyone who has any interest at all in the U.S. Constitution. No matter what your position is on presidential war powers or gun control, you come away from this guide with a clear and concise understanding of how the legal debate got where it is now. Each article in the Guide is followed by cross references to other passages in the Constitution, suggestions for further research, and a list of significant cases touching on the particular Article and Section of the Constitution discussed. Thus the Guide isn't just good reading on its own, but an excellent tool and springboard for further research on any constitutional topic.

This book should be required reading for university undergraduates, and for at least those few who will fall under my power next year, it will be. I intend to use this book in my classes on "Law and Literature" and "Law and Economics" as required supplementary reading. It will help clarify class discussions that revolve around constitutional issues, improve student papers, and make my students better informed citizens of the United States. That last one is the real payoff for everyone. I recommend this book far beyond the mere number of stars by which Amazon allows me to rate it.

I've been feeling bad since my papers got rejected. This book makes me feel much better when I read the "blistering rejction" included in the book as an example.
I totally agree with the author that "the world is unfaire (p<.001)" :). I will follow his idea to take what I can from the reviews, revise my paper, and send it somewhere else.
Thanks Paul for writing such a great book!

This book was great. It's full of useful and realistic information. Nothing touchy-feelie or New Age here. I wasn't asked to "get centered" or in touch with my chakras. Just practical information and guidance. This book is written for academics -- which I am not -- but I still find it helpful for my own creative writing needs.

This is the best investment a graduate student or academic can make. It would be worthwhile at $500, let alone a mere $10. While other books may encourage some of the same behaviors prescribed by Paul Silvia, *no* other how-to guide so brutally, convincingly, and entertainingly demolishes the excuses that you tell yourself when you're procrastinating. Other how-to's merely give advice, while this book positively demands productivity from you.

As a result of Silvia's work, I went from being a "bingewriter"--which I previously didn't know I was--to a writer of 1,000+ words per day. While I wasn't unhappy with my productivity before reading this book, I have never enjoyed being a professor as much as I do now that I've read it.

I only hope that one day this book is made known to all graduate students and all professors in all fields. It would improve academic discourse on numerous counts. Finally, please note that I am *not* in the field of psychology. This book is equally useful for all fields of social, physical, and natural science.

This is a great book, easy to read, and packed with excellent examples for the academic writer.

I read this book in early May. On May 7, I began writing my dissertation proposal. On June 6 (today), I turned it in; it is 106 pages (including several figures and tables) and contains over 25,000 words.

On the days I wrote, I averaged over 1500 words per day. On the days I didn't write, I still had Writing Hours, and worked on the figures, tables, references, etc. Without this book, I would not have had Writing Hours and I would not have written as high quality a prospectus as I did.

Contributing to the quality of my prospectus is the section in this book that includes grammatical information. This section is critical. You want to write a lot of good words, not just a lot of words.

If you know someone who likes things, this book would make a great gift.

If you've stayed up nights wondering about the inner workings of a Naboo N-1 Starfighter, or even occasionally contemplate the unconventional solid-fuel concentrate slugs that the strange society of the Neimoidian traders use to give their droid starfighters such powerful thrust, you'll want to read Star Wars Episode I Incredible Cross-Sections cover-to-cover. This handsome book - deservedly referring to its illustrations as incredible - shows us a vroom with a view; more than fourteen vrooms, in fact.

SW Episode I Incredible Cross-Sections is brought to us by the great people at Dorling Kindersly Publishing -- or DK for short - where just about any topic you might think of has already been turned into a beautifully illustrated right-brained adventure in learning. The illustrators for this masterpiece are Hans Jenssen and Richard Chasemore, arguably the two artists with the best job available in that field this side of Alpha Centauri.

Jenssen, who specializes in technical art, especially machines, lives in England but claims to spend his vacations on Tatooine (no accounting for taste in vacation spots) where he has been known to engage in "moderately disreputable pursuits (he goes all the way to Tatooine for that?)." Chasemore has worked as an illustrator in both the U.S. and Europe on a great variety of projects, one of which was another collaboration with Jenssen: DK's Star Wars: Incredible Cross Sections featuring intergalactic vroom-vrooms previously made famous by the vision makers at Lucasfilms. Chasemore says he enjoys "perilous sports involving boards and high velocities (now, maybe he's the one who should check-out Tatooine).

Rounding out the gifted team taking us on intricate tours of Gungan Subs, Podracers, Coruscant taxis and Republic Cruisers, is Dr. David West Reynolds who earned his PhD in archeology at the University of Michigan. His background as a lecturer, veteran of field expeditions on three continents and as an author of scientific archeological publications should make one thing perfectly clear: you don't have to be a dullard denizen of the local mall scene to be a StarWars fan. If his background doesn't make it perfectly clear, the intellectual acuity of his copy will.

This must-have addition to the shelf of any die-hard StarWars fan is equally enjoyable to tot and teen as to tottering sage. It's a picture-book nonpareil or a detailed account of mid-power repulsorlifts and hydrostatic bubble projector units (if you do more than look at the pictures). It's even a trivia-hunter's true treasure. For instance (be honest now), did you know any of the names of Anakin's co-contenders for the Boonta Eve Podrace? Sure, you say - Sebulba. But anybody knows that! True buffs will want this book so they can win rounds of Star Wars Trivial Pursuit with answers like Ark "Bumpy" Roose, Teemto Pagalies, and the ever-impressive Clegg Holdfast.

If you like schematics (or even the word schematics - it's such a great one, isn't it?) you're going to want to pour over this book like hot fudge on a sundae. Featured is a dual fold-out center page affording a panoramic view of the Trade Federation's Droid Control Ship. The resultant artistry of this and the other detailed drawings was generated when the DK team worked directly with the film production art department at Lucas's Skywalker Ranch, mapping out the anatomy of each craft as it was being created. This book comes from the source, folks: from the source ... of the Force.

My ten-year-old loves taking turns with me reading sections of this book aloud and I can almost see his gray matter expanding (hasn't hurt his imagination too much, either) while we huddle by the lamplight. Only problem I'm left with now is what to do with all these detailed schematics of his own left lying about the house - outlandishly labeled creations from foreign worlds contemplating an invasion of Earth, no doubt. Hmm. Maybe I should call George Lucas.

This edition is devoted to the Spaceships and Craft from The Phantom Menace.

As with Star Wars Cross Sections it is very well detailed and even better with todays print technology. Great for children and first generation Star Wars fans alike.

I wouldn't call this the greatest technical book of all times. I wouldn't be suprised if this book wasn't nominated for any kind of award. But Episode 1: Incredible Cross-sections is captivating enough to stand on its own. I enjoyed it because I got to look through the insides of some of the film's most enigmatic ships and vessels like Darth Maul's Sith Infiltrator and the Gungan Bongo. It's good for those who were still puzzled about the ships after the end of the film.

One of the missing points is the Chancellor ship which appeared in the movie and it was not displayed in this book.

It is more complete than the former book, even considering it is only for one movie and the other is for all three.

Other missing point is the lack of a picture of the ship without the cross-section. It is important to compare.

I recommend.

I always wanted to see more and to be able to look inside of the vehicles more closely, and this book provides that information (and more more) in great detail. I really like the mini illustrations of where in the vehicles that events from the movies took place, it helps to "put a name to a face".

This was a very good book. Travis is an excellent writer and his books make you want to come back for more.

This is one of Travis' best...This one held me captivated from beginning to end. I love the way Travis works in the characters of his earlier novels. He keeps the drama flowing with realistic tales that we can all relate to.

Travis Hunter's "A One Woman Man" book is a page-turner. Once you start reading you won't want to put it down. It is so good that when you read it you feel as if you are a part of the story watching everything that goes on. It deals with some of the most important issues today. Fatherhood, love, scandal, memories, and revenge are some of the topics just to name a few. I applaud Travis Hunter on this book because its a book I can relate to all to well. I give this novel 5 stars, it is one of the best novels I've read in months

First I have to admit that I hated the cover of this book fo sho! I almost didn't buy it because of it but I'm glad I did. So I guess it's true that you really shouldn't judge a book by its cover. I appreciate stories about black men who are trying to do the right thing and that was what Dallas Dupree was in A ONE WOMAN MAN. Not necessarily an all together brother, but he was all man and he took care of his daughter and didn't mistreat the ladies. I enjoyed reading Dallas' story, but as minor as her character was compared to that of her brother's, my favorite character was probably Carmen, Dallas' sister. She reminded me very much of my sister-in-law. The way the author molded Priest, Dallas' brother, was genius. I was completely surprised by him and the ending of the book. Overall I give this one 4.5 stars.

I did not enjoy this book as much as previous works from this author. The title didn't really seem to fit the actual content of the book and the ending was abrupt and quirky. In the end there seemed to be no real lesson or meaning to it all; so this is the kind of book that you read to fend off boredom or on a long airplane ride to keep you occupied

This is a good book on the topic of psychotropic plants, though I have to admit that I'm a little shocked that the opium poppy wasn't included. Oh well. There are enough books on that subject that I'm sure if you really want to study the "black smoke" you can find another book to read. It presents an interesting subject in an approachable, readable format. My one complaint is that parts of it read a little too New Age-y, which irks me. But that's the way I am. Aside from that one (rather small) problem, I would readily recommend this book to anyone looking for an all-in-one look at this branch of botany.

The authors Richard Schultes, director of the Botanical Museum at Harvard and Albert Hofmann, discoverer of LSD and former director of the Pharmaceutical-Chemical Research Lab in Basel, Switzerland, together have over fourteen years of research in field of botany, chemistry and ethnobotony. In their book the authors offer an ethnobological look at the sacred use of hallucinogenic plants and include: an introduction to hallucinogenic plants, a plant lexicon, overview of plant use chart, detailed section of fourteen major hallucinogenic plants, and concludes with an overview of the chemical structure of hallucinogens.
The plant lexicon includes ninety-one known and most common hallucinogenic plants with: a colored picture for each plant, botanical name, geographic location, hallucinogenic properties and a short description of the individual plant. Following the lexicon is a chart overview of each plant that includes: usage in history, context and purpose, preparation, chemical components and effects. Following the chart is a detailed account fourteen major hallucinogenic plants. "Most of these plants are or have been culturally and materially important...that they can not be overlooked "(81). The authors include: a descriptive history, gathering techniques, rituals, the chemical make-up of the plant, pictures of ceremonies, and artwork of "visions" by people.
Plants of the Gods is more than a research book, it is a guide to understanding the role hallucinogens play in various religious cultures using a scientific and anthropological approach.

This review is based on the 1992 publication:
Schultus, Richard E., and Albert Hofmann. Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers. Rochester: Healing Arts Press, 1992.

This is a good starting point for working with Psychoactive Plants. It is however not quite as informative as the author's "The Encyclopedia of Psychoactive Plants: Ethnopharmacology and Its Applications". If you are interested in working with plants but are not sure then this is the book for you to get the real information you need to make a informed decision.

If you're looking for information on how to prepare psychoactive plant medicine and, well quite frankly, how get high, this is not the book for you. However, if you'd like to gain more wisdom and insight into shamanistic practices around the world, this is a wonderful history that draws you into the mind of the shamin. I loved this book. It gave me new respect for the wisdom of those ancient people of whom we know so very little. I highly recommend this book for anyone interested in shamanism and herbalism. It offers insight into not HOW but WHY psychoactive plants are ingested. Plant medicine is afford the tremendous respect it so rightly deserves.

Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers
by Richard Evans Schultes, Albert Hofmann, and Christian Rätsch

Publisher:Healing Arts Press/Inner Traditions

Year:2001 (revised and expanded edition)

ISBN:089281979-0

Categories:Book Reviews, Recommended Books

Reviewed by Jon Hanna, 6/26/2007

It may be a rare thing for a second edition of a book to warrant its own review, but such is definitely the case with the new edition of the Schultes' and Hofmann's 1979 classic Plants of the Gods. The updated version was produced as a German translation in 1998 by Christian Rätsch, and Healing Arts Press released the English translation of this in late 2001. It is a thing of beauty.

The primary and most dramatic improvement is the inclusion of numerous new photographs and art images. Although this second edition retains many of the same photos, it introduces a lot of new ones as well. In some cases, the item depicted-such as the statue of Shiva with Datura flowers in his hair (p. 11)-has been revisited with a higher-quality photo. Frequently, black and white images have been replaced with a similar image in stunning full-color. While this works superbly in most cases, there are a few situations-such as the replacement color photo of an aerial view of the Kuluene river (p. 24)-where the original black and white photo was much better. New psychedelic art is featured throughout from the likes of Pablo Amaringo, Walangari Karntawarra Jakamarra, Nana Nauwald, and Donna Torres. There are even some incredible watercolor paintings done by Christian Rätsch himself (think Codex Seraphinianus on acid)-where can we see more of his art!? A beautiful mural of an ayahuasca ceremony that graces a wall at the Cuzco Airport in Peru reminds us that some countries have a more enlightened attitude towards the use of psychoptic plants.

"Fourteen Major Hallucinogenic Plants" of the first edition has been altered to become "The Most Important Hallucinogenic Plants," and expanded to include new sections on Anadenanthera colubrina, ayahuasca analogs, Salvia divinorum, and Duboisia hopwoodii. There have been numerous expansions on the old chapters as well, including many additional species of the genera discussed. Six new plants have been added to the "Plant Lexicon," and this section has been vastly improved through the addition of color photographs. Previously, the majority of the plants described were depicted via illustrations, with only a few photo images; this situation is now reversed, with only a few illustrations. (It is a shame that there are any drawings remaining, although I suspect in some cases it might be hard to obtain photographs of the plants in question. Still, in other cases it should not have been difficult-photos of Banisteriopsis caapi, Lagochilus inebrians, Mandragora officinarum, Mimosa tenuiflora [= M. hostilis], Peucedanum japonicum, Scirpus atrovirens, Tabernanthe iboga, and Virola theiodora are all available via the web). The map of "Native Use of Major Hallucinogens" has been expanded to include Hyoscyamus sp., Duboisia sp., and A. colubrina, and the depicted range of Cannabis use has been increased.

Some problems that the original book had are, alas, retained or, in a few cases, exaggerated. The gutter of the book is too tight, causing one to crack the spine to get a full view; this was the case in the earlier edition as well. New layout glitches include shaded backgrounds for text boxes being placed too close to the edge of the text (in some cases touching it), and headlines that sit too close to the images. The problem of citing alkaloid contents as fixed numbers is still present (although in a few cases ranges are presented). Those with little knowledge on the subject might actually believe that all dried Trichocereus pachanoi plants have a 2% mescaline content, while this is actually the peak of the range that can be determined through a survey of the scant few published isolation analyses (which dips down to 0.33%, and even lower in published HPLC analysis), and may not be typical. In new cases when ranges are presented, such as the case with Mimosa tenuiflora root-bark said to contain 0.57 to 1.0% DMT, the information may not be correct. (M. tenuiflora has been reported to contain 0.31 to 0.57% DMT with specific analyses available in the literature of Gonçalves de Lima 1946 and Patcher et al. 1959, and there have been unsubstantiated counter-culture claims of 1% to 11%, see ER Vol. X, No. 3, 2001 and Ott 2001). Both the new and the old editions of this book are riddled with statements about alkaloid contents that are presented as if they were fixed amounts, when in reality alkaloid content can be highly variable.

Some new errors are introduced with this edition. Spelling mistakes are peppered throughout (they've misspelled author Hofmann's name on the back cover!), and awkward phrasings are not uncommon in those sections that were translated from German. In some cases, plants are presented as containing specific alkaloids that they do not have. For example, it is remarked that "The Turkey Red variety of the grass Phalaris arundinacea contains liberal amounts of DMT." This is in error, as this variety contains liberal amounts of 5-MeO-DMT, not DMT. Also, photographs of four cacti-Ariocarpus retusus, A. fissuratus, Astrophyton asterias, and Aztekium riterii-known in México as "peyote" are depicted, with the statement "They primarily contain the substance mescaline and other psychoactive alkaloids." This too is in error, as only A. riterii has been found to contain trace amounts of mescaline, and no mescaline has been found at all in the others. (It was interesting to see that Rätsch considers a heftier amount of mescaline, "0.5-0.8 gram" to be a dose, compared to the Shulgins' more conservative 200-400 mg dose listed in PIHKAL; I tend to agree with Rätsch.)

Any and all criticism of this book should be viewed as minor, as it is truly a marvelous work. Rätsch has taken a great book and made it better. Especially if you own the first edition, you owe it to yourself to pick up this revamp. It is visual delight, a joy to read cover-to-cover, and it will no doubt be revisited repeatedly for years to come.

Competition is fierce and having the best marketing department or newest product is not good enough. All successful Sales professionals possess skills that set them apart from their competitors and effective writing should be at the top of their skill set. In her new book, Power Sales Writing, Sue provides the tools that will inspire the reader to develop or enhance their writing effectiveness and ultimately set them apart from the competition. Power Sales Writing has a prominent position on my bookshelf - a must read!

Share this book with everyone in your organization that has any sales contact and increase their their effectiveness. Sue cuts to the heart of good writting skills. Her book is easy to read and offers countless tips on letter writting, e-mails and better communication.

Sue is a nationally recognized speaker who captivates her audience with pithy observations, high energy and charm. She has successfully translated that into a terrific guide that will be helpful to new salespeople as well as pros. My favorite part is how she points out the pompous phrases that are often used instead of everyday common sense language.

I must say I am little disappointed. I would not tell someone not to buy this book but I would not tell someone to buy it. The book does deliver what it says on the cover. I am not so sure how powerful it is. It is about writing style and how to make it better, easier and faster. I am still trying to decide if I learned anything from this book that is of great value. I am sure I will reference this book in the future and for $10.00; hay what the hell. I have bought computer books for ten times that amount that I hated. If you have difficulty writing and getting your ideas on to paper maybe this book is for you. It is short and it is very readable. I would classify this as an average book. And sorry Sue since my name is not on this I just pounded it out on the keyboard and let the letters fall where they may.

With all of the advances the age of technology has brought us, there have also been a few setbacks. One of those setbacks comes in the form of a lack of professionalism in writing. The email era has all but eliminated professionalism in business communications. POWER SALES WRITING by Sue Hershkowitz-Coore seeks to restore some of that lost professionalism. What we have here, however, is not just about improving the level of professionalism in email, but is applicable to all realms of business writing.

The author begins by introducing four questions that are basic components of all business writing. The professional writer should always begin their prewriting with these four basic questions. Doing so will insure the writer always achieves the desired result. There is an incredible amount of information on such a wide variety of writing tips, such as proofing, when and how to use buffers, and legal culpability in business communications.

The book seems to be aimed at a general audience (anyone who conducts business communication) as well as a specific audience, (copywriters). The content here is beneficial for both audiences and, I believe, meets reader expectations of either group. The last half of the book does slant more towards the professional copywriter, but can still be applied to general business communications.

In the last half of the book we find direction on sales letters. Here, the focus is on such things as sales letter characteristics, the power of testimony and using stimuli words (visual, auditory and kinesthetic) to appeal to various learning styles.

The final section really helps the reader to challenge him or herself from writing habits found less than admirable. This is somewhat of a melding together and condensed version of Richard Bayan's "Words That Sell" and Strunk's "Elements of Style". Of particular note, I found on the final page of text, a technique I have used for years. That is making a list of the ten most important things learned from the book, picking a couple to focus on for a month, then moving to the next two. The problem here is, for me, it was difficult holding my list down to ten items.

This is a critical edition for professional copywriters. It is beneficial for all professionals who must use written communication. I found the book exceptionally well written. Hershkowitz-Coore's obvious skill as a writer makes the book very easy to comprehend.

I am a reiki teacher/master and give this book to my level I students as a reference guide. To me, Pamela's book captures the heart of reiki and reflects her deep understanding and practice of reiki. I also especially like the language she uses that speaks to my scientific nature (I hold two M.S. degrees) without detracting from the mystery that unfolds as you practice reiki on yourself and others. I highly recommend this book and suggest you check out Pamela's website. I also recommend the book "Practical Reiki" by Richard Ellis to my students because it is full of beautiful images and photographs.

Excellent book on Reiki. I just purchased in last week and have already recommended it to several clients of mine...a few of them western medical doctors. It demystifies the subject in a language anyone can follow and more importantly it will not turn off the most closed-minded reader.

As as a devoted student, and one who practices Reiki, I was initially impressed with the elegance, scope and reliability of this beautifully written book. It is absolutely authoritative, but reads in a very personal way. I literally have stacks of Reiki books that seemed compelling at first, but "Reiki: A Comprehensive Guide," has risen to the top and withstood the test of time. It is the only Reiki book that I refer to regularly on an ongoing basis. As my practice grows, I find new things to explore in this book, and I am always rewarded with solid and soulful insight and guidance.

I have recommended, to all my Reiki students, that they read and study Pamela Miles' excellent book! (I have included myself :-)

I own more than 80 Reiki books (e.g., Haberly, Petter, Gray, Rand, etc.) --but I regard this Reiki book, highly--amongst the "top 3". (The others: Bronwen & Frans Stiene: Reiki Sourcebook and Japanese Art of Reiki.)

Pamela Miles is a "purist" and I value her book because of its' honest, integrous and insightfull approach to Reiki!

With this outstanding reference work, everyone in the Reiki community has benefitted!

Pamela, I have you to thank (I mean this most sincerely) for my re-connection with SELF-Reiki! And, it has extended to my Reiki students, also!

One of the very best books on Reiki: what it is, how it works, how to use it

Pamela Miles, the author of "Reiki: A Comprehensive Guide" is founding president of the Institute for the Advancement of Complementary Therapies and has 35 years experience as a clinician, educator and lecturer in natural healing. She has been a student of meditation and yoga for 45 years. The author began practicing Reiki in 1986 and was initiated as a Reiki master in 1990. She has developed Reiki programs for implementation in prominent New York City hospitals, published numerous articles in peer-reviewed professional journals, and presented and taught Reiki at medical schools and conferences.

This is a thoughtful, informative, enlightening book, written in an engaging and conversational style, peppered with anecdotes, that let's its readers know that here the author is opening up her heart. It is a book that is useful to seasoned Reiki practitioners, the newly-minted Reiki practitioner and the individual for whom Reiki is a new experience as practitioner or as recipient. For anyone who is interested in bringing Reiki into their lives and are without a clue as to where and how to begin, "Reiki: A Comprehensive Guide" offers an excellent starting point.

The book is divided into fourteen very well-organized chapters, moving from a description of what Reiki is and what it does, its history, the components of Reiki training, and formulating a Reiki practice, to the last few sections devoted to the role of Reiki in integrative medicine and the science and research methodology underpinning that role.

The author deals fairly but squarely with the unhappy reality that much of what most of us were taught about the origins of Reiki from Hawayo Takata, who brought the practice to the West, was simply untrue: a useful myth, perhaps, but without historicity or any factual basis. Miles addresses this without hesitation, but always reminds us of what really matters: the unassailable fact that Reiki works. Even in the absence of an explanation as to how it works, in the absence of a clinically demonstrable therapeutic mechanism, it does what it says it does. While honoring and clarifying the history and traditions of her own Reiki lineage, Miles is respectful of and offers recognition to the many different styles of practice which have developed since the time when Hawayo Takata first brought Reiki out of Japan.

As a practitioner and teacher of Reiki and other healing modalities (I integrate Reiki and the Bach flower remedies into my practice of traditional Ayurveda), I am profoundly grateful to Pamela Miles for all she has done for both Reiki as well as for complimentary and integrative medicine. The author, considered to be one of the senior-most Reiki Masters now practicing, has forged a strong and graceful link between Eastern and Western medicine, and I hope that we see more of her writing in the near future.

Here, at long last, we have an insightful, straightforward and intelligent book appropriate for seasoned Reiki practitioners and medical professionals as well as individuals who are simply looking for objective explanations.

I gave this as a gift to someone who likes to read about the movies as much as he enjoys watching them. Because he has a collection of movie guides, this one caught my eye because it was different with a more unique take on film.

I have purchased other movie guides in the past but always end up getting the current Videohound. It's more concise than other books. Lots more information available. I love the catagory lists. Some of the catagory titles they think up are great! I would recommend this book for video lovers over any other that I've purchased.

i consider myself a movie buff, and this is my bible. this is the fourth edition of this book that i bought, and i will continue to buy one every year. it helps me to choose the movies i watch, and answers the questions that plague me. with the many options for reference (title, category, actor, director, composer, awards), i find this book very easy to use. not only does this book list actors, awards, directors, etc. a description of the film and a rating are included. i freaking love this book! 'nuff said.

The only short side is that it only produces info for on tape or DVD. Other than that it is a gem. When ever you don't remember an actors name, find the movie or the movie you remember them in and your there.

The bones critic of the film (ergo hound) is very good, a real persons review of the film.

Look for info by genre, title, actor or whatever.

This is a film buffs must and a great conversation starter!

What was Bogart's final film? What was Lizabeth Scott's first film? How many movies did Gregory Peck make? How many movies did Raoul Walsh direct? When did John Wayne die? And what was Vincente Minnelli's final film? Answers below! All this and considerably more movie information is included in the veritable encyclopedia "Golden Movie Retriever". There are fully 929 pages of movie synopses and ratings. Also included are indices on movie writers, cinematographers, composers and categories -how many Zorro movies are there? (13!). There are over 30 pages of major awards- and even a section on alternate titles! Apparently, "Summer Stock" may also called "If You Feel Like Singing"! It could easily take a lifetime to mine the nuggets here. The only possible weakness to GMR is the paper cover, which should be well worn very quickly. Answers to the questions above are: "The Harder They Fall" (1956); "The Strange Love of Martha Ivers" (1946); 49 (count `em!); 43; 1979 and "A Matter of Time" (1976). What's not to like? There is absolutely nothing for a movie fan to ponder here. Hit hat "Add to Cart" button now!