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I loved this book, read it four times. It covered all types of animation
including stop motion. It was organized by decade, by country. There were
many contributors who chose what they were most interested in and I guess
their passion rubs off because it is hard to put down and very informative.
If you want a course in animation history, just read this and save your
tuition money. I don't know how Jerry Beck does it all but we all
benefit from his dedication. Thank you, Jerry. Keep up the good work.

Animation Art is a comprehensive look at the history, development and cultural effects of animation and cartoons.

From the early days up to the latest blockbusters of the 21st century, the authors have covered all concepts, genres and media. Including European, Asian and Canadian cartoons, stop motion, CGI and more.

Beautifully presented with many colour pictures and written by experienced contributors it leaves no stone unturned.

The only disappointment is the amount of text devoted to one of my all time favourites, Tom & Jerry.

Otherwise a comprehensive tome that will provide for anybody interested in animation.

Informative and entertaining,another good effort by Mr. Beck. I recommend this for any fan of animation.

This is a magnificent achievement. Serving as General Editor, Jerry Beck has brought together in a single volume a riveting narrative which examines the history of cartoon, anime, and CGI with stunning full-color illustrations of that history. As he explains in his Introduction, "We have assembled an international team of animation authorities to tell the tales behind the toons. -The story is told in chronological sequence with choice images that enhance its history...From popular Disney characters to obscure personal films, it is all covered: Hollywood hits and Japanese anime, as well as Russian masterpieces and Asian artfilms. Looking it over, it is quite a wild ride." Indeed it is. The material is skillfully organized within twelve chapters which range from "The Origin of the Art" to "The New Century." By no means do I claim to be an expert on the subject of animation art but I presume to observe that I cannot imagine what has been left out. The illustrations are stunning; the prose narrative is crisp and lucid.

In the Foreword, Jeffrey Katzenberg observes that animation art provides a unique opportunity "to remember to know who has gone before, to really know the stories, take lessons from them, and bring that knowledge to the future. My hope is that, one day, other people will feel the same way about about those of us who are making animated films now. While it is an amazing thing to have the opportunity to create films and to bring these enormous enterprises to the world, it is something entirely different and entirely more rare to have our work remembered and considered part of the continuing evolution of an art form." Thanks to Beck, those who work their way through this magnificent volume will not only remember what has been achieved in animation art thus far; they will also understand what can yet be accomplished as others who have yet to reveal themselves through their art.

I highly recommend this volume to anyone interested in animation art, of course, but also to those who have an interest in the creation and evolution of comic books. Also to those who share my high regard for illustrators such as Al Hirschfeld whose art is celebrated in Hirschfeld on Line, now available from Amazon in both book and DVD formats.

Dr. Dielman was a professor of mine. The book is well organized and useful for all people on all levels.

excellent book: This is a successful attempt to make the complicated statistics much easier to grasp and use. includes output from various softwares like MINITAB, EXCEL, SAS...

only cautions are:
1. Doesn't go into Mathematically details involved.
2. One should consider that the title reads "a second course...".

For my class, the professor assigned Kleinbaum et al's textbook rather than this one. As I mentioned in my review for that book, it was so confusing and poorly organized. Luckily, I found this book in the library and used it instead and ended up a lot less confused in class than my classmates who were trying to understand the Kleinbaum book. Dielman's book is very well organized and laid out. It doesn't have colorful bells and whistles since it's a fairly upper level book, but it does have a very user-friendly layout. Furthermore, the formulas are never presented without an accompanying explanation in plain English and examples of how and when to use them. Another thing I really like about this book is that it gives thorough directions on how to do a lot of the analyses on some common statistical packages. Many of the instructions are accompanied by screenshots. They're at the end of each chapter rather than interspersed in the text, which makes them easy to find. This is actually becoming a great SAS manual for me.

For anyone struggling with the Kleinbaum book, or for any instructor considering using the Kleinbaum book, I would highly recommend this one instead.

I have bought Dr. Dielman's Applied Regression 4e textbook in Taiwan) for preparing my MBA thesis regarding the interaction effects. Given the widespread use of commercially available packages, this book provided considerately coverage on ALL computer packages about the field of regression work.

Islam prohibits tattooing, but there's been an increase in the types and number of people obtaining Arabic tattoos, and ARABIC TATTOOS uses color photos and essays to document this trend. Both art libraries and general-interest collections appealing to younger patrons will find it a popular survey of the cultural and artistic meaning of these tattoos. It's a fine exploration with interviews of tattoo owners spicing a colorful presentation - also recommended for any Middle East collection.

Diane C. Donovan
California Bookwatch

I received my review copy in this mornings mail and I must say that I am very pleased with the results. Jon Udelson had contacted me some time ago about one of my tattoos and I had been anxiously awaiting its arrival ever since. My tattoo is featured on page 114-115.

This is one amazingly put together book. I was contacted to have one of my photos in the book and received a review copy today. VERY impressed. My photo is page 110.

Although the Islamic faith prohibits tattoos, Arabic script and its various forms of ornamental calligraphy lend themselves to tattoo designs that can have a hidden meaning (or not so hidden, if you read Arabic.) This book has examples of tattoos on women and men done in various forms of Arabic script, from simple to very complex designs. Some of the complex designs are reminiscent of tribal tattoos, but always represent a word or a name.

One problem the artists point out in this book is that, most of them not knowing Arabic will not know if the design you bring them is written accurately or not.

The most beautiful designs in my opinion were the rondelles, where Arabic words are written out from a central spoke. I am not a tattoo fan myself, but if you are and you are looking for some new designs that are different from the Japanese kanji, Hebrew letters or just every day things, this book may spark your imagination. Lots of photos, well done to show the designs on all kinds of body parts and skin, from bare to hairy. (Nothing obscene.)

Louis Kahn would have loved this book. Silence and beauty permeate its pages. Intense.

Architecture of Silence is a finely wrought volume of exceptional interest and beauty. Its temporal actuality immediately evokes the devotional themes which are contained within its pages. The book feels like a sacred text which was printed and bound by hand, out of love.

Cistercian cenobites understood that interior spaces were at least as significant and meaningful in the natural order of things as surface manifestations. They believed that divinity resides in places that cannot necessarily be seen or immediately sensed. Architecture Of Silence conveys splendidly the essence of this belief as expressed through the physical monuments they created in worship.

Heald is head photographer for the Guggenheim Museum of New York. He is far more than an expert photographic technician, however. The book exemplifies uncompromisingly conscious, staggeringly sensitive image making. As he composed and developed these images, Heald must have had a vivifying rapport with the same extraordinary source of energy and insight that infused the psyches of the original builders of these Abbeys. Wonderful. Inspiring. Awesome. Excellent essay too.

I was on a spiritual pilgrimage in France in October 2000, and I toured most of the abbeys that are featured in this book. I did not see this book until after I returned from France, and I must admit that the photos in this text are the most impressive of all the books that I have viewed on Cistercian architecture. I love this book ! The photographer has been able to capture the peace, simplicity, and soul of these medieval monuments. How many photography books actually bring your spirit to a deeper level of tranquility? This one surely will. The introduction is beautifully written and was composed by The expert and scholar of Cistercian architecture. I also recommend another excellent book on this subject: Cistercians: Monks and Monasteries of Europe, by Stephen Tobin.

This is the best book on Architectural Illustration & Rendering. There is no other book like this. You'll see beautiful renderings from professional illustrators from around the world. If you use these techniques on your renderings or presentations.... you will stand out from your competition.

i thought this was a wonderfull book it will help me greatly in times to come. i also loved the descriotive nature of this book.

Dear mr. Grice:

I loved your book so much, that I have decided that this is what
I would like to do. I am unable to go to college, but I have completed architectural drafting at a local art school. What do I have to study to do renderings such as the type you have in the book? (10 stars!)

If you do get to read this, please contact amazon so that you
can answer my letter.
I tried to find a site where I could send you an e-mail, but
was not succesful.

Thank you so kindly.
Mrs. W

This book is absolutely fabulous! It does not give instructions
on how to do this type of work. It is only to inspire. If
you have a passion for learning architectural illustration, as
I do, you will reach the heavens after looking at some of these gorgeous drawings. There are illustrations in airbrush, pencil, watercolor, tempra, and by computer. If that's what you are
looking for, it's worth every penny!

This is an incredible book. 160 pages of color plates. As an artist, I really appreciate the detailed close ups of some of the paintings, where you can see every brush stroke. The color quality of the plates is very high. Lots of fantasy female figurative paintings in this book. Jeffrey Jones has a real gift for light and shadow, color, and painting the human form. Many of the color plates are 8" x 11" or 9" x 12". and could actually be cut out and framed.

Dozens and dozens Jeffrey Jones' wonderful paintings are beautifully produced in this fine book. Unfortunately, there is very little in the area of his sketches, and almost nothing of his comic work.

It might be argued that Jones' most original creations were his *Idyll* and *I'm Age* strips for National Lampoon and Heavy Metal. Certainly his work with pen-and-ink is nothing short of extraordinary. (I work with pen-and-ink myself and am in awe of his modeling techniques.) This book gives us only one single page of Idyll and one single page of I'm Age.

Because of these disappointing omissions I am tempted to give this book only two or three stars, but I give four stars in the hope that the Idyll and I'm Age strips will be collected together at a later time. They are brilliant, and from an artistic standpoint they are at least as important as the paintings.

Questions have always circulated about Jeffrey Jones and his place in the history of 20th Century fantasy art: was he a monumental talent or just another Frazetta imitator? I think this book finally provides a definitive answer: he was both. THE ART OF JEFFREY JONES is a beautiful showcase that effectively traces Jones' transition from a Frazetta-wannabe in the 1960s to the truly gifted painter of the 1990s be became.
And I must disagree with Manfred's complaints and comparisons to previous Jones books: not only are Jones' earlier books long out of print, but THE ART OF JEFFREY JONES includes a great deal of work not included in any other collection (along with unpublished art credited as being painted in the '90s). While the text most certainly could have been expanded, I believe the editors have revealed more about Jones as an artist and person than any have previously and I came away with a better appreciation of this eccentric creator. A personal favorite.

This is one terrific book! It was a great trip down memory lane for me: Jeffrey Jones did the fantastic covers for many of the swords-and-sorcery paperbacks I read while growing up. In addition to the artwork for stellar talents like Robert E. Howard, Fritz Leiber, Jack Vance, and Karl Edward Wagner, Jones' beautiful paintings also brought class to less distinguished (but still fun)books by authors like Lin Carter and Gardner F. Fox. The wonderful artwork for many, many of these books is included, as well as a ton of great illustrations based on Edgar Rice Burroughs' Tarzan adventures. The cover illustration is one of the best (and most understated) pieces of vampire artwork I've ever seen. The paintings are enlivened by Jones' personal reflections on his career, and the book concludes with striking samples of Jones' non-commercial art. Jones' smoldering, doe-eyed brunettes are the stuff dreams are made of!

This book does an excellent job of showing the cream of the crop of collectable 19th and 20th century perfume bottles (and often their presentation boxes). The text is profusely illustrated with small black and white photos, while also containing several full color sections illustrating in detail hundreds of different bottles. The text goes into intricate detail for the novice to expert collector without dumbing it up or talking down. The 16 pages of concise bibliographys at the back are infinately useful, if you are wondering when where why who or how a house started its probably in this list. Jam packed with facts, tips, annecdotes and illustrations by a TRUE expert in the field.

This book is lavished with the most magnificent perfume bottles and their pacaging. full color photos of Lalique, Baccarat, and other exquisite bottles along with the histories of the fragrance companies who commissioned them. There is also an index of these companies for quick refrence. I found the title missleading. the author is of the belief that the "art of perfume" died 30 years ago. All of the bottles are from the late 1800's to the 1960's and I feel that the title should have mentioned this. If you collect antique bottles or are looking for a good fragrance history book, this is a must.

As an avid collector of advertisements and literature on perfume, this is the first book I always recommend to fellow collectors. In the past ten or twelve years, many books were published to cater to the exploding popularity of perfume bottles as a collectors item. Christie Lefkowith's book stands out because of its focus on the ART of perfume bottles (hence the title), rather than their monetary value. Bottles are viewed in the cultural context of their time, with photographs of by far THE best quality I have ever seen in perfume books. I agree with the previous reviewer, though: too bad the book ends with the fifties. There should be a sequel.

I know that the writers are savvy perfume bottle collectors. They have incorporated years of experience into this book. That is the reason why that among all the books on this subject, this one is the most appealing. I have also used part of her materials (w/permission) to write my book (published in Chinese).

as i am an admirer of atelier van lieshout, the book is very interesting, amazing - you can read and look in it, whenever you have a couple of minutes, re-read it, re-look at it, there is always something new you can explore

Great artist, great book. Nice format. It actually includes a manual and plans to build fiberglass structures according to Joep Van Lieshout's desings. You also get a detailed step-by-step guide to pickle pork meat. His conception of art, installation, color and life are all equally interesting. Get it if you can.

brilliant vision. impact realization. one doesn't know whether it is a joke or to take it all dead seriously. the power lies in this double edge.

(horizontal format paperback) A nice range of photographs and essays describe the activities and products of Lieshout and his camp. Includes photographs, plans, and do it yourself type instruction for sexy camper units, toilet fixtures, kitchen furnishings, skinning and perserving pork, and weapons- BRING ON THE APOCALYPSE!

I ordered this school book online. It came on time and in the condition advertised.

The text arived in mint condition and I am very pleased in the urgency in which it was shipped. I would definitly purchase from this individual again.

Very good book. Doesn't just center on aviation but begins with basic law. Highly recommend it!

I'll tell you I never had so much fun reading a book. It nearly brought me to hysterics of laughter. I was laughing so loud it made me cry. Superb mix of prose and gentle words of comfort. I tell you, if you don't go out and purchase this book right now you're going to loose out. I heard that the price is going to jump here real soon. Dr Gesell really knows how to put in plain English the complex world of Airport security. It just makes me sick to think it took this long to discover his writing. My friends in Fargo can't stop talking about this. I'm going to have to look for all of his books, now. Thank you, Dr Gesell. And thank you CAP.

Our children caught the commercial bug. Try as we might, we couldn't explain the concept to a 4-year old and a 5-year old. They saw kids enjoying cereal, toys and other stuff and figured it had to be good.

The Berenstain Bears book allowed our kids to discuss the bears' problem first before relating it to their own challenge. We bring this book out about 1-2 times per month at bedtime and revisit the concept.

We own several Berenstain Bears books and they have worked very well in helping us instill good values and manners in our children.

My kids love these books. They are fun to read, and at the same time they teach them about daily values of life.
Very nice books for parents to share with their children.

Sister and Brother bear want EVERYTHING they see on the TV Commercials. Whether it is a new cereal or a new candy or a new toy or whatever. They want it and they HAVE to have it.

Mama Bear thinks she should unplug the TV, but then she would miss her show and Papa Bear would miss his.

The cubs keep pestering her to get the things in the Advertisements. So one day Mama decides to let them have everything they want off the TV commercial. They have to eat every bit of cereal and candy and play with all the toys for a month.

The cubs find out the cereal is gross, the candy is too sour, and the toys are lame.

They stop asking for things off the TV.

Children love the Berenstain Bears-- the Berenstain bears have been a source of comfort before dentists' visits, shared important information about safety, and helped in times of transition like new schools or moves. This time, the friendly bears tackle the problem with commercials. Young children are exposed to commercials on TV, the radio, even at school-- this book deals with the "I need that because I saw it on TV" syndrome in a very clever, gentle, and clear way. Highly recommended.